Search results for ""indiana university press""

The State of Sovereignty examines how it came to pass that the nation-state became the prevailing form of governance in the world today. Spanning the 19th and 20th centuries and addressing colonization and decolonization around the globe, these essays argue that sovereignty is a set of historically contingent practices, and not something that accrues naturally to states. The contributors explore the different ways in which sovereign political forms have been defined and have defined themselves, placing recent debates about nations and national identity within a broader history of sovereignty, territory, and legality.

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If social, political, and material transformation is to have a lasting impact on individuals and society, it must be integrated within ordinary experience. Refiguring the Ordinary examines the ways in which individuals' bodies, habits, environments, and abilities function as horizons that underpin their understandings of the ordinary. These features of experience, according to Gail Weiss, are never neutral, but are always affected by gender, race, social class, ethnicity, nationality, and perceptions of bodily normality. While no two people will experience the ordinary in exactly the same way, the multiplicities, possibilities, overlaps, and limitations of day-to-day horizons are always intersubjectively constituted. Weiss turns her attention to changing the conditions and experiences of oppression from ordinary to extraordinary. This book is an impressive phenomenological, feminist reading of the complexities of human experience.

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The concept of preventive diplomacy has captivated the United Nations since it was first articulated by Secretary-General Dag Hammarskjöld a half-century ago. Successive generations of diplomats and statesmen have invested in the idea that diplomatic efforts might be able to head off international conflicts and disasters. Dramatic successes, such as the Cuban Missile Crisis of 1962, contrast with dramatic failures, such as the inability of UN efforts to halt the invasion of Iraq in 2003. In this careful study, distinguished former UN civil servant Bertrand G. Ramcharan traces the history of the practice of preventive diplomacy by UN Secretaries-General, the Security Council, and other UN organizations, and assesses the record of preventive diplomacy and examines its prospects in an age of genocide and terrorism.

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No one will deny that we live in a world where evil exists. But how are we to come to grips with human atrocity and its diabolical intensity? Martin Beck Matuštík considers evil to be even more radically evil than previously thought and to have become all too familiar in everyday life. While we can name various moral wrongs and specific cruelties, Matuštík maintains that radical evil understood as a religious phenomenon requires a religious response where the language of hope, forgiveness, redemption, and love can take us beyond unspeakable harm and irreparable violence. Drawing upon the work of Kant, Schelling, Kierkegaard, Levinas, Derrida, and Marion, this work is written as a series of meditations. Matuštík presents a bold new way of dealing with one of humanity's most intractable problems.

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In the name of benevolence, philanthropy, and humanitarian aid, individuals, groups, and nations have sought to assist others and to redress forms of suffering and deprivation. Yet the inherent imbalances of power between the giver and the recipient of this benevolence have called into question the motives and rationale for such assistance. This volume examines the evolution of the ideas and practices of benevolence, chiefly in the context of British imperialism, from the late 18th century to the present. The authors consider more than a dozen examples of practical and theoretical benevolence from the anti-slavery movement of the late 18th century to such modern activities as refugee asylum in Europe, opposition to female genital mutilation in Africa, fundraising for charities, and restoring the wetlands in southern, post-Saddam Iraq.

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Aaron W. Hughes presents the first major study of dialogue as a Jewish philosophical practice. Examining connections between Jewish philosophy, the literary form in which it is expressed, and the culture in which it is produced, Hughes shows how Jews understood and struggled with their social, religious, and intellectual environments. In this innovative and insightful book, Hughes addresses various themes associated with the literary form of dialogue as well as its philosophical reception: Why did various thinkers choose dialogue? What did it allow them to accomplish? How do the literary features of dialogue construct philosophical argument? As a history of philosophical form, context, and practice, this book will interest scholars and students working at the intersections of religious studies, philosophy, and literature.

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Museums, modern concepts of culture, and ideas about difference arose together and are inextricably entwined. Relationships of difference—notably, of gender, ethnicity, nationality, and race—have become equally important concerns of scholarship in humanities and contemporary museum practice. Museums and Difference offers the perspectives of scholars and museum professionals in tandem, using the concept of difference to reexamine how museums construct themselves, their collections, and their publics. Essays explore a wide range of examples from around the world and from the 19th century to the present, including case studies of special exhibitions as well as broad surveys of institutions in Europe, the United States, and Japan.

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Offers a surprising and sobering view of war and violence in the developing world

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While European commerce in race was substantial, the colonial trade in ideas of race was highly profitable as well. Looking at official propaganda and commercial representations in France during the Third Republic, this book explores the way the French increased the value of their racial identity at home at the expense of their colonized brothers and sisters. The French did not create the identity-effacing stereotypes of Africans, Arabs, and Indochinese. Instead they refined or remolded these images, and as they did so they redefined and remolded their images of themselves. Focusing on world’s fairs, colonial expositions, and mundane manufacturers’ trademarks, Races on Display shows not only the prevalence of racial stereotypes, but also how complex these representations prove to be.

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Ethnic violence is a widespread concern, but we know very little about the micro-mechanics of coexistence in the neighborhoods around the world where inter-group peace is maintained amidst civic strife. In this ethnographic study of a multi-ethnic, middle-class high-rise apartment building in Karachi, Pakistan, Laura A. Ring argues that peace is the product of a relentless daily labor, much of it carried out in the zenana, or women's space. Everyday rhythms of life in the building are shaped by gender, ethnic and rural/urban tensions, national culture, and competing interpretations of Islam. Women's exchanges between households—visiting, borrowing, helping—and management of male anger are forms of creative labor that regulate and make sense of ethnic differences. Linking psychological senses of "tension" with anthropological views of the social significance of exchange, Ring argues that social-cultural tension is not so much resolved as borne and sustained by women's practices. Framed by a vivid and highly personal narrative of the author's interactions with her neighbors, her Pakistani in-laws, and other residents of the city, Zenana provides a rare glimpse into contemporary urban life in a Muslim society.

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The most distinguished Chinese journalist of the past fifty years, Liu Binyan has earned the sobriquet "China’s conscience." Between 1956 and 1987, there were nine years during which the Communist Party of China allowed Liu to write the truth as he saw it. Expelled from the Party in 1957, later re-admitted and expelled again, he has lived in exile since 1988. He has continued indefatigably to read, think, and write about his beloved China: the saga of its modern history, the moral wasteland of its present condition, and its place in the global order. In Two Kinds of Truth Liu reflects on these issues and turns his incisive intellect to such topics as the unseen consequences of the Cold War, the roots of global terrorism, and whether "socialism with a human face" is possible. This volume reprints the 1983 collection People or Monsters? and offers four new essays and a lengthy interview with Perry Link.

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"An exciting and wide-ranging exploration of the myths and narratives that lie behind the unresolved Arab-Israeli and Israeli-Palestinian conflicts.... Anyone dedicated to the fullest possible understanding of the Israeli-Palestinian conflict will want to read this volume cover to cover." —Neil Caplan, Vanier College, MontrealWhy does Hamas refuse to recognize the legitimacy of the state of Israel? Why do Israeli settlers in the West Bank insist that Israel has a legitimate right to that territory? What makes the Israeli-Palestinian conflict so intractable? Reflecting both Israeli and Palestinian points of view, this provocative volume addresses the two powerful, bitterly contested, competing historical narratives that underpin the Israeli-Palestinian conflict. Compelling contributions by Israeli and Palestinian authors show how the intertwined reckonings of the historical past—history’s double helix—provide powerful ammunition for current battles. Just when a resolution of the conflict might seem to be on the horizon, the gulf of history resurges to separate the contenders. Palestinians and Israelis remain locked in struggle, tightly entangled and enveloped by a historical cocoon of growing complexity, fundamental disagreement, and overriding miscalculation.This book creates a dialogue among Palestinian and Israeli authors, who examine opposing versions of the historical narratives in the context of contemporary Israeli-Palestinian relations. In hard-hitting essays the contributors debate the two justifying and rationalizing constructions, laying bare the conflict’s roots and the distorted prisms that fuel it. Israeli and Palestinian Narratives of Conflict is an invaluable resource for anyone seeking to make sense of today’s headlines.Contributors are Sami Adwan, Dan Bar-On, Mordechai Bar-On, Daniel Bar-Tal, Nathan J. Brown, Saleh Abdel Jawad, Eyal Naveh, Ilan Pappe, Dina Porat, Robert I. Rotberg, Nadim N. Rouhana, Gavriel Salomon, and Mark Tessler.

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How did the individual human being become the focus of the contemporary discourse on security? What was the role of the United Nations in "securing" the individual? What are the payoffs and costs of this extension of the concept? Neil MacFarlane and Yuen Foong Khong tackle these questions by analyzing historical and contemporary debates about what is to be secured. From Westphalia through the 19th century, the state's claim to be the object of security was sustainable because it offered its subjects some measure of protection. The state's ability to provide security for its citizens came under heavy strain in the 20th century as a result of technological, strategic, and ideological innovations. By the end of World War II, efforts to reclaim the security rights of individuals gathered pace, as seen in the Universal Declaration of Human Rights and a host of United Nations covenants and conventions. MacFarlane and Khong highlight the UN's work in promoting human security ideas since the 1940s, giving special emphasis to its role in extending the notion of security to include development, economic, environmental, and other issues in the 1990s.

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Since her death in 1986 and the publication of her letters and diaries in 1990, interest in the philosophy of Simone de Beauvoir has never been greater. In this engaging and timely volume, Margaret A. Simons and an international group of philosophers present 16 essays that reveal Beauvoir as one of the century's most important and influential thinkers. As they set Beauvoir's work into dialogue with Husserl, Merleau-Ponty, Heidegger, Foucault, Levinas, and others, these essays consider questions such as Beauvoir's philosophical relationship with Sartre; her ethic of the erotic; her views on marriage, motherhood, and female friendship; and her interpretations of oppression and liberation. This book discusses the full range of Beauvoir's work, including The Second Sex, her unpublished diaries, autobiographical writings, novels, and philosophical essays, and broadens the scope and interpretive context of her unique philosophy.Contributors are Nancy Bauer, Debra Bergoffen, Suzanne Laba Cataldi, Edward Fullbrook, Eva Gothlin, Sara Heinämaa, Laura Hengehold, Stacy Keltner, Michèle Le Doeuff, Ann Murphy, Shannon M. Mussett, Margaret A. Simons, Ursula Tidd, Andrea Veltman, Karen Vintges, Julie Ward, Gail Weiss.

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The Gedanke manuscripts, from which The Musical Idea is compiled, are legendary writings of Arnold Schoenberg. Central to his concern was his concept of the "musical idea," which represents the wholeness of the musical work and embraces Schoenberg's notions of motive, gestalt, phrase, theme, rhythm, harmony, and form. Ultimately, the musical idea is the vision of the composer by which a musical work achieves unity in relation to the means by which the work is comprehended in its unity by the listener.

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"Radically reorienting, challenging, provocative, this book moves progressive philosophy, feminist and queer theory, critical discussions of race and racism forward. Prophetically, it calls for an interrogation of all our oppositional theory and politics, offering new and alternative visions." —bell hooksIn Queering Freedom, Shannon Winnubst examines contemporary categories of difference—sexuality, race, gender, class, and nationality—and how they operate within the politics of domination. Drawing on the work of Georges Bataille, Michel Foucault, and others, Winnubst engages feminist theory, race theory, and queer theory as she sheds light on blind spots that have characterized thinking about freedom. Winnubst turns away from the language of rights, identity politics, and liberation toward bodies and experiences to calibrate normative ideas of time and space. Her views operate at the very limits of freedom, which contain individuals within strict boundaries that they are forbidden to cross. Winnubst develops strategies of "queering freedom" to undo the more subtle spatial and temporal norms and shatter structures of domination. This thoughtful and provocative work challenges the cornerstones of contemporary philosophies about the body and its politics.

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"[A]n outstanding work of historical ethnography. . . . The book offers wonderful insight into how women created and understood the great changes of the 20th century. It is unique in its scope and its intimate knowledge of rural life." —Russian Review"[A] major contribution to the field. . . . an important book that should be of considerable interest to medical historians and historians of peasants, the family, and of women." —American Historical ReviewVillage Mothers describes the reception of modern medical ideas and practices by three generations of Russian and Tatar village women in the 20th century. Using the village mothers' own words, David L. Ransel shows how the women mediated the inherited beliefs of their families and communities, the claims of the state to control reproduction, and their personal desires for a better life.

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Teenage girls seem to have been discovered by American pop culture in the 1930s. From that time until the present day, they have appeared in books and films, comics and television, as the embodied fantasies and nightmares of youth, women, and sexual maturation. Looking at such figures as Nancy Drew, Judy Graves, Corliss Archer, Gidget, Buffy the Vampire Slayer, and Britney Spears, American Sweethearts shows how popular culture has shaped our view of the adolescent girl as an individual who is simultaneously sexualized and infantilized. While young women have received some positive lessons from these cultural icons, the overwhelming message conveyed by the characters and stories they inhabit stresses the dominance of the father and the teenage girl's otherness, subordination, and ineptitude.As sweet as a cherry lollipop and as tangy as a Sweetart, this book is an entertaining yet thoughtful exploration of the image of the American girl.

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"[S]ure to interest a number of different audiences, from language and music scholars to specialists on North Africa. . . . a superb book, clearly written, analytically incisive, about very important issues that have not been described elsewhere." —John Bowen, Washington UniversityIn this nuanced study of the performance of cultural identity, Jane E. Goodman travels from contemporary Kabyle Berber communities in Algeria and France to the colonial archives, identifying the products, performances, and media through which Berber identity has developed. In the 1990s, with a major Islamist insurgency underway in Algeria, Berber cultural associations created performance forms that challenged Islamist premises while critiquing their own village practices. Goodman describes the phenomenon of new Kabyle song, a form of world music that transformed village songs for global audiences. She follows new songs as they move from their producers to the copyright agency to the Parisian stage, highlighting the networks of circulation and exchange through which Berbers have achieved global visibility.

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"In a move still unusual in anthropology, Mines examines relations of power by providing perspectives from a variety of people who are differently, and differentially, empowered. . . . These points are made with an extraordinary richness of ethnographic detail." —Sara Dickey"With the publication of books of this quality the anthropological turn to practice theory announced in 1968 by Sherry Ortner comes to maturity. Intelligent, clear, humane and often gripping, this book will be of interest to readers who care about place and politics in the United States as well as those interested in South Asia." — Anthony Carter, Deparment of Anthropology, University of RochesterThe importance of temple ritual in constituting political dominance in South India has been well documented. In this vivid and compelling study of caste and ritual in rural Tamilnadu, Diane P. Mines focuses not only on the temples of the socially powerful, but even more so on the powerful temples of the socially weak. Drawing on phenomenological and existential anthropology, she argues that the village is a heterogeneous reality made and remade by its residents through their own activity. Exploring the intersection of politics, ritual, caste, and other forms of social inequality, this ethnography presents a new view of the village and argues for its reemergence as a unit of analysis.

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Does Western-style democracy make sense in the various geographic, economic, and social settings of the continent? How far toward democracy have recent liberalization movements gone? In The Fate of Africa's Democratic Experiments, Leonardo A. Villalón, Peter VonDoepp, and an international group of contributors consider the aftermath, success, failure, and future of the wave of democracy that swept Africa in the early 1990s. In some countries, democratic movements flourished, while in others, democratic success was more circumscribed. This detailed analysis of key political events in countries at the forefront of democratic change—Benin, Central African Republic, Congo, Guinea-Bissau, Madagascar, Malawi, Mali, Mozambique, and Zambia—provides for broadly representative continental and linguistic coverage of directions and prospects for Africa's democracies.The contributors are Michael Chege, John F. Clark, Joshua B. Forrest, Abdourahmane Idrissa, Bruce Magnusson, Carrie Manning, Richard R. Marcus, Andreas Mehler, David J. Simon, Leonardo A. Villalón, and Peter VonDoepp.

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The conversion to sound cinema is routinely portrayed as a homogenizing process that significantly reduced the cinema’s diversity of film styles and practices. Cinema’s Conversion to Sound offers an alternative assessment of synchronous sound’s impact on world cinema through a shift in critical focus: in contrast to film studies’ traditional exclusive concern with the film image, the book investigates national differences in sound-image practice in a revised account of the global changeover from silent to sound cinema. Extending beyond recent Hollywood cinema, Charles O’Brien undertakes a geo-historical inquiry into sound technology’s diffusion across national borders. Through an analysis that juxtaposes French and American filmmaking, he reveals the aesthetic consequences of fundamental national differences in how sound technologies were understood. Whereas the emphasis in 1930s Hollywood was on sound’s intelligibility within a film’s story-world, the stress in French filmmaking was on sound’s fidelity as reproduction of the event staged for recording.

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"One of the most interesting, important, and ambitious books about the conduct, and perhaps the ultimate futility, of war." —Gunther E. Rothenberg"[A] highly scholarly and wonderfully absorbing study." —John Bayley, The London Review of Books"What Russell F. Weigley writes, the rest of us read. The Age of Battles is a persuasive reminder that even in the age of 'rational' warfare, one can honestly wonder why war seemed an unavoidable policy choice." —Allan R. Millett, The Journal of American History

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"This book comes from a very fine music educator with exceptional experience, who has common sense and a real understanding of what a beginning teacher should know. The book puts into print issues that are widely discussed at conventions and at conferences, and that are common knowledge for the experienced teacher, but that are not covered in a music education class. It is a plain and simple book, written in a language that is easy for anyone going into the profession to understand. It makes valuable suggestions in just about every aspect of the role of a choral music teacher." —Michael Schwartzkopf, Professor of Music Education, Indiana University School of Music

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"For its intelligence and humanitarian achievements, for its political honesty, for its power and its beauty (there is no other word), this book deserves to be called a masterpiece." —American EthnologistJerome R. Mintz's classic study of the lives of Andalusian campesinos who were swept up by one of the 20th century's pivotal social movements provided a new framework for understanding the tragic events that tilted Spain toward civil war. In a new foreword, James W. Fernandez reflects on the fieldwork that led to the book and its contribution to subsequent developments in the ethnography of Europe and the historiography of modern Spain.

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NEW CATALOG COPY (announcing paperback edition):In The Generation of Plays, Karin Barber recounts the history of the Odin Adéjobi Theater Company and uncovers the pulse points of generation, production, and improvisation that merge when a Yorùbá popular drama is brought to the stage. This rich and detailed book opens a window into the social and cultural worlds of actors and audiences.ORIGINAL CATALOG COPY:"Karin Barber has given us a vivid picture of one of the most vital forms of modern African popular art. It is beautifully written and informed by a deep affection for the subject . . . . a major contribution to the cultural history of Nigeria." —J. D. Y. PeelFrom the 1940s to the 1980s, Yoruba popular theater was one of the most spectacularly successful theaters in Africa. Today, these traveling companies have virtually disappeared, largely as a result of economic hardship and the rise of video entertainment. In The Generation of Plays, Karin Barber recounts the history of the Oyin Adejobi Theatre company. Drawing on archival sources as well as extensive interviews and transcriptions of plays, Barber uncovers the pulse points of generation, production, and improvisation that merge when a Yoruba popular drama is brought to the stage. Barber reveals the personalities of the principal actors, how plays are created—from the germ of an idea through the logistics of rehearsal and staging—how a play is made meaningful to its audience, and how a play changes and develops after several productions or according to the sensibilities of its viewers. The expansion of popular drama into television is also considered. This rich and detailed narrative illuminates notions of gender, language, politics, and self as they are expressed in popular cultural forms. It affords a unique view of the social and cultural perspectives of the actors and audiences involved in what was a flourishing and vital enterprise.

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"[An important] detailing of the development and evolution of a major institution of the African Diaspora [and] of Brazilian and Afro-Brazilian identity." —Sheila S. WalkerThe Afro-Brazilian religion Candomblé has long been recognized as an extraordinary resource of African tradition, values, and identity among its adherents in Bahia, Brazil. Outlawed and persecuted in the late colonial and imperial period, Candomblé nevertheless developed as one of the major religious expressions of the Afro-Atlantic diaspora. Drawing principally on primary sources, such as police archives, Rachel E. Harding describes the development of the religion as an "alternative" space in which subjugated and enslaved blacks could gain a sense of individual and collective identity in opposition to the subaltern status imposed upon them by the dominant society.

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"Seizing the New Day is a good book, carefully researched, logically organized, and clearly written. . . . an excellent model for others who would study change at the local level in this fascinating period of American history. And the volume is handsomely illustrated with well-chosen photographs, drawings, and maps."—H-Net Reviews in the Humanities and Social SciencesFor former slaves in Charleston, South Carolina, life was a constant struggle adjusting to freedom while battling whites' attempts to regain control. Using autobiographies, slave narratives, Freedmen's Bureau letters and papers, and other primary documents, Wilbert L. Jenkins attempts to understand how the freedmen saw themselves in the new order and to shed light on their hopes and aspirations. He emphasizes, not the defeat of these aspirations, but rather the victories the freedmen won against white resistance.

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Marianne McDonald brings together her training as a scholar of classical Greek with her vast experience in theatre and drama to help students of the classics and of theatre learn about the living performance tradition of Greek tragedy. The Living Art of Greek Tragedy is indispensable for anyone interested in performing Greek drama, and McDonald's engaging descriptions offer the necessary background to all those who desire to know more about the ancient world. With a chapter on each of the three major Greek tragedians (Aeschylus, Sophocles, and Euripides), McDonald provides a balance of textual analysis, practical knowledge of the theatre, and an experienced look at the difficulties and accomplishments of theatrical performances. She shows how ancient Greek tragedy, long a part of the standard repertoire of theatre companies throughout the world, remains fresh and alive for contemporary audiences.

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This is an excellent reference volume including essays on all aspects of medieval music performance. With forty essays written by experts in the field on everything from repertoire, voices and instruments to basic theory, all aspects of recreation are treated. This guide has already proven indispensable to performers and scholars of medieval music. Chapters on vocal and choral music; various types of ensembles; profiles of specific instruments; instrumentation; performance practice issues; theory; dance; regional profiles of Renaissance music, and guidelines for directors are all treated. It is a comprehensive and authoritative reference by leading performers in the field for a variety of enthusiasts.

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How did African women negotiate the complex political, economic, and social forces of colonialism in their daily lives? How did they make meaningful lives for themselves in a world that challenged fundamental notions of work, sexuality, marriage, motherhood, and family? By considering the lives of ordinary African women—farmers, queen mothers, midwives, urban dwellers, migrants, and political leaders—in the context of particular colonial conditions at specific places and times, Women in African Colonial Histories challenges the notion of a homogeneous "African women's experience." While recognizing the inherent violence and brutality of the colonial encounter, the essays in this lively volume show that African women were not simply the hapless victims of European political rule. Innovative use of primary sources, including life histories, oral narratives, court cases, newspapers, colonial archives, and physical evidence, attests that African women's experiences defy static representation. Readers at all levels will find this an important contribution to ongoing debates in African women's history and African colonial history.

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Revealing Male Bodies is the first scholarly collection to directly confront male lived experience. There has been an explosion of work in men's studies, masculinity issues, and male sexuality, in addition to a growing literature exploring female embodiment. Missing from the current literature, however, is a sustained analysis of the phenomenology of male-gendered bodies. Revealing Male Bodies addresses this omission by examining how male bodies are physically and experientially constituted by the economic, theoretical, and social practices in which men are immersed. Contributors include Susan Bordo, William Cowling, Terry Goldie, Maurice Hamington, Don Ihde, Greg Johnson, Björn Krondorfer, Alphonso Lingis, Patrick McGann, Paul McIlvenny, Terrance MacMullan, Jim Perkinson, Steven P. Schacht, Richard Schmitt, Nancy Tuana, Craig L. Wilkins, and John Zuern.

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"Phayer offers exactly what was needed. . . . A fair and even-tempered account of a volatile subject." —Kirkus Reviews"An important addition to the literature of the Holocaust." —Publishers Weekly"Very valuable . . . a fine and judicious book." —István Deák, The New York Review of Books"Phayer has written a singularly important book on the role of the Catholic Church in both the Holocaust and its aftermath, up to and including Vatican II. Diligently researched and documented, judicious in its conclusions, comprehensive in its scope, compassionate and humane in its outlook, this book is an indispensable resource." —Richard L. Rubenstein"Phayer's study of [the Catholic Church] as an actor in the tumultuous history of the [20th century] will serve as a model for other historians." —Donald J. Dietrich, Boston CollegePhayer's book, particularly strong on German source material, is at pains to list Pius's strong points his piety, his loathing of Hitler, the instances of personal warmth, the occasions when he criticized Nazism. Phayer examines not only Pius's actions but those of other leading Catholics, and his study extends beyond the end of World War II to follow the evolution of official Catholic thinking during the rebuilding of Germany, the cold war, and the gradual theological reforms that led to Vatican II. This enables Phayer to show how the church completely reversed its position relative to the Jews, but it also gives him a more thorough reading of Pius XII's overall record. It is a damning and convincing verdict that emerges." —Commonweal

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Boyle's Law, which describes the relation between the pressure and volume of a gas, was worked out by Robert Boyle in the mid-1600s. His experiments are still considered examples of good scientific work and continue to be studied along with their historical and intellectual contexts by philosophers, historians, and sociologists. Now there is controversy over whether Boyle's work was based only on experimental evidence or whether it was influenced by the politics and religious controversies of the time, including especially class and gender politics.Elizabeth Potter argues that even good science is sometimes influenced by such issues, and she shows that the work leading to the Gas Law, while certainly based on physical evidence, was also shaped by class and gendered considerations. At issue were two descriptions of nature, each supporting radically different visions of class and gender arrangements. Boyle's Law rested on mechanistic principles, but Potter shows us an alternative law based on hylozooic principles (the belief that all matter is animated), whose adherents challenged social stability and the status quo in 17th-century England.

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Confronting the challenges of the 20th century, from modernity and the Great War to the Holocaust and postmodern culture, Jewish thinkers have wrestled with such fundamental issues as redemption and revelation, eternity and history, messianism and politics. From the turn of the century through the 1920s, European Jewish intellectuals confronted alienation and the challenges of modernity by seeking secure grounds for a meaningful life. After the Holocaust and the fall of Nazism, the rich results of their thinking—on topics such as transcendence, redemption, revelation, and politics—were reinterpreted in an atmosphere of increasing disillusion and fragmentation. In Interim Judaism, Michael L. Morgan traces the evolution of this shift in values, as expressed in the work of social thinkers, novelists, artists, and poets as well as philosophers and theologians at the beginning and end of the century. Focusing on the problem of objectivity, the experience of the transcendent, and the relationship between redemption and politics, he argues that the outcome for contemporary Jews is a pragmatic style of religiosity that has abandoned traditional conceptions of Judaism and is searching and waiting for new ones, a condition that he describes as "interim Judaism."Published with the generous support of Hebrew Union College–Jewish Institute of Religion, Cincinnati

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"... succeeds in conveying the exciting and fascinating character of the concert party genre, as well as showing clearly how this material can be used to rethink a number of contemporary theoretical themes and issues." —Karin BarberUnder colonial rule, the first concert party practitioners brought their comic variety shows to audiences throughout what was then the British Gold Coast colony. As social and political circumstances shifted through the colonial period and early years of Ghanaian independence, concert party actors demonstrated a remarkable responsiveness to changing social roles and volatile political situations as they continued to stage this extremely popular form of entertainment. Drawing on her participation as an actress in concert party performances, oral histories of performers, and archival research, Catherine M. Cole traces the history and development of Ghana’s concert party tradition. She shows how concert parties combined an eclectic array of cultural influences, adapting characters and songs from American movies, popular British ballads, and local story-telling traditions into a spirited blend of comedy and social commentary. Actors in blackface, inspired by Al Jolson, and female impersonators dramatized the aspirations, experiences, and frustrations of their audiences. Cole’s extensive and lively look into Ghana’s concert party provides a unique perspective on the complex experience of British colonial domination, the postcolonial quest for national identity, and the dynamic processes of cultural appropriation and social change. This book will be essential reading for scholars and students of African performance, theatre, and popular culture.

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Now in paperback!Making the Nonprofit Sector in the United StatesA ReaderEdited with Introductions by David C. Hammack"Masterfully mining and sifting a four-century historical record, David Hammack has composed an extraordinarily valuable volume: a 'one-stop-shopping' sourcebook on the secular and religious origins and the astonishing growth (and periodic growing pains) of America's nonprofit sector—and the challenges and dilemmas it confronts today." —John Simon, Yale University"It is a delight to see an anthology on nonprofit history done so well." —Barry Karl, John F. Kennedy School of Government, Harvard University"This is a volume that everyone concerned about nonprofits—scholar, practitioner, and citizen—willfind useful and illuminating." —Peter Dobkin Hall, Program on Non-Profit Organizations Yale Divinity School"A remarkable book." —Robert Putnam, John F. Kennedy School of Government, Harvard University"An outstanding and timely collection of essential readings for students, researchers and practitioners, carefully edited and introduced by one of the leading historical authorities on the nonprofit sector." —Roseanne M. Mirabella, Center for Public Service, Seton Hall UniversityUnique among nations, the United States conducts almost all of its formally organized religious activity, as well as many cultural, arts, human service, educational, and research activities, through private nonprofit organizations. This reader explores their history by presenting some of the classic documents in the development of the nonprofit sector along with important interpretations and critiques by recent scholars. David C. Hammack is Hiram C. Haydon Professor of History and Chair of the Committee on Educational Programs of the Mandel Center for Nonprofit Organizations at Case Western Reserve University.Philanthropic Studies—Dwight F. Burlingame and David C. Hammack, general editors

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The fluid nature of performance studies and the widening embrace of the idea of performativity has produced in Decomposition: Post-Disciplinary Performance a collection of great interest that crosses disciplinary lines of academic work. The essays move from the local to the global, from history to sport, from body parts to stage productions, and from race relations to global politics.

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"This book has been long needed: a concise, complete and dispassionate survey of the Vietnam War. . . . Best of all, the no-nonsense approach answers questions as soon as they arise in the reader's mind." —Kliatt"If there is such a thing as an objective account [of the Vietnam War], this is it. . . . If you want to read one book about Vietnam, read this one." —New York Review of BooksA short, narrative history of the origins, course, and outcome of America's military involvement in Vietnam by an experienced guide to the causes and conduct of war, Larry H. Addington. He begins with a history of Vietnam before and after French occupation, the Cold War origins of American involvement, the domestic impact of American policies on public support, and the reasons for the ultimate failure of U.S. policy.

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John McCumber asserts that the true target of philosophical liberation is to break the structures of domination that have been encoded in western civilization. Because of the emancipatory nature of their thought, Derrida, Foucault, Habermas, and Rorty challenge domination, but they do not see their challenge clearly and it does not rise to the level of conscious critique in their writings. Using Nietzsche's writings on "the great liberation" as a starting point, McCumber captures the valuable, but elusive insights of these thinkers and places them in the larger, pluralistic movement toward philosophical freedom.

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Thirty high-level essays on various aspects of semiotics by Finnish, Estonian, and Hungarian scholars.

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"The volume edited by Mark Tessler addresses a set of critical issues confronting all social scientists whose field of inquiry is extra-American. . . . Tessler and his contributors succeed admirably in their goal." —American Historical ReviewHow should scholars construct knowledge about politics, economics, and international relations in major world regions? According to the contributors to this lively volume, the conflicting approaches of regional specialists and discipline-oriented social scientists must be combined to provide a firm foundation for studying the contemporary politics of the Middle East. Contributors are Lisa Anderson, Anne Banda, Laurie A. Brand, Laura Zittrain Eisenberg, John P. Entelis, Clement M. Henry, Magda Kandil, Baghat Korany, Jodi Nachtwey, Augustus Richard Norton, and Mark Tessler.

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"There can be no doubt that German for Musicians will prove a real asset to every young singer and instrumentalist who needs to become acquainted with the German language, written or spoken." —Dietrich Fischer-DieskauGerman for Musicians is an intensive course for beginners, a refresher for those with some German, and a reader for those who need to practice translating musical texts.

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"This highly informative work digs into the intricate history of Sudanese politics. Lesch brings a welcome clarity to Sudan's tangle of political, ethnic, and religious problems by concentrating on the country's central dilemma: the inability of its leaders to negotiate a common definition of nationhood." —Foreign Affairs" . . . the first correct account of what took place . . . after independence." —Robert O. CollinsThe Sudan is torn by ethnic and religious conflict, centered on the struggle over the definition of the Sudanese nation-state. Is the Sudan primarily Arab or African by culture and ethnicity? Should the political system privilege Islamic legal codes or accord equal citizenship to persons of all faiths? Ann Mosely Lesch provides a comprehensive and even-handed analysis of the unresolved struggle for a stable political system and a unified national identity.

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" . . . a lively and interesting book . . . " —American Historical ReviewThese writers reveal the power relations of gender, class, race, and sexuality at the heart of the imperialisms, colonialisms, and nationalisms that have shaped our modern world. Topics include the (mis)representations of Native women by European colonizers, the violent displacement of women through imperialisms and nationalisms, and the relations between and among feminism, nationalism, imperialism, and colonialism.

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Much work in feminist ethics has been rather abstract. The editors of this work believe that the time has come to assess the potential contribution of feminist ethical theory to the evaluation of specific social policies. If feminist ethics has indeed mobilized important paradigm shifts in normative analysis, then this should enable creative ways of reflection on social policy. Feminist ethics criticizes the gender blindness and biases in much traditional ethical theory, and develops new theories and concepts that are more gender sensitive. Feminist ethics also works to conceptualize issues of right action, social justice, and the human good from out of the specifically gendered experience of diverse groups of women. Feminist ethics has no single set of questions or propositions, but includes a variety of approaches as demonstrated by these essays—some operate within a liberal framework of equality, freedom, justice, and rights, while others are more critical of mainstream liberal versions of these concepts.

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The fifties marks the moment when a heterosexual/homosexual dualism came to dominate U.S. culture's thinking about masculinity. The films of this era record how gender and sexuality did not easily come together in a normative manhood common to American men. Instead these films demonstrate the widely held perception of a crises of masculinity. Masked Men documents how movies of the fifties represented masculinity as a multiple masquerade. Hollywood's star system positioned the male actor as a professional performer and as a body intended to solicit the erotic interest of male and female viewers alike. Drawing on publicity, poster art, fan magazines, and the popular press as a means of following the links between fifties stars, their films, and the social tensions of the period, Cohan juxtaposes Hollywood's narratives of masculinity against the personae of leading men like Cary Grant, Humphrey Bogart, John Wayne, Charlton Heston, Yul Brynner, William Holden, Montgomery Clift, Marlon Brando, and Rock Hudson. Masked Men focuses on the gender and sexual masquerades that organized their performances of masculinity on and off screen.

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"[READING ECO is a timely indication] of the fruitfulness of perceiving Eco as the same in his metamorphoses. [It also testifies] to a certain price that Eco and his readers must/may pay for the enormous pleasure and intellectual stimulus of being Eco and being with Eco." —The ComparatistUmberto Eco is, quite simply, a genius. He is a renowned medievalist, philosopher, novelist, a popular journalist, and linguist. He is as warm and witty as he is learned—and quite probably the best-known academic and novelist in the world today. The goal of this anthology is to examine his ideas of literary semiotics and interpretation as evidenced both in his scholarly work and in his fiction.

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