Search results for ""author various"

Seafaring activity for trade and travel was dominant throughout the Spanish Empire, and in the worldview and imagination of its inhabitants, the specter of shipwreck loomed large. Shipwreck in the Early Modern Hispanic World probes this preoccupation by examining portrayals of nautical disasters in sixteenth- and seventeenth-century Spanish literature and culture. The essays collected here showcase shipwreck’s symbolic deployment to question colonial expansion and transoceanic trade; to critique the Christian enterprise overseas; to signal the collapse of dominant social order; and to relay moral messages and represent socio-political debates. The contributors find examples in poetry, theater, narrative fiction, and other print artifacts, and approach the topic variously through the lens of historical, literary, and cultural studies. Ultimately demonstrating how shipwrecks both shaped and destabilized perceptions of the Spanish Empire worldwide, this analytically rich volume is the first in Hispanic studies to investigate the darker side of mercantile and imperial expansion through maritime disaster.

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The Opus Maximum gathers the last major body of unpublished prose writings by Samuel Taylor Coleridge. Consisting primarily of fragments dictated to Joseph Henry Green, probably between 1819 and 1823, these writings represent all that exists of what Coleridge considered to be "the principal Labour" and "the great Object" of his life, which he called variously the Logosophia and Magnum Opus. Dedicated to "the reconcilement of the moral faith with the Reason," Coleridge's envisioned Magnum Opus was supposed to "reduce all knowledges into harmony." While such a synthesis finally eluded him, and the Magnum Opus remained unfinished, the surviving fragments nonetheless bear powerful witness to Coleridge's engagement with theology, moral philosophy, natural philosophy, and logic, among other disciplines. Among the subjects that will particularly interest readers are Coleridge's criticisms of Epicureanism, pantheism, and German Naturphilosophie; his attempt to ground reason in faith; and his reflections on personhood (especially in the relationship between mother and child), on will, on language, and on the Logos. Previously unknown to all but a handful of scholars, the manuscripts presented here provide valuable insight into a crucial period of Coleridge's intellectual development, as he became increasingly dissatisfied with Naturphilosophie and struggled to affirm Trinitarian Christianity on a rational basis. With this volume, The Collected Works of Samuel Taylor Coleridge, begun forty years ago under the sponsorship of the Bollingen Foundation and the editorship of the late Kathleen Coburn, is now complete.

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What is Classical Archaeology’s place within the overall study of antiquity and the history of humanity? And what is its relationship to its kindred disciplines of ancient history, art history and Mediterranean prehistory? Forty or so years ago Classical Archaeology appeared to be a very conservative and rather niche area of scholarly endeavour.Then both prehistorians and ancient historians might have answered that Classical Archaeology had little to offer their respective fields of study. Since the late 1970s, however, the subject has been transformed, a transformation in which the example of Anthony Snodgrass has played a significant role. This volume brings together the work of Snodgrass’s former students; scholars who, while they could be variously classified as prehistorians, ancient historians, Classical archaeologists, Classical art historians, Classicists and modern historians, are internationally recognised scholars in their respective fields. Each contribution brings a unique perspective to bear on the current state of Classical archaeology and its place in not only Mediterranean but global history, art history and archaeology.

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The work-life balance of fathers has increasingly come under scrutiny in political and academic debates. This collection brings together qualitative and quantitative empirical analyses to explore fathers’ approaches to reconciling paid work and care responsibilities. Taking a global perspective, contributors explore how fathers realize and represent their gendered work-care balance and how enterprises and experts, in country specific institutional context, provide formal and informal resources, constrains, expectations and social norms that shape their practices. Chapters explore how fathers from different social and economic backgrounds fullfil their roles both within the family and in the workplace, and what support they rely on in combining these roles. Further, the collection explores an area of research that has been little investigated: the role played by organizational cultures and experts (such as obstetricians, gynaecologists, paediatricians and psychologists) in shaping notions of ‘good’ fatherhood and fathering, to which individuals are required to confirm, and to which they, variously, comply or resist.

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Robinson Crusoe is one of the most famous literary characters in history, and his story has spawned hundreds of retellings. Inspired by the life of Alexander Selkirk, a sailor who lived for several years on a Pacific island, the novel tells the story of Crusoe's survival after shipwreck on an island, interaction with the mainland's native inhabitants, and eventual rescue. Read variously as economic fable, religious allegory, or imperialist fantasy, Crusoe has never lost its appeal as one of the most compelling adventure stories of all time.In addition to an introduction and helpful notes, this Broadview Edition includes a wide range of appendices that situate Defoe's 1719 novel amidst castaway narratives, economic treatises, reports of cannibalism, explorations of solitude, and Defoe's own writings on slavery and the African trade. A final appendix presents images of Crusoe's rescue of Friday from a dozen of the most significant illustrated editions of the novel published between 1719 and 1920.

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Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. Antony and Cleopatra is one of Shakespeare's greatest tragedies: a spectacular, widely-ranging drama of love and war, passion and politics. Antony is divided between the responsibilities of imperial power and the intensities of his sexual relationship with Cleopatra. She, variously generous and ruthless, loving and jealous, petulant and majestic, emerges as Shakespeare's most complex depiction of a woman: ‘Age cannot wither her, nor custom staleHer infinite variety.’ Unsurpassed in sumptous eloquence and powerful characterisation, Anthony and Cleopatra deservedly retains its popularity in the theatre. Its insights into the corruptions of power and the ambiguities of desire remain timely. This volume is part of the Wordsworth Classics' Shakespeare Series, in which each volume has been edited by Cedric Watts. Readers wishing to know more of Cedric Watts’ work should buy his ‘Shakespeare Puzzles’, published by PublishNation (ISBN 978-1-291-66410-2), available from Amazon (both in printed and Kindle editions) and through all good bookshops.

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A milestone in feminist literature, this marvelous European romance, narrated by a woman, is considered the first psychological novel in a modern language and a precursor of stream-of-consciousness fiction. Written by Giovanni Boccaccio between 1343 and 1345, The Elegy has never before been available in a complete or accurate English translation. Lady Fiammetta, the first-person narrator and protagonist, recounts how, although a married woman, she falls in love with a handsome young foreigner named Panfilo and, driven by irresistible passion, becomes his lover. Panfilo subsequently abandons Fiammetta and returns to his native land, where his elderly father is said to be dying. When he fails to keep his promise to return, Fiammetta, in what is the heart of the narrative, describes her longings, her anguish, and her despair. A host of contradictory sentiments drive her to desperation and to an unsuccessful suicide attempt. After a time, Fiammetta resumes her futile wait for Panfilo. She finally resolves to seek him out in his native land. Disguising her true intent from her husband, she secures his promise to help her in this undertaking. Addressing an exclusively female audience, Fiammetta warns them about the vicious ways of men. Her whole narrative, in fact, adds up to an indictment of men as both readers and lovers. Eliciting a remarkably wide range of responses from readers and critics, Fiammetta has been variously described as a pathetic victim of male cruelty; an irresponsible fool of a girl; a sophisticated, cunning, and wholly disingenuous female; and, finally, a genuinely modern woman. Whatever judgment we make of her, Fiammetta stands out among medieval women as an ardent and outspoken feminist.

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Thomas More remains one of the most enigmatic thinkers in history, due in large part to the enduring mysteries surrounding his best-known work, Utopia. He has been variously thought of as a reformer and a conservative, a civic humanist and a devout Christian, a proto-communist and a monarchical absolutist. His work spans contemporary disciplines from history to politics to literature, and his ideas have variously been taken up by seventeenth-century reformers and nineteenth-century communists. Through a comprehensive treatment of More's writing, from his earliest poetry to his reflections on suffering in the Tower of London, Joanne Paul engages with both the rich variety and some of the fundamental consistencies that run throughout More's works. In particular, Paul highlights More's concern with the destruction of what is held 'in common', whether it be in the commonwealth or in the body of the church. In so doing, she re-establishes More's place in the history of political thought, tracing the reception of his ideas to the present day. Paul's book serves as an essential foundation for any student encountering More's writing for the first time, as well as providing an innovative reconsideration of the place of his works in the history of ideas.

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This collection of four stories by the writer George Steiner called “one of the masters of European fiction” is, as longtime fans of Thomas Bernhard would expect, bleakly comic and inspiringly rancorous. The subject of his stories vary: in one, Goethe summons Wittgenstein to discuss the Tractatus Logico-Philosophicus; “Montaigne: A Story (in 22 Installments)” tells of a young man sealing himself in a tower to read; “Reunion,” meanwhile, satirizes that very impulse to escape; and the final story rounds out the collection by making Bernhard himself a victim, persecuted by his greatest enemy—his very homeland of Austria. Underpinning all these variously comic, tragic, and bitingly satirical excursions is Bernhard’s abiding interest in, and deep knowledge of, the philosophy of doubt. Bernhard’s work can seem off-putting on first acquaintance, as he suffers no fools and offers no hand to assist the unwary reader. But those who make the effort to engage with Bernhard on his own uncompromising terms will discover a writer with powerful comic gifts, penetrating insight into the failings and delusions of modern life, and an unstinting desire to tell the whole, unvarnished, unwelcome truth. Start here, readers; the rewards are great.

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Translated by H. F. Cary With an introduction by Claire Honess. Dante Alighieri (1265-1321) is one of the most important and innovative figures of the European Middle Ages. Writing his Comedy (the epithet Divine was added by later admirers) in exile from his native Florence, he aimed to address a world gone astray both morally and politically. At the same time, he sought to push back the restrictive rules which traditionally governed writing in the Italian vernacular, to produce a radically new and all-encompassing work. The Comedy tells of the journey of a character who is at one and the same time both Dante himself and Everyman through the three realms of the Christian afterlife: Hell, Purgatory and Heaven. He presents a vision of the afterlife which is strikingly original in its conception, with a complex architecture and a coherent structure. On this journey Dante's protagonist - and his reader - meet characters who are variously noble, grotesque, beguiling, fearful, ridiculous, admirable, horrific and tender, and through them he is shown the consequences of sin, repentance and virtue, as he learns to avoid Hell and, through cleansing in Purgatory, to taste the joys of Heaven.

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Hafez is among the most celebrated of Persian mystic poets, thriving alongside such towering figures as Rumi and Saadi. Ubiquitous in Iran, he has also been hugely influential in the West. Interpreted variously as ardent mystic and lover, he fuses earthly and divine love with an intense constancy as momentously productive as Dante's courtly adoration for Beatrice. Across intimidating obstacles of time and culture, Beloved delivers an accessible yet authentic modern rendering of the Persian originals. Few translations of Hafez have matched his beauty, musicality and rich complexity. Combining vigour with ingenuity, Mario Petrucci reanimates for the English reader all of the moral clarity and sensual abundance of a spiritual and literary master. 'Petrucci's adaptations are a delight to read. They are fresh, candid, subtly humorous, and elegant. They have that audacious and multilayered richness one finds in the originals. Above all, they are uncompromising.' – Fatemeh Keshavarz, Director and Chair, Roshan Institute for Persian Studies, University of Maryland 'Mario Petrucci's new versions of Hafez are nuanced and thoughtful, embracing both the depth and the beauty of the original.' – Sasha Dugdale, Editor, Modern Poetry in Translation ‘Petrucci bases his engagement with Hafez on a special awareness... Everywhere, his delicate but probing selection of word and phrase uplifts and inspires.' – Michael Hakuzan Wenninger, Zen monk

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New research into medieval women from the Anglo-Saxon to the late medieval period demonstrates their energy, defiance and wit. The phenomenon of medieval women's middle age is a stage in the lifecycle that has been frequently overlooked in preference for the examination of female youth and old age. The essays collected here, ranging from the Anglo-Saxon to the late medieval period, and drawing variously from literary studies, history, law, art and theology, address this lacuna. Taking a variety of critical approaches, the contributors consider medieval definitions, paradigms andexperiences of female middle age, analysing how the middle-aged woman perceived herself subjectively, as well as how she was perceived by others. They seek to challenge the received wisdom that in the middle ages, at forty, womenwere deemed "old" and, from that point onwards, their thoughts should be focused on preparing for death. On the contrary, this collection demonstrates their energy, defiance and wit. Sue Niebrzydowski is Lecturer in English, Bangor University, Wales. Contributors: Jane Geddes, Clare A. Lees, Carol M. Meale, Anneke B. Mulder-Bakker, Sue Niebrzydowski, Raluca L. Radulescu, Sara Elin Roberts, Corinne Saunders, Diane Watt.

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Lish's latest work of exquisitely crafted fiction sees a narrator - variously Gordon, I, He - approaching the precipice of old age. White Plains is Lish at his sharpest, tackling his perennial subject - the memory of memory itself - with spellbinding mastery.

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A canonical great poem, or mahākāvya, of the Sanskrit canon, depicting a well-known episode from the Mahābhārata.Magha’s The Killing of Shishupala, written in the seventh century, is a celebrated example of the Sanskrit genre known as mahākāvya, or great poem. This adaptation from the epic Mahābhārata tells the story of Shishupala, who disrupts Yudhishthira’s coronation by refusing to honor Krishna, the king’s principal ally and a manifestation of divinity. When Shishupala challenges Krishna to combat, he is immediately beheaded.Magha, who was likely a court poet in western India, draws on the rich stylistic resources of Sanskrit poetry to imbue his work with unparalleled sophistication. He expands the narrative’s cosmic implications through elaborate depictions of the natural world and intense erotic sensuality, mixing myth and classical erudition with scenes of political debate and battlefield slaughter. Krishna is variously portrayed as refined prince, formidable warrior, and incarnation of the god Vishnu protecting the world from demonic threat.With this translation of The Killing of Shishupala, presented alongside the original text in the Devanagari script, English readers for the first time gain access to a masterwork that has dazzled Indian audiences for a thousand years.

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Edward Mendelson has significantly expanded his authoritative, chronological ordered edition of Auden's Selected Poems (first published in 1979), adding twenty items to the hundred in the original edition, and broadening the focus to reflect the wealth of forms, the rhetorical and tonal range, and the variousness of content in Auden's poetry, in the confines of one volume. In particular, there are newly included examples of Auden's mastery of light verse: the self-descriptive sequence of haiku called 'Profiles', the barbed wartime quatrains of 'Leap Before You Look', or 'Funeral Blues' itself. Also included are brief notes explaining references that may have become obscure, and a revised introduction drawing on recent additions to Auden scholarship.

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'Talk does not cook rice'. That Asian aphorism, carried across centuries and continents, coyly offers wisdom, with a knowing smile, capped off with wink. 'Kick the World, Break Your Foot' offers hundreds of these timeless nuggets of advice, adorned with wit and brevity. They variously offer piercing admonishment, cautious, and encouragement, yet always with a nod to human nature's endearing quirks. Like this: Straightened too much / crooked as ever. The Buddha himself would hear the voice of his wise grandma saying, sonny, you make something worse by trying to fix it. The more prescient the advice, the harder it can be to accept. (Who wants to be told they've been doing something badly?) But the wisdom of these haiku-like aphorisms is passed along as gently and softly as the brushstrokes of a master Asian watercolorist. So, advice may never be more welcome than when you browse this collection of ageless gems.

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Odile Decq and Benoit Cornette first rose to international prominence with their administrative and social centre buildings for the Banque Populaire de l'Ouest in Rennes in 1990, which has won 10 architectural awards. Based in Paris, they featured in the French "40 under 40" exhibition in 1990 and have since been successful in many European competitions, recently completing two housing schemes in Paris, and working on large-scale urban projects such as their 1994 commission to design the masterplan for the revitalization of the docks at Paris' Port de Gennevilliers. Although Decq and Cornette have been variously described as post-modernist, deconstructionist and high-tech, their architecture is difficult to categorize: the distinctive hallmark of their architecture is their use of metal, for its precision, and sophisticated engineering techniques. This book charts the architects' working process in over 20 buildings and projects, featuring their highly original models, which use colour as a coding system for materials and structural elements, and have an architectural significance in their own right.

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How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide hands-on answers to such questions. Challenging and debating received research wisdom and exploring innovative procedures for rigorous enquiry via archives, technology, practice-as-research, scenography, performer training, applied theatre/performance, body in performance and more, they create a focussed compendium of future research options. Key Features * Created in association with TaPRA, the leading UK Theatre and Performance Research organisation, with chapters produced by specialist groupings. * Provides many detailed project case studies and examples - including successful practice-based PhDs - plus analysis of dynamic couplings between methods, methodologies and skill-sets. * Introduction interrogates crucial qualities of performing arts research that constitute theatre and performance as, variously, single-, multi-, inter-, and trans-disciplinary. * Contributors include: Maggie B. Gale (Chair of Drama, University of Manchester); Steve Dixon (Professor of Digital Performance, Brunel University); Joanne 'Bob' Whalley and Lee Miller (University Lecturers and founders Fictional Dogshelf Theatre Company); Simon Ellis and Rosemary Lee (independent performance/dance makers); Roberta Mock (Professor of Performance, University of Plymouth).

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Today, an international new right has coalesced. Variously described as nativist, right-populist, alt-right, and neofascist, far-right movements in many countries have achieved electoral victories that not long ago seemed highly improbable. They have also developed a new cultural politics. Adapting tactics from the left, the new right has moved from decorum to transgression; from conservative propriety to the frank sexualization of political figures and positions; from appealing to the conscious normalcy of the “silent majority” to recasting itself as a protest movement of and for the aggrieved. These movements share a mandate for robust nationalism, yet they also cultivate a striking international solidarity. Who is the subject of this ethnonationalism? Many new right movements have in fact intensified or laid bare long-standing tendencies, but this volume seeks to address aspects of their cultural politics that raise new and urgent questions. How should we assess the new right’s disconcerting appropriations of strategies of minoritarian resistance? How can we practice critique in the face of adversaries who claim to practice a critique of their own? How do apparently post-normative versions of nationalism give rise to heightened forms of militarism, incarceration, censorship, and inequality? How should we understand the temporality of ethnonationalism, which combines a romance with archaic tradition, an ethos of disruption driven by tech futurism frequently tinged with accelerationist pathos, and a kitschy nostalgia for a hazily defined recent past, when things were “greater” than they are now? Surveying nationalisms from Argentina, Brazil, France, Germany, India, Israel-Palestine, the United Kingdom, and the United States, Reaction Formations gives a critical account of contemporary ethnonationalist cultural politics, while drawing out counterstrategies for anti-fascist resistance. Contributors: Tyler Blakeney, Chiara Bottici, Joshua Branciforte, Gisela Catanzaro, Melinda Cooper, Julian Göpffarth, Ramsey McGlazer, Benjamin Noys, Bruno Perreau, Rahul Rao, Shaul Setter, and M. Ty

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First found contentedly chatting in their London clubs, the cozy bachelors (as any Spark reader might guess) are not set to stay cozy for long. Soon enough, the men are variously tormented — defrauded or stolen from, blackmailed or pressed to attend horrid séances — and then plunged into the nastiest of lawsuits.

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35th anniversary edition! Here, in their own words, Indigenous voices reclaim the narrative of California Indians.“Their stories, here brilliantly illuminated by Margolin's comments, contain beauty, humor, and wisdom.”—Harold Gilliam, San Francisco ChronicleBefore contact, California's Native people comprised five hundred independent tribal groups whose cultural and linguistic multiplicity expressed a sense of incalculable human richness. Reflecting that diversity, this collection of personal histories, songs, chants, and stories draws together a range of experiences from throughout the state and across generations to reveal the continuous Native presence in what is now called the Golden State. Speakers share traditional knowledge such as rites of passage, coyote tales, and dream journeys, and in equal measure they address the devastation that arrived with white people and the challenges that exist to this day—as well as the remarkable revitalization of their cultures over the past thirty years in particular. Variously funny, painful, insightful, and strikingly beautiful, The Way We Lived presents California's original sense of itself. This updated reissue contains a new foreword by Michael Connolly Miskwish (Campo Kumeyaay Nation) and a new introduction from the editor, Malcolm Margolin.

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Come Here to This Gate is a three-part collection, focusing variously on caring for an alcoholic father with dementia, the personal and global conflicts that shape our lives, and what happens when imps, ghosts and boggarts have to reckon with the modern world.

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This stunning collection features never before published work along with poems written during her time as Scots Makar, and marks the end of her term as Scotland's Poet Laureate (2011-2016). Whether commissioned works, such as 'Connecting Cultures', written for the Commonwealth Games in 2014 or more personal works, 'Favourite Place', about holidays in the west coast with her late husband, this collection is beautiful, sensitive and brilliant. Throughout her career Liz Lochhead has been described variously as a poet, feminist-playwright, translator and broadcaster but has said that 'when somebody asks me what I do I usually say writer. The most precious thing to me is to be a poet. If I were a playwright, I'd like to be a poet in the theatre.'

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Most people have a story to tell about a remarkable coincidence that in some instances changed the course of their lives. These uncanny occurrences have been variously interpreted as evidence of divine influence, fate, or the collective unconscious. Less common are explanations that explore the social situations and personal preoccupations of the individuals who place the most weight on coincidences. Drawing on a variety of coincidence stories, renowned anthropologist Michael Jackson builds a case for seeing them as allegories of separation and loss—revealing the hope of repairing sundered lives, reconnecting estranged friends, reuniting distant kin, closing the gap between people and their gods, and achieving a sense of emotional and social connectedness with others in a fragmented world.

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Carole Pateman’s writings have been innovatory precisely for their qualities of engagement, pursued at the height of intellectual rigour. This book draws from her vast output of articles, chapters, books and speeches to provide a thematic yet integrated account of her innovations in political theory and contributions to the politics of policy-making. The editors have focused on work in three key areas:DemocracyPateman’s perspective is rooted in a practical perspective, enquiring into and speculating about forms of participation over and above the ‘traditional’ exclusions through which representative systems have been variously constructed over time. Her work pushes hard on theorists and politicians who make easy assumptions about apathy and public opinion, who bracket off the workplace and the home, and who see politics only in partisan activity, voter behaviour and governmental policy.WomenPateman’s innovatory and still-cited work on participation antedates the feminist revolution in political theory and many of the practical struggles that developed through the later 1970s. While woman-centred, her concerns were always worked through larger conceptions of social class, economic advantage, power differentials, ‘liberal’ individualism and contracts including marriage. Her feminism was innovative in political theory, and within feminism itself. As a feminist Pateman defies categorization, and her concepts of ‘the sexual contract’ and ‘Wollstonecraft’s dilemma’ are canonical.WelfarePateman’s innovation here is an integration of welfare issues – in particular the proposals for a ‘basic income’ or for a ‘capital stake’ – into her broad but always rigorous conception of democracy. This is argued through in terms of citizenship, taken as the result of a social contract. In that way Pateman puts liberalism itself through an imminent critique, drawing in the practicalities and risks of life in late capitalist societies. Her theory as always is political, taking in neo-liberal attacks on ‘welfare states’ and the stark realities of international inequalities. Pateman’s career achievements in democratic and feminist theory are brought productively to bear on debates that would otherwise occur in more limited, and less provocative, academic and political contexts.

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An exploration of the legacy of The Waste Land on the centenary of its original publication, looking at the impact it had had upon criticism and new poetries across one hundred years. T. S. Eliot first published his long poem The Waste Land in 1922. The revolutionary nature of the work was immediately recognised, and it has subsequently been acknowledged as one of the most influential poems of the twentieth century, and as crucial for the understanding of modernism. The essays in this collection variously reflect on The Waste Land one hundred years after its original publication. At this centenary moment, the contributors both celebrate the richness of the work, its sounds and rare use of language, and also consider the poem's legacy in Britain, Ireland, and India. The work here, by an international team of writers from the UK, North America, and India, deploys a range of approaches. Some contributors seek to re-read the poem itself in fresh and original ways; others resist the established drift of previous scholarship on the poem, and present new understandings of the process of its development through its drafts, or as an orchestration on the page. Several contributors question received wisdom about the poem's immediate legacy in the decade after publication, and about the impact that it has had upon criticism and new poetries across the first century of its existence. An Introduction to the volume contextualises the poem itself, and the background to the essays. All pieces set out to review the nature of our understanding of the poem, and to bring fresh eyes to its brilliance, one hundred years on. Contributors: Rebecca Beasley, Rosinka Chaudhuri, William Davies, Hugh Haughton, Marjorie Perloff, Andrew Michael Roberts, Peter Robinson, Michael Wood.

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This volume emerged from an international research colloquium jointly organised by National Museums Scotland and the Scottish Centre for Diaspora Studies, University of Edinburgh, funded by the Scottish Government and administered by the Royal Society of Edinburgh. Historians and museum curators from Australia, Canada, New Zealand and South Africa were invited to join with their Scottish counterparts to consider the functioning, and the meaning, of `military Scottishness’ in different Commonwealth countries and in Britain from the late Victorian period to the present day, with a particular focus on the impact of the First World War. Another key objective was to throw light on the 'hidden' culture of social networking which potentially operated behind local regiments and military units amongst Scotland’s global diaspora. This edited collection provides a comparative overview of the nineteenth century emergence of military Scottishness and explores how the construction and performance of Scottish military identity has evolved in different Commonwealth countries over the late nineteenth and twentieth centuries. In particular, it looks at the ways in which Scottish volunteer regiments in Commonwealth countries variously sought to draw upon, align themselves with or, at certain key moments, redefine the assertions of martial identity which Highland regiments represented.

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On the Borders of World-Systems: Contact Zones in Ancient and Modern Times draws on a diverse set of disciplines to explore historical, archaeological, and political interpretations of world-systems theory and geocivilizational analysis. The monograph has a prospective character, the main goal of which is the solution of a major problem – the study of worldwide practice, oriented towards the problems of the modern social world as a system. The principal focus is on the borderland - limes, which has been perceived variously as an impenetrable cordon, and as an open, interactive environment. In this locus of inter-world encounters, different civilizations developed, and an exchange of goods and ideas took place. Macrosociological issues of ancient and modern history are analyzed through five case studies of the Taurus-Caucasus region and its role as a contact zone in different periods.

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Known in the West primarily through poorly subtitled films, Chinese martial arts fiction is one of the most iconic and yet the most understudied form of modern sinophone creativity. Current scholarship on the subject is characterized by three central assumptions against which this book argues: first, that martial arts fiction is the representation of a bodily spectacle that historically originated in Hong Kong cinema; second, that the genre came into being as an escapist fantasy that provided psychological comfort to people during the height of imperialism; and third, that martial arts fiction reflects a patriotic attitude that celebrates the greatness of Chinese culture, which in turn is variously described as the China-complex, colonial modernity, essentialized identity, diasporic consciousness, anxieties about globalization, or other psychological and ideological difficulties experienced by the Chinese people.

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There is no shortage of opinions on the legacy that George W. Bush will leave as 43rd President of the United States. Recognizing that Bush the Younger has been variously described as dimwitted, opportunistic, innovative, and bold, it would be presumptuous to draw any hard and fast conclusions about how history will view him. Nevertheless, it is well within academia's ability to begin to make preliminary judgments by weighing the evidence we do have and testing assumptions. In the wake of the September 11 terrorist attacks and the initially successful military campaign in Afghanistan, Bush and his administration enjoyed nearly unprecedented popularity. But after failures in Iraq and in the federal government's response to Hurricane Katrina, Bush's approval ratings plummeted. Guided by a new framework, Judging Bush boldly takes steps to evaluate the highs and lows of the Bush legacy according to four types of competence: strategic, political, tactical, and moral. It offers a first look at the man, his domestic and foreign policies, and the executive office's relationship to the legislative and judicial branches from a distinguished and ideologically diverse set of award-winning political scientists and White House veterans. Topics include Bush's decision-making style, the management of the executive branch, the role and influence of Dick Cheney, elections and party realignment, the Bush economy, Hurricane Katrina, No Child Left Behind, and competing treatments of the wars in Iraq and Afghanistan. Contributors include Lara M. Brown, David B. Cohen, Jeffrey E. Cohen, Laura Conley, Jack Covarrubias, John J. DiIulio, Jr., William A. Galston, Frederick M. Hess, Karen M. Hult, Lori A. Johnson, Robert G. Kaufman, Anne M. Khademian, Lawrence J. Korb, Patrick McGuinn, Michael Moreland, Costas Panagopoulos, James P. Pfiffner, Richard E. Redding, Neil Reedy, Andrew Rudalevige, Charles E. Walcott, and Shirley Anne Warshaw.

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Over and Above is Gurdon’s first and best book, repeatedly reprinted for two decades, variously titled Winged Warriors or Wings of Death. Billed as a novel, it is not so much that as a fictionalised account of his own service flying career, with names changed, incidents rearranged. True, it tells of ‘exciting raids over enemy lines and towns, desperate fights against fearful odds, chivalry shown to an unchivalrous foe...’ but the narrative turns darker as men become wearier, new comrades arrive and are killed, and those who remain try to hold onto meaning in increasingly unintelligible circumstances, a mirror to Gurdon’s own experiences. Written in the style of the era and by and for a class which put great store in maintaining a slangy, backslapping cheerfulness, no matter how grim things were, with chums wishing each other ‘beaucoup Huns’ before embarking on a ‘show’ in ‘beastly’ weather, this book is a classic to rank with Winged Victory by V M Yeates, and which should never have been out of print. This new edition retains exactly the original script but has been updated with an introduction by John Gurdon’s granddaughter Camilla Jane Gurdon Blakeley and an extended illustrated appendix by renowned historian Norman Franks.

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"Gorgeous and real poetry. This book is a bright spot in a bleak time." - Peter Gizzi A True Account collects works written between 2013 and 2020, published by a variety of small presses in the UK and the US. Here are variously refracted the student movement, austerity, general election, referendum, the crisis of 2020 or 2019 or any year you care to name; the Massacre of the Innocents, the housing question, the October Revolution in November; Sappho, Mingus, Storm Ophelia; Rukeyser, Rilke, Rodefer; the aesthetics of resistance, the insistence of history: luxury and voluptuousness, peace and pleasure, beauty and order, the questions that still remain unanswered and the problems that remain unsolved. "Wanting poetry to save my life, to shame my life, as LONG as the WORLD is WIDE, and as WIDE as the WORLD is LONG." For Fans Of: Sean Bonney, Amiri Baraka, Fred Moten, Peter Gizzi

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Wendy Cope's most recent collection, her first since Serious Concerns in 1992, extends her concern with the comedy of the examined life ('the way we have been, the way we sometimes are'), and imagines those adjustments to the ordinary which would fulfil our futures, or allow us to realize the golden age of five minutes ago, or weigh the 'out there' of the present moment, where what is in sight is also out of reach. These are poems of well-tempered yearning, conditional idylls which sing in praise of lying fallow, the creativity of daydream, the yeast of boredom, the truths of intermediacy. Wendy Cope's formal tact is alertly present - in triolets, rondeaux, villanelles, squibs, epigrams - small forms whose power to disarm goes hand in hand with her characteristically tart ripostes to the way things (usually) are. This collection extends the variousness of her occasions.

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The seventeenth-century poet Andrew Marvell (1621–1678) is one of the most intriguing figures in English literature. A noted civil servant under Cromwell’s Protectorate, he has been variously identified as a patriot, spy, conspirator, concealed homosexual, father to the liberal tradition, and incendiary satirical pamphleteer and freethinker. But while Marvell’s poetry and prose has attracted a wide modern following, his prose is known only to specialists, and much of his personal life remains shrouded in mystery. Nigel Smith’s pivotal biography provides an unparalleled look into Marvell’s life, from his early employment as a tutor and gentleman’s companion to his suspicious death, reputedly a politically fueled poisoning. Drawing on exhaustive archival research, the voluminous corpus of Marvell’s previously little known writing, and recent scholarship across several disciplines, Smith’s portrait becomes the definitive account of this elusive life.

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Considers the ideals and realities of generalship across the Greek, Roman and Byzantine worlds Addresses a neglected aspect in the study of ancient warfare Analyses views generated in different ancient cultures about the theory and practice of generalship Brings together the latest research on generalship from a wide spectrum of academic experts Contains discussion of the theory and practice of generalship in other contemporary cultures including Persia, Arabia and China This volume is unique in addressing a key aspect of ancient warfare across a broad chronological and cultural span, focusing on generalship from Archaic Greece to the Byzantine Empire in the twelfth century AD. Across this broad span, it explores a range of ideas on how to be a successful general, showing how the art of generalship a profession that has been occupied variously by the political elite, the mercenary soldier and the eunuch evolved and adapted to shifting notions of how a good military leader should act. Highlighting developments and continuities in this age-old profession across the Graeco-Roman world, this volume brings together the latest research on generalship from both established and new voices. The chapters examine both ideals of generalship and specific examples of generals, considering the principles underpinning the roles they played and the qualities desired in them. They discuss in particular the intersection between military and political roles, the addresses delivered by generals to their troops, the virtue of courage and the commemoration of victory as well as defeat. In addition, contributors consider cross-cultural comparisons of generalship, with specific chapters devoted to Persian, Arab and Chinese views.

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Leading architect E.J. Lennox designed Casa Loma for the flamboyant Sir Henry Pellatt and Mary, Lady Pellatt as an enormous castellated mansion that overlooked the booming metropolis of Toronto. The first scholarly book dedicated to this Canadian landmark, Casa Loma situates the famous “house on the hill” within Toronto’s architectural, urban, and cultural history.Casa Loma was not only an outsized home for the self-appointed “Lord Toronto” but a statement of Canada’s association with empire, an assertion of the country’s British legacy. During and after the Pellatts’ occupation, Casa Loma was a major landmark, and it has since infiltrated the iconography and collective memory of the metropolis. The reception of Casa Loma, variously loved and abhorred by Torontonians, reflects many of Toronto’s major aspirations and anxieties about itself as a modern city. Across ten chapters, this book charts the history of Casa Loma from the purchase of the estate atop Davenport Ridge in 1903 and its construction from 1906, through to its sale and the dispersal of its contents in 1924, its subsequent life as a hotel, and finally its transformation into one of the city’s major entertainment venues.Casa Loma brings to light a wealth of hitherto unpublished archival images and documentation of the house’s visual and material culture, weaving together a textured account of the design, use, and life of this unique building over the course of the twentieth century.

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Jean Baudrillard is widely recognized as one of the most important and provocative writers of our age. Variously termed “France’s leading philosopher of postmodernism” and “a sharp-shooting Lone Ranger of the post-Marxist left,” he might also be called our leading philosopher of seduction or of mass culture. Following his acclaimed America and Cool Memories, this book is the third in a series of personal records in hyperreality. Idiosyncratic, outrageous, and brilliantly original, Baudrillard here casts his net widely and combines autobiographical memories with further reflections on America, the crisis of cultural production, new ideas in fiction/theory, and the “verbal fornication” of the postmodern. In this wide-ranging discussion of events and ideas, Baudrillard moves between poetry and waterfalls, strikes and stealth bombers, Freud and La Cicciolina, shadows and simulacra, deconstruction and the zodiac, Reagan’s smile and Kennedy’s death, the “curse” on South America and the future of the West, the last tango of French intellectual life and the exemplary disappearing act of Italian politics. Writing at the site where the philosophic and the poetic merge, he once again offers us commentary in the form of the riveting insight, the short distillation of reality that establishes its truth with the force of recognition. Cool Memories II, Baudrillard’s latest commentary on the technopresent and future, an installment of his reflections on the reality of contemporary western culture, will entice all readers concerned with postmodernism and the current state of theory.

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Today, an international new right has coalesced. Variously described as nativist, right-populist, alt-right, and neofascist, far-right movements in many countries have achieved electoral victories that not long ago seemed highly improbable. They have also developed a new cultural politics. Adapting tactics from the left, the new right has moved from decorum to transgression; from conservative propriety to the frank sexualization of political figures and positions; from appealing to the conscious normalcy of the “silent majority” to recasting itself as a protest movement of and for the aggrieved. These movements share a mandate for robust nationalism, yet they also cultivate a striking international solidarity. Who is the subject of this ethnonationalism? Many new right movements have in fact intensified or laid bare long-standing tendencies, but this volume seeks to address aspects of their cultural politics that raise new and urgent questions. How should we assess the new right’s disconcerting appropriations of strategies of minoritarian resistance? How can we practice critique in the face of adversaries who claim to practice a critique of their own? How do apparently post-normative versions of nationalism give rise to heightened forms of militarism, incarceration, censorship, and inequality? How should we understand the temporality of ethnonationalism, which combines a romance with archaic tradition, an ethos of disruption driven by tech futurism frequently tinged with accelerationist pathos, and a kitschy nostalgia for a hazily defined recent past, when things were “greater” than they are now? Surveying nationalisms from Argentina, Brazil, France, Germany, India, Israel-Palestine, the United Kingdom, and the United States, Reaction Formations gives a critical account of contemporary ethnonationalist cultural politics, while drawing out counterstrategies for anti-fascist resistance. Contributors: Tyler Blakeney, Chiara Bottici, Joshua Branciforte, Gisela Catanzaro, Melinda Cooper, Julian Göpffarth, Ramsey McGlazer, Benjamin Noys, Bruno Perreau, Rahul Rao, Shaul Setter, and M. Ty

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From Safin to Roman investigates the Central Adriatic Apennines (roughly the modern region of Abruzzo), occupied in antiquity by Italic populations variously termed Sabelli', Sabellics' or Sabellians'. For too long the region has been seen merely as a mountainous and isolated terra di pastori', sparsely populated with shepherds from prehistory to the late Hellenistic period, thus overestimating the role of the Romans in the organisation and exploitation of the landscape. The region in general has received little scholarly attention internationally compared with Tyrrhenian Italy, although the last three decades have been very rich in excavations and finds. The role of stock-raising itself needs to be reinterpreted, because it changed greatly from period to period and certainly did not exclude other economical resources, already in early periods. The topography of the area and recent finds, show that agriculture was also important for the l

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Seership is simply living with the magic of everyday life. A natural way of living. Before we codified our symbolic understanding of the outer and inner world into ever more abstract forms of writing we all lived as seers. The followers of this right-brained tradition later came to be variously called prophets and guides, shamans and sages, mystics and saints, magicians and witches, mediums and psychics. But they share the same principles, outlined here by Barbara Meiklejohn-Free. She covers the history of seership, what it means, awakening the seer, healing the self, retrieval, dreams, divination, creating your destiny, and other subjects. Exercises end each chapter to help you awaken your conscious heart.

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Muslim women are opening up new educational and career pathways across the UK, pioneering roles in digital media, fashion design and visual art. However, their contributions to the economy and culture are rarely the focus of media and government reports. Now, Saskia Warren draws on in-depth fieldwork with British Muslim women working in these roles, taking a narrative approach to look at how they frame their own everyday labour experiences. Drawing on interviews, focus groups, activity diaries, and online digital and visual analysis, Warren explores how Muslim womanhood is variously celebrated, contested, resisted and subverted. From negotiating family expectations to encountering prejudice from education providers and employers, and from founding businesses to finding ways to respect religion in their creative work, these personal insights bring the struggles and successes of British Muslim women creatives to life.

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The memoir of Dmitrii Ivanovich Rostislavov—a mathematician, teacher, and social critic—offers a rare firsthand view of provincial Russia in the late eighteenth and early nineteenth centuries. Translated into English for the first time, these extraordinary observations reveal much about daily village life and the cultural milieu of the time. An acute observer, Rostislavov discusses social and ethnic relationships as well as matters pertaining to education, law enforcement, religious practice, and folk beliefs. Rostislavov's account of his own education is a harrowing description of coming of age in a Darwinian world of violence and cruelty. Coarse, impoverished schoolboys, brutal and corrupt teachers, and callous landlords formed a harsh environment characterized by sadistic corporal punishment and bitter class hatreds. Variously humorous, elegiac, and passionate, his narrative shows why even those from relatively privileged backgrounds came to detest the authoritarian order of the old regime. In a probing analysis of the Russian national order, Rostislavov found the twin evils facing Russia to be the coarseness of traditional society and the authoritarianism and corruption of the regime and its representatives. Russia's hope for the future, he believed, lay with cultural changes that would ultimately raise the society's moral level. Illustrations, maps, and an introduction illuminating the historical context accompany this remarkable account of life in provincial Russia.

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Salome is Oscar Wilde’s most experimental—and controversial—play. In its own time, the play, written in French, was described by a reviewer as “an arrangement in blood and ferocity, morbid, bizarre, repulsive.” None, however, could deny the importance of Wilde’s creation. Contemporary audiences and reviewers variously regarded Salome as the symbol of a thrilling modernity, a challenge to patriarchy, a confession of desire, a sign of moral decay, a new form of art, and a revolt against the restraints of Victorian society. Less well known than Wilde’s beloved comedies, Salome is as enduringly modern and relevant.This edition uses the English translation done by Wilde’s lover, Lord Alfred Douglas, and overseen and corrected by Wilde himself. Appendices detail the play’s sources and provide extensive materials on its contemporary reception and dramatic productions.

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ENTANGLEMENTS: ENVISIONING WORLD LITERATURE FROM THE GLOBAL SOUTH scrutinises current debates to bring historical and contemporary South-South entanglements to the fore and to develop a new understanding of world literature in a multipolar world of globalized modernity. The volume challenges established ideas of world literature by rethinking the concept along the notion of entanglements: as a field of variously criss-crossing relations of literary activity beyond the confines of literary canons, cultural containers, or national borders. The collection presents individual case studies from a variety of language traditions that focus on particular literary relationships and practices across Africa, the Americas, Asia, and Europe as well as new fictional, poetical, and theoretical conceptions of world literature in order to broaden our understanding of the multilateral entanglements within a widening communicative network that shape our globalised world.

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The Zizek Reader - which includes a Foreword by Zizek and a new, previously unpublished essay on cyberspace - provides a comprehensive and accessible introduction to the flamboyant work of a figure who has been variously described as 'one of the most arresting, insightful and scandalous thinkers in recent memory' and 'the Giant of Ljubljana'. Collects work by one of the most arresting and scandalous thinkers of our time. Aids the reader to understand the often complex thinking of both Lacan and Zizek .

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What is an ethics formulated in a “different voice” ? This book develops the connection between ordinary language philosophy, represented by Wittgenstein and Austin, and the ethics of care. Care is at once a practical response to specific needs and a sensitivity to the ordinary details of human life that matter. The Ordinary has been variously denied, undervalued, or neglected – not taken into account – in theoretical thought. Such negligence, I propose, has to do with widespread contempt for ordinary life inasmuch as it is domestic and female. The disdain stems from the gendered hierarchy of objects deemed worthy of intellectual research. One important aspect of ordinary language philosophy is its capacity to call our attention to human expressiveness as embodied in women’s voices. It thus provides the basis for a re-definition of philosophyas attention to ordinary life, and care for moral expression. This book proposes nothing less than a paradigm shift in ethics, with a reorientation towards vulnerability and a shift from the “just” to the “important.”

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This book introduces the novice reader to modern social theory through the creative exploration of eight major metaphors that have shaped Western understandings of human society. Rigney vividly yet concisely examines each major theoretical perspective in sociology, including functionalism, conflict theory, rational choice, and symbolic interactionism. He shows how each of these theories is rooted in a particular metaphorical tradition. Over decades and centuries, Rigney argues, social theorists have variously likened societies to organisms and living systems, to machines, battlefields, legal systems, marketplaces, games, theatrical productions, and discourses. Most interestingly, Rigney deftly shows how nearly all Western social theories fit with one or more of the metaphors. He emphasizes a humanistic understanding of society with an emphasis on the creative agency of social actors and communities. The book offers students a rich understanding of social theory, yet it is simultaneously concise and broad ranging, allowing instructors to further pursue detailed exploration of any perspectives they choose.

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It has been variously labelled ‘Language Poetry’, ‘Language Writing’, ‘L=A=N=G=U=A=G=E writing’ (after the magazine that ran from 1978 to 1981), and ‘language-centred writing’. It has been placed according to its geographical positions, on East or West coasts; its venues in small magazines, independent presses and performance spaces, and its descent from historical precursors, be they the Objectivists, the composers-by-field of the Black Mountain School, the Russian Constructivists or American modernism à la William Carlos Williams and Gertrude Stein. Indeed, one of the few statements that can be made about it with little qualification is that ‘it’ has both fostered and endured a crisis in representation more or less since it first became visible in the 1970s. In Poetry & Language Writing David Arnold grasps the nettle of Language poetry, reassessing its relationship with surrealism and providing a scholarly, intelligent way of understanding the movement. Poets discussed include Charles Bernstein, Susan Howe, Michael Palmer and Barrett Watten.

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