Search results for ""author christo"

Spiraling into God: Bonaventure on Grace, Hierarchy, and Holiness offers a systematic account of the Seraphic Doctor's doctrine of grace across his speculative-academic, mystical, hagiographical, and pastoral texts. It does so by arguing that an account of this kind can only be provided by also attending to his theology of hierarchy, a methodology derived from Bonaventure's claim in the Major Legend of St. Francis that Francis of Assisi was a "vir hierarchicus," or hierarchical man. As the book explores in great depth, this appellation relies upon Bonaventure's reading of a Victorine Dionysian interpreter by the name of Thomas Gallus, whose "angelic anthropology"—or notion of the hierarchical soul—becomes a crucial component within the Seraphic Doctor's teaching on grace as he interprets the sanctity of St. Francis. Throughout the course of his career, Bonaventure will define sanctifying grace as a created "inflowing" (influential) that "hierarchizes" human beings by purifying, illuminating, and perfecting them from within, thus causing them to become a similitude of the Trinity. This book explains what this means and why it matters.Most existing scholarship on this subject in Bonaventure's thought interprets it as a subtopic with respect to other themes—for example, with respect to his Christology or his Trinitarian theology—rather than taking the time to understand his doctrine of grace in its own right. Alternatively, scholarly treatments of his doctrine of grace will treat it at length, but will only examine the topic as it appears in his more speculative-academic texts—most especially his Commentary on the Sentences or his famous Itinerarium Mentis in Deum—without bringing these into conversation with his pastoral works, sermon literature, or hagiographical texts. Spiraling Into God provides the first unified treatment of Bonaventure's doctrine of grace across all these different genres of his known corpus, and in so doing, fills a massive lacuna in both Bonaventurean scholarship and in the field of medieval historical theology.

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Hours after the collapse of the Twin Towers, the idea that the September 11 attacks had “changed everything” permeated American popular and political discussion. In the period since then, the events of September 11 have been used to justify profound changes in U.S. public policy and foreign relations. Bringing together leading scholars of history, law, literature, and Islam, September 11 in History asks whether the attacks and their aftermath truly marked a transition in U.S. and world history or whether they are best understood in the context of pre-existing historical trajectories. From a variety of perspectives, the contributors to this collection scrutinize claims about September 11, in terms of both their historical validity and their consequences. Essays range from an analysis of terms like “ground zero,” “homeland,” and “the axis of evil” to an argument that the U.S. naval base at Guantánamo Bay has become a site for acting out a repressed imperial history. Examining the effect of the attacks on Islamic self-identity, one contributor argues that Osama bin Laden enacted an interpretation of Islam on September 11 and asserts that progressive Muslims must respond to it. Other essays focus on the deployment of Orientalist tropes in categorizations of those who “look Middle Eastern,” the blurring of domestic and international law evident in a number of legal developments including the use of military tribunals to prosecute suspected terrorists, and the justifications for and consequences of American unilateralism. This collection ultimately reveals that everything did not change on September 11, 2001, but that some foundations of democratic legitimacy have been significantly eroded by claims that it did.ContributorsKhaled Abou el FadlMary L. DudziakChristopher L. EisgruberLaurence R. HelferSherman A. JacksonAmy B. KaplanElaine Tyler MayLawrence G. SagerRuti G. TeitelLeti VolppMarilyn B. Young

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In the sixteenth-century Atlantic world, nature and culture swirled in people's minds to produce fantastic images. In the South of France, a cloister's painted wooden panels greeted parishioners with vivid depictions of unicorns, dragons, and centaurs, while Mayans in the Yucatan created openings to buildings that resembled a fierce animal's jaws, known to archaeologists as serpent-column portals. In Nature and Culture in the Early Modern Atlantic, historian Peter C. Mancall reveals how Europeans and Native Americans thought about a natural world undergoing rapid change in the century following the historic voyages of Christopher Columbus. Through innovative use of oral history and folklore maintained for centuries by Native Americans, as well as original use of spectacular manuscript atlases, paintings that depict on-the-spot European representations of nature, and texts that circulated imperfectly across the ocean, he reveals how the encounter between the old world and the new changed the fate of millions of individuals. This inspired work of Atlantic, European, and American history begins with medieval concepts of nature and ends in an age when the printed book became the primary avenue for the dissemination of scientific information. Throughout the sixteenth century, the borders between the natural world and the supernatural were more porous than modern readers might realize. Native Americans and Europeans alike thought about monsters, spirits, and insects in considerable depth. In Mancall's vivid narrative, the modern world emerged as a result of the myriad encounters between peoples who inhabited the Atlantic basin in this period. The centuries that followed can be comprehended only by exploring how culture in its many forms—stories, paintings, books—shaped human understanding of the natural world.

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Turn Uncomfortable Conversations into Meaningful Dialogue If you believe that talking about race is impolite, or that "colorblindness" is the preferred approach, you must read this book. Race Talk and the Conspiracy of Silence debunks the most pervasive myths using evidence, easy-to-understand examples, and practical tools. This significant work answers all your questions about discussing race by covering: Characteristics of typical, unproductive conversations on race Tacit and explicit social rules related to talking about racial issues Race-specific difficulties and misconceptions regarding race talk Concrete advice for educators and parents on approaching race in a new way "His insistence on the need to press through resistance to have difficult conversations about race is a helpful corrective for a society that prefers to remain silent about these issues." —Christopher Wells, Vice President for Student Life at DePauw University "In a Canadian context, the work of Dr. Derald Wing Sue in Race Talk: and the Conspiracy of Silence is the type of material needed to engage a populace that is often described as 'Too Polite.' The accessible material lets individuals engage in difficult conversations about race and racism in ways that make the uncomfortable topics less threatening, resulting in a true 'dialogue' rather than a debate." —Darrell Bowden, M Ed. Education and Awareness Coordinator, Ryerson University "He offers those of us who work in the Diversity and Inclusion space practical tools for generating productive dialogues that transcend the limiting constraints of assumptions about race and identity." —Rania Sanford, Ed.D. Associate Chancellor for Strategic Affairs and Diversity, Stanford University "Sue's book is a must-read for any parent, teacher, professor, practioner, trainer, and facilitator who seeks to learn, understand, and advance difficult dialogues about issues of race in classrooms, workplaces, and boardrooms. It is a book of empowerment for activists, allies, or advocates who want to be instruments of change and to help move America from silence and inaction to discussion, engagement, and action on issues of difference and diversity. Integrating real life examples of difficult dialogues that incorporate the range of human emotions, Sue provides a masterful illustration of the complexities of dialogues about race in America. More importantly, he provides a toolkit for those who seek to undertake the courageous journey of understanding and facilitating difficult conversations about race." —Menah Pratt-Clarke, JD, PhD, Associate Provost for Diversity, University of Illinois Urbana-Champaign

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NOW AVAILABLE: Bite-sized wisdom and inspirational advice to lift your spirits and help you live a fuller life - from Instagram's answer to Fleabag's 'Hot Priest'. ______________________ One minute could change your life. Reverend Christopher Lee is a young vicar who has taken the internet by storm. With more Instagram followers than the Arch Bishop of Canterbury and the Church of England put together, Rev Chris helps and inspires hundreds of thousands of his followers everyday with his sixty-second sermons, full of bite-sized wisdom for busy people. From family to faith, career to community, self-care to self-worth, The OMG Effect encapsulates Rev Chris Lee's uplifting message of positivity and inclusivity, which has inspired millions of people globally regardless of their religious beliefs (or lack thereof) and, throughout the Covid-19 pandemic, Rev. Chris Lee has been live-streaming prayer and faith sessions for those under lock-down, quarantine, or in self-isolation to help fight loneliness, give hope, and bring people together.Whether you're struggling with your self-esteem, trying to find your purpose, or dealing with disappointment, get ready to refresh your outlook, rediscover your self-worth, and start living a fuller life. 'You are loved. You are precious. You are of vital importance.' Rev Chris Lee __________________________________________________ What people on Instagram are saying about Rev Chris Lee: 'This is so universally applicable. Your sermons reach far and wide and are so healing. I needed to hear this today.' 'I've always been more spiritual than religious and veered away from the church, but you bring such love and light energy to the world.' 'I'm an atheist and I'd have a pint with Rev Chris. He has a good heart.' 'Rev Chris is the wholesome kind of positivity this world needs. I'm not even a religious person, and I'm over here nodding along like I know the good word.' 'You are the only Christian I can stand, tbh.' 'I'm not Christian but I always receive positive vibes from your account.' 'I'm not spiritual or anything. But I love your sermons because it still applies to life anyways.' 'Keep spreading those positive vibes, we need more people like you Rev Chris!!'

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'With smoking hot chemistry, next to no angst, and a friend group that is literally squad goals, Rochon has written another winner' - The Dating Playbook is one of Vulture's Best Romances of 2021! If you love Helen Hoang, Abby Jimenez and Talia Hibbert, you'll LOVE Farrah Rochon, whose books are always witty, hot, and engaging (BuzzFeed)!'A total knockout: funny, sexy, and full of heart' Kirkus..................................What happens when three women discover, thanks to the live tweeting of a disastrous date, that they've all been duped by the same man? They become friends of course!It was only supposed to be for one night . . . Successful pediatric surgeon London Kelley just needs to find some balance and de-stress. According to her friends Samiah and Taylor, what London really needs is a casual hookup. A night of fun with no strings. But no one - least of all London - expected it to happen at her high school reunion with Drew Sullivan, millionaire, owner of delicious abs, and oh yes, her archnemesis.Now London is certain the road to hell is paved with good sex. Because she's found out the real reason Drew's back in Austin: to decide whether her beloved hospital remains open. Worse, Drew is doing everything he can to show her that he's a decent guy who actually cares. But London's not falling for it. Because while sleeping with the enemy is one thing, falling for him is definitely not part of the plan...................................Raves for Farrah Rochon:'Relatable and real . . . I smiled the whole time I was reading' Andie J. Christopher'The free-spirited, tell-it-like-it-is page-turner you've been looking for!' Kwana Jackson'A multilayered story about friendship, love, and following your dreams - all of it told with heart and emotion' Nalini Singh'Funny, fresh, sexy, and heartfelt. This is my new favorite romance series' Suzanne Brockmann'A smart, funny digital-age romance about real women living in the real world. Couldn't put it down!' Abby Jimenez'A masterpiece of modern-day Jane Austen with effortless, razor-sharp social commentary, romance, and humor. Farrah Rochon is one of the absolute best romance writers today. Period' Kristan Higgins'Swoon-worthy romance, the power of true friendship, and a grand gesture that makes your heart sigh with pure satisfaction. Absolutely a must-read summer romance!' Priscilla Oliveras'Rochon is a romance master who adeptly writes interesting and dynamic characters . . . A richly layered conflict adds depth and complexity to this charming workplace romance' Kirkus

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« Pensée de lumignons », tel est le sobriquet forgé par Pierre Magnard pour désigner la si brillante pensée des Lumières. Un lumignon peut être conçu comme une lumière réduite non consciente de sa source. La réduction de la Lumière véritable à la lumière naturelle et finie de l’intelligence humaine serait-elle l’écueil d’après Pierre Magnard de certains penseurs des dites « Lumières » ? Si cette réduction a bien eu lieu notamment au sein du mouvement des Lumières mais aussi ailleurs et à d’autres époques, elle est l’inverse de la reductio médiévale qui est reconduction et concentration plus que réduction simplificatrice. Pour mieux le comprendre, le livre que vous tenez entre vos mains propose un parcours, grâce au fil rouge de la lumière, dans l’œuvre d’un grand auteur médiéval, Giovanni da Fidanza (env. 1217-1274), italien d’origine, devenu par vocation frère mineur sous le nom de Bonaventure, étudiant à Paris, oeuvrant ensuite comme ministre général de l’Ordre franciscain. Le Docteur séraphique (ainsi l’a baptisé l’Eglise catholique) exprime dans tout son Œuvre que le vocable « lumière » ne peut être utilisé uniquement pour parler de la raison humaine, « lumière naturelle », mais qu’il permet bien aussi, et peut-être surtout, de désigner l’être divin, Lumière véritable et unique, présent sous diverses modalités en chaque chose dont l’intelligence humaine. Il perçoit, scrute, pense et nous aide à penser, certes, le rôle épistémique, cosmologique, « esthétique », physique et métaphysique de la lumière mais avec l’évangile, il montre aussi l’importance de la lumière dans la constitution de la théologie et, par la christologie, dans l’anthropologie. Bonaventure, frère de saint François d’Assise, nommé « alter Christus », renvoie ainsi, et pour cause, assez souvent son lecteur ou son auditoire au Christ, si bien nommé dans le quatrième évangile « Lumière du monde ». Que les héritiers de conceptions relayées entre autres par certains modernes qui se sont auto-proclamés « Lumières » parfois jusqu’à la négation de la lumière divine (humanisme athée), héritiers que nous sommes tous, puissent redécouvrir l’origine de toute lumière dont leur propre « lumière naturelle » afin de rayonner d’humilité et de cesser d’être des « lumignons » : tel pourrait être un des nombreux apports de cet ouvrage.

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There are many ways of understanding the reality of the world we live in and experience. Science, philosophy, art all offer us ample descriptions, explanations and intuitions. But Christian believers go beyond all that, for they attempt to understand the origins of the universe in terms of the creation of the world by God. Revelation tells us what God had in mind when he made the world ex nihilo, without presuppositions of any kind. God's Gift of the Universe attempts to present the principal elements and stages of creation theology. The doctrine is to be found fundamentally, of course, in Scripture, both Old and New Testament, which describes the world in the light of God's word. Yet since God actually gave existence to the world, down to the last detail, our reflection on God's word not only explains the reality of creation, how it works, its nature, as science does. It also explains how creation came into being in the mind and heart of the Triune God, and, ultimately, why God created the world.In God's Gift of the Universe, a considerable effort has been spent throughout the book on the Christological and Trinitarian aspects of creation, particularly in the theology of Church Fathers. Creation is presented besides in a deeply eschatological key, for God created the world for purpose of making his glory eternally manifest. The book also considers the way God 'intervenes' in the life of the created world, through conservation in being and providence. The meaning of time, matter and spirit are considered. The need for ecological awareness is central. One aspect of the mystery of creation that receives special attention is the presence of evil in the world. This is of particular importance once we accept that God made the world, whole and entire, thus assuming responsibility for the world as it is. The origin of evil through the sin of spiritual creatures provides the ultimate though not the only explanation of the mystery of evil. Particular consideration is given to the reality of 'original sin'.

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A COMPANION TO SATIRE A COMPANION TO SATIRE “This book forms a substantial contribution to literary studies and is likely to be the standard work on the subject for a decade or two …. The chapters are densely detailed, the vocabulary elevated.”Reference Reviews “This sturdy volume should be of use to a variety of readers from advanced undergraduates to scholars seeking refresher (or crash) courses on either major” Studies in English Literature 1500-1900 “Offering a valuable contribution to the critical study of satire, Quintero has assembled insightful essays by an impressive roster of scholars...This book serves as a cogent, instructive overview of satire.”Choice “This book obviously brings to readers a dazzling variety of topics relating to satire. There is a rich abundance of material here, surely something for everyone. Indeed, the quality of these essays is uniformly high.” Notes and Queries This collection of twenty-nine original essays surveys satire from its emergence in Western literature to the present. The Companion is extraordinary in its historical scope, tracking satire from its first appearances in the prophetic books of the Old Testament through the Renaissance and the English tradition in satire to Michael Moore’s satirical movie Fahrenheit 9/11. While many essays explore literary developments in satire from an historical view, other essays reflect directly on topics such as irony and satire, modes of satirical mockery, the mock-biblical, and the character sketch. All of the contributors are experts published in their field, and all are experienced teachers who can treat complex and rich subjects with insight and clarity. Contributors to this volume: Joseph F. Bartolomeo, W. Scott Blanchard, Frank Boyle, Peter Brier, Valentine Cunningham, Edwin M. Duval, James Engell, Alberta Gatti, Russell Goulbourne, Dustin Griffin, Christopher J. Herr, Thomas Jemielity, Ejner J. Jensen, Steven E. Jones, Claudia Thomas Kairoff, Catherine Keane, Laura Kendrick, José Lanters, Jean I. Marsden, Linda A. Morris, Frank Palmeri, Blanford Parker, Ronald Paulson, Zoja Pavlovskis-Petit, Ruben Quintero, Melinda Alliker Rabb, Timothy Steele, Michael F. Suarez, David F. Venturo.

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In this memoir, Lana Wood investigates the mysterious drowning of her sister, the actress Natalie Wood, and clears up the myths and misconceptions behind one of the most notorious celebrity deaths of our time. On the night of November 29, 1981, Natalie Wood disappeared from her yacht, the Splendour, while visiting Catalina Island with her husband, Robert “R.J.” Wagner and their friend, Christopher Walken. The beloved movie star’s tragic drowning shook America, inspiring troves of magazine covers and media pieces. What was originally believed to be an open-and-shut case of accidental drowning has been called into question over the years, and in 2011 the investigation was reopened. In 2018, at the urging of the public, it was reclassified as “suspicious.”Ever since, the question has remained: What really happened to Natalie Wood?Lana Wood, Natalie’s younger sister, long suspected nefarious circumstances surrounding her sister’s death. Her closest confidante from childhood, Lana stood witness to Natalie’s life: the successes, the heartache, and her deepest pain. But there was tremendous fear about investigating the case. Uncertain of what her own search would unravel, and frightened of the possibilities, Lana stayed silent for years, until she no longer could. She realized she was ignoring what was in front of her, and that the best way to honor her sister's legacy would be uncovering the secrets behind the very end of Natalie’s life.By elucidating previously unknown complications of Natalie’s life, and offering new evidence from key parties involved in the investigation—including the boat’s captain and other witnesses—Little Sister recounts Lana’s search for the truth and brings to light explosive details that have been suppressed for decades. Ranging from the bonds that hold family together, to inconsistencies in interviews with detectives to complications with evidence, this story of sisterhood and mystery presents a fresh perspective on a night that has long been fodder for Hollywood lore.

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"Must-Read Poetry: October 2019" by Nick Ripatrazone, The Millions “Best Books of 2019,” Book Riot This astonishing, self-assured debut leads us on an exploration to the stars and back, begging us to reconsider our boundaries of self, time, space, and knowledge. The speaker writes, “…the universe/is an arrow/without end/and it asks only one question;/How dare you?” Zig-zagging through the realms of nature, science, and religion, one finds St. Francis sighing in the corner of a studio apartment, tides that are caused by millions of oysters “gasping in unison,” an ark filled with women in its stables, and prayers that reach God fastest by balloon. There’s pathos: “When my new lover tells me I’m correct to love him, I/realize the sound isn’t metal at all. It’s not the coins rattling/ on concrete, but the fingers scraping to pick them up.” And humor, too: “…even the sun’s been sighing Not you again/when it sees me.” After reading this far-reaching, inventive collection, we too are startled, space struck, our pockets gloriously “filled with space dust.” "Online, month by month, I watched it happen: a new genre of poem was emerging, but I had no clue who was responsible. These brainy poems didn't wait to spout off trivia, historical and scientific—'Pavlov Was the Son of a Priest' (a characteristically quotable title) recalls that 'the moon smells like spent gunpowder,' then divulges some smoldering self-knowledge: 'I'm sorry/I couldn't hide my joy when you said lonely.' . . . [T]hese poems were fluent in funniness, retweetably jokey: 'I'm//the vice president of panic, and the president is/missing.' But once the play subsided, you found yourself moved—unaccountably, almost, until you discovered, reading back up the poem, that even the zaniest elements had several parts to play. What looked like a genre, I soon realized, was all the handiwork of one poet. Their name is Paige Lewis. . . . Don't doubt them."-—Christopher Spaide, Poetry

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In the 1940s, American movies changed. Flashbacks began to be used in outrageous, unpredictable ways. Soundtracks flaunted voice-over commentary, and characters might pivot from a scene to address the viewer. Incidents were replayed from different characters' viewpoints, and sometimes those versions proved to be false. Films now plunged viewers into characters' memories, dreams, and hallucinations. Some films didn't have protagonists, while others centered on anti-heroes or psychopaths. Women might be on the verge of madness, and neurotic heroes lurched into violent confrontations. Combining many of these ingredients, a new genre emerged--the psychological thriller, populated by women in peril and innocent bystanders targeted for death. If this sounds like today's cinema, that's because it is. In Reinventing Hollywood, David Bordwell examines for the first time the full range and depth of trends that crystallized into traditions. He shows how the Christopher Nolans and Quentin Tarantinos of today owe an immense debt to the dynamic, occasionally delirious narrative experiments of the Forties. With verve and wit, Bordwell examines how a booming movie market during World War II allowed ambitious writers and directors to push narrative boundaries. Although those experiments are usually credited to the influence of Citizen Kane, Bordwell shows that similar impulses had begun in the late 1930s in radio, fiction, and theatre before migrating to film. And despite the postwar recession in the industry, the momentum for innovation continued. Some of the boldest films of the era came in the late forties and early fifties, as filmmakers sought to outdo their peers. Through in-depth analyses of films both famous and virtually unknown, from Our Town and All About Eve to Swell Guy and The Guilt of Janet Ames, Bordwell assesses the era's unique achievements and its legacy for future filmmakers. The result is a groundbreaking study of how Hollywood storytelling became a more complex art. Reinventing Hollywood is essential reading for all lovers of popular cinema.

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A common misconception holds that Marco Polo "opened up" a closed and recalcitrant "Orient" to the West. However, this sweeping history covering 4,000 years of international relations from the perspective of China, Japan, Korea, and Southeast Asia shows that the region's extensive involvement in world affairs began thousands of years ago. In a time when the writing of history is increasingly specialized, Warren I. Cohen has made a bold move against the grain. In broad but revealing brushstrokes, he paints a huge canvas of East Asia's place in world affairs throughout four millennia. Just as Cohen thinks broadly across time, so too, he defines the boundaries of East Asia liberally, looking beyond China, Japan, and Korea to include Southeast Asia. In addition, Cohen stretches the scope of international relations beyond its usual limitations to consider the vital role of cultural and economic exchanges. Within this vast framework, Cohen explores the system of Chinese domination in the ancient world, the exchanges between East Asia and the Islamic world from the thirteenth to the seventeenth centuries, and the emergence of a European-defined international system in the eighteenth and nineteenth centuries. The book covers the new imperialism of the 1890s, the Manchurian crisis of the early 1930s, the ascendancy of Japan, the trials of World War II, the drama of the Cold War, and the fleeting "Asian Century" from the mid-1970s to the mid-1990s. East Asia at the Center is replete with often-overlooked or little-known facts, such as: * A record of persistent Chinese imperialism in the region * Tibet's status as a major power from the 7th to the 9th centuries C.E., when it frequently invaded China and decimated Chinese armies * Japan's profound dependence on Korea for its early cultural development * The enormous influence of Indian cuisine on that of China * Egyptian and Ottoman military aid to their Muslim brethren in India and Sumatra against European powers * Extensive Chinese sea voyages to Arabia and East Africa-long before such famous Westerners as Vasco da Gama and Christopher Columbus took to the seas East Asia at the Center's expansive historical view puts the trials and advances of the past four millennia into perspective, showing that East Asia has often been preeminent on the world stage-and conjecturing that it might be so again in the not-so-distant future.

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Since its publication in 2002, Science and Religion has proven to be a widely admired survey of the complex relationship of Western religious traditions to science from the beginning of the Christian era to the late twentieth century. In the second edition, eleven new essays expand the scope and enhance the analysis of this enduringly popular book. Tracing the rise of science from its birth in the medieval West through the scientific revolution, the contributors here assess historical changes in scientific understanding brought about by transformations in physics, anthropology, and the neurosciences and major shifts marked by the discoveries of Copernicus, Galileo, Isaac Newton, Charles Darwin, and others. In seeking to appreciate the intersection of scientific discovery and the responses of religious groups, contributors also explore the theological implications of contemporary science and evaluate approaches such as the Bible in science and the modern synthesis in evolution, which are at the center of debates in the historiography, understanding, and application of science. The second edition provides chapters that have been revised to reflect current scholarship along with new chapters that bring fresh perspectives on a diverse range of topics, including new scientific approaches and disciplines and non-Christian traditions such as Judaism, Islam, Asiatic religions, and atheism. This indispensible classroom guide is now more useful than ever before. Contributors: Richard J. Blackwell, Peter J. Bowler, John Hedley Brooke, Glen M. Cooper, Edward B. Davis, Alnoor Dhanani, Diarmid A. Finnegan, Noah Efron, Owen Gingerich, Edward Grant, Steven J. Harris, Matthew S. Hedstrom, John Henry, Peter M. Hess, Edward J. Larsen, Timothy Larson, David C. Lindberg, David N. Livingstone, Craig Martin, Craig Sean McConnell, James Moore, Joshua M. Moritz, Mark A. Noll, Ronald L. Numbers, Richard Olson, Christopher M. Rios, Nicolaas A. Rupke, Michael H. Shank, Stephen David Snobelen, John Stenhouse, Peter J. Susalla, Mariusz Tabaczek, Alan C. Weissenbacher, Stephen P. Weldon, and Tomoko Yoshida

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This is an exploration of the lives and works of Christian saints and their place in today's church, shown in 200 images. This is a fascinating history of saints and sainthood, and their role within Christianity and the Catholic Church. It explores the religious significance of sainthood, the process of canonisation, and the mysteries and miracles that are attributed to the saints. It looks at patron saints, hero and warrior saints, as well as apostles and martyrs. Special sections are included on the most enduring and popular saints, prayed to and called upon throughout the world, such as Mary the Virgin, James the Great, St Christopher, Francis of Assisi, Joan of Arc and Theresa of Liseux. It is sumptuously illustrated with beautiful works of art and iconography that have inspired believers down the centuries. This beautiful book chronicles the mysterious history of sainthood, unravelling the myths and addressing such issues as martyrdom, relics, patronage and canonisation. It discusses what a saint is and explains the selection and confirmation process, and covers subjects such as feast days, pilgrimage, and how sainthood is depicted in art. Themed spreads throughout the book provide lists of patron saints and feast days, and discuss in more detail areas such as The Holy Family, Celtic Saints, Warrior Saints, Saintly Popes and the Incorruptibles. The final chapter contains in-depth studies of some of the world's most called-upon and best-loved saints, including Mary the Mother of God, John the Baptist and James the Great, Francis of Assisi and more. A valuable reference book, this expert guide will inform every reader interested in discovering more about Christianity and the company of saints.

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From the stone blade and the fire stick to the latest algorithms of genetic code, we shape our world through the act of design. With its roots in the Renaissance notion disegno, design is the ability not only to make something, but also to conceive of its invention and reflect on its meaning. Whether we valorise it as the democratisation of design or critique it as the perversion of the commodity fetish, designed things are now ubiquitous. Not only things but entire systems must now be designed and objects reconceived and redesigned as mere moments in unfathomably complex ecological flows. The planet itself, and even space beyond, is now presented as a design problem. What does landscape architecture bring to the broader culture of design? What lessons can be learned from other disciplines at the cutting edge of design? What role does design play in a time of transformative technological change? In LA+ Design we move beyond the designed outcome to explore the myths, methods, meanings, and futures of design. Engineer and physicist Adrian Bejan outlines his constructal theory, which predicts natural design and its evolution in engineering, scientific, and social systems. Design researchers Craig Bremner + Paul Rodgers take us through an A Z of design ecology. Architects Lizzie Yarina + Claudia Bode open our eyes to new ways of seeing things through subject-object relations. Jenni Zell explores life as a woman landscape architect through a Kafkaesque lens. Daniel Pittman interviews MoMA's curator of architecture and design, Paola Antonelli. Architect David Salomon explores methods of using data as both fact and fiction. Christopher Marcinkoski interviews Anthony Dunne + Fiona Raby (Dunne + Raby) to discuss how their practice continuously redefines the role of design in society. Thomas Oles challenges stereotypes of landscape architecture s professional identity. Richard Weller discusses the terrarium as the ultimate design experiment. Dane Carlson goes deep into the culture of Nepal s hinterlands to explore new modes and geographies for landscape architecture beyond the first world. Through LA's signage, anthropologist Keith Murphy shows how different groups of people interact with and give meaning to the landscapes they inhabit. Interviewed by Colin Curley, architect Andrés Jaque (Office for Political Innovation) discusses the role of technology and agency of architecture in society today. Game designer Colleen Macklin shows how public space can be redefined and subverted through the agency of play. Javier Arpa interviews urban design guru Winy Maas (MVRDV, The Why Factory) to discuss his views on the future of design and design education. Experimental psychologist Thomas Jacobsen describes current neurological research into the subjectivity of beauty. Landscape architect James Corner talks about the evolution of the profession of landscape architecture in a wide-ranging interview.

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The Inspiration for the New Podcast Featuring Jason Rezaian. “544 Days” is a Spotify original podcast, produced by Gimlet, Crooked Media and A24.The dramatic memoir of the journalist who was held hostage in a high-security prison in Tehran for eighteen months and whose release—which almost didn’t happen—became a part of the Iran nuclear dealIn July 2014, Washington Post Tehran bureau chief Jason Rezaian was arrested by Iranian police, accused of spying for America. The charges were absurd. Rezaian’s reporting was a mix of human interest stories and political analysis. He had even served as a guide for Anthony Bourdain’s Parts Unknown. Initially, Rezaian thought the whole thing was a terrible misunderstanding, but soon realized that it was much more dire as it became an eighteen-month prison stint with impossibly high diplomatic stakes. While in prison, Rezaian had tireless advocates working on his behalf. His brother lobbied political heavyweights including John Kerry and Barack Obama and started a social media campaign—#FreeJason—while Jason’s wife navigated the red tape of the Iranian security apparatus, all while the courts used Rezaian as a bargaining chip in negotiations for the Iran nuclear deal.In Prisoner, Rezaian writes of his exhausting interrogations and farcical trial. He also reflects on his idyllic childhood in Northern California and his bond with his Iranian father, a rug merchant; how his teacher Christopher Hitchens inspired him to pursue journalism; and his life-changing decision to move to Tehran, where his career took off and he met his wife. Written with wit, humor, and grace, Prisoner brings to life a fascinating, maddening culture in all its complexity.“An important story. Harrowing, and suspenseful, yes—but it’s also a deep dive into a complex and egregiously misunderstood country with two very different faces. There is no better time to know more about Iran—and Jason Rezaian has seen both of those faces.” — Anthony Bourdain“Jason paid a deep price in defense of journalism and his story proves that not everyone who defends freedom carries a gun, some carry a pen.” —John F. Kerry, 68th Secretary of State

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'An addictive read that will remain with you long after you emerge from the rabbit hole' - THE TIMES 'A marvellously twisty whodunnit [with] the brutal, clockwork ingenuity of an Agatha Christie mystery' - FT 'A pacy, exciting and most unusual crime story' - GUARDIAN ________________________________________ SHARING A BODY CAN BE MURDER The Earth's spiralling population has finally been controlled. Lifespans are limited to eighty years, except for those who make an extreme choice: to become a commune. Five minds sharing one body, each living for four hours at a time. But with a combined lifespan of nearly 150 years. Alex, Kate, Mike, Sierra and Ben have already spent twenty-five years together in what was once Mike's body, their frequent personality clashes leading to endless bickering, countless arguments, and getting themselves stranded on a Russian Arctic freighter. Wanting to buy upgrades for their next host body, they decide to travel to a Death Park where time can be gambled like money. But things go very wrong when Kate accepts a dangerous offer, and one of them disappears. Someone is trying to kill off members of the commune. But why? Is one of them responsible? Or is an outsider playing a deadly game? It's hard enough to catch a murderer. It's almost impossible when you might be sharing a body with them... This brilliant murder mystery blends classic crime with speculative fiction in a stunning debut. ______________________________________ 'This clever, twisty debut really delivers. Gripping, well-written and intriguing on every level' - SARAH PEARSE 'Brilliantly inventive. If you liked The Seven Deaths of Evelyn Hardcastle, you'll love this' - EVE SMITH 'Morpuss is set to become a powerhouse in speculative crime. A feast of a book' - HELEN FIELDS 'A whip-smart, searing debut, which grinds into the mind like cursed clockwork' - MATT WESOLOWSKI 'A mind-stretching and irresistible premise deftly spun into a twisty, page-turning action-thriller' - PHILIPPA EAST 'Consider my single mind blown! An astonishing and original concept, deftly executed' - DAVID JACKSON 'A mind-bendingly original debut. Nothing short of a cross-genre masterpiece' - ADAM CHRISTOPHER 'The world-building of Gibson with the pace of The Running Man. A fantastic ride' - TIM GLISTER

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The forty-four-year reign of Elizabeth I, daughter of Henry VIII and the last Tudor monarch, was considered a golden age. It saw the emergence of the great playwrights such as William Shakespeare and Christopher Marlowe, while the exploits of Sir Francis Drake and other sea-dogs' helped establish England's position among the great maritime powers. This book looks at Elizabeth's life through some of the many artefacts, buildings, documents and institutions that survive to this day. From the execution of her mother, Ann Boleyn, when she was just two-and-a-half-years-old, to her imprisonment on suspicion of supporting Protestant rebels, Elizabeth's early life was a turbulent one, but her accession to the throne ushered in a period of stability. During her reign, England's wealth and prestige grew through her patronage of seafaring privateers such as Drake, John Hawkins and Walter Raleigh. She encouraged the exploration and colonialization of North America, marking the birth of the British Empire and the establishment of British trade routes. Elizabeth was responsible for expanding the English Navy, its defeat of the Spanish Armada being considered one of England's greatest military victories. In this magnificently illustrated book we see her birthplace at Greenwich Palace, her childhood homes, her prison in the Tower of London, the palaces she lived in, ruins of stately homes she visited, such as Gorhambury House, Kenilworth House, Upnor Castle and the Elizabethan town walls at Berwick, the many fortifications built during her reign to defend her realm, through to her final resting place in Westminster Abbey. Also found in this fascinating volume are books that she presented to her father and step-mother, Katherine Parr, with the binding embroidered by Elizabeth, her clothes, letters she wrote in her own hand, her coronation chair, her coat of arms asserting her title as Governor of the Church of England and her signature signing the death warrant of her cousin, the 4th Duke of Norfolk. This book is not just a journey back in time to the reign of Elizabeth I, but also a tour across the country to visit the sites which still evoke that golden era of the Virgin Queen.

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Reprint of this bestselling title on contemporary jewelry. An introduction into art jewelry in light of current trends in contemporary fine art and society On Jewellery offers a comprehensive overview of the trends and role of contemporary international jewelry art from the 1960s to today, shown within the context of corresponding trends in art and society. This publication is dedicated to themes such as interdisciplinary collaboration, new means of presentation and contextualization. It also incorporates photography and the relationships between jewelry and the body, jewelry and ornament and new interpretations of traditional technical skills. Furthermore it considers aspects such as terminology and strategies, positioning, prejudices and the significance of content with regard to jewelry. On this basis this publication offers a synopsis of what jewelry art is and what it can be. Its aim is to reveal the characteristics, language and potential of jewelry. A bibliography of the most important works of jewelry art, a directory of jewelry galleries, museums and educational institutions make On Jewellery a compact handbook of contemporary jewelry art. Artists featured include Pia Aleborg, Gijs Bakker, Melanie Bielenker, Manfred Bischoff, Helen Britton, Paul Derrez, Iris Eichenberg, Warwick Freeman, Otto Kunzli, Daniel Kruger, Yuka Oyama, Robert Smit, Annamaria Zanella and Christoph Zellweger. Contents: Beyond the Showcase; Conceptual Jewellery; Jewellery and Photography; Reading Jewellery; Borderline Jewellery; Jewellery and the Body; Jewellery and Ornament; Jewellery and the Goldsmith's Skill; The Language of Jewellery; Documentation: Manifests. Since 1985, Liesbeth den Besten has worked free lance as a writer for newspapers, art and design magazines and exhibition catalogues. She is active as an advisor and jury member for Dutch and international governmental institutions, exhibitions and competitions, and lectures about contemporary jewelry and crafts at international conferences and art academies. She is chairwoman of the Francoise van den Bosch Foundation for contemporary jewelry and one of the founding members of Think Tank, a European Initiative for the Applied Arts.

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An LA Times Best Book of the Year, Christopher Award Winner, and Chautauqua Prize Finalist!“Engrossing... examines the major events of the mid 19th century through the lives of three key figures in the abolitionist and women’s rights movements.” —SmithsonianFrom the executive editor of The New Yorker, a riveting, provocative, and revelatory history of abolition and women’s rights, told through the story of three women—Harriet Tubman, Frances Seward, and Martha Wright—in the years before, during and after the Civil War. “The Agitators tells the story of America before the Civil War through the lives of three women who advocated for the abolition of slavery and for women’s rights as the country split apart. Harriet Tubman, Martha Coffin Wright, and Frances A. Seward are the examples we need right now—another time of divisiveness and dissension over our nation’s purpose ‘to form a more perfect union.’” —Hillary Rodham Clinton In the 1850s, Harriet Tubman, strategically brilliant and uncannily prescient, rescued some seventy enslaved people from Maryland’s Eastern Shore and shepherded them north along the underground railroad. One of her regular stops was Auburn, New York, where she entrusted passengers to Martha Coffin Wright, a Quaker mother of seven, and Frances A. Seward, the wife of William H. Seward, who served over the years as governor, senator, and secretary of state under Abraham Lincoln. During the Civil War, Tubman worked for the Union Army in South Carolina as a nurse and spy, and took part in a spectacular river raid in which she helped to liberate 750 slaves from several rice plantations. Wright, a “dangerous woman” in the eyes of her neighbors, worked side by side with Elizabeth Cady Stanton and Susan B. Anthony to organize women’s rights and anti-slavery conventions across New York State, braving hecklers and mobs when she spoke. Frances Seward, the most conventional of the three friends, hid her radicalism in public, while privately acting as a political adviser to her husband, pressing him to persuade President Lincoln to move immediately on emancipation.The Agitators opens in the 1820s, when Tubman is enslaved and Wright and Seward are young homemakers bound by law and tradition, and ends after the war. Many of the most prominent figures of the era—Lincoln, William H. Seward, Frederick Douglass, Daniel Webster, Charles Sumner, John Brown, William Lloyd Garrison—are seen through the discerning eyes of the protagonists. So are the most explosive political debates: about the civil rights of African Americans and women, about the enlistment of Black troops, and about opposing interpretations of the Constitution. Through richly detailed letters from the time and exhaustive research, Wickenden traces the second American revolution these women fought to bring about, the toll it took on their families, and its lasting effects on the country. Riveting and profoundly relevant to our own time, The Agitators brings a vibrant, original voice to this transformative period in our history.

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Paulus ist, um ein berühmtes Votum Rudolf Bultmanns aufzunehmen, zum Begründer einer christlichen Theologie geworden. In diesem Buch stehen die Person des Paulus und sein Werk im Mittelpunkt. Wir blicken heute auf eine rege, mit Ferdinand Christian Baur in der Mitte des 19. Jahrhunderts einsetzende Forschungsgeschichte zurück und befinden uns gegenwärtig in einer recht offenen und von höchst divergenten Ansätzen bestimmten Forschungssituation. Die großen Epochen des vergangenen Jahrhunderts - die Religionsgeschichtliche Schule, die Kerygmatheologie Rudolf Bultmanns und seiner Schüler und die 'New Perspective on Paul' - sind keineswegs überholt. Ihren Fragen und Ergebnissen gegenüber ist die Forschung bleibend verpflichtet. Zum Ansatz gegenwärtiger Paulus-Exegese gehört seit einigen Jahrzehnten, dass in einem Dreischritt das Leben des Apostels, seine Briefe und seine Theologie gleichwertig bedacht werden und dass sich aus der Zusammenschau dieser Aspekte erst ein Gesamtbild ergibt. Die jüngere Forschung hat hinsichtlich des Lebens des Apostels auf den bleibenden jüdischen Untergrund aufmerksam gemacht, der vor allem im Schriftgebrauch Ausdruck findet. Paulus entfaltet sein theologisches Denken im Gespräch und in der Auseinandersetzung mit seiner Tradition, mit seinen Mitarbeitern, seinen Gemeinden und den ihn bedrängenden Gegnern, aber auch in möglichst präziser Wahrnehmung der Religiosität und Kultur der Städte seiner Gemeinden. Es ist die konstruktive Aufgabe der Exegese, auf der Grundlage aller vermutlich authentischen Briefe und unter Berücksichtigung des Lebens des Apostels eine Theologie des Paulus zu entwerfen. Gegenwärtig scheint hierfür der Gedanke einer partizipatorischen Christologie leitend zu sein. Das Paulus Handbuch stellt Leben, Briefe und Theologie des Paulus dar und rahmt diesen Schwerpunkt mit der Forschungsgeschichte und mit einem Ausblick auf Wirkung und Rezeption des Apostels. Mehr als vierzig Autorinnen und Autoren beschreiben den Weg des Pharisäers Paulus zum Heidenapostel, analysieren seine Briefe und rekonstruieren das Werden seiner christlichen Theologie. Eine durchgehende Lektüre des Handbuchs wird die Leserschaft mitnehmen in eine breite, vielleicht für manche in ihren althistorischen, epistolographischen, kultur- und sozialgeschichtlichen Fragestellungen neue und ungewohnte Forschungslandschaft.

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'There was Tolkien, there is Pullman and now there is Katherine Rundell. Wondrous invention, marvellous writing.' – Michael Morpurgo ‘Rundell’s first foray into fantasy is both a deft, rich homage to the greats of children’s literature and an absorbing, profoundly poignant quest story for those aged 9+ – quite possibly her best yet’ – The Guardian 'A book stuffed full of fantastical, magical delight, and a world of richly imagined wonder' – Cressida Cowell * WATERSTONES BOOK OF THE YEAR WINNER * BOOKS ARE MY BAG READERS' AWARD WINNER * FOYLES CHILDREN'S BOOK OF THE YEAR * SHORTLISTED FOR AMAZON KIDS AND YA BOOK OF THE YEAR * THE TIMES CHILDREN'S BOOK OF THE WEEK * THE INDEPENDENT CHILDREN'S BOOK OF THE WEEK * THE DAILY TELEGRAPH CHILDREN'S BOOK OF THE WEEK * SUNDAY TIMES BESTSELLER There’s a place where all the wildest stories began … From Katherine Rundell, winner of the Costa Children’s Book Award, the Blue Peter Book Award and the Waterstones Children’s Book Prize comes the first novel in a landmark trilogy for 9+ fans of His Dark Materials Christopher is stunned when he discovers a passage to the Archipelago: a cluster of magical islands where all the creatures of myth still live and breed and thrive in their thousands. There he meets Mal: a girl from the islands, who is in possession of a flying coat and a baby griffin, and who is being pursued by a killer. Together they embark on an urgent quest to discover why the creatures are suddenly perishing, voyaging across the wild splendour of the Archipelago, where sphinxes hold secrets and centaurs do murder, in a bid to save both the islands and the world beyond them from a rising evil – before it's too late. 'A marvellous, imaginative fantasy told with great style and sparkle – a book to race through in a day and keep for a lifetime' – Jacqueline Wilson 'The world of this new book is so intriguing and so well put together that I couldn’t resist it. Readers who already know her books will seize this with delight, and new readers will love it and demand all her others at once' - Philip Pullman 'Katherine Rundell is a phenomenon.' – Neil Gaiman ‘A masterpiece to rival Tolkien and Pullman’ – The Daily Telegraph 'Fantastically exuberant, wildly imaginative, impossibly brilliant. Rundell’s best, which is something to be marvelled at' – Kiran Millwood Hargrave 'Between the covers of Impossible Creatures is a world as enchanting, as perilous, as richly imagined as Narnia or Middle Earth' – Frank Cottrell-Boyce ‘Rundell's book packs a punch with imagination and creativity in its purest form. She has created a story with potential to be adored by fantasy lovers for years to come’ – The Independent 'With a delightful cast of characters, breathless adventure, and an abundance of myth and magic, Impossible Creatures offers the very best of fantasy' – Aisha Bushby 'A fierce, fantastic, wild-hearted adventure that roars and bristles with imagination. I devoured it like a hungry dragon' – Sam Sedgman 'A rare and remarkable feat of glittering imagination from a truly masterful storyteller' – Catherine Doyle 'The action is gripping. Every sentence sparkles. You can feel the flutter of griffin feathers and the menace of strange poisonous shrews. Magnificent’ – The Times ‘Surely the next classic’ – The I 'My Book of the Year' – Lauren St. John

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City State showcases the work of twenty-seven London writers between the ages of 16 and 36. From hyperlinked walks of Battersea bombsites and guerilla gardening projects to jagged urban lyrics and dark hymns to the East End, City State presents a confident, entertaining and truly diverse snapshot of the best new poetry from London.Featuring poems by: Jay Bernard, Caroline Bird, Ben Borek, Siddhartha Bose, Tom Chivers, Swithun Cooper, Alex Davies, Inua Ellams, Laura Forman, Wayne Holloway-Smith, Christopher Horton, Kirsten Irving, Annie Katchinska, Amy Key, Chris McCabe, Marianne Munk, Holly Pester, Heather Phillipson, Nick Potamitis, Imogen Robertson, Jacob Sam-La Rose, Ashna Sarkar, Jon Stone, Barnaby Tidman, Ahren Warner, James Wilkes, Steve Willey"We are offered London as a test case for a new diversity of means and manner, from sassy performance scripts to the solid blocks of densely disjunctive language characterised as innovative or avant-garde. [City State proposes] a central space that is also the meeting place of many edges."Philip Gross, Poetry London"City State is [a] journey across the metropolis in rush hour: a journey that by turns bewilders, delights and throws up unpalatable truths. The anthology showcases a real range of styles, from Jacob Sam-La Rose's heartfelt verse, to Chris McCabe's complex, darkly witty observations. Though diverse, the poets featured here often seem to riff around several themes that are associated with London itself: dislocation, escapism, breathlessness."Helen Mort"Performance poets are wedged side by side with the new crop of post-langpo practitioners and sculptors of sound; formalism and new narrative jostle for position with cut-ups, found poems and the inheritors of a confessional poetics [...] What seems to unit the best of the poets here is a quality of looking outward: they are aware of, and play with, the possibilities of language and form; they draw on a recognisable tradition but refresh it, linguistically and subjectively [...] There is a great deal of vitality and versatility among the younger generation of emerging poets in the country's capital."Simon Turner"Here is a good, deep shaft drilled into the poetry of the capital. [...] What I like about this anthology is its range. There are poets here who, I guess, could fit into the latest Bloodaxe catalogue with relative ease. There are others, like Nick Potamitis or Steve Wiley and Alex Davies, who are much more experimental and are carrying on the work of poets such as Allen Fisher and Iain Sinclair. And there are poets coming out of a more performance-oriented stream such as Jacob Sam-La Rose, whose wonderfully ironic 'How to be Black' is one of the many highlights of this collection.[...] A true anthology of what's going on in poetry now."Steven WalingTom Chivers (editor) was born in 1983 in South London. A writer, editor and promoter of poetry, his publications include The Terrors (Nine Arches Press, 2009) and How To Build A City (Salt Publishing, 2009). A winner of the inaugural Crashaw Prize, he is Associate Editor of Tears in the Fence, was Poet in Residence at The Bishopsgate Institute, London, and has appeared on BBC Radio 3 and 4. Tom is Director of Penned in the Margins and Co-Director of London Word Festival.

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Daniel Press brings his considerable experience to light in this excellent book, and it should be a required read for every scholar and student of environmental studies and science. He convincingly leverages an evidence based approach by digging into the data on toxic release, acid rain, non-point source water pollution, and industrial recycling to challenge the conventional wisdom that environmental regulation in the United States has been settled and is successful. Issuing a clarion call to those who care about environmental values, he urges us to redirect our action and discourse and to rethink how we can be more effective, with his specific recommendations for policy and regulatory reform.'- Toddi A. Steelman, University of Saskatchewan, Canada'Those of us who work on environmental policy should never let the grind of our day-to-day challenges turn us away from the ultimate question of whether we are leaving a better environment to the next generation. Daniel Press looks at the current state of environmental regulation and probes just this question. It s worth a read for anyone who cares about the decisions we must make - and the processes we now use to get to those decisions - that will shape the world for years to come.'- John Laird, California Secretary for Natural Resources'In American Environmental Policy Daniel Press guides the reader through not only the motivations and concepts that have been employed to set land, water, and air pollution policies, but also a dive into the details of both the environmental science and the legal and regulatory science that determines the success or failure of these actions. This book is instrumental for all those interested in both the why and the how - and the how much - of the legacy of Rachel Carson and the past five decades of environmental management.'- Daniel Kammen, University of California, Berkeley, US'Daniel Press's new book is an excellent one. By focusing on implementation - what happens after policy has been adopted - Press demonstrates the weaknesses of pollution control policy in the United States. Case studies of acid rain, nonpoint source water pollution, and paper recycling illuminate 'regulatory failure,' the structural problems of American regulatory approaches. He concludes with recommendations to move us ahead, a path forward that focuses on performance, information, incentives, and source reduction. Strongly recommended.'- Christopher McGrory Klyza, Middlebury College, USMore than 40 years after the United States launched bold efforts to curb pollution and waste, American environmental management has stalled. Drawing extensively on recent environmental science, engineering, regulatory agency data and trade information, American Environmental Policy explores how environmental management in the US has fallen short of its early promise and reputation.Arguing that policies need to be redesigned for the 21st century, this book offers examples and principles of effective environmental policy reforms. It concludes with suggestions for how new policies should be designed, as well as examples of successful regulatory innovations already in practice around the world.Environmental policy scholars, students and science and environment journalists interested in evaluating environmental policy over time will find this to book of value. The approaches discussed in this book will also be useful for environmental and natural resource agency officials.

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Years back, a blood transfusion with a member of the undead left Christopher Cséjthe a half-vampire. Since that time, he’s gone mano y monster with zombies, werewolves, master vampires, and creatures from the Cthulhu Lagoon—not to mention an immortal Nazi, an ancient Babylonian demon, a six-thousand-year-old necromancer, voodoo queen Marie Laveau, the mad monk Rasputin, and a couple of the Great Old Ones. As founder of After Dark Investigations, he’s seen his fair share of the seedy side of the supernatural world. He’s saved New Orleans from total destruction in the past. And lost his family to another temporal realm. To add insult to injury, someone cut the gas line of his SUV and then ran over him with a semi-truck while he tried to get a tow. But this is the third time Chris has died. It’s old hat at this point for him. Now, awakened in a world he doesn’t quite recognize, he’ll have to use his wits to once again keep the supernatural world at bay. INTERPOL is interested in some of his associations with Vlad Drakul’s grandson—better known as Dracula—and a trio of witches from Greek myth want him dead—and for good this time. Bad enough. But what’s worse is that the IRS is looking into his tax returns and not at all liking what they find. Now that’s really terrifying. About A Witch in Time: “. . . a snappy, snarky, and surprisingly emotional grand finale that blends characters from weird fiction, gothic tales, and mythology into one fun, if crowded, universe. . . .Though the tone is light and comically cynical, Simmons doesn’t downplay the gravity of the history in his tale, making this a tense and gripping story that is sure to please series fans.”—Publishers Weekly About the Halflife Chronicles: "[O]ne of those rare novels that combine levity and the supernatural in just the right balance."—Chronicle on Habeas Corpses. Praise for Wm. Mark Simmons: “A high-tech heroic fantasy full of adventure, puns, and damn good reading. Well thought out.”—Pulsar “Frequently fun . . . ”—Publishers Weekly “A nonstop romp through a complex and captivating world! Highly recommended!”—K D Wentworth

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This title includes in-depth critical discussions of Maya Angelou's novel. Maya Angelou's ""I Know Why the Caged Bird Sings"" took the world by storm when it was published in 1969. As it shot to the top of best-seller lists, it made Angelou one of the most recognized black women in America. Despite controversy over its frank depiction of sexual abuse, the autobiography is still widely read in high schools and colleges across the country. Three decades after it was published, readers continue to admire Angelou's artistry, wit, and indomitable spirit. Edited by Mildred R. Mickle, Assistant Professor of English at Penn State Greater Allegheny, this volume brings together a variety of critical offerings on Angelou's famous autobiography. Mickle's introduction pays tribute to Angelou's achievement and examines the inspiration she drew from Phillis Wheatley's civil rights advocacy as well as the similarities between ""Caged Bird"" and Harriet Jacobs' ""Incidents in the Life of a Slave Girl"" and Paul Lawrence Dunbar's poetry. ""The Paris Review""'s Christopher Cox reminds readers of how revolutionary Angelou's autobiography was when it was published and recounts the comments Angelou made on her work in an interview with George Plimpton. Four original essays by Amy Sickels, Pamela Loos, Neil Heims, and Robert C. Evans provide valuable context for reader's new to Angelou's work. Sickels discusses the historical events that surround Angelou's life: the civil rights, black power, and black arts movements as well as the emergence of black women's literature with the first publications of Toni Morrison, Nikki Giovanni, Alice Walker, and Lucille Clifton. Loos provides a survey of the major pieces of criticism on ""Caged Bird"", paying special attention to the book's early reception and how it fits in the autobiographical genre and slave narratives, as well as issues of race, gender, aesthetics, and identity. Neil Heims discusses the struggle for a black identity through readings of both ""Caged Bird"" and James Baldwin's ""If Beale Street Could Talk"". Finally, Robert C. Evans examines the role that both formal and informal education play in the young Maya's maturation. The collection also includes ten previously published essays that examine ""Caged Bird"" through a variety of lenses. Critics examine the character of young Maya, noting how her rootlessness contributes to her perseverance and adaptability, as well as how Angelou's narrative technique allows her to recount the details of incredible life without being controlled by them. The book's treatment of sexual abuse is also investigated in the larger context of other black women's narratives of sexual abuse. Other critics attend to ""Caged Bird""'s place in the genre of ethnic autobiography and the particular challenges it presents to teachers seeking to expose students multicultural literature; the childhood roots of Angelou's political activism; the influence of blues music on the narrative's structure; and, the young Maya's relationships with the black community, literature, and the women in her life.

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We are just beginning to understand masculinity as a fiction or a localizable, historical, and therefore unstable construct. This book points the way to a much-needed interrogation of the many modes of masculinity, as represented in literature. Both women and men who are engaged in critical thinking about genders and sexualities will find these essays always thoughtful and often provocative. —Thas E. Morgan, Associate Professor of English, Arizona State University Peter Murphy has assembled an innovative, challenging, and important set of contributions to a growing field of inquiry into constructions of masculinities in literature, inspired principally by feminist and gay studies. Illuminatingly crossing lines of genders, sexualities, cultures, and methodologies, Fictions of Masculinity greatly advances our understanding of representations of men, masculinities, misandry, and misogyny in a wide range of literary works and genres, and helps us to imagine (and thereby ultimately bring about) alternative constructions. —Harry Brod, Editor, The Making of Masculinities: The New Men's Studies, A Mensch Among Men: Explorations in Jewish Masculinity, and Theorizing Masculinities. Women writing about women dominates contemporary work on sexuality. Men have been far more willing to discuss female sexuality than male sexuality, while the most radical and insightful analyses of male sexuality have come from women. When men consider the issue of female sexuality they often speak from assumptions of security about their own unexamined sexuality. This book maintains that men have to interrogate their own sexuality if there is to be a revision of phallocentric discourse; and, that this revision of masculinity must be done in dialogue with women. The essays included in this collection examine the deep structure of masculine codes. They ask the question Who are the men in modern literature? Examining the force of the dominant values of Western masculinity, they synthesize insights from feminism, psychoanalysis, post-structuralism, and new historicism. These perspectives help explain how male sexuality has been structured by fictional representations. By examining the images of masculinity in modern literature, the essays explore traditional and non-traditional roles of men in society and in personal relationships. They look at how men are represented in literature, the fiction of manhood. They attempt to unravel the assumptions behind these representations by looking at the implications of this imagination. And they speculate on possibilities for creating a new imaginary of masculinity by identifying what literature has to say about that change. With analyses of a range of genres (novels, poetry, plays and autobiography), Western and Third World literatures, and theoretical perspectives, Fictions of Masculinity provides a significant contribution to this rapidly growing field of study. Contributors are: David Bergman (Towson State University), Miriam Cooke (Duke University), Martin Danahy (Emory University), Richard Dellamora (Trent University, Ontario), Leonard Duroche (University of Minnesota), Jim Elledge (Illinois State University), Alfred Habegger (University of Kansas), Suzanne Kehde (California Polytechnic University, San Luis Obispo), David Leverenz (University of Florida), Christopher Metress (Wake Forest University), Peter F. Murphy (SUNY, Empire State College), Rafael Prez-Torres (University of Pennsylvania), David Radavich (Eastern Illinois University), and Peter Schwenger (St. Vincent University, Nova Scotia).

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Daniel Press brings his considerable experience to light in this excellent book, and it should be a required read for every scholar and student of environmental studies and science. He convincingly leverages an evidence based approach by digging into the data on toxic release, acid rain, non-point source water pollution, and industrial recycling to challenge the conventional wisdom that environmental regulation in the United States has been settled and is successful. Issuing a clarion call to those who care about environmental values, he urges us to redirect our action and discourse and to rethink how we can be more effective, with his specific recommendations for policy and regulatory reform.'- Toddi A. Steelman, University of Saskatchewan, Canada'Those of us who work on environmental policy should never let the grind of our day-to-day challenges turn us away from the ultimate question of whether we are leaving a better environment to the next generation. Daniel Press looks at the current state of environmental regulation and probes just this question. It s worth a read for anyone who cares about the decisions we must make - and the processes we now use to get to those decisions - that will shape the world for years to come.'- John Laird, California Secretary for Natural Resources'In American Environmental Policy Daniel Press guides the reader through not only the motivations and concepts that have been employed to set land, water, and air pollution policies, but also a dive into the details of both the environmental science and the legal and regulatory science that determines the success or failure of these actions. This book is instrumental for all those interested in both the why and the how - and the how much - of the legacy of Rachel Carson and the past five decades of environmental management.'- Daniel Kammen, University of California, Berkeley, US'Daniel Press's new book is an excellent one. By focusing on implementation - what happens after policy has been adopted - Press demonstrates the weaknesses of pollution control policy in the United States. Case studies of acid rain, nonpoint source water pollution, and paper recycling illuminate 'regulatory failure,' the structural problems of American regulatory approaches. He concludes with recommendations to move us ahead, a path forward that focuses on performance, information, incentives, and source reduction. Strongly recommended.'- Christopher McGrory Klyza, Middlebury College, USMore than 40 years after the United States launched bold efforts to curb pollution and waste, American environmental management has stalled. Drawing extensively on recent environmental science, engineering, regulatory agency data and trade information, American Environmental Policy explores how environmental management in the US has fallen short of its early promise and reputation.Arguing that policies need to be redesigned for the 21st century, this book offers examples and principles of effective environmental policy reforms. It concludes with suggestions for how new policies should be designed, as well as examples of successful regulatory innovations already in practice around the world.Environmental policy scholars, students and science and environment journalists interested in evaluating environmental policy over time will find this to book of value. The approaches discussed in this book will also be useful for environmental and natural resource agency officials.

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To commemorate the journal’s quarter-century, this double issue consists of foundational pieces arranged in conversation with one another. Common Knowledge has opened lines of communication among schools of thought in the academy, as well as between the academy and the community of thoughtful people outside its walls, and the pages of the journal challenge the ways we think about scholarship and its relevance to humanity. Contributors to the issue include former presidents, prime ministers, and archbishops, along with winners of the Nobel Prize, Man Booker Prize, Pulitzer Prize, National Book Award, Mellon Foundation Distinguished Achievement Award, MacArthur Fellowship, International Balzan Prize, and Holberg International Prize. Contributors. M. H. Abrams, Edward Albee, Barry Allen, Wayne Andersen, Kwame Anthony Appiah, Sir Isaiah Berlin, Marianna Birnbaum, Sir John Boardman, G. W. Bowersock, Aldo Buzzi, Caroline Walker Bynum, Anne Carson, William M. Chace, J. M. Coetzee, Cornelius Castoriadis, Stanley Cavell, Stuart Clark, Inga Clendinnen, Francis X. Clooney, Christopher Coker, Maria Conterno, Michael Cook, Lorraine Daston, Lydia Davis, Natalie Zemon Davis, Thibault De Meyer, Gunter Eich, Sir John H. Elliott, Caryl Emerson, Mikhail Epstein, Péter Esterházy, Roger Cardinal Etchegaray, Fang Lizhi, Paul Feyerabend, Michael Fried, Joseph Frank, Manfred Frank, Luis Garcia, Clifford Geertz, Carlo Ginzburg, Philip Gossett, Stephen Greenblatt, Thom Gunn, Jürgen Habermas, Ian Hacking, Václav Havel, Sir Edward Heath, Albert O. Hirschman, David Hollinger, Darrel Alejandro Holnes, Miroslav Holub, Maya Jasanoff, Albert R. Jonsen, Stanley N. Katz, Hugh Kenner, Sir Anthony Kenny, Sir Frank Kermode, Jee Leong Koh, Joseph Leo Koerner, Yusef Komunyakaa, György Konrád, Bruce Krajewski, László Krasznahorkai, Anton O. Kris, Julia Kristeva, Bruno Latour, Ewa Lipska, Greil Marcus, Steven Marcus, Samuel Menashe, Adam Michnik, Jack Miles, Alexander Nehamas, Reviel Netz, Sari Nusseibeh, Jeffrey M. Perl, Marjorie Perloff, J. G. A. Pocock, W. V. Quine, Belle Randall, Nadja Reissland, Colin Richmond, Richard Rorty, Ingrid Rowland, Hanna Segal, Amartya Sen, Quentin Skinner, Barbara Herrnstein Smith, A. L. Snijders, Timothy Snyder, Susan Sontag, Isabelle Stengers, Wis?awa Szymborska, Miguel Tamen, G. Thomas Tanselle, Sir Keith Thomas, Stephen Toulmin, Anna Lowenhaupt Tsing, Michiko Urita, Bas van Fraassen, Marina Vanzolini, Gianni Vattimo, Helen Vendler, Charlie Samua Veric, Eduardo Viveiros de Castro, Sir Bernard Williams, Lord (Rowan) Williams, H. R. Woudhuysen, Grzegorz Wróblewski, Santiago Zabala

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A common misconception holds that Marco Polo "opened up" a closed and recalcitrant "Orient" to the West. However, this sweeping history covering 4,000 years of international relations from the perspective of China, Japan, Korea, and Southeast Asia shows that the region's extensive involvement in world affairs began thousands of years ago. In a time when the writing of history is increasingly specialized, Warren I. Cohen has made a bold move against the grain. In broad but revealing brushstrokes, he paints a huge canvas of East Asia's place in world affairs throughout four millennia. Just as Cohen thinks broadly across time, so too, he defines the boundaries of East Asia liberally, looking beyond China, Japan, and Korea to include Southeast Asia. In addition, Cohen stretches the scope of international relations beyond its usual limitations to consider the vital role of cultural and economic exchanges. Within this vast framework, Cohen explores the system of Chinese domination in the ancient world, the exchanges between East Asia and the Islamic world from the thirteenth to the seventeenth centuries, and the emergence of a European-defined international system in the eighteenth and nineteenth centuries. The book covers the new imperialism of the 1890s, the Manchurian crisis of the early 1930s, the ascendancy of Japan, the trials of World War II, the drama of the Cold War, and the fleeting "Asian Century" from the mid-1970s to the mid-1990s. East Asia at the Center is replete with often-overlooked or little-known facts, such as: * A record of persistent Chinese imperialism in the region * Tibet's status as a major power from the 7th to the 9th centuries C.E., when it frequently invaded China and decimated Chinese armies * Japan's profound dependence on Korea for its early cultural development * The enormous influence of Indian cuisine on that of China * Egyptian and Ottoman military aid to their Muslim brethren in India and Sumatra against European powers * Extensive Chinese sea voyages to Arabia and East Africa-long before such famous Westerners as Vasco da Gama and Christopher Columbus took to the seas East Asia at the Center's expansive historical view puts the trials and advances of the past four millennia into perspective, showing that East Asia has often been preeminent on the world stage-and conjecturing that it might be so again in the not-so-distant future.

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In its 104-year history, Lincoln Electric Company has managed to sustain its status as the world's leader in welding technology despite intense domestic and foreign competition. The company's success can be attributed to founder James Lincoln, who began adopting principles of management that empowered workers and allowed the company to change rapidly to take advantage of new opportunities. This book shows you how to duplicate these pioneering ideas and follow the brilliance of the Lincoln management system. The results of this system include happier customers, more prosperous workers, and richly rewarded shareholders. Joseph Maciariello uncovers Lincoln's approach to management in a systematic manner and demonstrates why the company has been so effective for over a century. You'll discover how Lincoln employs a mutually reinforcing set of management systems that creates a boost in overall performance. When these systems are described and understood in their entirety, you'll see how the company's sustained success is due to its natural development of agility. You'll findout how this agility is connected to its executive leadership, management systems, and cultural environment. And you'll learn how to utilize these principles and techniques in your own company to obtain similar results. The management system detailed in this book has helped Lincoln Electric: * Obtain net sales of over $1.1 billion in 1998 * Grab 40% of the U.S. market for welding machines and products * Double the average return on stock- holder equity in the metals industry * Provide production workers with an average salary that is twice as much as the industry median By implementing this system, you can also experience these strong financial returns for shareholders, an increase in wages for workers, higher productivity, and much more! "Lasting Value is that rarest of books: a "why to" book, a "what to" book, and a "how to" book- its examples deal with manufacturing companies and blue-collar workers. But the lessons have particular force for the new job facing management: building organizations of knowledge workers who perform and who create lasting value." -Peter F. Drucker "In today's world of quarterly expectations and Wall Street's praise for major restructuring, Lasting Value successfully illustrates that long-term shareholder value can occur when corporations are truly customer and employee driven with the highest of motives." -Donald F. Hastings Chairman Emeritus, Lincoln Electric Company "Worthington was founded on the lifelong principles rooted in the Golden Rule and today it represents one of the strongest employee-employer partnerships in American business. We are proud of this important foundation for our company, as it has provided us with lasting value." -John H. McConnell Founder and Chairman Emeritus, Worthington Industries "This book should be on every manager's bookshelf and be required reading at everybusiness school." -F. Kenneth Iverson Chairman Emeritus, NUCOR Corporation "Joe Maciariello's in-depth description and detailed analysis of the Lincoln Electric Company will allow managers (and others) to revisit the powerful lessons this company has offered. Lasting Value is a valuable and practical contribution that should be welcomed by managers everywhere." -Christopher A. Bartlett Daewoo Professor of International Business and Chair, Program for Global Leadership Harvard University "Managers should consider the application of this novel approach to managing their companies. Lincoln Electric has used it successfully for almost 100 years." -Robert N. Anthony Walker Professor of Management Control, Emeritus The Harvard Business School

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The must-have guide to pop culture, history, and world-changing ideas that started in New York City, from the magazine at the center of it all. Since its founding in 1624, New York City has been a place that creates things. What began as a trading post for beaver pelts soon transformed into a hub of technological, social, and cultural innovation—but beyond fostering literal inventions like the elevator (inside Cooper Union in 1853), Q-tips (by Polish immigrant Leo Gerstenzang in 1923), General Tso’s chicken (reimagined for American tastes in the 1970s by one of its Hunanese creators), the singles bar (1965 on the Upper East Side), and Scrabble (1931 in Jackson Heights), the city has given birth to or perfected idioms, forms, and ways of thinking that have changed the world, from Abstract Expressionism to Broadway, baseball to hip-hop, news blogs to neoconservatism to the concept of “downtown.” Those creations and more are all collected in The Encyclopedia of New York, an A-to-Z compendium of unexpected origin stories, hidden histories, and useful guides to the greatest city in the world, compiled by the editors of New York Magazine (a city invention itself, since 1968) and featuring contributions from Rebecca Traister, Jerry Saltz, Frank Rich, Jonathan Chait, Rhonda Garelick, Kathryn VanArendonk, Christopher Bonanos, and more. Here you will find something fascinating and uniquely New York on every page: a history of the city’s skyline, accompanied by a tour guide’s list of the best things about every observation deck; the development of positive thinking and punk music; appreciations of seltzer and alternate-side-of-the-street parking; the oddest object to be found at Ripley’s Believe It or Not!; musical theater next to muckracking and mugging; and the unbelievable revelation that English muffins were created on...West Twentieth Street. Whether you are a lifelong resident, a curious newcomer, or an armchair traveler, this is the guidebook you’ll need, straight from the people who know New York best.

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La théologie actuelle s’intéresse vivement au Saint-Esprit. Parmi les circonstances qui ont aidé à percevoir l’urgence de la pneumatologie, il y a le dialogue avec les théologiens orientaux, mais aussi le souci de ne pas abandonner, en Occident même, l’accent sur la vie de l’Esprit à des tendances sectaires. On doit évoquer également l’essor des mouvements charismatiques; ils ont amené la présence de l’Esprit Saint au premier plan de l’attention. Tout cela invite à reprendre la question du discernement des esprits. Le présent ouvrage le fait opportunément. Par ailleurs, il tient compte de l’insistance de la théologie actuelle sur l’importance de l’Esprit Saint pour rééquilibrer un accent trop unilatéral sur la christologie. Il souligne la dimension pneumatologique de l’ecclésiologie. Il montre que la pneumatologie peut libérer la théologie de maintes étroitesses et l’aider à entrer dans un échange fructueux avec les interrogations de l’esprit moderne et postmoderne. L’un des principaux atouts de ce livre est d’explorer en détail la relation de la pneumatologie et de la théologie fondamentale, et de fournir une vue systématique des dimensions essentielles de la théologie fondamentale. On peut distinguer deux parties principales de l’ouvrage. La première, plus longue, adopte la forme d’un exposé historique. Après les deux premiers chapitres, consacrés respectivement aux religions non chrétiennes (chap. 1) et à l’hellénisme philosophique (chap. 2), les chapitres trois à dix présentent le déploiement de la théologie chrétienne de l’Esprit Saint à travers les siècles. Ils considèrent ce thème successivement dans l’Ancien et dans le Nouveau Testament (chap. 3 et 4), chez les Pères de l’Église et dans les premiers Conciles (chap. 5), chez les théologiens médiévaux et au concile de Florence (chap. 6), dans la Réforme protestante et dans les mouvements et renouveaux qui en dérivent (chap. 7); puis, dans l’imposante pneumatologie de Hegel (chap. 8) et dans l’œuvre de son contemporain Schleiermacher (chap. 9); enfin, au concile Vatican II, ainsi que chez les théologiens catholiques, protestants et orthodoxes du XXe siècle (chap. 10). La seconde partie de l’ouvrage, que l’on peut dire systématique, comprend les chapitres onze à dix-sept. Ici, il ne s’agit plus de retracer simplement l’histoire, mais de proposer une vue cohérente des différents aspects de la pneumatologie fondamentale. Après un chapitre sur la pneumatologie philosophique (chap. 11), le livre traite du Dieu des chrétiens comme Esprit, et en particulier du Saint-Esprit comme Personne et du rapport entre l’Esprit et le Fils (chap. 12). Puis, il considère l’Esprit comme coauteur de la Création, et de son rôle dans l’évolution cosmique (chap. 13). Il explicite ensuite les rapports entre l’Esprit Saint et le Christ (chap. 14), la présence de l’Esprit dans l’existence chrétienne (chap. 15), et la relation entre l’Esprit Saint et l’Église (chap. 16). Le dernier chapitre met en évidence le caractère eschatologique de l’Esprit (chap. 17). L’ouvrage se montre ouvert à des questions très actuelles, comme celles liées à la rencontre du christianisme et des autres religions, au renouveau charismatique, et au mouvement œcuménique (chap. 15 et 16). Mais cette recherche d’une pneumatologie attentive au contexte actuel ne le conduit pas à négliger le centre du message pneumatologique: la présence de Dieu et du Christ dans l’Esprit.

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Aurora Plomer explores international human rights, and its relevance to battles over intellectual property and science. Her work highlights the need for the benefits of scientific research to be fairly and equitably shared. Her work is an important original contribution to the literature on intellectual property, human rights, and the sociology of science.'- Matthew Rimmer, Queensland University of Technology, Australia'This remarkable book highlights and analyzes the inherent tensions and complementarities of patents with access to science, as materialized in the most prominent international human rights agreements. A must-read for anyone interested in one of the most crucial and debated questions of intellectual property, examined here from the perspective of its fascinating but complex interactions with human rights.'- Christophe Geiger, University of Strasbourg, France'The relationship between patents, human rights and science raises fundamental questions for innovation and for access to the benefits of scientific endeavour. Yet the complexities of the underlying science and legal environment in which it operates cannot be underestimated. Aurora Plomer deftly navigates this terrain with great clarity and skill. The resulting book is timely, accessible and a thorough scholarly work that demystifies and throws new light on the interface between science and the law.'- Duncan Matthews, Queen Mary University of London, UKThe new millennium has been described as 'the century of biology', but scientific progress and access to medicines has been marred by global disputes over ownership of the science by universities and private companies. This book examines the challenges posed by the modern patent system to the right of everyone to access the benefits of science in international law.Aurora Plomer retraces the genesis and evolution of the key Articles in the UN system (Article 27 UDHR and Article 15 ICESCR). She combines the historiography of these Articles with a novel perspective on the moral foundations of rights of access to science to draw out implications for today's controversies on patents in the life-sciences. The analysis suggests that access to science as a fundamental right requires both freedom from political and religious interference and the existence of enabling research institutions and educational facilities which promote the flow of knowledge through transparent and open structures. From this perspective, the global patent system is shown to fail spectacularly when it comes to the human rights ideal of universal access to science. The book concludes that a fundamental restructuring of patent institutions is required, in which democratic oversight of patent policies would ensure meaningful realization of the right of everyone to access the benefits of science.Students and scholars of international law, particularly those focusing on intellectual property and human rights, will find this book to be of considerable interest. It will also be of use to practitioners in the field.

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Book & CD. Husain Lehri, the director of Super Book House, approached Yashwant Pitkar, teaching at the Sir J J College of Architecture in Mumbai, to bring out a book on a contemporary Indian architect whose approach is different from the run of the mill. Pitkar had no hesitation in choosing Shirish Beri who in a career spanning almost forty years has built works ranging from private residences to educational complexes and large public projects across India. As it turned out, this book is the result of an extensive collaboration between Lehri, Piktar and Beri -- Pitkar describes the process of making the book as one of slow and deep unfolding. What is most interesting about this book is its structure. Interspersed with the projects are Beri's written and sketched expressions. Each set of two projects is bookended by his illustrated essays and poetry. The essays are more like collections of rambling thoughts, posers and anecdotes -- seeking connections between nature, art, architecture, and life. There is a seamless rhythm set up in the book that constantly keeps the reader acquainted with the architect's outer manifestations in form of his buildings and his inner thought processes, integral to that creation. The opening essay, "Working with Wature ... Towards Sustainability" sets a tone towards not just architecture but life in general. Beri asks whether man's relationship with nature could become a universal archetype for a sustainable future. He advocates an approach towards architecture that grows out from the place and its spirit rather than imposed technocratic solutions. The book features about a dozen projects in greater detail, well illustrated with clear drawings, evocative sketches and excellent photographs accompanied by the architect's own analysis of the design process and governing concerns in each project. The opening section of the book contains a note by B V Doshi and a foreword by Christopher Charles Benninger who was Beri's mentor when he was a student at the CEPT in Ahmedabad. The Hirwai Farmhouse in Nathawade for himself, one of his earliest projects, is perhaps the best example of his avowed philosophy: spaces inspired by nature. The Sanjeevan Primary School and the Laboratory for the Conservation of Endangered Species at Hyderabad display Beri's playful and unconventional approach towards space organisation which is at once in harmony with the site's topography and natural features. Projects such as the Dharwad Engineering College or the Computational Mathematics Laboratory in Pune display a nuanced sense of structure, construction and meticulousness towards detail. In the closing section of the book there is an exhaustive list of projects with thumbnails giving a good idea of the full range of the architect's work. Accompanying the book is a CD titled "The Unfolding White: Shirish Beri's search for wholeness.

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In 1976 the British band Throbbing Gristle emerged from the radical arts collective COUM Transmissions through core members Genesis P-Orridge and Cosey Fanni Tutti, joined by Hipgnosis photographer Peter Christopherson and electronics specialist Chris Carter. Though having performed previously in more low-key arts environments, their major launch coincided with the COUM retrospective exhibition Prostitution at London’s ICA gallery, showcasing and contextualising an array of challenging objects from COUM’s various actions in performance art and pornography. In a deliberately curated strategy inviting press, civic and arts dignitaries, extravagant followers of the nascent punk scene and music journalists, the band created an instant controversy and media panic that tapped into the restrictive climate and encroaching conservatism of late 1970s Britain. Any opportunities that were being explored by a formative punk ethos and movement around sex, censorship and transgression were amplified and exposed by Throbbing Gristle and Prostitution. An outraged Member of Parliament Nicholas Fairbairn took the bait and called the ensemble the ‘wreckers of civilisation’, providing the suitable newspaper headline that would be followed a month later by ‘the filth and the fury’ as the Sex Pistols uttered strong profanities on live television. The switch from COUM to Throbbing Gristle encompassed a primary mode of expression in making music as opposed to art, to further coincide with the energy of the nascent punk scene. The band quickly developed a radically deviant and challenging reputation through pushing the punk format past its strictures in terms of lyrical themes, amateurism, and considerations of what constitutes music. Through a handful or record releases on their own label Industrial Records, and a sporadic string of live performances, the band nurtured a strong and devoted following including key journalists and fanzine editors of the punk and post-punk scenes such as Jon Savage and Sandy Robertson. The band’s style of exploring harsh pre-recorded sounds, samples of disconcerting narrative and conversation, and feeding all sounds through messy electronic processing devices gave rise to the title industrial music. This was further buttressed by performing a strictly timed set of one hour, and adopting a non-rockstar mode by appearing disinterested and preoccupied with electronic devices. Having given a name and impetus to the industrial music scene, many of their followers and fans formed bands in later years. Drawing on works such as Andy Bennett’s When the Lights Went Out, this book looks at late 1970s Britain, before, during and immediately after the Winter of Discontent, to situate the activism of Throbbing Gristle in this time. It explores how the band worked in and against the time, and how they worked in and against punk as punk worked in and against the time and place. Punk acts as a mediating factor and nuisance value, as Throbbing Gristle emerged with punk in late 1976, seemingly grappled with it through 1977, and then went on to create and eventually criticise a number of post-punk scenes that had flourished around 1979. Trowell narrates the story through a series of live performances, as this is a point where Throbbing Gristle interact with the various city-scenes around England during their original period of operation (1975-1981). The band reflected (and incorporated into their live music) key tropes form the time, both ‘mainstream’ and fringe (subcultural, avant-garde art, counter-culture, taboo subjects, extremes) such that Throbbing Gristle events had an impact and affect, and Trowell traces these as a series of impressions and reverberations amongst fans who went on to do their own music and projects.

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"TAIL RISKS" originate from the failure of mean reversion and the idealized bell curve of asset returns, which assumes that highly probable outcomes occur near the center of the curve and that unlikely occurrences, good and bad, happen rarely, if at all, at either "tail" of the curve. Ever since the global financial crisis, protecting investments against these severe tail events has become a priority for investors and money managers, but it issomething Vineer Bhansali and his team at PIMCO have been doing for over a decade. In one of the first comprehensive and rigorous books ever written on tail risk hedging, he lays out a systematic approach to protecting portfolios from, and potentially benefiting from, rare yet severe market outcomes.Tail Risk Hedging is built on the author'spractical experience applying macroeconomic forecasting and quantitative modeling techniques across asset markets. Using empirical data and charts, he explains the consequences of diversification failure in tail events andhow to manage portfolios when this happens. He provides an easy-to-use, yet rigorous framework for protecting investment portfolios against tail risk and using tail hedging to play offense. Tail Risk Hedging exploreshow to: Generate profits from volatility and illiquidity during tail-risk events in equity and credit markets Buy attractively priced tail hedges that add value to a portfolio and quantify basis risk Interpret the psychology of investors in option pricing and portfolio construction Customize explicit hedges for retirement investments Hedge risk factors such as duration risk and inflation risk Managing tail risk is today's most significant development in risk management, and this thorough guide helps you access every aspect of it. With the time-tested and mathematically rigorous strategies described here, including pieces of computer code, you get access to insights to help mitigate portfolio losses in significant downturns, create explosive liquidity while unhedged participants are forced to sell, and create more aggressive yet tail-risk-focused portfolios. The book also gives you a unique, higher level view of how tail risk is related to investing in alternatives, and of derivatives such as zerocost collars and variance swaps. Volatilityand tail risks are here to stay, and so should your clients' wealth when you use Tail Risk Hedging for managing portfolios.PRAISE FOR TAIL RISK HEDGING:"Managing, mitigating, and even exploiting the risk of bad times are the most important concerns in investments. Bhansali puts tail risk hedging and tail risk management under a microscope--pricing, implementation, and showing how we can fine-tune our risk exposures, which are all crucial ways in how we can better weather our bad times." -- ANDREW ANG, Ann F. Kaplan Professor of Business at Columbia University"This book is critical and accessible reading for fiduciaries, financial consultants and investors interested in both theoretical foundations and practical considerations for how to frame hedging downside risk in portfolios. It is a tremendous resource for anyoneinvolved in asset allocation today." -- CHRISTOPHER C. GECZY, Ph.D., Academic Director, Wharton Wealth Management Initiative and Adj. Associate Professor of Finance, The Wharton School"Bhansali's book demonstrates how tail risk hedging can work, be concretely implemented, and lead to higher returns so that it is possible to have your cake and eat it too! A must read for the savvy investor." -- DIDIER SORNETTE, Professor on the Chair of Entrepreneurial Risks, ETH Zurich

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Collected stories from renowned and emerging voices writing fiction, poetry, and dramatic prose in the aftermath of 9/11 New York is a city of writers. And when the city was attacked on 9/11, its writers began to do what writers do, they began to look and feel and think and write, began to struggle to process an event unimaginable before, and even after, it happened. The work of journalists appeared immediately, in news reports, commentaries, and personal essays. But no single collection has yet recorded how New York writers of fiction, poetry, and dramatic prose have responded to 9/11. Now, in 110 Stories, Ulrich Baer has gathered a multi-hued range of voices that convey, with vivid immediacy and heightened imagination, the shock and loss suffered in September. From a stunning lineup of 110 renowned and emerging writers-including Paul Auster, Lynne Sharon Schwartz, Edwidge Danticat, Vivian Gornick, Phillip Lopate, Dennis Nurkse, Melvin Bukiet, Susan Wheeler-these stories give readers not so much an analysis of what happened as the very shape and texture of a city in crisis, what it felt like to be here, the external and internal damage that the city and its inhabitants absorbed in the space and the aftermath of a few unforgettable hours. As A.M. Homes says in one of the book's eyewitness accounts, "There is no place to put this experience, no folder in the mental hard drive that says, 'catastrophe.' It is not something that you want to remember, not something that you want to forget." This collection testifies to the power of poetry and storytelling to preserve and give meaning to what seems overwhelming. It showcases the literary imagination in its capacity to gauge the impact of 9/11 on how we view the world. Just as the stories of the World Trade towers were filled with people from all walks of life, the stories collected here reflect New York's true diversity, its boundless complexity and polyglot energy, its regenerative imagination, and its spirit of solidarity and endurance. The editor’s proceeds will be donated to charity. Cover art donated by Art Spiegelman. List of Contributors: Humera Afridi, Ammiel Alcalay, Elena Alexander, Meena Alexander, Jeffery Renard Allen, Roberta Allen, Jonathan Ames, Darren Aronofsky, Paul Auster, Jennifer Belle, Jenifer Berman, Charles Bernstein, Star Black, Breyten Breytenbach, Melvin Jules Bukiet, Peter Carey, Lawrence Chua, Ira Cohen, Imraan Coovadia, Edwidge Danticat, Alice Elliot, Eric Darton, Lydia Davis, Samuel R. Delany, Maggie Dubris, Rinde Eckert, Janice Eidus, Masood Farivar, Carolyn Ferrell, Richard Foreman, Deborah Garrison, Amitav Ghosh, James Gibbons, Carol Gilligan, Thea Goodman, Vivian Gornick, Tim Griffin, Lev Grossman, John Guare, Sean Gullette, Jessica Hagedorn, Kimiko Hahn, Nathalie Handal, Carey Harrison, Joshua Henkin, Tony Hiss, David Hollander, A.M. Homes, Richard Howard, Laird Hunt, Siri Hustvedt, John Keene, John Kelly, Wayne Koestenbaum, Richard Kostelanetz, Guy Lesser, Jonathan Lethem, Jocelyn Lieu, Tan Lin, Sam Lipsyte, Phillip Lopate, Karen Malpede, Charles McNulty, Pablo Medina, Ellen Miller, Paul D. Miller/DJ Spooky, Mark Jay, Tova Mirvis, Albert Mobilio, Alex Molot, Mary Morris, Tracie Morris, Anna Moschovakis, Richard Eoin Nash, Josip Novakovich, Dennis Nurkse, Geoffrey O'Brien, Larry O'Connor, Robert Polito, Nelly Reifler, Rose-Myriam Réjouis, Roxana Robinson, Avital Ronell, Daniel Asa Rose, Joe Salvatore, Grace Schulman, Lynne Sharon Schwartz, Dani Shapiro, Akhil Sharma, Suzan Sherman, Jenefer Shute, Hal Sirowitz, Pamela Sneed, Chris Spain, Art Spiegelman, Catharine R. Stimpson, Liz Swados, Lynne Tillman, Mike Topp, David Trinidad, Val Vinokurov, Chuck Wachtel, Mac Wellman, Owen West, Rachel Wetzsteon, Susan Wheeler, Peter Wortsman, John Yau, Christopher Yu.

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Agent-based Models and Causal Inference Scholars of causal inference have given little credence to the possibility that ABMs could be an important tool in warranting causal claims. Manzo’s book makes a convincing case that this is a mistake. The book starts by describing the impressive progress that ABMs have made as a credible methodology in the last several decades. It then goes on to compare the inferential threats to ABMs versus the traditional methods of RCTs, regression, and instrumental variables showing that they have a common vulnerability of being based on untestable assumptions. The book concludes by looking at four examples where an analysis based on ABMs complements and augments the evidence for specific causal claims provided by other methods. Manzo has done a most convincing job of showing that ABMs can be an important resource in any researcher’s tool kit.—Christopher Winship, Diker-Tishman Professor of Sociology, Harvard University, USA Agent-based Models and Causal Inference is a first-rate contribution to the debate on, and practice of, causal claims. With exemplary rigor, systematic precision and pedagogic clarity, this book contrasts the assumptions about causality that undergird agent-based models, experimental methods, and statistically based observational methods, discusses the challenges these methods face as far as inferences go, and, in light of this discussion, elaborates the case for combining these methods’ respective strengths: a remarkable achievement.—Ivan Ermakoff, Professor of Sociology, University of Wisconsin-Madison, USA Agent-based models are a uniquely powerful tool for understanding how patterns in society may arise in often surprising and counter-intuitive ways. This book offers a strong and deeply reflected argument for how ABM’s can do much more: add to actual empirical explanation. The work is of great value to all social scientists interested in learning how computational modelling can help unraveling the complexity of the real social world.—Andreas Flache, Professor of Sociology at the University of Groningen, Netherlands Agent-based Models and Causal Inference is an important and much-needed contribution to sociology and computational social science. The book provides a rigorous new contribution to current understandings of the foundation of causal inference and justification in the social sciences. It provides a powerful and cogent alternative to standard statistical causal-modeling approaches to causation. Especially valuable is Manzo’s careful analysis of the conditions under which an agent-based simulation is relevant to causal inference. The book represents an exceptional contribution to sociology, the philosophy of social science, and the epistemology of simulations and models.—Daniel Little, Professor of philosophy, University of Michigan, USA Agent-based Models and Causal Inference delivers an insightful investigation into the conditions under which different quantitative methods can legitimately hold to be able to establish causal claims. The book compares agent-based computational methods with randomized experiments, instrumental variables, and various types of causal graphs. Organized in two parts, Agent-based Models and Causal Inference connects the literature from various fields, including causality, social mechanisms, statistical and experimental methods for causal inference, and agent-based computation models to help show that causality means different things within different methods for causal analysis, and that persuasive causal claims can only be built at the intersection of these various methods. Readers will also benefit from the inclusion of: A thorough comparison between agent-based computation models to randomized experiments, instrumental variables, and several types of causal graphs A compelling argument that observational and experimental methods are not qualitatively superior to simulation-based methods in their ability to establish causal claims Practical discussions of how statistical, experimental and computational methods can be combined to produce reliable causal inferences Perfect for academic social scientists and scholars in the fields of computational social science, philosophy, statistics, experimental design, and ecology, Agent-based Models and Causal Inference will also earn a place in the libraries of PhD students seeking a one-stop reference on the issue of causal inference in agent-based computational models.

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In 1976 the British band Throbbing Gristle emerged from the radical arts collective COUM Transmissions through core members Genesis P-Orridge and Cosey Fanni Tutti, joined by Hipgnosis photographer Peter Christopherson and electronics specialist Chris Carter. Though having performed previously in more low-key arts environments, their major launch coincided with the COUM retrospective exhibition Prostitution at London’s ICA gallery, showcasing and contextualising an array of challenging objects from COUM’s various actions in performance art and pornography. In a deliberately curated strategy inviting press, civic and arts dignitaries, extravagant followers of the nascent punk scene and music journalists, the band created an instant controversy and media panic that tapped into the restrictive climate and encroaching conservatism of late 1970s Britain. Any opportunities that were being explored by a formative punk ethos and movement around sex, censorship and transgression were amplified and exposed by Throbbing Gristle and Prostitution. An outraged Member of Parliament Nicholas Fairbairn took the bait and called the ensemble the ‘wreckers of civilisation’, providing the suitable newspaper headline that would be followed a month later by ‘the filth and the fury’ as the Sex Pistols uttered strong profanities on live television. The switch from COUM to Throbbing Gristle encompassed a primary mode of expression in making music as opposed to art, to further coincide with the energy of the nascent punk scene. The band quickly developed a radically deviant and challenging reputation through pushing the punk format past its strictures in terms of lyrical themes, amateurism, and considerations of what constitutes music. Through a handful or record releases on their own label Industrial Records, and a sporadic string of live performances, the band nurtured a strong and devoted following including key journalists and fanzine editors of the punk and post-punk scenes such as Jon Savage and Sandy Robertson. The band’s style of exploring harsh pre-recorded sounds, samples of disconcerting narrative and conversation, and feeding all sounds through messy electronic processing devices gave rise to the title industrial music. This was further buttressed by performing a strictly timed set of one hour, and adopting a non-rockstar mode by appearing disinterested and preoccupied with electronic devices. Having given a name and impetus to the industrial music scene, many of their followers and fans formed bands in later years. Drawing on works such as Andy Bennett’s When the Lights Went Out, this book looks at late 1970s Britain, before, during and immediately after the Winter of Discontent, to situate the activism of Throbbing Gristle in this time. It explores how the band worked in and against the time, and how they worked in and against punk as punk worked in and against the time and place. Punk acts as a mediating factor and nuisance value, as Throbbing Gristle emerged with punk in late 1976, seemingly grappled with it through 1977, and then went on to create and eventually criticise a number of post-punk scenes that had flourished around 1979. Trowell narrates the story through a series of live performances, as this is a point where Throbbing Gristle interact with the various city-scenes around England during their original period of operation (1975-1981). The band reflected (and incorporated into their live music) key tropes form the time, both ‘mainstream’ and fringe (subcultural, avant-garde art, counter-culture, taboo subjects, extremes) such that Throbbing Gristle events had an impact and affect, and Trowell traces these as a series of impressions and reverberations amongst fans who went on to do their own music and projects.

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"BARD DESPERATE FOR APPRENTICE AND ROGUE WITH SIDELINE IN INSURANCE SEEK WORK. PREFERABLY AS GOOD GUYS." Indrajit Twang is the four hundred twenty-seventh epic poet of his people, the only person alive to carry their entire epic history and mythology in his head. His people are dwindling in number, and if he can’t find a successor in the great city of Kish, their story will disappear with them. Fix grew up a foundling on the ancient streets of Kish and is making his living as a mercenary. The woman he loves married someone else, and Fix has turned to buying and selling risk on the black market—but is he trying to impress her, or prove something to himself? Indrajit and Fix have been hired by a powerful risk-merchant to protect the life of opera star Ilsa without Peer for the duration of a risk contract he’s taken on. When an attempt is made on Ilsa’s life, Indrajit and Fix find themselves hunted by multiple mercenary squads and targeted by some of the most powerful men in Kish. Will they be able to save themselves, not to mention protect Ilsa, in the Palace of Shadow and Joy? Praise for Witchy Winter: “Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly "For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist."—Booklist Praise for Witchy Eye and D.J. Butler: " . . . you can’t stop yourself from taking another bite . . . and another . . . and another . . . . I didn’t want to stop reading . . . . Kudos!”—R.A. Salvatore “Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly "David's a pro storyteller, and you're in for a great ride."—Larry Dixon " . . . a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo "This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.” —Charles E. Gannon "Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!"–David Farland “A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo "Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg "[A] unique alternative-history that is heavily influence by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist

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An encounter with her father’s goddess has not turned out to be the end for Sarah Elytharias Penn. Now, with the Imperial fist tightened around her city of Cahokia and the beastkind of the Heron King ravaging across the river, she must find a way to access the power of the Serpent Throne itself—a feat, she has learned, that her father never accomplished. To complicate her efforts, Cahokia’s Metropolitan, a beloved and charismatic priest who despises the goddess as a demon, returns from a long pilgrimage and attempts to finalize the Wisdom-eradicating reform that dogged Sarah’s father when he was king. Meanwhile, Sarah’s brother Nathaniel and her brilliant but erratic servant Jacob Hop find their steps dogged by the Emperor’s Machiavel, Temple Franklin, as they hunt in New Amsterdam for the third Elytharias sibling. Isaiah Wilkes, having failed to awaken the Emperor by reminding him of his esoteric obligations, now travels north in disguise to seek other allies to stand against the destroying storm of the reign of Simon Sword. Chigozie Ukwu, the Shepherd of the Still Waters, finds his peaceful flock threatened and pressed into a dangerous mission in the service of Cahokia’s wild sister city Zomas, while his brother, the Vodun houngan Etienne Ukwu, pushes toward a final showdown with the mameluke assassins of the Chevalier of New Orleans. Praise for Witchy Winter: “Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly "For readers who love history-based fantasy, steampunk, or urban fantasy. . . this series that gives the genre a new twist."—Booklist Praise for Witchy Eye and D.J. Butler: “… you can’t stop yourself from taking another bite…and another…and another….I didn’t want to stop reading…. Kudos!”—R.A. Salvatore “Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly "David's a pro storyteller, and you're in for a great ride."—Larry Dixon "… a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo "This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk... A great ride that also manages to cover some serious cultural terrain.” —Charles E. Gannon "Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!"–David Farland “A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo "Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg "[A] unique alternative-history that is heavily influence by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist

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“BARD DESPERATE FOR APPRENTICE AND ROGUE WITH SIDELINE IN INSURANCE SEEK WORK. PREFERABLY AS GOOD GUYS.” Indrajit Twang is the four hundred twenty-seventh epic poet of his people, the only person alive to carry their entire epic history and mythology in his head. His people are dwindling in number, and if he can’t find a successor in the great city of Kish, their story will disappear with them. Fix grew up a foundling on the ancient streets of Kish and is making his living as a mercenary. The woman he loves married someone else, and Fix has turned to buying and selling risk on the black market—but is he trying to impress her, or prove something to himself? Indrajit and Fix have been hired by a powerful risk-merchant to protect the life of opera star Ilsa without Peer for the duration of a risk contract he’s taken on. When an attempt is made on Ilsa’s life, Indrajit and Fix find themselves hunted by multiple mercenary squads and targeted by some of the most powerful men in Kish. Will they be able to save themselves, not to mention protect Ilsa, in the Palace of Shadow and Joy? Praise for Witchy Winter: “Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah. . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly "For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist."—Booklist Praise for Witchy Eye and D.J. Butler: " . . . you can’t stop yourself from taking another bite . . . and another . . . and another. . . . I didn’t want to stop reading. . . . Kudos!”—R.A. Salvatore “Excellent book. I am impressed by the creativity and the depth of the worldbuilding. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly "David's a pro storyteller, and you're in for a great ride."—Larry Dixon " . . . a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo "This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.” —Charles E. Gannon "Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!" —David Farland “A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo "Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg "[A] unique alternative-history that is heavily influenced by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist

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Leading experts reveal ways that the future of food production for the world's burgeoning population can (and must) be both sustainable and ethical.In the United States, food is abundant and cheap but loaded with hidden costs to the environment, human health, animal welfare, and the people who work in our food systems. The country's current food production systems lack diversity in crops and animals and are intensified but not sustainable, inhumane in the treatment of animals, and inconsiderate of labor. In order to feed the world's rapidly growing population with high-quality, ethically produced food, new food production systems are urgently needed. These new systems must be genetically diverse and environmentally sustainable, and they need to follow internationally recognized animal welfare and labor practices.Feeding the World Well examines these costs of cheap food while presenting a unique framework for ethical food systems: the Core Ethical Commitments, which are designed to guide consumers in choosing foods that are aligned with their values while helping producers enhance the ethics of their practices and products. Edited by Alan M. Goldberg, the volume features contributions from leading ethicists and food systems experts. Addressing complex issues such as climate change, worker exploitation, obesity, antibiotic resistance, wasted food, and biotechnology, the book discusses the fundamental forces that have shaped, and will continue to shape, our food systems. It also describes some of the approaches that food companies and nonprofit organizations are using to address the ethical challenges facing these food systems. Finally, the book explains what the Core Ethical Commitments are (and what they are not), how they were developed, and how they might be used by food system actors.By bringing together an all-star group of contributors from academia and industry, Feeding the World Well sets a new course for food production and how it is evaluated. By including the voices of industry leaders alongside those of researchers and regulators, the book prepares the food production industry for a world in which "ethical" or "sustainable" production practices are not only trendy but necessary to ensure that we can feed the world's growing population. Conceived as a textbook for food studies courses, this volume will appeal to anyone who is strongly interested in food, including conscious consumers, food industry leaders, researchers, and policy makers.Contributors: Anne Barnhill, Martin W. Bloem, Jonathan Bloom, Nicole M. Civita, Claire Davis, Michiel van Dijk, Adele Douglass, Shauna Downs, Kevin Esvelt, Ruth Faden, Jessica Fanzo, Evan Fraser, Maisie Ganzler, Tara Garnett, Sara Glass, Alan M. Goldberg, Christopher Good, Meredith Kaufman, Gillian Kelleher, Frederick L. Kirschenmann, Herman B. W. M. Koëter, Jennifer Kuzma, Kees van Leeuwen, Robert Martin, Anne E. McBride, Suzanne McMillan, Tom Morley, Marion Nestle, Peter O'Driscoll, Lance B. Price, Marie Luise Rau, Bernard Rollin, Yashar Saghai, Susan A. Schneider, Ellen K. Silbergeld, Paul B. Thompson, Paul Willis, Sylvia Wulf

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SEASON OF THE WITCH An encounter with her father’s goddess has not turned out to be the end for Sarah Elytharias Penn. Now, with the Imperial fist tightened around her city of Cahokia and the beastkind of the Heron King ravaging across the river, she must find a way to access the power of the Serpent Throne itself—a feat, she has learned, that her father never accomplished. To complicate her efforts, Cahokia’s Metropolitan, a beloved and charismatic priest who despises the goddess as a demon, returns from a long pilgrimage and attempts to finalize the Wisdom-eradicating reform that dogged Sarah’s father when he was king. Meanwhile, Sarah’s brother Nathaniel and her brilliant but erratic servant Jacob Hop find their steps dogged by the Emperor’s Machiavel, Temple Franklin, as they hunt in New Amsterdam for the third Elytharias sibling. As Simon Sword’s destroying storm threatens from the south and west, and New Orleans is thrown into deadly turmoil when a vodoun priest and mameluke assassins contend for ultimate power and control of the Mississippi, the chance for a unified New World teeters on the brink. Sarah Penn understands she may face a hard fate in the final reckoning. But she also knows that only she can access the power of the Throne—if she can find the Wisdom inside to unlock it. Praise for Witchy Winter: “Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly "For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist."—Booklist Praise for Witchy Eye and D.J. Butler: “ . . . you can’t stop yourself from taking another bite . . . and another . . . and another . . . I didn’t want to stop reading . . . Kudos!”—R.A. Salvatore “Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly "David's a pro storyteller, and you're in for a great ride."—Larry Dixon " . . . a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo "This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.” —Charles E. Gannon "Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!"–David Farland “A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo "Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg "[A] unique alternative-history that is heavily influence by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist

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Sarah Calhoun has taken her father’s throne and ascended into her goddess’s presence in Unfallen Eden as her father never did. And Sarah Calhoun is dying. Her uncle Thomas Penn isn’t done with her. Armed with new powers conferred upon him by the Necromancer and with new allies won via his impending marriage, Penn aims to remove Sarah from her throne—and from the world of the living. In the meantime, Sarah has fallen out with one of her best allies. Against Sarah’s advice, her brother Nathaniel heads into Imperial Philadelphia with the reckless and likely impossible aim of healing the Emperor Thomas. On the shores of the northern seas, agents of Franklin’s Conventicle with an unlikely connection to the Emperor struggle to win allies among the pole-dwelling giants, who are torn between seizing land covertly from the Firstborn of the Ohio and entering the war openly on the side of Simon Sword. In the west, the Heron King rides an explosive storm into war, crushing the mortal kingdoms in his path and bearing down on Sarah’s Cahokia.To survive—and to gain the strength she needs to fight this impossible war—Sarah must unite the Moundbuilder kings to enact an ancient rite that will propel her beyond mortality. To do so, she must not only win over doubters among the Firstborn kings, but she must also beat back a rebellion among the Handmaids of her goddess—for there are some of the goddess’s priestesses who long for the dark days of human sacrifice, and who are willing to throw Sarah herself upon the altar.Praise for Witchy Winter:“Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly"For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist."—BooklistPraise for Witchy Eye and D.J. Butler:“ . . . you can’t stop yourself from taking another bite . . . and another . . . and another . . . I didn’t want to stop reading . . . Kudos!”—R.A. Salvatore“Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly"David's a pro storyteller, and you're in for a great ride."—Larry Dixon" . . . a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo"This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.” —Charles E. Gannon"Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!"—David Farland“A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo"Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg"[A] unique alternative-history that is heavily influence by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist

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'A dazzling chronicle, a bracing challenge to modernity's smug assumptions' - Bryce Christensen, Booklist'O what a world of profit and delightOf power, of honour and omnipotenceIs promised to the studious artisan.'Christopher Marlowe, Dr FaustusBetween the Renaissance and the Enlightenment, Europe changed out of all recognition and particularly transformative were the ardent quest for knowledge and the astounding discoveries and inventions which resulted from it. The movement of blood round the body; the movement of the earth round the sun; the velocity of falling objects (and, indeed, why objects fall) - these and numerous other mysteries had been solved by scholars in earnest pursuit of scientia. Several keys were on offer to thinkers seeking to unlock the portal of the unknown:Folk religion had roots deep in the pagan past. Its devotees sought the aid of spirits. They had stores of ancient wisdom, particularly relating to herbal remedies. Theirs was the world of wise women, witches, necromancers, potions and incantations.Catholicism had its own magic and its own wisdom. Dogma was enshrined in the collective wisdom of the doctors of the church and the rigid scholastic system of teaching. Magic resided in the ranks of departed saints and the priestly miracle of the mass.Alchemy was at root a desire to understand and to exploit the material world. Practitioners studied the properties of natural substances. A whole system of knowledge was built on the theory of the four humours.Astrology was based on the belief that human affairs were controlled by the movement of heavenly bodies. Belief in the casting of horoscopes was almost universal.Natural Philosophy really began with Francis Bacon and his empirical method. It was the beginning of science 'proper' because it was based on observation and not on predetermined theory.Classical Studies. University teaching was based on the quadrivium - which consisted largely of rote learning the philosophy and science current in the classical world (Plato, Aristotle, Galen, Ptolemy, etc.). Renaissance scholars reappraised these sources of knowledge.Islamic and Jewish Traditions. The twelfth-century polymath, Averroes, has been called 'the father of secular thought' because of his landmark treatises on astronomy, physics and medicine. Jewish scholars and mystics introduced the esoteric disciplines of the Kabbalah.New Discoveries. Exploration connected Europeans with other peoples and cultures hitherto unknown, changed concepts about the nature of the planet, and led to the development of navigational skills.These 'sciences' were not entirely self-contained. For example physicians and theologians both believed in the casting of horoscopes. Despite popular myth (which developed 200 years later), there was no perceived hostility between faith and reason. Virtually all scientists and philosophers before the Enlightenment worked, or tried to work, within the traditional religious framework. Paracelsus, Descartes, Newton, Boyle and their compeers proceeded on the a príori notion that the universe was governed by rational laws, laid down by a rational God.. This certainly did not mean that there were no conflicts between the upholders of different types of knowledge. Dr Dee's neighbours destroyed his laboratory because they believed he was in league with the devil. Galileo famously had his run-in with the Curia.By the mid-seventeenth century 'science mania' had set in; the quest for knowledge had become a pursuit of cultured gentlemen. In 1663 The Royal Society of London for Improving Natural Knowledge received its charter. Three years later the French Academy of Sciences was founded. Most other European capitals were not slow to follow suit. In 1725 we encounter the first use of the word 'science' meaning 'a branch of study concerned either with a connected body of demonstrated truths or with observed facts systematically classified'. Yet, it was only nine years since the last witch had been executed in Britain - a reminder that, although the relationship of people to their environment was changing profoundly, deep-rooted fears and attitudes remained strong.

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