Search results for ""author jan"

When Joe Christie's fishing boat is swept onto Tentsmuir beach during a fierce storm, a man's mutilated body is found in the hold. DCI Andy Gilchrist of St Andrews CID is called in to investigate. But his murder investigation deepens when he learns that Joe Christie and his boat have been missing for three years. The police pathologist, Dr Rebecca Cooper, retrieves a five pound note from the dead man's throat. Is this the killer's calling card? And whatever happened to Joe Christie? Cooper offers Gilchrist a clue to the dead man's identity - a scar from a recent operation to repair a bone shattered by a bullet.The dead man is found to have been on the payroll of big Jock Shepherd, Scotland's premier crime patriarch, and when three more of Shepherd's men turn up brutally murdered, Gilchrist fears a tectonic shift in the criminal underworld.Gilchrist and his partner, DS Jessie Janes, set off along a murderous trail where they uncover a plot involving drug shipments and police corruption, and come face to face with a man for whom human life means nothing.PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig Robertson'DCI Gilchrist gets under your skin. Though, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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'A love letter to English horticulture written by a passionate gardener. A must-read for anyone who has dreamt of cultivating their own patch of land' Jane Perrone'Skymeadow is a fascinating book . . . Every flower, every passing bud, every change in the season is described with rapture' Jilly CooperWhen Charlie Hart first visited Peverels, a small farmhouse that sits lazily on the lip of a hill running down into the Peb Valley, he was at breaking point, grieving the loss of his father and anxious about the impending death of his mother. He and his wife Sybilla felt that their London life had been steadily growing in noise: the noise of grief, the noise of busyness, the noise that comes from the expectations of others and, for Charlie, the constant clamour of dissatisfaction at work. At Peverels, Charlie found an expanse of untouched meadowland, the perfect setting for an audacious garden. Charlie felt an unquenchable urge to dig, to create something. The days he spent wrestling with the soil in the rose garden were the days in which he mourned the loss of his parents. Gardening has taught him that you can dig for victory, but you can also dig for mental health. As the garden formed around Charlie, he buried his fears and anxieties within it. A garden that is now known as Skymeadow and grows with a lusty, almost biblical vigour.In Skymeadow, Charlie seamlessly weaves together his own memoir with that of his garden. The result is a lyrical and incisive story of mental health at an all-time low, the healing powers of digging and, ultimately, a celebration of nature.

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'Winningly eccentric . . . London, in all its non-homogenous, sprawling splendour, is as much a character as Fowler's sleuthing duo' Barry Forshaw, Financial TimesThe Peculiar Crimes Unit has solved many extraordinary cases over the years, but some were hushed up and hidden away. Until now.Arthur Bryant remembers these lost cases as if they were yesterday. Unfortunately, he doesn't remember yesterday, so the newly revealed facts could come as a surprise to everyone, including his exasperated partner John May.Here, then, is the truth about the Covent Garden opera diva and the seventh reindeer, the body that falls from the Tate Gallery, the ordinary London street corner where strange accidents keep occurring, the consul's son discovered buried in the unit's basement, the corpse pulled from a swamp of Chinese dinners, a Hallowe'en crime in the Post Office Tower, and the impossible death that's the fault of a forgotten London legend. All of the unit's oddest characters are here, plus the detectives' long-suffering sergeant Janice Longbright gets to reveal her own forgotten mystery.These twelve crimes must be solved without the help of modern technology, mainly because nobody knows how to use it. Expect misunderstood clues, lost evidence, arguments about Dickens, churches, pubs and disorderly conduct from the investigative officers they laughingly call 'England's Finest'!_______________________What readers are saying:***** 'Another gem from Christopher Fowler'***** 'I've loved Bryant & May since I first discovered them'***** 'A perfect collection of implausibly, improbably impossible mysteries for readers of Bryant and May both old and new'

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What we had was far too beautiful to be forgotten.If you love Nicholas Sparks' The Notebook, you will devour the heartbreaking, emotional storytelling of Jodi Perry's Nineteen Letters.The 19th of January, 1996 . . . I'll never forget it. It was the day we met. I was seven and she was six. It was the day she moved in next door, and the same day I developed my first crush on a girl.Then tragedy struck. Nineteen days after our wedding day, Jemma was in an accident that would change our lives forever. When she woke from her coma, she had no memory of me, of us, of the love we shared.That's when I started writing her letters. The stories of our life. Of when we met. About the happier times, and everything we'd experienced together.What we had was far too beautiful to be forgotten.A heart-stopping and romantic love story that spans decades and asks the question, if the love of your life had no memory of you . . . what would you do?____Readers are falling in love with Nineteen Letters . . .'This is the love story to end all love stories''Makes you believe that happily ever after may just be possible''It left my heart full and a smile on my face''I cried with them, laughed with them, mourned with them and loved with them''A masterpiece of a story that will stay with me for a long time to come''I wish I could give this book nineteen stars''Jam packed full of emotion. The heartache is tangible and the love is overwhelming''This book will leave you with a heavy but beautifully full heart'

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Serial killer’s message to PI Jake Longly: Two of those seven murders I confessed to are not mine—but I won’t tell you which two Jake Longly and Nicole Jamison are confronted with the most bizarre case yet. Serial killer Billy Wayne Baker now denies that two of his seven murders were actually his work. An anonymous benefactor, who believes Billy Wayne’s denials, has hired Longly Investigations to prove Billy Wayne right. Billy Wayne had confessed to all seven. Not only did the confessed serial killer have the motive, means, and opportunity for murder, but his DNA was found at each crime scene. Bizarre doesn’t quite cover it. Jake and Nicole travel to the small Gulf Coast town of Pine Key, Florida, where three of the murders occurred. The local police, FBI, state prosecutor, and crime lab each did their jobs, uncovered overwhelming evidence of Billy Wayne’s guilt—and even extracted a full confession. Is Billy Wayne simply trying to tweak the system to garner another fifteen minutes of fame? It’s likely all a game to him, but, if he’s being truthful—someone out there is getting away with multiple murders. How? Why? And most importantly, who? Dark clouds loom in the Sunshine State.Perfect for fans of Carl Hiaasen and Janet Evanovich While all of the novels in the Jake Longly Thriller Series stand on their own and can be read in any order, the publication sequence is:Deep Six A-List Sunshine State Rigged The OC (coming October 2021)

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The first volume of a new narrative history of the rise and fall of the Nazi regime, by an expert on the Third Reich. 'One of the books of the year' Dan Snow 'A masterclass in the history of Nazi Germany' Get History 'What makes this volume really stand out is its stylish design and more than 80 coloured photographs' Military History On 30 January 1933, Adolf Hitler was appointed the German Chancellor of a coalition government by President Hindenburg. Within a few months he had installed a dictatorship, jailing and killing his leftwing opponents, terrorising the rest of the population and driving Jews out of public life. He embarked on a crash programme on militaristic Keynesianism, reviving the economy and achieving full employment through massive public works, vast armaments spending and the cancellations of foreign debts. After the grim years of the Great Depression, Germany seemed to have been reborn as a brutal and determined European power. Over the course of the years from 1933 to 1939, Hitler won over most of the population to his vision of a renewed Reich. In these years of domestic triumph, cunning manoeuvres, pitting neighbouring powers against each other and biding his time, we see Hitler preparing for the moment that would realise his ambition. But what drove Hitler's success was also to be the fatal flaw of his regime: a relentless belief in war as the motor of greatness, a dream of vast conquests in Eastern Europe and an astonishingly fanatical racism. In The Hitler Years, Frank McDonough charts the rise and fall of the Third Reich under Hitler's hand. The first volume, Triumph, ends after Germany's comprehensive military defeat of Poland in 1939.

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The stories of Indonesian women have often been told by Indonesian men and Dutch men and women. This volume asks how these representations—reproduced, transformed, and circulated in history, ethnography, and literature—have circumscribed feminine behavior in colonial and postcolonial Indonesia. Presenting dialogues between prominent scholars of and from Indonesia and Indonesian women working in professional, activist, religious, and literary domains, the book dissolves essentialist notions of “women” and “Indonesia” that have arisen out of the tensions of empire.The contributors examine the ways in which Indonesian women and men are enmeshed in networks of power and then pursue the stories of those who, sometimes at great political risk, challenge these powers. In this juxtaposition of voices and stories, we see how indigenous patriarchal fantasies of feminine behavior merged with Dutch colonial notions of proper wives and mothers to produce the Indonesian government’s present approach to controlling the images and actions of women. Facing the theoretical challenge of building a truly cross-cultural feminist analysis, Fantasizing the Feminine takes us into an ongoing conversation that reveals the contradictions of postcolonial positionings and the fragility of postmodern identities. This book will be welcomed by readers with interests in contemporary Indonesian politics and society as well as historians, anthropologists, and other scholars concerned with literature, gender, and cultural studies.Contributors. Benedict R. O’G. Anderson, Sita Aripurnami, Jane Monnig Atkinson, Nancy K. Florida, Daniel S. Lev, Dédé Oetomo, Laurie J. Sears, Ann Laura Stoler, Saraswati Sunindyo, Julia I. Suryakusuma, Jean Gelman Taylor, Sylvia Tiwon, Anna Lowenhaupt Tsing, Diane L. Wolf

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The realities of globalization have produced a surprising reversal in the focus and strategies of labor movements around the world. After years of neglect and exclusion, labor organizers are recognizing both the needs and the importance of immigrants and women employed in the growing ranks of low-paid and insecure service jobs. In Organizing at the Margins, Jennifer Jihye Chun focuses on this shift as it takes place in two countries: South Korea and the United States. Using comparative historical inquiry and in-depth case studies, she shows how labor movements in countries with different histories and structures of economic development, class formation, and cultural politics embark on similar trajectories of change. Chun shows that as the base of worker power shifts from those who hold high-paying, industrial jobs to the formerly "unorganizable," labor movements in both countries are employing new strategies and vocabularies to challenge the assault of neoliberal globalization on workers' rights and livelihoods. Deftly combining theory and ethnography, she argues that by cultivating alternative sources of "symbolic leverage" that root workers' demands in the collective morality of broad-based communities, as opposed to the narrow confines of workplace disputes, workers in the lowest tiers are transforming the power relations that sustain downgraded forms of work. Her case studies of janitors and personal service workers in the United States and South Korea offer a surprising comparison between converging labor movements in two very different countries as they refashion their relation to historically disadvantaged sectors of the workforce and expand the moral and material boundaries of union membership in a globalizing world.

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The realities of globalization have produced a surprising reversal in the focus and strategies of labor movements around the world. After years of neglect and exclusion, labor organizers are recognizing both the needs and the importance of immigrants and women employed in the growing ranks of low-paid and insecure service jobs. In Organizing at the Margins, Jennifer Jihye Chun focuses on this shift as it takes place in two countries: South Korea and the United States. Using comparative historical inquiry and in-depth case studies, she shows how labor movements in countries with different histories and structures of economic development, class formation, and cultural politics embark on similar trajectories of change. Chun shows that as the base of worker power shifts from those who hold high-paying, industrial jobs to the formerly "unorganizable," labor movements in both countries are employing new strategies and vocabularies to challenge the assault of neoliberal globalization on workers' rights and livelihoods. Deftly combining theory and ethnography, she argues that by cultivating alternative sources of "symbolic leverage" that root workers' demands in the collective morality of broad-based communities, as opposed to the narrow confines of workplace disputes, workers in the lowest tiers are transforming the power relations that sustain downgraded forms of work. Her case studies of janitors and personal service workers in the United States and South Korea offer a surprising comparison between converging labor movements in two very different countries as they refashion their relation to historically disadvantaged sectors of the workforce and expand the moral and material boundaries of union membership in a globalizing world.

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In The Americas Revealed, distinguished art historian and curator Edward J. Sullivan brings together a vibrant group of essays that explore the formation, in the United States, of public and private collections of art from the Spanish- and Portuguese-speaking Americas.The contributors to this volume trace the major milestones and emerging approaches to collecting and presenting Spanish Colonial and modern Latin American art by museums, galleries, private collections, and corporations from the late nineteenth to the twenty-first century. In chronicling the roles played by determined collectors from New York to San Francisco, the essays examine a range of subjects from MoMA’s mid-twentieth-century acquisition strategies to the growing taste on the West Coast for the work of Diego Rivera. They consider the impact of various political shifts on art collecting, from reactions against the “American exceptionalism” of the Monroe Doctrine to the aesthetic biases of government-sponsored art academies in Mexico, Rio de Janeiro, and Havana. The final three chapters focus on living collectors such as Roberta and Richard Huber, Patricia Phelps de Cisneros, and Estrellita B. Brodsky.A thorough and definitive account of the changing course of private and public collections and their important connection to underlying political and cultural relations between the United States and Latin American countries, this volume gives a rare glimpse into the practice of collecting from the collectors’ own point of view.In addition to the editor, contributors to this volume are Miriam Margarita Basilio, Estrellita B. Brodsky, Vanessa K. Davidson, Anna Indych-López, Ronda Kasl, Gabriel Pérez-Barreiro, Berit Potter, Mari Carmen Ramírez, Joseph Rishel, Delia Solomons, and Suzanne Stratton-Pruitt.

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When The Rocky Horror Picture Show was released in 1975, it initially received an indifferent reception in movie theatres, but it began to gain notoriety after it was embraced by audiences at midnight screenings in New York City and elsewhere. The movie tells of the misadventures of Brad and Janet, newly engaged, whose car breaks down in a rainstorm, forcing them to seek refuge in the castle of the bizarre and flamboyant Dr. Frank-N-Furter. An homage to campy B-movies, sci-fi, and horror films, the movie was — and still is — more than the sum of its parts. Participatory and party-like, midnight showings attract moviegoers who dress as film characters, sing along with the catchy show tunes and interact with the action on screen. In the four decades since its release, it has become a cultural phenomenon, not to mention one of the most commercially successful films of all time. In Fan Phenomena: The Rocky Horror Picture Show, Marisa C. Hayes brings together a diverse group of writers who explore the film’s influence on the development of the pastiche tribute film, emerging queer activism of the 1970s, glam rock style and the creative use of audience dialogue in recreating and interacting with the spoken and sung language of the film. Spotlighting a cult phenomenon and its fans, many of who count the number of times they’ve seen the movie in the hundreds, this contribution to the Fan Phenomena series covers never-before-explored topics related to The Rocky Horror Picture Show. For anyone who has ever done the 'Time Warp', this will be essential reading.

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On January 27, 1967, astronauts Gus Grissom, Ed White, and Roger Chaffee climbed into a new spacecraft perched atop a large Saturn rocket at Kennedy Space Center in Florida for a routine dress rehearsal of their upcoming launch into orbit, then less than a month away. All three astronauts were experienced pilots and had dreams of one day walking on the moon. But little did they know, nor did anyone else, that once they entered the spacecraft that cold winter day they would never leave it alive. The Apollo program would be perilously close to failure before it ever got off the ground. But rather than dooming the space program, this tragedy caused the spacecraft to be completely overhauled, creating a stellar flying machine to achieve the program’s primary goal: putting man on the moon. Apollo 1 is a candid portrayal of the astronauts, the disaster that killed them, and its aftermath. In it, readers will learn: How the Apollo 1 spacecraft was doomed from the start, with miles of uninsulated wiring and tons of flammable materials in a pure oxygen atmosphere, along with a hatch that wouldn’t open How, due to political pressure, the government contract to build the Apollo 1 craft went to a bidder with an inferior plan How public opinion polls were beginning to turn against the space program before the tragedy and got much worse after Apollo 1 is about America fulfilling its destiny of man setting foot on the moon. It’s also about the three American heroes who lost their lives in the tragedy, but whose lives were not lost in vain.

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For those fascinated by neurology and for fans of The Man Who Mistook His Wife for a Hat comes a powerful exploration of the mind during night time. Here are the mysteries of sleep, explained – from known conditions to the extreme. ‘The Secret World of Sleep interweaves bizarre real life stories with cutting edge neurological science in the true tradition of Oliver Sacks. A fascinating read.' Martha Kearney, BBC Radio 4 World-renowned neurologist and sleep expert, Doctor Guy Leschziner, takes you through various sleep conditions and how they arise and affect people. Insomnia, narcolepsy, night terrors and apnoea are just some of the conditions afflicting those struggling with sleep. Then there are the extreme cases. The people frighten into paralysis by hallucinations. The woman in a state of deep sleep who gets dressed and goes for a drive. The teenager with ‘Sleeping Beauty Syndrome’, stuck in a cycle of excessive unconsciousness. The man who cleans out kitchens while 'sleep-eating'. With compassionate stories of his patients and their conditions, Leschziner illustrates the neuroscience behind our sleeping minds, revealing the many biological and psychological factors necessary in getting the rest needed for health and happiness. Pick of the Best Paperbacks - Sunday Times Best January Paperbacks - The Times Must Read Brain Books 2019 - Forbes Magazine The Best Neuroscience Books of 2019 - The Scientist Magazine The Best Books of 2019 - New Zealand Herald Best 100 Summer Reads 2019 - Sunday Times Week's best Science Picks - Nature Books of the Year 2019 - Irish Independent

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When the British Labour party announced the withdrawal of British forces from the Persian Gulf in January 1968, the United States faced a potential power vacuum in the area. The incoming Nixon administration, preoccupied with the Soviet Union and China, and the war in Vietnam, had no intention of replacing the British in the Gulf. To avoid further military commitments, the US encouraged Iran and Saudi Arabia to maintain area security. A critical policy decision, overlooked by most scholars, saw Nixon and Kissinger engineer the rise in oil prices between 1969 and 1972 to enable Saudi Arabia and Iran to purchase the necessary military hardware to serve as guardians of the Gulf. For all their bluster about reversing Labour's withdrawal decision, after their surprise victory in the election of June 1970 the Conservatives adhered to Labour's policy. But in contrast to Labour's wish to cut the umbilical cord of empire, the Tories wanted to retain influence in the Persian Gulf, pursuing policies largely independent of the US by the creation of the United Arab Emirates, deposing the sultan of Oman, and trying to solve the dispute over the Buraimi oasis with Saudi Arabia. By trying to maintain its empire on the cheap, Britain turned into an arms supplier supreme. But offering and selling arms does not a foreign policy make, leaving Britain in the long run with less influence in regional affairs. This was true also for the US, whose arms sales were to prove no realistic an alternative to foreign policy. The US hid under the Iranian security blanket for almost a decade. Given the weakness of the regime and the Shah's nonsensical dreams of turning Iran into one of the top five industrial and military powers in the world, the policy was cavalierly irresponsible. Similarly, leaving Saudi Arabia wallowing in oil money and medieval stupor -- a seedbed for Islamic fundamentalists -- created major future problems for the United States, as evinced by 9/11.

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The first edition of Shaping Seattle Architecture, published in 1994, introduced readers to Seattle’s architects by showcasing the work of those who were instrumental in creating the region’s built environment. Twenty years later, the second edition updates and expands the original with new information and illustrations that provide an even richer exploration of Seattle architecture. The book begins with a revised introduction that brings the story of Seattle architecture into the twenty-first century and situates developments in Seattle building design within local and global contexts. The book’s fifty-four essays present richly illustrated profiles that describe the architects' careers, provide an overview of their major works, and explore their significance. Shaping Seattle Architecture celebrates a wide range of people who helped form the region's built environment. It provides updated information about many of the architects and firms profiled in the first edition. Four individuals newly included in this second edition are Edwin J. Ivey, a leading residential designer; Fred Bassetti, an important contributor to Northwest regional modernism; L. Jane Hastings, one of the region’s foremost women in architecture; and Richard Haag, founder of the landscape architecture program at the University of Washington and designer of Gas Works Park and the Bloedel Reserve. The book also includes essays on the buildings of the Coast Salish people, who inhabited Puget Sound prior to Euro-American settlement; the role that architects played in speculative housing developments before and after World War II; and the vernacular architecture built by nonprofessionals that makes up a portion of the fabric of the city. Shaping Seattle Architecture concludes with a substantial reference section, updated to reflect the last twenty years of research and publications. A locations appendix offers a geographic guide to surviving works. The research section directs interested readers to further resources, and the appendix “Additional Significant Seattle Architects” provides thumbnail sketches of nearly 250 important figures not included in the main text.

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The Morning After is Margaret Randall's 30th poetry collection and eleventh with Wings Press. The title poem was written, as so many in this country were, the morning after the November 8, 2016 presidential election: "I wish there was a pill for that," is one of its lines. But Randall doesn't stay with anger, irony, or a pamphleteering voice. Her work goes much deeper, grappling with ageless concerns and unexpected details. Throughout this volume there is a concern with time, place, and memory; intimate landscape; mature love; the current threat to the richness of language; global consciousness; a mapping of human questioning and exploration of identity. In these pages the reader will find George Zimmerman's gun, a herd of buffalo at Standing Rock, rebar, the Super Moon, ""reptile dysfunction,"" and multiple choice vs. Socratic wisdom. Reflecting Randall's recent work with translation, several poems take on that practice in its broadest sense. Stylistically, for the first time in half a century she has gone back to her modus of the 1960s and mixed story and prosody with poetry; only now the result is more sophisticated and much harder hitting. The title poem of The Morning After first appeared in two anthologies of poetry responding to the January 2017 presidential inauguration: Resist Much / Obey Little: Inaugural Poems to the Resistance and Truth to Power; and in Spanish translation in Revista Casa de las Américas, Havana, Cuba. The Morning After contains powerful poems of witness as well as personal poems, both of which soar through "limitless rooms, unfenced spaces / where our thoughts may procreate / before they change direction," as well as autobiographical prose pieces (that read like prose poems), recounting a life of resistance, the life of a life-long literary and political revolutionary. If ever there were a time for the words of Margaret Randall, it is now. Read this book. Howl this book!

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Rosamund Lupton meets Lupin in this accomplished debut from an eclectic, cut-throat new voice in thriller writing.**DON'T MISS MEGAN DAVIS' NEXT THRILLER, BAY OF THIEVES. AVAILABLE TO PRE-ORDER NOW**'A sleek, sinister debut' WOMAN'S OWN'A strong, twisting, literary journey of revelation and redemption. Five stars' JANICE HALLETT'An intelligent, gripping and stylish literary thriller - I couldn't put it down. Megan Davis is a major new talent' SOPHIE HANNAH'A sharply written, clever and classy thrill-ride through the streets of Paris' CHRIS WHITAKER A crime he didn't commit. A truth he must deliver.Wealthy and privileged, Alex has an easy path to success in the Parisian elite his father mingles with. But the two have never seen eye to eye. Desperate to escape the increasingly suffocating atmosphere of their apartment, Alex seeks freedom on the streets of Paris where his new-found friend Sami teaches him how to survive. But everything has a price - and one night of rebellion changes their lives forever.A simple plan to steal money takes a sinister turn when Alex's father is found dead. Despite protesting their innocence, both boys are imprisoned for murder. Seven years later Alex is released from prison with a single purpose: to discover who really killed his father. Yet as he searches for answers and atones for the sins of his past, Alex uncovers a disturbing truth with far-reaching consequences.Playing out against a backdrop of corruption, fake news and civil unrest, The Messenger exposes the gritty reality of a changing city through one son's journey to redemption and the truth.'Megan Davis's electric, suspenseful and stunning evocation of contemporary Paris is unforgettable' ELIZABETH MACNEAL'A well-written, intriguing novel with an excellent sense of place' KAMILA SHAMSIE 'Compelling ... A deft blend of murder mystery, political intrigue and family secrets' DOMINIC NOLAN

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Rosamund Lupton meets Lupin in this accomplished debut from an eclectic, cut-throat new voice in thriller writing.**DON'T MISS MEGAN DAVIS' NEXT THRILLER, BAY OF THIEVES. AVAILABLE TO PRE-ORDER NOW**'A sleek, sinister debut' WOMAN'S OWN'A strong, twisting, literary journey of revelation and redemption. Five stars' JANICE HALLETT'An intelligent, gripping and stylish literary thriller - I couldn't put it down. Megan Davis is a major new talent' SOPHIE HANNAH'A sharply written, clever and classy thrill-ride through the streets of Paris' CHRIS WHITAKER A crime he didn't commit. A truth he must deliver.Wealthy and privileged, Alex has an easy path to success in the Parisian elite his father mingles with. But the two have never seen eye to eye. Desperate to escape the increasingly suffocating atmosphere of their apartment, Alex seeks freedom on the streets of Paris where his new-found friend Sami teaches him how to survive. But everything has a price - and one night of rebellion changes their lives forever.A simple plan to steal money takes a sinister turn when Alex's father is found dead. Despite protesting their innocence, both boys are imprisoned for murder. Seven years later Alex is released from prison with a single purpose: to discover who really killed his father. Yet as he searches for answers and atones for the sins of his past, Alex uncovers a disturbing truth with far-reaching consequences.Playing out against a backdrop of corruption, fake news and civil unrest, The Messenger exposes the gritty reality of a changing city through one son's journey to redemption and the truth. 'Megan Davis's electric, suspenseful and stunning evocation of contemporary Paris is unforgettable' ELIZABETH MACNEAL'A well-written, intriguing novel with an excellent sense of place' KAMILA SHAMSIE 'Compelling ... A deft blend of murder mystery, political intrigue and family secrets' DOMINIC NOLAN

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_______________ AN INCREDIBLE 4-IN-1 COLLECTION OF THE FIRST FOUR FANTASTICALLY GREAT WOMEN BOOKS: Fantastically Great Women Who Changed the World Fantastically Great Women Who Made History Fantastically Great Women Who Saved the Planet Fantastically Great Women Who Worked Wonders _______________ 'Significantly more engaging and inspiring than the rival Rebel Girls' GUARDIAN 'It's hard to imagine any group of primary-aged children who wouldn't be inspired' BOOKSELLER 'An absolute must-have for every young person’s bookshelf' HUFFINGTON POST _______________ The perfect gift for curious children who want to learn all about the world's most FANTASTICALLY GREAT WOMEN! The complete collection of Kate Pankhurst's bestselling Fantastically Great Women series brought together in stunning hardback with gold foil and a cover that folds out into a FANTASTICALLY GREAT poster. Including the stories of 56 women from throughout history and around the world with new and original content for this special edition! No DREAM is too BIG if you just believe in yourself. And these strong, ambitious and FANTASTICALLY GREAT women prove it. They've conquered the tallest mountains, made game-changing discoveries, stood up for women's rights and protected our beautiful, fragile planet. Discover the inspirational lives of just some of the extraordinary women who have transformed people's expectations of what women can do in this stunning gift collection. Featuring illustrated timelines and all the women from Kate Pankhurst's adored picture books, from Frida Kahlo to Jane Goodall, and some new faces too. Get ready to meet courageous racing car driver Eliska Junkova who whizzed to victory and became the first woman to win a Grand Prix and the influential composer Chiquinha Gonzaga, the first woman conductor in Brazil. Perfect for reading at bedtime, these empowering stories will encourage you to BE BOLD, AIM HIGH and NEVER GIVE UP. How will YOU change the world?

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Robert Dance’s new evaluation of Joan Crawford looks at her entire career and—while not ignoring her early years and tempestuous personal life—focuses squarely on her achievements as an actress, and as a woman who mastered the studio system with a rare combination of grit, determination, beauty, and talent.Crawford’s remarkable forty-five-year motion picture career is one of the industry’s longest. Signing her first contract in 1925, she was crowned an MGM star four years later and by the mid-1930s was the most popular actress in America. In the early 1940s, Crawford’s risky decision to move to Warner Bros. was rewarded with an Oscar for Mildred Pierce. This triumph launched a series of film noir classics. In her fourth decade she teamed with rival Bette Davis in Whatever Happened to Baby Jane?, proving that Crawford, whose career had begun by defining big-screen glamour, had matured into a superb dramatic actress. Her last film was released in 1970, and two years later she made a final television appearance, forty-seven years after walking through the MGM gate for the first time. Crawford made a successful transition into business during her later years, notably in her long association with Pepsi-Cola as a board member and the brand’s leading ambassador. Overlooked in previous biographies has been Crawford’s fierce resolve in creating and then maintaining her star persona. She let neither her age nor the passing of time block her unrivaled ambition, and she continually reimagined herself, noting once that, for the right part, she would play Wally Beery’s grandmother. But she was always the consummate star, and at the time of her death in 1977, she was a motion picture legend and a twentieth-century icon.

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In September 1868, the remains of Jacob and Nancy Jane Young were found lying near the banks of Indiana's White River. It was a gruesome scene. Part of Jacob's face had been blown off, apparently by the shotgun that lay a few feet away. Spiders and black beetles crawled over his wound. Smoke rose from his wife's smoldering body, which was so badly burned that her intestines were exposed, the flesh on her thighs gone, and the bones partially reduced to powder. Suspicion for both deaths turned to Nancy Clem, a housewife who was also one of Mr. Young's former business partners. In The Notorious Mrs. Clem, Wendy Gamber chronicles the life and times of this charming and persuasive Gilded Age confidence woman, who became famous not only as an accused murderess but also as an itinerant peddler of patent medicine and the supposed originator of the Ponzi scheme. Clem's story is a shocking tale of friendship and betrayal, crime and punishment, courtroom drama and partisan politicking, get-rich-quick schemes and shady business deals. It also raises fascinating questions about women's place in an evolving urban economy. As they argued over Clem's guilt or innocence, lawyers, jurors, and ordinary citizens pondered competing ideas about gender, money, and marriage. Was Clem on trial because she allegedly murdered her business partner? Or was she on trial because she engaged in business? Along the way, Gamber introduces a host of equally compelling characters, from prosecuting attorney and future U.S. president Benjamin Harrison to folksy defense lawyer John Hanna, daring detective Peter Wilkins, pioneering "lady news writer" Laura Ream, and female-remedy manufacturer Michael Slavin. Based on extensive sources, including newspapers, trial documents, and local histories, this gripping account of a seemingly typical woman who achieved extraordinary notoriety will appeal to true crime lovers and historians alike.

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Watching the revolution of January 2011, the world saw Egyptians, men and women, come together to fight for freedom and social justice. These events gave renewed urgency to the fraught topic of gender in the Middle East. The role of women in public life, the meaning of manhood, and the future of gender inequalities are hotly debated by religious figures, government officials, activists, scholars, and ordinary citizens throughout Egypt. Live and Die Like a Man presents a unique twist on traditional understandings of gender and gender roles, shifting the attention to men and exploring how they are collectively "produced" as gendered subjects. It traces how masculinity is continuously maintained and reaffirmed by both men and women under changing socio-economic and political conditions. Over a period of nearly twenty years, Farha Ghannam lived and conducted research in al-Zawiya, a low-income neighborhood not far from Tahrir Square in northern Cairo. Detailing her daily encounters and ongoing interviews, she develops life stories that reveal the everyday practices and struggles of the neighborhood over the years. We meet Hiba and her husband as they celebrate the birth of their first son and begin to teach him how to become a man; Samer, a forty-year-old man trying to find a suitable wife; Abu Hosni, who struggled with different illnesses; and other local men and women who share their reactions to the uprising and the changing situation in Egypt. Against this backdrop of individual experiences, Ghannam develops the concept of masculine trajectories to account for the various paths men can take to embody social norms. In showing how men work to realize a "male ideal," she counters the prevalent dehumanizing stereotypes of Middle Eastern men all too frequently reproduced in media reports, and opens new spaces for rethinking patriarchal structures and their constraining effects on both men and women.

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Women in contemporary Greek society have been conventionally depicted as oppressed and socially inferior, circumscribed in behavior and segregated from the world of men. In 1967 Ernestine Friedl's classic article, "The Position of Women: Appearnce and Reality," argued that this view was overly simplified and that in Greek villages women in fact exercise power in household decisions and in determining the economic and marital future of their children. Since that article, feminists and anthropologists have continued to discuss the appearances of prestige vs. the realities of power. In this volume scholars form a variety of backgrounds return the debate to the setting of Greece for the first time since Friedl's work. Introduced by Jill Dubisch, the book contains eight original essays and a republication of the Friedl article.Among other topics, the essays examine changes now occurring in Greek gender roles, the ways women deal with oppression and act as mediators between the domestic sphere and life outside the home, and the extension of the language and symbolism of gender beyond male and female roles. The contributors are Juliet du Boulay, Anna Caraveli, Muriel Dimen, Jill Dubisch, Michael Herzfeld, Robinette Kennedy, Elftherios Pavlides and Jana Hesser, and S.D. Salamone and J.B. Stanton.Jill Dubisch is Associate Professor of Anthropology at the University of North Carolina in Charlotte.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A PITCHFORK MUSIC BOOK OF THE YEARA radical, literary and intimate insight into one of the twentieth century's most vital vocalists. 'Tongson serves up a number of astute observations about fantasy, projection, longing, normalcy, and aberrance.' MAGGIE NELSON'Deftly weaves memoir, history, and cultural criticism to highlight the dynamic relationship between artists and listeners.'PITCHFORKIn the '60s and '70s, America's music scene was marked by raucous excess, reflected in the tragic overdoses of young superstars such as Jimi Hendrix and Janis Joplin. At the same time, the uplifting harmonies and sunny lyrics that propelled Karen Carpenter and her brother, Richard, to international fame belied a different sort of tragedy - the underconsumption that led to Karen's death at age thirty-two from the effects of an eating disorder.In Why Karen Carpenter Matters, Karen Tongson (whose parents named her after the pop icon) interweaves the story of the singer's rise to fame in the 1960s and '70s with her own trans-Pacific journey between the Philippines - where imitations of American pop styles flourished - and Karen Carpenter's home ground of Southern California. Tongson reveals why the Carpenters' chart-topping, seemingly white-washed musical fantasies of 'normal love' have profound significance for her - as well as for other people of colour, LGBT+ communities, and anyone outside the mainstream culture usually associated with Karen Carpenter's legacy.This hybrid of memoir and biography excavates the destructive perfectionism at the root of the Carpenters' sound, while finding the beauty in the singer's all-too-brief life.'Engrossing . . . a triumphant delight.' 4COLUMNS'Heartfelt . . . excellent . . . breathtaking.' EXCLAIM!'Will resonate with readers who have never even heard of Carpenter.' LITERARY HUBMUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE- Why Solange Matters by Stephanie Phillips- Why Marianne Faithfull Matters by Tanya Pearson- Why Karen Carpenter Matters by Karen Tongson

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On the Horizon of World Literature compares literary texts from asynchronous periods of incipient literary modernity in different parts of the world: Romantic England and Republican China. These moments were oriented alike by “world literature” as a discursive framework of classifications that connected and re-organized local articulations of literary histories and literary modernities. World literature thus provided—and continues to provide—a condition of possibility for conversation between cultures as well as for their mutual provincialization. The book offers readings of a selection of literary forms that serve also as textual sites for the enactment of new socio-political forms of life. The literary manifesto, the tale collection, the familiar essay, and the domestic novel function as testing grounds for questions of both literary-aesthetic and socio-political importance: What does it mean to attain a voice? What is a common reader? How does one dwell in the ordinary? What is a woman? In different languages and activating heterogeneous literary and philosophical traditions, works by Percy Bysshe Shelley, Lu Xun, Charles and Mary Lamb, Lin Shu, Zhou Zuoren, Jane Austen, and Eileen Chang explore the far-from-settled problem of what it means to be modern in different lifeworlds. Sun’s book brings to light the disciplinary-historical impact world literature has had in shaping literary traditions and practices around the world. The book renews the practice of close reading by offering the model of a deprovincialized close reading loosened from confinement within monocultural hermeneutic circles. By means of its own focus on England and China, the book provides methods useful for comparatists working between other Western and non-Western languages. It establishes the critical significance of Romanticism for the discipline of literary studies and opens up new paths of research in global Romanticism and global nineteenth-century studies. And it offers a new approach to analyzing the cosmopolitan character of the literary and cultural transformations of early twentieth-century China.

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An artist’s record of the homes of 89 leading creatives from interior designers to ceramicists, antiques dealers, florists and chefs. SJ Axelby brings new life to interior portraiture, capturing in paint the favourite rooms of 89 leading creatives from interior designers to ceramicists and antiques dealers (and florists and chefs). A sumptuously illustrated record of a home or special project, each interior portrait is accompanied by a charming and quirky interview with the owner, in which we discover invaluable nuggets of design advice, cocktail choice, life hacks and so much more – all illustrated in watercolour by SJ. There is a long tradition of painting rooms to provide a record of grand homes, giving a glimpse into the life and times of previous generations. Today there is a resurgence of interest in our living spaces, but there is no book in the tradition of illustrated room portraiture to inspire you. SJ Axelby's Interior Portraits will take you into multiple unique and colourful homes, seen through the artist’s eye. Creating an authentic and characterful scheme is much like the composition of a painting: the shape, form, contrast, colour, pattern and texture all need to work in harmony. This pictorial guide includes not only Sarah-Jane’s original watercolours but scrapbook pages annotated with design wisdom from each room’s owners, which will enthuse and empower the reader to try new ideas in their own homes. It’s a creative who’s who of the international design world featuring mouth-watering compositions bursting with colour and pattern and displaying the true joy of a home that reflects its owner’s personality. With a foreword by Kit Kemp of Firmdale Hotels. Just a few of the creatives featured:Alexandra TolstoyAlice Stori LiechtensteinAnna SpiroAshley HicksBen Pentreath & Charlie McCormickCath Kidston PadghamErica DaviesFlora SoamesHenry HollandKit KempLucinda ChambersLulu LytleLuke Edward Hall & Duncan CampbellMatilda GoadPenny MorrisonRobert KimeSkye McAlpineSophie Conran

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‘I love Sarah’s novels because they are a burst of pure happiness’ Cathy Kelly ‘A gorgeous Christmas gift of a book – big-hearted, cosy and joyful’ Lucy Diamond ‘Unputdownable and gorgeous, I adored Snowed in for Christmas. It’s the ultimate feel-good festive novel’ Phillipa Ashley ‘Sarah is so bloody good at creating worlds and characters you fall instantly and hopelessly in love with, and Snowed In For Christmas is no different. Heartfelt, evocative and romantic’ Laura Jane Williams * * * She’s snowed in with the family. The only problem? They’re not her family. A family gatheringThis Christmas the Miller siblings have one goal – to avoid their family’s well-meaning questions. Ross, Alice and Clemmie have secrets that they don’t intend to share, and they are relying on each other to deflect attention. An uninvited guestLucy Clarke is facing a Christmas alone, and the prospect of losing her job – unless she can win a major piece of business from Ross Miller. She’ll deliver her proposal to his family home in the Scottish Highlands and then leave. After all, she wouldn’t want to intrude on the Miller’s perfect family Christmas. A Christmas to rememberWhen Lucy appears on the Miller’s snow-covered doorstep, she is mistaken for Ross’s girlfriend. But by the time the confusion is cleared up, a storm has hit and Lucy is stuck. As everyone settles in for a snowed-in Christmas, tensions bubble to the surface and suddenly Lucy finds herself facing a big family fallout with a family that isn’t hers… * * * Readers have fallen head over heels for Sarah Morgan! ‘For me, Sarah Morgan really knows how to write the perfect Christmas book’ Reader review, ⭐⭐⭐⭐⭐ ‘A book you can’t put down. Loved every minute of it’ Reader review, ⭐⭐⭐⭐⭐ ‘A gorgeous, feel-good festive treat of a read’ Reader review, ⭐⭐⭐⭐⭐ ‘A magical read that deserves at least a ten-star rating’ Reader review, ⭐⭐⭐⭐⭐

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'Ackroyd makes history accessible to the layman' - Ian Thomson, IndependentThe penultimate volume of Peter Ackroyd’s masterful History of England series, Dominion begins in 1815 as national glory following the Battle of Waterloo gives way to post-war depression, spanning the last years of the Regency to the death of Queen Victoria in January 1901.In it, Ackroyd takes us from the accession of the profligate George IV whose government was steered by Lord Liverpool, who was firmly set against reform, to the reign of his brother, William IV, the 'Sailor King', whose reign saw the modernization of the political system and the abolition of slavery. But it was the accession of Queen Victoria, aged only eighteen, that sparked an era of enormous innovation. Technological progress – from steam railways to the first telegram – swept the nation and the finest inventions were showcased at the first Great Exhibition in 1851. The emergence of the middle classes changed the shape of society and scientific advances changed the old pieties of the Church of England, and spread secular ideas across the nation. But though intense industrialization brought boom times for the factory owners, the working classes were still subjected to poor housing, long working hours and dire poverty.It was a time that saw a flowering of great literature, too. As the Georgian era gave way to that of Victoria, readers could delight not only in the work of Byron, Shelley and Wordsworth but also the great nineteenth-century novelists: the Brontë sisters, George Eliot, Mrs Gaskell, Thackeray, and, of course, Dickens, whose work has become synonymous with Victorian England.Nor was Victorian expansionism confined to Britain alone. By the end of Victoria’s reign, the Queen was also an Empress and the British Empire dominated much of the globe. And, as Ackroyd shows in this richly populated, vividly told account, Britannia really did seem to rule the waves.

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The Times Thrillers of the Year 2020 ’Superbly crafted with heart-stopping twists and chills galore. A new star has arrived in the thriller firmament’ The Times, Book of the Month Gabriela is a senior negotiator in the Foreign Office. When she returns to her young family after a seven-month stint in Moscow, something doesn’t seem right. Isobel is a journalist on the local paper in Camden. After witnessing a violent attack, she starts to investigate. But someone saw her watching, and is making themselves known in increasingly frightening ways. As Gabriela’s life begins to unravel, Isobel gets closer to the truth, and the two women’s lives converge in this deeply chilling examination of deceit. Reader reviews for A Double Life ‘A sensational story packed full of twists. What an unbelievable book, I'm absolutely flabbergasted by the ending… it's a cliffhanger, so I hope Philby is already working on a sequel because I NEED to know what happens next’ ⭐⭐⭐⭐⭐ ‘A riveting and tense thriller exploring the actions of two women whose lives are about to collide’ ⭐⭐⭐⭐⭐ ‘Can’t wait for book 3!’ ⭐⭐⭐⭐⭐ ‘Great read’ ⭐⭐⭐⭐⭐ Amazingly brilliant’ ⭐⭐⭐⭐⭐ ‘Loved loved LOVED! I was hooked after the very first chapter. Engrossed in the story all the way through. The end hit me like a tonne of bricks!!! CANNOT WAIT for the 3rd book!!' ⭐⭐⭐⭐⭐ ‘Complex, chilling, fascinating. LOVED it’ ⭐⭐⭐⭐⭐ ‘Addictive’ ⭐⭐⭐⭐⭐ ‘Chilling’ ⭐⭐⭐⭐⭐ ‘Gripping’ ⭐⭐⭐⭐⭐ Praise for A Double Life ‘I was utterly gripped’ LUCY FOLEY ‘I fell into the vivid, frightening world Charlotte Philby creates so skilfully and didn't resurface until long after I'd turned the last page’ JANE CASEY ‘A Double Life confirms Charlotte Philby as the master of a sub-genre she basically invented’ ERIN KELLY ‘Brilliantly executed and tense’ SUNDAY TIMES ‘Terribly compelling… persuasive and absorbing’ OBSERVER ‘A pacy, gripping read that kept us on the edge of our seats’ INDEPENDENT

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It's well known that human beings are allergic to change. This is nowhere more true than of human beings in organizations. Organization Development initiatives, Leadership Development programs, and Business Transformation plans all founder too often on our resistance and reluctance, on the tendency of people and things to slip back to how they were before. For a long time, Systems Thinkers in general (and Power+Systems pioneer Barry Oshry in particular) have understood that the problem lies with our failure to look at the surrounding organizational structures and dynamics, at the wider picture, at the context. Barry Oshry draws on a lifetime's experience to explain the nature of the problem with our organizational structures, and the ways in which we can dissolve the problem. This book is written in play-form: a simple briefing conversation between a recently hired team member and the Chief Contextual Thinker for a Business Consultancy firm. They discuss the change initiative they are running for a key client. The conversational format allows Oshry to introduce the relevant theory clearly and in sequence, while addressing questions and misunderstandings as they arise. The result is a guide to Systems Thinking for Organizations that's as short, clever, engaging, bright, and helpful as any business book you have ever picked up. This is a story with the potential to transform any organization and it is written for anyone interested in the workings and structures of human organizations: from Board Directors and Chief Executives, through Middle Managers to interested workers. *** "Exceptionally well written, organized and presented, 'Context, Context, Context' is unreservedly recommended for personal, professional, corporate, community, and academic library Systems Thinking, Organization Development, Sociology, and Business Management collections and supplemental studies reading lists." --The Midwest Book Review, Library Bookwatch, The Sociology Shelf, January 2018 [Subject: Systems Thinking, Organization Development, Sociology, Business]

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FOURTEEN DAYS, THREE SISTERS AND THE MOTHER OF ALL LIES'Radhika has the ability to create characters who make us laugh while pulling on our heartstrings. This book is a joy' Jane Fallon'A heartwarming novel' Sheila O'Flanagan'Whip-smart, laugh out loud hilarious, and has so much heart' Beth Reekles-----Reeva Mehta is thriving. Consumed in her career as one of London's top divorce lawyers, she doesn't bat an eyelid when her mum calls to tell her that her dad is dead. Because he's been dead since she was five . . . hasn't he?If finding out her dad was alive - until last week - wasn't bad enough, his last request was for his daughters to spend fourteen days in mourning at his house. Which means Reeva must spend a fortnight stuck with the people who betrayed her when she needed them the most - her sisters.Navigating her absent Bollywood megastar mother, newly dead father and scheming sisters with only a temperamental boyfriend - and even more temperamental cat - by her side, it's no wonder Reeva's hair is falling out. Could confronting the truth help the Mehtas put aside their differences, or will attending a funeral be the death of this family?A fresh, funny and oh-so-relatable novel about trying to be the grown up when your magnificently messy family seems set to sabotage everything. Get ready to laugh, cry and fall in love with this addictive read.'Hilariously funny, totally heartfelt and completely original' Laura Price'I absolutely loved it! It was like a glorious warm hug of a book!' Harriet Minter'Such a gorgeous read' Poorna BellREADERS ARE LOVING I WISH WE WEREN'T RELATED:'This book had me hooked' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW'Relatable, raw and riotously witty' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW'Absolutely brilliant' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW'Full of heart and so funny in the most awkwardly relatable ways' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW

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Feel chills down your spine with the thrilling third novel in Nicci French's bestselling killer series . . . Ruth Lennox is found by her daughter in a pool of her own blood. But who would want to murder an ordinary housewife? And why? 'Undeniably at the top of British psychological suspense writing' OBSERVER'Frieda's thinking keeps you gripped and adds twists that most people wouldn't imagine' 5***** READER REVIEW­__________Psychotherapist Frieda Klein wasn't ready for a case to get this personal.When her niece befriends Ruth Lennox's son, Ted, she finds herself in the difficult position of confidant to both Ted, and DCI Karlsson.Soon it's clear that Ruth was leading a secret life. Her family close ranks.And Karlsson needs Frida's help more than ever before . . .But Frieda is distracted. Having survived an attack on her life, she's struggling to stay focused when a patient's chance remark rings alarm bells.Suddenly Frieda finds herself chasing the path of a suspected serial killer.Or is it merely a symptom of her own increasingly fragile mind? . . .__________'A roller coaster of emotions . . . Truly brilliant writing' 5***** READER REVIEW'The storyline is gripping with twists and turns along the way' 5***** READER REVIEW'Had me gripped from the first few pages. Lots of twists and turns' 5***** READER REVIEWPraise for Nicci French: 'Sophisticated, compassionate, gripping . . . Not many books are as insightful as they are addictive; Nicci French's are' Sophie Hannah 'A brilliantly crafted new crime series' Daily Mirror 'Terrific. The writing is pacy, the jaw-dropping twists are plentiful' Short List 'One of French's hardest-to-put-down novels' Sunday Express 'French is undeniably at the top of British psychological suspense writing, expert in the unguessable twist, supremely skilled at ratcheting up the tension' Observer 'A nerve-jangling and addictive read' Daily Express

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Blanks, Print, Space, and Void in English Renaissance Literature is an inquiry into the empty spaces encountered not just on the pages of printed books in c.1500-1700, but in Renaissance culture more generally. The book argues that print culture in the sixteenth and seventeenth centuries helped to foster the modern idea of the 'gap' (where words, texts, images, and ideas are constructed as missing, lost, withheld, fragmented, or perhaps never devised in the first place). It re-imagines how early modern people reacted not just to printed books and documents of many different kinds, but also how the very idea of emptiness or absence began to be fashioned in a way which still surrounds us. Jonathan Sawday leads the reader through the entire landscape of early modern print culture, discussing topics such as: space and silence; the exploration of the vacuum; the ways in which race and racial identity in early modern England were constructed by the language and technology of print; blackness and whiteness, together with lightness, darkness, and sightlessness; cartography and emptiness; the effect of typography on reading practices; the social spaces of the page; gendered surfaces; hierarchies of information; books of memory; pages constructed as waste or vacant; the genesis of blank forms and early modern bureaucracy; the political and devotional spaces of printed books; the impact of censorship; and the problem posed by texts which lack endings or conclusions. The book itself ends by dwelling on blank or empty pages as a sign of human mortality. Sawday pays close attention to the writings of many of the familiar figures in English Renaissance literary culture - Sidney, Shakespeare, Donne, Jonson, and Milton, for example - as well as introducing readers to a host of lesser-known figures. The book also discusses the work of numerous women writers from the period, including Aphra Behn, Ann Bradstreet, Margaret Cavendish, Lady Jane Gray, Lucy Hutchinson, Æmelia Lanyer, Isabella Whitney, and Lady Mary Wroth.

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The Gin Drinker's Year is a celebration of all things gin and is packed with cocktails, food and gin-fusion recipes.With everything from 150 gin cocktails and gin-infusions, plus 30 delectable gin-spiked food recipes such as Penne alla Gin or Minty G&T Lollies, to heartfelt tributes to Snoop Dogg's 'Gin and Juice', the sozzled wit and wisdom of renowned gin soak Dorothy Parker and the rules of Gin Pong and Ten-Gin Bowling, there's an entry for every day of the year. You'll also discover fascinating snippets of gin-eral knowledge such as the history of vermouth, the Christmas gift that the beefeaters of the Tower of London are given every year, and why you most definitely should be celebrating National Gingerbread Day.So let the festivities be-gin. This is every gin lover's handbook to the best year ever.Highlights include:January - New Year's resolutions, Burns Night, Al Capone and a celeriac gin-fusion.February - Spin the Bottle, National Toast Day, Pancake Day and the Leap Day Cocktail.March - Gin Snap, White Day, St Patrick's Day, Earl Grey and some rather questionable poetry.April - Shakespeare's birthday, National Raisin Day and a Great Gatsby inspired Gin Rickey.May - Dick Bradsell's birthday, a Delft Donkey, a little opera and International Tea Day.June - Strawberry Fields, World Gin Day, Father's Day, a load of cobblers and floral foraging.July - Independence Day, genever, National Pi a Colada Day and garden games.August - Lychees, Dorothy Parker, Ogden Nash, World Oyster Day and Dubonnet.September - Hedgerows, Florida, International Talk Like a Pirate Day and directions to Park LaneOctober -International Gin & Tonic Day, the Beer Flood, spooky concoctions and Sake.November -Albert Camus, National Espresso Day and the anniversary of Casablanca.December - Humphrey Bogart's birthday, Roald Amundsen, Gin Pong and fizzy bubbles.

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On January 15, 1903, South Carolina lieutenant governor James H. Tillman shot and killed Narciso G. Gonzales, editor of South Carolina's most powerful newspaper, the State. Blaming Gonzales's stinging editorials for his loss of the 1902 gubernatorial race, Tillman shot Gonzales to avenge the defeat and redeem his ""honor"" and his reputation as a man who took bold, masculine action in the face of an insult.James Lowell Underwood investigates the epic murder trial of Tillman to test whether biting editorials were a legitimate exercise of freedom of the press or an abuse that justified killing when camouflaged as self-defense. This clash--between the revered values of respect for human life and freedom of expression on the one hand and deeply engrained ideas about honor on the other--took place amid legal maneuvering and political posturing worthy of a major motion picture. One of the most innovative elements of Deadly Censorship is Underwood's examination of homicide as a deterrent to public censure. He asks the question, ""Can a man get away with murdering a political opponent?"" Deadly Censorship is courtroom drama and a true story.Deadly Censorship is a painstaking recreation of an act of violence in front of the State House, the subsequent trial, and Tillman's acquittal, which sent shock waves across the United States. A specialist on constitutional law, James Lowell Underwood has written the definitive examination of the court proceedings, the state's complicated homicide laws, and the violent cult of personal honor that had undergirded South Carolina society since the colonial era.

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In June of 1881, on the very night of their wedding in Searsport, Maine, Captain Lincoln Alden Colcord and his new wife, Jane Sweetser Colcord, departed for sea to begin a two-year voyage on the bark Charlotte A. Littlefield. The voyage would take them around the world and witness the birth of their daughter Joanna amid the South Sea Islands and young Lincoln's arrival during a treacherous winter storm off Cape Horn.Fifth generation seafarers, Joanna and Lincoln Colcord spent their youth at sea aboard their fathers' ships. Years later, looking back at his seafaring childhood Lincoln wrote, "I know no other home than a ship's deck, except the distant home in Maine that we visited for a few weeks every year or two. My countryside was the ocean floor, where I could roam only with the spyglass; my skyline was the horizon, broken by the ghostly silhouettes of passing vessels, or at intervals by the coasts of many continents, as we sailed the world."The Colcords' richly detailed "journal letters" to family members ashore, their logbooks, photographs, and later correspondence all give us a splendid window into the life of a seafaring family. We share their exhilaration in catching the trades under fair skies yet are ever conscious of the uncertainties of sea life: illness, the threat of typhoons and dismastings, wrecks and financial disaster. Life's tasks emerge as the family forges a home aboard ship, raises and educates the children, and seeks companionship in foreign ports, all while trying to eke out a living under sail.

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Illustrated with never-before-published artifacts from the unique treasures in the museum's Northwest Coast collections, Listening to Our Ancestors profiles native communities of the Pacific Northwest and showcases the region's rich cultural history and artwork.Sophisticated in conception and execution and rich with symbolism, the totem poles, painted housefronts, masks, dance regalia, feast bowls, and elaborately decorated boxes made by the native people of the North Pacific Coast have long been recognized as masterworks of art. Here, in a series of community self-portraits, cultural figures from eleven Northwest Coast nations discuss the ways in which these masterpieces, as well as everyday tools and utensils from the museum's collections, connect them with their forbears, who made and used these beautiful objects. Kwakwaka'wakw Chief Robert Joseph and the community curators contrast the approach anthropologists and art historians have taken to the treasures of the Northwest with Native people's perspective on their cultural legacy. In addition, Mary Jane Lenz explores the Northwest as a crossroads of native and non-native worlds in the nineteenth and early twentieth centuries, when many of these works were collected, and today.With its striking images and community self-portraits, Listening to Our Ancestors invites readers to appreciate Northwest Coast art as its native inheritors do—for the spirit with which it is endowed.Official companion to the exhibition opening at the National Museum of the American Indian in November 2005.

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A FLAME TREE POCKET NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Tove Jansson was a Finnish-Swedish writer and artist who created the Moomin family and their friends. She first started painting Moomintrolls in 1935 and her last Moomin book was published in 1970; but her stories live on and continue to be adapted and enjoyed by many generations. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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On January 2, 1959, Fidel Castro, the rebel comandante who had just overthrown Cuban dictator Fulgencio Batista, addressed a crowd of jubilant supporters. Recalling the failed popular uprisings of past decades, Castro assured them that this time “the real Revolution” had arrived. As Jonathan Brown shows in this capacious history of the Cuban Revolution, Castro’s words proved prophetic not only for his countrymen but for Latin America and the wider world.Cuba’s Revolutionary World examines in forensic detail how the turmoil that rocked a small Caribbean nation in the 1950s became one of the twentieth century’s most transformative events. Initially, Castro’s revolution augured well for democratic reform movements gaining traction in Latin America. But what had begun promisingly veered off course as Castro took a heavy hand in efforts to centralize Cuba’s economy and stamp out private enterprise. Embracing the Soviet Union as an ally, Castro and his lieutenant Che Guevara sought to export the socialist revolution abroad through armed insurrection.Castro’s provocations inspired intense opposition. Cuban anticommunists who had fled to Miami found a patron in the CIA, which actively supported their efforts to topple Castro’s regime. The unrest fomented by Cuban-trained leftist guerrillas lent support to Latin America’s military castes, who promised to restore stability. Brazil was the first to succumb to a coup in 1964; a decade later, military juntas governed most Latin American states. Thus did a revolution that had seemed to signal the death knell of dictatorship in Latin America bring about its tragic opposite.

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LA+ WILD explores the concept of WILD and its role in design, large-scale habitat and species conservation, scientific research, the human psyche, and aesthetics. This issue of LA+ includes contributions drawn from disciplines as diverse as evolutionary ecology, biology, visual arts, bioengineering, landscape architecture, planning, architecture, climatology, environmental history, philosophy, and literature. It features essays by Timothy Mousseau and Anders Moller, Timothy Morton, Paul Carter, Richard Weller, Julian Raxworthy, Emma Marris, Stefan Rahmstorf, Stephen Pyne, Nina-Marie Lister, and Orkan Telhan, among others. It also includes a review of the New York s Rebuild by Design competition, and interviews with eminent ecologists Richard T.T. Forman and Daniel Janzen. The feature artist for this issue is Viennese bio-artist Sonja Baumel. LA+ (Landscape Architecture Plus) Journal from the University of Pennsylvania School of Design is the first truly interdisciplinary journal of landscape architecture. Within its pages you hear not only from designers, but also from historians, artists, lawyers, ecologists, planners, scientists, philosophers, and many more besides. LA+ aims to reveal connections and build collaborations between landscape architecture/urban design and other disciplines by exploring each issue's theme from multiple perspectives. The journal features a range of contribution types including essays, interviews, design criticism, graphic features, illustrations, and short-form pieces designed to provoke and inspire readers. LA+ Journal brings you a rich collection of contemporary thinkers and designers in two lavishly illustrated issues annually."

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In December 1943, Eisenhower was Supreme Commander of Allied forces in Europe with General Carl Spaatz in command of all US Army Air Force. In January 1944, M/G James Doolittle replaced M/G Ira Eaker to lead the Eighth Air Force. The air battle strategy scenario soon changed. Air strategy at the Casablanca Conference was to take out the Luftwaffe before D-Day. The modified P-51 was now one had in good numbers. Doolittle made a key decision to turn his fighters loose. They would no longer fly with bomber formation but now in fighter sweeps to hit Luftwaffe installations and destroy Luftwaffe fighters as they formed for the intercept. Spaatz and Doolittle prayed for one week of good weather in which massive bomber raids could be launched to flush out get German fighters. During that week, five such bomber attacks attacked key targets. It worked, but at high cost to both sides. Eighth Air Force, Fifteenth Air Force and the RAF lost 369 aircrafts, but the Luftwaffe Fighter Command lost an estimated two thirds of its strength. The Luftwaffe did not show up on D-Day except for a few furtive attacks on the beachheads. The battle for air supremacy was won by the Allies and the progressive decline of the Luftwaffe ensued thereafter. The book will provide insight into a pilot's mind who flew such missions and try to give the reader not only the historic background, but a sense of what it must have been like to fly such missions.

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An inside view of Chinese academia and what it reveals about China’s political systemOn January 1, 2017, Daniel Bell was appointed dean of the School of Political Science and Public Administration at Shandong University—the first foreign dean of a political science faculty in mainland China’s history. In The Dean of Shandong, Bell chronicles his experiences as what he calls “a minor bureaucrat,” offering an inside account of the workings of Chinese academia and what they reveal about China’s political system. It wasn’t all smooth sailing—Bell wryly recounts sporadic bungles and misunderstandings—but Bell’s post as dean provides a unique vantage point on China today.Bell, neither a Chinese citizen nor a member of the Chinese Communist Party, was appointed as dean because of his scholarly work on Confucianism—but soon found himself coping with a variety of issues having little to do with scholarship or Confucius. These include the importance of hair color and the prevalence of hair-dyeing among university administrators, both male and female; Shandong’s drinking culture, with endless toasts at every shared meal; and some unintended consequences of an intensely competitive academic meritocracy. As dean, he also confronts weightier matters: the role at the university of the Party secretary, the national anticorruption campaign and its effect on academia (Bell asks provocatively, “What’s wrong with corruption?”), and formal and informal modes of censorship. Considering both the revival of Confucianism in China over the last three decades and what he calls “the Communist comeback” since 2008, Bell predicts that China’s political future is likely to be determined by both Confucianism and Communism.

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Featured in Stylist's guide to 2019's best non-fiction booksThe true story of the fierce band of women who battled Washington - and Hanoi - to bring their husbands home from the jungles of Vietnam.On 12 February, 1973, one hundred and sixteen men who, just six years earlier, had been high flying Navy and Air Force pilots, shuffled, limped, or were carried off a huge military transport plane at Clark Air Base in the Philippines. These American servicemen had endured years of brutal torture, kept shackled and starving in solitary confinement, in rat-infested, mosquito-laden prisons, the worst of which was The Hanoi Hilton.Months later, the first Vietnam POWs to return home would learn that their rescuers were their wives, a group of women that included Jane Denton, Sybil Stockdale, Louise Mulligan, Andrea Rander, Phyllis Galanti, and Helene Knapp. These women, who formed The National League of Families, would never have called themselves 'feminists', but they had become the POW and MIAs most fervent advocates, going to extraordinary lengths to facilitate their husbands' freedom - and to account for missing military men - by relentlessly lobbying government leaders, conducting a savvy media campaign, conducting covert meetings with antiwar activists, and most astonishingly, helping to code secret letters to their imprisoned husbands.In a page-turning work of narrative non-fiction, Heath Hardage Lee tells the story of these remarkable women for the first time. The League of Wives is certain to be on everyone's must-read list.

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'A tremendous novel that combines powerfully moving moments with hilarious satire' Daily Mail'Eva Thorvald is the new Olive Kitteridge' Elisabeth Egan'Kitchens of the Great Midwest is terrific' Jane Smiley, GuardianHave you met Eva Thorvald?To her father, a chef, she's a pint-sized recipe tester and the love of his life. To the chilli chowdown contestants of Cook County, Illinois, she's a fire-eating demon. To the fashionable foodie goddess of supper clubs, she's a wanton threat. She's an enigma, a secret ingredient that no one can figure out. Someday, Eva will surprise everyone. One by one, they tell their story; together, they tell Eva's. Joyful, quirky and heartwarming, this is a novel about the family you lose, the friends you make and the chance connections that make a life.On the day before her eleventh birthday, she's cultivating chilli peppers in her wardrobe like a pro. Abandoned by her mother, gangly and poor, Eva arms herself with the weapons of her unknown heritage: a kick-ass palate and a passion bordering on obsession. Over the years, her tastes grow, and so do her ambitions. One day Eva will be the greatest chef in the world. But along the way, the people she meets will shape her - and she, them - in ways unforgettable, riotous and profound. So she - for one - knows exactly who she is by the time her mother returns.Special paperback edition with questions for reading groups, interview, guide to the Midwest, recipes and more!

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This book provides a comprehensive analysis of the opponents of Britain’s first attempt to join the European Economic Community (EEC), between the announcement of Harold Macmillan’s new policy initiative in July 1961 and General de Gaulle’s veto of Britain’s application for membership in January 1963. In particular, this study examines the role of national identity in shaping both the formulation and articulation of arguments put forward by these opponents of Britain’s policy. To date, studies of Britain’s unsuccessful bid for entry have focused on high political analysis of diplomacy and policy formulation. In most accounts, only passing reference is made to domestic opposition. This book redresses the balance by providing a more complete depiction of the opposition movement and a distinctive approach that proceeds from a ‘low political’ viewpoint. As such, the book emphasises protest and populism of the kind exercised by, among others, Fleet Street crusaders at the Daily Express, pressure groups such as the Anti-Common Market League and Forward Britain Movement, expert pundits like A. J. P. Taylor, Sir Arthur Bryant and William Pickles, as well as constituency activists, independent parliamentary candidates, pamphleteers, letter writers and maverick MPs. In its consideration of a group largely overlooked in previous accounts, the book provides essential insights into the intellectual, structural, populist and nationalist dimensions of early Euroscepticism. The book will be of significant interest to both scholars and students of national identity, Britain’s relationship with Europe and the Commonwealth, pressure groups and party politics, and the trajectory of the Eurosceptic phenomenon.

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A interdisciplinary collection of readings that answers the question: How do men and women practice consumer culture differently? What is the relationship between gender and consumerism? Jennifer Scanlon gathers a collection of readings and archival materials to explore the multiple and contradictory ways in which women and men consume. Interdisciplinary and cross-cultural in scope, The Gender and Consumer Culture Reader introduces the reader to some of the most compelling issues and arguments in this growing field of study. In questioning traditional ways of analyzing the relationships between gender and consumer culture, these essays analyze the liberatory and oppressive nature of consumer culture in both historical and contemporary contexts. The scholars gathered here look at the gendered relationship between the home and consumer culture, individual and group identity through purchasing, the supply side of consumer culture, and the ways in which consumers embrace, resist, and manipulate the messages and the activities of consumer culture. Topics range from white middle-class female shoplifters to the gendered depiction of Native Americans in nineteenth-century advertising, from gay men's acquisition of domestic space in early twentieth-century New York to black and Latino men's cultural resistance through dress. Archival materials link the essays in each section, creating a further historical context, and providing a connection between the readings and larger questions and issues currently being debated about gender and consumer culture. Contributors include Andrew Heinze, Erika Rappaport, George Chauncey, Steven M. Gelber, Jeffrey Steele, Ann McClintock, Robert E. Weems, Jr., Lillian Faderman, Malcolm Gladwell, Jennifer Scanlon, Lizabeth Cohen, Jane Bryce, Susan J. Douglas, Kenon Breazeale, Kathy Peiss, Elaine S. Abelson, Natasha B. Barnes, Danae Clark, Stuart Cosgrove.

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Edgar Poe was born the son of itinerant actors on January 19th, 1809 in Boston, Massachusets. Abandoned by his father and the later death of his mother, he was taken into the foster care of John Allan, a Virginia tobacco farmer. Now styled as Edgar Allan Poe, he distinguished himself at the University of Virginia but was equally adept at collecting debts from his assiduous gambling. His stepfather's disapproval shattered their fragile relationship and Poe left home to seek his fortune. In 1836 he married his cousin Virginia but despite his prolific activities - journalism, poetry, lecturing, short stories, publishing, criticism and experimentation with fictional genres, including the detective novel which he virtually invented with the publication of The Murders in the Rue Morgue (1841) - he received scant recognition for his efforts until the publication of The Raven in 1845. The poem's instant popularity gave him a new visibility in literary circles, but his personal situation remained desperate: poverty, illness, drink, and the physical decline and ultimate death of Virginia in 1847 led to his untimely and premature decline. In 1849 he was found sick, injured and semi-conscious in a Baltimore tavern. Taken to hospital, he lingered on for four days, but never recovered and on October 7th Edgar Allan Poe died at the age of 40. He was one of the most original writers in the history of American letters - a genius who, thanks to his dire reputation, was tragically misunderstood during his lifetime. It was not until Baudelaire enthusiastically translated his work that he found a wider audience in Europe, and became not only an enormous influence on modern French literature but also on the acclaimed work of writers such as Dostoevsky, Conan Doyle and Jules Verne.

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'With smoking hot chemistry, next to no angst, and a friend group that is literally squad goals, Rochon has written another winner' - The Dating Playbook is one of Vulture's Best Romances of 2021! If you love Helen Hoang, Abby Jimenez and Talia Hibbert, you'll LOVE Farrah Rochon, whose books are always witty, hot, and engaging (BuzzFeed)!'A total knockout: funny, sexy, and full of heart' Kirkus..................................What happens when three women discover, thanks to the live tweeting of a disastrous date, that they've all been duped by the same man? They become friends of course!It was only supposed to be for one night . . . Successful pediatric surgeon London Kelley just needs to find some balance and de-stress. According to her friends Samiah and Taylor, what London really needs is a casual hookup. A night of fun with no strings. But no one - least of all London - expected it to happen at her high school reunion with Drew Sullivan, millionaire, owner of delicious abs, and oh yes, her archnemesis.Now London is certain the road to hell is paved with good sex. Because she's found out the real reason Drew's back in Austin: to decide whether her beloved hospital remains open. Worse, Drew is doing everything he can to show her that he's a decent guy who actually cares. But London's not falling for it. Because while sleeping with the enemy is one thing, falling for him is definitely not part of the plan...................................Raves for Farrah Rochon:'Relatable and real . . . I smiled the whole time I was reading' Andie J. Christopher'The free-spirited, tell-it-like-it-is page-turner you've been looking for!' Kwana Jackson'A multilayered story about friendship, love, and following your dreams - all of it told with heart and emotion' Nalini Singh'Funny, fresh, sexy, and heartfelt. This is my new favorite romance series' Suzanne Brockmann'A smart, funny digital-age romance about real women living in the real world. Couldn't put it down!' Abby Jimenez'A masterpiece of modern-day Jane Austen with effortless, razor-sharp social commentary, romance, and humor. Farrah Rochon is one of the absolute best romance writers today. Period' Kristan Higgins'Swoon-worthy romance, the power of true friendship, and a grand gesture that makes your heart sigh with pure satisfaction. Absolutely a must-read summer romance!' Priscilla Oliveras'Rochon is a romance master who adeptly writes interesting and dynamic characters . . . A richly layered conflict adds depth and complexity to this charming workplace romance' Kirkus

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