Search results for ""Author Frances"

'Why?' is a question we constantly ask as children, curious to understand the world around us. As adults, we tend to think our work is done, that to ask 'why' is to admit how much we still don't know. But 'why' is the word that helps us learn, grow and truly get to know ourselves - things we are never too old to do. So if you haven't asked that question in a while, this book is here to inspire and motivate you to renew your curiosity. Full of fresh perspectives and intelligent thinking, How to Be Curious encourages you to dig deeper into your work, wellbeing, relationships and inner world. Award-winning journalist and Features Director at Stylist, Meena Alexander, brings you chapters on everything from battling burnout and biohacking your brain, to rethinking the way you rest and learning to thrive alone, packed with insights from industry-leading experts, interactive quizzes and journaling prompts. Consider it a life coach you can carry with you; a place to find the answers to the questions we ask ourselves every day.With a foreword written by Stylist's editor-in-chief, Lisa Smosarski and insight from: - Sarah Ellis- Dr Julia Ravey - Francesca Specter - Charlène Gisèle - Natalie Lue - Hattie MacAndrews - Katherine Morgan Schafler - Karen Glass - Ben Ramalingam

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Sotheby?s, Londres, 1936: Un librero compra un documento de sir Isaac Newton. Poco después de abandonar la sala de subastas, muere asesinado y le roban el valioso papel. Los nazis están desesperados por hacerse con una fórmula de Newton que desencadenará el fuego secreto, un arma devastadora que puede borrar a sus enemigos de la faz de la Tierra. Y este escrito es la clave. a menos que la Resistencia francesa y los agentes del SOE, que también lo buscan, puedan detenerlos.Nueva York, 2007. Katherine Reckliss se entera de que la radio del SOE de su abuela ha empezado a recibir mensajes inquietantes procedentes de la Francia ocupada que advierten de que una bomba V-1, que contiene el fuego secreto, va a ser lanzada por los nazis. Su objetivo? El Londres actual.Martin Langfield, inglés de nacimiento, vive en Nueva York desde 1999. Lleva veinte años trabajando como periodista internacional para los medios informativos más importantes. Tras el éxito mundial de La caja del mal, presen

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La filosofía está de moda. Así que si quieres estar a la última, o simplemente darle más lustre a tu ya trabajado look de pseudointelectual, no sólo leas a las vacas sagradas de la historia de la filosofía, ya estás tardando en empezar con este libro! Deja que la masa sepa que eres un marxista que ha mercantilizado a Marx, que idolatras tanto a Nietzsche que sabes que 'así vestiría Zaratustra', o que lo tuyo son los clásicos aunque no lleves toga. Haz que la gente te vea como un ser complejo y bohemio que lleva a Kierkeggard en su pecho o que tiene por autores predilectos a los incomprensibles existencialistas franceses.Consigue que crean que eres un temible anarquista bakuniano que lucha a cada momento con el estado, una intelectual emponderada como Simone de Beauvoir a la que no conviene retar a un debate intempestivo o un sesudo científico a lo Sheldon Cooper que pasea a Einstein y a Newton por el mundo físico. Permítete amedrentar a todos diciéndole al vulgo que eres un intelect

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Diletantes, cultos, elitistas y amantes del siglo XVIII y del arte oriental, los hermanos Goncourt, Edmond y Jules, son hoy más recordados por la Academia y el premio literario anual que llevan su nombre que por sus novelas o por este Diario. Memorias de la vida literaria, fascinante fuente de información sobre la vida intelectual (y no solo) de aquella época. Se trata de una obra inagotable, rica en anécdotas, chismes y frases ingeniosas que bien podría considerarse el primer diario íntimo literario propiamente dicho. El Diario se publicó originalmente, con gran escándalo ?pese a omitir o modificar no pocos nombres propios?, entre 1887 y 1896, en nueve tomos, divididos a su vez en tres series. El primer ciclo ?al que se dedica este volumen? está escrito por Jules al dictado de los dos hermanos. A su muerte, Edmond decidió continuar el trabajo solo y seguir publicándolo bajo la firma de ambos. Flaubert, Balzac, Baudelaire y tantos otros nombres mayores de la literatura francesa son pro

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John, aged sixty, suffered a stroke and recovered fully, except in one respect: although he can see perfectly, he can no longer recognise faces, even his own reflection in a mirror.Whenever Francesca touches a particular texture, she experiences a vivid emotion: denim = extreme sadness; wax = embarrassment; orange peel = shock.Jimmie, whose left arm was recently amputated, can still feel it - and it's itchy.Our brains are the most enchanting and complex things in the known universe - but what happens when they go wrong? Dr V. S. Ramachandran, 'the Sherlock Holmes of brain science' and one of the world's leading neuroscientists, has spent a lifetime working with patients who suffer from rare and baffling brain conditions. In The Tell-Tale Brain, he tells their stories, and explores what they reveal about the greatest mystery of them all: how our minds work, and what makes each of us so uniquely human.

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''An enthralling, layered triumph'' SUNDAY TIMES, Thriller of the Month''An elegant, provocative, twisting thriller hugely entertaining and beautifully written'' CHRIS WHITAKER''So brilliant I stayed up into the early hours to finish it'' PRIMA, Book of the MonthYour mother is not who you think she isWhen the phone rings in Judy McVee's Languedoc farmhouse, she knows her past has finally caught up with her. It's her daughter, frantically asking why there are journalists on her London doorstep making terrible accusations.Decades earlier, Judy was a girl with big plans to ensnare a rich husband, to make something of herself, to rise above her upbringing and leave behind past tragedies. Wealthy young widower Rory Harrington seemed the perfect target but Judy hadn't reckoned on actually falling in love with him.Now her daughter Francesca, who has secrets of her own, must come to terms with the realisation that the mother she thought she knew wasn't real. Where has Judy gone and was anyt

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The Great War rages in Europe. Will two Cornish women overcome tragedy and scandal to expose the truth?Verity Tregorran is one of the local blacksmith’s nine daughters, and madly in love with the boy next door, Ned Chegwidden, who is now serving in the trenches of World War I. She must withhold her true feelings for Ned from her parents, who would be horrified to learn of her attachment to someone outside the family’s strict Christian sect.On the coastal path one evening, Verity witnesses something suspicious on the cliffs which causes her to fear the involvement of German spies. There’s only one person she can turn to: Effie Dawes, wife of the local police constable. Effie faces tragedy as her husband fights overseas, while scandal threatens to rock Verity’s family, but the two friends remain determined in their efforts to discover what really happened on the cliffs…An enthralling wartime saga perfect for fans of Lynn Johnson and Francesca Capaldi.

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This original volume proposes a novel way of reading Dante’s Vita nova, exemplified in a rich diversity of scholarly approaches to the text. This groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante’s Vita nova. By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante’s social environment, his relationships with other poets, and Dante’s evolving vision of his poetry’s scope. Using a variety of critical methodologies and hermeneutical approaches, this volume offers scholars an opportunity to reread the Vita nova in a renewed context and from a diversity of literary, cultural, and ideological perspectives. Contributors: Zygmunt G. Barański, Heather Webb, Claire E. Honess, Brian F. Richardson, Ruth Chester, Federica Pich, Matthew Treherne, Catherine Keen, Jennifer Rushworth, Daragh O’Connell, Sophie V. Fuller, Giulia Gaimari, Emily Kate Price, Manuele Gragnolati, Elena Lombardi, Francesca Southerden, Rebecca Bowen, Nicolò Crisafi, Lachlan Hughes, Franco Costantini, David Bowe, Tristan Kay, Filippo Gianferrari, Simon Gilson, Rebekah Locke, Luca Lombardo, Peter Dent, George Ferzoco, Paola Nasti, Marco Grimaldi, David G. Lummus, Helena Phillips-Robins, Aistė Kiltinavičiūtė, Alessia Carrai, Ryan Pepin, Valentina Mele, Katherine Powlesland, Federica Coluzzi, K. P. Clarke, Nicolò Maldina, Theodore J. Cachey Jr., Chiara Sbordoni, Lorenzo Dell’Oso, and Anne C. Leone.

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Ahora me duermo, ahora me despierto, ahora me duermo. Así es la vida de Francesc Ascás, un extravagante joven que oye voces y dice cosas raras, que dibuja cómics y está enganchado a las predicciones de una maga televisiva, y todo ello encerrado en el piso donde vive, con la única luz que le ofrecen las rendijas de las persianas bajadas. Hasta que un día aparece muerta Blanca Benito, su vecina y única amiga, y será entonces cuando la policía lo acusa de homicidio, por ser el loco de la escalera, porque ya se sabe que un loco es capaz de todo.Bajo esta trama, Andreu Martín nos adentra en una rueda de la fortuna rebosante de imprevistos y sucesos de todo tipo, donde finalmente todo el mundo te toma por loco porque los locos siempre dicen que no lo están, de manera que cuando uno dice que no está loco, enseguida piensan que está como una cabra. Y precisamente aquí es donde el lector jugará un papel relevante: descubrir quién realmente lo está y quién no, quién dice la verdad y quién mi

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In the religious systems of ancient Mesopotamia, Egypt, and the Mediterranean, gods and demigods were neither abstract nor distant, but communicated with mankind through signs and active intervention. Men and women were thus eager to interpret, appeal to, and even control the gods and their agents. In Prayer, Magic, and the Stars in the Ancient and Late Antique World, a distinguished array of scholars explores the many ways in which people in the ancient world sought to gain access to—or, in some cases, to bind or escape from—the divine powers of heaven and earth. Grounded in a variety of disciplines, including Assyriology, Classics, and early Islamic history, the fifteen essays in this volume cover a broad geographic area: Greece, Egypt, Syria-Palestine, Mesopotamia, and Persia. Topics include celestial divination in early Mesopotamia, the civic festivals of classical Athens, and Christian magical papyri from Coptic Egypt. Moving forward to Late Antiquity, we see how Judaism, Christianity, and Islam each incorporated many aspects of ancient Near Eastern and Graeco-Roman religion into their own prayers, rituals, and conceptions. Even if they no longer conceived of the sun, moon, and the stars as eternal or divine, Christians, Jews, and Muslims often continued to study the movements of the heavens as a map on which divine power could be read. The reader already familiar with studies of ancient religion will find in Prayer, Magic, and the Stars both old friends and new faces. Contributors include Gideon Bohak, Nicola Denzey, Jacco Dieleman, Radcliffe Edmonds, Marvin Meyer, Michael G. Morony, Ian Moyer, Francesca Rochberg, Jonathan Z. Smith, Mark S. Smith, Peter Struck, Michael Swartz, and Kasia Szpakowska. Published as part of Penn State's Magic in History series, Prayer, Magic, and the Stars appears at a time of renewed interest in divination and occult practices in the ancient world. It will interest a wide audience in the field of comparative religion as well as students of the ancient world and late antiquity.

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El objetivo de este ensayo es plantearse las tensiones que se presentan en las teorías críticas entre América Latina y Europa, de manera fundamental, en un inicio, las críticas alemanas y francesas, y en un paso posterior, anglosajonas e italianas del siglo XX e inicios del XXI. La noción de crítica de la comunicación se articula sobre lo político, lo visual y lo cultural. En este libro no se considera a la comunicación como transparencia, consenso, acuerdo y mediación universal, sino como acciones que desajustan los consensos tanto epistémicos, políticos como sociales, sobre los que se construyen los sistemas.Desde los estudios culturales, post y decoloniales, se critica a lo largo de sus páginas (no sin conflictos) a la cultura sustantiva, al sujeto como centro de la historia y la narración. Lo visual y lo cultural permiten deconstruir la mirada única y cuestionar la concepción de que la imagen es una construcción unidireccional (por ejemplo, la idea de que hay una imagen del mund

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The Old and New Testaments are full of compelling female characters: good wives and bad, courageous heroines, and deceptive - sometimes deadly - femmes fatales. Dangerous Women presents works from the rich holdings of the John and Mable Ringling Museum of Art that explore different artists' responses to the women of the Bible. Paintings by Pietro da Cortona, Francesco Cairo, and Fede Galizia and others stand as a reminder of how dangerous biblical women have continued to loom large in the modern imagination. These stories in this volume show how narratives of power are constructed, interpreted, and continue to evolve over the course of time. While some women saved their people, were paragons of virtue, or repented, others were purveyors of sin, harlots, and seductresses. Even if it was through their misbehaviour, all of these women - from Mary Magdalene, to Judith and Esther, to Salome and Potiphar's Wife - shaped biblical history.

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El viejo nombre de Trafalgar, la punta de occidente, sigue resonando hoy en día más allá de las cartas náuticas, topónimo impreso en la memoria colectiva de tres naciones europeas merced al encarnizado combate que allí tuvo lugar el 21 de octubre de 1805 entre las escuadras francoespañola y británica. Más de doscientos años después, nuestros conocimientos y nuestra perspectiva sobre la batalla se han enriquecido gracias al trabajo conjunto de investigadores españoles, franceses y británicos, que, en lugar de intercambiar mortales cañonazos desde sus navíos, ponen en común trabajo de archivo, hipótesis y conclusiones.Una labor colosal de la que se nutre este libro, una obra colectiva que ha conseguido reunir en sus páginas a algunos de los más destacados especialistas de España, Francia y Reino Unido sobre la batalla de Trafalgar para ofrecer una síntesis renovada acerca de las cuestiones más importantes relacionadas con este crucial hecho de armas: desde la política internacional h

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At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the “end of cinema” had already been broached repeatedly over the course of the twentieth century—from the introduction of sound and color to the advent of television and video—and in Ends of Cinema, contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century.In this volume, scholars at the forefront of film and media studies interrogate multiple potential “ends” of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars gathered here rely on critical theory and historical research to consider cinema alongside its media companions: television, the gallery space, digital media, and theatrical environments. Ends of Cinema underscores the shared project of film and media studies to open up what seems closed off, and to continually reinvent approaches that seem unresponsive. Contributors: Caetlin Benson-Allott, Georgetown U; James Leo Cahill, U of Toronto; Francesco Casetti, Yale U; Mary Ann Doane, U of California Berkeley; André Gaudreault, U de Montréal; Michael Boyce Gillespie, City College of New York; Mark Paul Meyer, EYE Filmmuseum; Jennifer Lynn Peterson, Woodbury U, Los Angeles; Amy Villarejo, Cornell U.

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A wide-ranging and challenging exploration of design and how it engages with the self The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks, systems, infrastructures, data, chemicals, organisms, and genetic codes. Superhumanity seeks to explore and challenge our understanding of “design” by engaging with and departing from the concept of the “self.” This volume brings together more than fifty essays by leading scientists, artists, architects, designers, philosophers, historians, archaeologists, and anthropologists, originally disseminated online via e-flux Architecture between September 2016 and February 2017 on the invitation of the Third Istanbul Design Biennial. Probing the idea that we are and always have been continuously reshaped by the artifacts we shape, this book asks: Who designed the lives we live today? What are the forms of life we inhabit, and what new forms are currently being designed? Where are the sites, and what are the techniques, to design others? This vital and far-reaching collection of essays and images seeks to explore and reflect on the ways in which both the concept and practice of design are operative well beyond tangible objects, expanding into the depths of self and forms of life. Contributors: Zeynep Çelik Alexander, Lucia Allais, Shumon Basar, Ruha Benjamin, Franco “Bifo” Berardi, Daniel Birnbaum, Ina Blom, Benjamin H. Bratton, Giuliana Bruno, Tony Chakar, Mark Cousins, Simon Denny, Keller Easterling, Hu Fang, Rubén Gallo, Liam Gillick, Boris Groys, Rupali Gupte, Andrew Herscher, Tom Holert, Brooke Holmes, Francesca Hughes, Andrés Jaque, Lydia Kallipoliti, Thomas Keenan, Sylvia Lavin, Yongwoo Lee, Lesley Lokko, MAP Office, Chus Martínez, Ingo Niermann, Ahmet Ögüt, Trevor Paglen, Spyros Papapetros, Raqs Media Collective, Juliane Rebentisch, Sophia Roosth, Felicity D. Scott, Jack Self, Prasad Shetty, Hito Steyerl, Kali Stull, Pelin Tan, Alexander Tarakhovsky, Paulo Tavares, Stephan Trüby, Etienne Turpin, Sven-Olov Wallenstein, Eyal Weizman, Mabel O. Wilson, Brian Kuan Wood, Liam Young, and Arseny Zhilyaev.

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Many people first encounter Hawai‘i through the imagination—a postcard picture of hula girls, lu‘aus, and plenty of sun, surf, and sea. While Hawai‘i is indeed beautiful, Native Hawaiians struggle with the problems brought about by colonialism, military occupation, tourism, food insecurity, high costs of living, and climate change. In this brilliant reinvention of the travel guide, artists, activists, and scholars redirect readers from the fantasy of Hawai‘i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai‘i's culture and complex history. The essays, stories, artworks, maps, and tour itineraries in Detours create decolonial narratives in ways that will forever change how readers think about and move throughout Hawai‘i. Contributors. Hōkūlani K. Aikau, Malia Akutagawa, Adele Balderston, Kamanamaikalani Beamer, Ellen-Rae Cachola, Emily Cadiz, Iokepa Casumbal-Salazar, David A. Chang, Lianne Marie Leda Charlie, Greg Chun, Joy Lehuanani Enomoto, S. Joe Estores, Nicholas Kawelakai Farrant, Jessica Ka‘ui Fu, Candace Fujikane, Linda H. L. Furuto, Sonny Ganaden, Cheryl Geslani, Vernadette Vicuña Gonzalez, Noelani Goodyear-Ka‘ōpua, Tina Grandinetti, Craig Howes, Aurora Kagawa-Viviani, Noelle M. K. Y. Kahanu, Haley Kailiehu, Kyle Kajihiro, Halena Kapuni-Reynolds, Terrilee N. Kekoolani-Raymond, Kekuewa Kikiloi, William Kinney, Francesca Koethe, Karen K. Kosasa, N. Trisha Lagaso Goldberg, Kapulani Landgraf, Laura E. Lyons, David Uahikeaikalei‘ohu Maile, Brandy Nālani McDougall, Davianna Pōmaika‘i McGregor, Laurel Mei-Singh, P. Kalawai‘a Moore, Summer Kaimalia Mullins-Ibrahim, Jordan Muratsuchi, Hanohano Naehu, Malia Nobrega-Olivera, Katrina-Ann R. Kapā‘anaokalāokeola Nākoa Oliveira, Jamaica Heolimelekalani Osorio, No‘eau Peralto, No‘u Revilla, Kalaniua Ritte, Maya L. Kawailanaokeawaiki Saffery, Dean Itsuji Saranillio, Noenoe K. Silva, Ty P. Kāwika Tengan, Stephanie Nohelani Teves, Stan Tomita, Mehana Blaich Vaughan, Wendy Mapuana Waipā, Julie Warech

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Four Calabrian artists who trained during the 1970s, four different poetic paths and a communion of intentions. After Marginalia, the first group exhibition held in 1979, their path split across Italy, to reunite in 2021 in an exhibition bearing the same title. Francesco Correggia held the chair of Decoration Department in Brera Academy of Fine Arts in Milan. He initially focused on performances and site- specific actions, before turning to painting. Luigi Magli lives in Cosenza. He’s interested in semiotics and the language of art, investigating matter and its expressive possibilities through his ‘personal expressionism’. Rocco Pangaro lives in Rende. He teaches Artistic Anatomy at the Academy of Fine Arts in Catanzaro. His research is wedged in the relationship between the artistic intervention and the place that hosts it. Giovanni Vatrella moved to Gorizia. He incorporates reality in his works, showing and concealing it at the same time behind thin canvases. The book, edited by Bruno Corà, highlights the affinities and divergences of these artists. It is accompanied by a rich apparatus of significant archive images.

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La nueva voz de la novela negra francesa, sucesora de Fred Vargas y ganadora de los premios Polar en Séries, Arsène Lupin de Literatura Policiaca y de los Lectores de Livre de Poche, regresa con una nueva e hilarante aventura de la brigada más peculiar.Lejos de haber alcanzado la gloria tras la brillante e inesperada resolución de su primer caso, Capestan y su estrafalaria brigada son vistos como traidores por el resto de sus colegas. Siguen relegados en el rincón más oscuro de la policía judicial y matan el tiempo decorando el árbol de Navidad o jugando al billar. Solo Anne mantiene la fe en su valía. Aun así, habría preferido evitar la investigación que le han asignado: el asesinato del comisario Serge Rufus, padre de su exmarido Paul. Capestan siempre odió a su suegro, pero todavía no ha sido capaz de olvidar al hijo. Mientras tanto, un hombre en Provenza descubre su nombre en un monumento a los caídos, perturbadora premonición que se cumplirá de inmediato y que hará que l

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Una fogosa aprendiz. Un atractivo guardabosques. Una pasión prohibida, desbordante.SEXO Y ESCÁNDALO EN LA ÉPOCA DE DOWNTON ABBEYUna novela apasionante y provocadora ambientada en la Inglaterra de los años 20Una mujer con un pasadoNoviembre de 1921. Madeline, la joven pupila francesa de Ash, duque de Belfield, huye de las habladurías y chismorreos que ha provocado en Londres.Una relación impetuosaPero Belfield Hall no es el refugio tranquilo que ella se esperaba. Allí conoce a Nathan Mallory, cuyas técnicas de seducción son sobrecogedoras y adictivas. Al mismo tiempo, las pesadillas del pasado siguen acosándola.Un secreto al descubiertoMientras tanto, Madeline descubre que su tutor, el duque, también alberga un amor imposible... por Sophie, su antigua criada. Si Madeline quisiera, podría hacer que Sophie y Ash se reunieran de nuevo, aunque sería a costa de su propia felicidad. Además, hay quienes están dispuestos a hacer cualquier cosa con tal de impedirlo.Has

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Read this book and the world's most famous image will never look the same again. For the world's greatest cultural icon still has secrets to reveal - not the silly secrets that the 'Leonardo loonies' continue to advance, but previously unknown facts about the lives of Leonardo, his father, Lisa Gherardini, the subject of the portrait, and her husband Francesco del Giocondo. From this factual beginning we see how the painting metamorphosed into a 'universal picture' that became the prime vehicle for Leonardo's prodigious knowledge of the human and natural worlds. We learn about the new money of the ambitious merchant who married into the old gentry of Lisa's family. We discover Lisa's life as a wife and mother, her association with sexual scandals, and her later life in a convent. We meet, for the first time, previously undiscovered members of Leonardo's immediate family and discover new information about his early life. The tiny hill town of Vinci is placed before us, with its widespread poverty. We find out about the career and possessions of his father, a notable lawyer in Florence. The meaning of the portrait that resulted from these human circumstances is vividly illuminated though Renaissance love poetry and verses specifically dedicated to Leonardo. We come to understand how Leonardo's sciences of optics, psychology, anatomy and geology are embraced in his poetic science of art. Recent scientific examinations of the painting disclose how it evolved to assume its present appearance in Leonardo's experimental hands. Above all, we cut through the suppositions and the myths to show that the portrait is a product of real people in a real place at a real time. This is the book that brings back a sense of reality into the creation of the portrait of Lisa del Giocondo. And the actual Mona Lisa, it turns out, is even more astonishing and transcendent than the Mona Lisa of legend.

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Inspirado por La terre en rond, un mítico libro de viajes que narra la vuelta al mundo a principios de los años 60 de dos franceses a bordo de un Citroën 2CV, un joven gallego llamado Jorge Sierra se ilusiona con el reto de emular su viaje. Tras encontrar un compañero de aventuras para llevar a cabo el proyecto, se ocupa de preparar un 2CV al cual bautiza como Naranjito, por el color butano de su chapa. Antes de partir, dos amigos se unen al proyecto y preparan otro 2CV. En septiembre de 2008 los dos coches ponen rumbo a Francia, sin embargo, en Estambul, cuando apenas llevaban un par de meses de viaje Jorge Sierra se queda solo.Es en ese momento crucial donde comienza este libro. Un viaje en solitario desde Estambul hasta Sídney haciendo lo que más le gusta: interactuando con la gente y conociendo culturas diferentes. Casi cuatro años de carretera cargados de experiencias y anécdotas.Un diario de viaje interactivo y con un diseño muy especial, ya que serán los lectores los encar

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Recull d?onze entrevistes a personalitats del món de l?educació: CARME THIÓ, JAUME CELA, MARIA JESÚS COMELLAS, JAUME FUNES, EVA BACH, GREGORIO LURI, MARIANO FERNÁNDEZ ENGUITA, JOAN MANUEL DEL POZO, ROSER SALAVERT, JOSÉ ANTONIO MARINA, FRANCESCO TONUCCI.Carles Capdevila creu que educar és apassionant i que també ho és parlar-ne, des de l?experiència i des de la reflexió. L?humor i la responsabilitat no són incompatibles en aquest terreny, i tot allò que pugui fomentar confiança i alegria entre tots els agents implicats contribueix a crear un teixit de complicitats imprescindible en la tasca d?educar.Les onze converses que recollim en aquest llibre són una invitació al debat: professionals de procedències diverses i visions ben diferents ens permeten conèixer no solament els camins que han consolidat les seves vocacions sinó l?ambició de fer bé les coses cada dia a les aules, al carrer i a casa.Si hi ha una cosa que es proposa aquest llibre és acompanyar les famílies i els mestr

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En otoño de 2013 Guillermo Fernández se quedó atónito frente al televisor, al ver a Marine Le Pen defender a los jóvenes españoles que habían tenido que emigrar por la política noeliberal de la Unión Europea: Cómo? Qué hace una ultraderechista tomando partido por gente como yo?. El auge de la extrema derecha en Europa es el fruto investigación que emprendió entonces para responderse a tal pregunta.En estas páginas el autor describe la evolución del Frente Nacional en sus 50 años de vida: desde los días del carismático pero monolítico Jean Marie Le Pen, al proyecto transversal de su sobrina Marine. Cómo consiguió el partido ultra cambiar el voto de los bastiones tradicionales de la izquierda? Quién está detrás de su estrategia para atraerse al sector LGTBI? Por qué once millones de franceses consideraron en 2017 que Marine Le Pen era la candidata que mejor protegía sus intereses? Este es un libro esencial y novedoso para entender en profundidad el fenómeno que ha sacudido Europa, per

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Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures.

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Sabías que el soneto en castellano nace durante una conversación entre dos embajadores? Que los franceses inventaron la poesía moderna europea en bares y hostales de mala muerte? Que una mujer excéntrica, empeñada en vestir de blanco durante los últimos años de su vida, cambió la poesía estadounidense sin apenas salir de su habitación? Este libro nos acerca de forma entretenida y didáctica todo lo que hay que saber sobre la poesía, explicándonos los secretos de los versos, la métrica o las formas, y también su historia, trufada de anécdotas curiosas que nos acercarán a un género literario lleno ?en todos los sentidos? de vida.

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Para muchos historiadores y críticos, "En busca del tiempo perdido" no sólo es una obra cumbre de las letras francesas del siglo xx, sino también una de las más grandes creaciones literarias de todas las épocas, en la que la trasposición en el relato de la vida de Marcel Proust (1871-1922), así como de personajes y ambientes sociales de su tiempo, dio forma a un nuevo y fecundo camino en el campo de la novela. El tiempo recobrado es el séptimo y último volumen de la serie que completan, por este orden, "Por el camino de Swann", "A la sombra de las muchachas en flor", "El mundo de Guermantes", "Sodoma y Gomorra", "La prisionera" y "La fugitiva". Traducción de Consuelo Berges

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Este panfleto, escrito entre el invierno y la primavera de 1814 para preparar el retorno de los Borbones al trono de Francia, fue para Chateaubriand uno de esos gestos resueltos e instintivos que nacen de la imaginación y dinamitan todos los puentes tras de sí. El autor tenía como misión convencer a los franceses de que, para evitar una nueva república o la instauración de un gobierno extranjero, era preciso restituir la confianza en los Borbones y juntos acabar con el poder absoluto, dotando a Francia de una monarquía constitucional. Pero la frialdad y la lucidez del periodista político se mezclan de manera imprevisible y conducen a una marea inquietante. En el cesarismo de Napoleón se entrevé el nacimiento de un mito moderno que no es copia de ninguno antiguo: aparece la figura del dictador, y no del tirano. Chateaubriand quiere esbozar un retrato particular, pero termina describiendo en detalle a los dictadores que hemos visto señorear en el siglo xx.

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Reflecting on a range of themes, from extractive industries to the politics of care, this timely exhibition catalog looks at environmental and gender justice as indivisible parts of a global struggle. A culturally diverse selection of works by Laura Aguilar, melanie bonajo, Xaviera Simmons, Minerva Cuevas, Barbara Kruger, Nadia Huggins, Ana Mendieta, Sim Chi Yin, Pamela Singh, Francesca Woodman and others are presented alongside works of an activist nature to demonstrate how women are regularly at the forefront of advocating and caring for the planet. Amplifying these visions are illuminating essays by experts in the field, including Professor Kathryn Yusoff, Professor Astrida Neimanis, Professor Catriona Sandilands and Professor Elizabeth DeLoughrey, that consider a diverse range of pertinent topics such as hydrofeminism, the body as earth, queer ecologies, and environmental racism. Together these texts and important artworks reveal how the oppression of women, feminized bodies and indigenous, Black and trans communities and the degradation of the planet are inextricably linked—and the ways in which understanding our environment can resist and overcome the logic of capitalist economies.

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Offering historical identity fortified by the presence of women belonging to the various areas of creative and intellectual life, this book allows readers to understand greater contexts of their identity. The history of female artists is an indicator of how social identity was erased from the historiography which asserted itself in nineteenth-century Europe. Analysis of the biographical pathways traced here reveals how women in the Middle Ages and beyond have been active protagonists of the arts, received reviews, as well as had an authoritative role as the esteemed and attentive witnesses of the society around them.Reconstruction of social relationships, intellectual and creative production as well as of the life stories of some of Europe’s most important female artists, foregrounds this omission and highlights their extraordinary nature.The different stories contained in this book narrate the lives and works of Hildegard von Bingen, Francesca Caccini, Mary Wollstonecraft, George Sand, Lou Andreas Salomé and Elke Mascha Blankenburg.By reinforcing the awareness of social and historical origins, the informed reader is better equipped to tackle their futures and build up their personalities.

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Found yourself organising a show that you didn’t mean to? Or frustrated that no one else is producing your show and just want to do it yourself? You’re not alone. The Accidental Producer is the first-timer’s guide to getting a play, musical or anything else on stage. This step by step handbook explains every stage of the production process, from funding your project to selling the show and everything in between. Written by an experienced theatre producer this book additionally shares the perspectives of eleven industry specialists you might encounter on your journey. · Park Theatre Artistic Director, Jez Bond on how to connect to a venue decision maker · Fleabag producer, Francesca Moody on the secrets to success at the Edinburgh Fringe · Arts Council England Relationship Manager, Paula Varjack on how securing their funding actually works · Press representative, Chloe Nelkin on how to maximise a show’s press coverage · Agent, Alex Segal on approaching star actors This much-needed book’s liberating message is that anyone can produce a successful show, especially if they have in their armoury the advice of those that have come before.

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An interior design book showing how the alpine context, with its snowy landscapes and forests, influences the choice of colors, materials, and atmospheres.This book addresses a very specific topic within interior architecture, namely that of mountains, where the context of the surrounding landscape is strongly associated with the local identity.The houses published in this volume are all located in the Swiss Alps: in the canton of Ticino and in Engadine. They have been renovated and redeveloped, their interior spaces demolished and rethought. Francesca Neri Antonello is a master of domesticating natural and raw materials, using them to create a warm intimacy that is indispensable for designing the interiors of those who live with the cold alpine temperatures.Her projects center around stone, iron, and above all wood, which is often recovered or burned to obtain the characteristic burnished color. Wood is a living matter, the bearer of memory and, as the a

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The Padua School originated from the Istituto Pietro Selvatico in Padua. The distinctive features of this jewelry are the use of gold reminiscent of the goldsmith's art in antiquity and a modern and abstract formal expression within the group. Mario Pinton, who brought the goldsmith movement international recognition and acclaim in the 1950s and '60s, is credited with founding the experimental goldsmith movement in Padua. Francesco Pavan has enlarged the scope of the Padua School with his kinetic and geometric formal idiom. The breakthrough on the international jewelry scene took place in the late 1960s with Giampaolo Babetto, under whose support the geometric and Minimalist tendency was most pronounced. Other distinguished artists in jewelry such as Graziano Visintin, Renzo Pasquale, Annamaria Zanella, Stefano Marchetti and Giovanni Corvaya continued along these lines or went their own highly individual ways by experimenting with the use of new materials including plastic. The work of these crea

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'Inspiring' GUARDIAN 'Heartbreaking' INDEPENDENT 'I loved it' ADAM KAY 'Beautiful' MATT HAIG 'Luminous' NICCI GERRARD 'Essential reading' MADELEINE BUNTING 'A celebration' CHRISTIE WATSON ----- A Best Book for Summer in The Times, Guardian and The i Independent Book of the Month ----- Caring is an issue that affects us all - as bestselling novelist Kate Mosse knows all too well. Kate has cared in turn for her father and mother, and for Granny Rosie, her 90-year-old mother-in-law. Along the way she has experienced the joys, challenges and frustrations shared by an invisible army of carers. At the heart of this care lie everyday acts of love, and the realisation that, sooner or later, most of us will come to rely on an extra pair of hands. ----- 'Lifts the spirits without pulling punches' IAN RANKIN 'Irresistible' RACHEL JOYCE 'Questions how and why we fetishise independence when the reality of human experience is always interdependence' GUARDIAN, BOOK OF THE DAY 'Heartfelt, funny and at times heartbreaking. 10/10' INDEPENDENT 'Utterly beautiful' FRANCESCA SEGAL

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The unveiling of a new Green Ranger and Lord Zedd’s true identity, bound in a deluxe hardcover, featuring never before seen content!Even the most bitter of old foes will have their enemy status called into question as some of the most epic and mind blowing events in Power Rangers history come together in this deluxe hardcover! As a new Green Ranger appears, one who is neither Lord Drakkon nor Tommy, both the Mighty Morphin team and the new Power Rangers on the scene will have to contend with a dark secret from Zordon’s past… one revealing the long-debated true identity of Lord Zedd! In addition, calamity looms for fan-favorites Andros and Zhane from the hit series Power Rangers in Space. Discover their past growing up on KO-35, their journey to becoming Rangers, and the epic battle that changed their lives forever... Superstar writer Ryan Parrott (Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles), fan favorite artist Francesco Mortarino (Firef

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With over one million followers on Instagram, Ballerina Project has the largest network of followers in the world for ballet and has become an online phenomenon. Created by New York City-based photographer Dane Shitagi over the span of eighteen years, Ballerina Project has become the most significant, unique, and creative photographic archive of renowned ballerinas in the world. The artistry, strength, and dedication of over fifty accomplished ballerinas are beautifully captured here with over 170 inspiring photographs in both black-and-white and full color. Iconic locations across the globe including New York, Los Angeles, San Francisco, Buenos Aires, London, Rome, and Paris create a timeless backdrop to these remarkable portraits. This unique book is bound in pink satin cloth with gold foil stamping and a pink satin ribbon marker. Introductions by renowned principal ballerinas Isabella Boylston and Francesca Hayward are included. This is an ideal gift for any aspiring ballerina or ballet photographer.

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From Erosion: SAN SEPOLCRO Jorie Graham ...How clean the mind is, holy grave. It is this girl by Piero della Francesca, unbuttoning her blue dress, her mantle of weather, to go into labor. Come, we can go in. It is before the birth of god. No-one has risen yet to the museums, to the assembly line bodies and wings to the open air market. This is what the living do: go in. It's a long way. And the dress keeps opening from eternity to privacy, quickening. Inside, at the heart, is tragedy, the present moment forever stillborn, but going in, each breath is a button coming undone, something terribly nimble-fingered finding all of the stops. Jorie Graham grew up in Italy and now lives in northern California.She has received grants from the Ingram-Merrill Foundation, the Bunting Institute, and the John Simon Guggenheim Memorial Foundation.Her first book, Hybrids of Plants and of Ghosts (Princeton, 1980), won the Great Lakes Colleges Association Award as the best first book of poems published in 1980.

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On 23 May 1992 the Mafia assassinated its 'Number One Enemy', the legendary prosecutor Judge Falcone, with a motorway bomb that also killed his wife Francesca and three bodyguards. Fifty-seven days later, the Mafia killed Falcone's friend and colleague, Judge Paolo Borsellino, with a car bomb outside his mother's home that also killed five bodyguards. These two murders changed forever how Italy viewed the Mafia. VENDETTA tells the inside story of the assassination plots and the investigation that followed. Follain reveals Borsellino's desperate race against time to find out who killed his friend while knowing he was next on the list and reveals the daring undercover police mission which unmasked the killers.Based on new and exclusive interviews and the testimony of investigators, Mafia supergrasses, survivors, relatives and friends, VENDETTA recounts the events hour-by-hour, minute-by-minute as the Mafiosi plan and carry out the murders, and as the police hunt them down.

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Fire up the Epstein Drive and get ready to set course for the second story arc of the record-breaking series, The Expanse!Ten years have passed since the stunning climax of the first arc of The Expanse: Dragon Tooth, legendary comics writer Andy Diggle (The Losers, Green Arrow: Year One) and artist Francesco Pisa (Stable) continue the series that has enraptured fans. As mysterious technological troubles and human disconnection abounds on an interstellar scale, problems arise with the Laconia gate that could prove deadly. In an effort to gather more intel on the Laconia gate and the Transport Union, Dhillon sends his compromised agents on a suicide run… The Rocinante crew hunt down an elite cadre of deep-cover operatives who’ll stop at nothing to cover their tracks—no matter how many innocents they kill in the process. And when the true enemy hides among you… trust can be a dangerous thing… Collects The Expanse: Dragon Tooth issues #5-8.

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Un libro narrado con un lenguaje sencillo y comprensible e ilustrado con los magnífi cos dibujos de la diseñadora italiana Francesca Rossi, con el que los niños podrán disfrutar de un gran clásico de la literatura universal. Esta obra rememora las aventuras y desventuras de la familia March, con cuatro hijas muy diferentes entre sí, la hermana mayor y responsable Meg, la delicada y dulce Beth, la impetuosa y con carácter Jo, y la pequeña y sensible Amy. La belleza de las ilustraciones y la cuidada presentación en formato grande y con tapas acolchadas hacen de este libro un gran regalo.

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Ona y Leo coinciden por casualidad en el mismo avión con destino a París. Con todos los tópicos típicos de las comedias románticas, los protagonistas se reencontrarán en la sonada 'Secret Fairy Day', una fiesta secreta que tiene lugar una vez al mes, con la intención de compartir una noche de pasión a la francesa. Pero justo antes de entregarse a su primer beso, el chico vomita sobre la alfombra del vecino de abajo, que no es otro que el mismísimo Alejandro Jodorowsky, quien sufre los desmanes de los invitados a la 'soirée'. Harto de ser tomado por el pito del sereno, el escritor, cineasta, tarotista y psicomago los condenará eternamente con una maldición: De la fiesta no podréis escapar, en París para siempre os quedaréis, condenados a quererse, obligados a odiarse?.Desde ese momento, lo que parecía ser un relato naíf y cursi se transformará en toda una peripecia surrealista por las nebulosas calles de París: polacos mutantes, un agente secreto clavadito a Ryan Gosling, un puticlu

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Women Beware Women is among the most powerful and adroitly plotted of Jacobean tragedies. Written by Thomas Middleton, a later contemporary of Shakespeare, the play deals with topics of enduring fascination such as sexual and financial greed, the sexual exploitation of women by a manipulative older woman, murderous revenge and the sexual predatoriness of a man in a position of power. The storyline is based on the most public of Medici scandals in late sixteenth-century Florence, with the Grand Duke Francesco seducing and then marrying a beautiful Venetian runaway, after arranging the murder of her Florentine lower-class husband. The tragedy ends with a spectacular masque involving misdirected poison, flaming gold, poisoned arrows, poisoned smoke, physical mishaps and numerous deaths.This edition is designed for the classroom and for the reader interested in the best in Renaissance drama.

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In this study of surrealism and ghostliness, Katharine Conley provides a new, unifying theory of surrealist art and thought based on history and the paradigm of puns and anamorphosis. In Surrealist Ghostliness, Conley discusses surrealism as a movement haunted by the experience of World War I and the repressed ghost of spiritualism. From the perspective of surrealist automatism, this double haunting produced a unifying paradigm of textual and visual puns that both pervades surrealist thought and art and commemorates the surrealists’ response to the Freudian unconscious. Extending the gothic imagination inherited from the eighteenth century, the surrealists inaugurated the psychological century with an exploration of ghostliness through doubles, puns, and anamorphosis, revealing through visual activation the underlying coexistence of realities as opposed as life and death. Surrealist Ghostliness explores examples of surrealist ghostliness in film, photography, painting, sculpture, and installation art from the 1920s through the 1990s by artists from Europe and North America from the center to the periphery of the surrealist movement. Works by Man Ray, Claude Cahun, Brassaï and Salvador Dalí, Lee Miller, Dorothea Tanning, Francesca Woodman, Pierre Alechinsky, and Susan Hiller illuminate the surrealist ghostliness that pervades the twentieth-century arts and compellingly unifies the century’s most influential yet disparate avant-garde movement.

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This book presents the Gianfranco Luzzetti collection housed in the historic complex of the former convent of the Clarisse in Grosseto, a new museum in the city. The collection is the result of the donation to the Municipality, in 2018, of over 60 works from the personal heritage of Luzzetti, an antiquarian from Grosseto, deeply linked to his land. The paintings, of great quality, trace Italian art from the 14th to the 19th century, with particular attention to Florentine art of the 17th century. The collection includes masterpieces by Antonio Rossellino, Giambologna, Rutilio Manetti, Passignano, Niccolò di Pietro Lamberti, Corrado Giaquinto, Camillo Rusconi, Pier Dandini and Giovanni di Tano Fei, as well as important works by Donatello and Beccafumi and works already donated to the Municipality of Grosseto in past years, of Santi di Tito and Cigoli. This volume, with introductory texts regarding the history of the site, the birth of the Museum and the Collection, is complemented by an anthology of writings by Luzzetti and bibliographic apparatuses. Research and texts: Sandro Bellesi, Marco Ciampolini, Roberto Contini, Elena Dubaldo, Lucia Ferri, Claudia Ganci, Cecilia Luzzetti, Gianfranco Luzzetti, Andrea Marchi, Mauro Papa, Marcella Parisi, Francesca Perillo, Gianluca Sposato, Angelo Tartuferi. Italian edition, with English translation in the appendix.

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This intriguing book investigates the very rare discovery of a huge, lost, Last Supper painting produced in the workshop of Tiziano Vecellio, known as Titian. The discoloured canvas hung neglected in a parish church for 110 years until the conservator and art historian Ronald Moore removed centuries of discoloured varnish and began to appreciate that something exceptional was being revealed. Following extensive scientific examination, signatures and dates appeared whilst it also became apparent that some faces were actually portraits. The early history of the painting in a Venetian convent was discovered with the enthusiastic help of the modern Venetian, Count Francesco da Mosto, whose family knew Titian. The many painters of Titian's workshop are considered with careful circumspection to determine possible contributors to the Last Supper and the remarkable reason for the many changes, or pentimenti, are explained. After 10,500 hours of research and the translation of countless Italian documents and books, the full history of the painting has been revealed. We now know that the painting is far more than a Last Supper from Titian's workshop, painted by at least five artists over twenty years, but is actually a painting within a painting involving other prominent painters and a denouement unparalleled in Renaissance art.

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Narcís Oller ( 1846-1930 ) va donar unes quantes obres mestres a la literatura catalana, després de segles que no passava. És l'escriptor que posa al dia la nostra novella, empeltant-la dels corrents narratius més avançats del moment, sota el mestratge del realisme i el naturalisme francesos. La Papallona ( 1882 ) va ser un èxit internacional, i amb L'Escanyapobres ( 1884 ) va reixir a treure's de sobre el llast del romanticisme. A La febre d'or ( 1890-2 ) va descriure la burgesia barcelonina, a La bogeria ( 1898 ) va tocar el tema naturalista del determinisme hereditari i a Pilar Prim ( 1906 ) fa un pas cap a la novella psicològica. Oller també va escriure diversos reculls de contes i unes Memòries literàries ( 1962, pòstumes ).

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Una Historia del Arte, desde la prehistoria hasta nuestros días, contada a través de las mujeres que la protagonizaron, con ilustraciones a todo color, por el autor de "Eso no estaba en mi libro de Historia del Arte".Mira como una mujer y pinta como un hombre. Eso decían de la vanguardista francesa Émilie Charmy en pleno siglo xx, o de la española Elena Brockman, una de las pocas artistas con obra en el Museo del Prado. Esta frase condensa muchas de las claves para entender la difícil aceptación en torno a la actividad artística femenina a lo largo de la historia. Ese silencio es posterior a sus creaciones: si tras las guerras la historia la escriben los vencedores, los manuales de arte solo se escribieron desde una perspectiva masculina. Pero, acaso no se expresaron las mujeres desde el inicio de los tiempos? El historiador Manuel Jesús Roldán reconstruye la Historia del Arte siguiendo el orillado rastro de las artistas que en todas las épocas y por todos los continentes pintaron,

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Two tantalizing tales, magically intertwined, cross cultures and span centuries as three kids set out to save the lives of three others—who just happen to live in the Middle Ages!A stone lion roars...A sleek black cat speaks...A faun leaps from the canvas of a painting... When Jared, Shireen, and Miranda are each given one glittering gift from an old Venetian shopkeeper, they never fathom the powers they are now able to unleash; they never expect that their very reality is about to be utterly upended. And the adventure has hardly begun. For in another time, centuries earlier, another trio—Rashid, Maria, and Francesca—have been thrown together under terrible circumstances: They have been kidnapped and, along with hundreds of other children, will be sold into child slavery. Unless, that is, they can find some way to save them all. But all their fates lie in the hands of Jared, Shireen, and Miranda. The future—and the lives—of these three very modern children become entirely intertwined with those of the children from the past. Danger, it seems, has a way of spanning centuries. “Reminiscent to Cornelia Funke’s Inkheart.” —School Library Journal

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The artist’s studio occupies a unique place in the popular imagination. Its environment is both the site of the artist’s creative production, and a deeply private, personal space that nourishes and bears witness to the artist’s working process, in a continuous interplay with its location, layout, interior and ambience. This rare access to the studio by a trusted visitor provides a unique opportunity to experience the lives of artists working in New York, through their methods, materials and influences, contained within the intimate space of the studio, and observed with an acutely sensitive eye. Artist Studios in New York – which Marco Anelli has been exploring since 2011 - leads the viewer into the creative process of internationally famous artists such as Alex Katz, Alfredo Jaar, Cecily Brown, Dan Colen, Elisabeth Peyton, Francesco Clemente, Jack Pierson, Joan Jonas, Joyce Pensato, Jonas Mekas, Jordan Wolfson, Julian Schnabel, Julie Mehretu, Kiki Smith, Lawrence Weiner, Mariko Mori, Marina Abramovic, Matthew Barney, Mickalene Thomas, Nate Lowman, Pat Steir, Rob Wynne, Robert Longo, Stanley Whitney, Tony Oursler, Ugo Rondinone, Urs Fisher, Vik Muniz.

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