Search results for ""author louise"

"A profound study of the nebulous Creoles. . . . Domínguez's use of original sources . . . is scholarship at its best. . . . Her study is fascinating, thought-provoking, controversial, and without a doubt, one of the most objective analyses of Creole Louisiana. Her emphasis on social stratification and her excellent integration of ethnic and racial classification of Creoles with legal and social dynamics and individual choice of ethnic identity elucidates strikingly the continuing controversy of who and what is a Louisiana Creole."--Journal of American Ethnic History"Domínguez's most important contribution lies in her conceptualization of the problem of identity. She treats ethnic identity as something that can change over time, warning us against imposing current meanings on the past and requiring us to consider evidence of how terms were actually used in the past. . . . It is hard to imagine a frame of reference more ideally suited to historical analysis."--Louisiana History"A valuable interdisciplinary examination of the processes of racial definition in Louisiana's history. Her study combines the anthropologist's sensitivity to language and self definition within a community with a skillful exploitation of historical sources."--Law and Society"I highly recommend this book to all persons interested in social stratification."--Alvin L. Bertrand, Contemporary Sociology"A vivid and insightful reading of the historical circumstances that have shaped definitions of Creoles within Louisiana law and society."--Journal of Southern History"A profound study of the nebulous Creoles. . . . Domínguez's use of original sources . . . is scholarship at its best. . . . Her study is fascinating, thought-provoking, controversial, and without a doubt, one of the most objective analyses of Creole Louisiana. Her emphasis on social stratification and her excellent integration of ethnic and racial classification of Creoles with legal and social dynamics and individual choice of ethnic identity elucidates strikingly the continuing controversy of who and what is a Louisiana Creole."--Journal of American Ethnic History"Domínguez's most important contribution lies in her conceptualization of the problem of identity. She treats ethnic identity as something that can change over time, warning us against imposing current meanings on the past and requiring us to consider evidence of how terms were actually used in the past. . . . It is hard to imagine a frame of reference more ideally suited to historical analysis."--Louisiana History"A valuable interdisciplinary examination of the processes of racial definition in Louisiana's history. Her study combines the anthropologist's sensitivity to language and self definition within a community with a skillful exploitation of historical sources."--Law and Society"I highly recommend this book to all persons interested in social stratification."--Alvin L. Bertrand, Contemporary Sociology"A vivid and insightful reading of the historical circumstances that have shaped definitions of Creoles within Louisiana law and society."--Journal of Southern History

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The contributors to Negotiated Moments explore how subjectivity is formed and expressed through musical improvisation, tracing the ways the transmission and reception of sound occur within and between bodies in real and virtual time and across memory, history, and space. They place the gendered, sexed, raced, classed, disabled, and technologized body at the center of critical improvisation studies and move beyond the field's tendency toward celebrating improvisation's utopian and democratic ideals by highlighting the improvisation of marginalized subjects. Rejecting a singular theory of improvisational agency, the contributors show how improvisation helps people gain hard-won and highly contingent agency. Essays include analyses of the role of the body and technology in performance, improvisation's ability to disrupt power relations, Pauline Oliveros's ideas about listening, flautist Nicole Mitchell's compositions based on Octavia Butler's science fiction, and an interview with Judith Butler about the relationship between her work and improvisation. The contributors' close attention to improvisation provides a touchstone for examining subjectivities and offers ways to hear the full spectrum of ideas that sound out from and resonate within and across bodies. Contributors. George Blake, David Borgo, Judith Butler, Rebecca Caines, Louise Campbell, Illa Carrillo Rodríguez, Berenice Corti, Andrew Raffo Dewar, Nina Eidsheim, Tomie Hahn, Jaclyn Heyen, Christine Sun Kim, Catherine Lee, Andra McCartney, Tracy McMullen, Kevin McNeilly, Leaf Miller, Jovana Milovic, François Mouillot, Pauline Oliveros, Jason Robinson, Neil Rolnick, Simon Rose, Gillian Siddall, Julie Dawn Smith, Jesse Stewart, Clara Tomaz, Sherrie Tucker, Lindsay Vogt, Zachary Wallmark, Ellen Waterman, David Whalen, Pete Williams, Deborah Wong, Mandy-Suzanne Wong

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Located at the junction of North America and the Caribbean, the vast territory of colonial Louisiana provides a paradigmatic case study for an Atlantic studies approach. One of the largest North American colonies and one of the last to be founded, Louisiana was governed by a succession of sovereignties, with parts ruled at various times by France, Spain, Britain, and finally the United States. But just as these shifting imperial connections shaped the territory's culture, Louisiana's peculiar geography and history also yielded a distinctive colonization pattern that reflected a synthesis of continent and island societies. Louisiana: Crossroads of the Atlantic World offers an exceptional collaboration among American, Canadian, and European historians who explore colonial and antebellum Louisiana's relations with the rest of the Atlantic world. Studying the legacy of each period of Louisiana history over the longue durée, the essays create a larger picture of the ways early settlements influenced Louisiana society and how the changes in sovereignty and other circulations gave rise to a multiethnic society. Contributors examine the workings of empire through the examples of slave laws, administrative careers or on-the-ground political negotiations, cultural exchanges among landowners, slave holders, and slaves, and the construction of race through sexuality, marriage, and household formation. As a whole, the volume makes the compelling argument that one cannot write Louisiana history without adopting an Atlantic perspective, or Atlantic history without referring to Louisiana. Contributors: Guillaume Aubert, Emily Clark, Alexandre Dubé, Sylvia R. Frey, Sylvia L. Hilton, Jean-Pierre Le Glaunec, Cécile Vidal, Sophie White, Mary Williams.

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From the spires of Churchill Downs and the Cathedral of the Assumption, to the bluegrass farms of its outlying areas and the blueblood roots of its historic districts, Louisville has something to offer every native and visitor. Over 200 vintage hand-tinted and black and white postcards from the 1900s to the 1940s take readers on a journey back in time to tour old Louisville, showcasing some of the city's most famous landmarks and sites. Tour an antebellum plantation house, have a Hot Brown at the Brown Hotel, travel on a steamboat down the Ohio River, walk the grounds of Fort Knox or on a lawn of Kentucky blue grass, and cheer on the longshot from the stands of Churchill Downs.

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In Queer/Early/Modern, Carla Freccero, a leading scholar of early modern European studies, argues for a reading practice that accounts for the queerness of temporality, for the way past, present, and future time appear out of sequence and in dialogue in our thinking about history and texts. Freccero takes issue with New Historicist accounts of sexual identity that claim to respect historical proprieties and to derive identity categories from the past. She urges us to see how the indeterminacies of subjectivity found in literary texts challenge identitarian constructions and she encourages us to read differently the relation between history and literature. Contending that the term “queer,” in its indeterminacy, points the way toward alternative ethical reading practices that do justice to the aftereffects of the past as they live on in the present, Freccero proposes a model of “fantasmatic historiography” that brings together history and fantasy, past and present, event and affect.Combining feminist theory, queer theory, psychoanalysis, deconstruction, and literary criticism, Freccero takes up a series of theoretical and historical issues related to debates in queer theory, feminist theory, the history of sexuality, and early modern studies. She juxtaposes readings of early and late modern texts, discussing the lyric poetry of Petrarch, Louise Labé, and Melissa Ethridge; David Halperin’s take on Michel Foucault via Apuleius’s The Golden Ass and Boccaccio’s Decameron; and France’s domestic partner legislation in connection with Marguerite de Navarre’s Heptameron. Turning to French cleric Jean de Léry’s account, published in 1578, of having witnessed cannibalism and religious rituals in Brazil some twenty years earlier and to the twentieth-century Brandon Teena case, Freccero draws on Jacques Derrida’s concept of spectrality to propose both an ethics and a mode of interpretation that acknowledges and is inspired by the haunting of the present by the past.

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Dear Regina offers a remarkable window into the early years of one of America’s best-known literary figures. While at the University of Iowa Writer’s Workshop from 1945 to 1948, Flannery O’Connor wrote to her mother Regina Cline O’Connor (who she addressed by her first name) nearly every day and sometimes more than once a day. The complete correspondence of more than six hundred letters is housed at the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University. From that number, Miller selects 486 letters to show us a young adult learning to adjust to life on her own for the first time. In these letters, O’Connor shares details about living in a boardinghouse and subsisting on canned food and hot-plate dinners, and she asks for advice about a wide range of topics, including how to assuage her relatives’ concerns about her well-being and how to buy whiskey to use for cough medicine.These letters, which are being published for the first time with the unprecedented permission of the Mary Flannery O’Connor Charitable Trust, also offer readers important insights into O’Connor’s intellectually formative years, when her ideas about writing, race, class, and interpersonal relationships were developing and changing. Her preoccupation with money, employment, and other practical matters reveals a side of O’Connor that we do not often see in her previously published letters. Most importantly, the letters show us her relationship with her mother in a much more intimate, positive light than we have seen before. The importance of this aspect of the letters cannot be overstated, given that so much literary analysis conflates her and Regina with the "sour, deformed daughters and self-righteous mothers" that critic Louise Westling sees so often in O’Connor’s work.

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Japonisme, the 19th-century fascination for Japanese art, has generated an enormous body of scholarship since the beginning of the 21st-first century, but most of it neglects the women who acquired objects from the Far East and sold them to clients or displayed them in their homes before bequeathing them to museums. The stories of women shopkeepers, collectors, and artists rarely appear in memoirs left by those associated with the japoniste movement. This volume brings to light the culturally important, yet largely forgotten activities of women such as Clémence d’Ennery (1823–98), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s, and bequeathed the “Musée d’Ennery” to the state as a free public museum in 1893. A friend of the Goncourt brothers and a 50-year patron of Parisian dealers of Asian art, d’Ennery’s struggles to gain recognition as a collector and curator serve as a lens through which to examine the collecting and display practices of other women of her day. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand-Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d’Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did well-known art dealers Madame Desoye, Madame Malinet, Madame Hatty, and Madame Langweil. Writers, actresses, and artists—Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt, to name just a few— took inspiration from the Japanese material in circulation to create their own unique works of art. Largely absent from the history of Japonisme, these women—and many others—actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art.

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Charles II had at least twelve illegitimate children that we know of. Although his queen, Catherine of Braganza, fell pregnant several times she was not able to bear any children to full term. The king, who was known for his many mistresses, had his first recognised child out of wedlock in 1649; the child was James Croft who would become Duke of Monmouth and mastermind of an infamous rebellion. Not all of his children would gain such notoriety but they would live long and full lives creating a Stuart bloodline that descends to the present day. There was Nell Gywn's son, Charles Beauclerk, Duke of St Albans who was present at the siege of Belgrade in 1688\. The French mistress, Louise de Keroualle's son, Charles Lennox, Duke of Richmond who was an early patron of cricket. Catherine Pegge's son, Charles Fitzcharles, 1st Earl of Plymouth who was a colonel in the King's Own Royal Regiment and lost his life in Tangier and Moll Davis' daughter Mary Tudor, Countess of Derwentwater who separated from her husband because she refused to be a Catholic. Not to mention Charles's offspring by Barbara Villiers, Lady Castlemaine and later Duchess of Cleveland - there was Anne who had an affair with one of her father's mistresses, Charles who succeeded to the dukedom of Cleveland, Henry who became vice-admiral of England, George who was in the secret service in Venice, Barbara who after a torrid affair with the Earl of Arran gave birth to illegitimate twins and became a nun in France and Charlotte, who became Countess of Lichfield and had eighteen children! And then there are the stories of other children like James de la Cloche and Charlotte Boyle whose births and lives are shrouded in mystery and rumour. This book will bring to life the king's many illegitimate children and tell their stories.

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Of Queen Victoria's four sons, the eldest married a Danish princess, one a Russian Grand Duchess, and the other two princesses of German royal houses. The first to join the family of the Grandmama of Europe' was Alexandra, eldest daughter of the prince about to become King Christian IX of Denmark. Charming, ever sympathetic and widely considered one of the most attractive royal women of her time, she was prematurely deaf and suffered from a limp which was made fashionable by court ladies due to her popularity. Alexandra proved an ideal wife for the Prince of Wales, later King Edward VII. Grand Duchess Marie, daughter of Tsar Alexander II of Russia and wife of Alfred, Duke of Edinburgh and later Saxe-Coburg Gotha, was cultured and intelligent, but dowdy, haughty and, convinced of the Romanovs' superiority, resented having to give precedence at court to her in-laws. Louise of Prussia, a niece of William I, German Emperor, had the good fortune to escape from a miserable family life in Berlin and marry Arthur, Duke of Connaught, a dedicated army officer who was always the Queen's favourite among her children. Finally, Helen of Waldeck-Pyrmont, sister of Emma, Queen Consort of the Netherlands, became the wife of the cultured Leopold, Duke of Albany, but he was haemophiliac and their marriage was destined to be the briefest of all, cut short by his sudden death less than three years later. All four were very different personalities, proved themselves to be supportive wives, mothers and daughters-in-law in their own way, and dedicated workers for charity at home and abroad. Based partly on previously unpublished material from the Royal Archives at Windsor and Madrid, and the Leonie Leslie Papers, University of Chicago, this is the first book to study all four as a family group.

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British blues fan Mike Leadbitter launched the magazine Blues Unlimited in 1963. The groundbreaking publication fueled the then-nascent, now-legendary blues revival that reclaimed seminal figures like Son House and Skip James from obscurity. Throughout its history, Blues Unlimited heightened the literacy of blues fans, documented the latest news and career histories of countless musicians, and set the standard for revealing long-form interviews. Conducted by Bill Greensmith, Mike Leadbitter, Mike Rowe, John Broven, and others, and covering a who's who of blues masters, these essential interviews from Blues Unlimited shed light on their subjects while gleaning colorful detail from the rough and tumble of blues history. Here is Freddie King playing a string of one-nighters so grueling it destroys his car; five-year-old Fontella Bass gigging at St. Louis funeral homes; and Arthur "Big Boy" Crudup rising from life in a packing crate to music stardom. Here, above all, is an eyewitness history of the blues written in neon lights and tears, an American epic of struggle and transcendence, of Saturday night triumphs and Sunday morning anonymity, of clean picking and dirty deals. Featuring interviews with: Fontella Bass, Ralph Bass, Fred Below, Juke Boy Bonner, Roy Brown, Albert Collins, James Cotton, Arthur "Big Boy" Crudup, Joe Dean, Henry Glover, L.C. Green, Dr. Hepcat, Red Holloway, Louise Johnson, Floyd Jones, Moody Jones, Freddie King, Big Maceo Merriweather, Walter Mitchell, Louis Myers, Johnny Otis, Snooky Pryor, Sparks Brothers, Jimmy Thomas, Jimmy Walker, and Baby Boy Warren.

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Louisiana is the permanent or migratory home of 471 species of birds, including the state bird, the brown pelican. This beautifully illustrated guide highlights over 140 familiar and unique species and includes a map featuring prominent bird-viewing areas. Laminated for durability, this lightweight, pocket-sized folding guide is an excellent source of portable information and is ideal for field use by visitors and residents alike. Made in the USA.

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Jeanne Pitre Soileau, winner of the 2018 Chicago Folklore Prize and the 2018 Opie Prize for Yo’ Mama, Mary Mack, and Boudreaux and Thibodeaux: Louisiana Children’s Folklore and Play, vividly presents children’s voices in What the Children Said: Child Lore of South Louisiana. Including over six hundred handclaps, chants, jokes, jump-rope rhymes, cheers, taunts, and teases, this book takes the reader through a fifty-year history of child speech as it has influenced children’s lives.What the Children Said affirms that children's play in south Louisiana is acquired along a network of summer camps, schoolyards, church gatherings, and sleepovers with friends. When children travel, they obtain new games and rhymes, and bring them home. The volume also reveals, in the words of the children themselves, how young people deal with racism and sexism. The children argue and outshout one another, policing their own conversations, stating their own prejudices, and vying with one another for dominion. The first transcript in the book tracks a conversation among three related boys and shows that racism is part of the family interchange. Among second grade boys and girls at a Catholic school another transcript presents numerous examples in which boys use insults to dominate a conversation with girls, and girls use giggles and sly comebacks to counter this aggression.Though collected in the areas of New Orleans, Baton Rouge, and Lafayette, Louisiana, this volume shows how south Louisiana child lore is connected to other English-speaking places: England, Scotland, Ireland, Australia, and New Zealand, as well as the rest of the United States.

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Gathering together an incredible array of contributors from the past century of the Tavistock to cover all aspects of amazing work they do. With chapters from David Armstrong, James Astor, Andrew Balfour, Fred Balfour, Sara Barratt, David Bell, Sandy Bourne, Wesley Carr, Andrew Cooper, Gwyn Daniel, Dilys Daws, Domenico di Ceglie, Emilia Dowling, Andrew Elder, Caroline Garland, Peter Griffiths, Rob Hale, Sarah Helps, Beth Holgate, Juliet Hopkins, Marcus Johns, Sebastian Kraemer, James Krantz, Mary Lindsay, Julian Lousada, Louise Lyon, David Malan, Gillian Miles, Lisa Miller, Mary Morgan, Nell Nicholson, Anton Obholzer, Paul Pengelly, Maria Rhode, Margaret Rustin, Michael Rustin, Edward R. Shapiro, Valerie Sinason, Jenny Sprince, John Steiner, Jon Stokes, David Taylor, Judith Trowell, Margot Waddell, and Gianna Williams The Tavistock Century traces the developmental path taken from the birth of a progressive and inspirational institution. From their wartime and post-war experience, John Rickman, Wilfred Bion, Eric Trist, Isabel Menzies, John Bowlby, Esther Bick, Michael Balint, and James Robertson left us a legacy of innovation based on intimate observation of human relatedness. The book contains entries across the full range of disciplines in the lifecycle, extending, for example, from research to group relations, babies, adolescents, couples, even pantomime. It will be of enormous value to anyone working in the helping professions; clinicians, social workers, health visitors, GPs, teachers, as well as social science scholars and a host of others who are directly or indirectly in touch with the Tavistock wellspring.

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Ben Depp’s photographs capture the beauty, complexity, and rapid destruction of south Louisiana. His photographs communicate weather and seasonal changes - like the shifting high-water line, colour temperature, and softness of light.

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Estamos ante uno de los grandes acontecimientos literarios de los últimos tiempos: la publicación de la primera novela de Harper Lee, la admirada autora del best seller ganador del Premio Pulitzer Matar a un ruiseñor. El libro fue escrito a mediados de los años 50, y fue el primer manuscrito que Harper Lee presentó a sus editores antes de Matar a un ruiseñor. Este manuscrito se dio por perdido hasta que fue descubierto a finales de 2014. Ve y pon un centinela nos presenta a muchos de los personajes de Matar a un ruiseñor, aunque unos veinte años más tarde. Jean Louise Finch —Scout— regresa a su hogar en Maycomb para visitar a su padre, pero tendrá que enfrentarse con problemas personales y políticos que involucran a Atticus, la sociedad y al pequeño pueblo de Alabama que la vio nacer. El libro proyecta una nueva y fascinante luz sobre el clásico de Harper Lee al explorar cómo los personajes de Matar a un ruiseñor se adaptan a los turbulentos acontecimientos que transforman a Estados Unidos a mediados de los años 50. Esta gran autora nos deleita con una historia conmovedora, divertida y convincente. En definitiva, una magnífica novela.

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The in-your-face go-to skincare guide from mega-influencer Lauryn Evarts Bosstick, founder of The Skinny Confidential brand The Skinny Confidential’s Get the F*ck Out of the Sun is the practical, yet incredibly fun and accessible, preventative skincare bible by lifestyle guru Lauryn Evarts Bosstick. We all have our ever-growing list of skincare questions: What products are essential for a nightly routine? Will a jade roller actually take care of hungover, puffy eyes? Why is sunscreen so important, and does it really need to be applied every day? What oils and serums are best for glowy, dewy supermodel skin? Lauryn dives into all this and more with a voice reminiscent of a friend at a boozy mimosa brunch who has a little more experience (and a lot more research) under her belt. From product and beauty tool recommendations to Lauryn’s personal experience with facial massage, fillers, Botox, lymphatic drainage, and cryotherapy, this authoritative and cheeky book is essential for a DIY generation that’s all about shaking up old ideas about skin care and transforming the beauty industry. Lauryn interviews other top influencers such as Kristin Cavallari, Patrick Starr, the Summer Fridays’ cofounders, Shea Marie, Chriselle Lim, Jillian Michaels, Stassi Schroeder, Aimee Song, the Ladygang, Mandy Madden Kelley, Amelia Belle, Delilah Gray, Bobbi Brown, and Justin Anderson and skin-care doctors and mavens including Dr. Dennis Gross, Dr. Jason Diamond, Sonya Dakar, Georgia Louise, and Dr. Barbara Sturm to get real-deal insider tips and tricks, making this book the go-to resource for preventative skincare with the signature pink Skinny Confidential spin.

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Geneviève L. Walsh's debut solo collection covers her first five years of performing her punk-song-length poetry about love, hatred, aggressive platitudes, sexual politics, alienation and inebriation. Includes a Foreword by Henry Normal. "A collection full of passion and subversion ... keen and urgent with an untamed beauty - like a puma caught under a streetlight. She chooses her language and targets with precision and infuses humour and fight in every verse." - Henry Normal, poet "Rejecting the beige and embracing the dark, this collection is a lyrical and defiant hymn to vodka nights and concrete days. Shot through with nostalgia and the fear of losing fellow dancers to normality." - Kate Fox, Stand-up Poet "A unique and passionately inclusive voice guides us with incredible skill and dexterity through everything that unites us: love, loss, and drunk conversations. This book is a brutally affectionate hug and a call to arms for all the losers, freaks, and feral lost souls of the world." - Steve Nash, Saboteur Awards Performer of the Year "Sharp, dark, insightful, inciteful, Geneviève switches it up; lyrically rich imagery / word lust / street voice. From the Femme Banal to the Double Windsor noose, for hardcore losers everywhere. Buy it and "make yourself fucking lovely"." - Louise Fazackerley, Performance Poet "A stunning collection from a unique voice. Poetic without ever being pretentious. Dive in and embrace your inner weirdo." - Kieren King, Cantankerous Word Git "Her poems are like Geneviève herself... strong yet sensitive, clever yet accessible, dark yet resplendent with colour. A collection penned with acute observation and affection. A poetic celebration of 'otherness'." - Joy France, Afflecks Creative in Residence

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As performed by Maxine Peake ('visionary'): the radical dystopian classic, lost for forty years: in a nightmarish Britain, THEY are coming closer.'A creepily prescient tale ... Insidiously horrifying!' Margaret Atwood'A masterpiece of creeping dread.' Emily St. John MandelThis is Britain: but not as we know it. THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; mobs stalk the countryside destroying artworks - and those who resist.THEY capture dissidents - writers, painters, musicians, even the unmarried and childless - in military sweeps, 'curing' these subversives of individual identity.Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget ...Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick's They (1977) is a rediscovered dystopian masterpiece of art under attack: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning.'Every bit as creepy, tense and strange as when I first read it 40 years ago.' Ian Rankin'Delicious and sexy and downright chilling ... Read it!' Rumaan Alam'Crystalline ... The signature of an enchantress.' Edna O'Brien'I'm pretty wild about this paranoid, terrifying 1977 masterpiece.' Lauren Groff'Deft, dread filled, hypnotic and hopeful. Completely got under my skin.' Kiran Millwood Hargrave'Lush, hypnotic, compulsive ... A reminder of where groupthink leads.' Eimear McBride'A masterwork of English pastoral horror: eerie and bewitching.' Claire-Louise Bennett'A short shocker: creepy, disturbing, distressing and highly enjoyable.' Andrew Hunter Murray'Prophetic, chilling and a reminder from the past that we have everything to fight for in the future.' Salena Godden

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Over the course of more than three centuries, the diverse communities of Louisiana have engaged in creative living practices to forge a vibrant, multifaceted, and fully developed Creole culture. Against the backdrop of ongoing anti-Blackness and Indigenous erasure that has sought to undermine this rich culture, Louisiana Creoles have found transformative ways to uphold solidarity, kinship, and continuity, retaking Louisiana Creole agency as a post-contact Afro-Indigenous culture. Engaging themes as varied as foodways, queer identity, health, historical trauma, language revitalization, and diaspora, Louisiana Creole Peoplehood explores vital ways a specific Afro-Indigenous community asserts agency while promoting cultural sustainability, communal dialogue, and community reciprocity. With interviews, essays, and autobiographic contributions from community members and scholars, Louisiana Creole Peoplehood tracks the sacred interweaving of land and identity alongside the legacies and genealogies of Creole resistance to bring into focus the Afro-Indigenous people written out of settler governmental policy. In doing so, this collection intervenes against the erasure of Creole Indigeneity to foreground Black/Indian cultural sustainability, agency, and self-determination.

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Returning to a theme featured in some of the earlier volumes in the Edinburgh Studies in Law series, this volume offers an in-depth study of 'mixed jurisdictions' -- legal systems which combine elements of the Anglo-American Common Law and the European Civil Law traditions. This new collection of essays compares key areas of private law in Scotland and Louisiana. In thirteen chapters, written by distinguished scholars on both sides of the Atlantic, it explores not only legal rules but also the reasons for the rules, discussing legal history, social and cultural factors, and the law in practice, in order to account for patterns of similarity and difference. Contributions are drawn from the Law Schools of Tulane University, Louisiana State University, Loyola University New Orleans, the American University Washington DC, and the Universities of Aberdeen, Strathclyde and Edinburgh. This title will be of interest to students of comparative law at senior undergraduate and postgraduate level, academics and researchers and also those who are interested in the mixed jurisdictions for the lessons they offer in the context of harmonisation of private law in Europe.

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Something about your generation I've noticed, she said not unkindly once I had fallen silent, is that you give up very easily. Autumn 2018. A young woman starts a job as a research assistant at Oxford. But she can't shake the feeling that real life is happening elsewhere. Eight months later she finds herself in London. She's landed a temp contract at a society magazine and is paying £80 a week to sleep on a stranger's sofa. As the summer rolls on, tensions with her flatmate escalate. She is overworked and underpaid, spends her free time calculating the increasing austerity in England through the rising cost of Freddos. The prospects of a permanent job seem increasingly unlikely, until she finally asks herself: is it time to give up?**A NEW STATESMAN BOOK OF THE YEAR **________________________________PRAISE FOR THREE ROOMS'I was bowled over by this barbed, supple book...spiky, unsettling.' OLIVIA LAING'Cool, sharp and perceptive' Stylist'Crisp and resonant' New Statesman'A phenomenal achievement' The Times'One of the most candid and subtle explorations of class by an English novelist in recent years' TLS'A biting dissection of privilege, race, inequality and ideology in 21st century Britain' i'Jo Hamya is an exceptionally gifted writer...slowly but surely broke my heart' CLAIRE-LOUISE BENNETT'Intelligent, melancholy, funny and subtle' CHRIS POWER'Both spectral and steeped in contemporary reality' OLIVIA SUDJIC'Resigned to renting forever and feeling guilty every time you buy a cup of coffee? You'll want to read Jo Hamya's urgent and intelligent debut' EVENING STANDARD

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'Made me scream laughing. I enjoyed it SO much' Marian Keyes'Have you ever messed up so badly you had to leave the country? This feelgood journey contains one of the best vagina jokes ever. We didn't want it to end' Heat MagazineAlice is turning thirty and is stuck in a rut. Her friends are all coupling up and settling down, while she's still working as a temp, trying (and failing) not to shag her terrible ex, getting thrown out of clubs, and accidentally sexting her boss...She decides to throw caution to the wind and jets off on a round-the-world adventure to #FindTheFun and find herself. Of course, she's no more likely to find the answer to true happiness on the beach in Thailand than she is at the electric beach in Tooting, but at least in Thailand there's paddleboard yoga.Can Alice find happiness on her travels? Or is she more likely to lose herself all over again...?'Really, really funny, but also kind of heart wrenching' Sophie Kinsella'Hilarious and touching' Louise O'Neill 'Warning: read this book and you will doubtless snort with laughter in inappropriate public places. Quite simply, #brilliant' Ella Dove'Her best work yet: it's funner, it's more tender . . . You need to have this in your beach bag' Laura Jane Williams'I tore through this quicker than a duty-free Toblerone . . . Wickedly funny and painfully perceptive' Lauren Bravo'Utterly addictive and utterly charming...her best yet' Daisy Buchanan'A bawdy breath of fresh air' Sunday Mirror

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THE TWISTY NEW THRILLER AND TOP 5 SUNDAY TIMES BESTSELLERIN A VILLAGE WITH THIS MANY SECRETS, A MURDER IS JUST THE BEGINNING . . .On New Year's Eve, Rhys Lloyd has a house full of guests.He's celebrating the success of his lakeside holiday homes, and has generously invited the village to drink champagne with their wealthy new neighbours.By midnight, Rhys will be floating dead in the freezing waters of the lake.On New Year's Day, DC Ffion Morgan has a village full of suspects.She grew up in the tiny community, so the murder suspects are her neighbours, friends and family - and Ffion has her own secrets to protect.With a lie uncovered at every turn, soon the question isn't who wanted Rhys dead . . . but who finally killed him.A GAME OF LIES, THE NEXT DC FFION MORGAN THRILLER, IS OUT NOW!'Superb, devilishly clever, with echoes of Agatha Christie' PATRICIA CORNWELL'Wickedly enjoyable' THE TIMES'Mackintosh is just getting better and better with every book' PETER JAMES'Leo and Ffion make a storming debut in this twisty tale' BELINDA BAUER'A dark delight of a murder mystery!' JANICE HALLETT'Warm, atmospheric, ingenious - this is the new crime series you need in your life' WILL DEAN'Insanely gripping' ERIN KELLY'Mackintosh is a genius' FIONA CUMMINS'An absolute triumph' CLAIRE DOUGLAS'Brilliant, so atmospheric' RUTH WARE'Whipsmart' LINWOOD BARCLAY'DC Ffion Morgan is complicated, funny and very sweary' LOUISE CANDLISH'Twists that blindside you all the way' MARI HANNAH'Every chapter ends on a cliff hanger' GOOD HOUSEKEEPING

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'Prepare for your heart rate to rise reading this edge-of-your-seat psychological thriller!' The Sun'If you're looking for a page-turner, this is it!' Hello!'The perfect choice for fans of C.L. Taylor and Louise Candlish' Woman's Weekly'A superbly pacy thriller that will keep you looking over your shoulder' Sunday MirrorYOU HAVEN'T FORGOTTEN.THEY HAVEN'T FORGIVEN. Leah Wallace has just achieved her dream of becoming editor at a regional paper. On her first day a 15-year-old girl, Hope Hooper-Smith, is reported missing. The police fear that she has been abducted. Hours later, another teenage girl goes missing. But this girl, Tilly Bowers, is from a troubled background and is a habitual runaway. Leah decides to run the Hope's abduction on the front page, while Tilly only gets a small mention on page eighteen. The next day, Hope is found unharmed at a train station. But Tilly is never seen or heard from again.Sixteen years later, a TV documentary questions Leah's decision not to give Tilly's case immediate coverage, implying that she could have cost Tilly her life, and Leah starts receiving death threats online. Then mysterious paper dolls begin appearing, cut from the newspapers Leah used to edit, and she suspects that an intruder has been in the house. Leah becomes convinced that someone wants to punish her for the part she played in Tilly's disappearance. But just how far will they go to make her pay? A gripping and chilling psychological thriller, perfect for fans of Lisa Jewell and C.L. Taylor.

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THE NUMBER ONE BESTSELLER'It is hard to imagine a more timely novel. A fascinating exploration of all sides of a particularly knotty, politicized issue.' Jodi Picoult'A knock-out twist' Gillian McAllister'Will have book clubs across the country in hot debate! Brilliant.' Clare Mackintosh****Two best friendsElizabeth and Bryony are polar opposites but their unexpected friendship has always worked. They're the best of friends, and godmothers to each other's daughters - because they both trust that the safety of their children is their top priority.One little secretLittle do they know that they differ radically over one very important issue. And when Bryony, afraid of being judged, tells what is supposed to be a harmless white lie before a child's birthday party, the consequences are more catastrophic than either of them could ever have imagined.Every parent's worst nightmare . . . ****'Compelling and nuanced. A hugely impressive page-turner' Ashley Audrain'Really beautifully written, compassionately told and incredibly thought provoking. A truly immersive telling of both sides of a story' Susan Lewis'Insightful, compassionate and nuanced. The Herd is so good.' Louise O'Neill'A genuine rollercoaster that asks big moral questions with beautifully drawn characters.' Sharon Horgan, co-creator of CATASTROPHEHere's what readers are saying about The Herd:'A timely and dramatic novel showing both sides of an ongoing debate. Loved this read!' *****'Such a genuine tale with such high stakes emotion and sensitivity' *****'A fantastic, thought-provoking and gripping book which would make a cracking book club read' *****'A complex, layered, wholly character-driven look at a complicated and controversial subject' *****

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Based on extensive empirical work by a cross-European group of researchers, this book assesses the impact of the creation of the European External Action Service (EEAS) on the national foreign policy-making processes and institutions of the EU member states. As such, the contributions cover both the involvement of the national diplomatic and foreign policy actors in shaping the outlook of the EEAS and its mission, as well as the changes (or not) it has produced for those actors of the member states. The analysis draws in theoretical frameworks from Europeanization and socialization, but also from intergovernmental frameworks of policy-making within the European Union. An introduction by the editors outlines the issues and trends examined in the book and establishes the theoretical and methodological framework. Split into 2 sections, Part I: EEAS and national diplomacies as part of global and European structures has contributions by Richard Whitman, Rosa Balfour, Christian Lequesne, Caterina Carta and Simon Duke. Part II: National diplomacies shaping and being shaped by the EEAS is covered by Daniel Fiott, Fabien Terpan, Cornelius Adebahr, Andrea Frontini, Ignacio Molina and Alicia Sorroza, Laura C. Ferreira-Pereira, Alena Vysotskaya G. Vieira and Louise van Schaik, Grzegorz Gromadzki, Mark Rhinard, Jakob Lewander and Sara Norrevik, Sabina Kajnc Lange, Ruby Gropas and George Tzogopoulos, Vit Beneš and Kristi Raik. This book is much needed, especially in an era when the EU is trying to pull its weight in the international sphere (e.g. Syria, Iran, the Arab Spring, Chinese relations and emerging powers) but also at a time when the EU is trying to recalibrate its institutional structure in light of the current financial predicaments and questions on the democratic legitimacy of the European project.

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Gathering together an incredible array of contributors from the past century of the Tavistock to cover all aspects of amazing work they do. With chapters from David Armstrong, James Astor, Andrew Balfour, Fred Balfour, Sara Barratt, David Bell, Sandy Bourne, Wesley Carr, Andrew Cooper, Gwyn Daniel, Dilys Daws, Domenico di Ceglie, Emilia Dowling, Andrew Elder, Caroline Garland, Peter Griffiths, Rob Hale, Sarah Helps, Beth Holgate, Juliet Hopkins, Marcus Johns, Sebastian Kraemer, James Krantz, Mary Lindsay, Julian Lousada, Louise Lyon, David Malan, Gillian Miles, Lisa Miller, Mary Morgan, Nell Nicholson, Anton Obholzer, Paul Pengelly, Maria Rhode, Margaret Rustin, Michael Rustin, Edward R. Shapiro, Valerie Sinason, Jenny Sprince, John Steiner, Jon Stokes, David Taylor, Judith Trowell, Margot Waddell, and Gianna Williams The Tavistock Century traces the developmental path taken from the birth of a progressive and inspirational institution. From their wartime and post-war experience, John Rickman, Wilfred Bion, Eric Trist, Isabel Menzies, John Bowlby, Esther Bick, Michael Balint, and James Robertson left us a legacy of innovation based on intimate observation of human relatedness. The book contains entries across the full range of disciplines in the lifecycle, extending, for example, from research to group relations, babies, adolescents, couples, even pantomime. It will be of enormous value to anyone working in the helping professions; clinicians, social workers, health visitors, GPs, teachers, as well as social science scholars and a host of others who are directly or indirectly in touch with the Tavistock wellspring.

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This issue offers a theoretical and methodological imagining of what constitutes trans* before the advent of the terms that scholars generally look to for the formation of modern conceptions of gender, sex, and sexuality. What might we find if we look for trans* before trans*? While some historians have rejected the category of transgender to speak of experiences before the mid-twentieth century, others have laid claim to those living gender-non-conforming lives before our contemporary era. By using the concept of trans*historicity, this volume draws together trans* studies, historical inquiry, and queer temporality while also emphasizing the historical specificity and variability of gendered systems of embodiment in different time periods. Essay topics include a queer analysis of medieval European saints, discussions of a nineteenth-century Russian religious sect, an exploration of a third gender in early modern Japanese art, a reclamation of Ojibwe and Plains Cree Two-Spirit language, and biopolitical genealogies and filmic representations of transsexuality. The issue also features a roundtable discussion on trans*historicities and an interview with the creators of the 2015 film Deseos. Critiquing both progressive teleologies and the idea of sex or gender as a timeless tradition, this issue articulates our own desires for trans history, trans*historicities, and queerly temporal forms of historical narration. Contributors. Kadji Amin, M. W. Bychowski, Fernanda Carvajal, Howard Chiang, Leah DeVun, Julian Gill-Peterson, Jack Halberstam, Asato Ikeda, Jacob Lau, Kathleen P. Long, Maya Mikdashi, Robert Mills, Carlos Motta, Marcia Ochoa, Kai Pyle, C. Riley Snorton, Zeb Tortorici, Jennifer Louise Wilson

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Imagine sitting with an esteemed writer on his or her front porch somewhere in the world and swapping life stories. Dr. Wayne Flynt got the opportunity to do just this with Nelle Harper Lee. In a friendship that blossomed over a dozen years starting when Lee relocated back to Alabama after having had a stroke, Flynt and his wife Dartie became regular visitors at the assisted living facility that was Lee’s new home. And there the conversation began. It began where it always begins with Southern storytellers, with an invitation to "Come in, sit down, and stay a while."The stories exchanged ranged widely over the topics of Alabama history, Alabama folklore, family genealogy, and American literature, of course. On the way from beginning to end there were many detours: talks about Huntingdon College; The University of Alabama; New York City; the United Kingdom; Garden City, Kansas; and Mobile, Alabama, to name just a few. Wayne and his wife were often joined by Alice Lee, the oldest Lee sister, a living encyclopedia on the subject of family genealogy, and middle sister Louise Lee Conner. The hours spent visiting, in intimate closeness, are still cherished by Wayne Flynt. They yielded revelations large and small, which have been shaped into Afternoons with Harper Lee. Part memoir, part biography, this book offers a unique window into the life and mind and preoccupations of one of America’s best-loved writers. Flynt and Harper Lee and her sisters learned a great deal from each other, and though this is not a history book, their shared interest in Alabama and its history made this extraordinary work possible.

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Kings throughout medieval and early modern Europe had extraconjugal sexual partners. Only in France, however, did the royal mistress become a quasi-institutionalized political position. This study explores the emergence and development of the position of French royal mistress through detailed portraits of nine of its most significant incumbents: Agnès Sorel, Anne de Pisseleu d’Heilly, Diane de Poitiers, Gabrielle d’Estrées, Françoise Louise de La Baume Le Blanc, Françoise Athénaïs de Rochechouart de Mortemart, Françoise d’Aubigné, Jeanne-Antoinette Poisson, and Jeanne Bécu.Beginning in the fifteenth century, key structures converged to create a space at court for the royal mistress. The first was an idea of gender already in place: that while women were legally inferior to men, they were men’s equals in competence. Because of their legal subordinacy, queens were considered to be the safest regents for their husbands, and, subsequently, the royal mistress was the surest counterpoint to the royal favorite. Second, the Renaissance was a period during which people began to experience space as theatrical. This shift to a theatrical world opened up new ways of imagining political guile, which came to be positively associated with the royal mistress. Still, the role had to be activated by an intelligent, charismatic woman associated with a king who sought women as advisors. The fascinating particulars of each case are covered in the chapters of this book.Thoroughly researched and compellingly narrated, this important study explains why the tradition of a politically powerful royal mistress materialized at the French court, but nowhere else in Europe. It will appeal to anyone interested in the history of the French monarchy, women and royalty, and gender studies.

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Breaking the Codes is a cultural history of the fin-de-siecle that uses the "problem" of the criminal woman to examine both the debates around the appropriate place of women in French society and the ways in which issues of gender were central to the most important cultural transformations of the period. The author asserts that "female criminality" was a code that condensed and obscured larger concerns. For example, to what degree and in what ways did the symbolic overtones of female criminality connect to the substantive issues that appeared over and over again in the stories of women's crime? How were the crimes of domestic violence, infanticide, and abortion interpreted in the context of broader debates about divorce, depopulation, sexuality, and women's roles in the public sphere? What was the role of expert commentary - from the forensic psychiatrist, the criminologist, the legal scholar - in producing a normative code for female behavior? And how did this code accommodate or resist the newly recognized voice of popular opinion and changing notions of citizenship? This study demonstrates both the inadequacy of the categories of public and private as they have been conventionally used to segregate the subjects of historical inquiry and the artificiality of the boundaries between high and low culture. Instead, it moves between domestic life and public courtrooms, between social science literature and popular journalism, analyzing the complex responses to female crime among different constituencies and through different genres. In so doing, the author sheds light on various overlapping processes of cultural negotiation in a period of profound change.

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Evolutionary Psychology: A Beginner’s Guide is a uniquely accessible yet comprehensive guide to the study of the effects of evolutionary theory on human behaviour. Written specifically for the general reader, and for entry-level students, it covers all the most important elements of this interdisciplinary subject, from the role of evolution in our selection of partner, to the influence of genetics on parenting. The book draws widely on examples, case studies and background facts to convey a substantial amount of information, and is authored by the UK’s leading experts in the field, from the only dedicated research and teaching institute.

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New investigations into a pivotal era of the thirteenth century. The years between 1258 and 67 comprise one of the most influential periods in the Middle Ages in England. This turbulent decade witnessed a bitter power struggle between King Henry III and his barons over who should control the government of the realm. Before England eventually descended into civil war, a significant proportion of the baronage had attempted to transform its governance by imposing on the crown a programme of legislative and administrative reform far more radical and wide-ranging than Magna Carta in 1215. Constituting a critical stage in the development of parliament, the reformist movement would remain unsurpassed in its radicalism until the upheavals of the seventeenth century. Simon de Montfort, the baronial champion, became the first leader of a political movement to seize power and govern in the king's name. The essays collected here offer the most recent research into and ideas onthis pivotal period. Several contributions focus upon the roles played in the political struggle by particular sections of thirteenth-century society, including the Midland knights and their political allegiances, aristocratic women, and the merchant elite in London. The events themselves constitute the second major theme of this volume, with subjects such as the secret revolution of 1258, Henry III's recovery of power in 1261, and the little studied maritime theatre during the civil wars of 1263-7 being considered. Adrian Jobson is an Associate Lecturer at Canterbury Christ Church University. Contributors: Sophie Ambler, Nick Barratt, David Carpenter, PeterCoss, Mario Fernandes, Andrew H. Hershey, Adrian Jobson, Lars Kjær, John A. McEwan, Tony Moore, Fergus Oakes, H.W. Ridgeway, Christopher David Tilley, Benjamin L. Wild, Louise J. Wilkinson.

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Showcasing the colorful, even raucous, political, social, and unique cultural qualities of Louisiana history, this new collection of essays features the finest and latest scholarship. Includes readings featuring recent scholarship that expand on traditional historical accounts Includes material on every region of Louisiana Covers a wide range of fields, including social, environmental, and economic history Detailed, focused material on different areas in Louisiana history, including women’s history as well as the state’s diverse ethnic populations

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Foreword by Roxane Gay“Debbie Millman brings her Design Matters podcast, ‘about how the most creative people in the world create their lives,’ to the page with this excellent interview anthology. Sharpened by Millman’s penetrating commentary, the candid musings teem with insight and empathy. This sparkling collection is one to be savored slowly.”—Publisher’s WeeklyThe author, educator, brand consultant, and host of the widely successful and award-winning podcast Design Matters showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.“Debbie Millman has become a singular voice in the world of intimate, enlightening conversations. She has demonstrated time, and again, why design matters.”—Roxane Gay, from the forewordOver the course of her popular podcast’s fifteen-year reign, Debbie Millman has interviewed more than 400 creative minds. In those conversations, she has not only explored what it means to design a creative life, but has, as Millman’s wife, Roxane Gay, assesses in her foreword, “created a gloriously interesting and ongoing conversation about what it means to live well, overcome trauma, face rejection, learn to love and be loved, and thrive both personally and professional.”In this illustrated, curated anthology, Millman includes approximately 80 of her best interviews with visionaries from across diverse fields. Grouped by category—Legends, Truth Tellers, Culture Makers, Trendsetters, and Visionaries—these eye-opening, entertaining, and enlightening conversations—offer insights into new ways of being and living. Accompanying each entry is a brief biography, a portrait photographed by Millman, and a pull quote written in Millman’s artistic hand. Why Design Matters features 100 images and includes interviews with:Marina Abramovic, Cey Adams, Elizabeth Alexander, Laurie Anderson, Lynda Barry, Allison Bechdel, Michael Bierut, Brené Brown, Alain de Botton, Eve Ensler, Shepard Fairey, Tim Ferriss, Louise Fili, Kenny Fries, Anand Girhidardas, Cindy Gallop, Malcolm Gladwell, Milton Glaser, Ira Glass, Seth Godin, Thelma Golden, Gabrielle Hamilton, Steven Heller, Jessica Hische, Michael R. Jackson, Oliver Jeffers, Saeed Jones, Thomas Kail, Maira Kalman, Chip Kidd, Anne Lamott, Elle Luna, Carmen Maria Machado, Thomas Page McBee, Erin McKeown, Chanel Miller, Mike Mills, Marilyn Minter, Isaac Mizrahi, Nico Muhly, Eileen Myles, Emily Oberman, Amanda Palmer, Priya Parker, Esther Perel, Maria Popova, Edel Rodriguez, Paula Scher, Amy Sherald, Simon Sinek, Pete Souza, Aminatou Sow, Brandon Stanton, Cheryl Strayed, Amber Tamblyn, Christina Tosi, Tea Uglow, Chris Ware, and Albert Watson.

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“This is a book,” writes guest editor Souvankham Thammavongsa, “about what I saw and read and loved, and want you to see and read and love.” Selected from work published by Canadian poets in magazines and journals in 2020, Best Canadian Poetry 2021 gathers the poems Thammavongsa loved most over a year’s worth of reading, and draws together voices that “got in and out quickly, that said unusual things, that were clear, spare, and plain, that made [her] laugh out loud … the voices that barely ever survive to make it onto the page.” From new work by Canadian icons to thrilling emerging talents, this year’s anthology offers fifty poems for you to fall in love with as well. Featuring: Margaret Atwood Ken Babstock Manahil Bandukwala Courtney Bates-Hardy Roxanna Bennett Ronna Bloom Louise Carson Kate Cayley Kitty Cheung Dani Couture Kayla Czaga Šari Dale Unnati Desai Tina Do Andrew DuBois Paola Ferrante Beth Goobie Nina Philomena Honorat Liz Howard Maureen Hynes George K Ilsley Eve Joseph Ian Keteku Judith Krause M Travis Lane Mary Dean Lee Canisia Lubrin Randy Lundy David Ly Yohani Mendis Pamela Mosher Susan Musgrave Téa Mutonji Barbara Nickel Ottavia Paluch Kirsten Pendreigh Emily Pohl-Weary David Romanda Matthew Rooney Zoe Imani Sharpe Sue Sinclair John Steffler Sarah Yi-Mei Tsiang Arielle Twist David Ezra Wang Phoebe Wang Hayden Ward Elana Wolff Eugenia Zuroski Jan Zwicky

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The Advanced Practice Registered Nurse as a Prescriber is an authoritative reference guide designed for students and practicing APRNs alike—delivering the evidence-based information required for informed and ethical prescribing of medication in various clinical settings. It assists the reader to identify and avoid common prescribing mistakes and pitfalls whilst presenting specific strategies to respond appropriately to an array of typical clinical experiences.This revised second edition includes new and expanded chapters with information on authorizing medical marijuana, prescription monitoring programs, electronic prescribing, prescribing globally and issues surrounding controlled substance prescribing and prescribing for opioid use disorder. This leading single-volume resource: Addresses the opportunities, challenges and responsibilities that APRNs face as prescribers Covers the laws, regulations, and professional issues that affect prescribing Discusses global approaches to registered nurse and APRN prescribing such as task sharing, formularies, and independent authority Guides APRNs through difficult clinical situations such as patients seeking controlled substances and requesting inappropriate care Navigates the multiple facets of prescribing controlled substances Examines the role of the APRN in states with medical marijuana laws Serves as a resource to engage in advocacy for fully autonomous prescribing The Advanced Practice Registered Nurse as a Prescriber is essential reading for APRN and pharmacotherapeutics students, registered nurses transitioning to the role of APRN prescriber, and all APRNs including Nurse Practitioners (NP), Clinical Nurse Specialists (CNS), and Certified Registered Nurse Anesthetists (CRNA).

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