Search results for ""Author Robert"

Roberta Neiman shot the photographs for Magnetic North: Summers with Extraordinary People over a five-year period (1970–75), summering with this eclectic group of artists gathered on the far Atlantic coast. The original prints were developed in Cape Breton's saltwater, and many were lost over time. The images in Magnetic North are what remain of an idyllic period of blissful isolation.

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This insightful book brings together both academics and researchers from a variety of international organizations and aid agencies to explore the complexities of public private partnerships (PPPs) as a resurgent, hybrid mode of educational governance that operates across scales, from the community to the global. The contributors expertly study the different types of partnership arrangements and thoroughly critique the value of PPPs. Some chapters explore how PPPs, as a policy idea, have been constructed in transnational agendas for educational development and circulated globally, while other chapters explore the role and implications of PPPs in developing countries, providing arguments for and against an expanding reliance on PPPs in national educational systems. The theoretical framing of the book draws upon leading theories of international relations to develop a unique perspective on the global governance of education. It will prove insightful for both scholars and policy makers in public policy and education. Contributors: F. Barrera-Osorio, Z. Bhanji, A. Draxler, S. Fennell, M. Ginsburg, J. Guaqueta, J. Harma, A.V. Jaimovich, A.A. Marphatia, F. Menashy, K. Mundy, S.-A. Oh, H.A. Patrinos, S.L. Robertson, M. Ron-Balsera, P. Rose, P. Srivastava, J. van Fleet, A. Verger

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Recite your poem to your aunt. I threw myself to the ground. Where were you in the night? In a school among the pines. What was the meaning of the dream? Organs, hormones, toxins, lesions: what is a body? In 3 Summers, Lisa Robertson takes up her earlier concerns with form and literary precedent, and turns toward the timeliness of embodiment. What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The 10 poem-sequences in 3 Summers inflect a history of textual voices -- Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras -- in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time -- embodied here in Lisa Robertson's forceful cadences -- can tell. 'Robertson proves hard to explain but easy to enjoy...Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt...She wields language expertly, even beautifully. '--The New York Times 'Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture.'-- The Village Voice Lisa Robertson's books include Cinema of the Present, Debbie: An Epic, The Men, The Weather, R's Boat and Occasional Works and Seven Walks from the Office for Soft Architecture. Lisa Robertson's Magenta Soul Whip was named one of The New York Times' 100 Notable Books. She lives in France.

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THE ACCLAIMED TRANSLATION BY ROBIN ROBERTSON (FORWARD PRIZE, MAN BOOKER PRIZE SHORTLIST 2018)Euripides' Medea, the brutally powerful ancient Greek tragedy that reverberates down the centuries, has been brought to fresh and urgent life by one of our best modern poets.Medea has been betrayed. Her husband Jason has left her for a younger woman. He has forgotten all the promises he made and is even prepared to abandon their two sons. But Medea is not a woman to accept such disrespect passively. Strong-willed and fiercely intelligent, she turns her formidable energies to working out the greatest, and most horrifying, revenge possible...Suitable for the general reader as well as for students and performers.'In Robertson's lucid, free-running verse, Medea's power is released into the world, fresh and appalling, in words that seem spoken for the first time' Anne Enright'This version of Medea is vivid, strong, readable and brings triumphantly into modern focus the tragic sensibility of the ancient Greeks' John Banville'Robertson's achievement is to make the dialogue flow without losing the unsettling poetry of the original' Financial Times

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What is the relationship between persons and things? And how does the body transform this relationship? In this highly original new book, Roberto Esposito - one of Italy’s leading political philosophers - considers these questions and shows that starting from the body, rather than from the thing or the person, can help us to reconsider the status of both. Ever since its beginnings, our civilization has been based on a strict, unequivocal distinction between persons and things, founded on the instrumental domination of persons over things. This opposition arose out of ancient Roman law and persisted throughout modernity, to take its place in our current global market, where it continues to generate growing contradictions. Although the distinction seems to appear clear and necessary to us, what we are continually witnessing in legal, economic, and technological practice is a reversal of perspectives: some categories of persons are becoming assimilated with things, while some types of things are taking on a personal profile. With his customary rigour, Roberto Esposito argues that there exists an escape route out of this paradox, constituted by a new point of view founded in the body. Neither a person nor a thing, the human body becomes the decisive element in rethinking the concepts and values that govern our philosophical, legal, and political lexicons.

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As the major national biracial women's organization, the Young Women's Christian Association (YWCA) provided a unique venue for women to respond to American race relations during the first half of the twentieth century. In Christian Sisterhood, Race Relations, and the YWCA, 1906-46, Nancy Marie Robertson shows how women of both races employed different understandings of "Christian sisterhood" in their responses. Although the YWCA was segregated at the local level, African American women were able to effectively challenge white women over YWCA racial policies and practices. Robertson argues that from 1906 through 1946, many white women in the association went from seeing segregation as compatible with Christianity and democracy to regarding it as a contradiction of those values. These struggles laid the groundwork for the subsequent civil rights movement. Her analysis relies not only on a large body of records documenting YWCA women at the national and local levels, but also on autobiographical accounts and personal papers from women associated with the YWCA, including Dorothy Height, Lugenia Burns Hope, Alice Dunbar-Nelson, Abby Aldrich Rockefeller, and Lillian Smith.A volume in the series Women in American History, edited by Anne Firor Scott, Susan Armitage, Susan K. Cahn, and Deborah Gray White

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This book illuminates the rhetorical work performed by contemporary representations of a specific type of postfeminist hero who has garnered a lot of cultural capital: women who are smart, capable, physically agile and fit, and proficient with weaponry and technology. Employing critical/cultural and feminist approaches, Heather Hundley, Roberta Chevrette, and Hillary Jones engage with a range of theories including intersectionality, critical race theory, postmodernism, and posthumanism to examine a range of contemporary texts, including Kill Bill, Volumes I and II; The Hunger Games films; Wonder Woman; Atomic Blonde; Proud Mary; The Bionic Woman; Deus Ex; Dark Matter; and Caprica. Contributing to a robust existing conversation about postfeminist media as well as tracing how representation has changed in recent years, Hundley, Chevrette, and Jones contend that portrayals of dangerous dames offer limitations and opportunities for audiences. Specifically, should audiences read these characters as evidence of a postfeminist apocalypse, they may heed warnings of the limited interpretations offered. Yet as more women serve as role models and gain public attention, particularly regarding their assets and abilities, they provide important equipment for living for navigating around patriarchal constraints raised by postfeminism, neoliberalism, and humanism.

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Since the end of the 1990s, through her videos, sculptures, photographs, art installations, and performances, the internationally acclaimed Brazilian artist Cinthia Marcelle (b. 1974) has been critically examining the established and hierarchical social structures upon which our daily lives are built. Marcelle uses collective action as the medium through which to break down rigid mechanisms and organisational forms and to renegotiate new ones. This publication is the first comprehensive monograph of Marcelle’s work and provides multidimensional and analytical insight into her work, reflecting the complex societal discourse it explores. It was created through the artist’s close cooperation with the Museum Marta Herford and the Museu de Arte de São Paulo Assis Chateaubriand (MASP). Text by Anna Roberta Goetz, Eungie Joo, Leandro Muniz, Adriano Pedrosa, Kathleen Rahn, Ana Raylander Mártis dos Anjos, Isabella Rjeille Text in English and German.

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Roberto Bolaño was born in Santiago, Chile in 1953 and died in Catalonia in 2003. He was widely regarded as the essential Latin American writer of our age. He was best known for his novels (including The Savage Detectives, which won a number of prestigious literary awards, Nocturno de Chile, translated as By Night in Chile, and 2666, which won the National Book Critics Circle Award) and his short stories, first published in English in Last Evenings on Earth.

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The pandemic has brought into sharp relief the fundamental relationship between institution and human life: at the very moment when the virus was threatening to destroy life, human beings called upon institutions – on governments, on health systems, on new norms of behavior – to combat the virus and preserve life. Drawing on this and other examples, Roberto Esposito argues that institutions and human life are not opposed to one another but rather two sides of a single figure that, together, delineate the vital character of institutions and the instituting power of life. What else is life, after all, if not a continuous institution, a capacity for self-regeneration along new and unexplored paths? No human life is reducible to pure survival, to “bare life.” There is always a point at which life reaches out beyond primary needs, entering into the realm of desires and choices, passions and projects, and at that point human life becomes instituted: it becomes part of the web of relations that constitute social, political, and cultural life.

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Over the last generation, parents have felt increasingly intimidated by child care "experts" and surrendered their role as the primary educators of their children. Brian Robertson believes that this development has proved detrimental to parents and children alike. Theories of development, often colored by ideological positions on the family and its role in society, should take a back seat to the instinctive understanding parents have about what rearing children requires. Parenting is for parents, he believes, not for child development experts and especially not for day care "professionals." The central issue of day care is often framed in a way that pits conservatives against liberals, working moms against stay-at-home moms, and feminists against traditional families. But the real conflict, as Robertson shows in "Day care Deception," is between all parents and the burgeoning day care establishment itself--a multimillion dollar lobby with a vested interest in the expansion of subsidized day care services. Robertson shows how this establishment works to expand its power and silence its critics. Despite the fact that most reliable studies show that commercial day care has a negative effect on the emotional, psychological and even physical development of children, for instance, researchers calling attention to the correlation between aggression among children and too much non-maternal care have seen their work vilified. Scholars have been brought forth to dispute what until now has been obvious to expert and lay person alike--the crucial role of a mother's attention in early childhood development. Studies proving the importance of early parental care have been twisted to bolster the case for day care on the grounds that day care equals "school" and parents' desire to care for their children selfishly deprives them of a "head start." Every year, as Robertson shows, the day care lobby pours more and more money into state and national elections, which is why politicians are beginning to provide more public subsidies for commercial day care while parents are increasingly calling for policy options that would help them stay home to raise their children. The story of day care in America is a complex and daunting one and Brian Robertson has told it with intelligence and insight. Day Care Deception is a brave and thoughtful book about contentious debate whose outcome will have profound consequences for our children and our social future.

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The nearly ten-month struggle for Petersburg, Virginia, is well known to students of the Civil War. Surprisingly few readers, however, are aware that Petersburg’s citizens felt war’s hard hand nearly a week before the armies of Grant and Lee arrived on their doorstep in the middle of June 1864. Distinguished historian William Glenn Robertson rectifies this oversight with the publication of The First Battle for Petersburg in a special revised Sesquicentennial edition.During his ill-fated Bermuda Hundred Campaign, Maj. Gen. Benjamin Butler in late May took note of the “Cockade City’s” position astride Richmond’s railroad lifeline and its minuscule garrison. When two attempts to seize the city and destroy the bridges over the Appomattox River failed, Butler mounted an expedition to Petersburg on June 9. Led by Maj. Gen. Quincy Gillmore and Brig. Gen. August Kautz, the Federal force of 3,300 infantry and 1,300 cavalry appeared large enough to overwhelm Brig. Gen. Henry Wise’s paltry 1,200 Confederate defenders, one-quarter of which were reserves that included several companies of elderly men and teenagers. The attack on the critical logistical center, and how the Confederates managed to hold the city, is the subject of Robertson’s ground-breaking study. Ironically, Butler’s effort resulted in Gen. P. G. T. Beauregard’s decision to slightly enlarge Petersburg’s garrison—troops that may have provided the razor-thin margin of difference when the head of the Army of the Potomac appeared in strength six days later.The First Battle for Petersburg describes the strategy, tactics, and generalship of the Battle of June 9 in full detail, as well as the impact on the city’s citizens, both in and out of the ranks. Robertson’s study is grounded in extensive primary sources supported by original maps and photos and illustrations. It remains the most comprehensive analysis of the June 9 engagement of Petersburg’s “old men and young boys.”Petersburg itself has never forgotten the sacrifices of its citizens on that summer day 150 years ago, and continues to honor their service with an annual commemoration. Once you read Dr. Robertson’s The First Battle for Petersburg: The Attack and Defense of the Cockade City, June 9, 1864, you will understand why.

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Perhaps the greatest all-around player in basketball history, Oscar Robertson revolutionized basketball as a member of the Cincinnati Royals and won a championship with the Milwaukee Bucks. When he was twenty-three, in 1962, he accomplished one of basketball’s most impressive feats: averaging the triple-double in a single season—a feat never matched since. Cocaptain of the Olympic gold medal team of 1960; named the player of the century by the National Association of Basketball Coaches; named one of the fifty greatest players in NBA history; and inducted into the Basketball Hall of Fame in 1980—Robertson’s accolades are as numerous as they are impressive. But The Big O is also the story of a shy black child from a poor family in a segregated city; of the superstar who, at the height of his career, became the president of the National Basketball Players Association to try to improve conditions for all players. It is the story of the man forced from the game at thirty-four and blacklisted from coaching and broadcasting. But two years after he left basketball, after six years of legal wrangling, Robertson won his lawsuit against the NBA, eliminating the option clause that bound a player to a single NBA team in perpetuity and ending restrictions on free agency. The Big O is the story of how the NBA, as we now know it, was built; of race in America in the second half of the twentieth century; and of an uncompromising man and a complex hero.

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All the pieces are falling into place, for the Boys as well as their most mortal enemies. The long-dreaded superhuman conflict is on its way. But first there are secrets still to be uncovered: like the story of the team's first encounter with supergroup The Seven, and the shockwaves from that disastrous meeting that still reverberate today. Hughie, meanwhile, discovers his comrades' hidden history, as their original leader Colonel Greg Mallory takes him through sixty years of the filthiest black operations imaginable. And finally, with good and bad guys teetering on the brink, a shadowy force sets events in motion that will push even Butcher over the edge. The Boys, Vol. 9: The Big Ride collects issues 48-59 of the New York Times Best-Selling series by Garth Ennis, Darick Robertson, Russ Braun and John McCrea, and features all of the covers by Robertson!

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We all want our children to reach their fullest potential—to be smart and well adjusted, and to make a difference in the world. We wonder why, for some people, success seems to come so naturally. Could the secret be how they were parented? This book unveils how parenting helped shape some of the most fascinating people you will ever encounter, by doing things that almost any parent can do. You don't have to be wealthy or influential to ensure your child reaches their greatest potential. What you do need is commitment—and the strategies outlined in this book. In The Formula: Unlocking the Secrets to Raising Highly Successful Children, Harvard economist Ronald Ferguson, named in a New York Times profile as the foremost expert on the US educational "achievement gap," along with award-winning journalist Tatsha Robertson, reveal an intriguing blueprint for helping children from all types of backgrounds become successful adults. Informed by hundreds of interviews, the book includes never-before-published insights from the "How I was Parented Project" at Harvard University, which draws on the varying life experiences of 120 Harvard students. Ferguson and Robertson have isolated a pattern with eight roles of the "Master Parent" that make up the Formula: the Early Learning Partner, the Flight Engineer, the Fixer, the Revealer, the Philosopher, the Model, the Negotiator, and the GPS Navigational Voice. The Formula combines the latest scientific research on child development, learning, and brain growth and illustrates with life stories of extraordinary individuals—from the Harvard-educated Ghanian entrepreneur who, as the young child of a rural doctor, was welcomed in his father's secretive late-night political meetings; to the nation's youngest state-wide elected official, whose hardworking father taught him math and science during grueling days on the family farm in Kentucky; to the DREAMer immigration lawyer whose low-wage mother pawned her wedding ring to buy her academically outstanding child a special flute. The Formula reveals strategies on how you—regardless of race, class, or background—can help your children become the best they can be and shows ways to maximize their chances for happy and purposeful lives.

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"The melancholy folklore of exile," as Roberto Bolano once put it, pervades these fourteen haunting stories. Bolano's narrators are usually writers grappling with private (and generally unlucky) quests, who typically speak in the first person, as if giving a deposition, like witnesses to a crime. These protagonists tend to take detours and to narrate unresolved efforts. They are characters living in the margins, often coming to pieces, and sometimes, as in a nightmare, in constant flight from something horrid. In the short story "Silva the Eye," Bolano writes in the opening sentence: "It's strange how things happen, Mauricio Silva, known as The Eye, always tried to escape violence, even at the risk of being considered a coward, but the violence, the real violence, can't be escaped, at least not by us, born in Latin America in the 1950s, those of us who were around 20 years old when Salvador Allende died." Set in the Chilean exile diaspora of Latin America and Europe, and peopled by Bolano's beloved "failed generation," the stories of Last Evenings on Earth have appeared in The New Yorker and Grand Street.

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Edith Grossman, celebrated for her brilliant translation of Don Quixote, offers a dazzling new version of another Cervantes classic “Compressed masterworks, containing great canvases and big ideas in just a few pages. . . . A pleasure.”—Kirkus Reviews The twelve novellas gathered in Exemplary Novels reveal the extraordinary breadth of Cervantes’s imagination: his nearly limitless ability to create characters, invent plots, and entertain readers across continents and centuries. The assemblage of characters (eloquent witches, talking dogs, Gypsy orphans, and an array of others), the twisting plots, and the moral heart at the core of each short tale proved instantly irresistible to readers. Love is the overarching theme. Now, as when it was published in Spain in 1613, the book brings readers pure entertainment, but also a subtle artistry that invites deeper investigation. Edith Grossman’s translation brings this timeless classic to English-language readers in an edition that will delight those already familiar with Cervantes’s work as well as those about to be enchanted for the first time. Roberto González Echevarría’s illuminating introduction to the volume serves as both an appreciation of Cervantes’s brilliance and a critical guide to the novellas and their significance.

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Kevin "Doctari" Robertson's best-selling book on shot placement for African game, The Perfect Shot, has now been completely revised and updated: extensive additions to the text; 300 all-new photos of the animals covered; and revised, detailed anatomical drawings. The Perfect Shot II also has shot-placement details for a number of species not covered in the original edition, including blesbok, bongo, black wildebeest, grysbok, nyala, reedbuck, roan, and steenbok. In all, twenty-seven African game species are now covered. Robertson, a licensed professional hunter and veterinarian, first developed The Perfect Shot a dozen years ago, and it was quickly recognized as the most comprehensive work ever undertaken to show the anatomical features for all classes of African game. His revised version reflects his increased knowledge of big-game anatomy and shot placement. In addition, the chapters on bullet construction and performance have been substantially revised to cover the advances in bullet development that have occurred in the twelve years since the publication of the original edition. The book covers just about every animal you might hunt in Africa, from the big, dangerous species (elephant, buffalo, rhino, and hippo) to the large cats (lion and leopard) and from the largest antelopes (eland and bongo) to the smallest (duiker, grysbok, and klipspringer). Even Africa's more unusual species (giraffe, crocodile, zebra, and hyena) are covered in detail. Each animal is shown in at least one color field picture as well as a color ";ghost view"; that illustrates the shoulder bones, heart, lungs, brain, and spinal column. These views allow you to see precisely where to place your shot in relation to how the animal may be standing. Most species now have multiple illustrations from different angles for easier understanding of the different shot-placement options.

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Renowned litigator Roberta Kaplan knew from the beginning that it was the perfect case to bring down the so-called Defense of Marriage Act (DOMA). Edie Windsor and Thea Spyer had been together as a couple, in sickness and in health, for more than forty years—enduring society’s homophobia as well as Spyer’s near total paralysis from multiple sclerosis. Although the couple was finally able to marry, when Spyer died the federal government refused to recognize their marriage, forcing Windsor to pay a huge estate tax bill. In this gripping, definitive account of one of our nation’s most significant civil rights victories—named a Ms. Magazine Top 10 Feminist Book of 2015 and a National Law Journal Top 10 Supreme Court Aficionado Book of 2015—Kaplan describes meeting Windsor and their journey together to defeat DOMA. She shares the behind-the-scenes highs and lows, the excitement and the worries, and provides intriguing insights into her historic argument before the Supreme Court. A critical and previously untold part of the narrative is Kaplan’s own personal story, including her struggle for self-acceptance in order to create a loving family of her own. Then Comes Marriage tells this quintessentially American story with honesty, humor, and heart. It is the momentous yet intimate account of a thrilling victory for equality under the law for all Americans, gay or straight.

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For some while we have been witnessing a series of destructive phenomena which seem to indicate a full-fledged return to the negative on the world stage – from terrorism and armed conflict to the threat of environmental catastrophe. At the same time, politics seems increasingly impotent in the face of these threats. In this book, the leading Italian philosopher Roberto Esposito reconstructs the genealogy of the reciprocal intertwining of politics and negation. He retraces the intensification of negation in the thought of various thinkers, from Schmitt and Freud to Heidegger, and examines the negative slant of some of our fundamental political categories, such as sovereignty, property and freedom. Against the centrality of negation, Esposito proposes an affirmative philosophy that does not negate or repress negation but radically rethinks it in the positive cipher of difference, determination and opposition. The result is a rigorous and original pathway which, in the tension between affirmation and negation, recognizes the disturbing traumas of our time, as well as the harbingers of what awaits at its limits. This highly original and timely book will be of great value to students and scholars in philosophy, cultural theory and the humanities more generally, and to anyone interested in contemporary European thought.

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The debate on “political theology” that ran throughout the twentieth century has reached its end, but the ultimate meaning of the notion continues to evade us. Despite all the attempts to resolve the issue, we still speak its language—we remain in its horizon. The reason for this, says Roberto Esposito, lies in the fact that political theology is neither a concept nor an event; rather, it is the pivot around which the machine of Western civilization has revolved for more than 2,000 years. At its heart stands the juncture between universalism and exclusion, unity and separation: the tendency of the Two to make itself into One by subordinating one part to the domination of the other. All the philosophical and political categories that we use, starting with the Roman and Christian notion of “the person,” continue to reproduce this exclusionary dispositif. To take our departure from political theology, then—the task of contemporary philosophy—we must radically revise our conceptual lexicon. Only when thought has been returned to its rightful “place”—connected to the human species as a whole rather than to individuals—will we be able to escape from the machine that has imprisoned our lives for far too long.

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Okot wants nothing more than to get to the UK. Beth wants nothing more than to help him.Join the hopeful, resilient residents of 'The Jungle', the refugees and volunteers from around the globe who gather at the Afghan Café. They're just across the Channel, right on our doorstep.Joe Murphy and Joe Robertson's The Jungle premiered as a co¬production between Young Vic and the National Theatre with Good Chance Theatre, commissioned by the National Theatre, opening at the Young Vic, London, in December 2017. It transferred to the Playhouse Theatre, London, in June 2018.The play made its North American premiere at St. Ann's Warehouse in New York in 2018 and enjoyed a subsequent engagement at The Curran in San Francisco in 2019. In 2023, The Jungle returned to the US, running at St. Ann's Warehouse and Shakespeare Theatre Company in Washington D.C.

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Around a mysterious death is woven a glittering, fantastical, cunningly contrived trilogy of novels: "Fifth Business", often described as Robertson Davies' finest novel; "The Manticore", and "World of Wonders". Luring the reader down labyrinthine tunnels of myth, history and magic, "The Deptford Trilogy" provides an exhilarating antidote to a world from where 'the fear and dread and splendour of wonder have been banished. 'His books will be recognized with the very best works of this century' - "The New York Times" Book Review.

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Jurgen Klopp's Liverpool Football Club are champions of England, Europe and the World. 'Robbo: Now You're Gonna Believe Us' is the inside story of their record-breaking season as seen through the eyes of their popular left-back Andrew Robertson, revealing the Anfield dressing room secrets behind their remarkable success.

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"The days of poets moping around castle steps wearing black capes is over. The poets of today are amplified." -- LEONARD COHEN Picking up where Samuel Johnson left off more than two centuries ago, Ray Robertson's Lives of the Poets (with Guitars) offers up an amplified gathering of thirteen portraits of rock & roll, blues, folk, and alt-country's most inimitable artists. Irreverent and riotous, Robertson explores the "greater or lesser heat" with which each musician shaped their genre, while offering absorbing insight into their often tumultuous lives. Includes essays on Gene Clark, Ronnie Lane, The Ramones, Sister Rosetta Tharpe, Townes Van Zandt, Little Richard, Alan Wilson, Willie P. Bennett, Gram Parsons, Hound Dog Taylor, Paul Siebel, Willis Alan Ramsey, and John Hartford.

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Jean ‘Binta’ Breeze was a popular Jamaican Dub poet and storyteller whose performances were so powerful she was called a ‘one-woman festival’. Her poems are Caribbean songs of innocence and experience, of love and conflict. They use personal stories and historical narratives to explore social injustice and the psychological dimensions of black women’s experience. Striking evocations of childhood in the hills of Jamaica give way to explorations of the perils and delights of growth and change – through sex, emigration, motherhood and age. Introduced by renowned critic Colin MacCabe, the book brings together new poems with poetry and reggae chants from four previous collections: Riddym Ravings, Spring Cleaning, On the Edge of an Island and The Arrival of Brighteye. Many of the poems were included in two performances by Jean ‘Binta’ Breeze filmed by Pamela Robertson-Pearce at Leicester’s Y Theatre available by scanning QR codes printed in the book, along with an interview with Jane Dowson.

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Meet the Robertsons in this personal behind-the-scenes look at the stars of the hit show Duck Dynasty®.What do faith, family, ducks, and money have in common? The well-known stars of A&E’s hit show Duck Dynasty—Korie and Willie Robertson! From Louisiana’s bayou comes the story of how the Robertson family went from eating fried bologna sandwiches to consuming fine filet mignon.Part redneck logic, part humorous family stories, combined with family-business tips and faith, this book is the inside sneak peek for everything you wanted to know about being a Robertson. You’ll find out things about this lovable family that you won’t see on the popular TV show—such as how the family survived while Miss Kay worked days and left the boys in the care of eight-year-old older brother Alan. You’ll get to know the beautiful Korie Robertson—how she met Willie, what their dating days were like, and how she juggles

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A spectacular and fun spoof pet-care guide to dragons, with clear, concise information on everything from choosing an egg to feeding, grooming and training your dragon, plus spreads on taking your dragon to the vet and teaching it to fly! Stunning illustrations from M. P. Robertson, combined with witty and amusing text make this a perfect guide for any child who's ever dreamed of having a dragon in their life.

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Intelligence services, government administrations, businesses, and a growing majority of the population are hooked on the idea that big data can reveal patterns and correlations in everyday life. Initiated by software engineers and carried out through algorithms, the mining of big data has sparked a silent revolution. But algorithmic analysis and data mining are not simply byproducts of media development or the logical consequences of computation. They are the radicalization of the Enlightenment's quest for knowledge and progress. Data Love argues that the "cold civil war" of big data is taking place not among citizens or between the citizen and government but within each of us. Roberto Simanowski elaborates on the changes data love has brought to the human condition while exploring the entanglements of those who-out of stinginess, convenience, ignorance, narcissism, or passion-contribute to the amassing of ever more data about their lives, leading to the statistical evaluation and individual profiling of their selves. Writing from a philosophical standpoint, Simanowski illustrates the social implications of technological development and retrieves the concepts, events, and cultural artifacts of past centuries to help decode the programming of our present.

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Schools are filled with great teachers, but is great teaching taking place in every classroom, in every school? Bruce Robertson doesn't believe it is. Why not? This book argues that there are two reasons. Firstly, because there isn't a shared understanding of what makes great teaching. Secondly, because schools haven't developed the strong professional learning culture necessary to drive the development of great teaching in every classroom. Through discussion of key messages from educational research, and drawing on a track record of success, this book explores how these barriers can be addressed, leading to transformations in teaching practice across classrooms and schools.

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Amid a devastating economic crisis, two tragic events coming from the outside – the wave of immigration and Islamic terrorism – have radically changed the profile and significance of the space we call Europe. Given a paradigm leap of this sort, philosophical reflection is in a position to exert its creative power more than other types of knowledge. But this can only happen if it is able to go beyond its own lexical boundaries, by turning its gaze outside itself. Here the leading Italian philosopher Roberto Esposito looks at how various strands of German, French, and Italian thought have achieved this outward turn and successfully captured international attention by breaking with the language of early nineteenth-century crisis philosophies. When analyzed from this novel perspective, the great texts of Adorno, Derrida, Foucault, and Deleuze, as well as works by the latest Italian thinkers, are cast in a new light. From the relationship and tension between them, reconstructed here with extraordinary theoretical sensitivity, a form of thought can arise that is equal to the challenges faced by Europe today. This erudite and wide-ranging analysis of European thought in the light of the crises facing the continent today will appeal to students and scholars of philosophy, critical theory, and beyond.

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Everything started from that day.The memory of 31 August 1969 has been at the back of Commissario Michele Balistreri's mind for over four decades. It was not only the day that preceded Colonel Muammar Gadaffi's seizure of power in Balistreri's birthplace of Libya, drastically altering his and his country's destiny, but that on which his beloved mother Natalia fell to her death, and the resulting suicide verdict that Balistreri - now Head of Homicide in Rome - has always suspected to be a flagrant cover-up for her murder.The memory of 23 July 2006 has been at the front of investigative journalist Linda Nardi's mind for the past five years. Ever since her and Balistreri together thwarted a phantom-like killer stalking Rome, Nardi has been intent on shedding further light on the Vatican Bank's shadowy involvement in the abominations uncovered that summer. But now Linda will find her attention diverted to an equally irresistible assignment: the collapse of Colonel Gadaffi's forty-two year dictatorship.The Memory of Evil is the earth-shattering finale to Roberto Costantini's internationally bestselling trilogy, in which one woman will encounter a long-entombed truth in the rubble of Gadaffi's Tripoli: unearthing a conspiracy neither she, nor the man it was designed to protect, will ever be able to erase from their minds.

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Young readers are encouraged to look for details and discover key moments of the war—including Pearl Harbor, D-Day, and the Battle of the Bulge—to learn how it really felt to be there. World War II: 1939–1945 takes readers on a vivid journey through the most important events of the conflict, with illustrations by Mort Künstler—one of American’s foremost historical painters—and an inquiry-based text by renowned historian James I. Robertson, Jr. Young readers are encouraged to look for details and discover key moments of the war—including Pearl Harbor, D-Day, and the Battle of the Bulge—to learn how it really felt to be there. A timeline and short biographies of notable figures, such as Winston Churchill and Franklin Delano Roosevelt, provide excellent supplements to each chapter. From high-action combat to soldiers reflecting post-battle, each scene captures a historically accurate, visually rich portrait of the war. No other living historical artist is as celebrated as Künstler, and his work continues to attract history lovers of all ages.

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James Doull's remarkable legacy as a teacher, scholar, and thinker has left behind a profound and challenging examination of the philosophical and historical roots of contemporary thought and politics. His life's work was devoted to a reflection on freedom in its philosophical and historical context and, more specifically, to looking beneath the commonly accepted forms of North American and Continental thought and discovering a deeper theoretical and practical development. David Peddle and Neil Robertson have collected Doull's essays on the history of western thought and freedom, from the Ancient period to the Post-Modern era, and have provided an introduction that places them in the context of Doull's overall project. Commentaries on his intricate works by twelve former colleagues and students explore various aspects of Doull's history and place it within the context of contemporary scholarship, allowing the reader to judge the depth and rigour of Doull's writing. Together, the texts and commentaries provide a long-overdue introduction to and analysis of Doull's thought, offering further insight into a longstanding and significant dialogue in Canadian philosophy and classical studies, and bringing out a penetrating analysis of the philosophical underpinnings of the contemporary world.

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Since the Pikes Peak gold rush in the mid–nineteenth century, women have gone into the mountains of Colorado to hike, climb, ski, homestead, botanize, act as guides, practice medicine, and meet a variety of other challenges, whether for sport or for livelihood. Janet Robertson recounts their exploits in a lively, well-illustrated book that measures up to its title, The Magnificent Mountain Women. Arlene Blum provides a new introduction to this edition.

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Learn how to confidently build a thriving and profitable career as a professional wedding or portrait photographer!For nearly a decade, renowned wedding and portrait photographer Roberto Valenzuela has been sharing his vast knowledge and unique, systematic approach to making photographs as he has taught workshops around the world and written five critically acclaimed and bestselling books that cover composition, posing, lighting, and wedding photography (his Picture Perfect and Wedding Storyteller series of books). He has helped countless photographers improve their craft.But the truth is that you can create the most amazing photos…yet still have a failing business. And what’s the point of being a great photographer if you can’t build a career, pay your bills, and feed your family? In order to create a thriving business, you need a different kind of knowledge and a new set of tools to succeed. In The Successful Professional Photographer, for the first time Roberto turns his focus on the business and marketing of your photography so that you can build and sustain a highly profitable business as a wedding and portrait photographer. Roberto shares all his hard-earned knowledge regarding finding clients, marketing and presenting your work, and getting paid what you deserve. Topics include:• Best practices and strategies for Instagram, YouTube, and Facebook• Being found through SEO• Promoting yourself and your work• The role that testimonials and reviews play in your success• Creating long-term client relationships• Forming personal connections with clients with promo videos• Why you should feature your work in publications• Pricing your work and the gentle art of the up-sell• Understanding and conveying the crucial importance of selling printsWhile the photographs you create are the core of your work as a photographer—being exceptional at your craft is a must—that’s only half of the formula you need for building and sustaining success. The other half of the formula is here, in The Successful Professional Photographer. Implement the strategies and techniques outlined here, and you’ll have everything you need to succeed and build a long, prosperous, fulfilling career as a wedding or portrait photographer.Foreword by Luke EdmonsonTABLE OF CONTENTSPart I: How to Stand OutChapter 1: Unleashing Instagram's Business PotentialChapter 2: SEO for Portrait and Wedding PhotographersChapter 3: Client TestimonialsChapter 4: YouTube and Facebook Live BroadcastsChapter 5: The Effective Business Promo VideoChapter 6: Featuring Your Work in Magazines and on BlogsPart II: How to Get HiredChapter 7: The Impact of First ImpressionsChapter 8: Understanding a Prospective Client's State of MindChapter 9: Delivering a Skillful First Prospective Client MeetingPart III: How to Make MoneyChapter 10: The Perceived-Value Tier SystemChapter 11: Client-Centric Pricing StrategyChapter 12: Anchored Collections Sales MethodChapter 13: A La Carte Sales MethodChapter 14: Final Design and PresentationConclusion

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Roberto Valenzuela is a photographer and educator who has a talent for identifying areas where photographers regularly hit roadblocks and a passion for developing clear and concise systems that allow photographers to break through those barriers and become better, more confident practitioners of their craft. His two previous books, Picture Perfect Practice and Picture Perfect Posing, shattered the mold of instructional photography books as they empowered readers to advance their composition and posing skills. Picture Perfect Lighting, the third book in the Picture Perfect series, brings that same spirit and approach to teaching lighting. With it, Roberto empowers photographers to embrace lighting as a source of creativity and expression in service of their vision for the image., Roberto has created a truly original system for understanding and controlling light in photography. After discussing the universal nature of light, Roberto introduces the five key behaviors of light, which are essential to understand in order to improve your knowledge of light. With those behaviors established, Roberto introduces his concept of “circumstantial light,” an ingenious way of examining and breaking down the light around you in any given situation. Providing a detailed analysis of circumstantial light, Roberto develops the top ten circumstantial light elements you need to know in order to fully harness the power of the light around you to create an image that is true to your vision. covers all of this in depth. by your side, you will learn to master light. With that mastery, you will finally have the ability to create that true “wow” factor in camera—and in your photographs.

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Ellen DeGeneres' personal chef, Roberto Martin, shares over 125 delicious vegan recipes he's created for the DeGeneres household that he hopes will make healthy vegan cooking accessible and easy for everyone. Martin, a Cullinary Institute of America-trained chef, explains, "What Ellen, Portia, and I learned together was that vegan food is no different than any other cuisine. Flavors that work in non-vegan meals work on vegan dishes just as well...Even if you start with just one meal a week, you can learn to cook healthy and delicious vegan meals without having to make a big change in your life." Some of the standouts Martin has developed for Ellen and Portia include: Banana and Oatmeal Pancakes, Avocado Reuben, Red Beans and Rice, "Chick'n" Pot Pie, and Chocolate Cheesecake. Featuring mouthwatering photographs by award-winning food photographer, Quentin Bacon, this cookbook will appeal to die-hard carnivores and vegetarians alike.

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"Start Your Engines" compiles works from Scott Robertson's, vast archives of ground vehicle drawings and renderings, and features the following chapters: Cars, Bicycles, Snowcraft Mechanimals and selected work from the conceptual design of vehicles for the video games "Field Commander" and "Spy Hunter 2". The Cars chapter comprises about half of this book and features original designs both futuristic and retrospective.

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Cloning, genetic screening, embryo freezing, in vitro fertilization, Norplant, RU486--these are the technologies revolutionizing our reproductive landscape. Through the lens of procreative liberty--meaning both the freedom to decide whether or not to have children as well as the freedom to control one's reproductive capacity--John Robertson, a leading legal bioethicist, analyzes the ethical, legal, and social controversies surrounding each major technology and opens up a multitude of fascinating questions: Do frozen embryos have the right to be born? Should parents be allowed to select offspring traits? May a government force welfare recipients to take contraceptives? Robertson's arguments examine the broad range of consequences of each reproductive technology and offers a timely, multifaceted analysis of the competing interests at stake for patients, couples, doctors, policymakers, lawyers, and ethicists.

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Roberto Bolaño was born in Santiago, Chile in 1953 and died in Catalonia in 2003. He was widely regarded as the essential Latin American writer of our age. He was best known for his novels (including The Savage Detectives, which won a number of prestigious literary awards, Nocturno de Chile, translated as By Night in Chile, and 2666, which won the National Book Critics Circle Award) and his short stories, first published in English in Last Evenings on Earth.

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It's hard to think of a writer who has multiplied the possibilities more times than Roberto Bolaño . . . [Antwerp is] exceptional and moving. Nicole Krauss, The Guardian Oft called the big bang of Roberto Bolaño's universe, Antwerp is his first novelor the shattered remnants of one. Written when he was just twenty-seven years of age, it was so intensely strange and solitary that he tucked it away for more than twenty years, certain that any publisher would slam the door in his face. It proceeds in hallucinatory sketches: a lonely highway, a desolate campground, a freshly abandoned hotel room; a tryst, an interrogation, a murder; and somewhere just out of reach, a young, feverish writer named Roberto Bolaño drifting in and out of view. A radical, sui generis effort by a burgeoning genius, Antwerp is an essential part of Bolaño's oeuvre.

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In her first book of poems for children Shauna Darling Robertson celebrates creative thinking, encourages curiosity and revels in the pleasure of looking at things so slightly slant. Discover a world where ordinary things like eating and adverts seem quite preposterous, while absurd things such as teacups feeling unloved are fairly commonplace. Thoughts fly around like mosquitoes, a day lasts longer than a year and the weather forecast predicts an ear-to-ear grin nearly two miles high. There's a kid who catches her dreams in a net and a polite rebel who asks nicely before overwriting history. Oh and undercover magicians operate on every high street. Inventive, provocative and highly original, Saturdays at the Imaginarium asks big questions about how we think about ourselves, each other and the world. It invites children of all ages to explore the possibilities of their own vastly creative minds.

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As he traveled across Germany and the Netherlands and sailed on Dutch and Brandenburg slave ships to the Caribbean and Africa from 1682 to 1696, the young German barber-surgeon Johann Peter Oettinger (1666-1746) recorded his experiences in a detailed journal, discovered by Roberto Zaugg and Craig Koslofsky in a Berlin archive. Oettinger's journal describes shipboard life, trade in Africa, the horrors of the Middle Passage, and the sale of enslaved captives in the Caribbean. Translated here for the first time, A German Barber-Surgeon in the Atlantic Slave Trade documents Oettinger's journeys across the Atlantic, his work as a surgeon, his role in the purchase and branding of enslaved Africans, and his experiences in France and the Netherlands. His descriptions of Amsterdam, Curaçao, St. Thomas, and Suriname, as well as his account of societies along the coast of West Africa, from Mauritania to Gabon, contain rare insights into all aspects of Europeans' burgeoning trade in African captives in the late seventeenth century. This journeyman's eyewitness account of all three routes of the triangle trade will be invaluable to scholars of the early modern world on both sides of the Atlantic.

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Japan is arguably the first postindustrial society to embrace the prospect of human-robot coexistence. Over the past decade, Japanese humanoid robots designed for use in homes, hospitals, offices, and schools have become celebrated in the mass media and social media throughout the world. In Robo sapiens japanicus, Jennifer Robertson casts a critical eye on press releases and public relations videos that misrepresent actual robots as being as versatile and agile as their science fiction counterparts. An ethnography and sociocultural history of governmental and academic discourses of human-robot relations in Japan, this book explores how actual robots-humanoids, androids, animaloids-are "imagineered" in ways that reinforce the conventional sex/gender system and political-economic status quo. In addition, Robertson interrogates the notion of human exceptionalism as she considers whether "civil rights" should be granted to robots. Similarly, she juxtaposes how robots and robotic exoskeletons reinforce a conception of the "normal" body with a deconstruction of the much-invoked Theory of the Uncanny Valley.

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After two years of global pandemic, it is no surprise that immunization is now at the center of our experience. From the medicalization of politics to the disciplining of individuals, from lockdowns to mass vaccination programs, contemporary societies seem to be firmly embedded in a syndrome of immunity. To understand the ambivalent effects of this development, it is necessary to go back to its modern genesis, when the languages of law, politics, and medicine began to merge into the biopolitical regime we have been living under for some time. This regime places a high priority on immunization and security: no security is more important than health security. The Covid-19 pandemic has taken the dynamic of immunization to a new level: for the first time in history, we see societies seeking to achieve generalized immunity in their entire populations through vaccination. This allows us to glimpse the possibility of a “common immunity” that strengthens the relation between community and immunity. The dramatic tensions we have experienced in recent years between security and freedom, norm and exception, power and existence, all refer to the complex relationship between community and immunity, the decisive features of which are reconstructed in this book. Building on the prescient argument originally developed two decades ago in Immunitas, Roberto Esposito demonstrates in this new book how the pandemic and our responses to it have brought into sharp relief the fundamental biopolitical conditions of our contemporary societies.

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A sharp exposé of the roots of the cost-exposure consensus in American health care that shows how the next wave of reform can secure real access and efficiency.The toxic battle over how to reshape American health care has overshadowed the underlying bipartisan agreement that health insurance coverage should be incomplete. Both Democrats and Republicans expect patients to bear a substantial portion of health care costs through deductibles, copayments, and coinsurance. In theory this strategy empowers patients to make cost-benefit tradeoffs, encourages thrift and efficiency in a system rife with waste, and defends against the moral hazard that can arise from insurance. But in fact, as Christopher T. Robertson reveals, this cost-exposure consensus keeps people from valuable care, causes widespread anxiety, and drives many patients and their families into bankruptcy and foreclosure.Marshalling a decade of research, Exposed offers an alternative framework that takes us back to the core purpose of insurance: pooling resources to provide individuals access to care that would otherwise be unaffordable. Robertson shows how the cost-exposure consensus has changed the meaning and experience of health care and exchanged one form of moral hazard for another. He also provides avenues of reform. If cost exposure remains a primary strategy, physicians, hospitals, and other providers must be held legally responsible for communicating those costs to patients, and insurance companies should scale cost exposure to individuals’ ability to pay.New and more promising models are on the horizon, if only we would let go our misguided embrace of incomplete insurance.

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