Search results for ""author christo"

'D'Ancona makes his case well... The book is well written and thoughtful' -- The Times'A heartfelt attempt to renew liberal ideals for the coming decades... How sorely our public debate needs others to express themselves similarly.' -- Henry Mance, Financial Times'An urgent and exhilarating account of how populism, prejudice & polarisation have corrupted objective truth and public discourse. D'Ancona's sparkling prose provides an explanation of how we got here and, crucially, how we might get out.' -- James O'Brien'A book so rich in thought, wisdom and persuasion I find myself sharing the ideas within it with everyone I meet... In the much-mourned absence of Christopher Hitchens, d'Ancona is fast becoming the voice of enlightenment for our bewildered age.' -- Emily Maitlis'A tonic for our times that blows open any complacency following Trump's defeat that the demise of populism and nativism is inevitable. In beautifully written prose, D'Ancona puts forward hopeful ideas and timely inspiration for a progressive politics to replace it.' -- David Lammy'A brilliant, lucid, fearless tract, just what the historical moment ordered.' -- Andrew O'Hagan'D'Ancona's regular practical suggestions help to take it beyond mere theory and into the real world... Decision-makers would do well to read it.' -- Charlotte Henry, TLS***This is a call to arms. The old tools of political analysis are obsolete - they have rusted and are no longer fit for purpose. We've grown lazy, wedded to the assumption that, after ruptures such as Brexit, the pandemic, and the rise of the populist Right, things will eventually go 'back to normal'.Award-winning political writer Matthew d'Ancona invites you to think afresh: to seek new ways of challenging political extremism, bombastic populism and democratic torpor on both Left and Right. In this ground-breaking book, he proposes a new way of understanding our era and plots a way forward. With rigorous analysis, he argues that we need to understand the world in a new way, with a framework built from the three I's: Identity, Ignorance and Innovation.

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The Sunday Times Gardening Book of the Year Described by Vogue as 'the revelatory garden book for our age' and a 'splendid new book' (Sebastian Shakespeare, Daily Mail), The Private Gardens of England is a glorious celebration of the art of gardening through some of the country's hidden horticultural jewels. Thirty-five English private gardens, thoughtfully selected by the writer and designer Tania Compton, are vividly described in the words of their owners, who bring an astonishing sense of intimacy to their own creations as well as their collaborations with some of the leading garden designers of today. From the Bannermans' romantic Cornish castle to the windswept shores of Howick in Northumberland via Jasper Conran in Somerset and Tom Stuart-Smith in Hertfordshire, an eclectic range of gardens is revealed. The traditional English garden is seen through the fresh eyes of plantswomen such as Mary-Anne Robb at Cothay Manor and Arabella Lennox-Boyd at Gresgarth Hall, alongside Hilborough House in Norfolk and Ferne Park in Dorset that recently only existed as fields. The historic landscape gardens of Boughton House and St Paul's Walden Bury are explored alongside the contemporary and conceptual at Plaz Metaxu in Devon. From the private walled garden at Petworth to the wildflower-strewn meadows of Spye Park, each garden is a testament to the thriving art of English gardening. With contributions from the country's best garden photographers, The Private Gardens of England reveals gardening at its highest level. It will inform and inspire anyone with a love of gardening, beauty and excellence. 'The photographs are take-your-breath-away spellbinding ...The minute level of detail here will satisfy real gardeners, elevating this book far above its competition.' Sarah Feeley, English Garden 'Captures a brilliant moment in our history, where plantsmanship, good design and love of plants have all come together ...compelling format ...the photography and production are superb.' Kathryn Bradley-Hole, Country Life One of Christopher Woodward's Books of the Year in the Evening Standard

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On 13 December 1776, the Rev. William Turner preached the first avowedly anti-slavery sermon in the North of England. Copies of his sermon were distributed far and wide -in so doing, he had fired the first shot in the battle to end slavery had begun. Four years later, Rev. Turner, members of his congregation and the Rev. Christopher Wyvill founded The Yorkshire Association' to agitate for political and social reform. The Association sought universal suffrage, annual parliaments and the abolition of slavery. In the West Riding, despite furious opposition, by 1783 nearly 10,000 signatures were collected in support of the aims of the Association. Slavery, or rather its abolition, was now on the political agenda. _The Battle Against Slavery_ charts the story of a group of West Riding radicals in their bid to abolish slavery both in the United Kingdom and abroad. Such became the influence of this group, whose Unitarian beliefs were illegal in Britain, that the general election of 1806 in Yorkshire was fought on an abolitionist platform. At a time when the rest of the world engaged in slavery, this small body was fighting almost single-handedly to end such practices. Gradually, their beliefs began to spread across the country and across the Channel to France, the principles of which found resonance during the French Revolution and even across the Atlantic to America. At a time, today, when the history of slavery is the subject of considerable debate worldwide, this revealing insight into the abolitionist movement, which demonstrates how ordinary men and women battled against governments and the establishment, needs to be told. _The Battle Against Slavery_ adds an important dimension to the continuing debate over Britain's, and other nations', involvement in the slave trade and demonstrates how the determination of just a few right-minded people can change world opinion forever.

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This book is an examination of the teaching of the Russian religious thinker Vladimir Solov'ev (1853-1900) about divine-humanity, the term he used to express the patristic doctrine of deification. The first chapter examines the theme of deification in the patristic tradition and shows that he himself was extremely familiar with the writings of the Church Fathers and the doctrinal teachings of the early Church Councils. The following three chapters are devoted to specific works of Solov'ev which are analysed in detail, Lectures on Divine Humanity, The Spiritual Foundations of Life and The Justification of the Good. Of these, the latter two have, to date, received little extended scholarly study. The over-arching thrust of this work is that Solov'ev's concept of deification started as a reflection of the mystical and cosmic expressions of deification characteristic of the late Greek patristic period but develops so to be expressed in the western terminology of grace and focuses on the active implementation of deification in the world, taking the teaching out of its original monastic context. Chapter Two reveals the significant impact of Maximus the Confessor on Solov'ev's thought and identifies the dyothelite Christological model which Maximus develops from the dogmatic definition of the Council of Chalcedon as crucial hermeneutical principle in Solov'ev's thought. Chapter Three shows the development of Solov'ev's teaching about deification, examining how it expands to embrace different models of deification, adopting western as well as eastern theological approaches and finding its centre in the life of the Church. Finally, Chapter Four shows how Solov'ev's deepening understanding of the western approach to deification through the language of grace is combined with an eastern understanding of human anthropology, enabling him to integrate realistic and moral approaches to deification, and address the whole range of human experience in terms of divine union and the Kingdom of God.

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Bread from Heaven offers a contemporary theological synthesis on the Eucharist that brings together classical and critical biblical exegesis, debates on the early history of the Christian liturgy, patristic doctrine, the teachings offered by the Councils of Florence, Trent and Vatican II, and the Church’s lex orandi, all within a framework provided by the Eucharistic theology of Thomas Aquinas.The volume begins with Christ’s Bread of Life discourse in John 6, in light of the Old Testament theme of the manna, and the Synoptic accounts of the Last Supper. These biblical texts offer solid foundation for a theology of Eucharistic sacrifice, presence and Communion. It then continues with a historical and systematic study of the institution of the Eucharist by Christ, with special attention given to the emergence of the first Eucharistic prayers. Then follows a survey of key Christological and ecclesiological themes which undergird Eucharistic theology. The chapters on Eucharistic sacrifice and presence form the heart of the work. Here, the focus moves to key conciliar, patristic and Thomistic insights on these themes. Bread from Heaven clarifies misunderstandings of Eucharistic sacrifice and renders transubstantiation accessible to beginners.Blankenhorn concludes with a study of the consecration, the minister of the Eucharist and the fruits of communion. The chapter on the debate over the words of institution and the epiclesis gives a fresh perspective that integrates both eastern and western tradition. The study of the Eucharistic celebrant strikes a balance between a spirituality of the priest as acting in persona Christi and of the priest as praying in persona ecclesiae. The concluding chapter centers on the Eucharist’s unitive, mystical fruits in the Church.This textbook is ideal for an advanced undergraduate or graduate course on Eucharistic theology. It also seeks to advance the debate on several controversial historical and speculative issues in sacramental theology.

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Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

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*NOW A MAJOR SKY TV SERIES. Read the novel Season 2 is based on.*Fall deeper under the spell of Diana and Matthew in the captivating second volume of the No.1 internationally bestselling ALL SOULS series, following A DISCOVERY OF WITCHES. Perfect for fans of Neil Gaiman, Diana Gabaldon and J. K. Rowling.---In a world of witches, daemons and vampires the fragile balance of peace is unravelling. Diana and Matthew's forbidden love has broken the laws dividing creatures. To discover the manuscript which holds their hope for the future, they must now travel back to the past.When Diana Bishop, descended from a line of powerful witches, discovered a significant alchemical manuscript in the Bodleian Library, she sparked a struggle in which she became bound to long-lived vampire Matthew Clairmont. Now the coexistence of witches, daemons, vampires and humans is dangerously threatened.Seeking safety, Diana and Matthew travel back in time to London, 1590. But they soon realise that the past may not provide a haven. Reclaiming his former identity as poet and spy for Queen Elizabeth, the vampire falls back in with a group of radicals known as the School of Night. Many are unruly daemons, the creative minds of the age, including playwright Christopher Marlowe and mathematician Thomas Harriot.Together Matthew and Diana scour Tudor London for the elusive manuscript Ashmole 782, and search for the witch who will teach Diana how to control her remarkable powers...Praise for Deborah Harkness:'Rich, thrilling . . . captivating' E L James'Intelligent and off-the-wall' The Sunday Times'I could lose myself in here and never want to come out' Manda Scott'A bubbling cauldron of illicit desire' Daily Mail

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After a gap of two years, the 1812 Salamanca Campaign saw Wellington taking the offensive in Spain against Marshal Marmont's Army of Portugal. Marching from the border fortress of Ciudad Rodrigo which fell to the Allies in January, neither commander was willing to take the risk of a general action without a clear tactical advantage. The result were stand-offs as Wellington offered battle on the San Christobal Heights, but once the small French-garrisoned forts left behind in Salamanca fell, Marmont withdrew to the Douro. For over a week the two armies shared cooling waters of the river before Marmont humbugged' Wellington and fell on the Allied left flank at Castrejon. Wellington rushed to the aid of the Light and 4th divisions with the heavy cavalry. Over the following days Marmont dexterously manoeuvred Wellington back towards Salamanca, with both armies within cannon shot still not risking battle. When it seemed Wellington would have to march back to the safety of Portugal, Marmont finally made a mistake on the plains south of Salamanca on 22 July 1812, by allowing his army to become over extended. Wellington saw what was happening and after weeks of marching and counter marching, the battle the soldiers earnestly hoped for was on. In the past it has been difficult to place the fighting on the ground in the centre of the Salamanca battlefield, where vast clouds of smoke and dust that rolled along the basin' obscured vision even for those fighting. Supplementing their letters, diaries and memoires with modern geographical aids, archaeology and a stout pair of boots, it is now possible to reconcile the sequence of the battle with locations, in a way in which it was not feasible even a few years ago.

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Neil M. Gunn (1891 - 1973) has been widely recognized as the most important novelist of the twentieth-century Scottish Literary Renaissance. Most of his novels are still in print and they continue to find in each generation an enthusiastic popular and academic readership. His novels have been adopted for cinema, television and radio and they have had an important influence on contemporary Scottish writers such as James Robertson. What is perhaps less well known is Gunn's role in the development of contemporary Scottish nationalism as both activist and thinker. Not that he would have agreed to such a division as he believed in a seamless commitment to the goal of a fairer and more equitable Scotland through the delivery of election leaflets and the setting out of the intellectual case for independence. Gunn was instrumental in the foundation of the contemporary SNP, through the bringing together of disparate groups in favour of independence, and continued to play a part in its development and in the development of the Highlands and Islands throughout his life.This collection of essays on Gunn's involvement in politics and his ideas about nation and nationalism represents a guide to both for the reader of his novels and those interested in contemporary political developments in Scotland. Alistair McCleery draws parallels between the situation in 1931, using Gunn's account of it in his diary, and the present day. Michael Russell, Cabinet Secretary for Education and Lifelong Learning, examines Gunn's debt to Ireland, the role of the writer in nationalism, and the need for Scottish literature within the Scottish curriculum. Ewen Cameron, now Professor of History at Edinburgh University, considers the gaps in his own school education in the Highlands and how he was led to fill them through an enthusiastic teacher leading him to Gunn's novels and thereby to the history and culture of his own locality. Dairmid Gunn draws on his intimate knowledge of his uncle to provide an account of his home in Inverness as a centre for lively company and stimulating discussion of art and politics. This picture is reinforced in the late Neil MacCormick's memoir of Gunn and the influence he had on John MacCormick, his father.The collection also contains two of Gunn's essays on writing and politics as well as a complete bibliography of his political writings by Christopher Stokoe.The collection as a whole is timely in its contribution to understanding of Scottish nationalism just under a year before the Scottish people come to decide, as Gunn hoped they would have the opportunity to, on Scotland's future as an independent state or not.

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Beginning his career on a lark as a freelance contributor to SCRABBLE News, John D. Williams fell down a rabbit hole inhabited by gamers, geeks, and the grammar police. For twenty-five years, as the executive director of the National SCRABBLE Association, Williams served as the official spokesperson for the game, and as the middleman between legions of fanatical word-game fans and the official brand. Now Word Nerd takes readers inside the byzantine, dog-eat-dog world of top tournament players, creating a piquant (seven-letter word, 68 points!) work that is part pop-cultural history, part anthropological study. Indeed, what Christopher Guest did for the world of dog shows in his film Best in Show, Williams does for the world of competitive word games in this funny and perfectly observed memoir. As readers will discover, Word Nerd explores anagrams, palindromes, the highest-scoring SCRABBLE plays of all time, the birth of the World SCRABBLE Championship, as well as many of the more colorful figures that inhabit this subculture. Die-hard word fans will find invaluable tips on how top players see their boards and racks to come up with the best play, how they prepare, and the psychology of tournament competition. Those uninitiated in the mysteries of SCRABBLE mania will find a delightful, madcap memoir about all the fun people have with language and how words shape our lives and culture in unexpected ways. Whether reminiscing about past national champions, detailing the controversy over efforts to purge the Official SCRABBLE Players Dictionary of all offensive words, opining on the number of vowelless words that are allowable (cmw for a Welsh deep-walled basin or nth for the ultimate degree), noting how long it takes a word to get into a dictionary, or explaining why there remain more male than female champions, Williams crafts a loving tribute to words and the games people play with them. Word Nerd will fascinate both amateurs and seasoned experts alike.

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When the UN invaded the Freehold of Grainne, the intent was simple: Force a noncompliant star nation back into the collective. What the politicians hadn't accounted for was that the Freehold had spent 200 years as the haven for every independent, rebellious, self-reliant adventurer in human space. Its military are scattered remnants, its bases smoking ruins, its cities occupied. But Grainne and its space habitats have resources beyond measure. Retired intelligence agents, disabled veterans, animal handlers, petty smugglers, half-lame computer specialists, research scientists, professional duellists, all have one goal in mind: Make the invaders suffer for their presumption. This isn't just resistance. It's vengeance. Stories by: Larry Correia Michael Z. Williamson Brad R. Torgersen Mike Massa Kacey Ezell Robert E. Hampson John F. Holmes Marisa Wolf Justin Watson Jason Cordova Jamie Ibson Jessica Schlenker Christopher Dinote Philip Wohlrab Rob Reed Chris Smith Praise for Forged in Blood: “The anthology celebrates soldiers and their tools. . . . Most of all, it celebrates warriors and the stuff that makes them so—the mettle more than the metal.”—Tangent "Fans of combat science fiction will find this collection irresistible…an entertaining and engaging book."—The Daily News of Galveston County About Michael Z. Williamson: “A fast-paced, compulsive read . . . will appeal to fans of John Ringo, David Drake, Lois McMaster Bujold, and David Weber.”—Kliatt “Williamson's military expertise is impressive.”—SF Reviews Novels of Michael Z. Williamson's Freehold Universe: Freehold series Freehold The Weapon The Rogue Contact with Chaos Angeleyes Freehold: Forged in Blood Ripple Creek series Better to Beg Forgiveness . . . Do Unto Others . . . When Diplomacy Fails . . . Standalone A Long Time Until Now

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Spain’s American empire began as the serendipitous outgrowth of the search for a shortcut to China. That search derived from two mid-fifteenth-century developments: the Ming Dynasty’s decision to adopt a silver standard for its medium of exchange and the Ottoman Turks’ capture of Constantinople in 1453. China’s great demand for silver and the disruption of the Silk Road drove the need to find alternative access to China. King John II of Portugal sent explorers southward along the coast of Africa and thence to the Orient, but Ferdinand and Isabella sent Christopher Columbus westward, believing he would find a shorter route.A persistent if disorderly push by Spanish conquistadors led to the discovery of previously unknown civilizations, including the empires of the Aztecs and the Incas. The search for a short-cut to China became bound up with the seizure of the riches held by native populations. Although the conquistadors were vastly outnumbered, their superior technology—steel swords, armor, war horses, and firearms—concomitant with diseases that accompanied them, enabled them to subdue native American peoples and confiscate their wealth.The aftermath was fraught with complications and strife. Crown- appointed governors came into conflict with the conquistadors. Distances were great, and the governors tended to place their interests over those of the King. Cortez conquered the Aztecs despite the governor’s attempts to prevent his campaign. Bureaucratic interference bedeviled Francisco Pizzaro’s campaign against the Incas, which, nonetheless, contributed more to the wealth of his country than any other conquistador’s exploits. Ultimately, the vast wealth of the Americas would fuel Spain and its Empire for nearly two centuries.

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For Augustine, that the Word became flesh transformed a merely human understanding of the virtues and grounds all virtue in humility. The Way of Humility: Augustine's Theology of Preaching explores how this truth became a new paradigm for understanding the scriptures and thus, how Augustine embodied the virtue in the preaching of the scriptures. One of Augustine's most devoted students, Possidius, said that anyone can learn from reading Augustine, but ""those were able to profit still more who could hear him speak in church and see him with their own eyes. Truly, he was indeed one of those of whom it is written, 'speak this way and act the same way.'"" The Way of Humility searches for evidence of the virtue of humility in action through the preaching of the humble Word in the sermons of Augustine.Many know of Augustine through his more famous treatises but few have encountered the Doctor of Grace where he had his most immediate impact, preaching. The Way of Humility follows the sermons through several traditional theological loci, ecclesiology, Christology, soteriology to uncover what can be learned about Augustine's theology through the way he preached to a mixed audience of urbanites and rustics, many of whom did not have the benefit of a formal education. Throughout the book, we see the interplay between Augustine's action in speech and Augustine's more direct statements on his theology of Preaching. Through handing over Christ in his sermons, he became himself an example of humility for the congregation on their journey toward the final end for all people, the Beatific Vision.

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Taking a novel approach to the military history of the post-Civil War West, distinguished historian Robert M. Utley examines the careers of seven military leaders who served as major generals for the Union in the Civil War, then as brigadier generals in command of the U.S. Army's western departments. By examining both periods in their careers, Utley makes a unique contribution in delineating these commanders' strengths and weaknesses. While some of the book's subjects - notably Generals George Crook and Nelson A. Miles - are well known, most are no longer widely remembered. Yet their actions were critical in the expansion of federal control in the West. The commanders effected the final subjugation of American Indian tribal groups, exercising direct oversight of troops in the field as they fought the wars that would bring Indians under military and government control. After introducing readers to postwar army doctrine, organization, and administration, Utley takes each general in turn, describing his background, personality, eccentricities, and command style and presenting the rudiments of the campaigns he prosecuted. Crook embodied the ideal field general, personally leading his troops in their operations, though with varying success. Christopher C. Augur and John Pope, in contrast, preferred to command from their desks in department headquarters, an approach that led both of them to victory on the battlefield. And Miles, while perhaps the frontier army's most detestable officer, was also its most successful in the field. Rounding out the book with an objective comparison of all eight generals' performance records, Utley offers keen insights into their influence on the U.S. military as an institution and on the development of the American West.

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Examines Mendelssohn's relationship to the past, shedding light on the construction of historical legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death. By upbringing, family connections, and education, Felix Mendelssohn was ideally positioned to contribute to the historical legacies of the German people, who in the aftermath of the Napoleonic Wars discovered that they were a nation with a distinct culture. The number of cultural icons of German nationalism that Mendelssohn "discovered," promoted, or was asked to promote (by way of commissions) in his compositions is striking: Gutenberg and the invention of the printing press, Dürer and Nuremberg, Luther and the Augsburg Confession as the manifesto of Protestantism, Bach and the St. Matthew Passion, Beethoven and his claims to universal brotherhood. The essays in thisvolume investigate from a variety of perspectives Mendelssohn's relationship to the music of the past, including the significance of Bach's music for the Mendelssohn family, the homages to Bach in Mendelssohn's organ compositions,the influence of Beethoven in the Reformation Symphony, and Mendelssohn's reception and use of Handel's oratorios. Together, the essays shed light on the construction of legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death in 1847. Contributors: Celia Applegate, John Michael Cooper, Hans Davidsson, Wm. A. Little, Peter Mercer-Taylor, Siegwart Reichwald, Glenn Stanley, Russell Stinson, Benedict Taylor, Nicholas Thistlethwaite, Jürgen Thym, R. Larry Todd, Christoph Wolff Jürgen Thym is professor emeritus of musicology at the Eastman School of Music and editor of Of Poetry and Song: Approaches tothe Nineteenth-Century Lied (University of Rochester Press, 2010).

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Claude Debussy's Paris was factionalized, politicized, and litigious. It was against this background of ferment and change--which characterized French society and music from the Franco-Prussian War to World War I--that Debussy re-thought music. This book captures the complexity of the composer's restless personal and artistic identity within the new picture emerging of the musical, social, and political world of fin-de-siecle Paris. Debussy's setting did not simply mold his style. Rather, it challenged him to define a style and then to revamp it again and again as he situated himself simultaneously via the present and the past. These essays trace Debussy's perpetual reinvention, both social and creative, from his earliest to his last works. They explore tensions and contradictions in his best-known compositions and examine lesser-known pieces that reveal new aspects of Debussy's creative appropriation from poetry, painting, and non-Western music. The contributors reveal the extent to which Debussy's personal and professional lives were intertwined and sometimes in conflict. Belonging to no one group or class, but crossing many, Debussy abjured the orthodox. A maverick who reviled all convention and searched for a music that authentically reflected experience, Debussy balked at entering any situation--salons, musical societies, or factions--that would categorize and thus distort him. Because of this, music lovers still argue over the degree to which Debussy's music is Impressionist, symbolist, or even French. Aptly, the volume's editor reads Debussy's last works as a dialogue with himself that reflects his inherently pluralistic, paradoxical, negotiated, and ever-changing identity. William Austin's description of Debussy as "one of the most original and adventurous musicians who ever lived" is often repeated. This book illustrates how right Austin was and shows why Debussy's unclassifiable art continues to fascinate and perplex his historians even as it enthralls new listeners. The contributors are Leon Botstein, Christophe Charle, John Clevenger, Jane F. Fulcher, David Grayson, Brian Hart, Gail Hilson-Woldu, and Marie Rolf.

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If you love Helen Hoang, Abby Jimenez and Talia Hibbert, you'll LOVE Farrah Rochon!One of Cosmopolitan's '12 Books You'll Be Desperate to Read This Summer' and one of Oprah Magazine's Best Romances of 2020!'A prime example of how complex and insightful romances can be' Jasmine Guillory'Relatable and real... I smiled the whole time I was reading' Andie J. Christopher'The free-spirited, tell-it-like-it-is page-turner you've been looking for!' Kwana JacksonWhat happens when three women discover, thanks to the live tweeting of a disastrous date, that they've all been duped by the same man? They become friends of course!Three friends. One pact. And a temptation to break the rules... Samiah Brooks never thought she would be 'that' girl. But a live tweet of a horrific date reveals the painful truth: she's been catfished by her three-timing jerk of a boyfriend. Suddenly Samiah - along with the two other 'girlfriends', London and Taylor - have gone viral. Now the three new besties are making a six-month pact: no men, no dating, just time to focus on themselves. This means Samiah can finally focus on her exciting career in app development - so having the deliciously sexy and distracting Daniel Collins walk into her office definitely isn't part of her plan... But is Daniel really boyfriend material - or is he simply too good to be true?'A multilayered story about friendship, love, and following your dreams - all of it told with heart and emotion' Nalini Singh'Funny, fresh, sexy, and heartfelt. This is my new favorite romance series' Suzanne Brockmann'A smart, funny digital-age romance about real women living in the real world. Couldn't put it down!' Abby Jimenez'A masterpiece of modern-day Jane Austen with effortless, razor-sharp social commentary, romance, and humor. Farrah Rochon is one of the absolute best romance writers today. Period' Kristan Higgins'Swoon-worthy romance, the power of true friendship, and a grand gesture that makes your heart sigh with pure satisfaction. Absolutely a must-read summer romance!' Priscilla Oliveras'Rochon is a romance master who adeptly writes interesting and dynamic characters... A richly layered conflict adds depth and complexity to this charming workplace romance' Kirkus

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'Satisfying and entertaining.' - RT Book Reviews'Entertaining.... Holt has a zany humor that will appeal to fans of Terry Pratchett and Christopher Moore.' - Library JournalA HAPPY WORKFORCE, IT IS SAID, IS A PRODUCTIVE WORKFORCE.Try telling that to an army of belligerent goblins. Or the Big Bad Wolf. Or a professional dragon slayer. Who is looking after their well-being? Who gives a damn about their intolerable working conditions, lack of adequate health insurance, and terrible coffee in the canteen?Thankfully, with access to an astonishingly diverse workforce and limitless natural resources, maximizing revenue and improving operating profit has never really been an issue for the one they call 'the Wizard.' Until now.Because now a perfectly good business model-based on sound fiscal planning, entrepreneurial flair, and only one or two of the infinite parallel worlds that make up our universe-is about to be disrupted by a young man not entirely aware of what's going on.There's also a slight risk that the fabric of reality will be torn to shreds. You really do have to be awfully careful with these things.A story of overlords, underlings and inhuman resources, The Outsorcerer's Apprentice isthe hilarious new novel from comic fantasist Tom Holt.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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A HISTORY OF THE MEDICINES WE TAKE gives a lively account of the development of medicines from traces of herbs found with the remains of Neanderthal man, to prescriptions written on clay tablets from Mesopotamia in the third millennium BC, to pure drugs extracted from plants in the nineteenth century to the latest biotechnology antibody products. The first ten chapters of the book in PART ONE give an account of the development of the active drugs from herbs used in early medicine, many of which are still in use, to the synthetic chemical drugs and modern biotechnology products. The remaining eight chapters in PART TWO tell the story of the developments in the preparations that patients take and their inventors, such as Christopher Wren, who gave the first intravenous injection in 1656, and William Brockedon who invented the tablet in 1843\. The book traces the changes in patterns of prescribing from simple dosage forms, such as liquid mixtures, pills, ointments, lotions, poultices, powders for treating wounds, inhalations, eye drops, enemas, pessaries and suppositories mentioned in the Egyptian Ebers papyrus of 1550 BCE to the complex tablets, injections and inhalers in current use. Today nearly three-quarters of medicines dispensed to patients are tablets and capsules. A typical pharmacy now dispenses about as many prescriptions in a working day as a mid-nineteenth- century chemist did in a whole year.

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'There was Tolkien, there is Pullman and now there is Katherine Rundell. Wondrous invention, marvellous writing.' – Michael Morpurgo ‘Rundell’s first foray into fantasy is both a deft, rich homage to the greats of children’s literature and an absorbing, profoundly poignant quest story for those aged 9+ – quite possibly her best yet’ – The Guardian 'A book stuffed full of fantastical, magical delight, and a world of richly imagined wonder' – Cressida Cowell * WATERSTONES BOOK OF THE YEAR WINNER * BOOKS ARE MY BAG READERS' AWARD WINNER * FOYLES CHILDREN'S BOOK OF THE YEAR * SHORTLISTED FOR AMAZON KIDS AND YA BOOK OF THE YEAR * THE TIMES CHILDREN'S BOOK OF THE WEEK * THE INDEPENDENT CHILDREN'S BOOK OF THE WEEK * THE DAILY TELEGRAPH CHILDREN'S BOOK OF THE WEEK * SUNDAY TIMES BESTSELLER There’s a place where all the wildest stories began … From Katherine Rundell, winner of the Costa Children’s Book Award, the Blue Peter Book Award and the Waterstones Children’s Book Prize comes the first novel in a landmark trilogy for 9+ fans of His Dark Materials Christopher is stunned when he discovers a passage to the Archipelago: a cluster of magical islands where all the creatures of myth still live and breed and thrive in their thousands. There he meets Mal: a girl from the islands, who is in possession of a flying coat and a baby griffin, and who is being pursued by a killer. Together they embark on an urgent quest to discover why the creatures are suddenly perishing, voyaging across the wild splendour of the Archipelago, where sphinxes hold secrets and centaurs do murder, in a bid to save both the islands and the world beyond them from a rising evil – before it's too late. 'A marvellous, imaginative fantasy told with great style and sparkle – a book to race through in a day and keep for a lifetime' – Jacqueline Wilson 'The world of this new book is so intriguing and so well put together that I couldn’t resist it. Readers who already know her books will seize this with delight, and new readers will love it and demand all her others at once' - Philip Pullman 'Katherine Rundell is a phenomenon.' – Neil Gaiman ‘A masterpiece to rival Tolkien and Pullman’ – The Daily Telegraph 'Fantastically exuberant, wildly imaginative, impossibly brilliant. Rundell’s best, which is something to be marvelled at' – Kiran Millwood Hargrave 'Between the covers of Impossible Creatures is a world as enchanting, as perilous, as richly imagined as Narnia or Middle Earth' – Frank Cottrell-Boyce ‘Rundell's book packs a punch with imagination and creativity in its purest form. She has created a story with potential to be adored by fantasy lovers for years to come’ – The Independent 'With a delightful cast of characters, breathless adventure, and an abundance of myth and magic, Impossible Creatures offers the very best of fantasy' – Aisha Bushby 'A fierce, fantastic, wild-hearted adventure that roars and bristles with imagination. I devoured it like a hungry dragon' – Sam Sedgman 'A rare and remarkable feat of glittering imagination from a truly masterful storyteller' – Catherine Doyle 'The action is gripping. Every sentence sparkles. You can feel the flutter of griffin feathers and the menace of strange poisonous shrews. Magnificent’ – The Times ‘Surely the next classic’ – The I 'My Book of the Year' – Lauren St. John

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What do our myths say about us? Why do we choose to believe stories that have been disproven? David M. Krueger takes an in-depth look at a legend that held tremendous power in one corner of Minnesota, helping to define both a community’s and a state’s identity for decades.In 1898, a Swedish immigrant farmer claimed to have discovered a large rock with writing carved into its surface in a field near Kensington, Minnesota. The writing told a North American origin story, predating Christopher Columbus’s exploration, in which Viking missionaries reached what is now Minnesota in 1362 only to be massacred by Indians. The tale’s credibility was quickly challenged and ultimately undermined by experts, but the myth took hold.Faith in the authenticity of the Kensington Rune Stone was a crucial part of the local Nordic identity. Accepted and proclaimed as truth, the story of the Rune Stone recast Native Americans as villains. The community used the account as the basis for civic celebrations for years, and advocates for the stone continue to promote its validity despite the overwhelming evidence that it was a hoax. Krueger puts this stubborn conviction in context and shows how confidence in the legitimacy of the stone has deep implications for a wide variety of Minnesotans who embraced it, including Scandinavian immigrants, Catholics, small-town boosters, and those who desired to commemorate the white settlers who died in the Dakota War of 1862.Krueger demonstrates how the resilient belief in the Rune Stone is a form of civil religion, with aspects that defy logic but illustrate how communities characterize themselves. He reveals something unique about America’s preoccupation with divine right and its troubled way of coming to terms with the history of the continent’s first residents. By considering who is included, who is left out, and how heroes and villains are created in the stories we tell about the past, Myths of the Rune Stone offers an enlightening perspective on not just Minnesota but the United States as well.

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Since the Enlightenment, the idea of progress has spanned right- and left-wing politics, secular and spiritual philosophy, and most every school of art or culture. The belief that humans are capable of making lasting improvements—intellectual, scientific, material, moral, and cultural—continues to be a commonplace of our age. However, events of the preceding century, including but not limited to two world wars, conflicts in Korea and Vietnam, the spread of communism across Eastern Europe and parts of Asia, violent nationalism in the Balkans, and genocides in Cambodia and Rwanda, have called into question this faith in the continued advancement of humankind. In A Road to Nowhere, Matthew W. Slaboch argues that political theorists should entertain the possibility that long-term, continued progress may be more fiction than reality. He examines the work of German philosophers Arthur Schopenhauer and Oswald Spengler, Russian novelists Leo Tolstoy and Aleksandr Solzhenitsyn, and American historians Henry Adams and Christopher Lasch—rare skeptics of the idea of progress who have much to engage political theory, a field dominated by historical optimists. Looking at the figures of Schopenhauer, Tolstoy, and Adams, Slaboch considers the ways in which they defined progress and their reasons for doubting that their cultures, or the world, were progressing. He compares Germany, Russia, and the United States to illustrate how these nineteenth-century critics of the idea of progress contributed to or helped forestall the emergence of forms of government that came to be associated with each country: fascism, communism, and democratic capitalism, respectively. Turning to Spengler, Solzhenitsyn, and Lasch, Slaboch explores the contemporary relevance of the critique of progress and the arguments for and against political engagement in the face of uncertain improvement, one-way inevitable decline, or unending cycles of advancement and decay. A Road to Nowhere concludes that these notable naysayers were not mere defeatists and presents their varied prescriptions for individual and social action.

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Both a frightening apocalyptic story set in the southern United States and a character-focused, deeply moving literary thriller.What would happen if technology all over the world suddenly stopped working? When a strange new star appears in the sky, human life instantly grinds to a halt. Across the world, anything and everything electronic stops working completely. At first, the event seems like a bizarre miracle to Seth Black—it interrupts his suicide attempt and erases gambling debt that threatened to destroy his family. But when Seth and his wife, Natalie, realize the electricity isn't coming back on, that their food supplies won't last, they begin to wonder how they and their two sons will survive. Meanwhile, screenwriter Thomas Phillips—an old friend of Natalie’s—has just picked up Skylar Stover, star of his new movie, at the airport when his phone goes dead and planes begin to fall from the sky. Thomas has just completed a script about a similar electromagnetic event that ended the world. Now, he's one of the few who recognizes what's happening and where it will lead. When Thomas and Skylar decide to rescue Natalie and Seth, the unwilling group must attempt to survive together as the world falls apart. They try to hide in Thomas's home and avoid desperate neighbors, but fear they’ll soon be roaming the streets with starving refugees and angry vigilantes intent on forming new governments. It’s all they can do to hold on to each other and their humanity. Yet all the while, unbeknownst to them, Aiden Christopher—a bitter and malignant man leveraging a crumbling society to live out his darkest, most amoral fantasies—is fighting to survive as well. And he's on a collision course with Thomas, Skylar, and the Black family…

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Exploring the broad implications of evolutionary theorist Lynn Margulis’s work, this collection brings together specialists across a range of disciplines, from paleontology, molecular biology, evolutionary theory, and geobiology to developmental systems theory, archaeology, history of science, cultural science studies, and literature and science. Addressing the multiple themes that animated Margulis’s science, the essays within take up, variously, astrobiology and the origin of life, ecology and symbiosis from the microbial to the planetary scale, the coupled interactions of earthly environments and evolving life in Gaia theory and earth system science, and the connections of these newer scientific ideas to cultural and creative productions. Dorion Sagan acquaints the reader with salient issues in Lynn Margulis’s scientific work, the controversies they raised, and the vocabulary necessary to follow the arguments. Sankar Chatterjee synthesizes several strands of current theory for the origin of life on earth. James Strick tells the intertwined origin stories of James Lovelock’s Gaia hypothesis and Margulis’s serial endosymbiosis theory. Jan Sapp explores the distinct phylogenetic visions of Margulis and Carl Woese. Susan Squier examines the epigenetics of embryologist and developmental biologist C. H. Waddington. Bruce Clarke studies the convergence of ecosystem ecology, systems theory, and science fiction between the 1960s and the 1980s. James Shapiro discusses the genome evolution that results not from random changes but rather from active cell processes. Susan Oyama shows how the concept of development balances an over-emphasis on genetic coding and other deterministic schemas. Christopher Witmore studies the ways in which a concentrated animal feeding operation, or CAFO, mixes up natural resources, animal lives, and human appetites. And Peter Westbroek brings the insights of earth system science toward a new worldview essential for a proper response to global change.

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‘A gripping and compelling account…. The peaceful ending of the Cold War between West and East remains one of the greatest achievements of modern statecraft’ CHRISTOPHER ANDREW, Literary Review This landmark global study makes us rethink what happened when the Cold War ended and our present era was born. The world changed dramatically as the Berlin Wall fell and protest turned to massacre in Tiananmen Square. Now, with deft analysis and a wealth of newly declassified archival sources, historian Kristina Spohr offers a bold and novel interpretation of the revolutionary upheaval of 1989 and, how in its aftermath, a new world order was forged without major conflict. The Post-Wall world, Spohr argues, was brought about in significant measure through the determined diplomacy of a small cohort of international leaders. They engaged in tough but cooperative negotiation and worked together to reinvent the institutions of the Cold War. Exploring this extraordinary historical moment, Spohr offers a major reappraisal of US President George H. W. Bush and innovative assessments of Soviet leader Mikhail Gorbachev, British Prime Minister Margaret Thatcher, German Chancellor Helmut Kohl, and President François Mitterrand of France. But the transformation of Europe must be understood in global context. Spohr elegantly weaves together the Western and Asian timelines to revelatory effect, by contrasting events in Berlin and Moscow with the story in Beijing, where the pro-democracy movement was brutally suppressed by Deng Xiaoping. Post Square, he pushed through China’s very different Communist reinvention. Meticulously researched and brilliantly original, Post Wall, Post Square provides an authoritative contemporary history of those crucial hinge years of 1989-1992 and their implications for our times. The world of Putin, Trump and Xi, with a fractious European Union, rogue states and the crisis of mass migration has its roots in the global exit from the Cold War.

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Edited by Peter Worley with chapters by: Harry Adamson, Peter Adamson, Alfred Archer, Saray Ayala, Grant Bartley, David Birch, Peter Cave, Miriam Cohen Christofidis, Philip Cowell, James Davy, Andrew Day, Georgina Donati, Claire Field, Berys Gaut, Morag Gaut, Philip Gaydon, Nolen Gertz, A. C. Grayling, Michael Hand, Angie Hobbs, David Jenkins, Milosh Jeremic, Lisa McNulty, Sofia Nikolidaki, Martin Pallister, Andrew Routledge, Anja Steinbauer, Dan Sumners, Roger Sutcliffe, John L. Taylor, Amie L. Thomasson, Robert Torrington, Andy West, Guy J. Williams, Emma Williams, Emma Worley, Peter Worley. The Philosophy Shop is a veritable emporium of philosophical puzzles and challenges to develop thinking in and out of the classroom. Imagine a one-stop shop stacked to the rafters with everything you could ever want, to enable you to tap into young people's natural curiosity and get them thinking deeply. Well, this is it! Edited by philosophy in schools expert, Peter Worley and with contributions from philosophers from around the world, The Philosophy Shop is jam-packed with ideas to get anyone thinking philosophically from children and young people to adults. For use in the classroom, at after school clubs, in philosophy departments and philosophy groups or even for the lone reader, this book will appeal to anyone who likes to think. Take it on journeys and dip in; use it as a classroom starter activity, or for a full philosophical enquiry - it could even be used to steer pub, dinner party or family discussions away from the same old topics. The proceeds of the book are going towards The Philosophy Foundation, a charity bringing philosophy to schools and communities. This book is also available in paperback edition, ISBN 9781781352649. Winner of the Education Resources Awards 2013, Educational Book Award category Foreword Reviews Book of the Year Winner, Philosophy (Adult Nonfiction)

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Pope John Paul II is the second-longest serving pope in history and the longest serving pope of the last century. His presence has thrown a long shadow across our time, and his influence on Catholics and non-Catholics throughout the world cannot be denied. Much has been written about this pope, but until now, no one has provided a systematic and thorough analysis of the moral theology that underlies his moral teachings and its astonishing influence. And no one is better positioned to do this than Charles E. Curran, widely recognized as the leading American Catholic moral theologian. Curran focuses on the authoritative statements, specifically the fourteen papal encyclicals the pope has written over the past twenty-five years, to examine how well the pope has addressed the broad issues and problems in the Church today. Curran begins with a discussion of the theological presuppositions of John Paul II's moral teaching and moral theology. Subsequent chapters address his theological methodology, his ethical methodology, and his fundamental moral theology together with his understanding of human life. Finally, Curran deals with the specific issues of globalization, marriage, conscience, human acts, and the many issues involved in social and sexual ethics. While finding much to admire, Curran is nonetheless fiercely precise in his analysis and rigorously thoughtful in his criticism of much of the methodological aspects of the pope's moral theology - in his use of scripture, tradition, and previous hierarchical teaching; in theological aspects including Christology, eschatology, and the validity of human sources of moral wisdom and knowledge; and in anthropology, the ethical model, and natural law. Brilliantly constructed and fearlessly argued, this will be the definitive measure of Pope John Paul II's moral theology for years to come.

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Spiraling into God: Bonaventure on Grace, Hierarchy, and Holiness offers a systematic account of the Seraphic Doctor's doctrine of grace across his speculative-academic, mystical, hagiographical, and pastoral texts. It does so by arguing that an account of this kind can only be provided by also attending to his theology of hierarchy, a methodology derived from Bonaventure's claim in the Major Legend of St. Francis that Francis of Assisi was a "vir hierarchicus," or hierarchical man. As the book explores in great depth, this appellation relies upon Bonaventure's reading of a Victorine Dionysian interpreter by the name of Thomas Gallus, whose "angelic anthropology"—or notion of the hierarchical soul—becomes a crucial component within the Seraphic Doctor's teaching on grace as he interprets the sanctity of St. Francis. Throughout the course of his career, Bonaventure will define sanctifying grace as a created "inflowing" (influential) that "hierarchizes" human beings by purifying, illuminating, and perfecting them from within, thus causing them to become a similitude of the Trinity. This book explains what this means and why it matters.Most existing scholarship on this subject in Bonaventure's thought interprets it as a subtopic with respect to other themes—for example, with respect to his Christology or his Trinitarian theology—rather than taking the time to understand his doctrine of grace in its own right. Alternatively, scholarly treatments of his doctrine of grace will treat it at length, but will only examine the topic as it appears in his more speculative-academic texts—most especially his Commentary on the Sentences or his famous Itinerarium Mentis in Deum—without bringing these into conversation with his pastoral works, sermon literature, or hagiographical texts. Spiraling Into God provides the first unified treatment of Bonaventure's doctrine of grace across all these different genres of his known corpus, and in so doing, fills a massive lacuna in both Bonaventurean scholarship and in the field of medieval historical theology.

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Hours after the collapse of the Twin Towers, the idea that the September 11 attacks had “changed everything” permeated American popular and political discussion. In the period since then, the events of September 11 have been used to justify profound changes in U.S. public policy and foreign relations. Bringing together leading scholars of history, law, literature, and Islam, September 11 in History asks whether the attacks and their aftermath truly marked a transition in U.S. and world history or whether they are best understood in the context of pre-existing historical trajectories. From a variety of perspectives, the contributors to this collection scrutinize claims about September 11, in terms of both their historical validity and their consequences. Essays range from an analysis of terms like “ground zero,” “homeland,” and “the axis of evil” to an argument that the U.S. naval base at Guantánamo Bay has become a site for acting out a repressed imperial history. Examining the effect of the attacks on Islamic self-identity, one contributor argues that Osama bin Laden enacted an interpretation of Islam on September 11 and asserts that progressive Muslims must respond to it. Other essays focus on the deployment of Orientalist tropes in categorizations of those who “look Middle Eastern,” the blurring of domestic and international law evident in a number of legal developments including the use of military tribunals to prosecute suspected terrorists, and the justifications for and consequences of American unilateralism. This collection ultimately reveals that everything did not change on September 11, 2001, but that some foundations of democratic legitimacy have been significantly eroded by claims that it did.ContributorsKhaled Abou el FadlMary L. DudziakChristopher L. EisgruberLaurence R. HelferSherman A. JacksonAmy B. KaplanElaine Tyler MayLawrence G. SagerRuti G. TeitelLeti VolppMarilyn B. Young

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In the sixteenth-century Atlantic world, nature and culture swirled in people's minds to produce fantastic images. In the South of France, a cloister's painted wooden panels greeted parishioners with vivid depictions of unicorns, dragons, and centaurs, while Mayans in the Yucatan created openings to buildings that resembled a fierce animal's jaws, known to archaeologists as serpent-column portals. In Nature and Culture in the Early Modern Atlantic, historian Peter C. Mancall reveals how Europeans and Native Americans thought about a natural world undergoing rapid change in the century following the historic voyages of Christopher Columbus. Through innovative use of oral history and folklore maintained for centuries by Native Americans, as well as original use of spectacular manuscript atlases, paintings that depict on-the-spot European representations of nature, and texts that circulated imperfectly across the ocean, he reveals how the encounter between the old world and the new changed the fate of millions of individuals. This inspired work of Atlantic, European, and American history begins with medieval concepts of nature and ends in an age when the printed book became the primary avenue for the dissemination of scientific information. Throughout the sixteenth century, the borders between the natural world and the supernatural were more porous than modern readers might realize. Native Americans and Europeans alike thought about monsters, spirits, and insects in considerable depth. In Mancall's vivid narrative, the modern world emerged as a result of the myriad encounters between peoples who inhabited the Atlantic basin in this period. The centuries that followed can be comprehended only by exploring how culture in its many forms—stories, paintings, books—shaped human understanding of the natural world.

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A common misconception holds that Marco Polo "opened up" a closed and recalcitrant "Orient" to the West. However, this sweeping history covering 4,000 years of international relations from the perspective of China, Japan, Korea, and Southeast Asia shows that the region's extensive involvement in world affairs began thousands of years ago. In a time when the writing of history is increasingly specialized, Warren I. Cohen has made a bold move against the grain. In broad but revealing brushstrokes, he paints a huge canvas of East Asia's place in world affairs throughout four millennia. Just as Cohen thinks broadly across time, so too, he defines the boundaries of East Asia liberally, looking beyond China, Japan, and Korea to include Southeast Asia. In addition, Cohen stretches the scope of international relations beyond its usual limitations to consider the vital role of cultural and economic exchanges. Within this vast framework, Cohen explores the system of Chinese domination in the ancient world, the exchanges between East Asia and the Islamic world from the thirteenth to the seventeenth centuries, and the emergence of a European-defined international system in the eighteenth and nineteenth centuries. The book covers the new imperialism of the 1890s, the Manchurian crisis of the early 1930s, the ascendancy of Japan, the trials of World War II, the drama of the Cold War, and the fleeting "Asian Century" from the mid-1970s to the mid-1990s. East Asia at the Center is replete with often-overlooked or little-known facts, such as: * A record of persistent Chinese imperialism in the region * Tibet's status as a major power from the 7th to the 9th centuries C.E., when it frequently invaded China and decimated Chinese armies * Japan's profound dependence on Korea for its early cultural development * The enormous influence of Indian cuisine on that of China * Egyptian and Ottoman military aid to their Muslim brethren in India and Sumatra against European powers * Extensive Chinese sea voyages to Arabia and East Africa-long before such famous Westerners as Vasco da Gama and Christopher Columbus took to the seas East Asia at the Center's expansive historical view puts the trials and advances of the past four millennia into perspective, showing that East Asia has often been preeminent on the world stage-and conjecturing that it might be so again in the not-so-distant future.

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"Sony vs. Samsung is business history at its best! It explores the divergent fortunes of these two electronics giants in the last decade and identifies the true reasons behind Sony's decline and Samsung's rise. Contrary to popular belief, Chang shows that success (or failure) does not simply arise from different strategies. Rather, it emerges from major decisions that are deeply rooted in the companies' organizational processes and their executives' political behavior. This book is a must-read for any senior executive." —Constantinos Markides, Robert P. Bauman Professor of Strategic Leadership and Chairman, Strategy Department, London Business School "Sea-Jin Chang has produced that rarity in a business book--one that is as valuable to practicing managers as it is insightful to academic researchers. In this fascinating comparison of two modern global giants, he applies his high resolution research microscope to their changing fortunes by dissecting their contrasting strategies, and providing interesting insights into their divergent organizational processes and management practices. This is a very valuable contribution to the international business literature. It will end up in as many corporate boardrooms as faculty seminars." —Christopher A. Bartlett, Thomas D. Casserly Professor Emeritus, Harvard Business School "Sea-Jin Chang has written a fascinating comparison of Sony and Samsung that will be valuable to anyone interested in strategy, organizations or international business. The interwoven and very detailed case studies of two very different companies in overlapping industries illuminate problems such as adaptation to technological change (analog to digital), organizational flexibility and globalization. His attempt to analyze both strategic development and implementation is successful and very useful. Both academics and practitioners will learn a lot from this book." —Stephen J. Kobrin, William Wurster Professor of Multinational Management, The Wharton School, University of Pennsylvania "Refreshingly original and entertaining, this book analyzes major strategic decisions of Samsung and Sony and highlights organizational processes and top management leadership that have shaped their performances. This is a must-read for all executives who want to understand the strengths and weaknesses of Asian competitors. It also provides penetrating insights to other Asian companies with global ambitions." —Myoung Woo Lee, President and CEO, iriver

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**Winner of the Pulitzer Prize in History** “Extraordinary…a great American biography” (The New Yorker) of the most important African American of the 19th century: Frederick Douglass, the escaped slave who became the greatest orator of his day and one of the leading abolitionists and writers of the era.As a young man Frederick Douglass (1818–1895) escaped from slavery in Baltimore, Maryland. He was fortunate to have been taught to read by his slave owner mistress, and he would go on to become one of the major literary figures of his time. His very existence gave the lie to slave owners: with dignity and great intelligence he bore witness to the brutality of slavery. Initially mentored by William Lloyd Garrison, Douglass spoke widely, using his own story to condemn slavery. By the Civil War, Douglass had become the most famed and widely travelled orator in the nation. In his unique and eloquent voice, written and spoken, Douglass was a fierce critic of the United States as well as a radical patriot. After the war he sometimes argued politically with younger African Americans, but he never forsook either the Republican party or the cause of black civil and political rights. In this “cinematic and deeply engaging” (The New York Times Book Review) biography, David Blight has drawn on new information held in a private collection that few other historian have consulted, as well as recently discovered issues of Douglass’s newspapers. “Absorbing and even moving…a brilliant book that speaks to our own time as well as Douglass’s” (The Wall Street Journal), Blight’s biography tells the fascinating story of Douglass’s two marriages and his complex extended family. “David Blight has written the definitive biography of Frederick Douglass…a powerful portrait of one of the most important American voices of the nineteenth century” (The Boston Globe). In addition to the Pulitzer Prize, Frederick Douglass won the Bancroft, Parkman, Los Angeles Times (biography), Lincoln, Plutarch, and Christopher awards and was named one of the Best Books of 2018 by The New York Times Book Review, The Wall Street Journal, The Boston Globe, The Chicago Tribune, The San Francisco Chronicle, and Time.

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From the stone blade and the fire stick to the latest algorithms of genetic code, we shape our world through the act of design. With its roots in the Renaissance notion disegno, design is the ability not only to make something, but also to conceive of its invention and reflect on its meaning. Whether we valorise it as the democratisation of design or critique it as the perversion of the commodity fetish, designed things are now ubiquitous. Not only things but entire systems must now be designed and objects reconceived and redesigned as mere moments in unfathomably complex ecological flows. The planet itself, and even space beyond, is now presented as a design problem. What does landscape architecture bring to the broader culture of design? What lessons can be learned from other disciplines at the cutting edge of design? What role does design play in a time of transformative technological change? In LA+ Design we move beyond the designed outcome to explore the myths, methods, meanings, and futures of design. Engineer and physicist Adrian Bejan outlines his constructal theory, which predicts natural design and its evolution in engineering, scientific, and social systems. Design researchers Craig Bremner + Paul Rodgers take us through an A Z of design ecology. Architects Lizzie Yarina + Claudia Bode open our eyes to new ways of seeing things through subject-object relations. Jenni Zell explores life as a woman landscape architect through a Kafkaesque lens. Daniel Pittman interviews MoMA's curator of architecture and design, Paola Antonelli. Architect David Salomon explores methods of using data as both fact and fiction. Christopher Marcinkoski interviews Anthony Dunne + Fiona Raby (Dunne + Raby) to discuss how their practice continuously redefines the role of design in society. Thomas Oles challenges stereotypes of landscape architecture s professional identity. Richard Weller discusses the terrarium as the ultimate design experiment. Dane Carlson goes deep into the culture of Nepal s hinterlands to explore new modes and geographies for landscape architecture beyond the first world. Through LA's signage, anthropologist Keith Murphy shows how different groups of people interact with and give meaning to the landscapes they inhabit. Interviewed by Colin Curley, architect Andrés Jaque (Office for Political Innovation) discusses the role of technology and agency of architecture in society today. Game designer Colleen Macklin shows how public space can be redefined and subverted through the agency of play. Javier Arpa interviews urban design guru Winy Maas (MVRDV, The Why Factory) to discuss his views on the future of design and design education. Experimental psychologist Thomas Jacobsen describes current neurological research into the subjectivity of beauty. Landscape architect James Corner talks about the evolution of the profession of landscape architecture in a wide-ranging interview.

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« Pensée de lumignons », tel est le sobriquet forgé par Pierre Magnard pour désigner la si brillante pensée des Lumières. Un lumignon peut être conçu comme une lumière réduite non consciente de sa source. La réduction de la Lumière véritable à la lumière naturelle et finie de l’intelligence humaine serait-elle l’écueil d’après Pierre Magnard de certains penseurs des dites « Lumières » ? Si cette réduction a bien eu lieu notamment au sein du mouvement des Lumières mais aussi ailleurs et à d’autres époques, elle est l’inverse de la reductio médiévale qui est reconduction et concentration plus que réduction simplificatrice. Pour mieux le comprendre, le livre que vous tenez entre vos mains propose un parcours, grâce au fil rouge de la lumière, dans l’œuvre d’un grand auteur médiéval, Giovanni da Fidanza (env. 1217-1274), italien d’origine, devenu par vocation frère mineur sous le nom de Bonaventure, étudiant à Paris, oeuvrant ensuite comme ministre général de l’Ordre franciscain. Le Docteur séraphique (ainsi l’a baptisé l’Eglise catholique) exprime dans tout son Œuvre que le vocable « lumière » ne peut être utilisé uniquement pour parler de la raison humaine, « lumière naturelle », mais qu’il permet bien aussi, et peut-être surtout, de désigner l’être divin, Lumière véritable et unique, présent sous diverses modalités en chaque chose dont l’intelligence humaine. Il perçoit, scrute, pense et nous aide à penser, certes, le rôle épistémique, cosmologique, « esthétique », physique et métaphysique de la lumière mais avec l’évangile, il montre aussi l’importance de la lumière dans la constitution de la théologie et, par la christologie, dans l’anthropologie. Bonaventure, frère de saint François d’Assise, nommé « alter Christus », renvoie ainsi, et pour cause, assez souvent son lecteur ou son auditoire au Christ, si bien nommé dans le quatrième évangile « Lumière du monde ». Que les héritiers de conceptions relayées entre autres par certains modernes qui se sont auto-proclamés « Lumières » parfois jusqu’à la négation de la lumière divine (humanisme athée), héritiers que nous sommes tous, puissent redécouvrir l’origine de toute lumière dont leur propre « lumière naturelle » afin de rayonner d’humilité et de cesser d’être des « lumignons » : tel pourrait être un des nombreux apports de cet ouvrage.

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There are many ways of understanding the reality of the world we live in and experience. Science, philosophy, art all offer us ample descriptions, explanations and intuitions. But Christian believers go beyond all that, for they attempt to understand the origins of the universe in terms of the creation of the world by God. Revelation tells us what God had in mind when he made the world ex nihilo, without presuppositions of any kind. God's Gift of the Universe attempts to present the principal elements and stages of creation theology. The doctrine is to be found fundamentally, of course, in Scripture, both Old and New Testament, which describes the world in the light of God's word. Yet since God actually gave existence to the world, down to the last detail, our reflection on God's word not only explains the reality of creation, how it works, its nature, as science does. It also explains how creation came into being in the mind and heart of the Triune God, and, ultimately, why God created the world.In God's Gift of the Universe, a considerable effort has been spent throughout the book on the Christological and Trinitarian aspects of creation, particularly in the theology of Church Fathers. Creation is presented besides in a deeply eschatological key, for God created the world for purpose of making his glory eternally manifest. The book also considers the way God 'intervenes' in the life of the created world, through conservation in being and providence. The meaning of time, matter and spirit are considered. The need for ecological awareness is central. One aspect of the mystery of creation that receives special attention is the presence of evil in the world. This is of particular importance once we accept that God made the world, whole and entire, thus assuming responsibility for the world as it is. The origin of evil through the sin of spiritual creatures provides the ultimate though not the only explanation of the mystery of evil. Particular consideration is given to the reality of 'original sin'.

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A COMPANION TO SATIRE A COMPANION TO SATIRE “This book forms a substantial contribution to literary studies and is likely to be the standard work on the subject for a decade or two …. The chapters are densely detailed, the vocabulary elevated.”Reference Reviews “This sturdy volume should be of use to a variety of readers from advanced undergraduates to scholars seeking refresher (or crash) courses on either major” Studies in English Literature 1500-1900 “Offering a valuable contribution to the critical study of satire, Quintero has assembled insightful essays by an impressive roster of scholars...This book serves as a cogent, instructive overview of satire.”Choice “This book obviously brings to readers a dazzling variety of topics relating to satire. There is a rich abundance of material here, surely something for everyone. Indeed, the quality of these essays is uniformly high.” Notes and Queries This collection of twenty-nine original essays surveys satire from its emergence in Western literature to the present. The Companion is extraordinary in its historical scope, tracking satire from its first appearances in the prophetic books of the Old Testament through the Renaissance and the English tradition in satire to Michael Moore’s satirical movie Fahrenheit 9/11. While many essays explore literary developments in satire from an historical view, other essays reflect directly on topics such as irony and satire, modes of satirical mockery, the mock-biblical, and the character sketch. All of the contributors are experts published in their field, and all are experienced teachers who can treat complex and rich subjects with insight and clarity. Contributors to this volume: Joseph F. Bartolomeo, W. Scott Blanchard, Frank Boyle, Peter Brier, Valentine Cunningham, Edwin M. Duval, James Engell, Alberta Gatti, Russell Goulbourne, Dustin Griffin, Christopher J. Herr, Thomas Jemielity, Ejner J. Jensen, Steven E. Jones, Claudia Thomas Kairoff, Catherine Keane, Laura Kendrick, José Lanters, Jean I. Marsden, Linda A. Morris, Frank Palmeri, Blanford Parker, Ronald Paulson, Zoja Pavlovskis-Petit, Ruben Quintero, Melinda Alliker Rabb, Timothy Steele, Michael F. Suarez, David F. Venturo.

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In this memoir, Lana Wood investigates the mysterious drowning of her sister, the actress Natalie Wood, and clears up the myths and misconceptions behind one of the most notorious celebrity deaths of our time. On the night of November 29, 1981, Natalie Wood disappeared from her yacht, the Splendour, while visiting Catalina Island with her husband, Robert “R.J.” Wagner and their friend, Christopher Walken. The beloved movie star’s tragic drowning shook America, inspiring troves of magazine covers and media pieces. What was originally believed to be an open-and-shut case of accidental drowning has been called into question over the years, and in 2011 the investigation was reopened. In 2018, at the urging of the public, it was reclassified as “suspicious.”Ever since, the question has remained: What really happened to Natalie Wood?Lana Wood, Natalie’s younger sister, long suspected nefarious circumstances surrounding her sister’s death. Her closest confidante from childhood, Lana stood witness to Natalie’s life: the successes, the heartache, and her deepest pain. But there was tremendous fear about investigating the case. Uncertain of what her own search would unravel, and frightened of the possibilities, Lana stayed silent for years, until she no longer could. She realized she was ignoring what was in front of her, and that the best way to honor her sister's legacy would be uncovering the secrets behind the very end of Natalie’s life.By elucidating previously unknown complications of Natalie’s life, and offering new evidence from key parties involved in the investigation—including the boat’s captain and other witnesses—Little Sister recounts Lana’s search for the truth and brings to light explosive details that have been suppressed for decades. Ranging from the bonds that hold family together, to inconsistencies in interviews with detectives to complications with evidence, this story of sisterhood and mystery presents a fresh perspective on a night that has long been fodder for Hollywood lore.

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"Must-Read Poetry: October 2019" by Nick Ripatrazone, The Millions “Best Books of 2019,” Book Riot This astonishing, self-assured debut leads us on an exploration to the stars and back, begging us to reconsider our boundaries of self, time, space, and knowledge. The speaker writes, “…the universe/is an arrow/without end/and it asks only one question;/How dare you?” Zig-zagging through the realms of nature, science, and religion, one finds St. Francis sighing in the corner of a studio apartment, tides that are caused by millions of oysters “gasping in unison,” an ark filled with women in its stables, and prayers that reach God fastest by balloon. There’s pathos: “When my new lover tells me I’m correct to love him, I/realize the sound isn’t metal at all. It’s not the coins rattling/ on concrete, but the fingers scraping to pick them up.” And humor, too: “…even the sun’s been sighing Not you again/when it sees me.” After reading this far-reaching, inventive collection, we too are startled, space struck, our pockets gloriously “filled with space dust.” "Online, month by month, I watched it happen: a new genre of poem was emerging, but I had no clue who was responsible. These brainy poems didn't wait to spout off trivia, historical and scientific—'Pavlov Was the Son of a Priest' (a characteristically quotable title) recalls that 'the moon smells like spent gunpowder,' then divulges some smoldering self-knowledge: 'I'm sorry/I couldn't hide my joy when you said lonely.' . . . [T]hese poems were fluent in funniness, retweetably jokey: 'I'm//the vice president of panic, and the president is/missing.' But once the play subsided, you found yourself moved—unaccountably, almost, until you discovered, reading back up the poem, that even the zaniest elements had several parts to play. What looked like a genre, I soon realized, was all the handiwork of one poet. Their name is Paige Lewis. . . . Don't doubt them."-—Christopher Spaide, Poetry

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In the 1940s, American movies changed. Flashbacks began to be used in outrageous, unpredictable ways. Soundtracks flaunted voice-over commentary, and characters might pivot from a scene to address the viewer. Incidents were replayed from different characters' viewpoints, and sometimes those versions proved to be false. Films now plunged viewers into characters' memories, dreams, and hallucinations. Some films didn't have protagonists, while others centered on anti-heroes or psychopaths. Women might be on the verge of madness, and neurotic heroes lurched into violent confrontations. Combining many of these ingredients, a new genre emerged--the psychological thriller, populated by women in peril and innocent bystanders targeted for death. If this sounds like today's cinema, that's because it is. In Reinventing Hollywood, David Bordwell examines for the first time the full range and depth of trends that crystallized into traditions. He shows how the Christopher Nolans and Quentin Tarantinos of today owe an immense debt to the dynamic, occasionally delirious narrative experiments of the Forties. With verve and wit, Bordwell examines how a booming movie market during World War II allowed ambitious writers and directors to push narrative boundaries. Although those experiments are usually credited to the influence of Citizen Kane, Bordwell shows that similar impulses had begun in the late 1930s in radio, fiction, and theatre before migrating to film. And despite the postwar recession in the industry, the momentum for innovation continued. Some of the boldest films of the era came in the late forties and early fifties, as filmmakers sought to outdo their peers. Through in-depth analyses of films both famous and virtually unknown, from Our Town and All About Eve to Swell Guy and The Guilt of Janet Ames, Bordwell assesses the era's unique achievements and its legacy for future filmmakers. The result is a groundbreaking study of how Hollywood storytelling became a more complex art. Reinventing Hollywood is essential reading for all lovers of popular cinema.

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We are just beginning to understand masculinity as a fiction or a localizable, historical, and therefore unstable construct. This book points the way to a much-needed interrogation of the many modes of masculinity, as represented in literature. Both women and men who are engaged in critical thinking about genders and sexualities will find these essays always thoughtful and often provocative. —Thas E. Morgan, Associate Professor of English, Arizona State University Peter Murphy has assembled an innovative, challenging, and important set of contributions to a growing field of inquiry into constructions of masculinities in literature, inspired principally by feminist and gay studies. Illuminatingly crossing lines of genders, sexualities, cultures, and methodologies, Fictions of Masculinity greatly advances our understanding of representations of men, masculinities, misandry, and misogyny in a wide range of literary works and genres, and helps us to imagine (and thereby ultimately bring about) alternative constructions. —Harry Brod, Editor, The Making of Masculinities: The New Men's Studies, A Mensch Among Men: Explorations in Jewish Masculinity, and Theorizing Masculinities. Women writing about women dominates contemporary work on sexuality. Men have been far more willing to discuss female sexuality than male sexuality, while the most radical and insightful analyses of male sexuality have come from women. When men consider the issue of female sexuality they often speak from assumptions of security about their own unexamined sexuality. This book maintains that men have to interrogate their own sexuality if there is to be a revision of phallocentric discourse; and, that this revision of masculinity must be done in dialogue with women. The essays included in this collection examine the deep structure of masculine codes. They ask the question Who are the men in modern literature? Examining the force of the dominant values of Western masculinity, they synthesize insights from feminism, psychoanalysis, post-structuralism, and new historicism. These perspectives help explain how male sexuality has been structured by fictional representations. By examining the images of masculinity in modern literature, the essays explore traditional and non-traditional roles of men in society and in personal relationships. They look at how men are represented in literature, the fiction of manhood. They attempt to unravel the assumptions behind these representations by looking at the implications of this imagination. And they speculate on possibilities for creating a new imaginary of masculinity by identifying what literature has to say about that change. With analyses of a range of genres (novels, poetry, plays and autobiography), Western and Third World literatures, and theoretical perspectives, Fictions of Masculinity provides a significant contribution to this rapidly growing field of study. Contributors are: David Bergman (Towson State University), Miriam Cooke (Duke University), Martin Danahy (Emory University), Richard Dellamora (Trent University, Ontario), Leonard Duroche (University of Minnesota), Jim Elledge (Illinois State University), Alfred Habegger (University of Kansas), Suzanne Kehde (California Polytechnic University, San Luis Obispo), David Leverenz (University of Florida), Christopher Metress (Wake Forest University), Peter F. Murphy (SUNY, Empire State College), Rafael Prez-Torres (University of Pennsylvania), David Radavich (Eastern Illinois University), and Peter Schwenger (St. Vincent University, Nova Scotia).

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A "mosaic novel" set in the near-future, when a desperate and ever-more controlling UK government decides to restore a sense of national pride with a New Festival of Britain. However, controversial plans to build on the site of an old church in South London releases a centuries-old plague that turns its victims into flesh-hungry ghouls whose bite or scratch passes the contagion on to others. Even worse, the virus may also have a supernatural origin with the power to revive the dead.Despite the attempts of the police, the military and those in power to understand and contain the infection commonly referred to as "The Death", it soon sweeps across London, transforming everyone who comes into contact with it. With the city - and the country - falling into chaos, even a drastic attempt at a "Final Solution" to eradicate the outbreak at its source fails to prevent it from spreading to Europe and then quickly throughout the rest of the world.Soon there is no more news coming out of Britain . . . and it is up to those survivors in other countries to confront the flesh-eating invaders within their midst. Will humanity triumph over a world-wide zombie plague, or will the walking dead ultimately inherit the Earth?Told through various disparate and overlapping eye-witness accounts, through texts, e-mails, blogs, letters, diaries, transcripts, official reports and other forms of communication, a picture builds up of a world plunged into chaos - where the dead attack the living, and only one of them can be the ultimate victor.Written by some of the biggest and best-known names in horror and science fiction, these interconnected narratives create a unique vision of the End of the World brought about by a plague that may have its origins in both science and the occult.Praise for Stephen Jones:'Horror's last maverick.' - Christopher Fowler'Stephen Jones . . . has a better sense of the genre than almost anyone in this country.'- Lisa Tuttle, The Times Books'The best horror anthologist in the business is, of course, Stephen Jones.' - Roz Kavaney, Time Out'Edited by Stephen Jones, a member of that tiny band of anthologists whose work is so reliably good that you automatically reach out and grab hold of any new volume spotted if you are wise.'- Gahan Wilson, Realms of Fantasy'One of the genre's most enthusiastic cheerleaders.' - Publishers Weekly

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Discover the gripping and immersive historical thriller based on the legend of Captain Scott'Kelly is that rare combination, a brilliant storyteller, a sure-footed adventurer into the past and a really marvellous writer. With its new take on one of the most compelling episodes in our nation's narrative, The White Lie brings history to life without disturbing its delicate fabric' CHRISTOBEL KENT__________THE LEGEND1913. Captain Scott and his four companions reach the South Pole to find their Norwegian rival Roald Amundsen has won the race. Defeated, they set out on the 850-mile journey to their ship. Apsley Cherry-Garrard, the explorer sent out to meet them at One Ton depot, peering South through thick spectacles, sees only an infinity of white, and turns back. A year later Scott's pitched tent is found, just ten miles from the depot, and the bodies within speak of hunger, the unbearable strain of hauling the sledge, and the brutal winter cold. They lie in a tomb of ice. Cherry is left forever tormented by thoughts of what might have been.THE TRUTH? . . .1969. Ten years after Cherry's death, Falcon Grey - who as an orphan of the Blitz was brought up at the explorer's country estate - receives a bequest: a small red notebook that was found in Scott's tent. It is a diary: and it states that they were not victims of the cold, or hunger, but murder, in the coldest of blood. Suspects range from envious foreign powers - such as the Kaiser's Germany - to revolutionaries and even Scott's own men. Vital clues lie in the tent, so Falcon goes South to the ice to see it for himself, but someone is desperate to conceal the truth and will kill to keep the secrets under the ice.__________'Polar aficionados will enjoy this. It suggests alternative endings to legendary stories, casting fresh light on characters we think we know pretty well. An imaginative and compelling recasting, and a fine polar thriller to boot' SARA WHEELERPRAISE FOR J.G. KELLY'Deeply moving and beautifully written' ANN CLEEVES'Heart-breaking, beautiful and thrilling - a book that will stay with you for a very long time' ELLY GRIFFITHS'A tale of devastating secrets, brilliantly told' RORY CLEMENTS'Outstanding. Heartstopping. Brilliant.' KATE FURNIVALL'Thought-provoking and compelling' CAROLINE SCOTT

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'A great idea, beautifully executed.' Popular Science'A book of quiet wonder.' Ian Dunt 'I have learnt (and remembered) so much, and so easily. It's the mango ice cream of science books.' Hilary McKay'Everything Alom writes is a joy to ponder, his love of science is utterly contagious, the perfect guide through things that might perplex.' Robin Ince'A joyful exploration of fundamental questions about our world; Shaha proves that science is for everyone!' Roma Agrawal'Friendly, informative and such fun to read.' Christopher Edge 'Alom Shaha is the science teacher many people will wish they had but didn't.' Philip Ball'Here is the teacher you'll wish you had at school.' Jim S. Al-Khalili CBE'A gentle and reassuring journey through school science, perfect for polishing up both long-forgotten knowledge and confidence, and helping everyone to make science a part of their world. Helen Czerski Has a child - or anyone else - ever asked you why the sky is blue? Could you explain why ice cream melts? Have you forgotten why scientists think the universe started with a Big Bang, and do you understand the difference between respiration and breathing?Why Don't Things Fall Up? will gently remind you of everything you may have learnt once upon a time, but have somehow forgotten along the way. If you've ever changed the subject when a child has asked for homework help, or if you have the curiosity of a seven year old yourself, or if you know everything but have forgotten the basics or don't want to know anything except the basics - then this is the book for you. Using questions asked by children as a starting point, Alom Shaha (who has spent over two decades trying to help people of all ages understand this stuff) takes us on a tour of the "big ideas" of science from his unique perspective. His experience as a dad, a teacher and science communicator means he knows exactly what people don't know -and especially the misconceptions and other intellectual hurdles which prevent us from grasping key ideas. Combining his proven skill for explaining science with storytelling and flashbacks to school experiments, Why Don't Things Fall Up? reminds us that science is not just for scientists - it's a human endeavour that enriches all our lives.

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The Book of Sand: the first novel in an epic series created by one of the most gifted and invented storytellers of the twenty-first century.'Shocking and satisfying ...a compelling, absorbingly different quest fantasy' Guardian'An utterly original novel from an extraordinarily creative mind' Karin Slaughter'Unique and fearless' Mark Billingham'I inhaled it! It's beautifully written and utterly compelling' Harriet Tyce'Fearless and compelling, lyrical and devastating by turns, the story never slackens pace.' Jane Corry______________SAND. A hostile world of burning sun.Outlines of several once-busy cities shimmer on the horizon. Now empty of inhabitants, their buildings lie in ruins.In the distance a group of people - a family - walk towards us.Ahead lies shelter: a 'shuck' the family call home and which they know they must reach before the light fails, as to be out after dark is to invite danger and almost certain death.To survive in this alien world of shifting sand, they must find an object hidden in or near water. But other families want it too. And they are willing to fight to the death to make it theirs.It is beginning to rain in Fairfax County, Virginia when McKenzie Strathie wakes up. An ordinary teenage girl living an ordinary life - except that the previous night she found a sand-lizard in her bed, and now she's beginning to question everything around her, especially who she really is ...Two very different worlds featuring a group of extraordinary characters driven to the very limit of their endurance in a place where only the strongest will survive.______________More praise for The Book of Sand ...'Audacious, extraordinary and absolutely awesome' Alex North'A future classic that exists between darkness and light. I was completely entranced by it' Christopher Fowler'A huge and brilliant and engaging read. It feels like a place I have been to rather than words on a page' Alice Jolly'A remarkable achievement' Shots Magazine'What we have here is a fantasy about faith and the search for spiritual certainty... [an] ambitious religious parable.' FT______________Readers love The Book of Sand ...'This was the best reading experience of a lifetime. I fear the words haven't yet been invented to describe how good the book is. It deserves to be a huge bestseller.''I would absolutely die for a movie adaptation of this one in the future!' 'The Book of Sand is dazzling, lyrical, surreal and a beautiful legacy.''An absolute must read!''I did not want to put it down at any point.''A gripping read.''Couldn't put it down. 5*.''This was a page turner that was totally original in concept.'

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'With smoking hot chemistry, next to no angst, and a friend group that is literally squad goals, Rochon has written another winner' - The Dating Playbook is one of Vulture's Best Romances of 2021! If you love Helen Hoang, Abby Jimenez and Talia Hibbert, you'll LOVE Farrah Rochon, whose books are always witty, hot, and engaging (BuzzFeed)!'A total knockout: funny, sexy, and full of heart' KirkusWhat happens when three women discover, thanks to the live tweeting of a disastrous date, that they've all been duped by the same man? They become friends of course!The dating game is on. And the rules just went out the window. When it comes to personal training, Taylor Powell kicks serious butt. Unfortunately, her bills are piling up, rent is due, and the money situation is dire. Taylor needs more than the support of her new best friends, Samiah and London. She needs a miracle. And Jamar Dixon might just be it. The oh-so-fine former footballer wants to get back into the NFL, and he wants Taylor to train him. There's just one catch - no one can know what they're doing. But when they're accidentally outed as a couple, Taylor's game plan is turned completely upside down. Is Jamar just playing to win...or is he playing for keeps?Raves for Farrah Rochon:'Relatable and real... I smiled the whole time I was reading' Andie J. Christopher'The free-spirited, tell-it-like-it-is page-turner you've been looking for!' Kwana Jackson'A multilayered story about friendship, love, and following your dreams - all of it told with heart and emotion' Nalini Singh'Funny, fresh, sexy, and heartfelt. This is my new favorite romance series' Suzanne Brockmann'A smart, funny digital-age romance about real women living in the real world. Couldn't put it down!' Abby Jimenez'A masterpiece of modern-day Jane Austen with effortless, razor-sharp social commentary, romance, and humor. Farrah Rochon is one of the absolute best romance writers today. Period' Kristan Higgins'Swoon-worthy romance, the power of true friendship, and a grand gesture that makes your heart sigh with pure satisfaction. Absolutely a must-read summer romance!' Priscilla Oliveras'Rochon is a romance master who adeptly writes interesting and dynamic characters... A richly layered conflict adds depth and complexity to this charming workplace romance' Kirkus

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Since its publication in 2002, Science and Religion has proven to be a widely admired survey of the complex relationship of Western religious traditions to science from the beginning of the Christian era to the late twentieth century. In the second edition, eleven new essays expand the scope and enhance the analysis of this enduringly popular book. Tracing the rise of science from its birth in the medieval West through the scientific revolution, the contributors here assess historical changes in scientific understanding brought about by transformations in physics, anthropology, and the neurosciences and major shifts marked by the discoveries of Copernicus, Galileo, Isaac Newton, Charles Darwin, and others. In seeking to appreciate the intersection of scientific discovery and the responses of religious groups, contributors also explore the theological implications of contemporary science and evaluate approaches such as the Bible in science and the modern synthesis in evolution, which are at the center of debates in the historiography, understanding, and application of science. The second edition provides chapters that have been revised to reflect current scholarship along with new chapters that bring fresh perspectives on a diverse range of topics, including new scientific approaches and disciplines and non-Christian traditions such as Judaism, Islam, Asiatic religions, and atheism. This indispensible classroom guide is now more useful than ever before. Contributors: Richard J. Blackwell, Peter J. Bowler, John Hedley Brooke, Glen M. Cooper, Edward B. Davis, Alnoor Dhanani, Diarmid A. Finnegan, Noah Efron, Owen Gingerich, Edward Grant, Steven J. Harris, Matthew S. Hedstrom, John Henry, Peter M. Hess, Edward J. Larsen, Timothy Larson, David C. Lindberg, David N. Livingstone, Craig Martin, Craig Sean McConnell, James Moore, Joshua M. Moritz, Mark A. Noll, Ronald L. Numbers, Richard Olson, Christopher M. Rios, Nicolaas A. Rupke, Michael H. Shank, Stephen David Snobelen, John Stenhouse, Peter J. Susalla, Mariusz Tabaczek, Alan C. Weissenbacher, Stephen P. Weldon, and Tomoko Yoshida

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This is an exploration of the lives and works of Christian saints and their place in today's church, shown in 200 images. This is a fascinating history of saints and sainthood, and their role within Christianity and the Catholic Church. It explores the religious significance of sainthood, the process of canonisation, and the mysteries and miracles that are attributed to the saints. It looks at patron saints, hero and warrior saints, as well as apostles and martyrs. Special sections are included on the most enduring and popular saints, prayed to and called upon throughout the world, such as Mary the Virgin, James the Great, St Christopher, Francis of Assisi, Joan of Arc and Theresa of Liseux. It is sumptuously illustrated with beautiful works of art and iconography that have inspired believers down the centuries. This beautiful book chronicles the mysterious history of sainthood, unravelling the myths and addressing such issues as martyrdom, relics, patronage and canonisation. It discusses what a saint is and explains the selection and confirmation process, and covers subjects such as feast days, pilgrimage, and how sainthood is depicted in art. Themed spreads throughout the book provide lists of patron saints and feast days, and discuss in more detail areas such as The Holy Family, Celtic Saints, Warrior Saints, Saintly Popes and the Incorruptibles. The final chapter contains in-depth studies of some of the world's most called-upon and best-loved saints, including Mary the Mother of God, John the Baptist and James the Great, Francis of Assisi and more. A valuable reference book, this expert guide will inform every reader interested in discovering more about Christianity and the company of saints.

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