Search results for ""Author Thames"

In the course of a career spanning more than fifty years, Posy Simmonds has become one of Britain’s best-known satirical cartoonists. She is also as a much-loved author and artist of widely translated children’s books and graphic novels. These include Fred, animated in 1996 into the Oscar-nominated short film Famous Fred, and Gemma Bovery and Tamara Drewe, both adapted into films, increasing her international fame. Simmonds once described her job on a census form as ‘a visual engineer’. Her extraordinary precision of drawing, her powers of observation and her sharp but welltempered wit have made her one the Britain’s most sophisticated innovators, renowned especially for expanding the scope and subtlety of comics. This is the first book to explore Simmonds’s life and work from her early childhood to the present day. In a series of interviews with Paul Gravett she offered insights into her creative process and provided unprecedented access to her ‘workroom’ and archives containing sketchbooks and rare or never-before-seen artworks. A portrait emerges of Posy Simmonds as a chronicler and critic of contemporary British society and a storyteller in words and pictures of rare perception and humanity.

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An in-depth visual guide presenting the captivating creative journeys behind the world’s leading videogames. Making Videogames is an unprecedented snapshot of modern interactive entertainment, with insight from true pioneers about the most important games in the world. Illustrated with some of the most arresting in-game images ever seen in print, the book explores the unique alchemy of technical and artistic endeavour that constitutes the magic of videogames, striking a captivating balance between insight and accessibility. Across eleven chapters, each focusing on a specific game from AAA blockbusters such as Control and Half-Life: Alyx to cult breakthrough games including No Man’s Sky and Return of the Obra Dinn, the book will document the incredible craft of videogame worldbuilding and visual storytelling via the world’s most popular, but seldom fully understood, entertainment medium. The book’s text orbits breathtaking, specially created imagery ‘photographed’ in-engine by the author, demonstrating the magic and method behind each studio’s work. A book not only for die-hard videogame fanatics, but also for designer-creatives and the visually curious, Making Videogames is a thrilling showcase of the boundless creativity of this amazing industry.

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Published to accompany the first Francis Bacon retrospective in Paris for twenty years, this catalogue analyses Bacon’s works from 1971 onwards in light of his relationship to literature. Bacon always vigorously opposed over-analysis of his paintings, preferring to interpret them in purely illustrative or symbolic terms; he admitted, however, that literature was a powerful stimulus to his imagination. The artist was inspired by the images conjured up by certain texts: Aeschylus’ phrase ‘the reek of human blood smiles out at me’ in particular haunted Bacon, while his 1978 work Painting refers to T. S. Eliot’s seminal poem The Waste Land. The inventory of Bacon’s personal library has identified more than 1,300 books, ranging from Bataille and Conrad to Nietzsche and Leiris. Including twelve of Bacon’s renowned triptychs, this lavish publication features eleven gatefolds and some sixty paintings created by Bacon between 1971 and his death in 1992. Reproduced here with analyses of Bacon’s paintings in the light of some of his most admired authors, these specially commissioned texts reveal new ways of understanding some of the most powerful works in the modern canon.

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The 1970s was a time of deep division and newfound freedoms. Galvanized by The Second Sex and The Feminine Mystique, the civil rights movement and the March on Washington, a new generation put their bodies on the line to protest injustice. Still, even in the heart of certain resistance movements, sexual violence against women had reached epidemic levels. Initially, it went largely unacknowledged. But some bold women artists and activists, including Yoko Ono, Ana Mendieta, Marina Abramovic, Adrian Piper, Suzanne Lacy, Nancy Spero and Jenny Holzer, fired up by women’s experiences and the climate of revolution, started a conversation about sexual violence that continues today. Some worked unannounced and unheralded, using the street as their theatre. Others managed to draw support from the highest levels of municipal power. Along the way, they changed the course of art, pioneering a form that came to be called simply performance. Award-winning author Nancy Princenthal takes on these enduring issues and weaves together a new history of performance, challenging us to re-examine the relationship between art and activism, and how we can apply the lessons of that turbulent era to today

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Written as an engrossing detective story by the leading authority on the subject, this is the first major account in nearly a century to deal with the core issues of how the Irish people came into being. Bringing together the evidence of archaeology, culture, tradition, genetics and linguistics to shed welcome new light on the age-old riddle of Irish origins, and illustrated with numerous informative line drawings and maps, this brilliantly argued book is essential reading for anyone interested in Ireland and the Irish.

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Art-writing at its most useful should share the dynamism, fluidity and passions of the objects of its enquiry, argues Marina Warner. In this new anthology of some of her most compelling work, she captures the visual experience of the work of several artists – with a notable focus on the inner lives of women – through an exploration of the range of stories and symbols to which they allude. Metamorphosis features vividly in the imagery, stories and media of the art that Warner has chosen to write about: in connection with animals in the work of Louise Bourgeois, for instance; with the Catholicism of Damien Hirst; and with performance as a medium of memory and resistance in the installations of Joan Jonas. Rather than drawing on connoisseurship, the author’s approach grows principally out of anthropology and mythology. She argues that art and aesthetics increasingly fulfil a magical social function – a principle that runs through these writings to give the collection a quality that is polemical as well as coherent. With an introductory essay and illustrations throughout, Marina Warner investigates how artists noted for their treatment of disturbing, uncanny material have reached beyond the visible, to express interior states. Truly inspiring, her writing unites the imagination of artist, writer and reader, creating a reading experience parallel to the intrinsic pleasure of looking at art.

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A major new survey that offers fresh insights on Pablo Picasso's artworks, written by a leading authority on the master. Pablo Picasso (1881-1973) was one of the greatest artists of the 20th century. This important new monograph, released to coincide with the fiftieth anniversary of the artist's death, presents Picasso's unparalleled achievements in all media: painting, sculpture, drawing and prints. Art historian and curator Pepe Karmel offers fresh analysis of this great master for a 21st-century audience, considering Picasso's work through the lens of art rather than biography. He demonstrates how Picasso's style, evolving over the course of seven decades, introduced visual languages and narratives that transformed modern art. Arranged chronologically by themes and movements, Looking at Picasso is profusely illustrated with renowned paintings, such as the provocative Les Demoiselles d'Avignon and his monumental Guernica, protesting the horror of war; these are accompanied by numerous lesser-known works, including Picasso's daring sculptures and his animated reinterpretation of Velazquez's 17th-century masterpiece Las Meninas. Numerous exhibitions planned for 2023 will bring Picasso to the forefront. This engaging book will appeal to museum-goers curious to learn more about Picasso's career and anyone interested in modern art.

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Only 16% of the most recent Venice Biennale artists were female. A mere 14% of MoMA’s 2016 display is by non-white artists. Only one third of artists represented by US galleries are female, but over two-thirds of the enrolment in art and art-history programmes is young women… The fight for gender and race equality in the art world is far from over. Indeed, the more closely one examines the numbers, the more glaring it becomes that white, Euro-American, heterosexual, privileged and, above all, male artists continue to dominate the art world. Arranged in thematic sections focusing on feminism, race and sexuality, this book examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Nochlin’s ‘Women Artists’ at the LACMA in the mid-1970s to Martin’s ‘Carambolages’ in 2016 at the Grand Palais in Paris. By exposing both the disparities and inclusive solutions, the author addresses the urgent need in the contemporary art world for curatorial strategies that provide alternatives to exclusionary models of collecting and display. In so doing, she provides an invaluable source of information for current thinkers and, in a world dominated by visual culture, a vital source of inspiration for today’s ever-expanding new generation of curators.

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Bestselling author Philip Matyszak explores how the Greeks and Romans used magic, who performed it – and why. Magic was everywhere in the ancient world. The supernatural abounded, turning flowers into fruit and caterpillars into butterflies. Magic packed a cloud of water vapour with energy enough to destroy a house with one well-aimed thunderbolt. It was everyday magic, but it was still magical. Philip Matyszak takes readers into that world. He shows us how to make a love potion or cast a curse, how to talk to the dead and how to identify and protect oneself from evil spirits. He takes us to a world where gods, like humans, were creatures of space and time; where people could not just talk to spirits and deities, but could even themselves become divine; and where divine beings could fall from – or be promoted to – full godhood. Ancient Magic offers us a new way of understanding the role of magic, looking at its history in all of its classical forms. Drawing on a wide array of sources, from Greek dramas to curse tablets, lavishly illustrated throughout, and packed with information, surprises, lore and learning, this book offers an engaging and accessible way into the supernatural for all.

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This book distils a lifetime’s study of Viking art. Written by a leading authority, it introduces all the intricate and beautiful art styles of the Viking age. It ranges in time from the first major Viking expeditions overseas around AD 800 to the general establishment of Christianity in Scandinavia some 300 years later. The opening chapter introduces the geographical and historical background to Viking culture; thematic chapters then describe and illustrate the six main Viking art styles, showing how they emerged from and interacted with one another. Delicate metalwork, elaborate wood-carvings and the famous Gotland picture-stones are all discussed. Viking art ranges in scale from ship burials to decorated weapons and finely crafted jewelry; all feature here, alongside Viking architecture and archaeological traces left by Vikings across continental Europe and beyond. The final chapter examines Viking art in relation to pagan mythology, the conversion to Christianity, and the Viking legacy for later artistic movements. First published in 2013 and now revised and updated throughout, this volume is a modern classic that serves as a definitive guide for all those interested in the vibrant artistic culture of this fascinating period in European history.With 224 illustrations

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We Are Explorers tells the stories of fourteen women whose adventurous spirit and curiosity saw them discover the world. Their exhilarating life stories are told by the equally adventurous author and illustrator Kari Herbert, whose father was the celebrated British polar explorer Sir Wally Herbert. Herbert’s engaging style of story-telling brings both famous and little-known female explorers to life, revealing the challenges they faced, the significance of their achievements and their personal motivations.With 45 illustrations in colour

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A 'TIMES' BEST ART BOOK OF 2022 ___________________________________________ An exciting narrative and visual history of the artist’s studio, examining the myth and reality of the creative space from early times to today. The artist’s workplace has always been an imaginary as well as an actual location, an idealized utopia as well as the domain of dirty, back-breaking work. Written descriptions, paintings, prints and even photographs of the artist’s atelier distort as much as they document. This pioneering cultural history charts the myth and reality of the creative space from Ancient Greece to the present day. Tracing a history that extends far beyond the bohemian, romantic and renaissance cults of the artist, each chapter focuses on key developments of the studio space as seen in a variety of familiar and unfamiliar images. Mythical and divine makers, and some amateurs, are included, and so too are craftspeople – workers in metal and wood, potters, illuminators, weavers, embroiderers and architects to name a few. Each carefully chosen example is placed within a cultural and political context, with the aim of correcting the historical imbalance that has long overlooked the many artisans who collaborated with artists. Leading authority James Hall also extends the discussion to the artist’s museum and the artist’s house, as well plein air painting and the development of portable studios.

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This book presents full step-by-step instructions for the making of early 17th-century men’s clothes and accessories in a technically accurate, visually exciting and easy-to-follow format. Twelve garments – all historical pieces from the Victoria and Albert Museum’s collections – are featured: a suit, three doublets and a cloak, as well as a felt hat, an embroidered nightcap and a plain nightcap liner, a pasteboard picadil, a sword girdle and hangers, a pair of mittens and a linen stocking. They have been analysed so that every aspect of the pattern is exact. Scale patterns and precise construction diagrams are accompanied by colour photography of the whole garment as well as an abundance of informative details and X-ray photographs that reveal the hidden structure of each piece, showing the precise number of layers and the types of stitches used inside. The methods and techniques of historical tailoring and plain sewing are shown in detail. The authors have some of the best historical tailoring skills in the world and have worked with world-renowned institutions such as the Globe Theatre in London, creating award-winning costumes for film, stage and television. This book is a unique resource for costume and fashion designers, fashion historians and students.

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Yuval Zommer is an award-winning and bestselling author, illustrator, and environmentalist based in London. He studied at the Royal College of Art, and worked for many years as a creative director at leading advertising agencies before becoming an author and illustrator. Titles in his Big Book series have been world-wide bestsellers.

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An expert palaeoarchaeologist reveals how our understanding of the evolution of our species has been transformed by momentous discoveries and technological advancements. Who are we? How do scientists define Homo sapiens, and how does our species differ from the extinct hominins that came before us? This illuminating book explores how the latest scientific advances, especially in genetics, are revolutionizing our understanding of human evolution. Paul Pettitt reveals the extraordinary story of how our ancestors adapted to unforgiving and relentlessly changing climates, leading to remarkable innovations in art, technology and society that we are only now beginning to comprehend. Drawing on twenty-five years of experience in the field, Paul Pettitt immerses readers in the caves and rockshelters that provide evidence of our African origins, dispersals to the far reaches of Eurasia, Australasia and ultimately the Americas. Popular accounts of the evolution of Homo sapiens emphasize biomolecular research, notably genetics, but this book also draws from the wealth of information from specific excavations and artefacts, including the author’s own investigations into the origins of art and how it evolved over its first 25,000 years. He focuses in particular on behaviour, using archaeological evidence to bring an intimate perspective on lives as they were lived in the almost unimaginably distant past.

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In Japanese life and culture, there has never been a clear distinction between art, craft and design. Generations of artisans have for centuries forged and refined their crafts, which have become the envy of the modern world. Regions of Japan are renowned for specific traditions, many of which are born of local materials and the natural settings in which they are produced. Visitors and craft and design enthusiasts have long known about the high quality of craftsmanship and the unique quality of these makers and the objects they create, though few are taken outside the country. Spurred by an awareness of the unseen treasures produced by these craftspeople, designer-authors Uwe Röttgen and Katharina Zettl set out across the country to find the finest examples, to document the makers and their workshops and the rural landscapes that surround them. The result is a breathtaking odyssey into the heart of Japanese culture. The authors portray twentyfive artisans, who work with natural materials to produce objects that are intended for everyday life but are worthy of museum display. Photographs and texts, drawn from close collaboration with each maker or studio, depict ancient techniques that continue to flourish, however much the world around them has changed. Craftland Japan is not merely a book about Japanese crafts: it is a glimpse into centuries of tradition and wisdom through the prism of contemporary makers. It celebrates the union of craft, design, materiality and landscape in a manner that most cultures can only hope to emulate.

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The story of the author’s cabin build in the wilderness, packed with practical advice for aspiring builders and insights into of the history of cabin culture around the world. In 2010, journalist and author Will Jones gave up London life to move to rural Canada with his young family. His dream was to build a remote cabin in the woods that would be a silent retreat from the world. This is the story of how he created the ultimate hideaway, inspired by cabin-building practices around the world. Throughout history, people around the world have built cabins as homes, naturewatching huts and even follies. In recent times, many have been drawn to cabinbuilding by a yearning to connect with nature and spend time in the wilderness. From the homes of indigenous peoples and the settlers of the New World to contemporary Nordic summer homes and artists’ retreats, the emotive lure of cabin-building shows no sign of abating. In this book, Will Jones explores the history and romance of cabin building and delves into the architectural styles, vernacular idiosyncrasies and tools and techniques of historical and modern builders. Weaving the personal story of his cabin build with illustrated practical know-how on everything from deciding on site and orientation, to foundations and interior design, Jones’s essential book is full of inspirational ideas. The urge to escape the city and live in nature has never been stronger. Part story, part history and part practical guide, this is the ultimate read for anyone dreaming of building a cabin of their own.

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One Christmas Eve, Prince Sanruddin Aga Khan gave to his wife a magnificent jeweled box made by Cartier in the 1930s. So began the making of perhaps the most remarkable jewelry collection of a remarkable era for jewelry – and for French jewelry in particular. In the 1920s and 1930s, smoky night clubs, cocktails, a new acceptance of make up beyond the boudoir, décor for smart apartments and dinner tables, provided a new landscape for the designs of the great jewelry houses of Europe, with Paris as the superstar of cities. The gloom of war was replaced either by an explosion of coloured gemstones and enamel, with bold colour codes of blue, green and orange, or by the simplicity of black, white and gold as risqué black became newly chic. Zen rock gardens, Chinese dragons, Persian birds, Japanese plum blossom or Tutankhamun motifs provided the richest source of global influences in a triumph of hedonistic creativity. How this new world developed, the tastes and skills of its decorative shapers – above all, Cartier – the process of design and making, the rules of feminine elegance are explored by expert authors, with detailed descriptions of over 100 objects by Sarah Davis accompanying them, in a parade of the finest from the single most popular era for all those interested in jewelry and the decorative arts.

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An authoritative introduction to one of the most influential painters in the history of art, written by the pre-eminent authority on the subject and informed by the latest research. More versatile and less idiosyncratic than Michelangelo, more prolific and accessible than his mentor Leonardo da Vinci, Raphael, though he died at only thirty-seven, is considered the single most influential artist of the Renaissance. Here, art historian Paul Joannides explores the different social and regional contexts of Raphael’s work and discusses all aspects of his artistic output. He traces Raphael’s career from his origins in Urbino, through his altarpieces made in Umbria in the shadow of Perugino, to the first flowering of his genius in Florence where he painted a series of iconic Madonnas that are among the most beloved images in Western art. Raphael’s employment by the dynamic and demanding Pope Julius II gave him opportunities without parallel and encouraged the full expansion of his genius. As a sophisticate entrepreneur, he dominated Rome’s artistic life and extended the range of his activities to that of architect, designer, pioneer archaeologist and theoretician. The foundation of Raphael’s versatility and range was his supreme clarity of mind as a draughtsman. Knowledge of his drawings, on which Joannides is a leading expert, is central to understanding of his achievement, and they are thoroughly explored here.

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Francis Bacon: Shadows continues in the revelatory mode established by Inside Francis Bacon. It comprises six essays on diverse topics, interpretative as well as factual, which cumulatively present an abundance of fresh ideas and information about Bacon. The fundamental aim of the series – to rethink Bacon’s art from new perspectives – is impressively fulfilled by the eminent authors. Martin Harrison opens the book with some hitherto unseen Bacon-related photographs and includes a tribute to the great Bacon scholar, David Boxer (1946–2017). Christopher Bucklow turns his attention to the contrast between Bacon's art and the art of our own times, setting Bacon in the context of Romantic Modernism's confidence in the unconscious as a source. Amanda Harrison’s essay explores imagery in Bacon’s paintings that relates to esoteric, mythological and alchemical themes, while Stefan Haus draws on the ideas of philosophers from Plato to Hegel to consider the impact of Bacon’s art. Hugh Davies’s unexpurgated 1973 Bacon Diaries are published here in their entirety for the first time, revealing a more complete view of Bacon as both man and artist. Sophie Pretorius examines Tate's Barry Joule Archive, a collection of working materials and drawings attributed to Bacon. Finally, Martin Harrison explores Francis Bacon's Lost Paintings – works Bacon dubbed 'failures', but preserved by his Estate and published here for the very first time.With 120 illustrations in colour

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A unique approach to the history of art told through the story of colour and pigments. Did you know that the ultramarine that shimmers at the centre of Vermeer’s Milkmaid connects that masterpiece with 6th-century Zoroastrian paintings found on the walls of cave temples in Bamiyan, Afghanistan? Or that the surging waves that crest and curl in Hokusai’s perilous Great Wave off Kanagawa owe their absorbing blue lustre to an alchemist who was born in Frankenstein’s Castle in 1673? And were the Pre-Raphaelites really obsessed with a murky brown hue derived from the pulverized remains of ancient mummies? (Spoiler: they were.) Invented by prehistoric cave-dwellers and medieval conjurers, cunning conmen and savvy scientists, the colours of art tell a riveting tale all their own. Over ten scintillating chapters, acclaimed author Kelly Grovier helps bring that tale vividly to life, revealing the astonishing backstories of the pigments that define the greatest works in the history of art. Interwoven between these chapters is a series of features focusing on key moments in the evolution of colour theory – from the revelations of the Enlightenment to the radicalism of the Bauhaus – while reproductions of carefully selected artworks help illuminate the narrative’s twists and turns. The history of colour is an epic saga of human ingenuity and insatiable desire. Read this book and you will never look at a work of art in quite the same way.

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For more than 4,000 years the pyramids of Giza have stood like giant question marks that have intrigued and endlessly fascinated people. Who exactly built them? When? Why? And how did they create these colossal structures? But the pyramids are not a complete mystery – the stones, the hieroglyphs, the landscape and even the layers of sand and debris hold stories for us to read. Mark Lehner and Zahi Hawass, with over four decades of involvement with Giza, provide their unique and personal insight into the site, bringing together all the information and evidence to create a record unparalleled in its detail and scope. The celebrated Great Pyramid of Khufu, or Cheops, is the only one of the seven wonders of the ancient world still standing, but there is much more to Giza. We may think of the pyramids as rising from the desert, isolated and enigmatic, yet they were surrounded by temples, tombs, vast cemeteries and even teeming towns of the living. All are described in detail here and brought back to life, with hundreds of illustrations including detailed photographs of the monuments, excavations and objects, as well as plans, reconstructions and the latest images from remote-controlled cameras and laser scans. Through the ages, Giza and the pyramids have inspired the most extraordinary speculations and wild theories, but here, finally, in this prestigious publication, is the full story as told by the evidence on the ground, by the leading authorities on the site.

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The first global history of comics from 1968 through to the present day, arranged chronologically and richly illustrated with prime examples of the artists, styles and movements being discussed. The authors contextualize the crucial modern period within the art form’s broader history and offer a description of the more fluid, international and digital scene that is the medium’s likely future. They supply examples from around the world – including the US and UK, France, Spain, Belgium, Italy, Germany, Switzerland, Argentina, Japan, South Korea and New Zealand – and from a range of renowned and lesser-known artists.

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In this hilarious story about a really bad apple by award-winning author and polar explorer Huw Lewis Jones, a series of simple rhymes is transformed into a sequence of events that will have readers splitting their sides with laughter. As one silly scenario unfolds after the other, a common piece of fruit shows readers what he’s really made of by making life miserable for Pear, Pea, Cat, Spud and Spoon, among others. In a very dark twist at the end, he receives his comeuppance... Shortlisted in the Teach Primary Books Awards 2021

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A compelling, fully illustrated account of the worldwide phenomenon of science fiction as depicted in film, literature and art, and the scientific advances and imagination behind it. Drawing on a wide range of examples from the literary and visual canons – short stories, novels, films, television programmes, video games, graphic novels, artworks and more – in both cult and popular culture, this extensively illustrated book examines how science fiction has provided a human response to science, exploring every reaction from complacency to exhilaration, and from hope to terror. Across five chapters this volume reviews the role played by science fiction in exploring our world and a multitude of ideas about our relationship with the human condition. This encompasses a fascinating range of themes – machines, travel, aliens (the Other), communication, threats and anxiety. Featuring a range of essays by experts on the subject as well as interviews with well-known science-fiction authors and reproductions of classic ephemera, graphics and objects throughout, it also focuses on the darker elements of this fascinating genre – the anxieties, fears, dystopias, monsters and apocalypses that have populated science fiction from the beginning. Ultimately, science fiction asks what makes us human, and what lies in the future to test, threaten and even destroy humanity. This publication has these questions at its core, making it especially relevant for a contemporary readership in an age preoccupied with the climate emergency, the coronavirus pandemic, the development of nuclear missiles and military technologies, and other global challenges.

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William Wegman is a world-renowned American artist whose paintings, photographs, videos and drawings have been exhibited in museums and galleries internationally. Today he is perhaps best known for his collaborations with his longstanding muses, an ever-expanding cast of Weimaraners, for whom performing elaborate scenarios or merely posing demurely for their portraits comes as second nature. Curated in close collaboration with distinguished photography author William A. Ewing, William Wegman: Being Human is the most extensive collection of Wegman’s photographic work yet to be published. The book is organized thematically, presenting a wealth of exceptional work in such a way as to highlight the versatility of Wegman’s everinventive mind as he explores what it means to be human. From portraits of characters we so easily recognize – a suburban housewife, a famous actor, a nightclub singer, a golfer dressed in plaid – to imagery that toys with a wide range of visual languages, Wegman quotes freely from fashion photography, Cubism, colour theory, the tradition of the nude and the history of art itself. Essays and an interview explore Wegman’s approach to his subjects and their life in the studio. With over 300 images made over the last four decades, many published here for the first time, William Wegman: Being Human will delight and engage both those who are new to Wegman’s work and those who have admired his art for many years.

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This beautiful and engaging volume charts the evolution of manga from its roots in late 19th-century Japan through the many and varied forms of comics, cartoons and animation created throughout Asia for more than 100 years. World authority on comic art Paul Gravett details the evolving meanings of the myths and legends told and retold by manga artists of every decade and reveals the development and cross pollination of cultural and aesthetic ideas between manga artists throughout Asia. He explores the explosion of creativity in manga after the Second World War with the emergence of such artists as Osamu Tezuka, whose pioneering Astro Boy spawned a new and much imitated visual dynamic. He highlights how creators have responded to political events since 1950 in the form of propaganda, criticism and commentary in manga magazines, comics and books. There have been many remarkably powerful and sophisticated graphic novels, although some sexually explicit and emotionally dark adult manga has also attracted criticism, raising questions about taste and acceptability. Gravett discusses the influence of censorship on manga and concludes with a survey of current multi- platform offerings of manga in Asia and the transition from cut-price rental libraries to the booming specialist emporia and comic conventions that champion the kaleidoscope of creativity apparent in the digital age.

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This authoritative survey of Viking history and culture, now available in paperback, tells the complete story of the Vikings from their origins in Scandinavia during the first millennium ad, through the incredible period of raiding, trading and settling known as the Viking Age, to their last surviving settlements in 15th-century Greenland. Drawing on the very latest discoveries and augmenting textual evidence with fine archaeological detail, this sweeping narrative, written by a leading authority, creates a vivid picture of the Vikings at home and abroad in an era that laid many of the foundations of the modern world.

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In the last few decades, the world of contemporary art has become more globalized and visible than ever before. And yet this world has long been perceived as closed and obscure, provoking in the uninitiated a range of responses from reverence to bafflement and rage. Taking the reader on a cross-continental journey through a notional calendar year in the field of art, Matthew Israel lifts the veil on a world that emerges from his narrative as diverse, adventurous, nuanced and meaningful to all. From Los Angeles to Hong Kong via Paris and New York, the author travels among the world’s best-known artists, curators, critics, gallerists and institutions as they work towards some of the art world’s most defining international events. A Year in the Art World relates the exploits of a curious insider, who ventures deep into the workings of the art industry to ask: what is it that people in the art world actually do? What drives an interest in working with art? How do artworks acquire value? And how has technology transformed the art world of today? Israel combines in-depth personal profiles with expert context to reveal both new and longstanding artworld realities. From biennials in summer to auctions in the fall, this fascinating narrative reveals how ‘the art world’ describes a realm that is both surprisingly vast and deeply interconnected.

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Featuring twenty-two easy craft projects using natural and recycled materials, The Big Book of Nature Art is a fun and eco way for young children to connect creatively with nature. From bestselling author Yuval Zommer, The Big Book of Nature Art is packed with twenty-two easy art activities inspired by nature. Each of the activities can be achieved in four simple steps using natural materials combined with recycled or found materials from around the home. Drawing on Zommer’s years of experience running art workshops for children, The Big Book of Nature Art includes his tips for stress-free ways to get creative with kids. Each nature art activity requires no more than five minutes set-up and five minutes clean-up, making them easy to achieve and fun for everyone involved. The book also encourages children to see the creative potential in the natural and everyday treasures all around us – from twigs, seed pods, petals and leaves through to loo rolls, pencil shavings, takeaway cutlery and kitchen string. Little nature artists will enjoy making paper-plate birds; leaf bugs; coffee-cup owls; tree bark bats; and seed pod creepy crawlies, as well as scenes for their creatures to dwell in, from watery worlds to underground tunnels.

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A work of history, but also about art and architecture, trade and commerce, travel and exploration, economics and politics, this is above all a book about people and how, over the millennia, they have managed to live closely together. From the origins of urbanization in Mesopotamia to the global metropolises of today, great cities have marked the development of humankind – Babylon and Nineveh, Athens and Rome, Istanbul and Venice, Timbuktu and Samarkand, their very names are redolent both of history and romance. The Great Cities in History tells their story from early Uruk and Thebes to Jerusalem and Alexandria. Then the fabulous cities of the first millennium: Damascus and Baghdad in the days of the Caliphates, Teotihuacan and Maya Tikal in Central America, and Chang’an, capital of Tang Dynasty China. The medieval world saw the rise of powerful cities: Palermo and Paris in Europe, Benin in Africa and Angkor of the Khmer. In the early modern world, we journey to Islamic Isfahan and Agra, and Prague and Amsterdam in their heyday, before arriving at the phenomenon of the contemporary mega-city: London and New York, Tokyo and Barcelona, Los Angeles and São Paulo. A galaxy of more than fifty distinguished authors, including Jan Morris, Colin Thubron, Simon Schama, Orlando Figes, Felipe Fernandez-Armesto, Misha Glenny, Adam Zamoyski and A. N. Wilson, evoke the character of each place and explain the reasons for its success, seeing what each city would have been like during its golden age.

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Published in the run-up to the 200th anniversary of the composer’s birth in 2013, and written by one of the most distinguished Wagner scholars in the world, this will be the Wagner book of the bicentenary. Richard Wagner (1813–1883) is one of the most influential – and also one of the most polarizing – composers in the history of music. Over the course of his long career, he produced a stream of spellbinding works that challenged musical convention through their richness and tonal experimentation, ultimately paving the way for modernism. This book presents an in-depth but easy-to-read overview of Wagner’s life, work and times. Making use of the very latest scholarship – much of it undertaken by the author himself in connection with his editorship of The Wagner Journal – Millington reassesses received notions about Wagner and his work, demolishing ill-informed opinion in favour of proper critical understanding. It is a radical – and occasionally controversial – reappraisal of this most perplexing of composers. The book considers a whole range of themes, including the composer’s original sources of inspiration; his fetish for exotic silks; his relationship with his wife, Cosima, and with his mistress, Mathilde Wesendonck; his anti-semitism; the operas’ proto-cinematic nature; and the turbulent legacy both of the Bayreuth Festival and of Wagnerism itself. The volume’s arrangement – unique among books on the composer – combines an accessible text, intriguing images and original documents in carefully co-ordinated sections, thus ensuring a consistently fresh approach.

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An overview of the life and work of much-loved children’s illustrator and author Judith Kerr, creator of classics such as The Tiger Who Came to Tea, and Mog. A thoughtful and intimate portrait, this book is not only a celebration of Judith Kerr’s classic work, but a record of the hard work, development and serious intent behind it. Referencing Kerr’s biographical novels, Joanna Carey introduces us to the illustrator as she goes about her daily life, showing us into her studio, exploring her materials, her relationship with her publisher and editors, and her reflections over the years. Drawing on a great range of previously unpublished visual material, we see behind the scenes of Kerr’s unforgettable creations.

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Francis Bacon was one of most elusive and enigmatic creative geniuses of the twentieth century. However much his avowed aim was to simplify both himself and his art, he remained a deeply complex person. Bacon was keenly aware of this underlying contradiction, and whether talking or painting, strove consciously towards absolute clarity and simplicity, calling himself ‘simply complicated’. Until now, this complexity has rarely come across in the large number of studies on Bacon’s life and work. Francis Bacon: Studies for a Portrait shows a variety of Bacon’s many facets, and questions the accepted views on an artist who was adept at defying categorization. The essays and interviews brought together here span more than half a century. Opening with an interview by the author in 1963, the year that he met Bacon, there are also essays written for exhibitions, memoirs and reflections on Bacon’s late work, some published here for the first time. Included are recorded conversations with Bacon in Paris that lasted long into the night, and an overall account of the artist’s sources and techniques in his extraordinary London studio. This is an updated edition of Francis Bacon: Studies for a Portrait (2008), published for the first time in a paperback reading book format. It brings this fascinating artist into closer view, revealing the core of his talent: his skill for marrying extreme contradictions and translating them into immediately recognizable images, whose characteristic tension derives from a life lived constantly on the edge.With 14 illustrations, 7 in colour

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Can an artist claim that an object is a work of art if it has been made for him or her by someone else? If so, who is the ‘author’ of such a work? And just what is the difference between a work of art and a work of craft? New in paperback, the first book to highlight and explore the way artists collaborate with artisans and craftspeople to realise their work. The Art of Not Making tackles explores the concepts of authorship, artistic originality, skill, craftsmanship and the creative act, and highlighting the vital role that skills from craft and industrial production play in creating some of today’s most innovative and highly sought-after works of art. The book analyses hundreds of artworks by the most important international artists, including Chris Burden, Louise Bourgeois, Matthew Barney, Grayson Perry, Mona Hatoum, Ai Weiwei, Daniel Buren, Carsten Höller, Mark Wallinger, Kiki Smith, Fred Wilson, Pae White, Tony Cragg, Roni Horn, Liam Gillick, Sherrie Levine, Ugo Rondionone, Subodh Gupta, Kara Walker and Maurizio Cattelan. ‘Enjoyable … Petry clearly knows his stuff’- Art Quarterly ‘Timely...Petry has identified a significant art world trend’ - The Art Newspaper ‘Glorious’ - Harper's Bazaar ‘A handsome volume...provides pause for thought, and should be commended for drawing attention to the ideas of collaboration’ - Ceramic Review ‘Refreshingly fun to read and look at’ - State of Art ‘The arguments presented in this glossy erudite art book are bold, intriguing ... beautiful’ - GT (Gay Times)

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This stylish publication celebrates the impact Scandinavian culture has had internationally on art, design, fashion, food and interiors, and seeks out those creatives and tastemakers who are currently making their mark on the world stage. Following an introduction by the author providing an overview of hygge (and its antithesis, uhygge) and its place in the Nordic mindset, the book is divided into five themed chapters featuring interviews with designers, artisans, restaurateurs and bloggers, who share their insider knowledge on the hippest Scandinavian products, brands, trends and locations. Finally, a third section presents the best sources and locations of where to fully experience the hygge phenomenon.

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At the turn of the 20th century, Vienna became an epicentre for new thought. A multi-disciplinary environment emerged where music, writing and intellectual thought all flourished, often brought together in the capital’s famous coffee houses. This was the time of Freud and Wittgenstein, of Mahler and Schönberg, and of the Secession (1897–1905), the modern movement led by Klimt, Josef Hoffmann and Koloman Moser that aimed to bring different arts together in a ‘Gesamtkunstwerk’, a total work of art; of Jugendstil, Vienna’s Art Nouveau; and of the Wiener Werkstätte, the workshop founded in 1903 by Moser and Hoffmann that revolutionized the decorative and graphic arts. There have been many exhibitions and publications devoted to this efflorescence, and even more monographs devoted to its key players. None, however, brings together a selection of visual material from across the different artistic disciplines as significant as this current volume, curated and authored by three leading scholars of the period. The book covers all areas of production: painting and drawing; decorative arts and crafts; applied art and book design; fashion, photography and architecture. In each section the illustrations take the lead, creating an invaluable visual reference point for all those eager to identify a given category of the arts within this period, particularly in the field of the decorative arts, from ceramics to glass, silverwork, furniture, jewelry; and graphic arts, from book design to posters and postcards. There are also many less familiar works in the field of fashion and photography, and a particular focus is given to the role of women in all disciplines of the time.

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Our protagonist Zach develops a love of reading thanks to the stubborn efforts of his friend Ro, who reveals the imaginative power of books. Zach isn’t convinced that books are for him – they’re too long, they’re boring and he would rather watch TV. But thanks to his friend Ro’s stubborn efforts, Zach falls for books hook, line and sinker, and loses himself in a world of dinosaurs, princesses, pirates, football and rocketships – anything and everything the library has to offer. The benefits of reading for pleasure are well researched. As well as being linked to academic attainment, reading for pleasure can increase empathy, our understanding of our own identity, and improve mental health. These outcomes are most likely when reading takes place out of free choice. Through lively rhymes and dynamic illustrations, The Library Book helps early readers understand the plethora of books available to them through their local library and encourages parents, guardians and teachers to help children find books that appeal to their personal interests. Written in a catchy rhyming style by bestselling author Gabby Dawnay, The Library Book will trigger a love of words in readers of all abilities, while Ian Morris’ inventive watercolour illustrations – which are reminiscent of two British illustration greats, Quentin Blake and Chris Riddell – make Zach’s emotional journey come alive. The combination is a picture book that will inspire a love of libraries, reading, books and words in even the most reluctant reader.

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‘I won't read a more interesting book all year... utterly fascinating' A. N. Wilson, Sunday Times ‘Enormously good-humoured and entertaining… Hockney asks big questions about the nature of picture-making and the relationship between painters and photography in a way that no other contemporary artist seems to.’ Andrew Marr, New Statesman A new, compact edition of David Hockney and Martin Gayford’s brilliantly original book, with a revised final chapter and three entirely new Hockney artworks Informed and energized by a lifetime of painting, drawing and making images with cameras, David Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters? Juxtaposing a rich variety of images – a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velázquez painting – the authors cross the normal boundaries between high culture and popular entertainment, and make unexpected connections across time and media. Building on Hockney’s groundbreaking book Secret Knowledge, they argue that film, photography, painting and drawing are deeply interconnected. Insightful and thought provoking, A History of Pictures is an important contribution to our appreciation of how we represent our reality. This new edition has a revised final chapter with some of Hockney’s latest works, including the stained-glass window in Westminster Abbey.

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How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs. In counselling the reader against common pitfalls—such as jargon and poor structure—Gilda Williams points instead
to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey,
John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk. Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.

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As world powers realign their cultural, economic and political outlooks, there is no better time to consider how Afro-Eurasia’s complex network of ancient trade routes – which spanned the vastness of the steppe, vertiginous mountain ranges, fertile river plains and forbidding deserts across the continents and on to the seas beyond – fostered economic activity and cultural, political and technological communication. From silk to slaves, fashion to music, religion to science the movement of interaction of goods, people and ideas was crucial to the flourishing of peoples and their cultures across this vast region. Edited by Susan Whitfield, an established authority on the subject, with contributions from over 80 leading scholars from across the globe, Silk Roads situates the ancient routes against the landscapes that defined them, to reveal the raw materials that they produced, the means of travel that were employed to traverse them and the communities that were shaped by them. Organized by terrain, from steppe to desert to ocean, each section includes detailed maps, a historical overview, thematic essays and features showcasing art, buildings and archaeological discoveries. A wealth of photographs reveals the breathtaking and often forbidding landscapes encountered by travellers and traders through the millennia. With one section inscribed as a World Heritage Corridor by UNESCO in 2014 and others to follow, and China claiming the Silk Roads as the precursor of its Belt Road Initiative, this network of ancient trade routes and the interaction along them has never been of greater interest or importance than today. This beautiful publication honours the astonishing diversity in the way cultures advance and flourish not in spite of their differences, but because of them.

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The World According to Roger Ballen, co-authored with Colin Rhodes, looks at Ballen’s career in the wider cultural context beyond photography, including his connections with and collections of Art Brut. It features photographs selected from across Ballen’s career, along with installations created exclusively for the exhibition at Halle Saint Pierre and photographs of objects and works from Ballen’s own collection of Art Brut. Organized thematically, with texts by Colin Rhodes and an introduction and interview with Ballen by Martine Lusardy (the Director of the Halle Saint Pierre), The World According to Roger Ballen is both a catalogue of the first, major exhibition of Ballen’s work in France and an exploration of Ballen’s positioning within and connections to the wider context of modern and contemporary art.

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The latest addition to the laugh-out-loud series of picture books by award-winning author Huw Lewis Jones and illustrator Ben Sanders, in which the naughty antics of a truly terrible piece of fruit, Bad Apple, prove deliciously entertaining. In this festive edition, Bad Apple faces his greatest challenge yet: it’s Christmas day and everyone is just so ... jolly. Granny Smith’s carol singing and Pineapple’s incessant dancing are grating to say the least, but it’s the cheery arrival of Pea and his extended family that pushes Bad Apple over the edge. It’s beginning to feel a lot like Christmas ... but how long can the Peas last?

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Written by a team of expert authors, this landmark textbook shows that art is more than European and extends far beyond the traditional canon. The History of Art: A Global View answers the urgent need for a more global, inclusive way to teach the history of the world’s art. Led by Jean Robertson and Deborah Hutton, eleven specialists have cohered around the shared goal of bringing multiple perspectives to a worldwide narrative. The resulting survey represents every global region as an important part of an integrated, chronological history that emphasizes cross-cultural connections, contrasts and comparisons. The first major art history textbook of the 21st century, The History of Art: A Global View equips students to understand the history of art in new and revealing ways.

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Charles Messenger spent nineteen years in the Royal Tank Regiment before pursuing a career as a military historian and defence analyst. He is the author of over 40 books, including The Art of Blitzkrieg, The Commandos 1940 1946 and The Second World War in the West. He has also written biographies of three of the major German players in Normandy von Rundstedt, Rommel and Sepp Dietrich. He has written and co-directed major television series for BBC Worldwide. James Holland is an author and broadcaster who specialises in World War II. He is the author of both fiction and non-fiction books on the subject, including Normandy 44': D-Day and the Battle for France. He is also the co-founder of the Chalke Valley History Festival and presents the podcast We Have Ways of Making you Talk with Al Murray.

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In this wide-ranging, thought-provoking and sometimes provocative new book, leading sculptor Antony Gormley, informed and energised by a lifetime of making, and art critic and historian Martin Gayford, explore sculpture as a transnational art form with its own compelling history. The authors’ lively conversations and explorations make unexpected connections across time and media. Sculpture has been practised by every culture throughout the world and stretches back into our distant past. The first surviving shaped stones may even predate the advent of language. Evidently, the desire to carve, mould, bend, chip away, weld, suspend, balance – to transform a vast array of materials and light into new shapes and forms – runs deep in our psyche and is a fundamental part of our human journey and need for expression. With more than 300 spectacular illustrations, Shaping the World juxtaposes a rich variety of works – from the famous Lowenmensch or Lion Man, c. 35,000 BCE to Michelangelo’s luminous Pietà in Rome, the Terracotta Warriors in China to Rodin’s The Kiss, Marcel Duchamp’s ready-mades, Olafur Eliasson’s extraordinary Weather Project and Kara Walker’s Fons Americanus, and Tomas Saraceno’s ongoing Aerocene project, as well as examples of Gormley’s own work. Antony Gormley and Martin Gayford take into account materials and techniques, and consider overarching themes such as light, mortality and our changing world. Above all, they discuss their view of sculpture as a form of physical thinking capable of altering the way people feel, and they invite us to look at sculpture we encounter – and more broadly the world around us – in a completely different way.

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A Pulitzer-nominated author and one of the great public intellectuals of Slavic culture bring to life the unfamiliar myths and legends of the Slavic world. Slavic cultures are far-ranging, comprising of East Slavs (Russia, Ukraine, Belarus), West Slavs (Czech Republic, Slovakia, Poland) and South Slavs (the countries of former Yugoslavia plus Bulgaria), yet they are connected by tales of adventure and magic with deep roots in a common lore. In this first collection of Slavic myths for an international readership, Noah Charney and Svetlana Slapšak expertly weave together a retelling of the ancient stories with nuanced analysis that illuminates their place at the heart of Slavic tradition. Though less familiar to us than the legends of ancient Egypt, Greece and Scandinavia, in the world of Slavic mythology we find much that we can recognize: petulant deities, demons and faeries; witches, the sinister vestica, whose magic may harm or heal; a supreme god who can summon storms and hurl thunderbolts. Gods gather under the World Tree, reminiscent of Norse mythology’s Yggdrasill; or, after the coming of Christianity, congregate among the clouds. The vampire – usually the only Serbo-Croatian word in any foreign-language dictionary – and the werewolf emerge from the shallow graves of Slavic belief. In their careful analysis and sensitive reconstructions of the origin stories, Charney and Slapsak unearth the Slavic beliefs before their distortion first by Christian chroniclers and then by 19th-century scholars seeking origin stories for their new-born nation states. They reveal links not only to the neighbouring pantheons of Greece, Rome, Egypt and Scandinavia but also the belief systems of indigenous peoples of Australia, the Americas, Africa and Asia. In so doing, they draw out the universalities that cut across cultures in the stories we tell ourselves.

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This timely book surveys the artistic traditions of indigenous North America, from those of ancient cultures to the work of modern artists. The text is organized geographically, covering tribes as wide-ranging as the Navajo, Cheyenne, Chumash, Tsimshian and Inuit, and draws upon Native American history, the testimonies of oral tradition and the latest research in North American archaeology.Native American art is often discussed simply as a cultural production, but this book focuses as much as possible on the individual artists, their roles in society, and the cultural and social contexts of the objects they created, whether ‘traditional’, ‘tourist’ or contemporary. The author also examines the tension between artistic practices that have spanned thousands of years and the startlingly fresh innovations that have resulted from historical circumstance.

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