Search results for ""author various"

A short story collection exploring cultural complexities in China, the Chinese diaspora in America, and the world at large.In a vibrant and illuminating follow-up to her award-winning story collection, Useful Phrases for Immigrants, May-lee Chai’s latest collection Tomorrow in Shanghai explores multicultural complexities through lenses of class, wealth, age, gender, and sexuality—always tracking the nuanced, knotty, and intricate exchanges of interpersonal and institutional power. These stories transport the reader, variously: to rural China, where a city doctor harvests organs to fund a wedding and a future for his family; on a vacation to France, where a white mother and her biracial daughter cannot escape their fraught relationship; inside the unexpected romance of two Chinese-American women living abroad in China; and finally, to a future Chinese colony on Mars, where an aging working-class woman lands a job as a nanny. Chai's stories are essential reading for an increasingly globalized world.

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Early Anglo-Saxon Christian Reliquaries presents a corpus and discussion of a group of Anglo-Saxon copper-alloy containers dating to the seventh and possibly eighth centuries, and variously described as work boxes, needle cases, amulet containers or Christian reliquaries. Seventy-one boxes, some incomplete or fragmentary, have been recorded from forty-nine sites across Anglo-Saxon England. A typology, material specification, drawings, design and construction principles are provided, and a nomenclature applicable to these containers is outlined. Catalogue entries give details of site location, description, decorative features and references. Three box types are identified, and a concluding discussion suggests that boxes of Types I and II had a Christian function and should be considered as reliquaries. Type III boxes had a secular function, and their purpose remains enigmatic.

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A city with a reputation to maintain, Melbourne is famous variously for being Australia’s coffee capital, the Europe of Australia and consistently ranked amongst the top most liveable cities in the world. CultureShock! Melbourne takes both long- and short-term residents through the city’s inner workings. The city offers world-class urban landscapes and experiences, spiced with a uniquely Melburnian spirit: a stroll along the Yarra River surrounded by a glittering skyline and artisanal sandwich in hand, top-drawer entertainment, restaurants helmed by celebrity chefs, or even a simple breakfast of toast with smashed avo’ and a flat white at a legendary café along a boulevard. Get the most out of your stay in Melbourne with this essential guide to one of the jazziest, most cosmopolitan cities in the world.

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Romany Gypsies have been variously portrayed as exotic strangers or as crude, violent delinquents; this book is the first real history of the Romany people, from the inside. Jeremy Harte vividly portrays the hardships of the travelling life, the skills of woodland crafts, the colourful artistic traditions, the mysteries of a lost language and the flamboyant displays of weddings and funerals, which are all still present in this secretive culture. Travellers through Time tells the dramatic story of life on the margin of society from Tudor times to today, offering vivid insights into the hidden world of England’s large Gypsy population. It will appeal to those who are curious about other cultures, as well as those who want to understand the reality behind the prejudice.

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Hailed as “British dance’s true iconoclast”, Michael Clark is a defining cultural figure in the contemporary dance world. Since emerging in the early 1980s as a prodigy at London’s Royal Ballet School, Clark has remained at the forefront of innovation in dance, working in close collaboration with a broad range of pioneering artists such as Sarah Lucas, Leigh Bowery, Charles Atlas, Cerith Wyn Evans, Peter Doig, Elizabeth Peyton, Wolfgang Tillmans and musicians such as Mark E. Smith, Wire, Scritti Politti, and Relaxed Muscle. As a young choreographer, Clark brought together his classical ballet training with London’s club culture, fashion, and punk rock to establish himself as one of the most innovative artists working in modern dance. His work—variously referencing punk, rock, and pop—is marked by a mixture of technical rigor and experimentation in a way that disrupts and reimagines our understanding of dance. This book features a series of enlightening essays and vivid illustrations of Clark’s best-known performances, alongside archival material. Loosely tracing the chronological evolution of his career, a variety of cultural figures— ranging from Jarvis Cocker to Charles Atlas—write about the countercultural undercurrents with which Clark’s work connects.

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Wycliffite's theology and learning examined in the context of their physical appearance in contemporary books and manuscripts. The reform movement known variously as Wycliffism or Lollardy is now a familiar feature of the premodern intellectual and religious landscape. But even though "heresy" has migrated to the forefront of medieval studies in recent decades, Wycliffite biblical scholarship itself has escaped sustained attention, especially its different tiers of textual form and practice. This book examines Wycliffism as it moves from late scholastic discourses of academic biblical study to the material contexts of English book and manuscript production; it also considers changing notions of biblical materiality itself. Such a concern is not limited to the empirical analysis of the book-object itself, but extends to scripture's material forms and identites as they were imagined, theorised, and made the subject of far-reaching speculation in textual criticism and hermenutics. In addition to Wycliff's academic writing, the book also addresses the movement's most significant textual assemblages in a major contribution to reframing our understanding of a key moment in English religious and cultural history. David Lavinsky is Assistant Professor for the Department of English at Yeshiva University.

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Most people have a story to tell about a remarkable coincidence that in some instances changed the course of their lives. These uncanny occurrences have been variously interpreted as evidence of divine influence, fate, or the collective unconscious. Less common are explanations that explore the social situations and personal preoccupations of the individuals who place the most weight on coincidences. Drawing on a variety of coincidence stories, renowned anthropologist Michael Jackson builds a case for seeing them as allegories of separation and loss—revealing the hope of repairing sundered lives, reconnecting estranged friends, reuniting distant kin, closing the gap between people and their gods, and achieving a sense of emotional and social connectedness with others in a fragmented world.

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This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema.. The first monograph on his work to appear in English for many years dealing not only with his thirteen feature-length films but also his little-seen early short Affaires publiques and his short treatise Notes on cinematography.. The films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis.. The major critical responses to his work, from the adulatory to the dismissive, are summarized and analyzed.. The work includes a full filmography and a critical bibliography.

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The history of projected images at the turn of the seventeenth century reveals a changing perception of chance and order, contingency and form. In Projecting Spirits, Pasi Väliaho maps how the leading optical media of the period—the camera obscura and the magic lantern—developed in response to, and framed, the era's key intellectual dilemma of whether the world fell under God's providential care, or was subject to chance and open to speculating. As Väliaho shows, camera obscuras and magic lanterns were variously employed to give the world an intelligible and manageable design. Jesuit scholars embraced devices of projection as part of their pursuit of divine government, whilst the Royal Society fellows enlisted them in their quest for empirical knowledge as well as colonial expansion. Projections of light and shadow grew into critical metaphors in early responses to the turbulences of finance. In such instances, Väliaho argues, "projection" became an indispensable cognitive form to both assert providence, and to make sense of an economic reality that was gradually escaping from divine guidance. Drawing on a range of materials—philosophical, scientific and religious literature, visual arts, correspondence, poems, pamphlets, and illustrations—this provocative and inventive work expands our concept of the early media of projection, revealing how they spoke to early modern thinkers, and shaped a new, speculative concept of the world.

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In her third book of poems, Sinead Morrissey builds on the achievement of her award-winning collection, "Between Here and There", by expanding the lyric into new territories and admitting new voices. The theme of imprisonment is variously addressed: in the actual prisons of eighteenth-century Europe; in the prison of our own limited perceptions of experience, particularly of other cultures when abroad; in the prison of the mortal human body itself. Alongside the intimate interiors of human relationships, the poems are also interested in broader discourses, particularly history, and range in scope from the Royalist convictions of a woman wearing a Scold's Bridle during England's interregnum, to the story of the number zero. Form and content, as well as the personal and the political, are blended throughout this collection with imagination and consummate skill. As in her previous two books, travel remains a source of inspiration: one exhilarating poem details, in nine 'chapters', a six-thousand-mile train journey across China in which the conflicting faces of a rapidly changing country jostle for space.The collection ends with a compelling act of ventriloquism, as Morrissey recounts, in the first person, the life and works of the great prison reformer John Howard, and details his vision for the moral regeneration of the corrupted human soul.

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Welsh Environments in Contemporary Poetry' examines the question of how recent English-language poetry from Wales has responded to the diverse physical environments of Wales. The first volume to offer a sustained assessment of Welsh poetry in English within the context of recent developments in environmental literary criticism, this book also draws on aspects of human geography to explore the rich contemporary poetics of Welsh space and place. Opening with an examination of poets from the 1960s as well as the early work of R.S. Thomas, 'Welsh Environments in Contemporary Poetry' subsequently concentrates on the poetry of writers who have come to prominence since the 1970s: Gillian Clarke, Ruth Bidgood, Robert Minhinnick, Mike Jenkins, Christine Evans, and Ian Davidson.Close reading of key texts reveals the way in which these writers variously create Welsh places, landscapes, and environments - fashioning rural and urban spaces into poetic geographies that are both abundantly physical and inescapably cultural. Far from reducing Wales to mere scenery, the poetry that emerges from this book engages with the environments of Wales, not just for their own sake, but as a crucial way of exploring key issues in Welsh culture - from the negotiation of female identity in a land of masculine myths to the exploration of Welsh space in a global context.

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Hollywood certainly isn't your typical police precinct, but in Hollywood Moon, follow-up to Hollywood Station and Hollywood Crows, the cops of that surreal place seem called upon to deal with an even greater share of weirdness than normal. Drag queens in delicto flagrante behind dumpsters, dead hobos pushed around in wheelchairs, men in massage parlours receiving unspeakable injuries from Barbie dolls. That's not to say that the cops themselves don't have their own peculiarities: Hollywood Nate still dreams of movie stardom, but worries as he gets older that he's too good-looking to be a character actor. Then there's Aaron Sloane, forever lusting after his beautiful partner Sheila Montez, and Dana Vaughn, a tough no-nonsense cop who can't stand the fact that former chauvinist pig turned 'guardian angel' Lee Murillo won't stop following her around after she saved his life. But there's a darker side to all that weirdness - and when the enigmatic crook Dewey Gleason, known variously to his associates as 'Jacob Kessler' and 'Bernie Graham', hatches an audacious kidnap plan, without knowing that one of the hired help lives a double life as a serial sex attacker, things start to get very dangerous indeed.

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Serge Diaghilev was the Russian impresario who is often said to have invented the modern art form of ballet. Commissioning such legendary names as Nijinsky, Fokine, Stravinsky, and Picasso, this intriguingly complex genius produced a series of radically original art works that had a revolutionary impact throughout the western world.Off stage and in its wake came scandal and sensation, as the great artists and mercurial performers involved variously collaborated, clashed, competed while falling in and out of love with each other on a wild carousel of sexual intrigue and temperamental mayhem. The Ballets Russes not only left a matchless artistic legacy - they changed style and glamour, they changed taste, and they changed social behaviour.The Ballets Russes came to an official end after many vicissitudes with Diaghilev's abrupt death in 1929. But the achievements of its heroic prime had established a paradigm that would continue to define the terms and set the standards for the next. Published to mark the hundred and fiftieth anniversary of Diaghilev's birth, Rupert Christiansen - leading critic and self-confessed 'incurable balletomane' - presents this freshly researched and challenging reassessment of a unique phenomenon, exploring passionate conflicts and outsize personalities in a story embracing triumph and disaster.

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"InUprising, Dean Urdahl has crafted a story about Min­nesota's 'war within a war' in the Minnesota River Valley during the autumn of 1862. His saga is enriched by unfolding . . . on an even broader background beginning with the bloody battle of Shiloh in the spring of 1862 and carrying his main character, Nathan Thomas, from there to Minnesota where he participates in an extraordinary number of adventures during the six-week ethnic earthquake variously known as the Sioux Uprising, the Dakota Conflict, and the Dakota War. In casting Nathan as his central figure and relating him to the two theaters of conflict during the great battles of Second Manassas, Antietam, Corinth, and others in the East . . . he adds meaning and depth to the power of his story.Steeped in the history and lore of the area in which he lives and knows well, Urdahl has given us an absorbing story about human tragedy, heroism, and survival by ordinary folks on a grand scale during a clash of cultures whose legacy still lives with us today." -Russell Fridley, Past executive director of the Minnesota Historical Society

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From 1987 to 1995, Bristol, England’s Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native country—sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as “indie-pop,” “C86,” “cutie” and “twee”) whose moment had passed. Yet now, more than 20 years after its founders symbolically “destroyed” it, Sarah is among the most passionately fetishized record labels of all time. Its rare releases command hundreds of dollars, devotees around the world hungrily seek out any information they can find about its poorly documented history, and young musicians—some of them not yet born when Sarah shut down—claim its bands (such as Blueboy, the Field Mice, Heavenly, and the Wake) as major influences. Featuring dozens of exclusive interviews with the music-makers, producers, writers and assorted eyewitnesses who played a part in Sarah’s eight-year odyssey, Popkiss: The Life and Afterlife of Sarah Records is the first authorised biography of an unlikely cult legend.

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Bernado Provenzano, head of the Sicilian mafia, is Italy's most notorious criminal. But despite apparent sightings all over Europe, for 43 years he eluded the police, until, on 11 April 2006, a crack police team broke into a tiny shepherd's hut in the mountains above Corleone. At last they were able to capture Provenzano, just a few miles from his home. A master of reinvention, he has been known variously as the Tractor, the Accountant, Uncle Bernie and even the Axe Man. He took over Cosa Nostra when it was on its knees, after the carnage of an all-out war with the state, and restored its power by going underground and infiltrating business, law and politics at the highest levels. In prison his human side emerged when his sole request was to marry his devoted companion, Saveria, who stood by him through years on the run. Provenzano's story is one of passion and betrayal, told by the investigators who tracked him down, the spies who worked for him, the officers who arrested him and his consigliere at the heart of Cosa Nostra.

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Mark W. Elliott presents a range of interpretations of the imagery used in the Song of Songs and demonstrates how the figures of the Bridegroom and Bride were understood. He pays attention to the historical context of those commenting on the Song between the councils of Constantinople 381 and Chalcedon 451, including theological disputes and spiritual movements. Showing how they found significance in such an unlikely text leads on to the conclusion that the commentators are largely in agreement that the Song refers to a meeting of the Word of God in his incarnate form, reaching out to all humanity, and the collective humanity, viewed in the obedient responsiveness of a bride. This responsive collective humanity is described variously in terms of 'church', believing soul, soul of Christ and humanity of Christ. Mark W. Elliott selects specifically Christological readings (i.e. those which interpret the Song with reference to the incarnation) and gives some reasons for the demise of such an interpretation and of commentary writing as a whole during that period.

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Dr Jean Michel Massing is a Reader in the History of Art and a Fellow of King's College, Cambridge. The first volume of Studies in Imagery, Text and Images, consists of 25 "studies grouped under four sections: Classical Art and its Nachleben; Symbolic Languages; Saints and Devils; Comets, Dreams and Stars. The topics include the Celto-Roman "goddess Epona, the Calumny of Apelles and its reconstructions, the Triumph of Caesar, proverb illustration, the art of memory, emblematic and didactic imagery, the temptations of St Anthony, as well as dreams and celestial phenomena. They span a wide range of periods, from classical antiquity to the nineteenth century. Vol. 2, The World Discovered, deals variously with the relationship of European with non-European cultures, cartography in medieval and early modern times, the representation of foreign lands and people, and the collecting of exotic artefacts. A central theme involves the imagery of black Africans from the Middle Ages up to the nineteenth century.

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Variously described as ‘the average pilgrim’, a ‘wanderer’, and ‘a Buddha preaching in European clothes’, Charlie Marlow is the voice behind Joseph Conrad’s ‘Youth’ (1898), Heart of Darkness (1899), Lord Jim (1900) and Chance (1912). Conrad’s Marlow offers a comprehensive account and critical analysis of one of Conrad’s most celebrated creations, asking both who and what is Marlow: a character or a narrator, a biographer or an autobiographical screen, a messenger or an interpreter, a bearer of truth or a misguided liar?Reading Conrad’s fiction alongside the work of Walter Benjamin, Maurice Blanchot, Jacques Derrida and Martin Heidegger, and offering an investigation into the connection between narrative and death, this book argues that Marlow’s essence is located in his liminality – in his constantly shifting position – and that the emergence of meaning in his stories is at all points bound up with the process of his storytelling.

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'In this book are bits and pieces of dreams, lives, experiences, and vistas, like squares cut from old cloth and assembled into a crazy quilt of writing styles and forms. The patchwork design mirrors both the complexity of the chroniclers and the stark lines and angles of the American frontier' - Susan Cummins Miller, from the introduction. In this anthology of thirty-four writers who published during the settlement years of the American frontier, Miller assembles nonfiction, fiction, poetry, and occasional writings from women of Anglo, Chinese, Hispanic, and Native American ethnicity. Variously addressing such themes as isolation, drudgery, friendship, mourning, and even mysticism, these writers offer up a different frontier, one that focuses on womens experiences as much as mens. In brief biographical and historical introductions to each writer, Miller shares insights and context as engaging as the selections themselves.

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Born into terrible poverty, Millie Ash's hopes for a better life are threatened by a fatal accident in Dee Williams' heartrending new sagaMillie Ash, born into terrible poverty in the backstreets of the East End, has always wanted to better herself. She gets her chance when she lands a position as a lady's companion, her charge the disabled daughter of a well-to-do London family. Millie adores her work, and even starts to develop feelings for the son of the house. But years later a tragic accident causes Millie to lose her job and, along with it, the life she so loved. As she goes from job to job, working variously as a typist, factory worker and nurse, will she ever find happiness, and love, again?

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What if Beethoven had travelled to the United States? Taking up a commission to write a Biblical oratorio for Boston's Handel and Haydn Society?As Mr. Beethoven wrestles with his librettist and his muse, he comes to rely on two women. Thankful, who conducts his conversations using Martha's Vineyard sign language, and a kindred spirit: Mrs. Hill. Meanwhile all Boston waits in anxious expectation of a first performance Mr. Beethoven will never hear. Variously admonishing the amateur music society and laughing in the company of his hosts' children, the immortal composer is brought back to the fullness of life. Griffiths invents only what is strictly possible. His historiography weaves through the text in counterpoint, making this also a story about the fragility of the past and the remaining traces of the man: Mr. Beethoven.

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The burbot has a unique ecology as the only member of the order of cod-like fishes found in freshwater. It is the second most widely distributed freshwater fish in the Northern Hemisphere, variously threatened, extinct or thriving across different parts of this wide paleoarctic range. Burbot were driven to extinction from Britain most probably in the 1970s, the last recorded specimen caught in 1969 in Cambridgeshire. Particularly over the past decade, a large body of work has addressed potential reintroduction of the burbot to Britain. The burbot’s diverse habitat and other needs throughout its life stages also mean that the species is a flagship for a diversity of other wildlife of restored river systems, and of the human benefits that these ecosystems can provide. Burbot is an excellent source for all those involved in freshwater fish and fisheries management, conservation and exploitation, including fish biologists (ichthyologists), environmental scientists, freshwater biologists, fisheries managers and scientists, conservation biologists, engineers and hydrologists. The libraries of all universities and research establishments where these subjects are studied and taught should have a copy. Anglers and all those interested in fishes and natural history will also benefit from this book.

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Outsourcing the Polity offers a new account of social outsourcing in post-independence Myanmar, demonstrating how the bankrupt post-socialist junta mediated market reform in the 1990s and 2000s and forced private and non-state actors to take the burden for social welfare. Informed by research during Myanmar's decade of partial civilian rule (2011–2021), Gerard McCarthy examines how ideals and practices of non-state welfare can both sustain democratic resistance and undermine social reform over time. Rather than expand government-led social action funded by direct taxation, grassroots activists and democratic leaders after 2011 variously framed government social action as ineffective, undesirable, and even corrosive of civic norms. They instead encouraged citizens to be "self-reliant" and support each other, including during disasters. Powerful tycoons filled the social gap, using public philanthropy to remake their reputations and to defend their ongoing expropriation of land and state assets from potential democratic redistribution. With non-state social actors more important than ever following Myanmar's return to dictatorship in 2021, Outsourcing the Polity casts new light on the lasting legacies of outsourcing for distributive politics.

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The digitised spectacles conjured by a word like `blockbuster’ may create a certain cognitive dissonance with received ideas about French cinema – long celebrated as a model for philosophical, economic and aesthetic resistance to globalised popular culture. While the Gallic `cultural exception’ remains a forceful current to this day, this book shows how the onslaught of Hollywood mega-franchises and new media platforms since the 1980s has also provoked an overtly commercialised response from French producers eager to redefine the stakes and scope of their own traditions. Cutting across a swath of recent French-produced cinema, French Blockbusters offers the first book-length consideration of the theoretical implications, historical impact and cultural consequences of recent popular films that are rapidly changing what it means to make – or to see – a `French’ film today. From English-language action vehicles like Valérian and the City of a Thousand Planets (Besson, 2017) to revisionist historical films like Of Gods and Men (Beauvois, 2011) and crowd-pleasing comedies like Intouchables (Tolédano & Nakache, 2011), the variously filiated `local blockbusters’ from contemporary France brim with the seeds of cultural contradiction, but also with the energy of a forceful counter-history.

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After the 1925 discovery of diamonds in the semi-desert of the northwest coast of South Africa, De Beers Consolidated Mines Ltd. virtually proclaimed its dominion over the whole region. In the town of Kleinzee, the company owns all the real estate and infrastructure, and controls and administers both the town and the industry. Peter Carstens’s In the Company of Diamonds draws a stark and startling portrait of this closed community, one that analyzes the power and hegemonic techniques used to acquire that power and maintain it. As a prototypical company town, Kleinzee is subordinated to the industry and will of the owners. Employees and workers are variously differentiated and ordered according to occupation, ethnic variation, and other social criteria, a pattern reflected most markedly in the allocation of housing. Managers live in large, ranch-style houses, while contract workers are lodged in single-sex compounds. As a community type, company towns like Kleinzee are not entirely unique, and Professor Carstens successfully draws a number of structural parallels with other closed and incomplete social formations such as Indian reservations, military bases, colleges, prisons, and mental hospitals.

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The continued criminalization of same-sex sexual acts, variously labeled sodomy, buggery, or the crime against nature, is inconsistent throughout the world. The criminalization of other sexual acts, such as public sex, commercial sex, or HIV-transmission, is more common. The relationship between sexuality and criminality is not limited to a direct criminalization of sexual acts, however. The victimization of sexual minorities because of their sexuality has garnered attention in the conceptualization of hate crimes in many countries. When sexual minorities are accused of victimizing others, the criminal justice system can conflate sexual identity with the criminal acts resulting in biased convictions. Imprisonment and punishment norms can pose special problems in the context of gender minorities or for sex offenses. The papers reprinted in this volume cover doctrinal, theoretical and political analysis of the current and historical criminalization of a wide variety of sexual acts, including ones less commonly discussed. It also includes discussions of the 'homosexual panic' defense, hate crimes and domestic violence, as well as examinations of specific cases in which the sexuality of the accused became pertinent. The volume also includes discussions of the imprisonment of gender nonconforming persons in systems of sex-segregated prisons and the treatment of 'sex offenders'.

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It's 2:47am when Dr Nick Trout, a British vet working in Boston, USA, is abruptly woken and called in to the Angell Memorial Animal Hospital to see if he can save the life of Sage, a ten year-old German Shephard with a critical stomach condition. The case is severe, the outlook bleak, and Dr Trout is her only chance. So begins an intimate and exhilarating journey into a typical day in a far from typical job.TELL ME WHERE IT HURTS takes the reader to the heart of the trials and tribulations of life as a veterinary surgeon, a life filled with heartbreak, triumph, anxiety, and of course, cuddly pets and their variously crazy, desperate, and demanding owners. The day's events come alive with Trout's breezy and companionable narration, and while he illustrates many of the issues pertinent to 21st century pet medicine, at its heart, the book reminds us that while the technology may have moved on from James Herriot's day, the essential characters, humour, and humanity remain the same as ever.

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When they first began to appear in the 1930s, George Campbell's poems blasted through the colonial Victorianism of contemporary Jamaican poetry. Dubbed 'the poet of the revolution' by Jamaica's founding political father, Norman Manley, Campbell was the one Caribbean poet whom Derek Walcott acknowledged as an inspiration.Campbell wrote about the struggle for independence and the appalling social conditions that drove the Jamaican masses to revolt, and about the rising consciousness of black Jamaicans after centuries of oppression. He wrote out of a consciousness of history and religious faith, a faith in which, for him, Jesus and Lenin were not incompatible icons. He also wrote about love, its ecstasies and bitter disappointments, and some of his very best poems are luminous celebrations of Jamaica's natural beauty.George Campbell was born of Jamaican parents in Panama in 1916 and lived variously in Columbia and Costa Rica before returning to Jamaica. He became intensely involved in the nationalist movement and with the Manley family, who championed the poetry he was beginning to write. First Poems appeared in 1945. In the same year, Campbell migrated to New York, where he worked in theatre and dance. In 1978, he returned to Jamaica, working as a consultant to the Institute of Jamaica and the People's National Party archives. In 1994 he returned to New York, where he died in 2002.

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A fascinating and beautifully illustrated volume that explains what street trees tell us about humanity’s changing relationship with nature and the city “A deep . . . dive into urban society’s need for—and relationship with—trees that sought to return the natural world to the concrete jungle.”—Adrian Higgins, Washington Post Winner of the Foundation for Landscape Studies' 2019 John Brinckerhoff Jackson Prize Today, cities around the globe are planting street trees to mitigate the effects of climate change. However, as landscape historian Sonja Dümpelmann explains, the planting of street trees in cities to serve specific functions is not a new phenomenon. In her eye-opening work, Dümpelmann shows how New York City and Berlin began systematically planting trees to improve the urban climate during the nineteenth century, presenting the history of the practice within its larger social, cultural, and political contexts. A unique integration of empirical research and theory, Dümpelmann’s richly illustrated work uncovers this important untold story. Street trees—variously regarded as sanitizers, nuisances, upholders of virtue, economic engines, and more—reflect the changing relationship between humans and nonhuman nature in urban environments. Offering valuable insights and frameworks, this authoritative volume will be an important resource for years to come.

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The volume contains the revised papers of an interdisciplinary conference held at the University of Goettingen in May 2012, which focused on ancient and medieval receptions of the Book of Isaiah in their interconnectedness. Among Jews and Christians, Isaiah was the most frequently transmitted, most often employed, and most variously interpreted of the prophetic books. In early and classic Islam, moreover, Isaianic traditions carried considerable weight as well. In fact, the Book of Isaiah was appropriated in diverse cultural contexts by many distinct yet interrelated groups and communities. The process of interpretation - and the delineation of the interpreter's identity that was bound up with it - involved both differentiation from others as well as sharing of convictions, methods and traditions with them. By bringing together studies of Jewish, Christian and Islamic interactions with this book and undertaking a comparative analysis of their findings, the volume opens up important new perspectives for research.

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''How beauteous mankind is! O brave new worldThat has such people in''t!''Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare''s genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright''s most penetrating statement about his art.The New Oxford Shakespeare offers authoritative editions of Shakespeare''s works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare''s work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give read

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In 1978 the world’s first “test-tube baby” was born from in vitro fertilization (IVF), effectively ushering in a paradigm shift for infertility treatment that relied on partially disembodied human reproduction. Beyond IVF, the ability to extract, fertilize, and store reproductive cells outside of the human body has created new opportunities for family building, but also prompted new conflicts about rights to and control over reproductive cells. In collaborative forms of reproduction that build on IVF technologies, such as egg and embryo donation and gestational surrogacy, multiple women may variously contribute to conception, gestation/birth, and the legal and social responsibilities for rearing a child, creating intentionally fragmented maternities. Undoing Motherhood examines the implications of such fragmented maternities in the post-IVF reproductive era for generating maternity uncertainty—an increasing cultural ambiguity about what does and should constitute maternity. Undoing Motherhood explores this uncertainty in the social worlds of reproductive medicine and law.

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A dizzying trip through the mind(s) of the provocative and influential thinker Nick Land.During the 1990s British philosopher Nick Land's unique work, variously described as “rabid nihilism,” “mad black deleuzianism,” and “cybergothic,” developed perhaps the only rigorous and culturally-engaged escape route out of the malaise of “continental philosophy” —a route that was implacably blocked by the academy. However, Land's work has continued to exert an influence, both through the British “speculative realist” philosophers who studied with him, and through the many cultural producers—writers, artists, musicians, filmmakers—who have been invigorated by his uncompromising and abrasive philosophical vision.Beginning with Land's early radical rereadings of Heidegger, Nietzsche, Kant and Bataille, the volume collects together the papers, talks and articles of the mid-90s—long the subject of ru

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In this ambitious collection, Kevin Stein enters the volatile intersection of private lives and larger public history. In poems variously formal and experimental, improvisational and narrative, wisely silly and playfully forlorn, Stein renders the human carnival flexed across the tattooed bulk of “history’s bicep.” Musical and refreshingly unaffected, Stein’s poems yoke the domains of high and low art. His poems address subjects by turns surprising, edgy, and humorous. They offer musings on the Slinky and the atomic bomb, elegies for a miscarried pregnancy and the late physicist Edward Teller, reflections on night-shift factory work and President Eisenhower’s golf caddy, and meditations on the politics of post-colonialism and a youthful antiwar streaking incident. Against this vivid backdrop parades a motley cast of American characters seeking wiry balance in a fragile world.

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Philip Hook takes the lid off the world of art dealing to reveal the brilliance, cunning, greed and daring of its practitioners. In a richly anecdotal narrative he describes the rise and occasional fall of the extraordinary men and women who over the centuries have made it their business to sell art to kings, merchants, nobles, entrepreneurs and museums. From its beginnings in Antwerp, where paintings were sometimes sold by weight, to the rich hauteur of the contemporary gallery in London, Paris and New York, art dealing has been about identifying what is intangible but infinitely desirable, and then finding clients for whom it is irresistible. Those who have purveyed art for a living range from tailors, spies and the occasional anarchist to scholars, aristocrats, merchants and connoisseurs, each variously motivated by greed, belief in their own vision of art and its history, or simply the will to win. The cast of characters includes Paul Durand-Ruel, the Impressionists' champion; Herwath Walden, who first brought Modernism into the limelight; Daniel-Henry Kahnweiler, high priest of Cubism; Leo Castelli, dealer-midwife to Abstract Expressionism and Pop Art; and Peter Wilson, the charismatic Sotheby's chairman who made the auction room theatre. Philip Hook's history is one of human folly, greed and duplicity, interspersed with ingenuity, inspiration and acts of heroism. Rogues' Gallery is learned, witty and irresistibly readable.

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For much of cycling's "Fabulous Fifties" it was Brian Robinson alone who flew the flag for Britain abroad - that is until three young men set out to emulate his success, starting from ground zero. This book tells the story of how, along with fellow Yorkshireman Vic Sutton and South Londoner John Andrew, the intrepid Tony Hewson set off to conquer the European racing scene, first off in an old, battered, converted ex-WD ambulance, then in an oil-leaking pre-war Wolseley with a caravan in tow. Variously mistaken for gypsies, terrorists, undertakers, even market traders, these were our original cash-starved, have-a-go pioneers, whose inspiration prompted Tom Simpson and succeeding generations of would-be stars to cross the Channel. It is an often hilarious sometimes sad but never bitter saga of daring-do that found the trio rubbing shoulders with Coppi, Anquetil, Van Looy and the other greats of the era. It tells of how Andrews won a place in the prestigious Mercier-BP trade team and of how Sutton conquered the headlines with a brilliant display of climbing in the mountaains of the 1959 Tour and its relates Hewson's own pickings of primes and placings in after-Tour criteriums.It also provides a wonderfully evocative insight into what life was like in France and Belgium back in that far-off era.

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Carry Walt Whitman’s wisdom with you in this inspirational guide that features 60 selections from his most insightful poems. Walt Whitman, the great American poet of the 19th century (1819–1892), celebrated his body, the land, the commonest of people, the plants and leaves, and the cosmos in Leaves of Grass, first published in 1855. Working variously as a printer, journalist, teacher, and Civil War nurse, Whitman traveled across the continent, soaking the ink of the wilds and the urban into his pen. His poetry is an invitation into the wilds of Nature and human nature. In Meditations of Walt Whitman, editor Chris Highland pairs 60 short selections from Whitman’s poetry with a relevant quote from a historical or contemporary writer and thinker, from Aristotle to Alice Walker, Lord Byron to Arthur C. Clarke. Take this pocket-size guide with you on backpacks, nature hikes, and camping trips. Let Whitman’s words enrich your experience as you ponder the wilderness from riverbank, mountaintop, or as you relax beside your campfire. Inside you’ll find: 60 inspiring selections of poetry from Walt Whitman Relevant text from other philosophical minds Short excerpts for convenient reading This sampler from Whitman’s poems draws from the heart of each passage. Let Whitman’s words accompany you on your own trails of discovery and help you discover the earth, your likeness.

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Since its publication in 1929, the story of Doña Bárbara has haunted the collective Latin-American imagination, and has been adapted variously both for the small and big screen. Doña Bárbara Unleashed explores how Rómulo Gallegos’s original story has been kept alive yet altered by subsequent screen adaptations; the book illustrates how film and telenovela adaptations have reinterpreted Doña Bárbara in order to mirror changes in societal norms, such as the role of women in Latin American societies, and audience expectations. Particular attention is given to how spectators in the twenty-first century have played a crucial role influencing the alterations to which Gallegos’s original plot has been subjected. Now Doña Bárbara Unleashed offers an original way of studying screen adaptations by engaging several adaptations of the same source text in dialogue with each other, rather than simply comparing adaptations to the source text. This is a ground-breaking study that further develops readings through more traditional theories of screen adaptations with approaches emerging from fandom studies and audience responses.

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The thirteenth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by crime writer Natasha Cooper - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries. They plan to have a quiet country honeymoon. Then Lord Peter Wimsey and his bride Harriet Vane find the previous owner's body in the cellar.Set in a country village seething with secrets and snobbery, this is Dorothy L. Sayers' last full-length detective novel. Variously described as a love story with detective interruptions and a detective story with romantic interruptions, it lives up to both descriptions with style.'She brought to the detective novel originality, intelligence, energy and wit.' P. D. James

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William Powell wrote The Anarchist Cookbook in 1969 at the age of nineteen. It included everything from making bombs to brewing LSD in the bathroom. On publication, it was hailed variously as "outrageous," "extremely dangerous," "communist," and "the most irresponsible publishing venture in American history." It also became an overnight bestseller. Powell's memoir chronicles the atmosphere of the 1960's counterculture—the Civil Rights Movement was at its height and the federal government was engaged in a brutal and entirely unnecessary war in Southeast Asia. The zeitgeist was radicalization, and the watchword was revolution, and Powell left an enduring record of his thoughts and anger in the shape of The Anarchist Cookbook . The Cookbook: Coming of Age in Turbulent Times portrays Powell's rebellious adolescence, political radicalization, the publication of the book, the firestorm of controversy that followed, and how it shadowed his entire life. He explores his feelings and the lessons learned, and how he went on to help hundreds of children all over the world in education.

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‘Tanbûr Long-Necked Lutes Along the Silk Road and Beyond’ explores the origin, history, construction, and playing techniques of tanbûrs, a musical instrument widely used over vast territories and over many centuries. The diffusion of the tanbûr into the musical cultures along the Silk Road resulted in a variety of tanbûrs with two or more, occasionally doubled or tripled courses, a varying number and variously tuned frets, each having its own characteristic sound, playing technique, and repertory. Since the last century, tanbûrs spread beyond the Silk Road while new versions continue to appear due to changing musical and tonal demands made on them. Similar or identical instruments are also known by other names, such as saz or bağlama, dotâr or dutâr, setâr, dömbra, and dambura.

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This book reveals and interprets the rich diversity of turn-of-the-twentieth-century Chinese approaches to their own past and the modern West through the lens of the woman question. Writers and activists who engaged in debates over this question variously appropriated biographies of women—a genre with a 2,000-year history in China and a new political salience in the early twentieth century. Judge maps the ways these individuals used historical Chinese and modern Western women's biographies to promote competing visions of female virtue, talent, and heroism, and, ultimately, to advance competing evaluations of China's ritual teachings, cultural heritage, and national future. She concludes by applying the hermeneutics of historical change she develops for the turn of the twentieth century to the turn of the twenty-first century, as women's issues continue to foreground Chinese conceptions of the past, the West, and the nation.

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"The poems of Anthony McCann are beautiful, brutal, and unerring. They present us with, or return us to, a complicated, violent, poignant, weird, and mysterious world--a world which is very particularly his, and also our own, re-sung. For some time now I have believed McCann to be one of the finest poets writing today."--Maggie Nelson "McCann demonstrates that the truth surrounds us all; our best way of connecting with it is through compassion and love. With equal parts exuberance and dread, the speaker encourages us to 'waste the whole day feeling these things.'"--Boston Review Thing Music is full of flesh, of creatures tangled in their worlds. Marked variously by the desert and coastal landscapes of Southern California and the intersections of phenomenology and anarchism, these poems are porous bodies, traversed by light and noise. From "Mouth Guitar": Now the pulsing afternoon takes each belly in its hands lifts it up towards some glass and all that's inside While he crawled on with his body towards vengeance or the state Anthony McCann lives in Los Angeles and teaches in the University of California-Riverside's Palm Desert MFA program. He is the "Poet Laureate" of Machine Project, and also teaches courses at the California Institute of the Arts.

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The history of projected images at the turn of the seventeenth century reveals a changing perception of chance and order, contingency and form. In Projecting Spirits, Pasi Väliaho maps how the leading optical media of the period—the camera obscura and the magic lantern—developed in response to, and framed, the era's key intellectual dilemma of whether the world fell under God's providential care, or was subject to chance and open to speculating. As Väliaho shows, camera obscuras and magic lanterns were variously employed to give the world an intelligible and manageable design. Jesuit scholars embraced devices of projection as part of their pursuit of divine government, whilst the Royal Society fellows enlisted them in their quest for empirical knowledge as well as colonial expansion. Projections of light and shadow grew into critical metaphors in early responses to the turbulences of finance. In such instances, Väliaho argues, "projection" became an indispensable cognitive form to both assert providence, and to make sense of an economic reality that was gradually escaping from divine guidance. Drawing on a range of materials—philosophical, scientific and religious literature, visual arts, correspondence, poems, pamphlets, and illustrations—this provocative and inventive work expands our concept of the early media of projection, revealing how they spoke to early modern thinkers, and shaped a new, speculative concept of the world.

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'Fascinating and illuminating' STYLIST'Perceptive and candid' IRISH TIMES'Wide-ranging, deep-dive, soul-baring interviews, full of candid, intimate, spiky meditations on inspiration, artistry, sexuality, race, love, self-doubt, abuse, defiance and everything in between' OBSERVER'Variously optimistic, troubling, joyful, illuminating, fierce and thoughtful' GUARDIANINTERVIEWS WITH WOMEN ON THE FRONTLINE OF MUSICWriter and critic Amy Raphael has interviewed some of the world's most iconic musicians, including Courtney Love, Patti Smith, Björk, Kurt Cobain and Elton John. In 1995 she wrote the critically-acclaimed Never Mind the Bollocks: Women Rewrite Rock, which included a foreword by Debbie Harry. More than two decades on, the music business has changed, but the way women are regarded has not. In this new book, A Seat at the Table, Raphael interviews eighteen women who work in the music industry about learning to speak out, #MeToo, social media, queer politics and the subtleness of everyday misogyny. Featuring interviews with:CHRISTINE & THE QUEENS, IBEYI, KAE TEMPEST, ALISON MOYET, NADINE SHAH, JESSICA CURRY, MAGGIE ROGERS, EMMY THE GREAT, DREAM WIFE, NATALIE MERCHANT, LAUREN MAYBERRY, POPPY AJUDHA, KALIE SHORR, TRACEY THORN, MITSKI, CATHERINE MARKS, GEORGIA, CLARA AMFO

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An intriguing case study on how popular images of Oceania, mediated through a developing culture of celebrity, contributed to the formation of British identity both domestically and as a nascent imperial power in the eighteenth century. At the end of the eighteenth century metropolitan Britain was entranced by stories emanating from the furthest edge of its nascent empire. In the experience of eighteenth-century Britain, Oceania was both a real place, evidencedby the journals of adventurers like Joseph Banks, the voyage books of Captain James Cook and the growing collection of artefacts and curiosities in the British Museum, and a realm of fantasy reflected in theatre, fashion and the new phenomenon of mass print. In this innovative study Ruth Scobie shows how these multiple images of Oceania were filtered to a wider British public through the gradual emergence of a new idea of fame - commodified, commercial, scandalous - which bore in some respects a striking resemblance to modern celebrity culture and which made figures such as Banks and Cook, Fletcher Christian and his fellow mutineers on Pitcairn Island into public icons. Bringing together literary texts, works of popular culture, visual art and theatrical performance, Scobie argues that the idea of Oceania functioned variously as reflection, ideal and parody both in very local debates over the problemsof contemporary fame and in wider considerations of national identity, race and empire. RUTH SCOBIE is a Stipendiary Lecturer at Mansfield College, University of Oxford.

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The recipient of a 2000 MacArthur fellowship, Ben Katchor (b. 1951) is a beloved comics artist with a career spanning four decades. Published in indie weeklies across the United States, his comics are known for evoking the sensorium of the modern metropolis. As part of the Biographix series edited by Frederick Luis Aldama, Ben Katchor offers scholars and fans a thorough overview of the artist’s career from 1988 to 2020. In some of his early strips published in the 1980s in the New York Press and Forward, Katchor introduced one of his quintessential characters, Julius Knipl, a real estate photographer. By crafting Knipl as an urban flâneur prone to wandering, Katchor was able to variously demonstrate his absurd humor and linguistic whimsy alongside narratives packed with social critique. Three volumes collecting the Julius Knipl strips, Julius Knipl, Real Estate Photographer; Cheap Novelties: The Pleasures of Urban Decay; and The Beauty Supply District, helped cement Katchor as a distinguished comics artist and social commentator. Later works, such as The Cardboard Valise, Hand-Drying in America, and The Dairy Restaurant, have diversified his comics legacy. Rooted in close analyses of the artist’s numerous series and collections, each chapter in Ben Katchor is dedicated to a distinct aspect of the urban experience. Individual pages from Katchor’s work depict not only the visual, but also the auditory, tactile, and olfactory dimensions of life in the city.

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