Search results for ""Author William"

For one hundred years, the Fenton Art Glass Company of Williamstown, West Virginia, has been producing spectacular glass tableware and gift items. Displayed in over 870 brilliant color images are the best, rarest, and most coveted of Fenton's early production, from the early 1900s through the 1930s. They include Carnival Glass, American Iridescent Stretch Glass, Freehand Hanging Hearts, Karnak Red and Mosaic, Art Deco Dancing Ladies vases and urns in unusual colors, Two-Tone stretch and opaque candlesticks, September Morn Nymphs, #1639 Elizabeth, Lincoln Inn, and Satin Etchings. Also in this valuable guide are dating and pricing information, important collecting tips, numbers of pieces known in given production lines, and values in the captions. Everyone who loves art glass needs this book!

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This book is written by America's master of traditional woodcraft.For thirty years, Roy Underhill's PBS program, ""The Woodwright's Shop,"" has brought classic hand-tool craftsmanship to viewers across America. Now, in his seventh book, Roy shows how to engage the mysteries of the splitting wedge and the cutting edge to shape wood from forest to furniture.Beginning with the standing tree, each chapter of ""The Woodwright's Guide"" explores one of nine trades of woodcraft: faller, countryman and cleaver, hewer, log-builder, sawyer, carpenter, joiner, turner, and cabinetmaker. Each trade brings new tools and techniques; each trade uses a different character of material; but all are united by the grain in the wood and the enduring mastery of muscle and steel.Hundreds of detailed drawings by Eleanor Underhill (Roy's daughter) illustrate the hand tools and processes for shaping and joining wood. A special concluding section contains detailed plans for making your own foot-powered lathes, workbenches, shaving horses, and taps and dies for wooden screws.""The Woodwright's Guide"" is informed by a lifetime of experience and study. A former master craftsman at Colonial Williamsburg, Roy has inspired millions to ""just say no to power tools"" through his continuing work as a historian, craftsman, activist, and teacher. In ""The Woodwright's Guide"", he takes readers on a personal journey through a legacy of off-the-grid, self-reliant craftsmanship. It's a toolbox filled with insight and technique, as well as wisdom and confidence for the artisan in all of us.

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In Adventures of a Suburban Boy, John Boorman, hailed by the Observer as 'arguably Britain's greatest living director', offers an enthralling memoir of a creative life spent turning dreams into celluloid, and money into light.One of cinema's authentic visionaries, Boorman nevertheless enjoyed an archetypal English suburban boyhood in the 1940s and 50s, attending Catholic school and finding his first employment in a dry-cleaner's. But his abiding passion was for film, and he got his first break during the 'gold rush' era of British television in the 1960s. After directing several innovative documentaries for the BBC, he graduated to motion pictures, first filming pop stars The Dave Clark Five for Catch Us If You Can, before venturing to Los Angeles to make his first Hollywood picture - and his first masterpiece - Point Blank. The film inaugurated Boorman's profound friendship with star Lee Marvin, which also led to a second professional collaboration on Hell in the Pacific.What follows are accounts of Boorman's joys and agonies in the making of such extraordinary pictures as the terrifying backwoods adventure Deliverance, the fantastical epics Zardoz and Exorcist II: The Heretic, the glorious Arthurian legend Excalibur, his magnificent drama of imperilled Amazonian tribes, The Emerald Forest, and his semi-autobiographical, multi-Oscar-nominated Hope and Glory. Among the many friends and collaborators of whom Boorman offers vivid portraits are Lee Marvin, Sean Connery, Richard Burton, Marcello Mastroianni, Burt Reynolds, Jon Voight, Helen Mirren and Nicol Williamson.

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‘I love this book. Strong, clever, intelligent advice with soul.’Mary Portas‘A wonderful look at how to transform our homes to be more mindfully aligned with our true nature and a reflection of who we are.’Fearne Cotton‘A happy home is a fundamental building block of happiness, and Michelle’s book is an essential, step-by-step guide to creating a home we love.’Arianna Huffington, Founder & CEO, Thrive Global‘A must-have read for anyone looking to improve not just their home but also their quality of life within it.’Matthew Williamson Be happier, healthier and more empowered with Michelle Ogundehin’s step-by-step practical guide to creating a home that supports your well-being.Whether that home is owned or rented, small or large, and regardless of how much money you have, Happy Inside shows you how to harness its potential in pursuit of becoming your best self. If you want to feel calm, content, soothed or energized, you must begin with what surrounds you. This comprehensive guide covers everything from how to create more light and space to how to get a good night’s sleep; the path to a perfect sofa and why a dining table is your most vital piece of furniture. Plus, how to decorate to promote joy; the importance of play (and circular side tables); your definitive capsule kitchen kit; and why your hallway is where it all starts. Combining Michelle’s knowledge of Buddhist philosophy, mindfulness, colour psychology and good design, Happy Inside is your one-stop guide to living well.Welcome to the healthy home revolution!

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A biography of the elusive but celebrated Dada and Surrealist artist and photographer connecting his Jewish background to his life and art Man Ray (1890–1976), a founding father of Dada and a key player in French Surrealism, is one of the central artists of the twentieth century. He is also one of the most elusive. In this new biography, journalist and critic Arthur Lubow uses Man Ray’s Jewish background as one filter to understand his life and art. Man Ray began life as Emmanuel Radnitsky, the eldest of four children born in Philadelphia to a mother from Minsk and a father from Kiev. When he was seven the family moved to the Williamsburg section of Brooklyn, where both parents worked as tailors. Defying his parents’ expectations that he earn a university degree, Man Ray instead pursued his vocation as an artist, embracing the modernist creed of photographer and avant-garde gallery owner Alfred Stieglitz. When at the age of thirty Man Ray relocated to Paris, he, unlike Stieglitz, made a clean break with his past.

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African American westerns have a rich cinematic history and visual culture. Mia Mask examines the African American western hero within the larger context of film history by considering how Black westerns evolved and approached wide-ranging goals. Woody Strode’s 1950s transformation from football star to actor was the harbinger of hard-edged western heroes later played by Jim Brown and Fred Williamson. Sidney Poitier’s Buck and the Preacher provided a narrative helmed by a groundbreaking African American director and offered unconventionally rich roles for women. Mask moves from these discussions to consider blaxploitation westerns and an analysis of Jeff Kanew’s hard-to-find 1972 documentary about an all-Black rodeo. The book addresses how these movies set the stage for modern-day westploitation films like Django Unchained.  A first-of-its kind survey, Black Rodeo illuminates the figure of the Black cowboy while examining the intersection of African American film history and the western.

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African American westerns have a rich cinematic history and visual culture. Mia Mask examines the African American western hero within the larger context of film history by considering how Black westerns evolved and approached wide-ranging goals. Woody Strode’s 1950s transformation from football star to actor was the harbinger of hard-edged western heroes later played by Jim Brown and Fred Williamson. Sidney Poitier’s Buck and the Preacher provided a narrative helmed by a groundbreaking African American director and offered unconventionally rich roles for women. Mask moves from these discussions to consider blaxploitation westerns and an analysis of Jeff Kanew’s hard-to-find 1972 documentary about an all-Black rodeo. The book addresses how these movies set the stage for modern-day westploitation films like Django Unchained.  A first-of-its kind survey, Black Rodeo illuminates the figure of the Black cowboy while examining the intersection of African American film history and the western.

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The second volume in a thrilling new Lovecraftian horror anthology series featuring spine-tingling tales from Caitlín R. Kiernan, John Shirley, and moreEditor S.T. Joshi has assembled 18 brand-new stories of cosmic mayhem and terror, by Jason V. Brock, Rick Dakan, Jason C. Eckhardt, Brian Evenson, Tom Fletcher, Richard Gavin, Caitlín R. Kiernan, John Langan, Nick Mamatas, Nicholas Royle, Darrell Schweitzer, John Shirley, Melanie Tem, Steve Rasnic Tem, Jonathan Thomas, Donald Tyson, Don Webb, and Chet Williamson.Including:When Death Wakes Me to Myself by John ShirleyView by Tom FletcherHoundwife by Caitlín R. KiernanKing of Cat Swamp by Jonathan ThomasDead Media by Nick MamatasThe Abject by Richard GavinDahlias by Melanie TemBloom by John LanganAnd the Sea Gave Up the Dead by Jason C. EckhardtCasting Call by Don WebbThe Clockwork King, the Queen of Glass, and the Man with the Hundred Kniv

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The formally nuanced and wise epistolary poems in David Biespiel’s new collection are grounded in friendship, camaraderie, and the vulnerability and boldness that defines America. Roving from the old Confederacy of Biespiel's native South to Portland, Oregon, Charming Gardeners explores the wildness of the Northwest, the avenues of Washington, D.C., the coal fields of West Virginia, and an endless stretch of airplanes and hotel rooms from New York to Texas to California. These poems explore the “insistent murmurs” of memory and the emotional connections between individuals and history, as well as the bonds of brotherhood, the ghosts of America’s wars, and the vibrancy of love, sex, and intimacy. We are offered poems addressed to family, friends, poets, and political rivals — all in a masterful idiom Robert Pinsky has called Biespiel’s “own original grand style.” I should stop back there And stand on both feet in the grazing sunlight And hear this chorus of America singing. But I am so afraid of the testament of the delivered. from “TO __________ FROM THE JEWISH CEMETERY IN WILLIAMSON, WEST VIRGINIA

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An ambitious new work by a well-respected sociologist, Information and Organizations provides a bold perspective of the dynamics of organizations. Stinchcombe contends that the "information problem" and the concept of "uncertainty" provide the key to understanding how organizations function. In a delightful mix of large theoretical insights and vivid anecdotal material, Stinchcombe explores the ins and outs of organizations from both a macro and micro perspective. He reinterprets the work of the renowned scholars of business, Alfred Chandler, James March and Oliver Williamson, and looks in depth at corporations like DuPont and General Motors. Along the way, Stinchcombe explores subjects as varied as class consciousness, innovation, contracts and university administration. All of these analyses are distinguished by incisive thinking and creative new approaches to issues that have long confronted business people and those interested in organizational theory. A tour de force, Information and Organizations is a must-read for business people and scholars of many stripes. It promises to be a widely discussed and debated work.

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This volume contains the histories of the 22 parishes in the hundreds of Brightwells Barrow and Rapsgate, extending from the Cotswold escarpment above Gloucester to the Thames at Lechlade and including much of the Churn, Coln, andLeach valleys. Although Cranham and Chedworth parishes had extensive ancient beechwoods and Kempsford and Lechlade wide meadows bordering the Thames, most of the area was formerly one of traditional Cotswold agriculture based onlarge open fields and downland sheep-pastures. After enclosure large sheep-farms grew turnips and grass leys, but the late- 19th-century depression caused many to be taken in hand and converted to new uses like dairying. Pocketsof industry included cloth-mills in Bibury and elsewhere, a paper-mill at Quenington, and potteries at Cranham. The towns of Fairford and Lechlade did not develop industrially, serving mainly as markets and as stages on the Londonroad. At Lechlade goods, particularly cheese, were consigned by river to London. The manors, mainly monastic in the Middle Ages, passed later to families which ranged from aristocrats like the Thynnes and Cravens to local gentrylike the Partridges, Sheppards, and Kebles. In the 19th century new owners from com-merce included a Jewish financier, the founder of the Horlicks firm, and Lanca-shire cotton-manufacturers. Much of the area, particularly the large estates based on Williamstrip Park and Hatherop Castle and the villages along the Churn valley, shows the influence of 19th-century owners. Less typical parishes include Brimpsfield and Cranham, where early settlement was scattered, and Chedworth, with an influx in the late 17th century and the 18th of independent craftsmen.

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Many biographies of John D. Rockefeller and John D. Rockefeller, Jr. have been compiled- some have used bits of the original correspondence presented here and tried to show opposing interests between John D. Rockefeller and his son. Still others were written without correspondence at all. This collection of never-before-published letters traces the history of the transfer of the Rockefeller fortune over the course of fifty years. It illustrates how the endowment was bestowed from Senior to Junior with respect, sound advice, and with a mutual trust between father and son. The letters also reveal far more than the business side of entrusting the Rockefeller fortune to the younger generation. The misives are filled with news of family matters and personal wishes constituting a record of the Rockefeller family values which, in turn, sponsored the philantrophies of Junior. Outlined in these letters is the conception for the Rockefeller Foundation, the Rockefeller Institute for Medical Research, and the General Education Board. Later would follow the realization of the Fort Tryon Park, the Rockefeller Center, Riverside Church, and the restoration of Colonial Williamsburg. Junior's holdings peaked in 1928 at 5 million and his dedication to public parks, and institutions around the world absorbed a considerable portion of his wealth. Ernst's introduction reflects on five themes which run continuously throughout the letters: the respect and love among the members of the family, a father's precautions to his maturing son, the son's willingness to accept his father's precepts and examples, the son's conscious assumption of the responsibilities of the bequeathed fortune, and overriding faith in a benevolent God. These themes continually come together to form the outline of a philosophy of life behind the Rockefeller legacy, as when Senior writes: "I am indeed blessed beyond measure in having a son whom I can trust to do this most particular and most important work. Go carefully. Be conservative. Be sure you are right- and then do not be afraid to give out, as your heart prompts you, and as the Lord inspires you."

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More than four million people a year visit Valley Forge, one of America's most celebrated historic sites. Here, amid the rolling hills of southeastern Pennsylvania, visitors can pass through the house which served as Washington's Headquarters during the famous winter encampment of 1777–1778. Others picnic and jog in the huge park, complete with monuments, recreated log huts, and modern visitor center, all built to pay tribute to the Valley Forge story. In this lively book, Lorett Treese shows how Valley Forge evolved into the tourist mecca that it is today. In the process, she uses Valley Forge as a means for understanding how Americans view their own past. Treese explores the origins of popular images associated with Valley Forge, such as George Washington kneeling in the snow to seek divine assistance. She places Valley Forge in the context of the historic preservation movement as the site became Pennsylvania's first state park in 1893. She studies its "Era of Monuments" and the movement to "restore" Valley Forge in the spirit of Rockefeller's enormously popular colonial Williamsburg. Treese describes a Valley Forge fraught with controversy over the appropriate appearance and use of a place so revered. One such controversy, the "hot dog war," a brief but intense battle over concession stands, was spawned by Americans' changing perceptions of how a national park was to be used. The volatile Vietnam era prompted the state park commission to establish its "Subcommittee on Sex, Hippies, and Whiskey Swillers" to investigate park regulation infractions. Even today, people differ over exactly what happened at Valley Forge during the winter of 1777–1778. The modern visitor sees the remains of over a century of commemoration, competition, and contention. The result, Treese shows, is a historic site that may reveal more about succeeding history than about Washington's army. This book will give its readers a new way to look at Valley Forge—and all historic sites.

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A rich history of underwater filmmaking and how it has profoundly influenced the aesthetics of movies and public perception of the oceansIn The Underwater Eye, Margaret Cohen tells the fascinating story of how the development of modern diving equipment and movie camera technology has allowed documentary and narrative filmmakers to take human vision into the depths, creating new imagery of the seas and the underwater realm, and expanding the scope of popular imagination. Innovating on the most challenging film set on earth, filmmakers have tapped the emotional power of the underwater environment to forge new visions of horror, tragedy, adventure, beauty, and surrealism, entertaining the public and shaping its perception of ocean reality.Examining works by filmmakers ranging from J. E. Williamson, inventor of the first undersea film technology in 1914, to Wes Anderson, who filmed the underwater scenes of his 2004 The Life Aquatic with Steve Zissou entirely in a pool, The Underwater Eye traces how the radically alien qualities of underwater optics have shaped liquid fantasies for more than a century. Richly illustrated, the book explores documentaries by Jacques Cousteau, Louis Malle, and Hans Hass, art films by Man Ray and Jean Vigo, and popular movies and television shows such as 20,000 Leagues Under the Sea, Creature from the Black Lagoon, Sea Hunt, the Bond films, Jaws, The Abyss, and Titanic. In exploring the cultural impact of underwater filmmaking, the book also asks compelling questions about the role film plays in engaging the public with the remote ocean, a frontline of climate change.

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Markets and market halls have always been more than about trade and nourishment. A detailed look at the histories of marketplaces provides evidence of the public health concerns they faced, as well as the social commotion, mobilization and, at times, unrest they hosted. This edited volume reappraises the market hall, examining both its architectural and its social and political significance. Focusing on how these buildings embodied transformations in architecture and urbanism from the mid-nineteenth century until the age of COVID-19, Mobs and Microbes situates market halls at the intersection of civic order and public health. Central to this are advances in sanitation and hygiene. These radical interventions also mediated conflicting interests. Through their rational designs, market halls intertwined government policies and regulations, which formalized, controlled and literally imposed order. Additionally, markets served as demonstration grounds for community-led mobilization efforts. With case studies spanning North America, Europe, Asia, India and Africa, this edited volume provides a global perspective on covered market halls across many disciplines, including architecture, history of art and architecture, landscape architecture, food studies and urban history. Contributors: Samantha L. Martin (University College Dublin), Leila Marie Farah (Toronto Metropolitan University), Ashley Rose Young (Smithsonian's National Museum of American History), Daniel Williamson (Savannah College of Art and Design), Zhengfeng Wang (University College Dublin), Nkatha Gichuyia (University of Nairobi), Xusheng Huang (Southeast University), Ruth Lo (Hamilton College), Emeline Houssard (Sorbonne Universite), Henriette Steiner (University of Copenhagen), Andrea Borghini (Universita degli Studi di Milano), Min Kyung Lee (Bryn Mawr College) Free ebook available at OAPEN Library, JSTOR, Project Muse, and Open Research Library

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The fascinating life of Frances Jennings, elder sister of Sarah, Duchess of Marlborough, charting her marriages and changes of fortune, her exile and return, her ambition, political manoeuvring and sincere piety. Frances Jennings, elder sister of Sarah, duchess of Marlborough, had an interesting and eventful life, most notably as the influential wife of Richard Talbot, earl of Tyrconnell, Catholic viceroy of Ireland under James II. Born circa 1649 into a Hertfordshire gentry family, she was a noted beauty at the Restoration court. There, she met and married George Hamilton, a Catholic officer who, after 1667, served in Louis XIV's army. In Paris, Frances raised three daughters, converted to Catholicism, and became an active member of the English Catholic émigré community. Following Hamilton's death, she remarried to Richard Talbot. As vicereine of Ireland, Frances helped re-establish Catholic hegemony, assisting in the foundation of convents and re-consecration of Christ Church cathedral. During the Williamite-Jacobite War in Ireland (1689-91), Frances fled to James II's exiled court in France. In 1691, she received word that her husband, now Jacobite duke of Tyrconnell, had died. Attainted for high treason, she used the Marlboroughs' influence to recover her Irish estates. In 1708, she returned to Dublin, where she died in 1731. Highlighting Frances's political manoeuvrings, religious identity and deep family attachments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.

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“From front offices to college campuses, Jake Fischer takes you on an engrossing tour of the NBA in its latest golden age, when some of the most captivating teams won by losing.” —Lee Jenkins, former Sports Illustrated NBA writer An insider account of modern NBA team-building, based on hundreds of exclusive interviews. A single transcendent talent can change the fortunes of an NBA franchise. One only has to recall the frenzy surrounding recent top pick Zion Williamson to recognize teams’ willingness to lose games now for the sake of winning championships later. It’s a story that weaves its way behind closed doors to reveal intricate machinations normally hidden from public view. Backed by extensive reporting and hundreds of interviews with top players, coaches, and executives, Jake Fischer chronicles secret pre-draft workouts, feuding between player agents and executives, surprising trade negotiations, interpersonal conflicts, organizational power struggles, and infamous public relations fiascos, making for a fascinating look at the NBA. Updated to include new material, this is the definitive account of the NBA’s tanking era, when teams raced to the bottom in the hope of eventually winning a championship.

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“From front offices to college campuses, Jake Fischer takes you on an engrossing tour of the NBA in its latest golden age, when some of the most captivating teams won by losing.” —Lee Jenkins, former Sports Illustrated NBA writer An insider account of modern NBA team-building, based on hundreds of exclusive interviews A single transcendent talent can change the fortunes of an NBA franchise. One only has to recall the frenzy surrounding recent top pick Zion Williamson to recognize teams’ willingness to lose games now for the sake of winning championships later. It’s a story that weaves its way behind closed doors to reveal intricate machinations normally hidden from public view. Backed by extensive reporting and hundreds of interviews with top players, coaches, and executives, Jake Fischer chronicles secret pre-draft workouts, feuding between player agents and executives, surprising trade negotiations, interpersonal conflicts, organizational power struggles, and infamous public relations fiascos, making for a fascinating look at the NBA. The definitive account of the NBA’s tanking era, when teams raced to the bottom in the hope of eventually winning a championship.

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When middle-class residents fled American cities in the 1960s and '70s, government services and investment capital left, too. Countless urban neighborhoods thus entered phases of precipitous decline, prompting the creation of community-based organizations that sought to bring direly needed resources back to the inner city. Today, there are tens of thousands of these CBOs - private nonprofit groups that work diligently within tight budgets to give assistance and opportunity to our most vulnerable citizens by providing services such as housing, child care, and legal aid. Through ethnographic fieldwork at eight CBOs in the Brooklyn neighborhoods of Williamsburg and Bushwick, Nicole P. Marwell discovered that the complex and contentious relationships these groups form with larger economic and political institutions outside the neighborhood have a huge and unexamined impact on the lives of the poor. Most studies of urban poverty focus on individuals or families, but "Bargaining for Brooklyn" widens the lens, examining the organizations whose actions and decisions collectively drive urban life.

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This important book "weaves lyrical storytelling and fascinating research into a compelling narrative" (San Francisco Chronicle) to look at dietary differences along class lines and nutritional disparities in America, illuminating exactly how inequality starts on the dinner plate.Inequality in America manifests in many ways, but perhaps nowhere more than in how we eat. From her years of field research, sociologist and ethnographer Priya Fielding-Singh brings us into the kitchens of dozens of families from varied educational, economic, and ethnoracial backgrounds to explore how-and why-we eat the way we do. We get to know four families intimately: the Bakers, a Black family living below the federal poverty line; the Williamses, a working-class white family just above it; the Ortegas, a middle-class Latinx family; and the Cains, an affluent white family.?Whether it's worrying about how far pantry provisions can stretch or whether there's enough time to get dinner on the table before soccer practice, all families have unique experiences that reveal their particular dietary constraints and challenges. By diving into the nuances of these families' lives, Fielding-Singh lays bare the limits of efforts narrowly focused on improving families' food access. Instead, she reveals how being rich or poor in America impacts something even more fundamental than the food families can afford: these experiences impact the very meaning of food itself.Packed with lyrical storytelling and groundbreaking research, as well as Fielding-Singh's personal experiences with food as a biracial, South Asian American woman, How the Other Half Eats illuminates exactly how inequality starts on the dinner plate. Once you've taken a seat at tables across America, you'll never think about class, food, and public health the same way again.

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Puerto Rican, Russian-Jewish, and Italian cultures collide in homage both to the art and form of the novel, as well as to the passions and histories that fuel our American lives. Pulaski's prose boxes through the surreal and banal. The novel weaves the maelstrom of immigrant life in post WWII New York, and the terrifying solitude of Alzheimer's cloaked beneath Vermont winters, into a fable where the sacred and the profane are inextricably wed. Courting Laura Providencia is a literary devotional. Laura said she was sure he was the father, packed up her things, and moved out of the apartment. She had been cheerful as she collected her belongings. She said Isaac was the sweetest boy she had ever known, and "a rare thing, muy singular, a Jewish drunk." Isaac wanted to say that was not exactly right, but he was drunk at the time and so he sang to her. Laura snapped the suitcase shut, settled herself in a chair, smiled, and let him sing. For a moment Isaac was stunned. It happened often looking straight into the face of Laura Providencia could cause amnesia, sleepwalking, and archaic longings which might require several lifetimes to understand. He had seen it happen to others. Jack Pulaski was born and grew up in the Williamsburg section of Brooklyn, New York. His stories have appeared in The Iowa Review, Ohio Review, Ploughshares, MSS., and The New England Review, as well as in two anthologies: The Pushcart Prize I and The Ploughshares Reader. He is the recipient of a fiction award from the Coordinating Council of Literary Magazines, and his stories have twice been singled out for high praise in the Nelson Algren Short Fiction Contest. Pulaski currently lives in Vermont.

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A novel approach to biography, drawing on interview material and other sources, all extensively annotated. This book is a major source of information about one of the most influential British composers of the mid-twentieth century and the musicians he knew. It also provides details of the musical relationship between Paris and London before, during and after World War II. Berkeley had a ring-side seat when he lived in Paris, studied with Nadia Boulanger and wrote reviews about musical life there from 1929 to 1934. His little known letters to her reveal the mesmeric power of this extraordinary woman. Berkeley was an elegant writer, and it is fascinating to read his first-hand memories of composers such as Ravel, Poulenc, Stravinsky and Britten. The book also contains interviewswith Berkeley's colleagues, friends and family. These include performers such as Julian Bream and Norman Del Mar; composers Nicholas Maw and Malcolm Williamson; the composer's eldest son Michael, the composer and broadcaster; andLady Berkeley. Lennox Berkeley knew Britten well, and there are many references to him in this eminently readable collection. Peter Dickinson, British composer and pianist, has written and edited numerous books about twentieth-century music, including Cage Talk: Dialogues with and about John Cage as well as Samuel Barber Remembered (both with University of Rochester Press) and three books published by Boydell Press: The Music of Lennox Berkeley; Copland Connotations; and Lord Berners: Composer, Writer, Painter. Peter Dickinson's music is widely performed and recorded. Dickinson knew Berkeley from 1956 until the composer's death in 1989; performed many of the songs with his sister, the mezzo Meriel Dickinson; and has written and broadcast regularly about his music.

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We are living in an age of unprecedented upheaval. The future of Western culture is uncertain. America's economic and political vitality are more fragile than ever. The preservation of tradition is far from guaranteed. Many have observed that we are living through a world historical moment of which Hegel spoke: a time when many of the traditional assumptions about the shape and future of culture are suddenly in play. As The New Criterion embarks on its fourth decade of publication, the magazine commemorates its commitment to the civilizing values of informed criticism with the publication of Future Tense: The Lessons of Culture in an Age of Upheaval. Compiling the writings of some of the greatest essayists of our time, Future Tense examines this pivotal period through a variety of lenses. Beginning with a meditation on memorials after the 9/11 attacks (Michael J. Lewis), the essays address patriotism in relation to Pericles (Victor Davis Hanson), twenty-first century American pride and leadership (Andrew Roberts), the future of religion in America (David Bentley Hart), and the unwinding of the welfare state (Kevin D. Williamson). Continuing this arc, pieces examine self-knowledge and modern technology (Anthony Daniels), the cultural capital of museums (James Panero), and the difficulties of making law in the modern world (Andrew C. McCarthy). In its penultimate essay, the book explores the possibility of a forthcoming political revolution (James Piereson), then closes with a reflection of culture's role in the economy of life and the fragility of civilization (Roger Kimball). Taken together, these prominent writers demonstrate an acute understanding of the value of Western thought as well as the challenges it faces. Future Tense is an engaging discourse on the prospects of society and an important collection for anyone concerned with the longevity of traditional culture.

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Since the 1930s and up to the present, the Fenton Art Glass Company, of Williamstown, West Virginia, has produced beautiful glass baskets in a huge variety of styles, colors, and patterns. In these two new volumes, over 880 known varieties of Fenton baskets are each carefully described, with their individual ware numbers, color, size, decoration, date, and current value, and are individually shown in beautiful color photos. The patterns are presented alphabetically. This volume has the patterns from Acanthus to Hummingbird. A companion volume has the patterns Innovation to Wisteria and the numbered patterns. Information on the talented glass workers who made the baskets, handles, and pattern decorations are identified. Special markings are described, listed, and dated for easy identification. With these complete references now available, the identification of Fenton glass baskets is possible for the first time and collecting them will be a gratifying pleasure. These two books are published to coincide with the hundredth anniversary celebration of the Fenton Art Glass company in 2005.

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James Hetfield shares his personal collection of treasured guitars and reveals the story and significance of each within his life and career as the front man, guitarist, and songwriter for Metallica. From the Electra OGV that defined his style, sound and attitude to the mythical MX guitars, the first in a series of iconic collaborations with ESP, and from his signature Snakebytes through his ambitious projects with renowned luthier Ken Lawrence, James Hetfield shares the emotional and technical elements of the chosen tools that have shaped his singular musical journey, including exotic instruments, vintage Gibsons, and custom one-offs. He also reveals many studio secrets, including the key amplifiers and gear that sculpt his tone and create his sound. Each featured guitar is accompanied by lush museum-quality portraits by acclaimed photographer Scott Williamson, exhibiting intimate details one can only see if holding it in their own hands, alongside Hetfield’s deeply personal reminiscence. Spanning more than forty guitars, ranging from the original battle-scarred road warriors to the trusted studio stalwarts and enduring tour favourites, Messengers: The Guitars of James Hetfield is a meticulously crafted coffee table book and a mesmerizing window into the mind and soul of one of rock’s greatest front men. These invaluable guitars have forged over four decades of music history.

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Loose-Fit Architecture: Designing Buildings for Change September/October 2017Profile 249 Volume 87 No 5ISBN 978 1119 152644 Guest-Edited by Alex Lifschutz The idea that a building is 'finished' or 'complete' on the day it opens its doors is hardwired into existing thinking about design, planning and construction. But this ignores the unprecedented rate of social and technological change. A building only begins its life when the contractors leave. With resources at a premium and a greater need for a sustainable use of building materials, can we still afford to construct new housing or indeed any buildings that ignore the need for flexibility or the ability to evolve over time? Our design culture needs to move beyond the idealisation of a creative individual designer generating highly specific forms with fixed uses. The possibilities of adaptation and flexibility have often been overlooked, but they create hugely exciting 'loose-fit' architectures that emancipate users to create their own versatile and vibrant environments. Contributors include: Stewart Brand, Renee Chow, Ellen Dunham-Jones and June Williamson, John Habraken, Edwin Heathcote, Despina Katsakakis, Stephen Kendall, Ian Lambot, Giorgio Macchi, Alexi Marmot, Andrea Martin, Kazunobu Minami, Peter Murray, Brett Steele, and Simon Sturgis.

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Enlightened Oxford aims to discern, establish, and clarify the multiplicity of connections between the University of Oxford, its members, and the world outside; to offer readers a fresh, contextualised sense of the University's role in the state, in society, and in relation to other institutions between the Williamite Revolution and the first decade of the nineteenth century, the era loosely describable (though not without much qualification) as England's ancien regime. Nigel Aston asks where Oxford fitted in to the broader social and cultural picture of the time, locating the University's importance in Church and state, and pondering its place as an institution that upheld religious entitlement in an ever-shifting intellectual world where national and confessional boundaries were under scrutiny. Enlightened Oxford is less an inside history than a consideration of an institutional presence and its place in the life of the country and further afield. While admitting the degree of corporate inertia to be found in the University, there was internal scope for members so inclined to be creative in their teaching, open new research lines, and be unapologetic Whigs rather than unrepentant Tories. For if Oxford was a seat of learning rooted in its past - and with an increasing antiquarian awareness of its inheritance - yet it had a surprising capacity for adaptation, a scope for intellectual and political pluralism that was not incompatible with enlightened values.

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A penetrating analysis from one of the defining voices of contemporary economics. In Beyond Positivism, Behaviorism, and Neoinstitutionalism in Economics, Deirdre Nansen McCloskey zeroes in on the authoritarian cast of recent economics, arguing for a re-focusing on the liberated human. The behaviorist positivism fashionable in the field since the 1930s treats people from the outside. It yielded in Williamson and North a manipulative neo-institutionalism. McCloskey argues that institutions as causes are mainly temporary and intermediate, not ultimate. They are human-made, depending on words, myth, ethics, ideology, history, identity, professionalism, gossip, movies, what your mother taught you. Humans create conversations as they go, in the economy as in the rest of life. In engaging and erudite prose, McCloskey exhibits in detail the scientific failures of neo-institutionalism. She proposes a “humanomics,” an economics with the humans left in. Humanomics keeps theory, quantification, experiment, mathematics, econometrics, though insisting on more true rigor than is usual. It adds what can be learned about the economy from history, philosophy, literature, and all the sciences of humans. McCloskey reaffirms the durability of “market-tested innovation” against the imagined imperfections to be corrected by a perfect government. With her trademark zeal and incisive wit, she rebuilds the foundations of economics.

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In the 1740s, two quite different developments revolutionized Anglo-American life and thought-the Enlightenment and the Great Awakening. This book takes an encounter between the paragons of each movement-the printer and entrepreneur Benjamin Franklin and the British-born revivalist George Whitefield-as an opportunity to explore the meaning of the beginnings of modern science and rationality on one hand and evangelical religious enthusiasm on the other. There are people who both represent the times in which they live and change them for the better. Franklin and Whitefield were two such men. The morning that they met, they formed a long and lucrative partnership: Whitefield provided copies of his journals and sermons, Franklin published them. So began one of the most unique, mutually profitable, and influential friendships in early American history. By focusing this study on Franklin and Whitefield, Peter Charles Hoffer defines with great precision the importance of the Anglo-American Atlantic World of the eighteenth century in American history. With a swift and persuasive narrative, Hoffer introduces readers to the respective life story of each man, examines in engaging detail the central themes of their early writings, and concludes with a description of the last years of their collaboration. Franklin's and Whitefield's intellectual contributions reach into our own time, making Hoffer's readable and enjoyable account of these extraordinary men and their extraordinary friendship relevant today. Also in the Witness to History series The Huron-Wendat Feast of the Dead: Indian-European Encounters in Early North America by Erik R. Seeman King Philip's War: Colonial Expansion, Native Resistance, and the End of Indian Sovereignty by Daniel R. Mandell The Caning of Charles Sumner: Honor, Idealism, and the Origins of the Civil War by Williamjames Hull Hoffer Bloodshed at Little Bighorn: Sitting Bull, Custer, and the Destinies of Nations by Tim Lehman

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"There is a romantic, nostalgic, pleasantly melancholy feeling to old cemeteries that is hard to define but easy to experience. Perhaps it is because we can feel the direct link to our past that no history book, no movie, no historical fantasy can ever convey. These stones and these unkempt grounds are the hard evidence of lives that came before us. Once, these people lived and breathed, loved, worked, fought, hoped and despaired, and experienced their triumphs and failures just as we do today. And, although we seldom care to acknowledge it, we will inevitably go where they have gone."-from the Preface For the many people who enjoy walking through old cemeteries, exploring forgotten and overgrown graveyards, and reading the names, dates, and epitaphs of the dead, the Chesapeake Bay region offers a rich assortment of final resting places, many dating back to the early 1600s. From Williamsburg to Havre de Grace, it is not uncommon to see a number of the living wandering among the markers of the dead. Some are genealogists and historians, others come in search of quietude and a tangible connection to the past. In The Chesapeake Book of the Dead, Helen Chappell and photographer Starke Jett survey this rich legacy, from the vast and imposing Arlington National Cemetery to lone graves so modest as to have been lost almost as soon as they were dug. Chappell and Jett visit graveyards of the famous and the obscure, wander through cemeteries dotted with both elaborate funerary and simple, weather-beaten headstones, and discover epitaphs that range from the literary to the amusing to the poignant. As old grave sites disappear under developers' bulldozers, through neglect, and at the hands of unscrupulous headstone collectors, this remarkable book offers a unique and elegiac look at our past and its tales of love and tragedy. Among the cemeteries explored are Southeast Washington's Congressional Cemetery (posthumous home to composer John Philip Sousa, FBI head J. Edgar Hoover, pioneering feminist and muckraking journalist Anne Royall, and Choctaw chief and notable military tactician Pushmataha); Baltimore's Green Mount Cemetery (built in the 1830s as Baltimore's first sylvan graveyard); and Westminster Burying Ground in downtown Baltimore. At Westminster lies the grave of Edgar Allan Poe, which a mysterious figure visits each year on Poe's birthday to leave roses and a bottle of brandy. The book also describes the final resting places for such celebrities as Dorothy Parker (Chappell located her ashes at the NAACP headquarters in Baltimore), F. Scott and Zelda Fitzgerald (buried in Rockville at Scott's wish, because, he insisted, "I belong here," in Maryland, "where everything is civilized and gay and rotted and polite"), and cosmopolitan actress Tallulah Bankhead (interred in a plot her sister provided near Chestertown). Included throughout this fascinating book are essays on mourning fashion and deathbed performances, graveyard ghost stories, discussions of efforts to save historic cemeteries, and notes from the diary of a nineteenth-century doctor who today is buried in Rising Sun Cemetery alongside many of his patients. Chappell's lively prose, accompanied by Jett's haunting black-and-white photographs, will delight all those drawn to the seclusion, peacefulness, and melancholy of old graveyards. Jacket illustration: Lower Hooper's Island, Maryland

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An engaging account of the life of a nineteenth-century priest. The Revd Benjamin Armstrong, for many years vicar of the market town of East Dereham, Norfolk, is best-known for what have been described as "one of England's greatest clerical diaries", eleven volumes spanning his whole adult life, between 1850 and 1888. This first full biography puts his story into the context of the period in which he lived: a time of turmoil in the church, with its conflict between high and low forms of service, and theological arguments, stirred up not least by controversies over Darwin's theories of creation. It also vividly portrays rural life at a time of great change, when society became more fluid, railways allowed the economy to grow and develop, and thevote was extended. We see this through the eyes of Armstrong himself, a fine example of the then "new-style" Church of England clergy who lived in their parishes, took more services than their predecessors, supported their schools and showed a genuine concern for the well-being of their parishioners. By the time he retired, church life in Dereham had been transformed, with congregations typically of 1,000 at each of the Sunday services. Armstrong also served on various Local Boards, as well as setting up the Literary Institute, the Rifle Volunteers and supporting musical and cultural events. He also had a full social life; his friends included prominent townspeople and the local clergy, gentry and aristocracy -- and there are incisive pen portraits of many of his associates and their eccentricities. These activities are set against the background of his family life, with its moments of tragedy and worry, including the death of a young child and the elopement of another. Dr SUSANNA WADE MARTINS is an Honorary Research Fellow in the School of History at the University of East Anglia. Her previous publications includeThe East Anglian Countryside: Changing Landscapes 1870-1950 with Tom Williamson (2008), Coke of Norfolk, 1754-1842 (2009) and The Conservation Movement in Norfolk - A History (2015).

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In the 1740s, two quite different developments revolutionized Anglo-American life and thought-the Enlightenment and the Great Awakening. This book takes an encounter between the paragons of each movement-the printer and entrepreneur Benjamin Franklin and the British-born revivalist George Whitefield-as an opportunity to explore the meaning of the beginnings of modern science and rationality on one hand and evangelical religious enthusiasm on the other. There are people who both represent the times in which they live and change them for the better. Franklin and Whitefield were two such men. The morning that they met, they formed a long and lucrative partnership: Whitefield provided copies of his journals and sermons, Franklin published them. So began one of the most unique, mutually profitable, and influential friendships in early American history. By focusing this study on Franklin and Whitefield, Peter Charles Hoffer defines with great precision the importance of the Anglo-American Atlantic World of the eighteenth century in American history. With a swift and persuasive narrative, Hoffer introduces readers to the respective life story of each man, examines in engaging detail the central themes of their early writings, and concludes with a description of the last years of their collaboration. Franklin's and Whitefield's intellectual contributions reach into our own time, making Hoffer's readable and enjoyable account of these extraordinary men and their extraordinary friendship relevant today. Also in the Witness to History series The Huron-Wendat Feast of the Dead: Indian-European Encounters in Early North America by Erik R. Seeman King Philip's War: Colonial Expansion, Native Resistance, and the End of Indian Sovereignty by Daniel R. Mandell The Caning of Charles Sumner: Honor, Idealism, and the Origins of the Civil War by Williamjames Hull Hoffer Bloodshed at Little Bighorn: Sitting Bull, Custer, and the Destinies of Nations by Tim Lehman

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In New York’s Golden Age of Bridges, artist Antonio Masi teams up with writer and New York City historian Joan Marans Dim to offer a multidimensional exploration of New York City’s nine major bridges, their artistic and cultural underpinnings, and their impact worldwide. The tale of New York City’s bridges begins in 1883, when the Brooklyn Bridge rose majestically over the East River, signaling the start of America’s “Golden Age” of bridge building. The Williamsburg followed in 1903, the Queensboro (renamed the Ed Koch Queensboro Bridge) and the Manhattan in 1909, the George Washington in 1931, the Triborough (renamed the Robert F. Kennedy Bridge) in 1936, the Bronx-Whitestone in 1939, the Throgs Neck in 1961, and the Verrazano-Narrows in 1964. Each of these classic bridges has its own story, and the book’s paintings show the majesty and artistry, while the essays fill in the fascinating details of its social, cultural, economic, political, and environmental history. America’s great bridges, built almost entirely by immigrant engineers, architects, and laborers, have come to symbolize not only labor and ingenuity but also bravery and sacrifice. The building of each bridge took a human toll. The Brooklyn Bridge’s designer and chief engineer, John A. Roebling, himself died in the service of bridge building. But beyond those stories is another narrative—one that encompasses the dreams and ambitions of a city, and eventually a nation. At this moment in Asia and Europe many modern, largescale, long-span suspension bridges are being built. They are the progeny of New York City’s Golden Age bridges. This book comes along at the perfect moment to place these great public projects into their historical and artistic contexts and to inform and delight artists, engineers, historians, architects, and city planners. In addition to the historical and artistic perspectives, New York’s Golden Age of Bridges explores the inestimable connections that bridges foster, and reveals the extraordinary impact of the nine Golden Age bridges on the city, the nation, and the world.

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Don Chapman tells for the first time the story of the "Oxford Playhouse", to coincide with the seventieth anniversary of its present home in Beaumont Street, Oxford. He traces the history of this great theater back to its earliest roots in a production of Agamemnon in 1880 which led to the founding of the Oxford University Dramatic Society, the rebuilding of Oxford's New Theater and, eventually, the launch of the Playhouse itself. Jane Ellis was the 'young, obscure actress' from London who made it happen, motivated by a desire for a venue where she herself might play decent roles. She asked J.B. Fagan (who was to produce the first successful Chekhov play in England) to be the theater's first director. Subsequent directors who made their mark included Stanford Holme, Eric Dance (who rebuilt the theater in Beaumont Street in 1938), Frank Shelley, Peter Hall, Peter Wood, Frank Hauser, Minos Volanakis, Gordon McDougall, Nicolas Kent and Richard Williams.The book also celebrates a galaxy of actors including Flora Robson, John Gielgud, Maggie Smith, Ronnie Barker, Judi Dench and Helena Bonham-Carter and records the first steps of countless students from Peter Brook to Maria Aitken, Diana Quick to Rowan Atkinson, including a few, like Edward Heath and Joanna Trollope, who gained distinction in other spheres. Most fascinating is the role of the University of Oxford. Using the legal powers invested in Vice Chancellors, Dr Lewis Farnell almost stifled the Playhouse at birth in 1923. And even from 1961 to 1987, when the Playhouse was the University Theater, Dr Chapman describes its relationship with the University as 'a shotgun marriage that ended in a messy divorce'.Since reopening in 1991 following a four-year closure, the theater has flourished as an independent trust with support from the University, Arts Council England and other donors, staging a varied program to delight audiences old and new and benefiting in the process from the sea change in academic attitudes to drama. Thea Shurrock, Rosamund Pike and Holly Kendrick are just three of more recent students who have followed in the footsteps of Michael Palin, Imogen Stubbs and Mel Smith and made names for themselves.

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On August 13, 1986, just one day after his thirty-second birthday, Michael Morton went to work at his usual time. By the end of the day, his wife Christine had been savagely bludgeoned to death in the couple's bed-and the Williamson County Sherriff's office in Texas wasted no time in pinning her murder on Michael, despite an absolute lack of physical evidence. Michael was swiftly sentenced to life in prison for a crime he had not committed. He mourned his wife from a prison cell. He lost all contact with their son. Life, as he knew it, was over. Drawing on his recollections, court transcripts, and more than 1,000 pages of personal journals he wrote in prison, Michael recounts the hidden police reports about an unidentified van parked near his house that were never pursued; the bandana with the killer's DNA on it, that was never introduced in court; the call from a neighbouring county reporting the attempted use of his wife's credit card, which was never followed up on; and ultimately, how he battled his way through the darkness to become a free man once again. "Even for readers who may feel practically jaded about stories of injustice in Texas-even those who followed this case closely in the press-could do themselves a favour by picking up Michael Morton's new memoir…It is extremely well-written [and] insightful" (The Austin Chronicle). Getting Lifeis an extraordinary story of unfathomable tragedy, grave injustice, and the strength and courage it takes to find forgiveness.

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From museums and monuments to sleepy mountain towns and beaches, history comes to life with Moon Virginia & Maryland. Inside you'll find: * Strategic, flexible itineraries, including a two-week tour of the best of both states and a week on the eastern shore, with ideas for road-trippers, history buffs, claw-cracking crab lovers, and more* Can't miss experiences and unique activities: Peep the changing leaves on Skyline Drive, raft down the Shenandoah River, hike a segment of the Appalachian Trail, or relax on the beach of the quaint (and car-free!) Tangier Island. Wander through world-class museums and marvel at the impressive monuments in Washington DC. Feast on oysters and beer in a historic tavern, hit the trendy eateries in Baltimore, or kick back at a crab shack for a taste of Maryland's famous blue crab* Ways to immerse yourself in history: Step back in time at Revolutionary and Civil War battlefields, experience colonial life in Williamsburg, or tour the homes of former presidents like Jefferson and Washington* Local insight from native Virginian Michaela Riva Gaaserud on when to go, where to stay, and how to get around* Full-colour, vibrant photos and detailed maps throughout* Thorough background on the landscape, wildlife, climate, and local culture, plus advice for families, seniors, and international visitorsWith Moon Virginia and Maryland's practical tips and local know-how, you can experience the best of these two remarkable states.Hitting the road? Try Moon Drive & Hike Appalachian Trail. Staying in the city? Check out Moon Washington DC.

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‘Adrian Bethune is an inspiration and this book should be required reading for everyone involved in teaching young children.’ - Dr Mark Williamson, Director of Action for Happiness, @actionhappiness This award-winning guide for teaching wellbeing and positive mental health in primary schools is packed with practical ideas for every classroom. This timely updated edition recognises the need for more guidance in schools following pupils’ rising levels of stress, anxiety and depression due to the pandemic. Evidence has shown that happy people (those who experience more positive emotions) perform better in school, enjoy healthier relationships, are generally more successful and even live longer! Many schools and teachers are looking for accessible ways to address these mental health problems in young people, and this revised edition is the essential tool needed to support healthy emotional development in the primary classroom. The book includes new chapters on: - the importance of nature for health, behaviour and concentration, - digital wellbeing and helping children to navigate life online in a healthy way, - and includes updated statistics and research on mental health and wellbeing of children and teachers. In this must-read book, experienced teacher and advisor on children's wellbeing, Adrian Bethune, takes the latest evidence and research from the science of happiness and positive psychology and brings them to life. Wellbeing in the Primary Classroom is packed full of tried-and-tested activities and techniques, including mindfulness, positive reflection, physical activity and acts of kindness.

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Let the pros help you plan and prep meals for your family - 100 home-cooking recipes used by chefs to feed those they love! Looking for meals that will appeal to everyone around the table? This book - the first of its kind - is the perfect solution, with 100 recipes - breakfast, lunch, snacks, dinner, treats - from the repertoires of world-famous chefs who cook for their children at home. Charming first-person stories offer a glimpse into their private lives as they strive to raise adventurous (and healthy) eaters. With "real life" photography from the chefs' own kitchens, much of which has been taken by the chefs themselves, and charming specially-commissioned illustrations from Stein, the chefs explain why each dish is much-loved, highlight how ingredients can expand palates, reveal insider tips, and share their work-life balance challenges. A peek behind the curtain at what the world's most exciting chefs actually make at home - perfect for home cooks at all skill and experience levels. Contributors include: Palisa Anderson, Karena Armstrong, Elena Arzak, Reem Assil, Alex Atala, Danny Bowien, Sean Brock, Manoella Buffara, Andreas Caminada, James Knappett & Sandia Chang, Jeremy Charles, Filip Claeys & Sandra Claeys, Johnny Clark & Beverly Kim, Margarita Forés, Suzanne Goin & David Lentz, Will Goldfarb, Adeline Grattard, Jocelyn Guest & Erika Nakamura, Rodolfo Guzmán, Fergus Henderson & Margot Henderson, Dylan Jones & Duangporn Songvisava, Edouardo Jordan, Najat Kaanache, Asma Khan, Angelos Lantos, Summer Le, Pía León & Virgilio Martínez, Margarita Manzke & Walter Manzke, Gísli Matt, JP McMahon, Marie-Aude Mery & Daniel Rose, Bonnie Morales, Nompumelelo Mqwebu, Vladimir Mukhin, Yoshihiro Narisawa, Anne-Sophie Pic, Elisabeth Prueitt, Heinz Reitbauer, Elena Reygadas, Jonathan Rhodes, Reuben Riffel, Nick Roberts & Brooke Williamson, Ana Roš, Ilona Scholl & Max Strohe, Didem Senol, Ben Shewry, Pierre Thiam, Kwang Uh & Mina Park, Mickael Viljanen, Lee Anne Wong, Claudette Zepeda-Wilkins, Jock Zonfrillo.

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**Winner of the American Book Award (2023)**?**Longlisted for the PEN/Jacqueline Bograd Weld Award (2023)**The long-awaited first full biography of legendary jazz saxophonist and composer Sonny Rollins Sonny Rollins has long been considered an enigma. Known as the "Saxophone Colossus," he is widely acknowledged as one of the greatest jazz improvisers of all time, winning Grammys, the Austrian Cross of Honor, Sweden's Polar Music Prize and a National Medal of Arts. A bridge from bebop to the avant-garde, he is a lasting link to the golden age of jazz, pictured in the iconic "Great Day in Harlem" portrait. His seven-decade career has been well documented, but the backstage life of the man once called "the only jazz recluse" has gone largely untold-until now. Based on more than 200 interviews with Rollins himself, family members, friends, and collaborators, as well as Rollins' extensive personal archive, Saxophone Colossus is the comprehensive portrait of this legendary saxophonist and composer, civil rights activist and environmentalist. A child of the Harlem Renaissance, Rollins' precocious talent landed him on the bandstand and in the recording studio with Bud Powell, Thelonious Monk, Charlie Parker, Miles Davis and Dizzy Gillespie, or playing opposite Billie Holiday. An icon in his own right, he recorded Tenor Madness, featuring John Coltrane; Way Out West; Freedom Suite, the first civil rights-themed album of the hard bop era; A Night at the Village Vanguard; and the 1956 classic Saxophone Colossus. Yet his meteoric rise to fame was not without its challenges. He served two sentences on Rikers Island and won his battle with heroin addiction. In 1959, Rollins took a two-year sabbatical from recording and performing, practicing up to 16 hours a day on the Williamsburg Bridge. In 1968, he left again to study at an ashram in India. He returned to performing from 1971 until his retirement in 2012.? The story of Sonny Rollins-innovative, unpredictable, larger than life-is the story of jazz itself, and Sonny's own narrative is as timeless and timely as the art form he represents. Part jazz oral history told in the musicians' own words, part chronicle of one man's quest for social justice and spiritual enlightenment, this is the definitive biography of one of the most enduring and influential artists in jazz and American history.

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Puerto Rican, Russian-Jewish, and Italian cultures collide in homage both to the art and form of the novel, as well as to the passions and histories that fuel our American lives. Pulaski's prose boxes through the surreal and banal. The novel weaves the maelstrom of immigrant life in post WWII New York, and the terrifying solitude of Alzheimer's cloaked beneath Vermont winters, into a fable where the sacred and the profane are inextricably wed. Courting Laura Providencia is a literary devotional. Laura said she was sure he was the father, packed up her things, and moved out of the apartment. She had been cheerful as she collected her belongings. She said Isaac was the sweetest boy she had ever known, and "a rare thing, muy singular, a Jewish drunk." Isaac wanted to say that was not exactly right, but he was drunk at the time and so he sang to her. Laura snapped the suitcase shut, settled herself in a chair, smiled, and let him sing. For a moment Isaac was stunned. It happened often looking straight into the face of Laura Providencia could cause amnesia, sleepwalking, and archaic longings which might require several lifetimes to understand. He had seen it happen to others. Jack Pulaski was born and grew up in the Williamsburg section of Brooklyn, New York. His stories have appeared in The Iowa Review, Ohio Review, Ploughshares, MSS., and The New England Review, as well as in two anthologies: The Pushcart Prize I and The Ploughshares Reader. He is the recipient of a fiction award from the Coordinating Council of Literary Magazines, and his stories have twice been singled out for high praise in the Nelson Algren Short Fiction Contest. Pulaski currently lives in Vermont.

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REVISED 2018 Streetwise Brooklyn Map is a laminated city center map of Brooklyn, New York. The accordion-fold pocket size travel map has integrated subway station locations. A complete index of streets, points of interest, education, culture, transportation and parks is clearly listed. Coverage includes: Main Brooklyn Map 1:38,000 Downtown Brooklyn Map 1:12,500 Dimensions: 4" x 8.5" folded, 8.5" x 32" unfolded One of the five boroughs of New York, and one of the largest cities in America, Brooklyn used to be a hot destination for young multicultural hipsters looking to hit on new restaurants, galleries and housing. It still is for the most part, but sections of Brooklyn rival Manhattan in terms of skyrocketed real estate value and sophisticated desirability. You can experience the entire borough plus lower Manhattan with the STREETWISE® map of Brooklyn. The main map with detailed up to date subway overlay will help you navigate your way through all Brooklyn neighborhoods like Park Slope, Prospect Park, Brooklyn Heights, Williamsburg, Coney Island, Dumbo (Down Under the Manhattan Bridge Overpass), and even into parts of Queens. If you have business or shopping in downtown, find your way with the detailed indexed inset map of Downtown Brooklyn highlighting many sites. A complete index of streets, points of interest, education, culture, transportation and parks is clearly listed on the STREETWISE® Brooklyn Map. Our pocket size map of Brooklyn is laminated for durability and accordion folding for effortless use. Our pocket size map of Brooklyn is laminated for durability and accordion folding for effortless use. To enhance your visit to Brooklyn, check out the Michelin Green Guide New York City which details sites and attractions using a star-rating system so you can prioritize your trip based on your time or interest. Or the new Michelin Map & Guide New York City, organized by neighborhood and highlights star-rated attractions in addition to where to eat, take a break, go shopping and enjoy nightlife in the area. For a selection of the best restaurants and hotels, buy the red MICHELIN Guide New York City.

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A trend and shopping expert and fourth-generation New Yorker's chic, full-color guide to the best boutiques, shopping routes, restaurants, cafes, and bars in New York City's "It" borough, highlighting more than 200 favorite destinations and shops for both style-oriented travelers and New Yorkers alike. The fourth most popular travel destination in the world, New York City draws millions of visitors annually, including more than fifty-four million people in 2014 alone. At the center of this white-hot destination is none other than the borough of Brooklyn-the mecca of twenty-first century cool and style. Now, native New Yorker Rachel Felder, a widely published journalist specializing in fashion, beauty, travel, and trends, has created a portable, beautifully designed, personally curated anthology that brings this fashionable borough into focus as never before, featuring not-to-be-missed highlights and covering everything-from food to furniture to fashion-it has to offer. Rachel takes you into some of the borough's most diverse and charming neighborhoods, including Brooklyn Heights, Park Slope, Williamsburg, Fort Greene, Boerum Hill, Carroll Gardens, Prospect Heights, and DUMBO. She begins with valuable travel advice, including a precisely selected list of hotels, cafes, bars, bakeries, festivals, salons, and markets. She provides a sample itinerary for trip planning, as well as a comprehensive list of Brooklyn's main attractions-including its major landmarks, parks and gardens, museums and zoos, noteworthy restaurants, bars and breweries, and artisanal food shops. She then takes you into individual neighborhoods, exploring each thoroughly by shop type and goods, providing the complete address, phone number, and website for each. Insider Brooklyn is filled with must-have advice on trendsetting furniture and decor; antiques and vintage; clothing for men, women, and children; jewelry, both affordable and high-end; beauty-makeup, perfume, and salons; health and wellness, including juices, gear, and fitness specialists; children's goods; stylish kitchen essentials and decorating for the table; unique art and objects; rare oddities and curiosities; and favorite bookstores, specialty grocers, and niche shops. The stores have been chosen with an expert's eye, including new discoveries, popular mainstays, and neighborhood gems worth visiting. Bursting with invaluable insights, helpful tips, and must-see destinations, Insider Brooklyn is an indispensable resource and a visual feast for tourists and business visitors headed to the city, locals-both Brooklynites and other New Yorkers-and armchair travelers who simply want to dream about and shop it from home.

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A "deeply empathetic" (Publishers Weekly, starred review) "must-read" (Marion Nestle) that "weaves lyrical storytelling and fascinating research into a compelling narrative" (San Francisco Chronicle) to look at dietary differences along class lines and nutritional disparities in America, illuminating exactly how inequality starts on the dinner plate.Inequality in America manifests in many ways, but perhaps nowhere more than in how we eat. From her years of field research, sociologist and ethnographer Priya Fielding-Singh brings us into the kitchens of dozens of families from varied educational, economic, and ethnoracial backgrounds to explore how-and why-we eat the way we do. We get to know four families intimately: the Bakers, a Black family living below the federal poverty line; the Williamses, a working-class white family just above it; the Ortegas, a middle-class Latinx family; and the Cains, an affluent white family.Whether it's worrying about how far pantry provisions can stretch or whether there's enough time to get dinner on the table before soccer practice, all families have unique experiences that reveal their particular dietary constraints and challenges. By diving into the nuances of these families' lives, Fielding-Singh lays bare the limits of efforts narrowly focused on improving families' food access. Instead, she reveals how being rich or poor in America impacts something even more fundamental than the food families can afford: these experiences impact the very meaning of food itself.Packed with lyrical storytelling and groundbreaking research, as well as Fielding-Singh's personal experiences with food as a biracial, South Asian American woman, How the Other Half Eats illuminates exactly how inequality starts on the dinner plate. Once you've taken a seat at tables across America, you'll never think about class, food, and public health the same way again.

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Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social and political categories: not theatre, not dance, not visual art... and often wilfully anti-mainstream and anti-establishment. But as it has become an increasingly prevalent category in international festivals, major art galleries, diverse publications and higher education streams, it is time for a reassessment. This collection of essays, conversations, provocations and archival images takes the twentieth anniversary of the founding of one of the sector’s most committed champions, the Live Art Development Agency (LADA) in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Rather than defining the practices in oppositional terms – what they might be seeking to critique, reject or disrupt – this collection reframes these practices in terms of the relations and commitments they might be used to model or advocate. What kinds of care and recovery do they enable? What do they connect as well as reject? What do they make possible as they test the impossible? What ideas of success do they stand for as they risk failure? In this way, the central theme of the collection, and to which all contributors were invited to respond, is the idea of agency: the capacity for new kinds of thoughts, actions and energies as enacted by individual artists and groups. It seems appropriate that this question would be considered in relation to the history of one particular ‘agency’: LADA itself. These questions are explored in a unique conversational format, bringing together a diverse range of emerging and established practitioners, curators and leading figures in the field, each paired with another practitioner for a live conversation that has been sensitively edited for the page. Curated within a structure of five overlapping themes – Bodies, Spaces, Institutions, Communities and Actions – this format produces unexpected insights and accounts of the development of the field. Each theme also contains two provocative essays by leading scholars, thinkers and makers, exploring the conceptual frames in more detail. The result is a collection that is as heterogeneous, ambitious, contradictory and inspiring as the field of Live Art itself. Contributors: Aaron Williamson, Adrian Heathfield, Alan Read, Alastair MacLennan, Alexandrina Hemsley, Amelia Jones, Andrew Mottershead, Andy Field, Anne Bean, Barby Asante, Bryan Biggs, Cassils, Catherine Wood, David A. Bailey, Dominic Johnson, Gary Anderson, George Chakravarthi, Guillermo Gómez-Peña, Hayley Newman, Heike Roms, Helen Paris, James Leadbitter, Jamila Johnson-Small, Jane Trowell, Jen Harvie, Johanna Tuukkanen, John Jordan, John McGrath, Jordan McKenzie, Joshua Sofaer, Katherine Araniello, Kira O'Reilly, Lena Šimić, Leslie Hill, Lois Keidan, Lois Weaver, Manuel Vason, Martin O'Brien, Mary Paterson, Rajni Shah, Rebecca French, Richard Dedomenici, Ron Athey, RoseLee Goldberg, Selina Thompson, Simon Casson and Tim Etchells. Co-published with Live Art Development Agency. Winner of the 2021 TaPRA Edited Collection Prize

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The tortuous canyon country of southeastern Utah conceals thousands of archaeological sites, ancient homes of the ancestors of today's Southwest Indian peoples. Late in the nineteenth century, adventurous cowboy-archaeologists made the first forays into the canyons in search of the material remains of these prehistoric cultures. Rancher Richard Wetherill (best known as the "discoverer" of Mesa Verde's Cliff Palace) and his brothers; entrepreneurs Charles McLoyd and Charles Cary Graham; and numerous other adventurers, scholars, preachers, and businessmen mounted expeditions into the area now known as Grand Gulch. With varying degrees of scientific rigor, they mapped and dug the canyon's rich archaeological sites, removing large numbers of artifacts and burial goods to exhibit or sell back home-whether "home" was Durango, Chicago, New York, or Helsinki. During a trip in the winter of 1893-94, Richard Wetherill unearthed convincing proof that a previously unrecognized group of people had lived in Grand Gulch before the so-called Anasazi, or Cliff Dwellers. Wetherill named these people the "Basket Makers" and inaugurated a new era of understanding of the region's prehistoric past. Almost one hundred years later, the modern-day adventure that became known as the Wetherill-Grand Gulch Research Project began. Intrigued by the poorly documented history of the Gulch, a group of avocational archaeologists launched a grassroots effort to recover that history and locate the many artifacts that had been extracted from southeastern Utah's arid soil. The Gulch, they found, contained its own invaluable clues in the form of dated signatures left on canyon walls by the Wetherills and others as they made their way from site to site. An effort to track the original explorers in the Gulch ultimately led the team to Chicago's Field Museum and the American Museum of Natural History in New York.In this book, Fred M. Blackburn and Ray A. Williamson tell the two intertwined stories of the early archaeological expeditions into Grand Gulch and the Wetherill-Grand Gulch Research Project. In the process, they describe what we now know about Basketmaker culture and present a stirring plea for the preservation of our nation's priceless archaeological heritage. Lavishly illustrated with color and black-and-white photographs.

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David King Gleason provides a grand tour of Virginia's distinctive plantation homes. As the architectural historian Calder Loth states in his prefatory note, ""Gleason's elegant photographs provide a seductive image of life in 'Old Virginia.' He presents one inviting house after another, complete with handsome interiors, and spacious grounds dotted with boxwoods and venerable trees.""Unlike those in the Deep South, most of Virginia's plantation homes were built before the antebellum period and mainly reflect colonial, English Georgian, and Jeffersonian styles of architecture. Gleason has photographed the homes in all seasons, framing some in the pink blossoms of springtime dogwoods, showing others surrounded by the golden hues of autumn, and presenting still others blanketed in January snows. Many of the photographs provide aerial perspectives that encompass not only the homes themselves but outbuildings and dependencies, great lawns and terraced gardens.The book begins with homes in the Tidewater region, where Bacon's Castle, built in 1665 on the south bank of the James River, still stands. It is the oldest surviving house not only in Virginia but in all of English-settled North America. Other houses from the Tidewater region include Westover, considered one of the most beautiful Georgian residences in the United States; Brandon, at one time the home of Benjamin Harrison; Appomattox Manor, where Ulysses S. Grant headquartered for a period during the Civil War; and Carter's Grove, near Williamsburg. In northern Virginia and the Shenandoah valley are Gunston Hall, near Alexandria; Woodlawn, in Fairfax County; Washington's Mount Vernon; and Melrose, a castellated manor inspired by the romantic literature of Sir Walter Scott. In the Piedmont, Gleason photographed such houses as Ash Lawn, the home of James Monroe; Edgemont, an exquisitely proportioned house showing Thomas Jefferson's influence; and Estouteville, whose great center hall opens onto identical Tuscan porticos framing magnificent views of the Virginia countryside. Gleason's photographs of a mist-shrouded Monticello are among the most beautiful in the book. In all, Gleason has photographed more than eighty of Virginia's finest plantation homes. Extensive captions provide concise histories of each house, including its original builder and subsequent owners, and its occupants, either friendly or hostile, during the Revolutionary or Civil wars.

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A fearless deep dive into the 2020 election from former MSNBC “Road Warrior” and now NBC Capitol Hill correspondent Ali Vitali, who covered the campaign trail every step of the way—investigating the gendered double standards placed on women presidential candidates of that cycle and those who came before, and what it will take for a woman to finally break the glass ceiling and win the White House.Opening with the moment when Joe Biden and Kamala Harris were finally declared the winners of the 2020 race—the long, drawn-out journey towards who would next inhabit the White House, and the resulting and disputed defeat of Donald Trump, Electable is a sweeping look at a lingering question from that Presidential race. Why, when we saw more women run for President of the United States than ever before in our history, did we still not cross that final hurdle? Following the 2020 race minute by minute as the reporter embedded with Elizabeth Warren, Ali Vitali witnessed up-close the way that our most recent election was unique—not simply for the way in which the incumbent conducted himself, but for the ways in which the field, rich with Democrats from all kinds of backgrounds, was both modern but also more of the same. With more female candidates than ever before, this was a history-making race, and yet these women—most of them incredibly qualified with decades of public service on their resumes—dealt once again with a different level of scrutiny than their male counterparts. Woven throughout is close examination of the treatment of Hillary Clinton, Geraldine Ferraro, Shirley Chisholm, and those on the right as well. Grappling with ideas around the “likeability” and “electability” issues, as well as fundraising hurdles many female candidates face, Vitali asks the same questions she and so many have been grappling with for decades, but especially since Hillary Clinton’s devastating defeat in 2016: Why is it so hard for a woman to be taken seriously as a presidential contender? What will it take for men and women to be held to the same standard? What happens next?Electable tackles these questions, with specific, behind-the-scenes, play-by-play detail.Gabbard, Harris, Williamson, Gillibrand, Warren, Klobuchar…and then there were none.

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The 195 mile trail covers a large part of this beautiful, populous and rich county, incidentally one of the smallest counties in England, only 634 square miles. It is a county of rich contrasts. In the north-east there are wide open panoramas over low hills and farm lands as seen in the area around Barkway. Standing on Therfield Heath you can look down on to the flat plains of Cambridgeshire. Then in the south west there are the steep wooded escarpments of the Chilterns. The route visits ancient market towns, the Cathedral City of St Albans and countless picture postcard villages nestling in an intimate landscape of farmland and woods. In 1801 Hertfordshire had a population of about 100,000; now it is well over one million. It has never been a heavily industrialised area but it has seen its own industrial changes from malting and brewing, plaiting of straw for hats, paper making, industries associated with wool such as fulling (cleaning the woven cloth) and silk mills. Today technical industries and service industries dominate the industrial scene. A good introduction to the county, and how it developed from pre-history can be found in "The Hertfordshire Landscape" by Munby (1977) and "Hertfordshire, a Landscape History" by Rowe and Williamson (2013). People have settled the area since prehistoric times. Along the very ancient Icknield Way there is evidence of many waves of people. On Therfield Heath (see Leg 1) there is a long barrow of the Neolithic Age (2500 BC) and round barrows of the Bronze Age (1000 BC). There is evidence of the Beaker People in Hertfordshire. The hill forts of the Iron Age settlers gave way at the height of their power to the might of the Roman invasion. Many Roman roads go through Hertfordshire, e.g. Ermine Street and Watling Street, and our walk crosses the remains of the Roman town of Verulamium (St Albans). In the Dark Ages Hertfordshire was part of the shifting boundary between the English settlers (Angles & Saxons) and the later invaders, the Vikings. It was a long and turbulent time before the country became united. A good novel, which covers this period, is the "Conscience of the King" by Alfred Duggan. In the Medieval period the great abbeys were founded and one can still be seen in St Albans (see Legs 4 & 5). Many fine Medieval churches can be seen on this walk and short detours will be worth your while to seek out some of these (unfortunately due to the presence of valuable historic items most country churches are now locked on weekdays). During the 16th to 18th centuries many country estates were established in Hertfordshire e.g. Hatfield House, Knebworth House and Ashridge House. Some of the houses have not survived but our walk will take you through parkland, which reminds the walker of those estates. Walkers passing through Ayot St Lawrence will be going through such parkland and Ashridge still has its great house. It was first a monastery, then a great house, now a management college. The growth of London and the coming of industry saw some rapid development in the county in the 19th and 20th centuries. An example of this development was the Ovaltine factory at Kings Langley with the model farm to feed its need for eggs and milk. The factory and farms are all now sadly gone (see Legs 7 & 8). No major rivers flow through the county, however it is still famous for the large number of chalk streams and their associated wildlife (the River Lee or Lea, a tributary of the Thames has its source just north of Luton, flows though the county and is navigable up to Hertford). The Grand Union Canal passes through our county on its way north west (see Leg 7). The railways opened up Hertfordshire for industry and settlement and such towns as Hemel Hempstead and Watford grew from several hundred people to 80,000 plus. Many of the great road routes, which fan out from London (such as the A1, A5, A6, A10 and M1) pass through our county. Finally we saw the first garden cities (Letchworth and Welwyn Garden City) and the new town of Stevenage. The great orbital road, the M25, cuts its way through the county (see Legs 7 to 9) not forgetting the electricity pylons, supplying our thirst for power. Many famous people are associated with Hertfordshire. Samuel Pepys was a regular visitor who once when staying in Baldock noticed that the landlady was very pretty but "I durst not take notice of her, her husband being there". Queen Elizabeth I, then a princess, was a virtual prisoner at Hatfield House when the Roman Catholic Queen Mary was on the throne. King James I had a palace at Royston (the start of our walk) from where he hunted on the lands of north Hertfordshire. The so called Rye House Plot to kill King Charles II was hatched on its borders. Izaac Walton of "Compleat Angler" fame knew the River Lea well. The earliest Christian martyr, St Alban, was executed in Roman times at the site of the city bearing his name. Francis Bacon lived at Gorhambury (an estate near St Albans through which our walk passes). He is buried in the church of St Michael nearby. George Bernard Shaw made his home in Ayot St Lawrence; his home is now a National Trust property and is close to our route. George Orwell, Barbara Cartland, Charles Lamb and W. E. Johns lived in the county. In spite of the development, most of your walking will be on rural pathways through fields, villages and woods where you can enjoy the peace and forget the might and noise of industry that remind you of the century we live in -- Good walking

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