Search results for ""Yale University Press""

The legacy of graphic artist William Hogarth (1697-1764) remains so emphatic that even his last name has evolved into a common vernacular term referring to his characteristically scathing form of satire. Featuring rarely seen images and written contributions from leading scholars, this book showcases a collection of the artist’s works gathered from the Lewis Walpole Library at Yale University and other repositories. It attests to the idiosyncratic nature of his style and its international influence, which continues to incite aesthetic and moral debate among critics. The eight essays by eminent Hogarth experts help to further contextualize the artist’s unique narrative strategies, embedding the work within German philosophical debates and the moral confusion of the Victorian period and emphasizing the social and political dimensions that are part and parcel of its profound impact. Endlessly parodied and emulated, Hogarth’s distinctive satire persists in its influence throughout the centuries and this publication provides the necessary lens through which to view it. Distributed for the Lewis Walpole Library

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The first book about the Albatross Press, a Penguin precursor that entered into an uneasy relationship with the Nazi regime to keep Anglo-American literature alive under fascism The Albatross Press was, from its beginnings in 1932, a “strange bird”: a cultural outsider to the Third Reich but an economic insider. It was funded by British-Jewish interests. Its director was rumored to work for British intelligence. A precursor to Penguin, it distributed both middlebrow fiction and works by edgier modernist authors such as D. H. Lawrence, Virginia Woolf, James Joyce, and Ernest Hemingway to eager continental readers. Yet Albatross printed and sold its paperbacks in English from the heart of Hitler’s Reich. In her original and skillfully researched history, Michele K. Troy reveals how the Nazi regime tolerated Albatross—for both economic and propaganda gains—and how Albatross exploited its insider position to keep Anglo-American books alive under fascism. In so doing, Troy exposes the contradictions in Nazi censorship while offering an engaging detective story, a history, a nuanced analysis of men and motives, and a cautionary tale.

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This beautiful and authoritative book brings together a number of exceptional works of art whose audacity disrupted the course of art history at the beginning of the 20th century. Major artists including Monet, Mondrian, Malevich, Rothko, Bonnard, Picasso, Munch, Giacometti, Bacon, Léger, Picabia, Matisse, Kupka, and Kandinsky are each represented by a key piece from their oeuvre. The text comprises 20 essays on the individual artists by a team of internationally renowned experts. Additional essays grapple with important questions and current debates within the art world, such as which artists are now making art history, and what gives a work lasting iconic status. The book focuses on well-known, landmark works that are models of the passionate creation of art as well as staples of scholarship on art history.Distributed for Editions Hazan, ParisExhibition Schedule:Fondation Louis Vuitton, Paris (03/20/15–07/06/15)

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The story of our separate and unequal America in the making, and one man’s fight against it During the long, hot summers of the late 1960s and 1970s, one man began a campaign to open some of America’s most exclusive beaches to minorities and the urban poor. That man was anti-poverty activist and one‑time presidential candidate Ned Coll of Connecticut, a state that permitted public access to a mere seven miles of its 253‑mile shoreline. Nearly all of the state’s coast was held privately, for the most part by white, wealthy residents. This book is the first to tell the story of the controversial protester who gathered a band of determined African American mothers and children and challenged the racist, exclusionary tactics of homeowners in a state synonymous with liberalism. Coll’s legacy of remarkable successes—and failures—illuminates how our nation’s fragile coasts have not only become more exclusive in subsequent decades but also have suffered greater environmental destruction and erosion as a result of that private ownership.

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A fascinating look at the genesis and meaning of Van Gogh’s famed paintings of his bedroom Vincent van Gogh’s The Bedroom, a painting of his room in Arles, is arguably the most famous depiction of a bedroom in the history of art. The artist made three versions of the work, now in the collections of the Van Gogh Museum, the Art Institute of Chicago, and the Musée d’Orsay. This book is the first in-depth study of their making and their meaning to the artist. In Van Gogh’s Bedrooms, an international team of art historians, scientists, and conservators investigates the psychological and emotional significance of the bedroom in Van Gogh’s oeuvre, surveying dwellings as a motif that appears throughout his work. Essays address the context in which the bedroom was first conceived, the uniqueness of the subject, and the similarities and differences among the three works both on and below the painted surface. The publication reproduces more than 50 paintings, drawings, and illustrated letters by the artist, along with other objects that evoke his peripatetic life and relentless quest for “home.”Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago (02/14/16–05/10/16)

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Exploring cutting-edge techniques and daring themes, many Latin American artists seamlessly intertwine aesthetic refinement with biting critiques of social and political issues. Contingent Beauty assembles major works by more than 20 such artists who have made significant contributions to the global art scene over the past 30 years. Encompassing a variety of media—including painting, drawing, sculpture, and video—the majority of these innovative works are culled from the holdings of the Museum of Fine Arts, Houston, which possesses an exceptional collection of contemporary Latin American art. These objects, while formally sophisticated and alluring, are not ends unto themselves but rather tools intended to heighten viewers’ awareness of critical factors that shape the lives of these artists, such as poverty, gender, political repression, the war on drugs, and globalization. In some instances, the “beauty” of these works is contingent upon cultural interpretation. Tensions between beauty and violence, seduction and repulsion, elegance and brutality contribute to the enduring impact of this art and provide a revelatory experience for readers.Distributed for the Museum of Fine Arts, HoustonExhibition Schedule:The Museum of Fine Arts, Houston (11/22/2015–02/28/2016)

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¡A Su Salud! is an intermediate-level Spanish language program designed for students and practicing healthcare professionals. Learners work with vocabulary and grammar within the context of a telenovela called La comunidad, which features authentic Spanish spoken by native speakers in a variety of accents.Major features include: New readings from external sources on medical topics that spark student discussion Dozens of exercises from the original DVD program have been incorporated into the textbook A companion website (yalebooks.com/salud) that includes the 96-minute telenovela drama La comunidad, as well as dozens of additional clips that help students practice their language skills and learn more about the culture of their Hispanic patients A Recursos website (yalebooks.com/salud/recursos) with links to important language, culture, and health-related sites.

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Let’s Study Urdu! is a comprehensive introduction to the Urdu language that draws on a range of real-life contexts, popular film songs, and prized works of Urdu literature. A variety of effective aural, oral, and written drills will help students master the language while keeping them entertained. Let’s Study Urdu! provides students of diverse backgrounds, including heritage speakers, the opportunity to enhance their competency over basic grammatical structures so that they can comfortably use the language in Urdu-speaking milieus from South Asia, the Middle East, Europe, and North America.

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A bold revision of the history of European art, told through the lens of neuroscience Ambitious and much anticipated, this book celebrates the value of recent neuroscientific discoveries as tools for art-historical analysis. Case studies ranging across the whole history of European art demonstrate the relationships between forms of visual expression and the objects of visual attention, emotional connection, and intellectual interest in daily life, thus illuminating the previously hidden meanings of many artistic styles and conventions. Art historians have until now concentrated on the conscious intentions of artists and patrons, but neuroscience provides insights into the role of non-conscious mental processes in the production and consumption of works of art. As John Onians powerfully argues, these insights have the potential to revolutionize cultural history. For the first time, an authority renowned for a more traditional approach has applied new neuroscientific knowledge to a wide range of art-historical problems, both familiar and fresh. The result is a provocative, original, and persuasive case for neuroscience as an aid to research in the humanities.

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Noted political scientist Benjamin Ginsberg has written an essential text for courses on the United States presidency. An invaluable resource, Ginsberg’s comprehensive analysis emphasizes the historical, constitutional, and legal dimensions of presidential power. He explores the history and essential aspects of the office, the president’s relationship to the rest of the executive branch and to a subordinated Congress, and the evolution of the American president from policy executor to policy maker. Compelling photo essays delve into topics of special interest, including First Spouses, Presidential Eligibility, and Congressional Investigations of the White House.

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From the prizewinning Jewish Lives series, a new exploration of Karl Marx's life through his intellectual contributions to modern thought"A perceptive and fair-minded corrective to superficial treatments of the man."—Jonathan Rose, Wall Street Journal Karl Marx (1818–1883)—philosopher, historian, sociologist, economist, current affairs journalist, and editor—was one of the most influential and revolutionary thinkers of modern history, but he is rarely thought of as a Jewish thinker, and his Jewish background is either overlooked or misrepresented. Here, distinguished scholar Shlomo Avineri argues that Marx’s Jewish origins did leave a significant impression on his work. Marx was born in Trier, then part of Prussia, and his family had enjoyed equal rights and emancipation under earlier French control of the area. But then its annexation to Prussia deprived the Jewish population of its equal rights. These developments led to the reluctant conversion of Marx’s father, and similar tribulations radicalized many young intellectuals of that time who came from a Jewish background. Avineri puts Marx’s Jewish background in its proper and balanced perspective, and traces Marx’s intellectual development in light of the historical, intellectual, and political contexts in which he lived.About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award.More praise for Jewish Lives: “Excellent.” – New York times “Exemplary.” – Wall St. Journal “Distinguished.” – New Yorker “Superb.” – The Guardian

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Available now for the first time in English, the most important work of one of the great moderate political leaders of the Muslim world Rached Ghannouchi has long been known as a reformist or moderate Islamist thinker. In Public Freedoms in the Islamic State, his most influential book, he argues that the Universal Declaration of Human Rights—in its broad outlines—should be widely accepted by Muslims under the correct interpretation of Islamic law and theology. Under his theory of the purposes of Shari‘a, justice and human welfare are not exclusive to Islamic governance, and the objectives of Islamic law can be advanced in multiple ways. Appearing in English translation here for the first time, this book is a major statement by one of the most important political theorists in the modern Middle East.

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A sweeping survey of the arts of Ireland spanning 150 years and an astonishing range of artists and media This groundbreaking book captures a period in Ireland’s history when countless foreign architects, artisans, and artists worked side by side with their native counterparts. Nearly all of the works within this remarkable volume—many of them never published before—have been drawn from North American collections. This catalogue accompanies the first exhibition to celebrate the Irish as artists, collectors, and patrons over 150 years of Ireland's sometimes turbulent history. Featuring the work of a wide range of artists—known and unknown—and a diverse array of media, the catalogue also includes an impressive assembly of essays by a pre-eminent group of international experts working on the art and cultural history of Ireland. Major essays discuss the subjects of the Irish landscape and tourism, Irish country houses, and Dublin’s role as a center of culture and commerce. Also included are numerous shorter essays covering a full spectrum of topics and artworks, including bookbinding, ceramics, furniture, glass, mezzotints, miniatures, musical instruments, pastels, silver, and textiles. Distributed for the Art Institute of ChicagoExhibition Schedule:The Art Institute of Chicago (03/17/15–06/07/15)

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Each year, millions of visitors travel to Florence to admire the architectural marvels of this famous Renaissance city. In this compact yet comprehensive volume, architect and architectural historian Richard J. Goy offers a convenient, accessible guide to the city’s piazzas, palazzos, basilicas, and other architectural points of interest, as well as pertinent historical details regarding Florence’s unique urban environment. Clearly laid out and fully illustrated, this handbook is designed around a series of expertly planned walking tours that encompass not only the city’s most admired architectural sites, but also its lesser-known gems. Maps are tailored to each walking tour and provide additional references and insights, along with introductory chapters on the city’s architectural history, urban design, and building materials and techniques. Featuring a complete bibliography, glossary of key terms, and other useful reference materials, Goy’s guide will appeal both to travelers who desire a greater architectural context and analysis than that offered by a traditional guide and to return visitors looking to rediscover Florence’s most enchanting sites.

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Medieval prayer books held not only the devotions and meditations of Christianity, but also housed, slipped between pages, sundry notes, reminders, and ephemera, such as pilgrims’ badges, sworn oaths, and small painted images. Many of these last items have been classified as manuscript illumination, but Kathryn M. Rudy argues that these pictures should be called, instead, parchment paintings, similar to postcards. In a delightful study identifying this group of images for the first time, Rudy delineates how these objects functioned apart from the books in which they were kept. Whereas manuscript illuminations were designed to provide a visual narrative to accompany a book’s text, parchment paintings offered a kind of autonomous currency for exchange between individuals—people who longed for saturated color in a gray world of wood, stone, and earth. These small, colorful pictures offered a brilliant reprieve, and Rudy shows how these intriguing and previously unfamiliar images were traded and cherished, shedding light into the everyday life and relationships of those in the medieval Low Countries.

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Why have ninety million workers around the globe left their homes for employment in other countries? What can be done to ensure that international labor migration is a force for global betterment? This groundbreaking book presents the most comprehensive analysis of the causes and effects of labor migration available, and it recommends sensible, sustainable migration policies that are fair to migrants and to the countries that open their doors to them.The authors survey recent trends in international migration for employment and demonstrate that the flow of authorized and illegal workers over borders presents a formidable challenge in countries and regions throughout the world. They note that not all migration is from undeveloped to developed countries and discuss the murky relations between immigration policies and politics. The book concludes with specific recommendations for justly managing the world’s growing migrant workforce.

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An epic story of the emergence of the universe and of the community of life, with a new vision for how we might bring forth a vibrant Earth Community Today we know what no previous generation knew: the history of the universe and of the unfolding of life on Earth. Through the astonishing combined achievements of natural scientists worldwide, we now have a detailed account of how galaxies and stars, planets and living organisms, human beings and human consciousness came to be. And yet . . . we thirst for answers to questions that have haunted humanity from the very beginning. What is our place in the 14-billion-year history of the universe? What roles do we play in Earth's history? How do we connect with the intricate web of life on Earth?In Journey of the Universe Brian Thomas Swimme and Mary Evelyn Tucker tell the epic story of the universe from an inspired new perspective, weaving the findings of modern science together with enduring wisdom found in the humanistic traditions of the West, China, India, and indigenous peoples. The authors explore cosmic evolution as a profoundly wondrous process based on creativity, connection, and interdependence, and they envision an unprecedented opportunity for the world's people to address the daunting ecological and social challenges of our times.Journey of the Universe transforms how we understand our origins and envision our future. Though a little book, it tells a big story—one that inspires hope for a way in which Earth and its human civilizations could flourish together.This book is part of a larger project that includes a documentary film, an educational DVD series, and a website. For more information, please consult the website, journeyoftheuniverse.org.

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A leading public critic reminds us of the compelling reasons people throughout time have found to stay alive Worldwide, more people die by suicide than by murder, and many more are left behind to grieve. Despite distressing statistics that show suicide rates rising, the subject, long a taboo, is infrequently talked about. In this sweeping intellectual and cultural history, poet and historian Jennifer Michael Hecht channels her grief for two friends lost to suicide into a search for history’s most persuasive arguments against the irretrievable act, arguments she hopes to bring back into public consciousness. From the Stoics and the Bible to Dante, Shakespeare, Wittgenstein, and such twentieth-century writers as John Berryman, Hecht recasts the narrative of our “secular age” in new terms. She shows how religious prohibitions against self-killing were replaced by the Enlightenment’s insistence on the rights of the individual, even when those rights had troubling applications. This transition, she movingly argues, resulted in a profound cultural and moral loss: the loss of shared, secular, logical arguments against suicide. By examining how people in other times have found powerful reasons to stay alive when suicide seems a tempting choice, she makes a persuasive intellectual and moral case against suicide.

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Can cities solve the biggest problems of the twenty-first century better than nations? Is the city democracy’s best hope? In the face of the most perilous challenges of our time—climate change, terrorism, poverty, and trafficking of drugs, guns, and people—the nations of the world seem paralyzed. The problems are too big, too interdependent, too divisive for the nation-state. Is the nation-state, once democracy's best hope, today democratically dysfunctional? Obsolete? The answer, says Benjamin Barber in this highly provocative and original book, is yes. Cities and the mayors who run them can do and are doing a better job. Barber cites the unique qualities cities worldwide share: pragmatism, civic trust, participation, indifference to borders and sovereignty, and a democratic penchant for networking, creativity, innovation, and cooperation. He demonstrates how city mayors, singly and jointly, are responding to transnational problems more effectively than nation-states mired in ideological infighting and sovereign rivalries. Featuring profiles of a dozen mayors around the world—courageous, eccentric, or both at once—If Mayors Ruled the World presents a compelling new vision of governance for the coming century. Barber makes a persuasive case that the city is democracy’s best hope in a globalizing world, and great mayors are already proving that this is so.

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An engaging, accessible survey of the ethical issues faced by engineers, designed for students The first engineering ethics textbook to use debates as the framework for presenting engineering ethics topics, this engaging, accessible survey explores the most difficult and controversial issues that engineers face in daily practice. Written by a leading scholar in the field of engineering and computer ethics, Deborah Johnson approaches engineering ethics with three premises: that engineering is both a technical and a social endeavor; that engineers don’t just build things, they build society; and that engineering is an inherently ethical enterprise.

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Marina Frolova-Walker’s fascinating history takes a new look at musical life in Stalin’s Soviet Union. The author focuses on the musicians and composers who received Stalin Prizes, awarded annually to artists whose work was thought to represent the best in Soviet culture. This revealing study sheds new light on the Communist leader’s personal tastes, the lives and careers of those honored, including multiple-recipients Prokofiev and Shostakovich, and the elusive artistic concept of “Socialist Realism,” offering the most comprehensive examination to date of the relationship between music and the Soviet state from 1940 through 1954.

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An incisive exploration of why acts of mass annihilation take place and how people become mass killers By historical standards, the early years of the twenty-first century have been remarkably peaceful. Only rarely are people killed by their own kind, and only very, very rarely are they killed by other animals, microorganisms excepted. Nevertheless, even though the statistics should reassure, many people worry about lone killers, murderous gangs, and terrorist bands. At the same time, most people are vaguely aware that even in this relatively calm era, wars have made countless victims. Yet mass violence against unarmed civilians has claimed three to four times as many lives in the past century as war: one hundred million at least, and possibly many more. These large-scale killings have required the efforts of hundreds of thousands of perpetrators. Such men (and almost all were males) were ready to kill, indiscriminately, for many hours a day, for days and weeks at a stretch, and sometimes for months or even years. Unlike common criminals who work outside the mainstream of society, in secret, on their own or with a few accomplices, mass murderers almost always worked in large teams, with full knowledge of the authorities and on their orders. Without exception, they operated within a supportive social context, most often firmly embedded in the institutions of the ruling regime. Unlike terrorists, the mass murderers usually did not want their deeds to be widely known. How people are enrolled in the service of evil is a question that lies at the heart of this trenchant book. The subject here is mass annihilation—that is, massive, asymmetric violence at close range, where killers and victims are in direct confrontation. Abram de Swaan offers a taxonomy of mass violence that focuses on the rank-and-file perpetrators, examining how murderous regimes recruit them and create what De Swaan calls the “killing compartments” that make possible the worst abominations without apparent moral misgiving, without a sense of personal responsibility, and, above all, without pity. De Swaan wonders where extreme violence comes from and where it goes—seemingly without a trace—when the wild and barbaric gore is over. And what about the perpetrators themselves? Are they merely and only the product of external circumstance? Or is there something in their makeup that helps them become mass murderers? Drawing on a wide range of disciplines, including sociology, anthropology, political science, history, and psychology, De Swaan sheds light on an urgent and seemingly intractable pathology that continues to poison peoples all over the world.

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How to account for decades of worldwide war, revolution, and human suffering in the seventeenth century? A master historian uncovers the disturbing answer. Revolutions, droughts, famines, invasions, wars, regicides – the calamities of the mid-seventeenth century were not only unprecedented, they were agonisingly widespread. A global crisis extended from England to Japan, and from the Russian Empire to sub-Saharan Africa. North and South America, too, suffered turbulence. The distinguished historian Geoffrey Parker examines first-hand accounts of men and women throughout the world describing what they saw and suffered during a sequence of political, economic and social crises that stretched from 1618 to the 1680s. Parker also deploys scientific evidence concerning climate conditions of the period, and his use of ‘natural’ as well as ‘human’ archives transforms our understanding of the World Crisis. Changes in the prevailing weather patterns during the 1640s and 1650s – longer and harsher winters, and cooler and wetter summers – disrupted growing seasons, causing dearth, malnutrition, and disease, along with more deaths and fewer births. Some contemporaries estimated that one-third of the world died, and much of the surviving historical evidence supports their pessimism. Parker’s demonstration of the link between climate change and worldwide catastrophe 350 years ago stands as an extraordinary historical achievement. And the contemporary implications of his study are equally important: are we at all prepared today for the catastrophes that climate change could bring tomorrow?

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Showcasing more than thirty ancient bronzes from the exceptional holdings of the Shanghai Museum, this generously illustrated book offers a compelling overview of the beauty of Chinese bronzes and the fascinating traditions surrounding them. These important objects, many of which have never before appeared in an English-language publication, date from the 18th to the 1st century B.C.E. and span numerous dynasties. Highlights of the exhibition include an early thin-wall cast three-legged food vessel (ding) from the Erlitou period, a set of nine bells (bianzhong) from the early Spring and Autumn period, and a beast-shaped wine vessel (he) from the early Warring States period. An accessible essay serves as an introduction to these masterpieces, and sumptuous, newly commissioned photography makes this publication a standout addition to the literature on Asian bronze sculpture.Distributed for the Clark Art InstituteExhibition Schedule:The Clark Art Institute (07/04/14–09/21/14)

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This catalogue presents 59 masterful Italian drawings from the late 15th, 16th, and 17th centuries: working drawings, preparatory sketches, and finished compositions that have been added in recent years to the private collection of Jean and Steven Goldman. In her essays, Jean Goldman assesses the collection within the context of Mannerism and the role of drawing in the business of art. She and Nicolas Schwed coauthor detailed entries on the works’ attributions, subjects, and functions, complete with documentation including provenance, bibliography, exhibition history, and comparative illustrations. The catalogue presents the work of more than forty artists, some of whom, such as Giorgio Vasari and Pietro da Cortona, were major figures, and others who were virtually unknown. Together, these magnificent works trace the rise and evolution of Mannerism in Italy. Distributed for The Art Institute of ChicagoExhibition Schedule:The Art Institute of Chicago(11/01/14–02/01/15)

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An original and spellbinding reinterpretation of the most significant events of the Great War Nearly a century has passed since the assassination of Austria-Hungary's Archduke Ferdinand, yet the repercussions of the devastating global conflict that followed echo still. In this provocative book, historian Ian Beckett turns the spotlight on twelve particular events of the First World War that continue to shape the world today. Focusing on episodes both well known and scarcely remembered, Beckett tells the story of the Great War from a new perspective, stressing accident as much as strategy, the small as well as the great, the social as well as the military, and the long term as much as the short term.The Making of the First World War is global in scope. The book travels from the deliberately flooded fields of Belgium to the picture palaces of Britain's cinema, from the idealism of Wilson's Washington to the catastrophic German Lys offensive of 1918. While war is itself an agent of change, Beckett shows, the most significant developments occur not only on the battlefields or in the corridors of power, but also in hearts and minds. Nor may the decisive turning points during years of conflict be those that were thought to be so at the time. With its wide reach and unexpected conclusions, this book revises—and expands—our understanding of the legacy of the First World War.

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An innovative translation and commentary on the book of Jonah by a trio of award-winning scholars The book of Jonah, which tells the outlandish story of a disobedient prophet swallowed by a great fish, is one of the Bible’s best-known narratives. This tale has fascinated readers for millennia and has inspired countless interpretations. This commentary features a new translation of Jonah as well as an introduction outlining the major interpretive issues in the text. The introduction traces the composition history of the book, paying special attention to the psalm in the second chapter; and the authors explore new theories surrounding the time and place where Jonah delivers his message to Nineveh, as well as the city’s act of repentance. In addition to these features, this volume draws on a variety of critical approaches to biblical literature—including affect theory, animal studies, performance criticism, postcolonial criticism, psychological criticism, spatial theory, and trauma theory—to reveal the book’s many interpretive possibilities. An updated treatment of Jonah’s reception history includes analyses of the story in religious traditions, art and literature, and popular culture.

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For centuries, reports of man-eating tigers in Indonesia, Malaysia, and Singapore have circulated, shrouded in myth and anecdote. This fascinating book documents the “big cat”–human relationship in this area during its 350-year colonial period, re-creating a world in which people feared tigers but often came into contact with them, because these fierce predators prefer habitats created by human interference. Peter Boomgaard shows how people and tigers adapted to each other’s behavior, each transmitting this learning from one generation to the next. He discusses the origins of stories and rituals about tigers and explains how cultural biases of Europeans and class differences among indigenous populations affected attitudes toward the tigers. He provides figures on their populations in different eras and analyzes the factors contributing to their present status as an endangered species. Interweaving stories about Malay kings, colonial rulers, tiger charmers, and bounty hunters with facts about tigers and their way of life, the book is an engrossing combination of environmental and micro history.

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Between 1900 and 1950 the British state amassed a huge collection of over 800 historic buildings, monuments, and sites and opened them to the public. This engaging book explains why the extraordinary collecting frenzy took place, locating it in the fragile and nostalgic atmosphere of the interwar years, dominated by neo-romanticism and cultural protectionism. The government’s activities were mirrored by the establishment of dozens of voluntary bodies, including the Council for the Protection of Rural England, the Society for the Protection of Ancient Buildings, and the National Trust. Men from the Ministry sets all this activity, for the first time, in its political, economic and cultural contexts, painting a picture of a country traumatized by war, fearful of losing what was left of its history, and a government that actively set out to protect them. It dissects a government program that established a modern state on deep historical and rural roots.

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The Marquess of Queensberry is as famous for his role in the downfall of one of our greatest literary geniuses as he was for helping establish the rules for modern-day boxing. The trial and two-year imprisonment of Oscar Wilde, lover of Queensberry’s son, Lord Alfred Douglas, remains one of literary history’s great tragedies. However, Linda Stratmann's riveting biography of the Marquess paints a far more complex picture by drawing on new sources and unpublished letters. Throughout his life, Queensberry was emotionally damaged by a series of tragedies, and the events of the Wilde affair—told for the first time from the Marquess’s perspective—were directly linked to Queensberry’s personal crises. Through the retelling of pivotal events from Queensberry’s life—the death of his brother on the Matterhorn and his fruitless search for the body; the suicides of his father, brother, and eldest son—the book reveals a well-meaning man often stricken with a grief he found hard to express, who deserves our compassion.

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The foremost resource for parents and caregivers seeking ways to help their child increase comfort and overcome chronic pain—a 2016 National Parenting Product Award winner “Dr. Coakley’s book is a superb roadmap and guide for parents of children and adolescents with chronic pain. Her tone and message will resonate with parents from a very broad array of backgrounds and parenting styles. Just the right balance of contemporary research, evidence for what works, and down-to-earth, practical guidance. Simply the best book on this subject for parents.”—Charles Berde, M.D., Ph.D., Chief of Pain Medicine, Boston Children’s Hospital Parents of a child in pain want nothing more than to offer immediate comfort. But a child with chronic or recurring pain requires much more. His or her parents need skills and strategies not only for increasing comfort but also for helping their child deal with an array of pain-related challenges, such as school disruption, sleep disturbance, and difficulties with peers. This essential guide, written by an expert in pediatric pain management, is the practical, accessible, and comprehensive resource that families and caregivers have been awaiting. It offers in-the-moment strategies for managing a child’s pain along with expert advice for fostering long-term comfort. Dr. Rachael Coakley, a clinical pediatric psychologist who works exclusively with families of children with chronic or recurrent pain, provides a set of research-proven strategies—some surprisingly counter-intuitive—to achieve positive results quickly and lastingly. Whether the pain is disease-related, the result of an injury or surgery, or caused by another condition or syndrome, this book offers what every parent of a child in pain most needs: effective methods for reversing the cycle of chronic pain.

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This striking, oversized book, designed to evoke encyclopedias, is a highly creative amalgam of collage with a political bent and poetry. From 2011 to 2012, American artist Mel Chin (b. 1951) extracted all of the images from a twenty-five-volume set of Funk & Wagnall’s Universal Standard Encyclopedia (ca. 1953–56) and began visually re-editing. Thousands of images rendered by photomechanical reproduction that served a populist, mid-century encyclopedia are reconfigured with 21st-century hindsight and idiosyncratic connections that convey social and artistic commentaries. Surrealism, humor, sarcasm, politics, history, and beauty permeate these sometimes raucous, often confounding, but consistently stunning images. Over 500 black-and-white collages are accompanied by twenty-five poems, one per encyclopedia volume, commissioned by Chin and author Nick Flynn specifically for this publication. Writers range from the well-known to the surprising. The Funk & Wag from A to Z offers mischievous fun with pointed commentary and hilarity.Distributed for The Menil Collection

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This volume is the first of two to illuminate the buildings of the northeast of Scotland. It covers not only Aberdeenshire’s historic districts of Formartine, Buchan, and Banff but also the whole of Moray. Picturesque former fishing villages cling to the rugged coastline, while the inland rivers support some of the most famous whisky distilleries in Scotland. Also included are examples of the finest medieval ecclesiastical architecture, notably the ruins of Elgin Cathedral, major country houses such as Brodie Castle and Duff House, as well as the churches and public buildings of the numerous planned settlements, villages, and major towns.

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A comprehensive survey examining the vibrant and sumptuous art of illumination during a period of profound intellectual and cultural transformation Hand-painted illumination enlivened the burgeoning culture of the book in the Italian Renaissance, spanning the momentous shift from manuscript production to print. This major survey, by a leading authority on medieval and renaissance book illumination, gives the first comprehensive account in English of an immensely creative and relatively little-studied art form. Jonathan J. G. Alexander describes key illuminated manuscripts and printed books from the period and explores the social and material worlds in which they were produced. Renaissance humanism encouraged wealthy members of the laity to join the clergy as readers and book collectors. Illuminators responded to patrons’ developing interest in classical motifs, and celebrated artists such as Mantegna and Perugino occasionally worked as illuminators. Italian illuminated books found patronage across Europe, their dispersion hastened by the French invasion of Italy at the end of the 15th century. Richly illustrated, The Painted Book in Renaissance Italy is essential reading for all scholars and students of Renaissance art.

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Friars transformed the relationship of the church to laymen by taking religion outside to public and domestic spaces. Mendicant commitment to apostolic poverty bound friars to donors in an exchange of donations in return for intercessory prayers and burial: association with friars was believed to reduce the suffering of purgatory. Mendicant convents became urban cemeteries, warehouses filled with family tombs, flags, shields, and private altars. As mendicants became progressively institutionalized and sought legitimacy, friars adopted the architectural structures of monasticism: chapter houses, cloisters, dormitories, and refectories. They also created piazzas for preaching and burying outside their churches. Construction depended on assembling adequate funding from communes, confraternities, and private individuals; it was also sometimes supported by the expropriation of property from heretics. Because of irregular funding, construction was episodic, with substantial changes in scale and design. Choir screens served as temporary west façades while funds were raised for completion. This is the first book to analyze the friars’ influence on the growth and transformation of medieval buildings and urban spaces.

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The Swedish toy industry has long produced vast quantities of colorful, quality wooden items that reflect Scandinavian design and craft traditions. This superbly illustrated book, including specially commissioned photography, looks at over 200 years of Swedish toys, from historic dollhouses to the latest designs for children. Featuring rattles, full-size rocking horses, dollhouses, and building blocks to skis, sleds, and tabletop games with intricate moving parts, Swedish Wooden Toys also addresses images of Swedish childhood, the role of the beloved red Dala horse in the creation of national identity, the vibrant tradition of educational toys, and the challenges of maintaining craft manufacturing in an era of global mass-production. Published in association with the Bard Graduate CenterExhibition Schedule:Paris, Musée des Arts Décoratifs (06/18/14–01/11/15)Bard Graduate Center March 2015Stockholm Summer 2015

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A mother’s deeply moving account of raising a son with Down syndrome in a world crowded with contradictory attitudes toward disabilities Rachel Adams’s life had always gone according to plan. She had an adoring husband, a beautiful two-year-old son, a sunny Manhattan apartment, and a position as a tenured professor at Columbia University. Everything changed with the birth of her second child, Henry. Just minutes after he was born, doctors told her that Henry had Down syndrome, and she knew that her life would never be the same. In this honest, self-critical, and surprisingly funny book, Adams chronicles the first three years of Henry’s life and her own transformative experience of unexpectedly becoming the mother of a disabled child. A highly personal story of one family’s encounter with disability, Raising Henry is also an insightful exploration of today’s knotty terrain of social prejudice, disability policy, genetics, prenatal testing, medical training, and inclusive education. Adams untangles the contradictions of living in a society that is more enlightened and supportive of people with disabilities than ever before, yet is racing to perfect prenatal tests to prevent children like Henry from being born. Her book is gripping, beautifully written, and nearly impossible to put down. Once read, her family’s story is impossible to forget.

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This mirror for princes sheds light on the relationship between spiritual and political authority in early modern Egypt This guide to political behavior and expediency offers advice to Sufi shaykhs, or spiritual guides, on how to interact and negotiate with powerful secular officials, judges, and treasurers, or emirs. Translated into English for the first time, it is a unique account of the relationship between spiritual and political authority in late medieval / early modern Islamic society.

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The novel Don Quixote, written in the late sixteenth and early seventeenth century by Miguel de Cervantes Saavedra, is widely considered to be one of the greatest fictional works in the entire canon of Western literature. At once farcical and deeply philosophical, Cervantes’ novel and its characters have become integrated into the cultures of the Western Hemisphere, influencing language and modern thought while inspiring art and artists such as Richard Strauss and Pablo Picasso. Based on Professor Roberto González Echevarría’s popular open course at Yale University, this essential guide to the enduring Spanish classic facilitates a close reading of Don Quixote in the artistic and historical context of renaissance and baroque Spain while exploring why Cervantes’ masterwork is still widely read and relevant today. González Echevarría addresses the novel’s major themes and demonstrates how the story of an aging, deluded would-be knight-errant embodies that most modern of predicaments: the individual’s dissatisfaction with the world in which he lives, and his struggle to make that world mesh with his desires.

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The untold story of Israel’s diplomatic maneuvering in the wake of the Six Day War, which frustrated a possible peace settlement Israel’s victory in the June 1967 Six Day War provided a unique opportunity for resolving the decades-old Arab-Zionist conflict. Having seized the West Bank, the Gaza Strip, the Sinai Peninsula, and the Golan Heights, Israel for the first time in its history had something concrete to offer its Arab neighbors: it could trade land for peace. Yet the political deadlock persisted after the guns fell silent. This book asks why.Avi Raz places Israel’s conduct under an uncompromising lens. His penetrating book examines the critical two years following the June war and substantially revises our understanding of how and why Israeli-Arab secret contacts came to naught. Mining newly declassified records in Israeli, American, British, and United Nations archives, as well as private papers of individual participants, Raz dispels the myth of overall Arab intransigence and arrives at new and unexpected conclusions. In short, he concludes that Israel’s postwar diplomacy was deliberately ineffective because its leaders preferred land over peace with its neighbors. The book throws a great deal of light not only on the post-1967 period but also on the problems and pitfalls of peacemaking in the Middle East today.

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A Nobel laureate offers a keen, thought-provoking analysis of Africa's current crises and points the way to cultural and political renewal A member of the unique generation of African writers and intellectuals who came of age in the last days of colonialism, Wole Soyinka has witnessed the promise of independence and lived through postcolonial failure. He deeply comprehends the pressing problems of Africa, and, an irrepressible essayist and a staunch critic of the oppressive boot, he unhesitatingly speaks out.In this magnificent new work, Soyinka offers a wide-ranging inquiry into Africa's culture, religion, history, imagination, and identity. He seeks to understand how the continent's history is entwined with the histories of others, while exploring Africa's truest assets: "its humanity, the quality and valuation of its own existence, and modes of managing its environment—both physical and intangible (which includes the spiritual)."Fully grasping the extent of Africa's most challenging issues, Soyinka nevertheless refuses defeatism. With eloquence he analyzes problems ranging from the meaning of the past to the threat of theocracy. He asks hard questions about racial attitudes, inter-ethnic and religious violence, the viability of nations whose boundaries were laid out by outsiders, African identity on the continent and among displaced Africans, and more. Soyinka's exploration of Africa relocates the continent in the reader's imagination and maps a course toward an African future of peace and affirmation.

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A clear-eyed exploration of the career of Leon Trotsky, the tragic hero who “dreamed of justice and then wreaked havoc,” by a leading expert on human rights and the former Soviet Union Born Lev Davidovich Bronstein in southern Ukraine, Trotsky was both a world-class intellectual and a man capable of the most narrow-minded ideological dogmatism. He was an effective military strategist and an adept diplomat, who staked the fate of the Bolshevik revolution on the meager foundation of a Europe-wide Communist upheaval. He was a master politician who played his cards badly in the momentous struggle for power against Stalin in the 1920s. And he was an assimilated, indifferent Jew who was among the first to foresee that Hitler’s triumph would mean disaster for his fellow European Jews, and that Stalin would attempt to forge an alliance with Hitler if Soviet overtures to the Western democracies failed. Here, Trotsky emerges as a brilliant and brilliantly flawed man. Rubenstein offers us a Trotsky who is mentally acute and impatient with others, one of the finest students of contemporary politics who refused to engage in the nitty-gritty of party organization in the 1920s, when Stalin was maneuvering, inexorably, toward Trotsky’s own political oblivion. As Joshua Rubenstein writes in his preface, “Leon Trotsky haunts our historical memory. A preeminent revolutionary figure and a masterful writer, Trotsky led an upheaval that helped to define the contours of twentieth-century politics.” In this lucid and judicious evocation of Trotsky’s life, Joshua Rubenstein gives us an interpretation for the twenty-first century.

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A fundamental challenge to the way we understand the history of the Middle East and the role of Islam in the region From the first Arab-Islamic Empire of the mid-seventh century to the Ottomans, the last great Muslim empire, the story of the Middle East has been the story of the rise and fall of universal empires and, no less important, of imperialist dreams. So argues Efraim Karsh in this highly provocative book. Rejecting the conventional Western interpretation of Middle Eastern history as an offshoot of global power politics, Karsh contends that the region’s experience is the culmination of long-existing indigenous trends, passions, and patterns of behavior, and that foremost among these is Islam’s millenarian imperial tradition. The author explores the history of Islam’s imperialism and the persistence of the Ottoman imperialist dream that outlasted World War I to haunt Islamic and Middle Eastern politics to the present day. September 11 can be seen as simply the latest expression of this dream, and such attacks have little to do with U.S. international behavior or policy in the Middle East, says Karsh. The House of Islam’s war for world mastery is traditional, indeed venerable, and it is a quest that is far from over.

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“Elegant. Unpretentious. Approachable. . . . He is, all in all, quite an endearing Nobelist.”—Michael Dirda, Washington Post “Modiano is a pure original.”—Adam Thirlwell, The Guardian “A fine introduction to Modiano’s later work.”—The Economist “These novellas have a mood. They cast a spell.”—Dwight Garner, New York Times In this essential trilogy of novellas by the winner of the 2014 Nobel Prize in Literature, French author Patrick Modiano reaches back in time, opening the corridors of memory and exploring the mysteries to be encountered there. Each novella in the volume--Afterimage, Suspended Sentences, and Flowers of Ruin—represents a sterling example of the author’s originality and appeal, while Mark Polizzotti’s superb English-language translations capture not only Modiano’s distinctive narrative voice but also the matchless grace and spare beauty of his prose. Although originally published separately, Modiano’s three novellas form a single, compelling whole, haunted by the same gauzy sense of place and characters. Modiano draws on his own experiences, blended with the real or invented stories of others, to present a dreamlike autobiography that is also the biography of a place. Orphaned children, mysterious parents, forgotten friends, enigmatic strangers—each appears in this three-part love song to a Paris that no longer exists. Shadowed by the dark period of the Nazi Occupation, these novellas reveal Modiano’s fascination with the lost, obscure, or mysterious: a young person’s confusion over adult behavior; the repercussions of a chance encounter; the search for a missing father; the aftershock of a fatal affair. To read Modiano’s trilogy is to enter his world of uncertainties and the almost accidental way in which people find their fates.

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As the wife of King George II, Caroline of Ansbach became queen of England in 1727. Known for her intelligence and strong character, Queen Caroline wielded considerable political power until her death in 1737. She was enthusiastic and energetic in her cultural patronage, engaging in projects that touched on the arts, architecture, gardens, literature, science, and natural philosophy. This meticulously researched volume will survey Caroline’s significant contributions to the arts and culture and the ways in which she used her patronage to strengthen the royal family’s connections between the recently installed House of Hanover and English society. She established an extensive library at St. James’s Palace, and her renowned salons attracted many of the great thinkers of the day; Voltaire wrote of her, “I must say that despite all her titles and crowns, this princess was born to encourage the arts and the well-being of mankind.” Published for the Paul Mellon Centre for Studies in British Art

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From the 1770s through the 1840s, German, Austrian, and Swiss artists used the medium of printmaking to create works that synthesized poetry, literature, music, and the visual arts in new and captivating ways. Finding an eager audience in the growing number of educated middle-class collectors, printmakers experimented with modern technologies, such as lithography, and drew on the contemporary interest in regional folklore and traditional fairy tales to produce innovative compositions that both contributed to and reflected the dramatic cultural and political upheavals of the Romantic era. Featuring the work of more than 120 artists, including Casper David Friedrich, Ludwig Emil Grimm, Joseph Anton Koch, Philipp Otto Runge, and Johann Gottfried Schadow, this authoritative book contains many unique and never-before-published examples of prints from the Philadelphia Museum of Art’s unrivaled collection. Published in association with the Philadelphia Museum of Art

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Thomas Sully (1783–1872) painted some of the most dynamic personalities of the 19th century, including Queen Victoria, Thomas Jefferson, and the Marquis de Lafayette. Although he created more than two thousand portraits and subject paintings, his full production has never before been examined in depth. The child of actors, Sully’s lifelong connection to the theater informed his imagination. His portraits of 19th-century actors, celebrities, royalty, and politicians established his reputation, and would mark all his works, particularly his “fancy pictures,” portraits evoking scenes from literature, fairy tales, Shakespeare, or of his own devising. This essential introduction demonstrates how the artist interpreted the nature of painting as performance, manifested in his dazzling productions. Three essays, 160 color reproductions, and an illustrated chronology survey and elucidate his career.Distributed for the Milwaukee Art MuseumExhibition Schedule:Milwaukee Art Museum(10/11/13–01/05/14) San Antonio Museum of Art (02/07/14–05/11/14)

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