Search results for ""Author Howard""

Stroud History Tour offers a unique insight into the history and buildings of a fascinating Cotswold market town. An itinerary has been created which will lead the reader to view the many places of interest lying along Stroud’s streets, public areas and byways. Although intended to begin at the town’s surviving railway station, the route can be joined at any point and, similarly, abandoned where desired – perhaps at one of Stroud’s many street cafés. By following the proposed tour it will become apparent which parts of the town date from the earliest times and also how its religious buildings have altered, or been put to new uses. In addition, interspersed among the captions, are anecdotes taken from the author’s personal and family history. A numbered map is included to assist the reader in exploring the fascinating changes that have taken place over the last century or so in Stroud.

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THE GRIPPING NEW THRILLER FROM THE AUTHOR OF DON'T LET HIM INYou will inherit everything. The house. The money.There's just one condition.You have to catch a killer first . . ._________When Sarah's Aunt Evelyn passes away, she discovers a hidden fortune has been left to her, including a foreboding mansion in a small Northumberland town.But it comes with one condition.For most of her life, Evelyn had been haunted by the loss of a friend who went missing in Cragsmoor - the very house Evelyn has left to Sarah.Now, Evelyn's final wish is for Sarah to return to Cragsmoor and uncover the truth.If she does, she will inherit everything.But someone wishes for the secrets of Cragsmoor to remain hidden.Someone who may have killed once before . . ._________PRAISE FOR HOWARD LINSKEY:'Dark, creeping and compelling, with the claustrophobic sense of a killer waiting around every corner' T.M. LOGAN'This story will cause nightmares, it is that good' DAILY MAIL 'Dark, clever and engrossing' C.L. TAYLOR

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By the turn of the 1960s, steam traction on Britain's railways was within its last decade and for a group of young enthusiasts living in Carlisle, there was always the urge to travel to other parts of the country to photograph steam locomotives, which in most cases would never have appeared in there own locality. Visits to certain parts of Scotland, the North East of England and parts of Lancashire, could be achieved in a day, using a day return ticket. More distant parts of Britain, would require more planning usually using an all lines rail rover ticket, these visits and trips could be done on an individual basis or with a group of like minded friends, or even with a railway club or society. The benefits of visits with railway society's or clubs, were that such organisations could arrange group shed permits, where as individuals had to arrange such things by themselves. As the 1960s progressed time started to run out for the photographer to capture the last embers of steam across the country and things became ever more urgent, with the end in sight. This book depicts visits to many locations undertaken during this period when time was running out for steam traction. We travelled from Aberdeen to Weymouth to record the dying days of a form of traction that served the railways of Britain, from the 1820s through to the late 1960s.

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A River Out Of Eden is Howard Goodall’s vibrant choral anthem for SATB voices and piano, composed to celebrate the service of Sid and Cindy Davis at St Luke’s United Methodist Church, Houston. The music sets two distinct accounts of creation: William Tyndale’s translation from The Book of Genesis and an excerpt from Annie Dillard’s Pilgrim at Tinker Creek. Intertwined through Goodall’s contemporary musical style, the disorder underlying Dillard’s text erupts into Tyndale’s joyous refrain: ‘And there spronge a rever out of Eden’, the music a reflection upon our dependence on the natural world. An optional organ part is also available to download from fabermusic.com.

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A thought-provoking prescient novel from the Booker-prize winning author of The Finkler Question.‘Remarkable…May well come to be seen as the dystopian British novel of its times’ GuardianTwo people fall in love, not yet knowing where they have come from or where they are going. They aren’t sure if they have fallen in love of their own accord, or whether they’ve been pushed into each other’s arms. But who would have pushed them, and why? Hanging over their lives is a momentous catastrophe – a past event shrouded in suspicion, denial and apology, now referred to as What Happened, If It Happened. Set in the future – a world where the past is a dangerous country, not to be talked about or visited – J is a love story of incomparable strangeness, both tender and terrifying. Shortlisted for the 2014 Man Booker Prize, the 2014 Goldsmiths Prize and Longlisted for the JQ Wingate Literary Prize.

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The dramatic story of five key turning points in a thousand years of Western music - discoveries that changed the course of history. Who first invented 'Doh Re Mi...'?What do we mean by "in tune"?Looking back down the corridor of a thousand years, Howard Goodall guides us through the stories of five seismic developments in the history of Western music. His "big bangs" may not be the ones we expect - some are surprising and some are so obvious we overlook them - but all have had an extraordinary impact. Goodall starts with the invention of notation by an 11th-century Italian monk, which removed the creation of music from the hands of the players to the pens of the composers; moves on to the first opera; then to the invention of the piano, and ends with the story of the first recording made in history. Howard Goodall has the gift of making these complicated musical advances both clear and utterly fascinating. Racy and vivid in a narrative full of colourful characters and graphic illustrations of technical processes, he also gives a wonderful sense of the culture of trial and error and competition, be it in 11th-century Italy or 19th-century America, in which all progress takes place. Big Bangs opens a window on the crucial moments in our musical culture - discoveries that made possible everything from Bach to the Beatles - and tells us a riveting story of a millennium of endeavour.

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From the beginning Oliver Walzer is a natural - at ping-pong. Even with his improvised bat (the Collins Classic edition of Dr Jekyll and Mr Hyde) he can chop, flick, half-volley like a champion. At sex he is not so adept, but with tuition from Sheeny Waxman, fellow member of the Akiva Social Club Table Tennis Team and stalwart of the Kardomah coffee bar, his game improves.Winner of the 2010 Man Booker Prize.

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This fascinating photographic collection represents a journey both through time and also along the byways of a truly scenic part of rural England. Edwardian photographers' lenses enable us to glimpse celebrations such as Empire Day, we revisit tranquil streets with long-closed shops and pubs and we witness the arrival of the first local motor bus in 1905. Victorian bowls players are shown, along with solemn-faced schoolchildren wearing starched pinafores and Eton collars. The present day images include Painswick's Art Couture Festival, together with views taken from Painswick Beacon and from the church tower. Artists such as Montague Rivers reveal how they interpreted the architecture and townscapes of long ago. Nor, of course, would the Slad chapter be complete without photographs of both Laurie Lee and the legendary Rosie.

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A soldier and a spy, an officer but not quite a gentleman... Captain Harry Walsh is SOE's secret weapon. Loathed by his own commanding officer, haunted by the death of his closest friend and trapped in a loveless marriage, Harry Walsh is close to burn out when he is ordered to assassinate the man behind the ME 163 Komet, Hitler's miracle jet fighter. If Walsh fails, there is no prospect of allied victory in Europe. Harry Walsh is ruthless, unorthodox and ungentlemanly. He is about to wreak havoc.

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Utilising previously unpublished photographs, Howard Berry tells the story of Duple-bodied buses and coaches.

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A nuanced reading of an artwork that explores a place, transitory and pastoral, where childhood might be lived and imagined differently

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No existing work instructs patent practitioners regarding the legal pitfalls of patent claim drafting in light of major court decisions and related to the substantive aspects of patent law as it exists today in a portable and relatively compact form. Patent Claim Drafting Practice addresses common concerns and/or pitfalls in this area of law, offering invaluable knowledge drawn from experience.For the less experienced practitioner, Patent Claim Drafting Practice discusses the basics of patent claim drafting. In particular, patent claim drafting mechanics is treated in detail. Extensive discussion is provided on types of patent infringement and types of patent claims. Patent claim construction is also handled. This discussion of the legal rules related to claim construction is used as a springboard to develop a set of principles to guide claim drafting.For the practitioner with a bit of experience desiring to sharpen his or her skills, Patent Claim Drafting Practice develops and provides a set of guiding principles to use when drafting patent claims, both basic principles and relatively advanced principles, respectively identified as such. The book, therefore, provides an extensive discussion for handling many important drafting issues, such as patent eligibility considerations, as simply one important example. In addition to providing up-to-date legal analysis based on up-to-date case law, many other considerations that may affect how best to draft patent claims are discussed, such as underlying economics or markets, differences in technical arts, etc. Throughout the book, discussions are supported with many examples of patent claim drafting using state of the art technology examples.The book, consequently, covers a host of patent law considerations and doctrines that have the potential to affect the drafting of patent claims. The book highlights key principles using bolded text within text boxes throughout. In addition to listing key principles at the beginning of each chapter and in an appendix, the book also includes in an appendix a sample of patent application boilerplate that covers a wide range of existing technologies.

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Celebrate the championship glory and Hall of Fame personalities that make the Los Angeles Lakers one of the most iconic franchises in all of sports. Standard-bearers for basketball greatness, the Los Angeles Lakers have thrilled their loyal fans since the franchise moved west in 1960. Led by Elgin Baylor and Jerry West, they raced to the top of the league and refused to slow down, with superstars like Magic Johnson, Kareem Abdul-Jabbar, Kobe Bryant, Shaquille O'Neal, and LeBron James carrying the torch on the way to 17 NBA championships.Sports Illustrated™ now celebrates the Lakers with an extraordinary collection of classic writing and photographs from the pages of SI. This commemorative book also spotlights the players, championships, and stats that have made the Lakers the greatest show on earth.Featuring a foreword by Howard Beck and stories by Frank DeFord, Jack McCallum, Chris Ballard, and more, this is an essential volume for Lakers fans.

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A fresh approach to the dramatic experience is attempted in this book. It begins with a consideration of Edmund HusserlOs attempt to clarify our understanding of immediate experience and takes into account Martin HeideggerOs and Hans-Georg GadamerOs movements from the phenomenology toward the individualOs complex interactions and involvements in a world.

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In this witty and candid perspective on American television, the Pulitzer Prize–winning critic Howard Rosenberg traces a disturbing pattern: TV's relentless pursuit of the mundane in its seeming quest to dumb-down America. And, he writes, it may be succeeding. How else to interpret the onslaught of look-alike, deceptively titled "reality" shows that have transformed much of prime time into a cratered moonscape? The longer mediocrity endures, Mr. Rosenberg advises, the greater the chance we will become permanently desensitized to it—and seduced by it—making third-rate the standard. He finds occasional heroes but more often rogues. Many of his essays in Not So Prime Time relate to television news, which the author charges has failed dismally in its shrilly self-proclaimed role as a Bethlehem star of enlightenment, its influence continuing to widen in circles that value tabloid over truth. He finds it hard to say, in fact, whether there is more "reality" in Survivor or in a typical newscast on CNN, the Fox News Channel, or MSNBC. News and entertainment now mingle on TV as intimately as singles snorting up together at a cocktail party, becoming interchangeable, with newscasts cross-dressing as theater, and vice versa. Not So Prime Time records how this has happened—not overnight; the crud has been creeping forward for years. Oh the horror.

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Before Thomas Edison, light and fire were thought to be one and the same. Turns out, they were separate things altogether. This book takes a similar relationship, that of time and place, and shows how they, too, were once inseparable. Time keeping was once a local affair, when small towns set their own pace according to the rising and setting of the sun. Then, in 1883, the expanding railroads necessitated the creation of Standard Time zones, and communities became linked by a universal time. Here Howard Mansfield explores how our sudden interconnectedness, both physically, as through the railroad, and through inventions like the telegraph, changed our concept of time and place forever.

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Set in Alabama in the 1960s, Stuck Rubber Baby tells the story of Toland Polk, a young man who is deeply in the closet and hell-bent on 'fixing' his homosexuality. Toland is not prone to making waves, but he finds himself drawn to a lively group of civil rights activists. With his new friends, he starts frequenting sit-ins and gay bars. This raises the ire of local bigots and quite literally brings the Klan to his doorstep. This painstakingly researched and exquisitely illustrated graphic novel draws on Howard Cruse's experience as a young gay man in 1960s Birmingham, Alabama. Both deeply personal and epic in scope, Stuck Rubber Baby is a rich and moving tale of identity and resistance.

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The mystery that attracts Howard Mansfield's attention is that some houses have life-are home, are dwellings, and others aren't. Dwelling, he says, is an old-fashioned word that we've misplaced. When we live heart and soul, we dwell. When we belong to a place, we dwell. Possession, they say, is nine-tenths of the law, but it is also what too many houses and towns lack. We are not possessed by our home places. This lost quality of dwelling-the soul of buildings-haunts most of our houses and our landscape. Dwelling in Possibility is a search for the ordinary qualities that make some houses a home, and some public places welcoming.

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More than novels, plays, or poems, what journalists have written between assignments have been their autobiographies. The autobiographical impulse has seized police reporters, foreign correspondents, sportswriters, city editors, television news anchors—virtually every species of journalist that has ever existed. This book examines why journalists have been so drawn to the autobiographical form and what sorts of identities they have carved out for themselves within it. The author focuses on the autobiographies of eight journalists, including Jacob Riis' The Making of an American, Elizabeth Jordan's Three Rousing Cheers, Vincent Sheean's Personal History, Agness Underwood's Newswoman, and H.L. Mencken's Days trilogy. He analyzes the autobiographies not only as literary creations but also as cultural products. By connecting the autobiographies to the development of journalism as a profession, and, in the case of female journalists, to the struggle against traditional gender roles, he illuminates the complex interplay between private needs and public expectations in the autobiographical process. Although the story of a profession or calling is the most common type of modern autobiography, scholars have concentrated on other types. This book aims to fill part of the void. The first in-depth study of journalists as autobiographers, it suggests new ways to think about self, work, writing, and the culture that binds them together.

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One of the finest American composers of the 20th century, Walter Piston (1894-1976) taught for over thirty years (1926-1960) at Harvard, where he guided the education of such diverse, well-known composers as Elliott Carter, Leroy Anderson, Arthur Berger, Gail Kubik, Irving Fine, Harold Shapiro, Leonard Bernstein, Daniel Pinkham, Gordon Binkerd, Robert Moevs, Samuel Adler, Karl Kohn, John Harbison, and Frederic Rzewski. This book profiles the biographies, major accomplishments, stylistic development, and technical resources of 33 of these students, including four women. Special emphasis is placed on their relation to Piston and to each other.

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There is still no consensus on who or what caused the financial crisis which engulfed the world, beginning in the summer of 2007. A huge number of suspects have been identified, from greedy investment bankers, through feckless borrowers, dilatory regulators and myopic central bankers to violent video games and high levels of testosterone among the denizens of trading floors. There is not even agreement on whether the crisis shows a need for more government intervention in markets, or less: some maintain that government encouragement of home ownership lay at the heart of the problem in the US, in particular. In The Financial Crisis Howard Davies charts a course through these arguments, and the evidence advanced for each of them. The reader can thereby assess the weight to be attached to each, and the likely effectiveness of the remedies under development.

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David M. Shoup was a heroic and decorated military hero. After having served stateside and in China during the 1920s and 1930s, Shoup quickly moved up the ranks upon the outset of the Second World War. For his bravery and leadership in the victory at Tarawa in the Pacific, Shoup was awarded the Medal of Honor. Following the war, Shoup continued his service, eventually being named Commandant of the Marine Corps. Yet, despite this clear dedication to his life-long career in the armed services, Shoup became a fervent and outspoken critic of the Vietnam War. His very public opinions won him the respect of protesters and the loathing of many fellow officers and friends. In this fascinating new biography, historian Howard Jablon chronicles the career of this soldier turned war protester.

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The Lord is My Shepherd is best known as the theme tune to the award-winning BBC TV series The Vicar of Dibley. Warm and melodious, Goodall’s setting of Psalm 23 is deservedly well loved by choirs and congregations everywhere. This accessible two-part arrangement offers simple harmonisation and a supportive piano/organ accompaniment – ideal for budding upper-voice choirs. The Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles.

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