Search results for ""Author Stills"

The Times Book of the Year 'There’s no tougher a mind, no more tender a voice than Paul Simon, and there’s no better man than Robert Hilburn to decipher the hardwiring of this hyperintellect...great songs can never be fully explained, but the great man on his way to find those songs surely can.' — Bono Through such hits as “The Sound of Silence,” “Bridge Over Troubled Water,” “Still Crazy After All These Years,” and “Graceland,” Paul Simon has spoken to us in songs for a half-century about alienation, doubt, survival, and faith in ways that have established him as one of the most honoured and beloved songwriters in American pop music history. Yet Simon has refused to talk to potential biographers and urged those close to him to also remain silent. But Simon not only agreed to talk to biographer Robert Hilburn for what has amounted to more than sixty hours, he also encouraged his family and friends to sit down for in-depth interviews. Paul Simon is a revealing account of the challenges and sacrifices of artistry at the highest level. He has also lived a roller-coaster life of extreme ups and downs. We not only learn Paul’s unrelenting drive to achieve artistry, but also the subsequent struggles to protect that artistry against distractions – fame, wealth, marriage, divorce, drugs, complacency, public rejection, self-doubt – that have frequently derailed pop stars and each of which he encountered. From dominating the charts with Art Garfunkel and a successful reinvention as a solo artist, to his multiple marriages and highly publicized second divorce from Carrie Fisher, this book covers all aspects of this American icon.'When it comes to writing songs, no one does it better than Paul Simon. Robert Hilburn’s is a wise and winning account of our most nimble, nuanced, and numinous poet-musician.' —Paul Muldoon'A tantalizing look into the mind and writing process of the man who is arguably the finest craftsman of the American popular song since the Gershwin brothers, this book will delight any Paul Simon fan or student of popular culture.' —Linda Ronstadt

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A work of extraordinary range and striking originality, The Gun, the Ship, and the Pen traces the global history of written constitutions from the 1750s to the twentieth century, modifying accepted narratives and uncovering the close connections between the making of constitutions and the making of war. In the process, Linda Colley both reappraises famous constitutions and recovers those that have been marginalized but were central to the rise of a modern world. She brings to the fore neglected sites, such as Corsica, with its pioneering constitution of 1755, and tiny Pitcairn Island in the Pacific, the first place on the globe permanently to enfranchise women. She highlights the role of unexpected players, such as Catherine the Great of Russia, who was experimenting with constitutional techniques with her enlightened Nakaz decades before the Founding Fathers framed the American constitution. Written constitutions are usually examined in relation to individual states, but Colley focuses on how they crossed boundaries, spreading into six continents by 1918 and aiding the rise of empires as well as nations. She also illumines their place not simply in law and politics but also in wider cultural histories, and their intimate connections with print, literary creativity, and the rise of the novel. Colley shows how—while advancing epic revolutions and enfranchising white males—constitutions frequently served over the long nineteenth century to marginalize indigenous people, exclude women and people of color, and expropriate land. Simultaneously, though, she investigates how these devices were adapted by peoples and activists outside the West seeking to resist European and American power. She describes how Tunisia generated the first modern Islamic constitution in 1861, quickly suppressed, but an influence still on the Arab Spring; how Africanus Horton of Sierra Leone—inspired by the American Civil War—devised plans for self-governing nations in West Africa; and how Japan’s Meiji constitution of 1889 came to compete with Western constitutionalism as a model for Indian, Chinese, and Ottoman nationalists and reformers. Vividly written and handsomely illustrated, The Gun, the Ship, and the Pen is an absorbing work that—with its pageant of formative wars, powerful leaders, visionary lawmakers and committed rebels—retells the story of constitutional government and the evolution of ideas of what it means to be modern.

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A leading social reformer and pioneering abolitionist, British journalist Harriet Martineau fueled the debate over the abolition of slavery that raged on both sides of the Atlantic before the American Civil War. Her impassioned writings about abolition—with more than fifty essays and articles collected in this premier annotated edition—provide piercing insights into American society, politics, and the issue of slavery. Determined to give a fair, objective hearing to both sides of the American slavery debate, Martineau crossed the ocean in 1834 and discovered a nation in turmoil. As a prominent writer, she was vigorously courted by both opponents and supporters of slavery who sought her endorsement for their political cause. From northern mansions to southern plantations, from Congress and President Jackson's White House to hospitals, factories, and slave quarters, people opened their doors to Martineau, providing her an unusually comprehensive view of American life. Shocked by the intensity of the controversy over slavery, and inspired by the bravery and defiance of abolitionists who campaigned in the face of social pressure and physical danger, Martineau publicly declared her support of abolition in 1835. Joining the ranks of the abolitionists made Martineau a prime target for persecution, and the remainder of her stay in America was fraught with death threats. She returned to England and promoted her cause by writing for the British periodical press, a career that would span the next thirty-five years. Martineau's friend and fellow abolitionist William Lloyd Garrison praised her as a "social heretic" whose compulsion to uphold the moral ground of human dignity and freedom outweighed any concern with popular opinions about her character or reputation. Twenty years after her dramatic American tour, Martineau wrote with pride that her name was "still reviled" in the South. One of the first women to earn a living by her pen, Martineau never faltered in the lifelong crusade that placed her in the forefront of political and social reform efforts. Writings on Slavery and the American Civil War conveys one woman's persistent call for absolute, immediate, and universal emancipation.

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees

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Chile was the first major Latin American nation to carry out a complete neoliberal transformation. Its policies—encouraging foreign investment, privatizing public sector companies and services, lowering trade barriers, reducing the size of the state, and embracing the market as a regulator of both the economy and society—produced an economic boom that some have hailed as a “miracle” to be emulated by other Latin American countries. But how have Chile’s millions of workers, whose hard labor and long hours have made the miracle possible, fared under this program? Through empirically grounded historical case studies, this volume examines the human underside of the Chilean economy over the past three decades, delineating the harsh inequities that persist in spite of growth, low inflation, and some decrease in poverty and unemployment.Implemented in the 1970s at the point of the bayonet and in the shadow of the torture chamber, the neoliberal policies of Augusto Pinochet’s dictatorship reversed many of the gains in wages, benefits, and working conditions that Chile’s workers had won during decades of struggle and triggered a severe economic crisis. Later refined and softened, Pinochet’s neoliberal model began, finally, to promote economic growth in the mid-1980s, and it was maintained by the center-left governments that followed the restoration of democracy in 1990. Yet, despite significant increases in worker productivity, real wages stagnated, the expected restoration of labor rights faltered, and gaps in income distribution continued to widen. To shed light on this history and these ongoing problems, the contributors look at industries long part of the Chilean economy—including textiles and copper—and industries that have expanded more recently—including fishing, forestry, and agriculture. They not only show how neoliberalism has affected Chile’s labor force in general but also how it has damaged the environment and imposed special burdens on women. Painting a sobering picture of the two Chiles—one increasingly rich, the other still mired in poverty—these essays suggest that the Chilean miracle may not be as miraculous as it seems.Contributors.Paul DrakeVolker FrankThomas KlubockRachel SchurmanJoel StillermanHeidi TinsmanPeter Winn

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Modern viewers take for granted the pictorial conventions present in easel paintings and engraved prints of such subjects as landscapes or peasants. These generic subjects and their representational conventions, however, have their own origins and early histories. In sixteenth-century Antwerp, painting and the emerging new medium of engraving began to depart from traditional visual culture, which had been defined primarily by wall paintings, altarpieces, and portraits of the elite. New genres and new media arose simultaneously in this volatile commercial and financial capital of Europe, home to the first open art market near the city Bourse. The new pictorial subjects emerged first as hybrid images, dominated by religious themes but also including elements that later became pictorial categories in their own right: landscapes, food markets, peasants at work and play, and still-life compositions. In addition to being the place of the origin and evolution of these genres, the Antwerp art market gave rise to the concept of artistic identity, in which favorite forms and favorite themes by an individual artist gained consumer recognition. In Peasant Scenes and Landscapes, Larry Silver examines the emergence of pictorial kinds—scenes of taverns and markets, landscapes and peasants—and charts their evolution as genres from initial hybrids to more conventionalized artistic formulas. The relationship of these new genres and their favorite themes reflect a burgeoning urbanism and capitalism in Antwerp, and Silver analyzes how pictorial genres and the Antwerp marketplace fostered the development of what has come to be known as "signature" artistic style. By examining Bosch and Bruegel, together with their imitators, he focuses on pictorial innovation as well as the marketing of individual styles, attending particularly to the growing practice of artists signing their works. In addition, he argues that consumer interest in the style of individual artists reinforced another phenomenon of the later sixteenth century: art collecting. While today we take such typical artistic formulas as commonplace, along with their frequent use of identifying signatures (a Rothko, a Pollock), Peasant Scenes and Landscapes shows how these developed simultaneously in the commercial world of early modern Antwerp.

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Quiet on set! Time to start your moviemaking adventure -- here's what you need to know about capturing, editing, and publishing your videos If you're an amateur filmmaker shooting documentaries or a hobbyist putting together a family video, Adobe Premiere Pro For Dummies is the book for you. From setting up a production studio and shooting good footage, to editing clips, adding effects, and working with audio, this user-friendly and comprehensive guide written in plain English can help you create your next video masterpiece and share the finished product. This handy guide starts with the basics, getting you familiar with the Adobe Premiere Pro software and its interface and helping you set up your dream studio. From there, you'll dive into capturing footage for your videos, learn how to manage multiple movie projects, and edit movies to your liking. You'll learn to: Capture audio and video from your camcorder or video deck (if your computer has the right hardware) Pick and choose scenes to include in a movie, moving frame by frame through video to precisely place edits Add and edit (up to 99) audio soundtracks to your program Create titles and add still graphics to your movie projects Animate titles and graphics Apply one of 73 different transitions to video Modify your movie with 94 video and 22 audio effects Improve and adjust color using an advanced Color Corrector, new to this version of the software Use powerful new audio tools to mix audio, whether it's mono, stereo, or 5.1 channel surround Work with multiple, nestable timelines Preview edits immediately in real time Once you're finalized your movie project, you can export it, save it to DVD, or publish it online. But that's not all! With this helpful guide, you'll learn pro movie-making tips, third-party software add-ons, and additional tools for your production studio. Pick up your copy and start shooting your film today.

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This major reference work details the story of London Underground’s award winning Jubilee Line Extension (JLE), how it came to being, how it was planned, how it was designed, built and commissioned, and how the millennium deadline imposed by the Dome was met. Always in the public eye and the political spotlight, the JLE has played a significant role in the success of the Canary Wharf development, improved public transport immeasurably in the areas of southeast and east London, and set new standards for London Underground and public transport. Despite the problems and the much publicised cost and time overruns, the project can still be considered to be a major construction achievement. The Jubilee Line Extension: From Concept to Completion describes in detail the history of the project, which goes back more than 50 years. The first concepts were defined in 1943, and the book traces developments to the East London Railway study that effectively defined the JLE Extension. Also presented is a detailed insight into the development of the Olympia & York funding contribution that was a key issue in achieving Government approval. With contributions from some of the major contractors personnel involved, the book offers a detailed and factual account of the completion of this ‘stunning’ new railway line. Much has been written about the construction work of the JLE, particularly the stations, however, this is the first book that provides a rounded view of how a major new underground railway line came to be built and presents key details of the JLE project activities relating to transport planning, the legal processes, comprehensive safety planning, procurement, contracting, engineering development, environmental issues, project management and commissioning. And all achieved under immense political and media scrutiny. The Jubilee Line Extension: From Concept to Completion will appeal to everyone who is interested in major transportation projects and in discovering how the JLE was able to deliver a major urban infrastructure project with the minimum of environmental disturbance and with an exemplary safety record. Project managers will find this detailed record of all that was involved an inspiration and an invaluable source of information, which they can apply to other projects they are working on now and in the future.

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Claude Debussy's Paris was factionalized, politicized, and litigious. It was against this background of ferment and change--which characterized French society and music from the Franco-Prussian War to World War I--that Debussy re-thought music. This book captures the complexity of the composer's restless personal and artistic identity within the new picture emerging of the musical, social, and political world of fin-de-siecle Paris. Debussy's setting did not simply mold his style. Rather, it challenged him to define a style and then to revamp it again and again as he situated himself simultaneously via the present and the past. These essays trace Debussy's perpetual reinvention, both social and creative, from his earliest to his last works. They explore tensions and contradictions in his best-known compositions and examine lesser-known pieces that reveal new aspects of Debussy's creative appropriation from poetry, painting, and non-Western music. The contributors reveal the extent to which Debussy's personal and professional lives were intertwined and sometimes in conflict. Belonging to no one group or class, but crossing many, Debussy abjured the orthodox. A maverick who reviled all convention and searched for a music that authentically reflected experience, Debussy balked at entering any situation--salons, musical societies, or factions--that would categorize and thus distort him. Because of this, music lovers still argue over the degree to which Debussy's music is Impressionist, symbolist, or even French. Aptly, the volume's editor reads Debussy's last works as a dialogue with himself that reflects his inherently pluralistic, paradoxical, negotiated, and ever-changing identity. William Austin's description of Debussy as "one of the most original and adventurous musicians who ever lived" is often repeated. This book illustrates how right Austin was and shows why Debussy's unclassifiable art continues to fascinate and perplex his historians even as it enthralls new listeners. The contributors are Leon Botstein, Christophe Charle, John Clevenger, Jane F. Fulcher, David Grayson, Brian Hart, Gail Hilson-Woldu, and Marie Rolf.

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This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema, Third World countries now produce well over half of the world's films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World - defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as 'nation', 'national culture', and 'language' are problematic. The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to assert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and, through a detailed examination of the work of some of the Third World's most striking film innovators. In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresses the role of distribution in defining and limiting production, queries simplistic notions of independent 'national cinemas', and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema. Roy Armes, who lives in London, has written nine books on film, his most recent being French Cinema. He spent more than three years researching this volume.

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Behind the historical accounts of the great men of the National Association for the Advancement of Colored People lies the almost forgotten story of the black women who not only participated in the organization but actually helped it thrive in the early twentieth-century South. In Invisible Activists, Lee Sartain examines attitudes toward the gender, class, and citizenship of African American activists in Louisiana and women's roles in the campaign for civil rights in the state. In the end, he argues, it was the women working behind the scenes in Louisiana's branches of the NAACP who were the most crucial factor in the organization's efficiency and survival.During the first half of the twentieth century—especially in the darkest days of the Great Depression, when membership waned and funds were scarce—a core group of women maintained Louisiana's NAACP. Fighting on the front line, Sartain explains, women acted as grassroots organizers, running public relations campaigns and membership drives, mobilizing youth groups, and promoting general community involvement. Using case studies of several prominent female NAACP members in Louisiana, Sartain demonstrates how women combined their fundraising skills with an extensive network of community and family ties to fund the NAACP and, increasingly, to undertake the day-to-day operations of the local organizations themselves.Still, these women also struggled against the double obstacles of racism and sexism that prevented them from attaining the highest positions within NAACP branch leadership. Sartain illustrates how the differences between the sexes were ultimately woven into the political battle for racial justice, where women were viewed as having inherent moral superiority and, hence, the potential to lift the black population as a whole. Sartain concludes that despite the societal traditions that kept women out of leadership positions, in the early stages of the civil rights movement, their skills and their contributions as community matriarchs provided the keys to the organization's progress.Highly original and essential to a comprehensive study of the NAACP, Invisible Activists gives voice to the many individual women who sustained the influential civil rights organization during a time of severe racial oppression in Louisiana. Without such dedication, Sartain asserts, the organization would have had no substantial presence in the state.

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Letter from JoyI discovered that I was 'gluten intolerant' a couple of years ago whilst I was writing 'Nosh Gluten-Free'. Friends had asked me to write a gluten-free book, but during the process, I realised that the stomach pains, which I had thought were due to medication I was taking, were significantly relieved when I cut out gluten from my diet. I was glad to find the cause of the problem, but knew that this would make life challenging! So I began my journey of gluten-free living with the book 'NOSH Gluten-Free' to help me and now I have added this latest book, 'NOSH Gluten-Free Baking'. I have to be frank and say that the 'Baking' book has been the hardest book I have ever written; I have never had to deal with so many failed attempts in all my years of cooking! For instance, bread depends on gluten for its elasticity and 'bounce'. I must have made about 50 different breads, all of which ended up in the bin, before coming up with the new ones in this book, and my quest still goes on to find more. During the process of writing this book, one of the highlights would definitely be the puff pastry recipe. When that pastry came out of the oven, with its distinct, crispy layers, I could have done a little jig in the kitchen, right there and then! When we find we are gluten intolerant, or 'coeliac', it can seem like a 'life sentence of no treats'. We go into a cafe for coffee and cake and often find there is nothing we can eat - all the 'yummy'-looking ones are full of gluten! My aim in this book has been to reverse the 'sentence'. I have tried to include recipes for the many things we might like to eat in the coffee shops, as well as the regular desserts and savoury pastries that seemed to be 'forbidden'. I hope that you enjoy cooking and eating many of these re-found treats.

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Social Mobility: Chance or Choice?, a sequel to `Born to Fail? Social Mobility, a Working Class View' (October 2017), sets out the current chances and choices available for those considered by the establishment to need social mobility. Revisiting mutuality, Sonia Blandford asks whether we care enough as a society by considering the issues, solutions and impact to the education and social issues that push against the chance or choice of social mobility. Citing the views from interviews with education and business leaders, Social Mobility: Chance or Choice? reflects on the changing skillsets and capacities of workers required by employers, business and industry and the inescapable conclusion that the skillsets and capacities will continue to change in ways that are almost impossible for us to predict. In these contexts, we must question whether the traditional acme and 'recognised journey' of educational achievement - maximising university entrance - is still relevant or useful for working class children and young people and children facing disadvantage. Apprenticeships, at their best, can offer an updated and forward-facing solution to the providing choice for working class and all children and young people. Despite current policy developments to encourage meaningful apprenticeships, apprenticeship programmes are experiencing challenges. Social Mobility: Chance or Choice? argues that applied learning and work-based learning should be more accessible and available to all children and young people. If we are serious about unleashing the talent of all children and young people, regardless of their background, challenges or needs, we must consider new and innovative approaches to post-14 education. If we are to unleash the potential of all children and young people, the role of Further Education needs to be respected and understood. Quality Further Education and training in partnership with business is a credible answer to social mobility. Further Education is an underused but ideally placed sector to develop meaningful change for working-class young people, providing real chances and choices. Beginning with Leaders - professionals, practitioners, parents or carers, and members of society have a shared responsibility to ensure that all children and young people have a right to chance or choice and support these opportunities. Building a society that is truly inclusive.

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Explores the unified science-religion of early humanity and the impact of Hermetic philosophy on religion and spirituality • Investigates the Jewish and Egyptian origins of Josephus’s famous story that Seth’s descendants inscribed knowledge on two pillars to save it from global catastrophe • Reveals how this original knowledge has influenced civilization through Hermetic, Gnostic, Kabbalistic, Masonic, Hindu, and Islamic mystical knowledge • Examines how “Enoch’s Pillars” relate to the origins of Hermeticism, Freemasonry, Newtonian science, William Blake, and Theosophy Esoteric tradition has long maintained that at the dawn of human civilization there existed a unified science-religion, a spiritual grasp of the universe and our place in it. The biblical Enoch--also known as Hermes Trismegistus, Thoth, or Idris--was seen as the guardian of this sacred knowledge, which was inscribed on pillars known as Enoch’s or Seth’s pillars. Examining the idea of the lost pillars of pure knowledge, the sacred science behind Hermetic philosophy, Tobias Churton investigates the controversial Jewish and Egyptian origins of Josephus’s famous story that Seth’s descendants inscribed knowledge on two pillars to save it from global catastrophe. He traces the fragments of this sacred knowledge as it descended through the ages into initiated circles, influencing civilization through Hermetic, Gnostic, Kabbalistic, Masonic, Hindu, and Islamic mystical knowledge. He follows the path of the pillars’ fragments through Egyptian alchemy and the Gnostic Sethites, the Kabbalah, and medieval mystic Ramon Llull. He explores the arrival of the Hermetic manuscripts in Renaissance Florence, the philosophy of Copernicus, Pico della Mirandola, Giordano Bruno, and the origins of Freemasonry, including the “revival” of Enoch in Masonry’s Scottish Rite. He reveals the centrality of primal knowledge to Isaac Newton, William Stukeley, John Dee, and William Blake, resurfacing as the tradition of Martinism, Theosophy, and Thelema. Churton also unravels what Josephus meant when he asserted one Sethite pillar still stood in the “Seiriadic” land: land of Sirius worshippers. Showing how the lost pillars stand as a twenty-first century symbol for reattaining our heritage, Churton ultimately reveals how the esoteric strands of all religions unite in a gnosis that could offer a basis for reuniting religion and science.

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_____________ 'It is almost impossible not to fall under the spell of Eustace Conway ... his accomplishments, his joy and vigor, seem almost miraculous' - New York Times Review of Books 'Gilbert takes a bright-eyed bead on Eustace, hitting him square with a witty modernist appraisal of folkloric American masculinity' - The Times 'Conversational, enthusiastic, funny and sharp, the energy of The Last American Man never ebbs' - New Statesman _____________ A fascinating, intimate portrait of an endlessly complicated man: a visionary, a narcissist, a brilliant but flawed modern hero At the age of seventeen, Eustace Conway ditched the comforts of his suburban existence to escape to the wild. Away from the crushing disapproval of his father, he lived alone in a teepee in the mountains. Everything he needed he built, grew or killed. He made his clothes from deer he killed and skinned before using their sinew as sewing thread. But he didn't stop there. In the years that followed, he stopped at nothing in pursuit of bigger, bolder challenges. He travelled the Mississippi in a handmade wooden canoe; he walked the two-thousand-mile Appalachian Trail; he hiked across the German Alps in trainers; he scaled cliffs in New Zealand. One Christmas, he finished dinner with his family and promptly upped and left - to ride his horse across America. From South Carolina to the Pacific, with his little brother in tow, they dodged cars on the highways, ate road kill and slept on the hard ground. Now, more than twenty years on, Eustace is still in the mountains, residing in a thousand-acre forest where he teaches survival skills and attempts to instil in people a deeper appreciation of nature. But over time he has had to reconcile his ambitious dreams with the sobering realities of modernity. Told with Elizabeth Gilbert's trademark wit and spirit, The Last American Man is an unforgettable adventure story of an irrepressible life lived to the extreme. The Last American Man is a New York Times Notable Book and National Book Critics Circle Award Finalist.

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On the 250th anniversary of Captain Cook’s successful navigation to the coast of Australia, this is Alistair MacLean’s absorbing story of one of Britain’s great national heroes, from his obscure beginnings to his sudden and violent death at the age of fifty-one. When James Cook was hacked to death by Hawaiian islanders on 14 February 1779, he was already considered the greatest explorer of his age. Born in obscurity but gripped by a boundless passion for new horizons, he became the greatest combination of seaman, explorer, navigator, and cartographer that the world had ever known. He still is. He had driven himself mercilessly, and his men likewise, and yet the surgeon’s mate on the Resolution was able to write: ‘In every situation he stood unrivalled and alone; on him all eyes were turned; he was our leading star, which at its setting left us involved in darkness and despair’. Between 1768 and 1779, Captain Cook circumnavigated the globe three times in voyages of discovery that broke record after record of exploration, endurance, and personal achievement. He explored and charted the coasts of New Zealand, landed in Botany Bay, explored the Pacific, mapped its islands, and travelled further south than any man before him; he explored the Great Barrier Reef and travelled thousands of miles north to tackle the North-West Passage. He excelled in all aspects of his craft and inspired in his men an affection for him and an enthusiasm for his undertakings that provoked constant loyalty and unfailing endeavour in frequently savage conditions. Alistair MacLean presents a graphic and lively account of this great explorer, his three amazing voyages and the adventures that befell him, his crews, and his ships in lands that until he sailed were in many cases unknown. Cook’s life was a resounding success and the story of it is a thrilling exemplification of his own description of himself as a man ‘who had ambition not only to go farther than anyone had done before, but as far as it was possible for man to go’.

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The first full reappraisal of one of Britain's great fighter aces, this book examines the truth behind Tuck's 1956 biography, Fly for Your Life. It looks at the evidence behind the myths, checks out some of the exaggerated stories and reveals the real Stanford Tuck. In January 1942 Bob Tuck was the top-scoring British fighter ace with an official score of 29 enemy aircraft destroyed. With film-star looks he was the glamorous role model for the RAF publicity machine and an eager press and public wanting wartime heroes. He had joined the RAF in 1935 and quickly showed his excellent flying skills. In 1940 his Spitfire squadron was fighting over Dunkirk where he proved himself an expert shot. During the Battle of Britain his legendary prowess grew and he was posted to command a leaderless and demoralised squadron, this time flying Hurricanes. He continued to prove he was an outstanding fighter ace, gaining the rare distinction of three DFCs and then the DSO for his leadership. He was shot down over France in January 1942. Imprisoned in Stalag Luft III. His room-mate was Roger Bushell, the mastermind of the Great Escape and Tuck worked with him on the committee and was to be his partner in the escape. In January 1944 however, around 20 POWs, including Tuck, were purged to a new camp. Still determined to escape, when his camp was moved out on the Long March westwards, Tuck and a Polish officer took a risky chance and made their way east to Russian forces and thence to England. This book reveals a more complex man than the one-dimensional hero of the previous biography. Post war, he became good friends with the Luftwaffe ace, Adolf Galland, and was a key advisor with him on the film, Battle of Britain, and, often with his other friend, Douglas Bader, made many media appearances. His health suffered in later years from the impact of his war service and his imprisonment and he died aged 70 in 1987.

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This book, the first in Evro's new Formula 1 Greats series, covers one of the most revered Formula 1 cars ever made. Introduced in 1970, the wedge-shaped Lotus 72 competed for six seasons, winning 20 World Championship Grands Prix, two Drivers' titles (for Jochen Rindt in 1970 and Emerson Fittipaldi in 1972) and three Constructors' titles (in 1970, 1972 and 1973), racing first in Lotus's evocative red, white and gold livery, then the equally eye-catching black and gold of the John Player Special period. Pete Lyons, Autosport's renowned Formula 1 reporter for part of the Lotus 72 era, explores the car's entire race-by-race career in his insightful commentary accompanying a magnificent array of more than 300 photos. The 1970 season: after troubled early development, the 72 finally took over from the long-serving 49, its four consecutive race wins enough to secure the World Championship for Jochen Rindt, posthumously after his death during practice for the Italian Grand Prix. The 1971 season: with promising youngster Emerson Fittipaldi elevated to team leader after Rindt's death, great things were expected of the 72's second season but it proved to be winless. The 1972 season: now in black and gold John Player livery, the 72 became far more competitive and Fittipaldi's four Grand Prix victories made him World Champion. The 1973 season: Ronnie 'SuperSwede' Peterson joined Fittipaldi to form a dream team and together they won seven races, but because Lotus's spoils were divided between the two drivers Jackie Stewart was able to come through to become World Champion. The 1974 season: still the 72 soldiered on, now as the fall-back car after its successor, the 76, failed to deliver; partnered by Jacky Ickx, Peterson won three Grands Prix. The 1975 season: well beyond its sell-by date, the 72 did a final season but by now it was far from effective, with Ickx's second place in the tragic Spanish Grand Prix its best result.

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This new 7th edition of Bradt's Cape Verde (Cabo Verde) has been fully revised and updated and remains the most comprehensive English-language guidebook available to the islands of this alluring Atlantic archipelago, described by some as 'Africa light'. The guide includes well-researched history and cultural sections, with a particularly strong section on music, and brings an honest approach to reporting the fragile balance between tourist development and protecting the environment. This new edition reflects the many changes since the previous one, including the introduction of charter flights from the UK to Sal and the first casino-hotel on Sal, as well as providing full information on how to make the most of the less developed islands away from the main tourist hotspots. Stable and peaceful, quietly isolated by its mid-Atlantic location, Cape Verde continues to grow economically and to develop its tourist infrastructure at a leisurely pace. With few natural resources, the islands are heavily dependent on imports, foreign remittances and still to some extent on foreign aid. The reduction in the latter has heightened the focus on the importance of tourism as an economic driver and visitor numbers continue to rise. Year-round sunshine makes Cape Verde a particularly appealing destination. The archipelago is diverse, particularly in terms of its tourist infrastructure. Sal and Boavista, the oldest of these volcanic islands are flat with white-sand beaches that rival anything in the world. Consequently, they attract 95% of Cape Verde's visitors, leaving the other seven inhabited islands undeveloped. Hikers and those curious to discover something authentic are drawn to them, spending their time walking amongst the jaw-dropping mountainous landscapes of Fogo or Santo Antão, taking some true time-out in tiny Brava or mellow Maio or enjoying the cultural fusion of African, Portuguese and Brazilian influences in the cities of Praia and Mindelo. The adventurous will find adrenalin rushing as they profit from windsurfing and kitesurfing opportunities, fuelled by strong breezes and Atlantic waves, while for culture, Mindelo is the attraction with a constant backdrop of seductive music, the thread which ties together the islands scattered across the mid-Atlantic.

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Daily Mail Showbiz Memoir of the Year'A beautiful book' Chris Evans'Terrifically entertaining' Mail on Sunday'An arresting photographic voyage through the life and loves of this enigmatic English star' S magazine'Though not a conventional autobiography, we learn what makes the national treasure tick' Daily ExpressIn the early days of my career, I didn't think I stood a hope in hell. Look at me: I'm short, stocky, slightly overweight, deep of voice, passionate, dark haired, olive skinned, hardly your typical Englishman. What chance did I have, going into the world of British theatre?David Suchet has been a stalwart of British stage and screen for fifty years. From Shakespeare to Oscar Wilde, Freud to Poirot, Edward Teller to Doctor Who, Harold Pinter to Terence Rattigan, Questions of Faith to Decline and Fall, right up to 2019's The Price, David has done it all. Throughout this spectacular career, David has never been without a camera, enabling him to vividly document his life in photographs. Seamlessly combining photo and memoir, Behind the Lens is the story of David's remarkable life, showcasing his wonderfully evocative photographs and accompanied by his insightful and engaging commentary.In Behind the Lens, David discusses his London upbringing and love of the city, his Jewish roots and how they have influenced his career, the importance of his faith, how he really feels about fame, his love of photography and music, and his processes as an actor. He looks back on his fifty-year career, including reflections on how the industry has changed, his personal highs and lows, and how he wants to be remembered. And, of course, life after Poirot and why he's still grieving for the eccentric Belgian detective. An autobiography with a difference, this is David Suchet as you've never seen him before - from behind the lens.'The book offers more insight into the mind and philosophy of this remarkable man than a more conventional biographical approach could have achieved' Country Life

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The Sunday Times bestseller ***'[A] compelling story of overcoming adversity... Unexpectedly fascinating... amazingly inspiriting...' --- The Observer'...the vitality of the book lies in its directness and conversational candour... An engaging memoir' --- The Sunday Times'Extraordinary' --- Evening Standard 'Funny, honest and at times heart-breaking - a terrific read.' --- Lorraine Kelly'For a politician to have such an extraordinary story to tell is rare. For that politician to be able to tell it with such eloquence and benevolence is rarer still. This book is a triumph.' --- Alan Johnson'This riveting tale of social aspiration leads us from the East End to Westminster in detailed honesty.' --- Ian McKellen 'A moving and inspiring hymn to the ups and downs of life - to love, to adversity and above all courage.' ---Michael Cashman 'Compulsive reading: Wes's story is inspiring, surprising and full of compassion.' --- Jess Phillips'A remarkable and enchanting book.' --- The House'One of the most extraordinary memoirs that I have read.' --- Lewis Goodall, The News Agents'Searingly honest... a really inspirational book.' --- Iain Dale'Compelling'. --- Charlotte IversWes Streeting might have ended up in prison rather than in parliament. His maternal grandfather Bill, an unsuccessful armed robber, spent time behind bars, as did his grandmother, who was also a political campaigner.Brought up on a Stepney council estate, the young Streeting saw his teenage parents struggle to provide for him. In One Boy, Two Bills & A Fry Up he brings to life the poverty, humiliation and incredible struggle for them choosing whether to feed the meter and heat the flat, put carpet on the floor, or food on the table.Wes Streeting knows it was the help and inspiration he received from the great characters that surrounded him, especially his paternal grandfather (also called Bill), that ultimately set him on the way to Cambridge and then Parliament. He knew he could draw on the strengths in childhood to eventually come out, and to go on and face his now successful struggle with kidney cancer.This honest, uplifting, affectionate memoir is a tribute to the love and support which set him on his way out of poverty, and informs everything about Wes Streeting's mission now in politics.

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Eeeny meeny, miney, moe. Who lives, who dies only I know.When the body of a doctor is discovered brutally murdered in local woodland, Detective Kim Stone is shocked to discover the victim is Gordon Cordell - a man linked to a previous case she worked on involving the death of a young school girl. Gordon has a chequered past, but who would want him dead?As the investigation gets underway, Gordon's son is involved in a horrific car crash which leaves him fighting for his life. Kim's sure this was no accident.Then the body of a woman is found dead in suspicious circumstances and Kim makes a disturbing link between the victims and Russells Hall Hospital. The same hospital where Gordon worked.With Kim and her team still grieving the loss of one of their own, they're at their weakest and facing one of the most dangerous serial killers they've ever encountered. Everything is on the line. Can Kim keep her squad together and find the killer before he claims his next victim?The killer is picking off his victims at a terrifying pace, and he's not finished yet.From multi-million copy number one bestseller Angela Marsons comes another absolutely nail-biting, edge-of-your-seat crime thriller.What readers are saying about Fatal Promise:'Marsons for me is the QUEEN of this genre. She knows how to add the human touch to each story and I just adore her. Bloody FABULOUS' Postcard Reviews'Oh my god!! I honestly have no idea how she does it, but once again, Angela has brought DI Kim Stone back to life in all her fabulous glory!! . . . Absolute masterpiece' Goodreads Reviewer, FIVE STARS'Angela Marsons has now been officially awarded my Queen of Crime Writing accolade following this book . . . If you are going to read one book this year then make it this one . . . I guarantee you will absolutely not regret it' Stardust Book Reviews, FIVE STARS

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**A Sunday Times Paperback of the Year** **A Granta Best of Young British Novelist** **Winner of the Edge Hill Short Story Prize 2022** **Winner of the BBC National Short Story Award 2022** **Shortlisted for the Swansea University Dylan Thomas Prize 2023** SELECTED FOR STYLIST'S BOOKS YOU CAN'T MISS IN 2022 - 'A MUST READ' 'An exhilarating debut' GUARDIAN 'A fresh new voice in fiction, wry and sharp and raw' EMMA CLINE 'I still remember where I was when I first encountered a Saba Sams story' NICOLE FLATTERY 'I fell for this stunning collection with a rare, consuming passion' MEGAN NOLAN ____________________________________________________________ In ten dazzling stories, Saba Sams dives into the world of girlhood and immerses us in its contradictions and complexities: growing up too quickly, yet not quickly enough; taking possession of what one can, while being taken possession of; succumbing to societal pressure but also orchestrating that pressure. These young women are feral yet attentive, fierce yet vulnerable, exploited yet exploitative. Threading between clubs at closing time, pub toilets, drenched music festivals and beach holidays, these unforgettable short stories deftly chart the treacherous terrain of growing up – of intense friendships, of ambivalent mothers, of uneasily blended families, and of learning to truly live in your own body. With striking wit, originality and tenderness, Send Nudes celebrates the small victories in a world that tries to claim each young woman as its own. _____________________________________________________________________ 'A roiling, raw, gut-punch of a debut collection, best read in one sitting ... I sat motionless for about half an hour after reading them; I can't wait to see what she writes next' PANDORA SYKES 'A seriously impressive debut. Saba Sams digs into the chaos, euphoria and menace of sexual attraction, friendship and family with bravery and wit' CHRIS POWER CHOSEN AS A BOOK OF THE 2022 BY THE GUARDIAN, STYLIST, VOGUE, GLAMOUR, COSMOPOLITAN, EVENING STANDARD, IRISH INDEPENDENT, AnOTHER, FOYLES, BOOKSHOP.ORG

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Prepare to be hooked . . .* #1 UK SUNDAY TIMES BESTSELLER ** A NEW YORK TIMES BSETSELLER ** OVER 2,000 5 STAR REVIEWS *'I was ENTHRALLED' Gillian McAllister'A GRIPPING read' Shari Lapena'A sheer PLEASURE to read' Harriet Tyce'Artful, slippery, HUGELY SATISFYING' Louise Candlish'The story EVERYONE has been waiting for' Adele Parks___________LONDON. Early morning, June 2019: on the foreshore of the river Thames, a bag of bones is discovered. Human bones.DCI Samuel Owusu is called to the scene and quickly sends the bag for forensic examination. The bones are those of a young woman, killed by a blow to the head many years ago.Also inside the bag is a trail of clues, in particular the seeds of a rare tree which lead DCI Owusu back to a mansion in Chelsea where, nearly thirty years previously, three people lay dead in a kitchen, and a baby waited upstairs for someone to pick her up.The clues point forward too to a brother and sister in Chicago searching for the only person who can make sense of their pasts.Four deaths. An unsolved mystery. A family whose secrets can't stay buried for ever . . .___________'GRIPS from first page to last' Paula Hawkins'Compulsive, gripping and immersive' CL Taylor'Twisty and strange and surprising' Emily Henry'Perfection on a page' Alice Feeney'Guaranteed to send your blood pressure soaring' Red Magazine'It's a triumph. Brava!' Erin Kelly'Lisa Jewell is, simply, outstanding' Alex Marwood'Compelling, ingenious, breath-stopping' Tamar Cohen'A witty and propulsive stunner of a novel' Katherine Heiny'This is Lisa Jewell at her absolute best.' Paul Burston'A compulsive, dark, satisfying tale' Catherine Steadman___________Readers can't get enough of The Family Remains . . .***** 'There's nothing about this book that I would change. Seriously.'***** 'My expectations were high and this still managed to surpass them.'***** 'The writing is outstanding from start to finish and it's an engrossing read.'***** 'I could not put it down and loved the surprises and twists.'***** 'Lisa Jewell can write one hell of a thriller!!'

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'My new favourite cosy crime series!' ⭐ ⭐ ⭐ ⭐ ⭐A DOLLOP OF JAM. A SPOT OF TEA. A SLICE OF MURDER . . .It has been a year since Tess had to trade the hustle and bustle of London life for pulling pints and moonlighting as a Cher impersonator in a backwater country pub.The sleepy Yorkshire village of Cherrywood would always be home, but a return to rural life wasn't quite the path she'd paved for herself. Still, being back with her oldest friends, Raven and Oliver, was a definite upside and she was beginning to settle into the slower pace.That is until Clemmie Ackroyd, a stalwart member of the community, is brutally murdered. Ruled a robbery gone wrong, it's an open-and-shut case for the police, but something isn't quite adding up for Tess.Then an unexpected face from the past shows up in the village, pointing fingers, and Tess finds herself resolving to get to the bottom of Clemmie's death - even if that means getting up to her neck in jam, Jerusalem and deadly secrets at the Women's Guild . . .Readers LOVE The Cherrywood Murders!'⭐ ⭐ ⭐ ⭐ Truly, this was one of the best starts to a new British cosy series I have read in a while''⭐ ⭐ ⭐ ⭐ ⭐ I loved it, and I hope this is the start of a long series of Cherrywood books!''⭐ ⭐ ⭐ ⭐ ⭐ Love the drama and romance! The lovely British setting and a great bunch of characters! Looking forward to book 2!' '⭐ ⭐ ⭐ ⭐ ⭐ I loved this British cozy mystery! And the characters were so good!''⭐ ⭐ ⭐ ⭐ Cleverly written, with a good air of mystery . . . I really enjoyed this novel''⭐ ⭐ ⭐ ⭐Wow what an amazing book! This is a great read for all the Thursday Murder Club fans'-----A wonderfully charming and quintessentially British cosy murder mystery, packed full of witty one-liners and an eclectic cast of characters. Perfect for fans of Fiona Leitch, Hannah Hendy and Robert Thorogood.

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter heads for Russia. Accompanied by his dog Snowy, Tintin leaves Brussels to go undercover in Soviet Russia. His attempts to research his story are put to the test by the Bolsheviks and Moscow’s secret police . . . Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter is on the trail of the Blue Lotus. In India, Tintin gets drawn into a dangerous mystery revolving around a madness-inducing poison. He traces its origins to Shanghai and a nefarious web of opium traffickers. But can he outwit the crooks? Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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A position a day keeps the love doctor away A follow-up to the wildly successful Position of the Day from the editors of Nerve.com: yes, yes, YES! It seems that readers do, in fact, want to have sex every day of the year. Picking up where its outrageously successful predecessor, um, got off is Position of the Day Playbook, featuring 366 erotic couplings packed into one chunky, inspiring, and hilarious compendium. Following the publication of Position of the Day, Nerve was bombarded with reader comments: Do any of the positions work better with equipment say, a six-pack and a helmet? And, hey, do I still need to go to the gym if I'm regularly having sex upside down with my head on a chair and my feet wrapped around my lover's neck? Nerve has tried to address these concerns and others in this latest edition. A team of nimble, limber, and extremely attractive volunteers selflessly ventured to the laboratory for months of research and the results of those experiments are now available! • Each sexual position comes with an estimated caloric expenditure (for each person involved), a list of possible side effects (leg cramp, lawsuit), and equipment recommendations (hanging bar, stethoscope, cowboy hat) • Includes a follow-up section for comments and rating boxes for the reader to fill out • Nerve.com has been publishing provocative essays and photography, stimulating reporting, and side-splitting commentary on a daily basis since 1997. Described by Entertainment Weekly as "Playboy's body with the New Yorker's brain," Nerve has won numerous awards, including a Forbes "Best of the Web" selection in 2004 This book is a fun way to keep things exciting and put the spice and adventure back into your relationship. With 366 positions of varying degrees of difficulty for every day of the year — including leap year! • Great bachelorette and Valentine's Day gift • All at once informational and humorous • Publisher's note: Should parties find themselves stuck in one of the positions, they are advised to contact 911 immediately and neither Chronicle Books nor Nerve directly

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Services account for three quarters of GDP in many countries but less than a quarter of global trade. This insightful volume assesses recent evidence on services trade barriers, the extent to which preferential trade agreements liberalize trade in services and whether such liberalization benefits only participants or extends to non-member countries. It provides an excellent overview of the state of knowledge in this important area, as well as a number of detailed case studies of recent trade agreements that include services.'- Bernard Hoekman, European University Institute, Italy'Sky-high barriers to services trade are the foremost obstacle confronting 21st century trade ministers and create a major impediment to global growth. Ministers have made commendable progress in several regional trade agreements but not much in the World Trade Organization. This volume charts the terrain and provides an essential guide to the achievements and shortcomings of preferential liberalization.'- Gary Clyde Hufbauer, Peterson Institute for International Economics, USThis book fills an important gap in the trade literature by offering a comprehensive cross-regional comparison of approaches to preferential market opening and rule-making in the area of trade in services. Chronicling the spectacular recent rise of preferential trade agreements (PTAs) in services and with contributions from some of the world's leading experts, the book examines the forces shaping the demand for preferences in services trade. It asks whether and how preferential advances differ from, go further than, and might ultimately inform the development of multilateral disciplines on services under the World Trade Organization's (WTO) General Agreement on Trade in Services (GATS).The book's core focus is on comparative scholarship, directing attention to the substantive features of services PTAs around the globe and exploring the iterative nature of rule-making and market opening in a still nascent field of trade diplomacy. It advances a number of ideas on how to multilateralize PTA advances in services and takes stock of the likely impact on the WTO system of ongoing attempts at crafting a plurilateral agreement on trade in services.Trade negotiators and policy officials working in the field of trade and investment in services as well as academics in the fields of law, economics and international political economy will find much of use in this authoritative study.Contributors: S. Abeysinghe, M. Bosworth, R. Chanda, A. Mattoo, M. Robert, M. Roy, P. Sauvé, S. Stephenson, I. Streho, R. Trewin, N. Ward

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2018 Eisner Award winner, Best Writer2018 Eisner Award winner, Best Painter/Multimedia Artist2018 Eisner Award winner, Best Continuing Series2018 Eisner Award winner, Best Publication for Teens2018 Eisner Award winner, Best Cover Artist2018 Harvey Award winner, Book of the Year2018 Hugo Award winner, Best Graphic Story2018 British Fantasy Award winner, Best Comic/Graphic Novel2018, 2016, 2015 Entertainment Weekly's The Best Comic Books of the Year2018, Newsweek's Best Comic Books of the Year2018, The Washington Post's 10 Best Graphic Novels of the Year2018, Barnes & Noble's Best Books of the Year2018, YALSA's Great Graphic Novels for Teens2018, Thrillist's Best Comics & Graphic Novels of the Year2018, Powell's Best Science-Fiction, Fantasy, Horror, and Graphic Novels of the YearSet in an alternate matriarchal 1900's Asia, in a richly imagined world of art deco-inflected steam punk, MONSTRESS tells the story of a teenage girl who is struggling to survive the trauma of war, and who shares a mysterious psychic link with a monster of tremendous power, a connection that will transform them both and make them the target of both human and otherworldly powers.About the Creators:New York Times bestselling and award-winning writer Marjorie Liu is best known for her fiction and comic books. She teaches comic book writing at MIT, and leads a class on Popular Fiction at the Voices of Our Nation (VONA) workshop. Ms. Liu's extensive work includes the bestselling "Astonishing X-Men" for Marvel Comics, which featured the gay wedding of X-Man Northstar and was subsequently nominated for a GLAAD Media Award for outstanding media images of the lesbian, gay, bisexual and transgender community. Prior to writing full-time, Liu was a lawyer. She currently resides in Boston.Sana Takeda is an illustrator and comic book artist who was born in Niigata, and now resides in Tokyo, Japan. At age 20 she started out as a 3D CGI designer for SEGA, a Japanese video game company, and became a freelance artist when she was 25. She is still an artist, and has worked on titles such as "X-23" and "Ms. Marvel" for Marvel Comics, and is an illustrator for trading card games in Japan.

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The irreverant, hilarious, touching and philosophical caper about the end of the world.'Still makes me laugh 25 years later' Ben AaronovitchThere is a hint of Armageddon in the air. According to the Nice and Accurate Prophecies of Agnes Nutter, Witch (recorded, thankfully, in 1655, before she blew up her entire village and all its inhabitants, who had gathered to watch her burn), the world will end on a Saturday. Next Saturday, in fact. So the Armies of Good and Evil are massing, the four Bikers of the Apocalypse are revving up their mighty hogs and hitting the road, and the world's last two remaining witchfinders are getting ready to Fight the Good Fight. Atlantis is rising. Frogs are falling. Tempers are flaring, and everything appears to be going to Divine Plan.Except that a somewhat fussy angel and a fast-living demon are not particularly looking forward to the coming Rapture. They've lived amongst Humanity for millennia, and have grown rather fond of the lifestyle. So if Crowley and Aziraphale are going to stop it from happening, they've got to find and kill the AntiChrist (which is a shame, really, as he's a nice kid). There's just one glitch: someone seems to have misplaced him.Readers can't get enough of Good Omens:'This is actually a profound philosophical and theological treatise, exploring good and evil, nature versus nurture, free will, war, pollution, and organised religion . . . The writing is so like Douglas Adams that it could be mistaken for a missing volume of Hitchhiker's' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Good Omens is a hysterically funny book . . . It is also a love letter to humanity and to the power of free will and choice in a world desperate to wrench it away. You should read it' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'If I were to pick a setting for a comedy, I'm not sure it would be Armageddon. However, in the talented minds of Pratchett and Gaiman, it's the perfect setting . . . just the right mix of clever, deadpan, sarcasm, innuendo, and self-deprecation' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Has got to be one of the funniest satires I've ever read . . . This book is funny, irreverent, and at times surprisingly insightful' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'No getting around it, it IS funny! . . . The book is loaded with great characters, there's even a cute little dog, The Hound from Hell morphed into a cat chasing mongrel' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

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Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Grim Grotto, the siblings face mushrooms, a desperate search for something lost, a mechanical monster, a distressing message from a lost friend, and tap dancing… In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Hostile Hospital the siblings face a suspicious shopkeeper, unnecessary surgery, heart-shaped balloons, and some very startling news about a fire. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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Over the course of the last decade, political and mental entities at large have embraced global mental health: the idea that psychiatric health is vital to improved quality of life. Physicians globally have implemented guidelines recommended by the National Institute of Mental Health (NIMH) in 2007, thereby breaking down barriers to care and improving quality of life in areas where these practices have been implemented. Programs for training and education have expanded as a result. Clinicians benefit more from both local resources in some regions as well as in international collaboration and technological advancements. Even amidst all of these positive outcomes, clinicians still face some stumbling blocks. With worldwide statistics estimating that 450 million people struggle with mental, neuropsychiatric, and neurological disorders—25 percent of the world’s non-communicable disease burden—rising to these challenges prove to be no small feat, even in wealthy Western nations. Various articles and books have been published on global mental health, but few of them thoroughly cover the clinical, research, innovative, and social implications as they pertain to psychiatry; often, only one of these aspects is covered. A comprehensive text that can keep pace with the rapidly evolving literature grows more and more valuable each day as clinicians struggle to piece together the changes around the world that leave open the possibility for improved outcomes in care. This book seeks to boldly rectify this situation by identifying innovative models of service delivery, training, education, research funding, and payment systems that have proven to be exemplary in implementation and scalability or have potential for scalability. Chapters describe specific barriers and challenges, illuminating effective strategies for improved outcomes. This text is the first peer-reviewed resource to gather prestigious physicians in global mental health from around the world and disseminate their expertise in the medical community at large in a format that is updateable, making it a truly cutting-edge resource in a world constantly changed by medical, scientific, and technological advances. Innovations in Global Mental Health is the ultimate resource for psychiatrists, psychologists, primary care physicians, hospitalists, policy makers, and all medical professionals at the forefront of global mental health and its implications for the future.

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Miami, or 'Sweet Water' in the Creek Indian language, is one of the newest cities in the United States. While northern Florida was fought over by European powers and finally taken by the Americans as part of the slave-worked plantation South, Miami lay largely ignored and populated by more alligators than humans until its incorporation as a city in 1896. The driving force was Henry Flagler, who brought his railroad down to Miami and from there to Key West and trade with Cuba. Once settled, 'Tin Can' tourists from the North, Midwest and South rode their Model-T Fords down to Florida and Miami and the boom in land sales began. After the Prohibition period and the heyday of the bootleggers, a new but still segregated Miami emerged from the Second World War. Miami Beach became a tourist mecca and once Disney World opened in Orlando, millions passed through Miami to reach it and Florida and Miami entered a new era of growth and development. It was Fidel Castro, however, who created present-day Miami by exiling over a million of Cuba s middle class. Showing enormous entrepreneurial skill and an exuberant taste for life, Cubans and more recently, Brazilians, Venezuelans and Colombians created the first Latin and 'tropical' city in the US. Anthony P. Maingot explores the momentous history and vibrant culture of this most cosmopolitan city. With the highest percentage of foreign-born residents in the US, Miami is a melting-pot of music, dance, visual arts, cuisine sports and political argument. Maingot reveals how this unique cultural mix keeps the new city humming and ensures the perpetuation of its tropical joie de vivre. * City of migrants and tourists: 'capital of Latin America and the Caribbean'; Little Havana and Little Haiti; exiles and entrepreneurs; the world s biggest cruise ship hub. * City of crime: the Prohibition boom; Al Capone, Meyer Lansky and the mob; Miami Vice and modern-day drug crime. * City of culture: art deco architecture; the Latin recording industry; writers of the Caribbean diaspora; centre of performing arts.

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The first comprehensive history of American public school librarianship."Can I get a library pass?" Over the past 120 years, millions of American K–12 public school students have asked that question. Still, we know little about the history of public school libraries, which over the decades were pulled together and managed by hundreds of thousands of school librarians. In American Public School Librarianship, Wayne A. Wiegand recounts the unseen history of both school libraries and their librarians.Why, Wiegand asks, did school librarianship turn out the way it did? And what can its history tell us about limitations and opportunities in the coming decades of the twenty-first century? Addressing issues of race, social class, gender, and sexual orientation (among others) as they affected American public school librarianship throughout its history, Wiegand explores how libraries were transformed by the Great Depression, the civil rights era, Lyndon Johnson's Great Society programs, and more recent legislation like No Child Left Behind, Common Core, and the Every Student Succeeds Act. Wiegand touches on censorship, the impact of school segregation on school libraries, disparities in funding that fall along lines of race and class, the development of school librarianship as a profession, the history of organizations like the American Association for School Librarians, and how emerging technologies affected school librarianship.Wiegand clarifies the historical role of the school librarian as an opponent of censorship and defender of intellectual freedom. He also analyzes the politics of a female-dominated school library profession, identifies and evaluates the profession's major players and their battles (often against patriarchy), and challenges the priorities of librarianship's current agendas, particularly regarding the role of "reading" in the everyday lives of children and young adults. Filling a huge void in the history of education, American Public School Librarianship provides essential background information to members of the nation's school library and educational communities who are charged with supervising and managing America's 80,000 public school libraries.

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More than merely a writing text, The Imaginative Argument offers writers instruction on how to use their imaginations to improve their prose. Cioffi shows writers how they can enliven argument--the organizing rubric of all persuasive writing--by drawing on emotion, soul, and creativity, the wellsprings of imagination. While Cioffi suggests that argument should become a natural habit of mind for writers, he goes still further, inspiring writers to adopt as their gold standard the imaginative argument: the surprising yet strikingly apt insight that organizes disparate noises into music, that makes out of chaos, chaos theory. Rather than offering a model of writing based on established formulas or templates, Cioffi urges writers to envision argument as an active parsing of experience that imaginatively reinvents the world. Cioffi's manifesto asserts that successful argument also requires writers to explore their own deep-seated feelings, to exploit the fuzzy but often profoundly insightful logic of the imagination. But expression is not all that matters: Cioffi's work anchors itself in the actual. Drawing on Louis Kahn's notion that a good architect never has all the answers to a building's problems before its physical construction, Cioffi maintains that in argument, too, answers must be forged along the way, as the writer inventively deals with emergent problems and unforeseen complexities. Indeed, discovery, imagination, and invention suffuse all stages of the process. The Imaginative Argument offers all the intellectual kindling that writers need to ignite this creativity, from insights on developing ideas to avoiding bland assertions or logical leaps. It cites exemplary nonfiction prose stylists, including William James, Ruth Benedict, and Erving Goffman, as well as literary sources to demonstrate the dynamic of persuasive writing. Provocative and lively, it will prove not only essential reading but also inspiration for all those interested in arguing more imaginatively more successfully. This edition features new chapters that cover the revision process in greater depth, as well as the particular challenges of researching and writing in the digital age, such as working with technology and avoiding plagiarism. The book also includes new sample essays, an appendix to help instructors use the book in the classroom, and much more.

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Slavery, segregation, abortion, workers' rights, the power of the courts. These issues have been at the heart of the greatest constitutional controversies in American history. And in this concise and thought-provoking volume, some of today's most distinguished legal scholars and commentators explain for a general audience how five landmark Supreme Court cases centered on those controversies shaped the country's destiny and continue to affect us even now. The book is a profound exploration of the Supreme Court's importance to America's social and political life. It is also, as many of the contributors show, an intriguing reflection of what some have seen as an important trend in legal scholarship away from an uncritical belief in the essentially benign nature of judicial power. Robert George opens with an illuminating survey of the themes that unite and divide the five cases. Other contributors then examine each case in detail through a lively commentary-and-response format. Mark Tushnet and Jeremy Waldron exchange views on Marbury v. Madison, the pivotal 1803 case that established the power of the courts to invalidate legislation. Cass Sunstein and James McPherson discuss Dred Scott v. Sandford (1857), the notorious case that confirmed the rights of slaveowners, declared that black people could not be American citizens, and is often seen as a cause of the Civil War. Hadley Arkes and Donald Drakeman explore the legacy of Lochner v. New York (1905), a case that ushered in decades of judicial hostility to social welfare laws. Earl Maltz and Walter Murphy assess Brown v. Topeka Board of Education (1954), the famous case that ended racial segregation in public schools. Finally, Jean Bethke Elshtain and George Will tackle Roe v. Wade (1973), still a flashpoint a quarter of a century later in the debate over abortion. While some of the contributors show sympathy for strong judicial interventions on social issues, many across the ideological spectrum are sharply critical of judicial activism. A compelling introduction to the greatest cases in U.S. constitutional law, this is also an enlightening glimpse of the state of the art in American legal scholarship.

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Brian H. Smith's book surveys recent religious and political developments in Latin American Christianity, especially in the rapidly growing Pentecostal churches and in Catholicism. He finds that despite efforts by the Vatican to make the Latin American Church less involved in politics (in the wake of liberation theology) by the papal appointment of a whole new generation of conservative bishops since 1980, Catholicism is still very much a political force throughout the region. Catholic bishops, in spite of their conservative religious ideology, have felt obligated to preach the social doctrine of the Church and have vigorously denounced new economic models for enriching a minority of the population at the cost of the majority who are poor. Bishops also have denounced corruption in governments that has grown to epidemic proportions in recent years, and have strongly opposed legislative proposals that are anti-Catholic. Regardless of these efforts by Catholic prelates to maintain government support for the Church's institutions and its traditional moral concerns in law, Protestantism - especially in Pentecostal denominations among low-income sectors - has grown at a significant rate in the past twenty years. Although traditionally reluctant to involve themselves in politics, Pentecostals in recent years have become more active either by forming new Christian parties or by joining or supporting existing political movements. Their political agenda overlaps in some areas with that of Catholics. These shared concerns could lead to a coalition between Catholic and Pentecostal leaders that could have a real impact on public policy, given that over ninety percent of the population is now affiliated with one of these two denominations. However, Pentecostal religious and political leaders are also pushing publicly for full separation of church and state (which exists now only in Cuba and Mexico) and for all religions to have equal status in law. Both these similarities and the differences in the political agenda of Catholics and Pentecostals could complicate public policy debate in the years ahead and certainly short-circuit any attempts to remove religion as a significant, and sometimes divisive, influence in politics in newly constituted liberal democracies in Latin America.

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This textbook provides an overview of the digital information landscape and explains the implications of the technological changes for the information industry, from publishers and broadcasters to the information professionals who manage information in all its forms. This fully-updated second edition includes examples of organizations and individuals who are seizing on the opportunities thrown up by this once-in-a-generation technological shift providing a cutting-edge guide to where we are going both as information consumers and in terms of broader societal changes. Each chapter explores aspects of the information lifecycle, including production, distribution, storage and consumption and contains case studies chosen to illustrate particular issues and challenges facing the information industry. One of the key themes of the book is the way that organizations, public and commercial, are blurring their traditional lines of responsibility. Amazon is moving from simply selling books to offering the hardware and software for reading them. Apple still makes computer hardware but also manages one of the world’s leading marketplaces for music and software applications. Google maintains its position as the most popular internet search engine but has also digitized millions of copies of books from leading academic libraries and backed the development of the world’s most popular computing platform, Android. At the heart of these changes are the emergence of cheap computing devices for decoding and presenting digital information and a network which allows the bits and bytes to flow freely, for the moment at least, from producer to consumer. While the digital revolution is impacting on everyone who works with information, sometimes negatively, the second edition of Information 2.0 shows that the opportunities outweigh the risks for those who take the time to understand what is going on. Information has never been more abundant and accessible so those who know how to manage it for the benefit of others in the digital age will be in great demand. Readership: Students taking courses in library and information science, publishing and communication studies, with particular relevance to core modules exploring the information society and digital information. Academics and practitioners who need to get to grips with the new information environment.

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Sarah and Angelina Grimke—the Grimke sisters—are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality. That the Grimke sisters had Black relatives in the first place was a consequence of slavery’s most horrific reality. Sarah and Angelina’s older brother, Henry, was notoriously violent and sadistic, and one of the women he owned, Nancy Weston, bore him three sons: Archibald, Francis, and John. While Greenidge follows the brothers’ trials and exploits in the North, where Archibald and Francis became prominent members of the post–Civil War Black elite, her narrative centers on the Black women of the family, from Weston to Francis’s wife, the brilliant intellectual and reformer Charlotte Forten, to Archibald’s daughter, Angelina Weld Grimke, who channeled the family’s past into pathbreaking modernist literature during the Harlem Renaissance. In a grand saga that spans the eighteenth century to the twentieth and stretches from Charleston to Philadelphia, Boston, and beyond, Greenidge reclaims the Black Grimkes as complex, often conflicted individuals shadowed by their origins. Most strikingly, she indicts the white Grimke sisters for their racial paternalism. They could envision the end of slavery, but they could not imagine Black equality: when their Black nephews did not adhere to the image of the kneeling and eternally grateful slave, they were cruel and relentlessly judgmental—an emblem of the limits of progressive white racial politics. A landmark biography of the most important multiracial American family of the nineteenth century, The Grimkes suggests that just as the Hemingses and Jeffersons personified the racial myths of the founding generation, the Grimkes embodied the legacy—both traumatic and generative—of those myths, which reverberate to this day.

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Through an extraordinary selection from the Beken Marine Photography Archive of the work of four generations of famous photographers (the Beken family), this book retraces the fundamental stages of the evolution of the unsurpassable 'Beken style', bringing together some of the most artistic images of sailboats ever shot. These wonderful and legendary pictures, accompanied by detailed texts and plentiful information, will lead the reader through time, to discover the wonderful world of yachting photography. The Bekens began their love affair with marine photography in 1888, when Alfred Edward (1855–1915) moved from Canterbury (Kent) to the Isle of Wight with his son Frank (1880–1970). He purchased a pharmacy in Birmingham Road in the seaport of Cowes, a town that was already famous for international yacht racing and for the world's oldest regular regatta, the renowned Cowes Week. Alfred and young Frank started shooting photographs to capture sailing yachts at their best, and racing yachts in action, a real challenge at that time as it still is today. These beautiful photographs started being sold in the pharmacy as souvenirs, and in the space of a few years they would have caught the attention of the world of yacht racing and sailing aficionados, earning the Beken family a large number of followers all over the world for the extraordinary quality of their images. Queen Victoria, King George V, and most recently the Duke of Edinburgh awarded the company a Royal Warrant for excellence. Frank's artistic inheritance was carried on by his son Keith (1914– 2007), who succeeded him in the creation of fantastic sailboats photographs. Today, Kenneth Beken (b. 1951, the fourth in the line of family photographers), together with yacht master Peter Mumford, is leading the way in the latest digital photography, and creating wonderful colour images: "Now that digital cameras and printers are as good as the traditional darkroom methods," he says, "the company has gone totally digital." Today the Beken Marine Photography Archive features more than 200,000 different photographs of incalculable value, from historical monochrome masterpieces to contemporary digital images of the highest quality and technical perfection.

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Wild Dances: My Queer and Curious Journey to Eurovision For fans of Crying in H Mart and Priest-daddy; How a misunderstood queer biracial kid in small-town Georgia became a Eurovision Song Contest commentator; A memoir combining race, glitz, glamour, geopolitics, and the power of pop music. As a boy, William Lee Adams spent his days taking care of his quadriplegic brother, worrying about his undiagnosed bipolar Vietnamese mother, and steering clear of his openly racist and homophobic father. Too shy and anxious to even peak until he was six years old, it seemed unlikely William would ever leave small-town Georgia. He passed the time alone in his room, studying maps and reading encyclopaedias, dreaming of distant places where he might one day feel free. In time, William discovered that learning was both a refuge and a ticket out. So even as he struggled to understand and to get others to accept both his sexuality and his biracial identity, William focused on his schoolwork, his extracurriculars, and building community with the students and teachers who embraced him for who he truly was. Though his scholarship to Harvard parachuted him into a whole new world, he still carried a lifetime of secrets and unanswered questions that would haunt him no matter how far he travelled. Years later, as a journalist in London, William discovered the Eurovision Song Contest―an annual competition known for its extravagant performers and cutthroat politics. Initially just a fan, he started blogging about the contest, ultimately becoming the most sought-after expert on the subject. From Albania, Finland, and Ukraine, to Israel, Sweden, and Russia, William was soon jetting across the Continent to meet divas, drag queens, and aspiring singers, who welcomed him to their beautiful, if dysfunctional, family of choice. An uplifting memoir about glitz, glamour, geopolitics, and finding your people, no matter how far you must travel, Wild Dances celebrates the power of pop music to help us heal and forgive.

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Get a feel for your art—literally! 101 Textures in Colored Pencil teaches you every technique you’ll need to give your colored-pencil drawings realistic, palpable texture. *Named One of the 54 Best Colored Pencil Drawing Books of All Time by BookAuthority* There has never been a better opportunity to master textures. Knowing how to make your surfaces and textures look real is one of the most challenging aspects of creating art in colored pencil, even for experienced artists. 101 Textures in Colored Pencil provides artists with step-by-step instructions for drawing a wide variety of the most common textures and surfaces, including sand, water, metals, foliage, wood, fabrics, stone, grass, hair, and many more. To get you started, this comprehensive guide opens with a review of tools and materials as well as basic skills, such as strokes, effects, and color mixing. Each page of instruction is a comprehensive resource on how to create a specific texture, complete with two to three easy-to-follow steps and a final, detailed image of the finished artwork. Plus, the book is organized into sections based on subject matter, so you can easily find the specific texture you're looking for. An artist's gallery in the back of the book provides examples of the textures in completed works of art. Just a sample of the textures you will learn to render: People: smooth skin; aged skin; straight, curly, and wavy hair; lips Animals & Insects: smooth, curly, and course canine fur; elephant skin; feather; fish scales Fabrics & Textiles: burlap, tweed, silk, velvet, leather, lace, sequins Glass, Stone, Ceramics, Wood & Metal: porcelain, polished silver, hammered brass, peeling paint Food & Beverage: red wine, cut citrus fruit, coconut, peach, dark chocolate Nature: smooth and rough bark, moss, river pebbles, still and rippled lake, clouds 101 Textures in Colored Pencil includes all the textures you need to create realistic masterpieces in colored pencil.

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THE INTERNATIONAL BEST SELLER FEATURING INTERVIEWS WITH DR ANTHONY FAUCI, DAME SALLY DAVIES AND DR JIM DOWN For every doctor there is that one patient, whose story touches them in a way they didn’t expect, changing their entire outlook on life. This inspiring and deeply moving book is the story of those patients. Every weekend, in Holland’s most popular newspaper, de Volkskrant, renowned science-journalist Ellen de Visser asks a different medical professional to tell her about ‘that one patient’; the patient who changed everything for them. Every day, in every country, thousands of patients share their stories with their doctors: stories they may never have told anyone else; stories that are heartbreaking, sometimes funny, and – just occasionally – unforgettable. To be able to do their job to the best of their abilities, medical experts use their ‘professional empathy’: they sympathize with their patients but try to keep themselves at a distance. But there is always that one patient who, for whatever reason, bridges this distance and often unwittingly, has a lasting impact on their doctor’s life. There’s the dying patient whose decision to donate their organs would save the lives of five different people, bringing incredible comfort to the family they left behind. Or the little girl who showed clear evidence of having been beaten by an adult, but who remained too loyal to her step-father to say a word. There’s the little boy, diagnosed with life-threatening malaria in a Sudanese refugee camp, whose astonishing survival against the odds still inspires their doctor each time they stand by the bed of a child who looks unlikely to make it. And there’s the cancer patient whose love of cycling and unflagging optimism inspired his oncologist in ways he could never have imagined. That One Patient is brimming with intimate stories of connection and of the unanticipated ways we can affect one other’s lives. All of them remind us of just how extraordinary humans can be, and of our incredible capacity for bravery, strength and humour. Perfect for fans of Lucinda Riley, Dominic Pimenta and Adam Kay!

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As World War II recedes further into the past, still each year hundreds of new books are published about some aspect of this global conflict. Many offer new insights from recently declassified documents. Other's look to re-interpret what was thought to be well understood events. This book is no exception. The history of U-402, a Type VIIC German U-boat, is another tile in the mosaic of the war, and more specifically the Battle of the Atlantic. U-402's conning tower was emblazoned with the shield of its sponsoring German city of Karlsruhe. Upon that shield was the Latin word Fidelitas' -Fidelity -and Baron Siegfried Freiherr von Forstner, the U-boat's captain, embodied that word through his deep sense of loyalty to his profession, country, and crew. Born of an aristocratic military family, with a tradition of U-boat service, von Forstner served without the pretentiousness of title, even after winning the Ritterkreuz (Knight's Cross). He fought the war like a knight of old, with a defined code of chivalry, as he duelled with escorts, went to the aid of fellow U-boats, and rescued his enemy from the sea. As the North Atlantic battlefield grew deadlier with each successive patrol, von Forstner remained focused on his duty to sink Allied tonnage while keeping his crew alive. His daring and conduct at sea captured the respect of Captain, US Coast Guard (Ret) John M Waters, who was a Watch Officer onboard the escort USCGC _Ingham_ that fought U-402 in several convoy battles. After the war, he became the unexpected chronicler of his former enemy, and established an enduring friendship with von Forstner's family. The story of von Forstner and U-402 parallels the rise and fall of the Wolfpack, and reflects the ebb and flow of the Battle of the Atlantic from the early operations in European waters, to Operation _Paukenschlag_ (Drumbeat) off the US East Coast, to the climatic convoy battles of the North Atlantic in 1943\. This is a truly gripping account of the Atlantic conflict, and the large selection of photographs adds a realism and authenticity found in very few accounts of the U-boat war.

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Port Said September 1st 1945 "As the ship pulled into Alex, the dockside was a hive of activity. The captain had radioed ahead and so there was a battalion of the Kings' African Rifles (KAR)waiting to disarm us as we disembarked. All these KAR's were standing at the order as a staff officer informed us that we were to be placed under arrest and escorted to Khartoum, here we would contemplate our mutiny for 2 years. Our battalion was still under arms; the sound of the cocking of weapons greeted the officer's threat, and a lone voice asked "And who's going to escort the darkies?" All our officers were powerless, we had the drop on the KAR's, all that was needed was for someone to pull the trigger. A Battle Too Far is the true story of Rifleman Henry Taylor 6923581, late 7th Battalion The RifleBrigade (1stBattalion London Rifle Brigade) and is based on his diaries and recollections as told to his son Lawrence. The Foreword is by Lt-Gen Sir Christopher Wallace Chairman of The Royal Green Jackets (Rifles) Museum in Winchester. Henrys war began in October 1942 as the 2nd Battle of El Alamein commenced and continued almost non-stop for the next three years. From El Alamein to Tunisia he fought with the 8th Army as they finally pushed Rommel back to the sea.Expecting to return to Britain in preparation for D Day at the last minute plans were changed and they were ordered to Italy instead. Here they found themselves fighting for every inch of land against determined, well dug-in defenders, in conditions often resembling the trenches of WW1. Their reward? Their campaigns forgotten as the world concentrated on the D Day invasion and to be called D Day Dodgers despite enduring some of the heaviest fighting of the war. As Europe celebrated VE Day Henrys war continued as they raced to Austria to prevent Yugoslav forces annexing Carinthia in the opening shots of the Cold War. Then, as the men around him were de-mobbed, Henry and the rest of the Battalion were sent back to Egypt to protect British interests in the continuing civil unrest. Dejected and fed up it only took one incident to spark a mutiny.

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'Health practice has always been many things, with many constraints and pressures. These things have changed over time and still vary from place to place. Being a practitioner here and now is, from one perspective, no different to the way it has always been. It involves integration. It involves weaving together many threads into one whole tapestry. It involves taking a constrained and limited palate and painting freely. It may be a science, it may be technical, it may be psychological, it may be spiritual, but it is always an art, because it integrates everything in order to create. And what we create is better health.' Justin Amery This extraordinary new series fills a void in practitioner development and well-being. The books take a reflective step back from the tick-box, target-driven and increasingly regulated world of 21st century health practice; and invite us to revisit what health and health practice actually are. Building carefully on the science and philosophy of health, each book addresses the messy, complex and often chaotic world of real-life health practice and offers an ancient but now almost revolutionary understanding for students and experienced practitioners alike: that health practice is a fundamentally creative and compassionate activity. The series as a whole helps practitioners to redefine and recreate their daily practice in ways that are healthier for both patients and practitioners. The books provide a welcome antidote to demoralisation and burn-out amongst practitioners, reversing cynicism and reviving our feeling of pride in, and our understanding of, health practice. By observing practice life through different lenses, they encourage the development of efficiency, effectiveness and, above all, satisfaction. The fourth book in the series, The Integrated Practitioner: Integrating Everything, considers the 'we', the 'me' and the 'other' perspectives of books 1-3 and integrates everything into 'health practice' as a single entity. It recognises the multifaceted nature of healthcare, its different constraints and varied pressures, but also views it from a new perspective, fostering a happier, healthier and more skilful whole within the real-life, complex and often messy world of health practice. Brilliantly written, practitioners, students and trainees and GP trainers will find the enlightening, witty, conversational style a joy to read.

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