Search results for ""Author Frances"

The Italian scholar and poet Francesco Petrarch (1304–1374) is best remembered today for vibrant and impassioned love poetry that helped to establish Italian as a literary language. Petrarch inspired later Renaissance writers, who produced an extraordinary body of work regarded today as perhaps the high-water mark of poetic productivity in the European West. These "Petrarchan" poets were self-consciously aware of themselves as poets—as craftsmen, revisers, and professionals. As William J. Kennedy shows in Petrarchism at Work, this commitment to professionalism and the mastery of poetic craft is essential to understanding Petrarch’s legacy. Petrarchism at Work contributes to recent scholarship that explores relationships between poetics and economic history in early-modern European literature. Kennedy traces the development of a Renaissance aesthetics from one based upon Platonic intuition and visionary furor to one grounded in Aristotelian craftsmanship and technique. Their polarities harbor economic consequences, the first privileging the poet’s divinely endowed talent, rewarded by the autocratic largess of patrons, the other emphasizing the poet’s acquired skill and hard work. Petrarch was the first to exploit the tensions between these polarities, followed by his poetic successors. These include Gaspara Stampa in the emergent salon society of Venice, Michelangelo Buonarroti in the "gift" economy of Medici Florence and papal Rome, Pierre de Ronsard and the poets of his Pléiade brigade in the fluctuant Valois court, and William Shakespeare and his contemporaries in the commercial world of Elizabethan and early Stuart London. As Kennedy shows, the poetic practices of revision and redaction by Petrarch and his successors exemplify the transition from a premodern economy of patronage to an early modern economy dominated by unstable market forces.

Read more less

This volume contains the Proceedings of the 25th Congress of the Union Européenne des Arabisants et Islamisants (Naples, September 8-12, 2010) on Islam and Globalisation: Historical and Contemporary Perspectives. Besides a general view on globalisation (Agostino Cilardo) and the history of the Union on the occasion of its fiftieth anniversary (Urbain Vermeulen), the contributions concern History (Axel Havemann, Pasquale Macaluso, Antonino Pellitteri, Maria Giovanna Stasolla, Maria Vidyasova), Islam (Roswitha Badry, Marek M. Dziekan, Dmitry Frolov, Christopher Melchert, Katarzyna Pachniak, Orsolya Varsanyi), Islamic Law (María Arcas Campoy, Reiner Brunner, Ana María Carballeira Debasa & Camilo Álvarez De Morales, Agostino Cilardo, Vasco Fronzoni, Wilferd Madelung), Literature & Linguistics (Abdessamad Belhaj, Julia Bray, Hélène Condylis, Francesca Maria Corrao, Adelya Gaynutdinova, Ali Kadem Kalati, Vladimir Lebedev, Ewa Machut-Mendecka, Mariangela Masullo, Barbara Michalak-Pikulska, Christina Ossipova, Arie Schippers, Krystyna Skarzynska-Bochenska, Ludmila Torlakova, Urbain Vermeulen, Monika Winet), Travel (Oriana Capezio, Roberta Denaro, Maria Grazia Sciortino, Richard van Leeuwen), Philosophy & Science (Carmela Baffioni, Daniel De Smet, Montse Díaz-Fajardo, Paulina B. Lewicka, Miklós Maróth, Juan Martos Quesada & María del Carmen Escribano Ródenas, Antonella Straface, Johannes Thomann), Art (Vincenza Grassi, Eva-Maria von Kemnitz).

Read more less

A new history of one of the foremost printers of the Renaissance explores how the Age of Print came to Italy.Lorenz Böninger offers a fresh history of the birth of print in Italy through the story of one of its most important figures, Niccolò di Lorenzo della Magna. After having worked for several years for a judicial court in Florence, Niccolò established his business there and published a number of influential books. Among these were Marsilio Ficino’s De christiana religione, Leon Battista Alberti’s De re aedificatoria, Cristoforo Landino’s commentaries on Dante’s Commedia, and Francesco Berlinghieri’s Septe giornate della geographia. Many of these books were printed in vernacular Italian.Despite his prominence, Niccolò has remained an enigma. A meticulous historical detective, Böninger pieces together the thorough portrait that scholars have been missing. In doing so, he illuminates not only Niccolò’s life but also the Italian printing revolution generally. Combining Renaissance studies’ traditional attention to bibliographic and textual concerns with a broader social and economic history of printing in Renaissance Italy, Böninger provides an unparalleled view of the business of printing in its earliest years. The story of Niccolò di Lorenzo furnishes a host of new insights into the legal issues that printers confronted, the working conditions in printshops, and the political forces that both encouraged and constrained the publication and dissemination of texts.

Read more less

The poetry in Humanophone, the third volume from award-winning poet Janet Holmes, celebrates composers and creators such as Harry Partch, Raymond Scott, Leon Theremin, and George Ives, who had to invent new instruments to capture the music heard in their “mind’s ear.” Taking its title from a George Ives invention—an instrument made from a group of humans, each of whom sings a single note, arrayed like a xylophone—Humanophone appears on its surface to be about music. But its real subject is the artist’s creative dilemma—how to deliver a new idea, whether it be a song or a poem, through existing media. Holmes works language into a variety of forms both familiar—syllabics, couplets, villanelles, sonnets—and engagingly new. With everything from kumquats to abandoned wedding pictures, Clara Bow to Bill Robinson, Keats’s belle dame to Dante’s Francesca, feng shui to a recipe for octopus, Humanophone celebrates how the body shapes art from the world it is given. In Humanophone, Holmes not only chronicles events such as Harry Partch’s transformation of glass chemical containers from the Berkeley Radiation Lab into the melodious and beautiful Cloud-Chamber Bowls, but also traces a playful path through the familiar, as a trombone’s upwards glissando becomes “a backwards pratfall/in brass.” Engaging a broad array of subjects, Holmes’s poetry is as delightful as it is thoughtful, as simple as it is complex.

Read more less

El Más Grande is the story of Argentina's biggest and most successful football club, River Plate. From their humble origins in the southern districts of Buenos Aires, River grew into one of the largest clubs in South America, earning the nickname 'The Millionaires' as they established themselves at the iconic Monumental Stadium. Over the years, River have propelled some of the greatest talents on the continent to fame, whilst enchanting generations of fans with their stylish play. The book journeys back to the 'máquina' team of the 1940s, arguably the most attractive club side of the pre-television era, with its fabled frontline of Moreno, Loustau, Pedernera, Labruna and Muñoz. It takes us through the great sides of the 1950s, 70s and 90s right up to the all-conquering reign of present coach Marcelo Gallardo. Along the way, we discover the great players who have worn the distinctive white shirt with the red sash - from Bernabé Ferreyra, Alfredo Di Stéfano and Enzo Francescoli to Manchester City's new signing Julián Álvarez.

Read more less

Una experiencia de lectura única Ganadora del Premio Renaudot y del Goncourt des Lycéens Favorita de los libreros y los lectores 1. en las listas francesas de más vendidosGracias por esta joya. La he leído en una noche. Si vemos la literatura como una forma de culto, hay libros como ermitas, otros como iglesias. Este sería una extraordinaria catedral. Conchi Beltrán, Librería Goya (Bilbao)Charlotte Salomon, pintora alemana de origen judío, abandona Berlín tras una relación amorosa que dejará en ella una huella definitiva. Huyendo de los nazis, se refugia en el sur de Francia junto a sus abuelos, quienes custodian un secreto que Charlotte no debe conocer. Allí compone su fascinante autobiografía, una obra única que, ya acechada por el peligro, decide poner a buen recaudo en una maleta que entrega a su médico, a quien confiesa: "Es toda mi vida".El autor que cautivó a más de un millón de lectores con La delicadeza asombra y conmueve con una novela que, como la obra de Charlotte

Read more less

Siendo lo más universal en la vida del mundo el dolor y el infortunio, atender a ello parecería la tarea urgente del nuevo libro de Juan Carlos Pajares, pues así lo anuncia el mismo título: desamparo. Pero no es sólo eso, es también una poética, la poética del desamparo. No es la estética o la poesía de tal estado. Es poética porque es, de nuevo, política, es moral, y sigue siendo oblicuidad entre lo nombrado, lo atraído sin un centro fijo, en la movilidad del hallazgo o del azar. Lo escrito y algo más. Ahora se ha abolido el calendario gregoriano, aflora el de la revolución francesa; qué acierto, salirse del santoral para llamar a los meses y los días con otros nombres tan hermosos: el día carbón, el 2 del mes nevoso; el día violeta, el 8 del mes ventoso, aquel almanaque secreto es ahora republicano. Trabajos y días, mirar, leer las noticias, volver a mirar, vivir. Como si al que sólo mira le envolviese lo mirado y se le despertase una conciencia, una conciencia que busca y quisiera o

Read more less

La mejor novela de Vita Sackville-West, admirada por Virginia Woolf y convertida en un clásico.Toda la elegancia, toda la ironía y, bajo una tersa superficie, una buena dosis de veneno. Una lectura muy sabrosa.Rosa MonteroSe preguntó qué heridas eran más profundas: las desgarradas heridas de la realidad, o las hondas e invisibles magulladuras de la imaginación.Lord Slane, baluarte del Imperio y gran estadista, ha muerto. Le sobreviven su viuda y seis hijos dispuestos a ocuparse de ella. Pero Lady Slane tiene otros planes: la sumisa esposa y complaciente madre quiere al fin vivir su propia vida. En una pequeña casa, en Hampstead, rememorará sus sueños de una juventud y pasará dulcemente el tiempo que el destino le conceda junto a aquellos que ha escogido: una doncella francesa, el carpintero y hasta un excéntrico millonario, enamorado de ella en la India cincuenta años atrás.Toda pasión apagada es una de las obras maestras de Vita Sackville-We

Read more less

Proceedings of the Seminar for Arabian Studies Volume 41 2011, Papers from the forty-fourth meeting, held at the British Museum, London, 22–24 July 2010. Contents: 1) Some observations on women in Omani sources (Olga Andriyanova); 2) Archaeological landscape characterization in Qatar through satellite and aerial photographic analysis, 2009 to 2010 (Paul Breeze, Richard Cuttler & Paul Collins); 3) Fishing kit implements from KHB-1: net sinkers and lures (poster) (Fabio Cavulli & Simona Scaruffi); 4) The distribution of storage and diversion dams in the western mountains of South Arabia during the Himyarite period (Julien Charbonnier); 5) Assessing the value of palaeoenvironmental data and geomorphological processes for understanding Late Quaternary population dynamics in Qatar (Richard Cuttler, Emma Tetlow & Faisal al-Naimi); 6) Les fortifications de Khor Rorī – ‘Sumhuram’ (poster) (Christian Darles); 7) Places of contact, spheres of interaction. The Ubaid phenomenon in the central Gulf area as seen from a first season of reinvestigations at Dosariyah (Dawsāriyyah), Eastern Province, Saudi Arabia (Philipp Drechsler0; 8) khushub musannadah (Qurān 63. 4) and Epigraphic South Arabian ms3nd (Orhan Elmaz); 9) Walled structures and settlement patterns in the south-western part of Dhofar, Oman (poster) (Roman Garba & Peter Farrington);10) The wall and talus at Barāqish, ancient Yathill (al-Jawf, Yemen): a Minaean stratigraphy (Francesco G. Fedele); 11) Through evangelizing eyes: American missionaries to Oman (Hilal al-Hajri); 12) Quantified analysis of long-term settlement trends in the northern Oman peninsula (Nasser Said al-Jahwari); 13) Yeha and Hawelti: cultural contacts between Saba and DMT – New research by the German Archaeological Institute in Ethiopia (Sarah Japp, Iris Gerlach, Holger Hitgen & Mike Schnelle); 14) The Kadhima Project: investigating an Early Islamic settlement and landscape on Kuwait Bay (poster) (Derek Kennet, Andrew Blair, Brian Ulrich & Sultan M. al-Duwīsh); 15) Typology of incense-burners of the Islamic period (Sterenn Le Maguer); 16) A geomorphological and hydrological underpinning for archaeological research in northern Qatar (Phillip G. Macumber); 17) Recent investigations at the prehistoric site RH-5 (Ras al-Hamrā, Muscat, Sultanate of Oman) (Lapo Gianni Marcucci, Francesco Genchi, Émilie Badel & Maurizio Tosi); 18) Geoarchaeological investigations at the site of Julfār (al-Nudūd and al-Matāf), Ras al-Khaymah, UAE: preliminary results from the auger-hole survey (poster) (Mike Morley, Robert Carter & Christian Velde); 19) Conserving and contextualizing national cultural heritage: the 3-D digitization of the fort at al-Zubārah and petroglyphs at Jabal al-Jusāsiyyah, Qatar (poster) (Helen Moulden, Richard Cuttler & Shane Kelleher); 20) Reassessing Wādī Debayan (Wādī al-Dabayān): an important Early Holocene Neolithic multi-occupational site in western Qatar (poster) (Faisal al-Naimi, Kathryn M. Price, Richard Cuttler & Hatem Arrock); 21) Research on an Islamic period settlement at Ras Ushayriq in northern Qatar and some observations on the occurrence of date presses (Andrew Petersen); 22) Relations between southern Arabia and the northern Horn of Africa during the last millennium BC (David W. Phillipson); 23) Bayt Bin Ātī in the Qattārah oasis: a prehistoric industrial site and the formation of the oasis landscape of al-Ain, UAE (Timothy Power & Peter Sheehan); 24) The Sabaic inscription A–20–216: a new Sabaean-Seleucid synchronism (Alessia Prioletta); 25) Al-Suwaydirah (old al-Taraf) and its Early Islamic inscriptions (Saad bin Abdulaziz al-Rashid); 26) Investigations in al-Zubārah hinterland at Murayr and al-Furayhah, north-west Qatar (poster) (Gareth Rees, Tobias Richter & Alan Walmsley); 27) Pearl fishers, townsfolk, Bedouin, and shaykhs: economic and social relations in Islamic al-Zubārah (Tobias Richter, Paul Wordsworth & Alan Walmsley); 28) Contemporary tribal versions of local history in Hadramawt (Mikhail Rodionov); 29) A view of the defence strategy of Muharraq, a tribal town in the Gulf (poster); 30) Solaiman Abd al-Rahmān al-Theeb, New Nabataean inscriptions from the site of al-Sīj in the region of al-Ulā, Saudi Arabia (Abdulla Al-Sulaiti); 31) Al-Zubārah Archaeological Park as a UNESCO World Cultural Heritage Site – a master plan for its site management, preservation, and presentation (poster) (Ingolf Thuesen & Moritz Kinzel); 32) Oman and Bahrain in Late Antiquity: the Sasanians’ Arabian periphery (Brian Ulrich); 33) From the port of Mocha to the eighteenth-century tomb of Imām al-Mahdī MuΉammad in al-Mawāhib: locating architectural icons and migratory craftsmen (Nancy Um); 34) Drummers of the Najd: musical practices from Wādī al-Dawāsir, Saudi Arabia (Lisa Urkevich); 35) The Jewel of Muscat Project: reconstructing an early ninth-century CE Shipwreck (Tom Vosmer, Luca Belfioretti, Eric Staples & Alessandro Ghidoni); 36) Lateral fricatives and lateral emphatics in southern Saudi Arabia and Mehri (Janet C.E. Watson & Munira Al-Azraqi).

Read more less

'For fans of Maggie O'Farrell and Jojo Moyes, this is a sweeping book of love, motherhood, death and hope' STYLIST'Wonderfully assured' THE TIMES'Pass the tissues...' EVENING STANDARD'Lovely novel. Highly recommend' JENNI MURRAY'Beautifully written' THE SUN'Prepare for heartbreak' WOMAN & HOME'A beautiful story' LAURA PEARSON'Brilliant' BELLABecause there's never enough time to say goodbye... Sylvia knows that she's running out of time. Very soon, she will exist only in the memories of those who loved her most and the pieces of her life she's left behind. So she begins to write her husband a handbook for when she's gone, somewhere to capture the small moments of ordinary, precious happiness in their married lives. From raising their wild, loving son, to what to give their gentle daughter on her eighteenth birthday - it's everything she should have told him before it was too late. But Sylvia also has a secret, one that she's saved until the very last pages. And it's a moment in her past that could change everything...Praise for For When I'm Gone:'Beautifully written, with powerful messages of hope' KATHERINE WEBB'A moving portrait of a modern family in crisis' FRANCESCA HORNAK'Ley took my breath away. Exquisitely written and deeply effective' KATE WEINBERG'Heart-breaking. Beautifully written. Reminded me of Maggie O'Farrell' REBECCA THORNTON'A beautiful, sharply observed tale of motherhood, complicated women and family dynamics' CHARLOTTE PHILBY'Heartbreaking and yet uplifting... Rebecca Ley has written a wonderful debu't JENNY QUINTANA'Rebecca Ley explores the need for love, forgiveness and remembrance that's within us all' WOMAN'S WEEKLY

Read more less

Marcos Martín Blanco and Elena Rueda began to acquire artworks in 1979. Over the years, the MER Foundation has gathered more than 800 works and includes important pieces from the best contemporary artists. The collection specialises in European and American figuration since 1980. This attention to figuration as distinct from painting and photography, has led Marcos and Elena to seek the masterpieces of artists such as Eric Fischl, Francesco Clemente, David Salle, Cindy Sherman, Thomas Ruff, Marlen Dumas, Lisa Yuscavage, Merilyn Minter, Luis Gordillo and Cecily Brown. The collection includes more than 180 artists: Miquel Barceló, José María Sicilia, Antoni Tàpies, Mompó, Palazuelo, Gordillo, Zóbel or Soledad Sevilla, among the Spanish artists, and Warhol, LeWitt, Oelen, Basquiat, David Sala or Julian Schnabel, among the international ones. In 2004 it was awarded the Collecting Prize by the ARCO art fair. This catalogue includes two introductory texts by Patricio Pron and Dan Cameron, one a more literary and personal appraisal of the founder and the collection, and the other one a technical and critical view.

Read more less

El objetivo de este trabajo, además de las implicaciones económicas de las ?Desamortizaciones? de Mendizabal y de Madoz, es el estudio de las consecuencias , diplomáticas, sociales y religiosas que ambos ocasionaron, llegando con la primera a la ruptura de relaciones con el Vaticano y el reconocimiento del pretendiente carlista, al planteamiento de un cisma, la creación de una Iglesia nacional española y la existencia de una velada persecución que llego a perjudicar a la vida eclesiástica debido a la intromisión estatal en el nombramiento de eclesiásticos, asi como su control económico, y, en ausencia de un concordato, la exigencia de una fidelidad al estado semejante a la Ley revolucionaria francesa ?Constitución Civil del Clero?, que transformando a los sacerdotes católicos parroquiales en ?funcionarios públicos eclesiásticos?.La lectura de este trabajo, con sus numerosa llamadas, referencias, fechas, fuentes documentales y bibliográficas, pero siguiendo la conexión existente entr

Read more less

'⭐ ⭐ ⭐ ⭐ ⭐ Heart-pounding . . . Definitely one of the best books this year' 'A tense, propulsive and twisty story . . . I was utterly drawn to Boweridge and its simmering secrets' ALI LOWE----A MURDERED WOMAN. A MISSING GIRL.A SMALL TOWN WITH A DARK PAST . . . Summer, 1972. Sister Francesca Pepitone was found strangled in a parking lot on the outskirts of Boweridge. A week later, seventeen-year-old Minna Larson disappeared. No one has seen or heard from her since. The cases were never linked, and neither was solved. For some, it was a scar that never healed. Others simply forgot.Now, over forty years later, Minna's niece Maggie learns that days before vanishing, Minna was telling people she knew who had murdered Sister Fran, and that she had the evidence to prove it.Except no one believed her because there was one thing everyone could agree on . . . Minna LiesHOW LONG CAN A SMALL TOWN BURY ITS PAST?----Readers are HOOKED on The Summer She Vanished'⭐ ⭐ ⭐ ⭐ ⭐ A tangled tale of dark secrets . . . a captivating page-turner''⭐ ⭐ ⭐ ⭐ ⭐ Family secrets, small towns . . . Jessica has hit the nail on the head' '⭐ ⭐ ⭐ ⭐ ⭐ Just got better and better . . . And the ending? I never saw that coming!''⭐ ⭐ ⭐ ⭐ ⭐ Gripped me from page one . . . A must-read''⭐ ⭐ ⭐ ⭐ ⭐ Such a twisty plot''⭐ ⭐ ⭐ ⭐ ⭐ A wonderful blend of cold case, police procedural, and cozy mystery that unravelled in perfect time''⭐ ⭐ ⭐ ⭐ ⭐ Dramatic and full of twists . . . I really didn't want to put it down'A blistering and shocking thriller that takes you on a taut and compelling journey to find the truth behind the story of a missing teen, a murdered nun, and the dark secret that connects them. Perfect for fans of SWEET LITTLE LIES, THE ROANOKE GIRLS and THE GIRLS WHO DISAPPEARED.

Read more less

The Memoirs of the American Academy in Rome, an annual publication of the American Academy in Rome, gathers articles on topics including Roman archaeology and topography, ancient and modern Italian history, Latin literature, and Italian art and architectural history. Volume 63/64 is the first volume edited by Sinclair W. Bell, Professor of Art History at Northern Illinois University. This volume includes the following essays and articles:" Incised and Stamped Ceramics from Morgantina: Taking the Long View" by Emma Buckingham and Carla M. Antonaccio; "Early Iron Age and Orientalizing Mediterranean Networks from Funerary Contexts in Latium vetus: Identifying Gender and Special Patterns of Interaction" by Francesca Fulminante; "Herakles on the Move: A Greek Hydria's Journey from Athens to Vulci" by Sheramy D. Bundrick; "A Hemicycle with a View" by Barbara Burrell; "Coinage Programs and Panegyric in the Reign of Trajan: Imagery, Audience, and Gency" by Nathan T. Elkins; "Matidia Minor and the Rebuilding of Suessa Aurunca" by Margaret Woodhull; "Sesostris' Chariot in a Roman Circus? A New Interpretation of a Scene Depicted on an Imperial Oil Lamp" by Sylvain Forichon; "The Sylloge Einsidlensis, Poggio Bracciolini's De Varietate Fortunae, the Turris de Arcu, and the Disappearance of the Arch of Titus in the Circus Maximus" by Tommaso Leoni; "Three Drawings of the Domus Aurea and the Colosseum at the Uffizi: Disiecta membra froma Drawing-book after the Antique?" by Marco Burnetti; and reports from the American Academy in Rome covering 2017-2019.

Read more less

This volumes explores the whole range of Alexis Tocqueville's ideas, from his political, literary and sociological theories to his concept of history, his religious beliefs, and his philosophical doctrines. Among the topics considered are: Tocqueville's beliefs about foreign policy as applied to American democracy; Tocqueville and Machiavelli on the art of being free; Tocqueville and the historical sociology of state; virtue and politics in Tocqueville; Tocqueville's debt to Rousseau and Pascal; Tocqueville's analysis of the role of religion in preserving American democracy; Tocqueville and American literary critics; and Tocqueville and the postmodern refusal of history. The different approaches to Tocqueville's classical work represented in this book, combined with the frequent use of unpublished sources, present a fresh and renewed vision of his classic Democracy in America, reinforcing after a century and a half its reputation as the most modern, provocative, and profound attempt to explain the nature of democracy. Contributing to the volume are: Pierre Birnbaum (University of Sorbonne), Herbert Dittgen (University of Goettingen), Joseph Alulis (Lake Forest College), Dalmacio Negro (Universidad Complutense, Madrid), Peter A. Lawler (Berry College), Catherine Zuckert (Carleton College), Francesco de Sanctis (Naples University), Hugh Brogan (University of Essex), Cushing Strout (Cornell University), Gisela Schlueter (Universitaet Hannover), Roger Boesche (Occidental College), Edward T. Gargan (University of Wisconsin), and James T. Schleifer (College of New Rochelle).

Read more less

The No. 1 New York Times bestselling 'queen of paranormal romance'* is back with a sexy new series starring a Chicago crime family that hides a dark, mystical secret . . . Whether it's fast cars or fast women, Stefano Ferraro gets what he wants. When he's not fodder for the paparazzi, he commands Ferraro family businesses - both legitimate and illegitimate. While their criminal activity is simply a rumour yet to be proven, no one knows the real truth. The Ferraros are a family of shadow riders capable of manipulating light and dark, an ability Stefano thought ran in his family alone - until now . . . With little left to her name, Francesca Cappello has come to Chicago in hopes of a new life. She wasn't expecting to attract the attention of a man with primal hunger in his eyes, driven to claim her as his to protect and to please. And if he discovers her secret, it could ruin her . . .Find out why readers are OBSESSED with the Shadow Series'Dark, gritty, edgy, magical . . . will hold you spellbound' Fresh Fiction'Exciting, nerve-wracking, suspenseful . . . a true page-turner' Long and Short'Dark and sensual . . . tore my heart apart and pieced it back together again' Harlequin Book Junkie'The family that Feehan introduces to us is freakin' AWESOME! I loved each and every sibling' Addicted to Romance'An exciting, action-packed romantic ride' Goodreads reviewer*J. R. Ward

Read more less

This book tells the story of romantic companionship in one hundred works of art. Chronologically arranged and emotionally driven, this study of couples runs through many cultures, civilizations, and epochs. With examples from across the globe, it portrays iconic and lesser-known (yet fascinating) couples immortalized in the history of art. Whether affectionately embracing, engaged in flirtatious exchanges, seducing one another, or simply enjoying each other's company, readers are invited into their complex world of passion, lust, and love. This celebration of these romantic relationships is expressed through sculptures, paintings, photographs, tapestries, stained glass, and illustrations.Gathered together are representations of couples from ancient cultures (Amenophis IV and Nefertiti), the Middle Ages (Tristan and Isolde), and the Renaissance (Paolo and Francesca). The book also covers contemporary pairs such as John Lennon and Yoko Ono or Gilbert and George, and artists such as Manet, Gainsborough, Renoir, Metsys, Rembrandt, Rubens, Blake, Moore, and Munch, to name but a few. The artists offer us an extensive selection of couples: from history, folklore, and legend, to pairs of a purely fictional nature. This variety of artistic means and vision results in a charming and irresistible collection.Art historian Agata Toromanoff has written several books on design. After running a contemporary art gallery and participating in the launch of a fashion brand, she founded a book packaging agency, Fancy Books. She also curates photography shows across Europe.

Read more less

'Rich people behaving badly' BooklistThe battle lines are drawn . . .Following the scandalous revelations about his love life, disgraced media mogul Harry Rose is searching for redemption. His daughters - bright, winsome Eliza and dark, difficult Maria - have taken over his beloved company and are making some major changes. Guided by Harry, Eliza navigates life as Rose Corp's new queen. But Maria is standing in her way. And then there's the distraction of Eliza's childhood playmate, the twinkly-eyed Rob Studley, and the unresolved death of her mother . . . After a stellar start, things take a turn for the worse and ultimately Eliza will have to make a choice: career, or love?Loosely based on the turbulent reigns of Tudor queens Mary and Elizabeth, this is a scandalous tale of love, power and betrayal . . .Praise for Olivia Hayfield 'Ingenious and addictive' Francesca Hornak 'A delicious read' Renee Rosen'Racy & pacy!' Nicky Pellegrino'The perfect escape' The Listener'An amusing, smart and oddly thought-provoking read with glamour and great heart' Kete: New Books from Aotearoa'A must-read for history buffs' Woman's Day'An addictively readable novel . . . there is lots to love in this racy romp about the lives of the rich and fabulous' New Zealand Woman's Weekly'A fun and entertaining read . . . non-stop Tudor intrigue!' An Historian About Town

Read more less

'A writer of great subtlety and intelligence, who understands that emotional power comes from the steady accretion of detail' Kamila Shamsie, Guardian'She writes elegantly and intelligently whatever the subject matter' Francesca Angelini, The Times'A compulsively readable novel' Manil Suri, New York Times'A horse was in flames. It roamed beneath the ocean breathing fire . . . 'When he wakes up, Elango knows his life has changed. His dream will consume him until he gives it shape. The potter must create a terracotta horse whose beauty will be reason enough for its existence. Yet he cannot pin down from where it has galloped into his mind – the Mahabharata, or Trojan legend, or his anonymous potter-ancestors. Nor can he say where it belongs – in a temple compound, within a hotel lobby, or with Zohra, whom he despairs of ever marrying.The astral, indefinable force driving Elango towards forbidden love and creation has unleashed other currents. A neighbourhood girl begins her bewildering journey into adulthood, developing a complicated relationship with him. A lost dog adopts him, taking over his heart. Meanwhile, his community is driven by inflammatory passions of a different kind. Here, people, animals, and even the gods live on a knife's edge and the consequences of daring to dream against the tide are cataclysmic.Moving between India and England, The Earthspinner reflects the many ways in which the East encounters the West. It breathes new life into ancient myths, giving allegorical shape to the war of fanaticism against reason and the imagination.An intricate, wrenching novel about the changed ways of loving and living in the modern world.

Read more less

'A writer of great subtlety and intelligence, who understands that emotional power comes from the steady accretion of detail' Kamila Shamsie, Guardian'She writes elegantly and intelligently whatever the subject matter' Francesca Angelini, The Times'A compulsively readable novel' Manil Suri, New York Times'A horse was in flames. It roamed beneath the ocean breathing fire . . . 'When he wakes up, Elango knows his life has changed. His dream will consume him until he gives it shape. The potter must create a terracotta horse whose beauty will be reason enough for its existence. Yet he cannot pin down from where it has galloped into his mind – the Mahabharata, or Trojan legend, or his anonymous potter-ancestors. Nor can he say where it belongs – in a temple compound, within a hotel lobby, or with Zohra, whom he despairs of ever marrying.The astral, indefinable force driving Elango towards forbidden love and creation has unleashed other currents. A neighbourhood girl begins her bewildering journey into adulthood, developing a complicated relationship with him. A lost dog adopts him, taking over his heart. Meanwhile, his community is driven by inflammatory passions of a different kind. Here, people, animals, and even the gods live on a knife's edge and the consequences of daring to dream against the tide are cataclysmic.Moving between India and England, The Earthspinner reflects the many ways in which the East encounters the West. It breathes new life into ancient myths, giving allegorical shape to the war of fanaticism against reason and the imagination. It is an intricate, wrenching novel about the changed ways of loving and living in the modern world.

Read more less

The conversation of this book is structured around five major documents from the Second Vatican Council, each of which Barth commented upon in his short but penetrating response to the Council, published as Ad Limina Apostolorum. In the two opening essays, Thomas Joseph White reflects upon the contribution that this book seeks to make to contem­porary ecumenism rooted in awareness of the value of dogmatic theol­ogy; and Matthew Levering explores the way in which Barth’s Ad Limina Apostolorum flows from his preconciliar dialogues with Catholic repre­sentatives of the nouvelle théologie and remain relevant to the issues facing Catholic theology today. The next two essays turn to Dei Verbum, the Dogmatic Constitution on Divine Revelation; here Katherine Sondereg­ger (Protestant) reflects on scripture and Lewis Ayres (Catholic) reflects on tradition. The next two essays address the Dogmatic Constitution on the Church, Lumen Gentium, which touches upon central differences of Cath­olic and Protestant self-understanding. Christoph Schwöbel (Protestant) analyzes visible ecclesial identity as conceived in a Protestant context, while Thomas Joseph White (Catholic) engages Barth’s Reformed crit­icisms of the Catholic notion of the Church. The next two essays take up Nostra Aetate: Bruce McCormack (Protestant) asks whether it is true to say that Muslims worship the same God as Christians, and Bruce D. Marshall (Catholic) explores the implications of the Council’s reflections on the Jewish people. The next two essays take up the Pastoral Constitu­tion on the Church in the Modern World, Gaudium et Spes: John Bowlin (Protestant) makes use of the thought of Aquinas to consider the prom­ise and perils of the document, while Francesca Aran Murphy (Catho­lic) engages critically with George Lindbeck’s analysis of the document. The next two essays explore Unitatis Redintegratio: Hans Boersma (Prot­estant) asks whether the ecumenical intention of the document is im­paired by its insistence that the unity of the Church is already present in the Catholic Church, and Reinhard Hütter (Catholic) systematically addresses Barth’s questions regarding the document. The noted ecumen­ist and Catholic theologian Richard Schenk brings the volume to a close by reflecting on “true and false ecumenism” in the post-conciliar period.

Read more less

The world of wealth and patronage that we associate with sixteenth- and early seventeenth-century Italy can make the Renaissance seem the exclusive domain of artists and aristocrats. Revealing a Renaissance beyond Michelangelo and the Medici, Sarah Gwyneth Ross recovers the experiences of everyday men and women who were inspired to pursue literature and learning.Ross draws on a trove of original unpublished sources—wills, diaries, household inventories, account books, and other miscellany—to reconstruct the lives of over one hundred artisans, merchants, and others on the middle rung of Venetian society who embraced the ennobling virtues of a humanistic education. These men and women sought out the latest knowledge, amassed personal libraries, and passed both their books and their hard-earned wisdom on to their families and heirs.Physicians were often the most avid—and the most anxious—of professionals seeking cultural legitimacy. Ross examines the lives of three doctors: Nicolò Massa (1485–1569), Francesco Longo (1506–1576), and Alberto Rini (d. 1599). Though they had received university training, these self-made men of letters were not patricians but members of a social group that still yearned for credibility. Unlike priests or lawyers, physicians had not yet rid themselves of the taint of artisanal labor, and they were thus indicative of a middle class that sought to earn the respect of their peers and betters, protect and advance their families, and secure honorable remembrance after death.

Read more less

Many people first encounter Hawai‘i through the imagination—a postcard picture of hula girls, lu‘aus, and plenty of sun, surf, and sea. While Hawai‘i is indeed beautiful, Native Hawaiians struggle with the problems brought about by colonialism, military occupation, tourism, food insecurity, high costs of living, and climate change. In this brilliant reinvention of the travel guide, artists, activists, and scholars redirect readers from the fantasy of Hawai‘i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai‘i's culture and complex history. The essays, stories, artworks, maps, and tour itineraries in Detours create decolonial narratives in ways that will forever change how readers think about and move throughout Hawai‘i. Contributors. Hōkūlani K. Aikau, Malia Akutagawa, Adele Balderston, Kamanamaikalani Beamer, Ellen-Rae Cachola, Emily Cadiz, Iokepa Casumbal-Salazar, David A. Chang, Lianne Marie Leda Charlie, Greg Chun, Joy Lehuanani Enomoto, S. Joe Estores, Nicholas Kawelakai Farrant, Jessica Ka‘ui Fu, Candace Fujikane, Linda H. L. Furuto, Sonny Ganaden, Cheryl Geslani, Vernadette Vicuña Gonzalez, Noelani Goodyear-Ka‘ōpua, Tina Grandinetti, Craig Howes, Aurora Kagawa-Viviani, Noelle M. K. Y. Kahanu, Haley Kailiehu, Kyle Kajihiro, Halena Kapuni-Reynolds, Terrilee N. Kekoolani-Raymond, Kekuewa Kikiloi, William Kinney, Francesca Koethe, Karen K. Kosasa, N. Trisha Lagaso Goldberg, Kapulani Landgraf, Laura E. Lyons, David Uahikeaikalei‘ohu Maile, Brandy Nālani McDougall, Davianna Pōmaika‘i McGregor, Laurel Mei-Singh, P. Kalawai‘a Moore, Summer Kaimalia Mullins-Ibrahim, Jordan Muratsuchi, Hanohano Naehu, Malia Nobrega-Olivera, Katrina-Ann R. Kapā‘anaokalāokeola Nākoa Oliveira, Jamaica Heolimelekalani Osorio, No‘eau Peralto, No‘u Revilla, Kalaniua Ritte, Maya L. Kawailanaokeawaiki Saffery, Dean Itsuji Saranillio, Noenoe K. Silva, Ty P. Kāwika Tengan, Stephanie Nohelani Teves, Stan Tomita, Mehana Blaich Vaughan, Wendy Mapuana Waipā, Julie Warech

Read more less

Accompanying an exhibition of drawings by Guercino from the collection of the Morgan Library & Museum, Guercino: Virtuoso Draftsman offers an overview of the artist’s graphic work, ranging from his early genre studies and caricatures, to the dense and dynamic preparatory studies for his paintings, and on to highly finished chalk drawings and landscapes that were ends in themselves. Giovanni Francesco Barbieri, known as Guercino (1591-1666), was arguably the most interesting and diverse draftsman of the Italian Baroque era, a natural virtuoso who created brilliant drawings in a broad range of media. The Morgan owns more than twenty-five works by the artist, and these are the subject of a focused exhibition, supplemented by a handful of loans from public and private New York collections, to be held at the Morgan in the autumn of 2019. This volume accompanies that exhibition. It includes an introductory essay on Guercino’s work as a draftsman followed by entries on the Guercino drawings in the Morgan’s collection. These include sheets from all moments of the artist’s career. His early awareness of the work of the Carracci in Bologna is documented by figures drawn from everyday life as well as brilliant caricatures; two drawings for Guercino’s own drawing manual are further testament to his interest in questions of academic practice. Following his career, a range of preparatory drawings includes studies made in connection with his earliest altarpieces as well as his mature masterpieces, including multiple studies for several projects, allowing the visitor to see Guercino’s mind at work as he reconsidered his ideas. The Morgan’s holdings also include studies for engravings as well as highly finished landscape and figure drawings that were independent works. Guercino: Virtuoso Draftsman continues a series of exhibition catalogues focused on highlights from the Morgan’s collection. Previous volumes include Power and Grace: Drawings by Rubens, Van Dyck, and Jordaens and Thomas Gainsborough: Experiments in Drawing, also published by Paul Holberton. While some of the Morgan’s Guercino drawings are well known, they have never been exhibited or published as a group, and the selection includes a number of new acquisitions.

Read more less

Clementina, Viscountess Hawarden (1822–1865) produced over eight hundred photographs during her all-too-brief life. Most of these were portraits of her adolescent daughters. By whisking away the furniture and bric-a-brac common in scenes of upper-class homes of the Victorian period, Lady Hawarden transformed the sitting room of her London residence into a photographic studio—a private space for taking surprising photos of her daughters in fancy dress. In Carol Mavor’s hands, these pictures become windows into Victorian culture, eroticism, mother-daughter relationships, and intimacy.With drama, wit, and verve, Lady Hawarden’s girls, becoming women, entwine each other, their mirrored reflections and select feminine objects (an Indian traveling cabinet, a Gothic-style desk, a shell-covered box) as homoerotic partners. The resulting mise-en-scène is secretive, private, delicious, and arguably queer—a girltopia ripe with maternality and adolescent flirtation, as touching as it is erotic. Luxuriating in the photographs’ interpretive possibilities, Mavor makes illuminating connections between Hawarden and other artists and writers, including Vermeer, Christina Rossetti, George Eliot, Lewis Carroll, and twentieth-century photographers Sally Mann and Francesca Woodman. Weaving psychoanalytic theory and other photographic analyses into her work, Mavor contemplates the experience of the photograph and considers the relationship of Hawarden’s works to the concept of the female fetish, to voyeurism, mirrors and lenses, and twins and doubling. Under the spell of Roland Barthes, Mavor’s voice unveils the peculiarities of the erotic in Lady Hawarden’s images through a writerly approach that remembers and rewrites adolescence as sustained desire. In turn autobiographical, theoretical, historical, and analytical, Mavor’s study caresses these mysteriously ripped and scissored images into fables of sapphic love and the real magic of photography.

Read more less

Raffaello Borghini's Il Riposo (1584) is the most widely known Florentine document on the subject of the Counter-Reformation content of religious paintings. Despite its reputation as an art-historical text, this is the first English-language translation of Il Riposo to be published. A distillation of the art gossip that was a feature of the Medici Grand Ducal court, Borghini's treatise puts forth simple criteria for judging the quality of a work of art. Published sixteen years after the second edition of Giorgio Vasari's Vite, the text that set the standard for art-historical writing during the period, Il Riposo focuses on important issues that Vasari avoided, ignored, or was oblivious to. Picking up where Vasari left off, Borghini deals with artists who came after Michaelangelo and provides more comprehensive descriptions of artists who Vasari only touched upon such as Tintoretto, Veronese, Barocci, and the artists of Francesco I's Studiolo. This text is also invaluable as a description of the mid-sixteenth century reaction against the style of the 'maniera,' which stressed the representation of self-consciously convoluted figures in complicated works of art.The first art treatise specifically directed toward non-practitioners, Il Riposo gives unique insight into the early stages of art history as a discipline, late Renaissance art and theory, and the Counter-Reformation in Italy.

Read more less

The volume, investigating the extraordinary season of the Italian Renaissance, highlights the great contribution offered to the culture of that period by the Jewish world, still little documented in today's studies. Indeed, there is no doubt that Judaism, with its long-lasting identity and tradition strongly rooted in territorial states, has made a peculiar contribution to the sphere of arts, literature and humanistic philosophy, contributing to giving many original and inimitable intonations to the Italian Renaissance. The investigation proposed here focuses on the relationship - harmonious in some cases and conflicting in others - between the Christian majority society and the Jewish identity in the period between the early fifteenth and mid-sixteenth centuries, meaning from the full affirmation of the Humanism to the conclusion of the Council of Trento, offering at the same time a precise geographical overview of the phenomenon. The volume is divided into thematic chapters, it contains a rich catalogue of testimonies ranging from liturgical objects to those of daily use, from manuscripts to furnishings to some art masterpieces, and is supplemented by bibliographical apparatus. Essays by: Guido Bartolucci, Giulio Busi, Donatella Calabi, Saverio Campanini, J.H. Chajes, Andreina Contessa, Miriam Davide, Silvana Greco, Maria Giuseppina Muzzarelli, Mauro Perani, David B. Ruderman, Angela Scandaliato, Salvatore Settis, Giacomo Todeschini, Francesca Trivellato, Giuseppe Veltri, Gianni Venturi, Joanna Weinberg.

Read more less

A sparkling new take on an age-old publication: The Other Almanac brings together a stellar group of young writers, artists and activists to pick up themes of environmentalism, gardening, recipes, folklore, seasonal savvy, and off- the-beaten-track amusement, all presented in brilliant color and eye-popping design. Out with the Old, in with the Other!The original Almanac is the oldest continuously printed publication in the US . It comprises a popular mix of ancient wisdom, garden advice, poems, jokes, how-to's, recipes, and calendars. It is, however, still tailored to its traditional audience: largely rural, white and conservative. It eschews stances on anything overtly progressive, be it political, ecological, or social. The Other Almanac puts right these omissions. Whilst retaining the quirkiness and liveliness of the original, it aims to bridge the urban/rural divide in America, delving into issues of politics and culture that unite us all. Its pages are filled with buoyant contributions from climate organizers, indigenous activists, migrant farmworkers, historians, scientists, medicine makers, incarcerated painters, astrologers, lawyers, borderland midwives and more. Original, full color art surrounds their writing, creating an inviting, accessible yearbook that will entertain and educate a wide new readership for an age-old chronicle. Contributors: 10th Floor Studio, adrienne maree brown, Alexis Pauline Gumbs, Alfredo Jaar, Amaryllis R. Flowers, Andrea Aliseda, Bill McKibben, Bread and Puppet Press, Carla J. Simmons, Chloë Boxer, Chris Lloyd, Dyani White Hawk, Dylan Smith, Daniel Barreto, Esther Elia, Food With Fam, Francesca DiMattio, Hangama Amiri, Hannah Beerman, Jennifer Givhan, Jessie Kindig, Jumana Manna, Kirk Gordon, Keegan Dakkar Lomanto, Lily Consuelo Saporta Tagiuri, Philip Poon, Sophia Giovannitti, Tania Willard, Tyrrell Tapaha, Veladya Chapman, Who Tattoo, Yaku Perez Guartambel.

Read more less

Sunday Times Art Book of the Year 2018'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' - Grey Gowrie, Financial Times 'All the good stories, and more, are here … this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' - Andrew Marr, Sunday Times A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and ‘Swinging London’ in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question ‘what can painting do?’ and explored in their diverse ways, but with equal passion, the possibilities of paint.

Read more less

Surveying print and digital graphic life narratives about people who become ‘othered’ within Western contexts, this book investigates how comics and graphic novels witness human rights transgressions in contemporary Anglophone culture and how they can promote social justice. With thought given to how the graphic form can offer a powerful counterpoint to the legal, humanitarian and media discourses that dehumanise the most violated and dispossessed, but also how these works may unconsciously reproduce Western neo-colonial presentations of the ‘other,’ Olga Michael focuses on gender, death, space, and border violence within graphic life narratives depicting suffering across different geo- and biopolitical locations. Combining the familiar with the lesser-known, this book covers works by artists such as Joe Sacco, Thi Bui, Mia Kirshner, Phoebe Gloeckner, Kamel Khélif, Francesca Sanna, Gabi Froden, Benjamin Dix and Lindsay Pollock, as well as Safdar Ahmed and Ali Dorani/Eaten Fish. Interdisciplinary in its consideration of life writing, comics and human rights studies, and comparative in approach, this book explores such topics as the aesthetics of visualised suffering; spatial articulations of human rights violations; the occurrence of violations whilst crossing borders; the gendered dimensions of visually captured violence; and how human rights discourses intersect with graphic depictions of the dead. In so doing, Michael establishes how to read human rights and social justice comics in relation to an escalating global crisis and deftly complicates negotiations of ‘otherness.’ A vitally important work to the humanities sector, this book underscores the significance of postcolonial decolonized reading acts as forms of secondary witness.

Read more less

States of Memory illuminates the construction of national memory from a comparative perspective. The essays collected here emphasize that memory itself has a history: not only do particular meanings change, but the very faculty of memory—its place in social relations and the forms it takes—varies over time. Integrating theories of memory and nationalism with case studies, these essays stake a vital middle ground between particular and universal approaches to social memory studies.The contributors—including historians and social scientists—describe societies’ struggles to produce and then use ideas of what a “normal” past should look like. They examine claims about the genuineness of revolution (in fascist Italy and communist Russia), of inclusiveness (in the United States and Australia), of innocence (in Germany), and of inevitability (in Israel). Essayists explore the reputation of Confucius among Maoist leaders during China’s Cultural Revolution; commemorations of Martin Luther King Jr. in the United States Congress; the “end” of the postwar era in Japan; and how national calendars—in signifying what to remember, celebrate, and mourn—structure national identification. Above all, these essays reveal that memory is never unitary, no matter how hard various powers strive to make it so.States of Memory will appeal to those scholars-in sociology, history, political science, cultural studies, anthropology, and art history-who are interested in collective memory, commemoration, nationalism, and state formation.Contributors. Paloma Aguilar, Frederick C. Corney, Carol Gluck, Matt K. Matsuda, Jeffrey K. Olick, Francesca Polletta, Uri Ram, Barry Schwartz, Lyn Spillman, Charles Tilly, Simonetta Falasca Zamponi, Eviatar Zerubavel, Tong Zhang

Read more less

Papers from the 17th Symposium on Mediterranean Archaeology, SOMA 2013 held in Moscow, 25-27 April 2013. Contents: A project proposal for the construction of underwater archaeological nature routes into the Protected Marine Area of Santa Maria di Castellabate (Salvatore Agizza); A Recently Discovered Thirteenth Century Church at Myra (T. Engin Akyurek); Archaeological Findings of Thracian / Phrygian Tribes' Crossing of Bosporus (ITA) Istanbul Prehistoric Research Project (Haldun Aydingun); Routes And Harbour Archaeology: An Attempt to Identify Some Ancient Toponyms on the Eastern Adriatic Coast (Mattia Vitelli Casella); The Bath Buildings throughout the Cilician shoreline. The cases of Akkale (Tirtar) and Mylai (Manastir) and the problems of their preservation and fruition. Can the archaeological relevance help in preserving the ancient remains? (Emanuele Casagrande Cicci); Byzantine Small Finds From 'Church B' at Andriake (Myra / Antalya): First Results on the Ceramics (Ozgu Comezoglu); Management of Cultural Heritage in the Coastal Zone 'An investigation on the conservation of wooden house in Istanbul through the eyes of the population' (Pierre Emanuel Decombe); XII Scripta And Two Excavated Game Boards From Kibyra (Unal Demirer); Dionysus and Ariadne in Antiocheia and Zeugma Mosaics: a Contrastive Evaluation (Sehnaz Erarslan); Studying aspects of Pre-Roman History, Religion, Political Organization andTrading Contacts of some Ionian Colonies of 'Thracia Pontica': the case of Dionysopolis & Odessos (Maria Girtzi); 'The Time-traveler meets Emperor Justinian in Byzantine Era': an innovative museological project (Maria Girtzi and Athanasia Bountidou); Hun Originated/Influenced Objects Found In China: Ordos Bronze (Feyza Gorez); Attic Imports to the Black Sea area: the Construction of the Reference Framework (Filippo Giudice with the contribution of Elvia & Giada Giudice, Paolo Madella, Francesco Muscolino, Giuseppe Sanfilippo Chiarello, Rossano Scicolone and Sebastiano Luca Tata); Stoa Philosophy and Its Development Stages in Ancient Era (Ilker Isik); 18th and 19th Century Wall Paintings Featuring Views of Istanbul (Bilge Karaoz); Stazione Neapolis: A journey into the history of Naples from the Neolithic to the Modern Age (Alessandro Luciano); Fish sauces trade and consumption in the ager Mutinensis (Manuela Mongardi); Reconstruction of the Settlement Layout at Salat Tepe: An Interpretation of the Archaeological Evidence (A. Tuba Okse and Ahmet Gormus); Denizli - The Ilbadi Cemetery Namazgah (Kadir Pektas); The Role of the Corinthian Relief Ware in Sardinia as a Socio-Economic and Cultural Indicator of a 'Commissioned' Trade (Paola Puppo and Fabio Mosca); Underwater Archaeological Project at the Ancient City of Akra (Eastern Crimea) 2011-2012 188 (Sergey Solovyev and Viktor Vakhoneev); Management of Underwater Archaeological Heritage: An Environmental Approach to the Protection and Preservation of the Harbour Complex of Aegina (Ioannis Triantafillidis and Vassilis Tselentis); The Byzantine Castle in Akbas on Thracian Chersonessos (Ayse C. Turker); Agoras, Theaters, Baths and Gymnasia: A Case Study on the Urban Redevelopment Choices of Carian Benefactors in the Roman Age (Guray Unver); A Byzantine Monastery South-East of Jerusalem (Yehiel Zelinger); Local and Imported Art in the Byzantine Monastery Newly Discovered Near Jerusalem, Israel (Lihi Habas)

Read more less

Reading a range of Italian works, Rubini considers the active transmittal of traditions through generations of writers and thinkers. Rocco Rubini studies the motives and literary forms in the making of a “tradition,” not understood narrowly, as the conservative, stubborn preservation of received conventions, values, and institutions, but instead as the deliberate effort on the part of writers to transmit a reformulated past across generations. Leveraging Italian thinkers from Petrarch to Gramsci, with stops at prominent humanists in between—including Giambattista Vico, Carlo Goldoni, Francesco De Sanctis, and Benedetto Croce—Rubini gives us an innovative lens through which to view an Italian intellectual tradition that is at once premodern and modern, a legacy that does not depend on a date or a single masterpiece, but instead requires the reader to parse an expanse of writings to uncover deeper transhistorical continuities that span six hundred years. Whether reading work from the fourteenth century, or from the 1930s, Rubini elucidates the interplay of creation and the reception underlying the enactment of tradition, the practice of retrieving and conserving, and the revivification of shared themes and intentions that connect thinkers across time. Building on his award-winning book, The Other Renaissance, this will prove a valuable contribution for intellectual historians, literary scholars, and those invested in the continuing humanist legacy.

Read more less

The story of the Renaissance city and palace of Urbino, and the life of the extraordinary man who created it: Federico da Montefeltro. 'Painstakingly researched and yet unfailingly readable' Ross King 'An insight into one of Renaissance Italy's most glamorous courts' Catherine Fletcher 'The perfect tour guide to the past' Literary Review 'A fabulous merging of seductive design with bravura scholarship' Alexandra Harris 'A superior study... Packed with detail' TLS The one-eyed mercenary soldier Federico da Montefeltro, lord of Urbino between 1444 and 1482, was one of the most successful condottiere of the Italian Renaissance: renowned humanist, patron of the artist Piero della Francesca, and creator of one of the most celebrated libraries in Italy outside the Vatican. From 1460 until her early death in 1472 he was married to Battista, of the formidable Sforza family, their partnership apparently blissful. In the fine palace he built overlooking Urbino, Federico assembled a court regarded by many as representing a high point of Renaissance culture. For Baldassare Castiglione, Federico was la luce dell'Italia – 'the light of Italy'. Jane Stevenson's affectionate account of Urbino's flowering and decline casts revelatory light on patronage, politics and humanism in fifteenth-century Italy. As well as recounting the gripping stories of Federico and his Montefeltro and della Rovere successors, Stevenson considers in details Federico's cultural legacy – investigating the palace itself, the splendours of the ducal library, and his other architectural projects in Gubbio and elsewhere.

Read more less

The volume The Many Faces of Beauty joins the rich debate on beauty and aesthetic theory by presenting an ambitious, interdisciplinary examination of various facets of beauty in nature and human society. The contributors ask such questions as, Is there beauty in mathematical theories? What is the function of arts in the economy of cultures? What are the main steps in the historical evolution of aesthetic theories from ancient civilizations to the present? What is the function of the ugly in enhancing the expressivity of art? and What constitutes beauty in film? The sixteen essays, by eminent scientists, critics, scholars, and artists, are divided into five parts. In the first, a mathematician, physicist, and two philosophers address beauty in mathematics and nature. In the second, an anthropologist, psychologist, historian of law, and economist address the place of beauty in the human mind and in society. Explicit philosophical reflections on notoriously vexing issues, such as the historicity of aesthetics itself, interculturality, and the place of the ugly, are themes of the third part. In the fourth, practicing artists discuss beauty in painting, music, poetry, and film. The final essay, by a theologian, reflects on the relation between beauty and God. Contributors: Vittorio Hösle, Robert P. Langlands, Mario Livio, Dieter Wandschneider, Christian Illies, Francesco Pellizzi, Bjarne Sode Funch, Peter Landau, Holger Bonus, Pradeep A. Dhillon, Mark W. Roche, Maxim Kantor, Claus-Steffen Mahnkopf, Mary Kinzie, Dudley Andrew, and Cyril O’Regan.

Read more less

En este provocador libro, los economistas Alberto Alesina y Francesco Giavazzi señalan que, si Europa no toma pronto medidas, es casi inevitable que se intensifique su declive económico y político. Si no se emprende una reforma global, las sobreprotegidas y superreguladas economías de Europa occidental continental continuarán perdiendo velocidad y su influencia política acabará siendo casi inapreciable. Eso no significa que Alemania, Francia, España y otros países que hoy son prósperos vayan a empobrecerse; su nivel de vida continuará siendo holgado. Pero acabarán siendo casi irrelevantes en el panorama mundial. En El futuro de Europa, Alesina y Giavazzi (que son europeos) esbozan las medidas que debe tomar Europa para impedir su eclipse económico y político.Según los autores, Europa tiene mucho que aprender de Estados Unidos. Los europeos trabajan menos y tienen más vacaciones que los estadounidenses; valoran sobre todo la seguridad y la estabilidad del empleo. Alesina y Giavazzi sostienen que los estadounidenses trabajan más y un número mayor de horas y están más dispuestos a soportar los altibajos de una economía de mercado. Los europeos valoran su Estado de bienestar; los estadounidenses aborrecen el gasto público. Estados Unidos es un crisol de culturas; los países europeos tienen dificultades para absorber la población inmigrante. Alesina y Giavazzi advierten de que para que Europa ponga freno a su declive, tiene que adoptar un modelo parecido al de libre mercado de Estados Unidos.Las recomendaciones de Alesina y Giavazzi sobre la forma en que Europa debe afrontar las cuestiones relacionadas con la productividad de los trabajadores, la regulación del mercado de trabajo, la globalización, la financiación de la enseñanza superior y de la investigación tecnológica, la política fiscal y sus sociedades multiétnicas suscitarán sin duda controversias, al igual que su visión de la Unión Europea y del euro. Pero su llamada de atención sonará alta y clara para todo aquel al que le preocupe el futuro de Europa.

Read more less

Text in German. The Villa Lante in Bagnaia near Viterbo is outstanding among 16th-century Italian gardens. It is not particularly large, but it is the undisputed highlight of this epoch, the heyday of Italian horticulture, not just because it is outstandingly well maintained, but also because of its unique formal qualities and its extremely complex iconographic programme. The present monograph attempts to establish what triggers the intense sense of beauty with which visitors to the gardens are confronted. It is immediately clear that it is essential to analyse the form of the garden -- here the extremely precise treatment of central perspective as a device is of considerable interest -- but close attention has also to be paid to the significance of the individual elements and the connections between them. This examination brings an elaborate accumulation of various sign systems to light, which seem to have the astonishing characteristic of not being entirely reconcilable, indeed they appear to build in contradictions as a basic constant. From this develops a panorama of the late 16th century, presenting the tangled pathways of perception of the gardens in all their complex relations, from the various late Renaissance garden types, via philosophy, the response to antiquity, perception of nature, perspective, harmony, literature, theatre and religion, and on to models of time and the forms it takes. Against this background the garden of the Villa Lante, which belonged to the scholarly cardinal and inquisitor Francesco Gambara, proves to be a difficult -- and perhaps not entirely successful -- balancing act between Renaissance traditions and the thrust of the Counter-Reformation, but showing at the same time, as a kind of 'apotheosis of the artwork', a surprising affinity with the present day.

Read more less

Longlisted for the New Blood Dagger Award 2021 'A darkly gripping and addictive read. I tore through it in a few days’ ESTHER FREUD 'Deeply engrossing … an exquisite literary thriller’ PHILIPPA EAST ‘Emotionally wrenching’ WALL STREET JOURNAL ‘Impossible to put down’ TREVOR WOOD A missing woman 30 years ago, in the suffocating heat of a Sydney summer, the Greens’ next-door neighbour Mandy disappeared without a trace. A cold case reopened In 1997, in a basement flat in Hackney, Isla Green is awakened by a call in the middle of the night: her father is under suspicion of Mandy’s murder. A devastating secret How well does Isla know her father? Is he capable of doing something terrible? And is there another secret in their community – a conspiracy of silence which stretches deep into Australia’s past? –––––––––––––––––––––––––––––– ‘An atmospheric, convincing portrayal of the way that the decisions we make, both individually and collectively, reverberate down the years’ GUARDIAN ‘Allott uses the scandal of Australia’s stolen children to devastating effect in this memorable debut’ SUNDAY TIMES 'A riveting mystery, beautifully unwound. The Silence excavates dark, decades-old secrets buried in human hearts, in families and in nations. I read it in one weekend’ ERIN KELLY ‘An impressive and beautifully written, Australian-set debut with the devastating subject of the Stolen Generation at its core’ FIONA MITCHELL ‘Tense, atmospheric and brilliantly paced. The Silence is fraught with disturbing secrets and powerful emotions. I loved it’ FRANCESCA JAKOBI ‘A brooding, suspenseful debut’ SUNDAY MIRROR ‘A suspenseful, beautifully crafted debut for fans of Celeste Ng and Jane Harper’ TELEGRAPH AUSTRALIA ‘Intricate and suspenseful… [a] stellar debut’ NEW YORK JOURNAL OF BOOKS

Read more less

'New Zealand's Queen of Royal Romance' Women's Day*Loosely based on one of history's greatest unsolved mysteries - the Princes in the Tower - and the royal enigma that was Richard III* __________EVERYONE WANTS TO BE FAMOUSEveryone has heard of the Snows. Belle, world-famous singer of Woodville fame. Her husband Teddy, acclaimed actor by day, notorious party animal by night. Their children: Emma, Pearl, Crystal, Elfred and River.EVERYONE EXCEPT EMMA SNOW Emma Snow wants three things in the world: to become a writer, own a cat, and never think about Rowan Bosworth again. Darkly handsome with a tragic past, Emma should know better than to be in love with him. She's never sure whether he actually likes her, or if she's just a pawn in one of the twisted games he likes to play.EMMA SNOW WANTS TO BE EXCEPTIONALOne Valentine's Day, a terrible event occurs which rips the Snow family apart. Determined to uncover the truth, Emma is forced to delve into the dark underbelly of her celebrity family - and once and for all decide whether to think with her heart or her head . . When you're surrounded by rumours, it's difficult to see the truth . . .___________________Believe the rumours - EVERYONE is talking about Olivia Hayfield's NOTORIOUS! 'Rich people behaving badly' Booklist'Ingenious and addictive' Francesca Hornak 'A delicious read' Renee Rosen'Hayfield has channelled the best of Jilly Cooper into a novel that's an ingenious adaption of history' The Listener'A clever whodunnit with a bonus love story that'll have you hooked' Women's Day'Racy historical fiction ... I whooped when it arrived' The Spinoff

Read more less

'This book will make you rethink everything the world has erroneously told you about ageing' Farrah Storr, Editor of Elle *****When we look in the mirror we want to see a fresh-faced, radiant and confident version of ourselves and Dr Vicky Dondos has spent fifteen years helping her clients see just that. In The Positive Ageing Plan she shares her advice for how you can enjoy an effortless, confident glow, at every age.The aim isn't to look younger, but to look and feel good about yourself and your appearance throughout your life. In this empowering guide, Dr Vicky demystifies the ageing process, reveals the products that are worth investing in and shows you how to create your own personalized programme, so that you can care for your own health and appearance in a way that works for you, your schedule and your budget.The expert advice in this book will help you:- Better understand your own skin- Find the skincare approach that works for you- Learn radiance-boosting lifestyle tips- Get the lowdown on the cosmetic treatments available to you- Above all, appreciate your own natural beautyWhatever your reasons for picking up this book, it is a science-based, straight-talking, judgement-free guide to finding the best options for your skin and will help you grow the confidence that comes with looking great.*****'Tatler's finest ... one of the most rigorous, skilled, clever and charming specialists out there.' Francesca White, Tatler Beauty Editor 'A brilliant book! I thoroughly enjoyed reading it and learned so much. I finished it feeling empowered and in control' Lily Boulle, Founder & Managing Director of Sleep Siren

Read more less

Winner, 2023 Robert L. Jervis and Paul W. Schroeder Best Book Award, International History and Politics Section, American Political Science AssociationHonorable Mention, 2023 Barrington Moore Award, Comparative and Historical Sociology Section, American Sociological AssociationHonorable Mention, 2023 Francesco Guicciardini Prize for Best Book in Historical International Relations, Historical International Relations Section, International Studies AssociationIt is widely believed that the political problems of the Middle East date back to the era of World War I, when European colonial powers unilaterally imposed artificial borders on the post-Ottoman world in postwar agreements. This book offers a new account of how the Great War unmade and then remade the political order of the region. Ranging from Morocco to Iran and spanning the eve of the Great War into the 1930s, it demonstrates that the modern Middle East was shaped through complex and violent power struggles among local and international actors.Jonathan Wyrtzen shows how the cataclysm of the war opened new possibilities for both European and local actors to reimagine post-Ottoman futures. After the 1914–1918 phase of the war, violent conflicts between competing political visions continued across the region. In these extended struggles, the greater Middle East was reforged. Wyrtzen emphasizes the intersections of local and colonial projects and the entwined processes through which states were made, identities transformed, and boundaries drawn. This book’s vast scope encompasses successful state-building projects such as the Turkish Republic and the Kingdom of Saudi Arabia as well as short-lived political units—including the Rif Republic in Morocco, the Sanusi state in eastern Libya, a Greater Syria, and attempted Kurdish states—that nonetheless left traces on the map of the region. Drawing on a wide range of sources, Worldmaking in the Long Great War retells the origin story of the modern Middle East.

Read more less

Scrumptious, healthy, crowd-pleasing recipes for people with diabetes and their loved ones The editors of Diabetic Gourmet Magazine understand that although people with diabetes must carefully monitor their eating habits, they still crave their favorite sweets and savory dishes. Now, with this all-new collection of healthy recipes that are perfect for everyday meals as well as for entertaining, you can enjoy making tasty dishes for yourself, your friends, and your family that are as good for you as they are delicious. The Diabetic Gourmet Cookbook features more than 200 original gourmet recipes complete with detailed nutritional information and diabetic exchanges for easy meal planning. By featuring healthy versions of traditional favorites-from pot roast to macaroni and cheese to banana cream pie-this mouthwatering collection shows how you can safely and effectively eat well if you have diabetes or special dietary needs and still enjoy wonderful food. You'll find easy-to-prepare recipes for appetizers, soups, salads, breads, desserts, sauces, and more along with a host of healthy cooking techniques-which makes The Diabetic Gourmet Cookbook essential for every health-conscious cook's kitchen. Pecan Winter Waffles * Huevos Rancheros * Blueberry Blintzes Topped with Lime Crema * Cranberry Apple Muffins * Baked Onion Rings * Brazilian Smoked Black Bean Soup * French Onion Soup * Refreshing Spring Tabbouleh * Spicy Thai Chicken * Crisp Cornmeal-Coated Catfish * Greek Gyros with Tzatziki Sauce * Chicken Francese * Creamy Coleslaw * Ginger-Lime Sugar Snap Peas * Cranberry-Orange Biscotti * Key Lime Cheesecake Squares * Georgia Peach Pie * Baklava * And many more tasty recipes!

Read more less

ADVENTURE SET TO THE MUSIC OF TIME!Time waits for no one, but for the residents of 17th-century Europe, the future comes calling—ahead of time! Due to a temporal disturbance known as the Ring of Fire, the 20th-century town of Grantville, West Virginia, finds itself transported through time and space to Central Europe in the year 1632. Massive political and social upheavals take place. But change happens on a smaller, human scale, too.In “The Flight of the Nightingale” down-timer Francesca Caccini is inspired by the arrival of Grantville to seek a different destiny from what would have been her lot in a future without the up-timer intrusion—that is, to die with a reputation as a brilliant composer and performer, but to later be essentially forgotten by all but the cognoscenti. And in “Bach to the Future,” Johann and his brothers commit themselves to preserve, protect, and promote their family’s heritage from the future, even if in this future there will be no Johann Sebastian Bach!Two novels set in Eric Flint’s best-selling Ring of Fire series shine a light on the overlooked corners of the Ring of Fire universe, where small actions can have life-altering consequences. About 1636: The Devil's Opera, by Eric Flint and David Carrico:“Another engaging alternate history from a master of the genre.”—Booklist“. . . an old-style police-procedural mystery, set in 17th century Germany. . . . the threads . . . spin together . . . to weave an addictively entertaining story. . . . a strong addition to a fun series.”—The Galveston County Daily News

Read more less

When a poet addresses a living person--whether friend or enemy, lover or sister--we recognize the expression of intimacy. But what impels poets to leap across time and space to speak to invisible listeners, seeking an ideal intimacy--George Herbert with God, Walt Whitman with a reader in the future, John Ashbery with the Renaissance painter Francesco Parmigianino? In Invisible Listeners, Helen Vendler argues that such poets must invent the language that will enact, on the page, an intimacy they lack in life. Through brilliantly insightful and gracefully written readings of these three great poets over three different centuries, Vendler maps out their relationships with their chosen listeners. For his part, Herbert revises the usual "vertical" address to God in favor of a "horizontal" one-addressing God as a friend. Whitman hovers in a sometimes erotic, sometimes quasi-religious language in conceiving the democratic camerado, who will, following Whitman's example, find his true self. And yet the camerado will be replaced, in Whitman's verse, by the ultimate invisible listener, Death. Ashbery, seeking a fellow artist who believes that art always distorts what it represents, finds he must travel to the remote past. In tones both tender and skeptical he addresses Parmigianino, whose extraordinary self-portrait in a convex mirror furnishes the poet with both a theory and a precedent for his own inventions. By creating the forms and speech of ideal intimacy, these poets set forth the possibility of a more complete and satisfactory human interchange--an ethics of relation that is uncoerced, understanding, and free.

Read more less

'A fabulous closed-room mystery that will keep you guessing' - DENISE MINA 'Fabulous Dublin-based crime. Very much in the vein of Tana French' - JO SPAIN 'This creeps up on you until you're hooked' - HEAT THEY DID IT TO THEMSELVES BUT SOMEONE WAS WATCHING The Macnamara sisters hadn't been seen for months before anyone noticed. It was Father Timoney who finally broke down the door, who saw what had become of them. Berenice was sitting in her armchair, surrounded by religious tracts. Rosaleen had crawled under her own bed, her face frozen in terror. Both had starved themselves to death. Francesca Macnamara returns to Dublin after decades in the US to find her family in ruins. Meanwhile, Detectives Vincent Swan and Gina Considine are convinced that there is more to the deaths than suicide. Because what little evidence there is, shows that someone was watching the sisters die... A compelling mystery that will keep you reading late into the night, perfect for readers of Val McDermid, Denise Mina, Tana French and Jo Spain. ________________________________________ *** SUNDAY TIMES CRIME CLUB STAR PICK *** *** AN IRISH TIMES CRIME BOOK OF THE YEAR *** 'A terrific new gem of Irish noir, written with a light touch' - SUNDAY TIMES 'Sombre, psychological nuanced and compassionate... gripping' - IRISH TIMES 'Intriguing, compelling and highly entertaining. Formidably impressive' - LIZ NUGENT 'Thrilling... will keep you guessing until the very end' - MY WEEKLY 'Infused with depth, darkness and acute psychological drama' - HERALD

Read more less

For fans of Daniel Silva and David Baldacci comes a gripping thriller based on real world events that will have you riveted until the final page is turned. When NYPD detectives Paul Rossi and Hamilton P. Turner begin investigating the Sutton Place murder of an Italian air force pilot, the last thing they expect is that they will and find themselves sucked into the potential cover-up of the Ustica massacre, the most horrific aviation crime in Italian history, in which all 81 souls on board perished, where Italian President Francesco Cossiga blamed a missile deployed by the French Navy for the disaster. But as they begin investigating, Rossi, recovering from a broken marriage, and Turner, an African-American opera buff, poet, and former lawyer with ambitions to be mayor, come up against NYPD bureaucratic obstacles and stonewalling by the Italian Consulate in NYC. Lieutenant Laura Muro, the policewoman sister of the victim, comes to New York to aid the investigation, but soon the trio find themselves in the crosshairs of the Gladio, Italy’s powerful, shadowy political cabal whose reach extends to the highest reaches of New York political and ruling class. From New York to Italy, Rossi, Turner, and Muro must uncover the shocking truth about one of the most notorious disasters in airline history, and how this infamous act ties to the present-day murder. Riveting, erudite, and surprising at every turn, THE MAN IN MILAN announces a major new voice in international thriller fiction.

Read more less

Conrad in Italy provides international students and researchers with a variety of critical approaches. Richard Ambrosini surveys Conrad's reception within the Italian academy. Franco Marenco's essay on "Heart of Darkness" outlines Conrad's centrality in English Modernism. Alessandro Serpieri deals with Conrad's impressionistic treatment of space in The Secret Agent and other texts. Giuseppe Sertoli focuses on Conrad's debt to the Comtesse de Boigne's Memoires and to James's Portrait of a Lady in the writing of Suspense. Fausto Ciompi investigates the isotopy of dream in Lord Jim and other early novels. Elio Di Piazza reads the The Mirror of the Sea as an inquiry into British and Russian empires. Maria Teresa Chialant's study of "Amy Foster" and "Tomorrow" accounts for the interest of Italian critics in Conrad's minor works. Francesco Marroni unfolds the moral structure of "The Secret Sharer". Nicoletta Vallorani tackles the theme of the double in "The Secret Sharer" from the perspective of the art of photography. Luisa Villa illuminates the complex structure of Chance in the light of Conrad's re-elaboration of the Victorian multi-plot novel. Mario Domenichelli proposes a reading of Conrad's cooperation with Ford. The Inheritors is the subject of Mario Curreli's essay on Conrad's debt to H.G. Wells, Zangwill, and Drumont, while it places the issue of fourth-dimension in the context of European colonialisms. Marialuisa Bignami's survey of Conrad's influence on Primo Levi and Marilena Saracino's intertextual analysis of "Heart of Darkness" and Luigi Guarneri's Tenebre sul Congo are two exercises in dialogic reading which confirm Conrad's well-established reception in Italian culture.

Read more less

The increase in the number of non-binary children and adults in our society raises important treatment questions as well as much controversy. It seems essential that analysts and candidates grapple with the challenges this change in society presents. As we struggle in our psychoanalytic societies to diversify our membership and broaden our understanding of difference, this collection offers an opportunity for further discussion and study of one of the most important issues of our time. The opening essay by editor Shari Thurer provides a clear overview of recent cultural changes and the evolution of thinking about gender identification by the American Psychoanalytic Association. Next is an autobiographical essay by long-term non-binary individual Robin Haas plus a clinical reflection on Haas’ contribution by Rita Teusch. A recent account of an individual becoming non-binary from Francesca Spence is followed by the reactions of their parents, L. Harry Spence and Robin Ely. After that are psychoanalytic thoughts about the body and gender by Malkah Notman and reflections on gender from Dan Jacobs. The book ends with an extensive bibliography on the subjects of transsexuality and non-binary gender by Oren Gozlan Beyond the Binary: Essays on Gender introduces readers to current ideas about gender fluidity and choice, as well as giving voice to those who have chosen to be non-binary. This is a must-read for all practising clinicians that will help broaden their perspective on this growing issue. This is the fourth publication sponsored by the Library Committee of the Boston Psychoanalytic Society and Institute and the first published by Phoenix.

Read more less