Search results for ""Author Marvin"

A formally inventive debut collection of poetry driven by narrative and character. In this poetry collection, JD Debris focuses on characters who live on society’s outskirts and demand greater visibility in the face of marginalization. At the book’s heart are extended narrative elegies for two musicians. First, the poet follows Mexican singer and songwriter Chalino Sánchez as he avenges his sister’s sexual assault, and then he turns to Gato Barbieri, an influential Argentine tenor saxophonist who is haunted by a shadowy “man in dusk-colored glasses.” As these musicians question their purpose, we as readers are invited to reflect on our lives, our legacies, and ourselves. The Scorpion’s Question Mark is personal and mythological, representational and abstract. These formally inventive and metrically attuned poems compose a range of contrasts—boxers Manny Pacquiao and Marvelous Marvin Hagler appear alongside Tupac and Herman Melville, and apparitions of the Virgin Mary manifest in both human and mirage-like forms on public beachfronts. Looking to the scorpion’s tail that forms the shape of a question mark, Debris seeks to occupy uncertain space within the poems, bending forms to find both expansiveness and tension. The Scorpion’s Question Mark was the winner of the 2022 Donald Justice Poetry Prize.

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The New York curator Marvin Heiferman characterized Lewis Baltz’s landscape photography as a “topography of the emptiness of random, damaged, remote places”. The images in his 1989 series Candlestick Point show Californian fallow land, where piles of rubble and waste accumulate in the middle of the prairie. Traces of technical land development – drainage channels and water dams – are visible, becoming a typically American theme: the development of a territory in the almost infinite prairie. Baltz’s photographic record of the development at Candlestick Point combines sociological and analytical rigour and is strongly oriented towards the tradition of Land Art, and retrospectively pays tribute to its crucial influence on conceptual art since the 1970s. Candlestick Point was first published in 1989 and has been unavailable for decades, other than as an expensive collectible on the secondary photobook market. Lewis Baltz’s works have been the subject of over fifty one person exhibitions. Seventeen monographs have been published on his work. He came to prominence as a part of the ‘New Topography’ movement of the 1970s. Baltz studied at the San Francisco Art Institute and received a Master of Fine Arts from Claremont Graduate School in 1971. He is currently based in Paris and Venice.

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The Margulies Collection at the Warehouse is a non-profit institution located in a 45,000 square foot retro-fitted warehouse in the Wynwood Arts District of Miami. The Warehouse presents seasonal exhibitions from the collection of renowned collector Martin Z. Margulies as well as educational programs, special exhibitions and an international loan program. With a stated mission of education in the arts, the Warehouse has welcomed thousands of students and visitors from all over the world. It is operated and funded by the Martin Z. Margulies Foundation, a thirty year resource for the study and enjoyment of the visual arts. The Martin Z. Margulies Collection Vol. 2 includes photography, video and installation works that have been shown at the Warehouse since it opened. The text includes essays by Barbara London, Marvin Heiferman and Mike Danoff. The catalogue is further illustrated with major works by artists from throughout the last century, such as Stephen Shore and William Eggleston, Anselm Kiefer, Doug Aitken, Tony Oursler, Richard Serra, Paola Pivi, Malick Sidibé and many others. Filled with countless insights and treasures, Martin Z. Margulies Collection Vol. 1 and Vol. 2 are a journey through one of the most exceptional collections of art in America.

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This book contains, in revised form, the invited papers which were delivered at the second conference organized by the Institute for Personalist Psychology (IPP), entitled "Moral Issues in Psychology." This conference served as a forum in which many different moral questions which concern psychologists, psychiatrists and counselors could be explicitly raised and investigated. This volume will challenge the reader to consider critically new aspects of the relationship between psychology and morality or ethics. Co-published with the Institute for Personalist Psychology. Contents: The Complete Moral Person: Anatomy and Formation, Marvin W. Berkowitz; Moral Goodness and Mental Health, Josef Seifert; Hatred and Forgiveness: Major Moral Dilemmas, Paul C. Vitz and Philip Mango; Becoming Responsible for Pain: Contradictions in Pain Management, Robert Kugelmann; Can Psychology Discover Moral Norms?: Psychology, Ethics and the Naturalistic Fallacy, Howard H. Kendler; Response to Kendler's "Psychology, Ethics and the Naturalistic Fallacy," John F. Crosby; Religion and Science, Howard H. Kendler; Response to Kendler's Response, John F. Crosby; Psychology and Philosophy: Points of Contract and Divergence: Is Psychology a Part of Philosophy? The Problem of Induction in Empirical Research, Richard W. Cross; On Induction: Response to Cross, John R. White; The Gnostic Core of Jungian Psychology: Radiating Effects on the Moral Order, Jeffrey Burke Satinover.

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This ambitious and engaging book sets itself the task of combining a wide range of approaches to cast new light on the form and function of several ancient Jewish letters in a variety of languages. The focus of The Performance of Ancient Jewish Lettersis on applying a new emerging field of performance theory to texts and arguing that letters and other documents were not just read in silence, as is normal today, but were performed, especially when they were addressed to a community. A distinctive feature of this book consists of being one of the first to apply the approach of performance criticism to ancient Jewish letters. Previous treatments of ancient letters have not given enough consideration to their oral context; however, this book prompts the reader to listen sympathetically with the audience. The Performance focuses close attention on the ways in which the engagement of the audience during the performance of a text might be read from traces present in the text itself. This book invites the audience to hear a fresh reading of a family letter from Hermopolis, concerning ugly tunics and castor oil; festal letters, about issues surrounding the celebration of Passover, Purim and Hanukkah; a diaspora letter on how to live in a foreign land; and also an official letter concerning the building of the Jerusalem temple. These letters will help us understand a text from the Dead Sea Scrolls, namely, MMT. Marvin L. Miller argues for the centrality of performance in the life of Jews of the Second Temple period, an area of study that has been traditionally neglected. The Performanceadvances the fields of orality and epistolography and supplements other scholars works in those fields.

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Celebrate the legendary guitars and amps of Fender®with this authoritatively written, lavishly illustrated, and officially licensed history of the company and the culture it inspired. Originating in Leo Fender’s modest radio and amplifier repair shop in Fullerton, California, Fender Musical Instrument Corporation went on to become the world’s preeminent name in musical instruments. Today, Fender guitars and amplifiers are icons in popular culture, their shapes and sounds instantly recognizable even to those with only a casual interest in music. From Fender’s first instrument—a 1946 lap steel guitar—to Leo Fender’s groundbreaking early six-string guitar designs like the Esquire that set the standard for the electric guitar explosion to follow, Fender: The Official Illustrated History traces the company’s entire history to the present. All the innovations and landmark models are here, as well as legendary players who became synonymous with Fender instruments across musical genres.Among the instruments author Dave Hunter examines: The instantly recognizable Telecaster® and Stratocaster® Fender’s legendary offset guitars like the Mustang®, Jazzmaster®, and Jaguar® Lesser-known models such as the Coronado and Bronco™ The Jazz Bass® and Precision Bass® Fender’s acoustic guitars and workhorse amplifiers like the Bassman®, Twin Reverb®, and Princeton® Along the way, you’ll get in-depth scoops on the relationships dozens of players have enjoyed with Fender: Rock ’n’ roll pioneers like Hank Marvin and James Burton Classic-rock icons like Jimi Hendrix and Eric Clapton Blues legends Bonnie Raitt, Stevie Ray Vaughan, and Buddy Guy Alt-rock figureheads like J Mascis, Johnny Marr, and Kurt Cobain More recent guitar heroes like Courtney Barnett, beabadoobee, and H.E.R. …the list goes on. In addition, Hunter explores the work of the award-winning Fender Custom Shop and the guitars produced there. Illustrated throughout with rare images from company archives, Fender: The Official Illustrated History treats readers to rare behind-the-scenes views of the shop floor throughout the years, studio imagery of the guitars, rare period advertising and brochures, and performance images of Fender players. It’s the definitive look at the Fender’s first three-quarters of a century and a must-have for every guitar enthusiast.

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Ubiquitous in the music world, Fender® guitars and amplifiers are also icons in popular culture, their shapes and sounds instantly recognizable. Authoritatively written and lavishly illustrated, Fender 75 Years is the officially licensed anniversary celebration of the company and its legendary instruments. Originating in Leo Fender’s modest radio and amplifier repair shop in Fullerton, California, Fender Musical Instrument Corporation went on to become the world’s preeminent name in musical instruments. Today, Fender’s guitars, amplifiers, and script logo are recognizable even to those with only a casual interest in music. From Fender’s first instrument—a 1946 lap steel guitar—to Leo Fender’s groundbreaking early six-string guitar designs like the Esquire that set the standard for the electric guitar explosion to follow, author Dave Hunter traces Fender’s entire history to the present. All the innovations and landmark models are here, as well as legendary players who became synonymous with Fender instruments across musical genres. In addition to the instantly recognizable Telecaster® and Stratocaster®, Hunter examines Fender’s legendary offset guitars like the Mustang®, Jazzmaster®, and Jaguar®, and such lesser-known models as the Coronado, Bronco™, and more. The Jazz Bass®and Precision Bass® also feature, as do Fender’s acoustic guitars and workhorse amplifiers like the Bassman®, Twin Reverb®, and Princeton®, to name a few. Along the way, readers get in-depth scoops on the relationships dozens of players have enjoyed with Fender: rock ’n’ roll pioneers like Hank Marvin and James Burton; classic-rock icons like Jimi Hendrix and Eric Clapton; blues legends Bonnie Raitt, Stevie Ray Vaughan, and Buddy Guy; alt-rock gods J Mascis and Kurt Cobain; more recent guitar heroes like Courtney Barnett, beabadoobee, and H.E.R. …the list goes on. In addition, Hunter explores the work of the award-winning Fender Custom Shop and the guitars produced there. Illustrated throughout with rare images from company archives, Fender 75 Years treats readers to rare behind-the-scenes views of the shop floor throughout the years, studio imagery of the guitars, rare period advertising and brochures, and performance images of Fender players. It’s the definitive look at the Fender’s first three-quarters of a century and a must-have for every guitar enthusiast.

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Warrior Athletes tells the story of ten prominent twentieth-century Salish and Kootenai Indian athletes from the Flathead Indian Reservation in western Montana: Charles Allard Jr. was a University of Montana football star and the 1901 captain of the Grizzly football team. Two Feathers, William Matt, and Henry Matt wrestled professionally in Montana and the Pacific Northwest from 1903 to 1905. Nick Lassa played on the Carlisle Indian School football team in Carlisle, Pennsylvania, from 1914 to 1918. Between 1918 and 1921 he played football for the Haskell Indian Institute in Lawrence, Kansas, and was a member of the only all-Indian National Football League team from 1922 to 1923. Jimmy Dupuis fought regular boxing matches in western Montana from 1930 to 1940. Frenchy Roullier and Sam Clairmont were basketball stars at Ronan High School, Mount Saint Charles College, and western Montana independent basketball teams from 1925 to 1940. Archie McDonald played football for the Haskell Indian Institute in Kansas and the Montana State University Grizzlies at Missoula from 1930 to 1939. Marvin Camel was the only Native American two-time world boxing champion and boxed professionally from 1973 to 1990.

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Cet essai conjoint deux disciplines: l'anthropologie des rites et l'histoire des litteratures folkloriques. Le terrain sur lequel il s'appuie a permis d'ouvrir des pistes loin des theories dominantes. Fini le prejuge anthropologique qui, sous pretexte de l'interet porte partout aux guerriers, ne veut croire a des initiations feminines ayant ses propres tabous et rites d'imprecations contre les hommes (cf. Marvin Harris, "Cannibals and Kings", 1977). Un autre prejuge, lui litteraire, veut que les contes de fees soient un terme impropre herite des Classiques mais sans realite folklorique. Les recits populaires, a l'en croire, tourneraient plus autour des quetes ou un heros est confronte a l'invisible qu'autour de lutines entites (cf. J.R.R. Tolkien, "On Fairy-stories", 1947). L'auteur ethnologue et sa femme photographe, admis en Inde et en Iran dans les oratoires prives de femmes zoroastriennes, montrent que les contes qu'elles y recitent invoquent efficacement les Fees.

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The Craft is an indispensable guide to both the ‘how’ and ‘why’ of poetic craft in the 21st century, and essential writing-desk companion for poets at all stages. The book covers practical techniques – the nuts of bolts of putting poems together, mastering poetic forms such as sonnets, sestinas, prose poems and golden shovels, how to choose titles for your poems and the art of long sequences. It also explores the idea of ‘craft’ itself - knowing how pentameters dance is important, but by no way is it the only dimension of ‘craft’ that the poet starting out today has to consider. What about sound and the skills involved in performing your work? What about truth and fabrication, and the ethics of using real life in your work? What about the politics of the word ‘craft’ itself? With essays on poetry from Moniza Alvi, Dean Atta, Liz Berry, Caroline Bird, Malika Booker, Debjani Chatterjee, Jane Commane, Rishi Dastidar, Carrie Etter, Will Harris, Tania Hershman, Peter Kahn, Gregory Leadbetter, Karen McCarthy Woolf, Roy McFarlane, Harry Man, Claire Pollard, Peter Raynard, Roger Robinson, Jacqueline Saphra, Joelle Taylor, Marvin Thompson, Julia Webb, and Antosh Wojcik.

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As the creative force behind Berry Gordy Jr.'s Motown Records in the mid-Sixties, a writing credit from Holland-Dozier-Holland was virtually a guarantee of chart success. From `Stop! In The Name Of Love' to `How Sweet It Is To Be Loved By You', they were the songwriting and production dream team responsible for some of the greatest songs of the twentieth century. In this compelling autobiography, brothers Eddie and Brian Holland share their story for the first time, starting with growing up in Detroit raised by a single mother and their grandmother, before shining a light on their early musical careers. A gifted lyricist, Eddie started out as a solo singer - with Berry Gordy as his manager - before partnering up with Brian and Lamont Dozier, both talented arrangers and producers. When Holland-Dozier-Holland came together, they helped transform Motown Records from a local soul label into a worldwide hit factory, home to international superstars such as Marvin Gaye, Martha & The Vandellas, The Supremes, Smokey Robinson, The Miracles, The Four Tops and The Isley Brothers. After an awe-inspiring tenure they left Motown in 1968, continuing their successes at new labels and with new collaborators for years to come. Featuring honest and open first-hand accounts, Come and Get These Memories is more than just a behind-the-scenes look at Motown Records at its peak: Eddie and Brian set the record straight on both their personal and professional lives and offer a revealing slice of pop-music history.

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Harlem’s 125th Street is a marker of 20th century urban experience, a thoroughfare that encapsulates powerful stories of business and consumption, real estate and gentrification, glamour and entertainment, and political uprising. The book explores works and themes from a large roster of photographers and performance artists who have engaged with the constant mutation of this street-life. The photographs in this book represent narratives of resilience and poems of survival against a rapid and sweeping movement of history across 125th street, where buildings and communities are periodically destroyed and built anew. The works shape a sense of belonging and identity that goes against the stereotyping and mystification of this neighborhood. It contributes to the writing of a new history of photography that is collective and collaborative. Among the artists featured are Dawoud Bey, Khalik Allah, Kwame Brathwaite, Jamel Shabazz, Hiram Maristany, Ming Smith, Ruben Natal San Miguel, Isaac Diggs & Edward Hillel, Lorraine O’Grady, and William Pope.L. Artists include: Berenice Abbott, Khalik Allah, Alice Attie, Dawoud Bey, Kwame Brathwaite Isaac Diggs & Edward Hillel, Lola Flash, Hiram Maristany, Ozier Muhammad, Katsu Naito Marilyn Nance, Ruben Natal-San Miguel, Lorraine O’Grady, Gordon Parks, Pope.L, Jamel Shabazz, Coreen Simpson, Beuford Smith, Ming Smith, Morgan and Marvin Smith, Shawn Walker Hai Zhang.

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Find your next favorite Beginner Book in this supersized story collection from Dr. Seuss! The only thing better than a Dr. Seuss book is six of them in one! The easy words, engaging rhymes, and bright art in this collection can turn any kid into a reader. All in on one colorful, sturdy hardcover package, the stories featured include The Shape of Me and Other Stuff; Marvin K. Mooney Will You Please Go Now!; Ten Apples Up On Top (illustrated by Roy McKie), In a People House (illustrated by Roy McKie); Hooper Humperdink...? Not Him! (illustrated by Scott Nash); and Because a Little Bug Went Ka-Choo! (illustrated by Michael Frith). Ideal for starting a child's library, this collection will whet young readers appetites for additional books in the Beginner Book series--and help nourish a lifelong love of reading!Beginner Books are fun, funny, and easy to read! Launched by Dr. Seuss in 1957 with the publication of The Cat in the Hat, this beloved early reader series motivates children to read on their own by using simple words with illustrations that give clues to their meaning. Featuring a combination of kid appeal, supportive vocabulary, and bright, cheerful art, Beginner Books will encourage a love of reading in children ages 3–7.

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When Diane Arbus died in 1971 at the age of forty-eight, she was already a significant influence—even something of a legend—among serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972— along with the posthumous retrospective at The Museum of Modern Art—offered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented. The monograph of eighty photographs was edited and designed by the painter Marvin Israel, Diane Arbus’s friend and colleague, and by her daughter Doon Arbus. Their goal in making the book was to remain as faithful as possible to the standards by which Diane Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged as a classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages and remains the foundation of her international reputation. Nearly half of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. Arbus’s photographs penetrate the psyche with all the force of a personal encounter and, in doing so, transform the way we see the world and the people in it. This is the first edition in which the image separations were created digitally; the files have been specially prepared by Robert J. Hennessey using prints by Neil Selkirk.

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A shame tree is a Jamaican symbol for the development of moral consciousness, and the poems in this collection explore the points at which moral values emerge - and the consequences of their absence. The poems suggest toughly that such consciousness does not grow without unremitting effort and scrupulous sensitivity to feeling, but there is nothing didactic or moralistic about them. They are imaginative recreations of the dramas of coming to consciousness and the inevitable ambiguities of truth. As in all Velma Pollard's work, there is a deeply imbued sense of Caribbean history."Tone and emotion range wider in Velma Pollard's Shame Trees Don't Grow Here... but poincianas bloom - from disgust, anger, and outrage to celebration, awe, and praise; from questioning and condemnation to understanding and reconciliation. The major thrust of the poet's fire comes in the first part of the book where those who lacked or are lacking conscience and moral boundaries are drawn into Pollard's unflinching scrutiny. Wildfire becomes hearth in part two where the beauty and life-enhancing qualities of land, sea, and people are celebrated. Throughout, the poet's skillful use of language remains evident in, for example, her subtle, unobtrusive rhymes that lend musicality to her verse; her puns; double entendres; and other word play."Marvin Williams, The Caribbean WriterVelma Pollard writes poetry, fiction and studies of language. She was born in Jamaica and works at the University of the West Indies where she is Dean of the Faculty of Education.

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What makes a leader truly great? Is it simply a matter of management style and personality? Or is it character that matters most? Moral Visions takes an insightful look into America’s leaders of the past to answer these questions and demonstrates that values and moral convictions are critical to the strength of a nation.Supposedly, we learn about the candidates for the highest office through a series of tests called “debates,” which are instead an exchange of soundbites. We can’t know whether an aspirant to the presidency has the ability to ask good questions or only a suave or belligerent ability to answer them. Moral Vision is a human-interest introduction to American history through studies of nineteen leaders: presidents, almost presidents, a tycoon, a crusading journalist, and even a leading 19th century abortionist. Its lessons can help voters sort through the candidates in 2024 and beyond by measuring them against previous leaders—none of whom was faultless. It shows how the deepest views often grow out of religious belief and influence political goals, racial prejudices, sexual activities, uses of power, and senses of service. In his 1789 inaugural address, George Washington pledged that “the foundation for national policy will be laid in the sure and immutable principles of private morality.” Marvin Olasky shows how 19th-century leaders like Thomas Jefferson, Andrew Jackson, and Grover Cleveland partly upheld and partly ignored that promise, and 20th-century leaders like Woodrow Wilson, John F. Kennedy, and Bill Clinton tried to “compartmentalize” the private and the public. An extensively updated version of The American Leadership Tradition, Moral Vision is for anyone tired of today’s textbook tendencies to submerge the role of individuals as big economic and demographic waves roll in. History is more than statistics, economics, and group identities. Human beings are more than paper boats riding the rainfall into gutters.

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Reproductive Hazards of the Workplace Linda M. Frazier, MD, MPH Marvin L. Hage, MD In the face of rising medical costs, health care reform, intense media scrutiny, and the trend toward delayed pregnancies, the concern over on-the-job reproductive hazards is at an all-time high. The need to develop effective strategies for protecting the reproductive health of employees--female and male--is more critical than ever. Reproductive Hazards of the Workplace is designed to help managers, primary care physicians, and health and safety professionals manage and prevent occupational reproductive risks. Like other entries in Van Nostrand Reinhold's Hazards of the Workplace series, the book offers a wealth of valuable, up-to-date information plus expert-tested methodologies and advice for handling risk exposure. Reproductive Hazards of the Workplace begins by covering basic reproductive and developmental biology and fundamentals of risk assessment and reduction. It shows readers how to take into account influencing factors such as the employee's age, personal habits, and existing conditions (such as diabetes and hypertension). From this foundation, the text explains how to recognize and manage a wide range of potential threats to reproductive health, including: * Chemical agents * Physical agents * Biologic agents * Ergonomic factors * Travel * Stress In describing reproductive risks involving these common occupational exposures, thorough coverage is provided of an often-ignored subject: reproductive hazards to men. Reproductive Hazards of the Workplace offers a variety of features to help readers use the material. Key tables, references, sample patient encounter forms, and occupational exposure guidelines add to the book's functionality. With this book, physicians, nurses, corporate personnel, and safety professionals have an expert resource focused exclusively on a crucial aspect of occupational health management. As an introductory text, a review volume, or a convenient sourcebook, Reproductive Hazards of the Workplace is a welcome addition to any safety professional's library.

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An important center of dancehall reggae performance, sound clashes are contests between rival sound systems: groups of emcees, tune selectors, and sound engineers. In World Clash 1999, held in Brooklyn, Mighty Crown, a Japanese sound system and the only non-Jamaican competitor, stunned the international dancehall community by winning the event. In 2002, the Japanese dancer Junko Kudo became the first non-Jamaican to win Jamaica’s National Dancehall Queen Contest. High-profile victories such as these affirmed and invigorated Japan’s enthusiasm for dancehall reggae. In Babylon East, the anthropologist Marvin D. Sterling traces the history of the Japanese embrace of dancehall reggae and other elements of Jamaican culture, including Rastafari, roots reggae, and dub music. Sterling provides a nuanced ethnographic analysis of the ways that many Japanese involved in reggae as musicians and dancers, and those deeply engaged with Rastafari as a spiritual practice, seek to reimagine their lives through Jamaican culture. He considers Japanese performances and representations of Jamaican culture in clubs, competitions, and festivals; on websites; and in song lyrics, music videos, reggae magazines, travel writing, and fiction. He illuminates issues of race, ethnicity, gender, sexuality, and class as he discusses topics ranging from the cultural capital that Japanese dancehall artists amass by immersing themselves in dancehall culture in Jamaica, New York, and England, to the use of Rastafari as a means of critiquing class difference, consumerism, and the colonial pasts of the West and Japan. Encompassing the reactions of Jamaica’s artists to Japanese appropriations of Jamaican culture, as well as the relative positions of Jamaica and Japan in the world economy, Babylon East is a rare ethnographic account of Afro-Asian cultural exchange and global discourses of blackness beyond the African diaspora.

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Don’t Panic! Reissued for the first time in 40 years, two unique recordings of Douglas Adams's sci-fi comedy drama.When Earthman Arthur Dent learns that first his house and then his planet are about to be bulldozed, it’s the beginning of an interplanetary adventure for him and his friend, Ford Prefect. After fleeing Earth they hitch a lift with hoopy frood Zaphod Beeblebrox, who hurtles from one improbability to another - literally. With Trillian and Marvin the Paranoid Android in tow, the answer to Life, the Universe and Everything is soon revealed: 42. But what was the question…? Following the success of the BBC radio series, Douglas Adams adapted his scripts for these two full-cast albums, with incidental radiophonic music provided by Paddy Kingsland. First released by Original Records in 1980, The Hitchhiker’s Guide to the Galaxy and The Restaurant at the End of the Universe star Peter Jones as The Book, Simon Jones as Arthur Dent, Geoffrey McGivern as Ford Prefect and Mark Wing-Davey as Zaphod Beeblebrox. Produced by Geoffrey Perkins and Tim Souster, the cast also includes Cindy Oswin, Stephen Moore, Richard Vernon, Valentine Dyall, David Tate, Jim Broadbent, Bill Wallis, Roy Hudd, Frank Middlemass, Stephen Greif and others. Hang onto your towel – it’s going to be the ride of a lifetime.

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Don’t panic! The Hitchhiker’s saga returns once again with a full-cast dramatisation of Mostly Harmless, the fifth book in Douglas Adams’s famous ‘trilogy in five parts’.‘A radio event... the great original cast has been reassembled’. Gillian Reynolds, The Daily TelegraphWhile frequent flyer Arthur Dent searches the universe for his lost love, Ford Prefect discovers a disturbing blast from the past at The Hitchhiker’s Guide HQ. Meanwhile, on one of many versions of Earth, a blonder, more American Trillian gets tangled up with a party of lost aliens having an identity crisis. And just when Arthur thinks he has found his true vocation on the backwater planet of Lamuella, the original Trillian turns up with more than a little spanner in the works. A stolen ship, a dramatic stampede and a new and sinister Guide lead to a race to save the Earth … again. But this time, will they succeed?Simon Jones returns as Arthur, Geoffrey McGivern as Ford, Mark Wing-Davey as Zaphod Beeblebrox, Susan Sheridan as Trillian, Sandra Dickinson as Tricia McMillan, and Stephen Moore as Marvin. William Franklyn is the Book, Rula Lenska is also the Book and Samantha Béart is Random. Guest stars include Miriam Margolyes, Griff Rhys Jones, John Challis, Roy Hudd, Saeed Jaffrey, and Jonathan Pryce.This extended CD edition features 40 minutes of material not heard on BBC Radio 4.Duration: 2 hrs 30 mins approx.

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Fruits of the most recent research on the thirteenth century in both England and Europe. The articles collected here reflect the continued and wide interest in England and its neighbours in the years between Magna Carta and the Black Death, with many of them particularly seeking to set England in its European context.There are three main strands to the volume. The first is the social dimension of power, and the norms and practice of politics: attention is drawn to the variety of roles open to members of the clergy, but also peasants and townsmen, and the populace at large. Several chapters explore the manifestations and instruments of social identity, such as the seals used by the leading elites of thirteenth-century London, and the marriage practices of the Englisharistocracy. The third main focus is the uses of the past. Matthew Paris, the most famous chronicler of the period, receives due attention, in particular his changing attitude towards the monarch, but the Vita Edwardi Secundi's portrayal of Thomas of Lancaster and the Anglo-Norman Prose Brut are also considered. Janet Burton is Professor of Medieval History at University of Wales: Trinity Saint David; Phillipp Schofield is Professor of Medieval History at Aberystwyth University; Björn Weiler is Professor of History at Aberystwyth University. Contributors: J.R. Maddicott, Phillipp Schofield, Harmony Dewez, John McEwan, Jörg Peltzer, Karen Stöber, Olga Cecilia Méndez González, Sophie Ambler, Joe Creamer, Lars Kjær, Andrew Spencer, Julia Marvin, Olivier de Laborderie

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Ziauddin Sardar sides with the philosophers of al-Andalus in their struggle with orthodox theologians, Robin Yassin-Kassab goes on a poetic journey, Nazry Bahrawi reveals how the Andalusi philosophers tamed the secular, Gema Martin Munoz is dismayed by the works of the Spanish Orientalists, Emilio Gonzalez-Ferrin argues that al-Andalus is not just a time past also a time present, Matthew Carr explores the plight of Muslims who were forced to convert to Christianity, David Shasha describes the achievements of Sephardic Jews, Cherif Abderrahman Jah tunes into the musical legacy of al-Andalus, Brad Bullock seeks to empower women, Marvine Howe meets the new Muslims of Iberia, Jordi Sarra del Pino wows to resist Spain's new Reconquista, Alev Adil and Aamer Hussein receive nine postcards from Andalusia, Boyd Tonkin is captivated by a book festival in Granada, Zara Amjad and Gulzar Haider reimagine the Cordoba Mosque as a sacred space for all religions, and Merryl Wyn Davies gets the shivers while listening to the Spanish tenor Jose Carreras belting out 'Granada'. Also in this issue: Vinay Lal explores Gandhi's attitude to Palestine, Barnaby Rogerson reprimands the Muslim aversion to dogs, four poems by the enchanting Rowyda Amin, a short story by John Liechty, and a dozen luminaries of al-Andalus we should all admire.

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The New Hollywood boom of the late 1960s and 1970s is celebrated as a time when maverick directors bucked the system. Against the backdrop of counterculture sensibilities and the prominence of auteur theory, New Hollywood directors such as Robert Altman and Francis Ford Coppola seemed to embody creative individualism. In Post-Fordist Cinema, Jeff Menne rewrites the history of this period, arguing that auteur theory served to reconcile directors to Hollywood’s corporate project.Menne traces the surprising affinities between auteur theory and management gurus such as Peter Drucker, who envisioned a more open and flexible corporate style. In founding production companies, New Hollywood filmmakers took part in the creation of new corporate models that emphasized entrepreneurial creativity. For firms such as Kirk Douglas’s Bryna Productions, Altman’s Lion’s Gate Films, the Zanuck-Brown Company, and BBS Productions, the counterculture ethos limbered up the studio system’s sclerotic production process—with striking parallels to how management theory conceived of the role of the individual within the firm. Menne offers insightful readings of how films such as Lonely Are the Brave, Brewster McCloud, Jaws, and The King of Marvin Gardens narrate the conditions in which they were created, depicting shifting notions of work and corporate structure. While auteur theory allowed directors to cast themselves as independent creators, Menne argues that its most consequential impact came as a management doctrine. An ambitious rethinking of New Hollywood, Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the “creative economy.”

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In August 1965, during a sweltering heatwave, 56,000 people traveled by plane, car, bus, ferry, and subway train to pack New York's Shea Stadium on a Sunday evening—not for a baseball game, but for a rock and roll concert. This idea was the crazy dream of concert promoter Sid Bernstein. No rock band had ever played a baseball stadium, and no one believed he could pull it off. But on that glorious night, The Beatles sold out Shea Stadium, shattering all existing box office and attendance records in show business history. Oh, and they also changed the world. Against the backdrop of a remarkably volatile year in our nation's history, Top of the Mountain: The Beatles at Shea Stadium, 1965 delivers all the detail and excitement of Shea and the spirited, curious new generation who would soon claim the decade for its own. Told through first-person interviews and quotes, a unique cast of characters tells the story: celebrities then and celebrities now, writers, agents, producers, photographers, opening act performers, fans, security guards, radio personalities, cameramen, and media—all of whom were part of the night. Caryn Johnson (Whoopi Goldberg) and Steven Lento (Little Steven Van Zandt); future Beatle wives Linda Eastman and Barbara Bach; established stars like Bobby Vinton and Ed Sullivan; and artists hoping one day to equal this success, such as Mick Jagger, Keith Richards, Felix Cavaliere and The Rascals, Marvin Gaye, and more share their memories of this remarkable night in Top of the Mountain.

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"The leading academic vehicle for scholarly publication in the field of medieval warfare." Medieval Warfare The twenty-first volume of the Journal of Medieval Military History begins with three studies examining aspects of warfare in the Latin East: an archaeological report on the defenses of Jerusalem by Shimon Gibson and Rafael Y. Lewis; a study of how military victories and defeats (viewed through the lens of carefully shaped reporting) affected the reputation, and the flow of funds and recruits to, the Military Orders, by Nicolas Morton; and an exploration of how the Kingdom of Jerusalem quickly recovered its military strength after the disaster of Hattin by Stephen Donnachie. Turning to the other side of the Mediterranean, Donald J. Kagay analyzes how Jaime I of Aragon worked to control violence within his realms by limiting both castle construction and the use of mechanical artillery. Guilhem Pépin also addresses the limitation of violence, using new documents to show that the Black Prince's sack of Limoges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.

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As the creative force behind Berry Gordy Jr.'s Motown Records in the mid-Sixties, a writing credit from Holland Dozier Holland was virtually a guarantee of chart success. From Stop! In The Name Of Love to How Sweet It Is To Be Loved By You, they were the songwriting and production dream team responsible for some of the greatest songs of the twentieth century. In this compelling autobiography, brothers Eddie and Brian Holland share their story for the first time, starting with growing up in Detroit raised by a single mother and their grandmother, before shining a light on their early musical careers. A gifted lyricist, Eddie started out as a solo singer with Berry Gordy as his manager before partnering up with his brother Brian and Lamont Dozier, both talented arrangers and producers. When Holland Dozier Holland came together, they helped transform Motown Records from a local soul label into a worldwide hit factory, home to international superstars such as Marvin Gaye, Martha & The Vandellas, The Supremes, Smokey Robinson, The Miracles, The Four Tops and The Isley Brothers. After an awe-inspiring tenure they left Motown in 1968, continuing their successes at new labels and with new collaborators for years to come. Featuring honest and open first-hand accounts, Come and Get These Memories is more than just a behind-the-scenes look at Motown Records at its peak: Eddie and Brian set the record straight on both their personal and professional lives and offer a revealing slice of pop-music history.

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"Devices enormously smaller than before will remodel engineering,chemistry, medicine, and computer technology. How can we understandmachines that are so small? Nanosystems covers it all: powerand strength, friction and wear, thermal noise and quantumuncertainty. This is the book for starting the next century ofengineering." - Marvin Minsky MIT Science magazine calls Eric Drexler "Mr. Nanotechnology."For years, Drexler has stirred controversy by declaring thatmolecular nanotechnology will bring a sweeping technologicalrevolution - delivering tremendous advances in miniaturization,materials, computers, and manufacturing of all kinds. Now, he'swritten a detailed, top-to-bottom analysis of molecular machinery -how to design it, how to analyze it, and how to build it.Nanosystems is the first scientifically detailed description ofdevelopments that will revolutionize most of the industrialprocesses and products currently in use. This groundbreaking work draws on physics and chemistry toestablish basic concepts and analytical tools. The book thendescribes nanomechanical components, devices, and systems,including parallel computers able to execute 1020 instructions persecond and desktop molecular manufacturing systems able to makesuch products. Via chemical and biochemical techniques, proximalprobe instruments, and software for computer-aided moleculardesign, the book charts a path from present laboratory capabilitiesto advanced molecular manufacturing. Bringing together physics,chemistry, mechanical engineering, and computer science,Nanosystems provides an indispensable introduction to theemerging field of molecular nanotechnology.

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Seventeen studies by noted experts that demonstrate recent approaches toward the creative interpretation of primary sources regarding Renaissance and Baroque music, Mozart, Beethoven, Mendelssohn, Verdi, Debussy, and beyond. How do we know what notes a composer intended in a given piece? -- how those notes should be played and sung? -- the nature of musical life in Bach's Leipzig, Schubert's Vienna? -- how music related to literature and other arts and social currents in different times and places? -- what attitudes musicians and music lovers had toward the music that they heard and made? We know all this from musical manuscripts and prints, opera libretti, composers'letters, reviews in newspapers and magazines, archival data, contemporary pedagogical writings, essays on aesthetics, and much else. Some of these categories of sources are the bedrock of music history and musicology. Others havebegun to be examined only in recent years. Furthermore, musicologists -- including biographers of famous composers -- now explore these various kinds of sources in a variety of ways, some of them richly traditional and others exciting and novel. These seventeen essays, all newly written, use a wide array of source materials to probe issues pertaining to a cross section of musical works and musical life from the sixteenth through the twentieth centuries. The resulting, pluralistic profile of current musicology will prove welcome to anyone fascinated by the problems of reconstructing -- reimagining, sometimes -- the evanescent musical art of the past and pondering its implications for musical life today and in the future. Roberta Montemorra Marvin is a Research Fellow at the Obermann Center for Advanced Studies at the University of Iowa where she is also Director of the Institute for Italian Opera Studies; Stephen A. Crist is associate professor and chair of the Music Department at Emory University.

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Journalists James Bawden and Ron Miller spent their careers interviewing the greatest stars of Hollywood's golden age. They visited Lee Marvin at home and politely admired his fishing trophies, chatted with Janet Leigh while a young Jamie Lee Curtis played, and even made Elizabeth Taylor laugh out loud.In You Ain't Heard Nothin' Yet, Bawden and Miller return with a new collection of rare interviews with iconic film stars including Henry Fonda, Esther Williams, Buster Keaton, Maureen O'Sullivan, Walter Pidgeon, and many more. The book is filled with humorous anecdotes and incredible behind-the-scenes stories. For instance, Bette Davis reflects that she and Katharine Hepburn were both considered for the role of Scarlett O'Hara but neither was "gorgeous enough" for the part; Janet Leigh analyzes the famous shower scene in Psycho (1960), which was shot in seven days and gave the actress nightmares for years; and Jimmy Stewart describes Alfred Hitchcock as a "strange, roly-poly man, interested only in blondes and murder." Popular horror film stars from Lon Chaney Jr. to Boris Karloff and Vincent Price are also featured in a special "movie monsters" section.With first-person accounts of Hollywood life from some of the most distinguished luminaries in the history of American cinema, this entertaining book will delight classic movie fans.

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The brand new BBC Radio 4 full-cast series based on And Another Thing… the sixth book in the famous Hitchhiker’s Guide “trilogy”.Winner of the 2019 Audie Award for Science Fiction.Forty years on from the first ever radio series of The Hitchhiker’s Guide to the Galaxy, Arthur Dent and friends return in six brand new episodes, in which they are thrown back into the Whole General Mish Mash in a rattling adventure involving Viking Gods and Irish Confidence Tricksters, with our first glimpse of Eccentrica Gallumbits and a brief but memorable moment with The Ravenous Bugblatter Beast Of Traal.Starring John Lloyd as The Book, with Simon Jones as Arthur, Geoff McGivern as Ford Prefect, Mark Wing-Davey as Zaphod Beeblebrox, Sandra Dickinson and Susan Sheridan as Trillian, Jim Broadbent as Marvin the Paranoid Android and Jane Horrocks as Fenchurch, the cast also includes Samantha Béart, Toby Longworth, Andy Secombe, Ed Byrne, Lenny Henry, Philip Pope, Mitch Benn, Jon Culshaw and Professor Stephen Hawking.First broadcast on BBC Radio 4 in 2018, the series is written and directed by Dirk Maggs and based on And Another Thing… by Eoin Colfer with additional unpublished material by Douglas Adams. This edition also includes over 50 minutes of unbroadcast bonus material.Listeners are reminded that the relaxed attitude to danger provided by Joo Janta 200 Super-Chromatic Peril Sensitive Sunglasses is no substitute for running around, screaming. Duration: 3 hours 35 minutes

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It doesn’t matter if your No. 1 horse is a well-seasoned senior, a world champion or a promising prospect; when he’s lame, your horse program suffers. The time and money invested in your favorite horse can be substantial. The inevitable emotional investment also carries a high price tag, which makes keeping your horse sound a major priority. In Understanding Lameness, veterinary professional Dr. Terry Swanson of Littleton (Colo.) Equine Medical Center guides you through the degrees of lameness and the effects of injury on your horse’s future health and serviceability. A past president of the American Association of Equine Practitioners, Swanson uses the latest diagnostic techniques as key tools in managing lameness problems. Also a horseman, Swanson grasps the physical demands placed on equine athletes and the impact lameness can have from a rider’s and an owner’s perspectives. From hoof abscesses, white-line disease and navicular syndrome to laminitis, ringbone and soft-tissue injuries, in Understanding Lameness you learn to recognize the symptoms of each problem, which diagnostic tools can be most beneficial and what types of treatments might best put your horse on the road to recovery. Swanson’s common-sense information is your best asset in keeping your horse sound, as well as for coping with a lameness diagnosis. In the preface to Understanding Lameness, G. Marvin Beeman, DVM, writes that with Swanson’s insight “owners are more likely to detect problems earlier in their development, allowing for more satisfactory resolutions of those problems.”

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Stunningly beautiful, deeply puzzling, profoundly moving or intensely unsettling – performance art can evoke a wide variety of responses. In this important and richly illustrated book, Catherine Wood, one of the world’s leading curators and writers on the subject, provides the broadest and most up-to-date survey published in recent years. Wood proposes performance not as a genre of art separate from object-making but as an attitude that has infiltrated the entire terrain of contemporary art. From the musical-theatricals of Marvin-Gaye Chetwynd to the public encounters created by Tino Seghal and the social activism of Tania Bruguera, a hugely divergent set of practices has emerged in the past twenty to thirty years which embrace the worlds of sculpture and painting, spectacle and protest. Examining in turn individual, social and object-based approaches in the field, Wood first examines the influential performance art of the 1960s to 1980s: the body art of the Viennese actionists; the raw performances of Yoko Ono and Chris Burden; and the experiments of the Japanese Gutai group among others. She then explores how these sources have been revisited, reformed or rejected by contemporary artists in the twenty-first century. This impressive book encompasses international artists who fall outside the traditional European and North American focus, giving the reader the broadest and most up-to-date insight into the subject yet published.

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Farah Jasmine Griffin has taken to her heart the phrase “read until you understand,” a line her father, who died when she was nine, wrote in a note to her. She has made it central to this book about love of the majestic power of words and love of the magnificence of Black life. Griffin has spent years rooted in the culture of Black genius and the legacy of books that her father left her. A beloved professor, she has devoted herself to passing these works and their wisdom on to generations of students. Here, she shares a lifetime of discoveries: the ideas that inspired the stunning oratory of Frederick Douglass and Malcolm X, the soulful music of Marvin Gaye and Stevie Wonder, the daring literature of Phillis Wheatley and Toni Morrison, the inventive artistry of Romare Bearden and many more. Exploring these works through such themes as justice, rage, self-determination, beauty, joy and mercy allows her to move from her aunt’s love of yellow roses to Gil Scott-Heron’s “Winter in America”. Griffin entwines memoir, history and art while she keeps her finger on the pulse of the present, asking us to grapple with the continuing struggle for Black freedom and the ongoing project that is American democracy. She challenges us to reckon with our commitment to all the nation’s inhabitants and our responsibilities to all humanity.

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The New Hollywood boom of the late 1960s and 1970s is celebrated as a time when maverick directors bucked the system. Against the backdrop of counterculture sensibilities and the prominence of auteur theory, New Hollywood directors such as Robert Altman and Francis Ford Coppola seemed to embody creative individualism. In Post-Fordist Cinema, Jeff Menne rewrites the history of this period, arguing that auteur theory served to reconcile directors to Hollywood’s corporate project.Menne traces the surprising affinities between auteur theory and management gurus such as Peter Drucker, who envisioned a more open and flexible corporate style. In founding production companies, New Hollywood filmmakers took part in the creation of new corporate models that emphasized entrepreneurial creativity. For firms such as Kirk Douglas’s Bryna Productions, Altman’s Lion’s Gate Films, the Zanuck-Brown Company, and BBS Productions, the counterculture ethos limbered up the studio system’s sclerotic production process—with striking parallels to how management theory conceived of the role of the individual within the firm. Menne offers insightful readings of how films such as Lonely Are the Brave, Brewster McCloud, Jaws, and The King of Marvin Gardens narrate the conditions in which they were created, depicting shifting notions of work and corporate structure. While auteur theory allowed directors to cast themselves as independent creators, Menne argues that its most consequential impact came as a management doctrine. An ambitious rethinking of New Hollywood, Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the “creative economy.”

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For courses in Beginning Algebra. Trusted author content. Thoughtful innovation. Math hasn’t changed, but students — and the way they learn — have. In this revision of the Bittinger Worktext Series, the Bittinger author team brings their extensive experience to developmental math courses, paired with thoughtful integration of technology and content. The Bittinger Series enables students to get the most out of their course through their updated learning path, and new engaging exercises to support various types of student learning. Bittinger offers respected content written by author-educators, tightly integrated with MyLab™ Math — the #1 choice in digital learning. Bringing the authors’ voices and their approach into the MyLab course gives students the motivation, engagement, and skill sets they need to master algebra. Also available with MyLab Math MyLab™ is the teaching and learning platform that empowers instructors to reach every student. By combining trusted author content with digital tools and a flexible platform, MyLab personalizes the learning experience and improves results for each student. Note: You are purchasing a standalone product; MyLab Math does not come packaged with this content. Students, if interested in purchasing this title with MyLab Math, ask your instructor to confirm the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information. If you would like to purchase both the physical text and MyLab Math, search for: 0134697383 / 9780134697383 Introductory Algebra Plus NEW MyLab Math with Pearson eText - Access Card Package, 13/e Package consists of: 0134689631 / 9780134689630 Introductory Algebra 0135115639 / 9780135115633 MyLab Math - Standalone Access Card - for Introductory Algebra

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For courses in Beginning & Intermediate Algebra. Trusted author content. Thoughtful innovation. Math hasn’t changed, but students – and the way they learn – have. In this revision of the Bittinger Worktext Series, the Bittinger author team brings their extensive experience to developmental math courses, paired with thoughtful integration of technology and content. The Bittinger Series enables students to get the most out of their course through their updated learning path, and new engaging exercises to support various types of student learning. Bittinger offers respected content written by author-educators, tightly integrated with MyLabTM Math – the #1 choice in digital learning. Bringing the authors’ voices and their approach into the MyLab course gives students the motivation, engagement, and skill sets they need to master algebra. Also available with MyLab Math MyLabTM is the teaching and learning platform that empowers instructors to reach every student. By combining trusted author content with digital tools and a flexible platform, MyLab personalizes the learning experience and improves results for each student. Note: You are purchasing a standalone product; MyLab Math does not come packaged with this content. Students, if interested in purchasing this title with MyLab Math, ask your instructor to confirm the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information. If you would like to purchase both the physical text and MyLab Math, search for: 0134697413 / 9780134697413 Introductory and Intermediate Algebra Plus NEW MyLab Math with Pearson eText - Access Card Package, 6/e Package consists of: 0134686489 / 9780134686486 Introductory and Intermediate Algebra 0135115752 / 9780135115756 MyLab Math with Pearson eText - Standalone Access Card - for Introductory and Intermediate Algebra

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Essays on the medieval chronicle tradition, shedding light on history writing, manuscript studies and the history of the book, and the post-medieval reception of such texts. The histories of chronicles composed in England during the fourteenth and fifteenth centuries and onwards, with a focus on texts belonging to or engaging with the Prose Brut tradition, are the focus of this volume. The contributors examine the composition, dissemination and reception of historical texts written in Anglo-Norman, Latin and English, including the Prose Brut chronicle (c. 1300 and later), Castleford's Chronicle (c. 1327),and Nicholas Trevet's Les Cronicles (c. 1334), looking at questions of the processes of writing, rewriting, printing and editing history. They cross traditional boundaries of subject and period, taking multi-disciplinary approaches to their studies in order to underscore the (shifting) historical, social and political contexts in which medieval English chronicles were used and read from the fourteenth century through to the present day. As such, the volume honours the pioneering work of the late Professor Lister M. Matheson, whose research in this area demonstrated that a full understanding of medieval historical literature demands attention to both the content of theworks in question and to the material circumstances of producing those works. JACLYN RAJSIC is a Lecturer in Medieval Literature in the School of English and Drama at Queen Mary University of London; ERIK KOOPER taughtOld and Middle English at Utrecht University until his retirement in 2007; DOMINIQUE HOCHE Is an Associate Professor at West Liberty University in West Virginia. Contributors: Elizabeth J. Bryan, Caroline D. Eckhardt,A.S.G. Edwards, Dan Embree, Alexander L. Kaufman, Edward Donald Kennedy, Erik Kooper, Julia Marvin, William Marx, Krista A. Murchison, Heather Pagan, Jaclyn Rajsic, Christine M. Rose, Neil Weijer

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Daniel C. Dennett, preeminent philosopher and cognitive scientist, has spent his career considering the thorniest, most fundamental mysteries of the mind. Do we have free will? What is consciousness and how did it come about? What distinguishes human minds from the minds of animals? Dennett’s answers have profoundly shaped our age of philosophical thought. In I’ve Been Thinking, he reflects on his amazing career and lifelong scientific fascinations. Dennett’s relentless curiosity has taken him from a childhood in Beirut and the classrooms of Harvard, Oxford, and Tufts, to “Cognitive Cruises” on sailboats and the fields and orchards of Maine, and to laboratories and think tanks around the world. Along the way, I’ve Been Thinking provides a master class in the dominant themes of twentieth-century philosophy and cognitive science—including language, evolution, logic, religion, and AI—and reveals both the mistakes and breakthroughs that shaped Dennett’s theories. Key to this journey are Dennett’s interlocutors—Douglas Hofstadter, Marvin Minsky, Willard Van Orman Quine, Gilbert Ryle, Richard Rorty, Thomas Nagel, John Searle, Gerald Edelman, Stephen Jay Gould, Jerry Fodor, Rodney Brooks, and more—whose ideas, even when he disagreed with them, helped to form his convictions about the mind and consciousness. Studded with photographs and told with characteristic warmth, I’ve Been Thinking also instills the value of life beyond the university, one enriched by sculpture, music, farming, and deep connection to family. Dennett compels us to consider: What do I really think? And what if I’m wrong? This memoir by one of the greatest minds of our time will speak to anyone who seeks to balance a life of the mind with adventure and creativity.

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This collection of essays provides new perspectives on the nature of character and moral education by utilizing insights from the disciplines of moral psychology, moral philosophy, and education. The volume draws from personality and developmental research as well as educational and ethical theory. Character Psychology and Character Education distinguishes itself by bringing moral philosophers, who believe that ethical reflection about virtue and character must be tied to defensible notions of personality and selfhood, into dialogue with academic psychologists, who believe that the developmental study of the moral self requires adequate grounding in various psychological literatures. The first group embraces a "naturalized" ethics, while the second group favors a "psychologized" morality. Among the topics explored in this volume are the constructs of moral selfhood, personality, and identity, as well as defensible models of character education. One of the primary arguments of the volume is that problems of character education cannot be addressed until an adequate model of character psychology is developed. In addition to the excellent theoretical essays, this collection includes applied chapters that consider the challenge of character education in the context of schools, families, and organized sports. This book will be an invaluable resource both for scholars and practitioners in the fields of psychology and education. Contributors: Daniel K. Lapsley, F. Clark Power, Darcia Narvaez, Christine McKinnon, Augusto Blasi, Ann Higgins-D'Alessandro, David Light Shields, Brenda Light Bredemeier, Craig A. Cunningham, Joel J. Kupperman, Matthew L. Davidson, Robert J. Nash, Marvin W. Berkowitz, Melinda Bier, Jeannie Oakes, Karen Hunter Quartz, Steve Ryan, Martin Lipton, and Jay W. Brandenberger.

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The origins of the NHS are the subject of this study that presents evidence on the key players who participated in the founding of the system. The author also traces those who opposed the NHS.

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NOTE: Before purchasing, check with your instructor to ensure you select the correct ISBN. Several versions of the MyLabTM and MasteringTM platforms exist for each title, and registrations are not transferable. To register for and use MyLab or Mastering, you may also need a Course ID, which your instructor will provide. Used books, rentals, and purchases made outside of Pearson If purchasing or renting from companies other than Pearson, the access codes for the MyLab platform may not be included, may be incorrect, or may be previously redeemed. Check with the seller before completing your purchase. For courses in Intermediate Algebra. This package includes MyLab Math. Trusted author content. Thoughtful innovation. Math hasn’t changed, but students – and the way they learn – have. In this revision of the Bittinger Worktext Series, the Bittinger author team brings their extensive experience to developmental math courses, paired with thoughtful integration of technology and content. The Bittinger Series enables students to get the most out of their course through their updated learning path, and new engaging exercises to support various types of student learning. Bittinger offers respected content written by author-educators, tightly integrated with MyLabTM Math – the #1 choice in digital learning. Bringing the authors’ voices and their approach into the MyLab course gives students the motivation, engagement, and skill sets they need to master algebra. Reach every student by pairing this text with MyLab Math MyLabTM is the teaching and learning platform that empowers instructors to reach every student. By combining trusted author content with digital tools and a flexible platform, MyLab personalizes the learning experience and improves results for each student. 0134679385 / 9780134679389 Intermediate Algebra Plus NEW MyLab Math with Pearson eText - Access Card Package Package consists of: 0134707362 / 9780134707365 Intermediate Algebra 013511571X / 9780135115718 MyLab Math - Standalone Access Card - for Intermediate Algebra

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Originally published in 1967. With the waning of the Middle Ages, the life of the Italian polis underwent a gradual but unmistakable transformation. The leisurely decentralization of the medieval commune, which had its roots in feudalism, the code of chivalry, and religious faith, gave place to the tight despotism of the fourteenth century. This in turn yielded to democratized government and finally to a stricter legalistic and puritanical rule. Marvin Becker's two-volume study of Florence examines this metamorphosis and establishes its relationship to the emergence of the Renaissance state. Volume One traces the decline of the communal paideia in its political, social, and cultural aspects. Through an intensive examination of the fiscal and juridical records of the period and the documents of contemporary literature, Dr. Becker demonstrates the relationship between the death of communal ideals and the centralization of political power, and between the emergence of a strong middle class and a respect for public law. He shows the patricians discovering a community of interest with the burghers, and the vendetta being replaced by courts of law. Finally, he traces the growing ability of the Florentine citizenry to cope with crisis through the newly strengthened organs of the republic. Volume Two will discuss the establishment of Florence as a Renaissance city-state with particular emphasis on the continuum between the medieval commune of the late thirteenth and early fourteenth centuries and the centralized city of the mid-fourteenth century. A unique contribution of this volume lies in the use made of painstaking and detailed investigation of the voluminous archival resources of the Archivio di Stato of Florence—some of which have since been destroyed by the 1966 flood. In pursuit of what actually took place during communal council meetings, what legislation was passed and what rejected, Dr. Becker scrutinized tens of thousands of documents in a variety of categories, obtaining first-hand knowledge of the careers of those in power, and gaining illuminating insights into motivations and actions. Political, social, and cultural historians will find Florence in Transition, Volume One, a helpful elucidation of the dynamics of historical change and the birth of a state.

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A biography of James Orchard Halliwell-Phillipps, an eminent Victorian scholar and author, widely recognized as the greatest contributor of his age to our knowledge of Shakespeare's life and times.

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Colleges and universities are best understood as networks of departments working together to fulfill a mission of education, innovation, and community partnership. To better understand how these large and complex institutions function, scholars can apply organizational and strategic planning concepts made familiar by business management. This book follows that model and explores the new and emerging ways by which organizational theories address major contemporary concerns in higher education. The contributors to this volume are both influenced and inspired by the pioneering work of Marvin Peterson and his four-decade career researching higher education organization. Comprising a serious re-examination of the field, the essays review past and current thinking, address the field's core theoretical traditions, and pursue exciting new lines of inquiry, including the organizational dynamics of diversity and social movement organizations. Ideal for courses in administration and theory, this book reinvigorates the study of higher education as an organization and encourages scholars to rediscover the value of organizational principles in all areas of higher education research. Contributors include: Michael N. Bastedo, University of Michigan; Patricia J. Gumport, Stanford University; James C. Hearn, University of Georgia; Adrianna Kezar, University of Southern California; Jason Lane, State University of New York at Albany; Simon Marginson, University of Melbourne; Michael K. McLendon, Vanderbilt University; Anna Neumann, Columbia University; Brian Pusser, University of Virginia; Fabio Rojas, Indiana University; Daryl G. Smith, Claremont Graduate University; William G. Tierney, University of Southern California; and the late J. Douglas Toma, University of Georgia.

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Colleges and universities are best understood as networks of departments working together to fulfill a mission of education, innovation, and community partnership. To better understand how these large and complex institutions function, scholars can apply organizational and strategic planning concepts made familiar by business management. This book follows that model and explores the new and emerging ways by which organizational theories address major contemporary concerns in higher education. The contributors to this volume are both influenced and inspired by the pioneering work of Marvin Peterson and his four-decade career researching higher education organization. Comprising a serious re-examination of the field, the essays review past and current thinking, address the field's core theoretical traditions, and pursue exciting new lines of inquiry, including the organizational dynamics of diversity and social movement organizations. Ideal for courses in administration and theory, this book reinvigorates the study of higher education as an organization and encourages scholars to rediscover the value of organizational principles in all areas of higher education research. Contributors include: Michael N. Bastedo, University of Michigan; Patricia J. Gumport, Stanford University; James C. Hearn, University of Georgia; Adrianna Kezar, University of Southern California; Jason Lane, State University of New York at Albany; Simon Marginson, University of Melbourne; Michael K. McLendon, Vanderbilt University; Anna Neumann, Columbia University; Brian Pusser, University of Virginia; Fabio Rojas, Indiana University; Daryl G. Smith, Claremont Graduate University; William G. Tierney, University of Southern California; and the late J. Douglas Toma, University of Georgia.

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Originally published in 1970. This is a study of one of the most highly respected tribunals in the history of the English-speaking world—the United States Court of Appeals for the Second Circuit. Situated in Manhattan, the Second Circuit Court, serving New York, Connecticut, and Vermont, is the most important commercial court in the country. But, like other inferior courts, it has never been studied in depth. Marvin Schick provides a comprehensive analysis. From 1941 to 1951, Learned Hand presided over the Second Circuit as chief judge, and the court bore his stamp. But on its bench sat other men of great competence, judges Thomas W. Swan, August N. Hand, and Harrie B. Chase, as well as Charles E. Clark and Jerome N. Frank, whose constant disagreement characterized much of the court's work. Schick studies the Second Circuit Court from several angles: historical, biographical, behavioral, and case analytical. He tells a history of the court from its origins in 1789. He provides biographical sketches of the six judges who sat during Learned Hand's tenure as chief judge. He analyzes the many decisions handed down by the court, including the precedent setters. He examines the court's decision-making process, especially its unique procedures such as the memorandum system, which requires from the judges "preliminary opinions" in the cases they hear. A novel feature of this book is the correlation of votes of the Second Circuit judges with subsequent decisions of the Supreme Court.Schick was aided in his study by having access to the private papers of Judge Clark. These thousands of memoranda and letters throw much light on the workings of the Second Circuit Court and reveal the bargaining that went on among the judges in difficult cases. The Clark papers make possible a clearer understanding of the incessant conflict between Clark and Frank and show how this unusual relationship gave vitality to the Second Circuit.

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Since its foundation in 1869 Nature has consistently been the pre-eminent English-language science journal, and for a period of over fifty years, H. G. Wells was a central feature within its pages. In H. G. Wells in ‘Nature’, John S. Partington collects all of Wells’s writings in Nature, all of the reviews of his works published by Nature, and all of the journal’s reportage that featured him. In addition to this core material, however, Partington has included the many responses that these essays and reviews received, thereby offering the reader a uniquely contextualised history of Wells’s reception in Nature. From the first review Wells received in 1893 to his obituary notice in 1946, this volume presents a fascinating history of Wells’s work and thought as filtered through the prism of Nature. During his long career no other journal featured Wells within its pages so consistently, and with contributions by such eminent thinkers as Richard Gregory, E. Ray Lankester, J. S. Haldane, Lancelot Hogben, F. S. Marvin, A. Carr-Saunders, J. B. S. Haldane, Karl Pearson and Hilaire Belloc, Nature can truly be said to have played a key role in moulding opinion about Wells’s work and thought. «John S Partington has gone some way to making this side of his oeuvre better known with a tightly-packed volume that collects together not only Wells's own contributions to the prestigious science magazine Nature over more than half a century, but also responses to those contributions, as well as reviews of his books, and other items which include his name. An excellent introduction sets the scene generally and lucid and thorough section commentaries outline what Wells and his reviewers were saying, and the debates that he generated.» (Tom Ruffles, NTHPosition)

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Wilbur Smith has lived an incredible life of adventure, and now he shares the extraordinary true stories that have inspired his fiction. I've been writing novels for over fifty years. I was lucky enough to miss the big wars and not get shot, but lucky enough to grow up among the heroes who had served in them and learn from their example. I have lucked into things continuously. I have done things which have seemed appalling at the time, disastrous even, but out of them has come another story or a deeper knowledge of human character and the ability to express myself better on paper and write books which people enjoy reading.Along the way, I have lived a life that I could never have imagined. I have been privileged to meet people from all corners of the globe, I have been wherever my heart has desired and in the process my books have taken readers to many, many places. I always say I've started wars, I've burned down cities and I've killed hundreds of thousands of people - but only in my imagination!From being attacked by lions to close encounters with deadly reef sharks, from getting lost in the African bush without water to crawling the precarious tunnels of gold mines, from marlin fishing with Lee Marvin to near death from crash-landing a Cessna aeroplane, from brutal school days to redemption through writing and falling in love, Wilbur Smith tells us the intimate stories of his life that have been the raw material for his fiction. Always candid, sometimes hilarious and never less than thrillingly entertaining, On Leopard Rock is testament to a writer whose life is as rich and eventful as his novels are compellingly unputdownable.

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