Search results for ""Author Christo"

How should Christians read the Old Testament today? Answers to this question gravitate between two poles. On the one hand, some pay little attention to the gap between the Old Testament and today, reading the Old Testament like a devotional allegory that points the Christian directly to Jesus. On the other hand, there are folks who prioritize an Old Testament passage's original context to such an extent that it is by no means clear if and how a given Old Testament text might bear witness to Christ and address the church.This volume is a tribute to Willem A. VanGemeren, an ecclesial scholar who operated amidst the tension between understanding texts in their original context and their theological witness to Christ and the church. The contributors in this volume share a conviction that Christians must read the Old Testament with a theological concern for how it bears witness to Christ and nourishes the church, while not undermining the basic principles of exegesis.Two questions drive these essays as they address the topic of reading the Old Testament theologically. Christology. If the Old Testament bears witness to Christ, how do we move from an Old Testament text, theme, or book to Christ? Ecclesiology. If the Old Testament is meant to nourish the church, how do scriptures originally given to Israel address the church today? The volume unfolds by first considering exegetical habits that are essential for interpreting the Old Testament theologically. Then several essays wrestle with how topics from select Old Testament books can be read theologically. Finally, it concludes by addressing several communal matters that arise when reading the Old Testament theologically.

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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, decor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.

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A Biography of Power explores the changing nature of power and identity from the Iron Age to Roman period in Britain. Presenting detailed excavation results and integrating a range of comprehensive specialist studies, the book provides fresh insights into the origins and nature of one of the lesser-known, but perhaps most significant, Late Iron Age oppida in Britain: Bagendon in Gloucestershire. Combining the results of a large-scale geophysical survey with analysis of both historic and new excavations, this volume reassesses Iron Age occupation at Bagendon. It reveals evidence for diverse artisanal activities and complex regional exchange networks that saw livestock, and people, travelling to Bagendon from west of the Severn. The results of the excavation of two morphologically unusual, banjo-like enclosures, and of one of the previously unexamined dykes, has revealed that the Bagendon oppidum had earlier origins and more complex roles than previously envisaged. The volume also provides new insights into the nature of the Iron Age and Roman landscape in which Bagendon was situated. Detailing the discovery of two, previously unknown, Roman villas at Bagendon demonstrates the continued significance of this landscape in the early Roman province. This volume redefines Bagendon as a landscape of power, offering important insights into the changing nature of societies from the Middle Iron Age to the Roman period. It calls for a radical reassessment of how we define oppida complexes and their socio-political importance at the turn of the 1st millennium BC. Contains contributions from Sophia Adams, Michael J. Allen, Sam Bithell, Cameron Clegg, Geoffrey Dannell, Lorne Elliott, Elizabeth Foulds, Freddie Foulds, Christopher Green, Darren Gröcke, Derek Hamilton, Colin Haselgrove, Yvonne Inall, Tina Jakob, Mandy Jay, Sally Kellett, Robert Kenyon, Mark Landon, Edward McSloy, Janet Montgomery, J.A. Morley-Stone, Geoff Nowell, Charlotte O’Brien, Chris Ottley, Cynthia Poole, Richard Reece, Harry Robson, Ruth Shaffrey, John Shepherd, Jane Timby, Dirk Visser, D.F. Williams, Steven Willis.

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A COMPANION TO SATIRE A COMPANION TO SATIRE “This book forms a substantial contribution to literary studies and is likely to be the standard work on the subject for a decade or two …. The chapters are densely detailed, the vocabulary elevated.”Reference Reviews “This sturdy volume should be of use to a variety of readers from advanced undergraduates to scholars seeking refresher (or crash) courses on either major” Studies in English Literature 1500-1900 “Offering a valuable contribution to the critical study of satire, Quintero has assembled insightful essays by an impressive roster of scholars...This book serves as a cogent, instructive overview of satire.”Choice “This book obviously brings to readers a dazzling variety of topics relating to satire. There is a rich abundance of material here, surely something for everyone. Indeed, the quality of these essays is uniformly high.” Notes and Queries This collection of twenty-nine original essays surveys satire from its emergence in Western literature to the present. The Companion is extraordinary in its historical scope, tracking satire from its first appearances in the prophetic books of the Old Testament through the Renaissance and the English tradition in satire to Michael Moore’s satirical movie Fahrenheit 9/11. While many essays explore literary developments in satire from an historical view, other essays reflect directly on topics such as irony and satire, modes of satirical mockery, the mock-biblical, and the character sketch. All of the contributors are experts published in their field, and all are experienced teachers who can treat complex and rich subjects with insight and clarity. Contributors to this volume: Joseph F. Bartolomeo, W. Scott Blanchard, Frank Boyle, Peter Brier, Valentine Cunningham, Edwin M. Duval, James Engell, Alberta Gatti, Russell Goulbourne, Dustin Griffin, Christopher J. Herr, Thomas Jemielity, Ejner J. Jensen, Steven E. Jones, Claudia Thomas Kairoff, Catherine Keane, Laura Kendrick, José Lanters, Jean I. Marsden, Linda A. Morris, Frank Palmeri, Blanford Parker, Ronald Paulson, Zoja Pavlovskis-Petit, Ruben Quintero, Melinda Alliker Rabb, Timothy Steele, Michael F. Suarez, David F. Venturo.

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The Great Irish Famine of 1845–52 was the defining event in the history of modern Ireland. At least one million people died, and double that number fled the country within a decade. The Great Irish Famine surveys the history of this great tragedy through the testimonies of four key contemporaries, conveying the immediacy of the unfolding disaster as never before. They are: John MacHale—the Catholic Archbishop of Tuam John Mitchel—the radical nationalist Elizabeth Smith—the Scottish-born wife of a Wicklow landlord Charles E. Trevelyan—the assistant secretary to the Treasury Each brings a unique perspective, influenced by who they were, what they witnessed, and what they stood for. It is an intimate and compelling portrayal of these hungry years. The book shows how misguided policies inspired by slavish adherence to ideology worsened the effects of a natural disaster of catastrophic proportions. Reviews: 'A significant and sophisticated addition to the historiography of the Famine' - Christopher Cusack, Times Literary Supplement 'Delaney’s approach to the story is innovative … (it will be found) in the hands of those who appreciate first-rate history…a very impressive book'- Breandán Mac Suibhne, Dublin Review of Books ‘ … a genuinely original and illuminating perspective on a subject too often dealt with by means of second-hand narrative and unexamined clichés.’ - Roy Foster, Professor of Irish History, Oxford University 'There are many books on this terrible event, but this is one of the most fluent and original. Although it is based on large amounts of primary research its style is accessible and engaging, and the result is a valuable study of a truly harrowing crisis'. - The Times Higher Education Supplement '… an extraordinarily important subject … focusing on four fascinating characters' - Ryan Tubridy 'Delaney offers an insinghtful, readable overview of this overwhelming disaster … highly recommended.' - 'Choice', America's Library Association publication 'Enda Delaney’s The Great Irish Famine: A History in Four Lives does not break fresh ground in research, but it is riveting, insightful and pacy, and, far from appearing tired, it invigorates standard historical methodology.' – Niamh O’Sullivan, The Irish Times

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The words most commonly associated with the environmental movement—save, recycle, reuse, protect, regulate, restore—describe what we can do to help the environment, but few suggest how we might transform ourselves to better navigate the sudden turns of the late Anthropocene. Which words can help us to veer conceptually along with drastic environmental flux? Jeffrey Jerome Cohen and Lowell Duckert asked thirty brilliant thinkers to each propose one verb that stresses the forceful potential of inquiry, weather, biomes, apprehensions, and desires to swerve and sheer. Each term is accompanied by a concise essay contextualizing its meaning in times of resource depletion, environmental degradation, and global climate change.Some verbs are closely tied to natural processes: compost, saturate, seep, rain, shade, sediment, vegetate, environ. Many are vaguely unsettling: drown, unmoor, obsolesce, power down, haunt. Others are enigmatic or counterintuitive: curl, globalize, commodify, ape, whirl. And while several verbs pertain to human affect and action—love, represent, behold, wait, try, attune, play, remember, decorate, tend, hope—a primary goal of Veer Ecology is to decenter the human. Indeed, each of the essays speaks to a heightened sense of possibility, awakening our imaginations and inviting us to think the world anew from radically different perspectives. A groundbreaking guide for the twenty-first century, Veer Ecology foregrounds the risks and potentialities of living on—and with—an alarmingly dynamic planet.Contributors: Stacy Alaimo, U of Texas at Arlington; Joseph Campana, Rice U; Holly Dugan, George Washington U; Lara Farina, West Virginia U; Cheryll Glotfelty, U of Nevada, Reno; Anne F. Harris, DePauw U; Tim Ingold, U of Aberdeen; Serenella Iovino, U of Turin; Stephanie LeMenager, U of Oregon; Scott Maisano, U of Massachusetts, Boston; Tobias Menely, U of California, Davis; Steve Mentz, St. John’s U; J. Allan Mitchell, U of Victoria; Timothy Morton, Rice U; Vin Nardizzi, U of British Columbia; Laura Ogden, Dartmouth College; Serpil Opperman, Hacettepe U, Ankara; Daniel C. Remein, U of Massachusetts, Boston; Margaret Ronda, U of California, Davis; Nicholas Royle, U of Sussex; Catriona Sandilands, York U; Christopher Schaberg, Loyola U; Rebecca R. Scott, U of Missouri; Theresa Shewry, U of California, Santa Barbara; Mick Smith, Queen’s U; Jesse Oak Taylor, U of Washington; Brian Thill, Golden West College; Coll Thrush, U of British Columbia, Vancouver; Cord J. Whitaker, Wellesley College; Julian Yates, U of Delaware.

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Winnie-the-Pooh can travel with you wherever you go with this mini pocket library containing six sweet books! The Winnie-the-Pooh Little Learners Pocket Library is the perfect way to introduce toddlers to early learning concepts. Young Pooh fans will love learning with Winnie-the-Pooh. This little slipcase contains six sturdy board books each based on a different early learning theme: ColoursWordsNumbersEmotionsShapesOpposites The Little Learners Pocket Library has bright appealing images of Pooh and friends with simple text. Young children will enjoy holding the books, turning the pages and pointing to the images. The small size of the slipcase and board books means it’s perfect for carrying in a bag or buggy, so it can be enjoyed by children wherever they go. This Pocket Library is eco-friendly as it doesn’t have plastic shrinkwrap on it. Instead, the cardboard slipcase has a flap that goes around the book spines and is held closed by a small sticker. The Little Learners Pocket Library helps the youngest Pooh fans learn about early concepts. Also collect the Winnie-the-Pooh Pocket Library that features books about Pooh and his friends, the perfect companion title for toddlers.ISBN 978 1 4052 8909 2 A.A.Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are both heart-warming and funny, teaching lessons of friendship and reflecting the power of a child’s imagination like no other story before or since. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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The Crocker Art Museum has one of the finest and earliest German drawings collections in the United States. Featuring artists such as Johann Wolfgang Baumgartner, Anton Raphael Mengs and Johann Heinrich Wilhelm Tischbein, The Splendor of Germany examines the major developments in German draughtsmanship over the course of the eighteenth century. Published to coincide with the collection’s 150th anniversary. In the 21st century, the collecting and study of 18th-century German drawings has become a major focus for American museums. One of the finest collections of them, however, has been in California for 150 years. The superb drawings at the Crocker Art Museum, from a Baroque altarpiece design by Johann Georg Bergmüller to a Neoclassical mythology by Johann Heinrich Wilhelm Tischbein, provide a panorama of German draughtsmen and draughtsmanship throughout the century. Many of the drawings are remarkable for their modernity. A self-portrait by Johann Gottlieb Prestel bypasses convention to achieve a direct, unmediated likeness. Well-placed slashes with brush and black ink define the features below his peruke outlined in black chalk. Other drawings encapsulate specific developments and styles, such as Johann Wolfgang Baumgartner’s Lazarus and the Rich Man, which shows the florid dynamism of the Augsburg Rococo. A full range of eighteenth-century German artists are represented here, from the satirizing moralists Johann Elias Ridinger and Daniel Chodowiecki to the Classicist and friend of the art theorist Johann Joachim Winkelmann, Anton Raphael Mengs. Landscape artists are especially well represented, such as the key figure Johann Georg Wille, printmaker to the French king Louis XV, and generations of artists he taught and influenced all the way to the early Romantic landscapists. The exhibition and catalogue gather together a variety of dynamic and sensitive portraits, charming scenes of daily life, and often humorous moralizing subjects, as well as narratives, both religious and mythological, from the late Baroque to Neoclassicism. In the realm of landscape, the depth of the collection allows the exhibition to trace schools and influences—in addition to Wille’s mentioned above—even in families such as that of Prestel, whose wife and daughter were both landscapists. It also allows it to demonstrate the great variety of works by single artists such as Christoph Nathe, represented by four landscapes in four different genres including a splendid scene near Görlitz. Some artists, in fact, work in several genres as in the case of Johann Christian Klengel, whose works include the scene of a family by candlelight, a farmstead landscape, and a sketchbook that he carried through the countryside to record picturesque views. This is a rare opportunity for the public and for drawings enthusiasts. Two-thirds of the drawings in the exhibition have not been shown before; most of the exceptions have not been seen since 1989. Because of the drawings’ 150-year history of limited exposure, the state of preservation of the collection is exceptional, as is the condition of the new acquisitions included in the exhibition.

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For over forty years now there has been a steady stream of interest in Richard Hooker. This renaissance in Hooker Studies began with the publication of the Folger Library Edition of the Works of Richard Hooker. With this renaissance has come a growing recognition that it is anachronistic to classify Hooker simply as an Anglican thinker, but as yet, no generally agreed-upon alternative label, or context for his thought, has replaced this older conception; in particular, the question of Hooker's Reformed identity remains hotly contested. Given the relatively limited engagement of Hooker scholarship with other branches of Reformation and early modern scholarship to date, there is a growing recognition that Hooker must be evaluated not only against the context of English puritanism and conformism but also in light of his broad international Reformed context. At the same time, it has become clear that, if this is so, scholars of continental Reformed orthodoxy must take stock of Hooker's work as one of the landmark theological achievements of the era.This volume aims to facilitate this long-needed conversation, bringing together a wide range of scholars to consider Richard Hooker's theology within the full context of late 16th- and early 17th-century Reformed orthodoxy, both in England and on the Continent. The essays seek to bring Hooker into conversation not merely with contemporaries familiar to Hooker scholarship, such as William Perkins, but also with such contemporaries as Jerome Zanchi and Franciscus Junius, predecessors such as Heinrich Bullinger, and successors such as John Davenant, John Owen, and Hugo Grotius. In considering how these successors of Hooker identified themselves in relation to his theology, these essays will also shed light on how Hooker was perceived within 17th-century Reformed circles. The theological topics touched on in the course of these essays include such central issues as the doctrine of Scripture, predestination, Christology, soteriology, the sacraments, and law. It is hoped that these essays will continue to stimulate further research on these important questions among a wide community of scholars.

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"[A] fascinating and indispensable book."—Christopher Knight, Los Angeles TimesBest Books of 2018—The Guardian Gold Medal for Contribution to Publishing, 2019 California Book Awards Carleton Watkins (1829–1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union’s disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio’s horrific photographs of Antietam were on view. Watkins’s work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins’s pictures, Congress would pass legislation, signed by Abraham Lincoln, that preserved Yosemite as the prototypical “national park,” the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth’s landmark 1948 “Yosemite: The Story of an Idea.” Watkins’s photographs helped shape America’s idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins’s clients, customers, and friends were a veritable “who’s who” of America’s Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today’s America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn’t just reflect his time, but acted as an agent of influence. This telling of Watkins’s story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.

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In eighteen enlightening essays, the critic Brooke Allen explores the lives and work of some of the last century's most brilliant and eccentric literary talents. It was a century that apotheosized ideology and frequently demanded evidence of political engagement from its artists and intellectuals. Some of the writers considered in Twentieth-Century Attitudes found a spiritual home in the left (George Bernard Shaw, Christopher Isherwood, Sylvia Townsend Warner); others, like Evelyn Waugh, in the right; still others maneuvered the shifting ideological sands with a more measured skepticism. It was also a century during which the dictates of fashion, both social and intellectual, changed with unprecedented rapidity. A few of the writers Ms. Allen considers, like James Baldwin and Saul Bellow, struggled honorably but not always with success to reconcile their artistic intentions with intellectual fashion; others, like Colette and H. G. Wells, took an avid role in the drama of their historical moment and triumphantly communicated that sense of drama to their descendants. Really good writers, as Ms. Allen shows, do not write well in spite of the foibles, prejudices, and fallacies of their times; instead they crystallize these oddities into something universal. The writers in Twentieth-Century Attitudes embody in their very different ways the various attitudes of their contentious century and the success or failure of attempts to transcend these attitudes. Ms. Allen's essays, which combine extensive biographical information with new critical insights, richly illustrate the tenuous and often bizarre links between character and talent, between historical circumstances and individual vision.

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Pope John Paul II was a great defender of truly vulnerable human beings throughout his life, affirming their personhood consistently and powerfully. In John Paul II on the Vulnerable, Jeffrey Tranzillo provides a lucid introduction to John Paul II’s philosophical and theological understanding of the human person. Unlike other writings on the topic, Tranzillo’s explicit aim is to highlight an aspect of John Paul’s work that has been largely neglected until now. He shows convincingly that John Paul’s seminal reflections on the human being as a personal agent progressed over time to include human beings at even the most vulnerable stages of development or decline. With this advance in thought, the pontiff began to declare eloquently that the vulnerable are capable of contributing to and enriching the human community through their activity. An engaging overview of John Paul II’s life, thought, and work introduces the book and provides readers with helpful background material. It shows that John Paul’s interest in, and lofty regard for, the human person is rooted in his strong Catholic faith and in the extraordinary life experiences that he interpreted in its light. Following this is an examination of his principal works on the human person, emphasizing their implications for vulnerable human beings as persons and actors. Tranzillo considers this theme in the light of selected Christological texts of John Paul II and then reflects on John Paul’s portrayal of the vulnerable in his social encyclicals and Evangelium Vitae. A final chapter develops the anthropological underpinnings of John Paul’s thought on the radically vulnerable and their personal agency.

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Nicholas Hawksmoor (1662-1736) is considered one of Britain's greatest architects. He was involved in the grandest architectural projects of his age and today is best known for his London churches - six idiosyncratic edifices of white Portland stone that remain standing today, proud and tall in the otherwise radically changed cityscape. Until comparatively recently, however, Hawksmoor was thought to be, at best, a second-rate talent: merely Sir Christopher Wren's slightly odd apprentice, or the practically minded assistant to Sir John Vanbrugh. This book brings to life the dramatic story of Hawksmoor's resurrection from the margins of history.Charting Hawksmoor's career and the decline of his reputation, Owen Hopkins offers fresh interpretations of many of his famous works - notably his three East End churches - and shows how over their history Hawksmoor's buildings have been ignored, abused, altered, recovered and celebrated. Hopkins also charts how, as Hawksmoor returned to prominenceduring the twentieth century, his work caught the eye of observers as diverse as T. S.Eliot, James Stirling, Robert Venturi and, most famously, Peter Ackroyd, whose novel Hawksmoor (1985) popularized 12 the mythical association of his work with the occult. Meanwhile, passionate campaigns were mounted to save and restore Hawksmoor's churches, reflecting the strange hold his architecture can have over observers. There is surely no other body of work in British architectural history with the same capacity to intrigue and inspire, perplex and provoke as Hawksmoor's has done for nearly three centuries.

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Shows how postwar writers in Austria and Yugoslavia re-imagined the concept of Mitteleuropa, Central Europe, as a cultural space between nostalgia and totalitarianism. The German term Mitteleuropa, or Central Europe, was never just a geographical concept: it connoted extending German influence to the east. In the 1980s, the eastern European dissident writers György Konrád, Czesław Miłosz, and Milan Kundera revived the concept to counter a perceived Cold War memory vacuum, aligning themselves with the multiethnic and multilingual legacy of the Habsburg Empire. Their observations gave rise to a protracted public debate that posited literature against politics. This debate was both anticipated and expanded upon in postwar literary works by Ingeborg Bachmann, Peter Handke, and Christoph Ransmayr in Austria, and Danilo Kiš, Aleksandar Tišma, and Dubravka Ugrešić in (the former) Yugoslavia, all of whom questioned notions of geographic identity and national allegiance by imagining Mitteleuropa as a cultural space between nostalgia and totalitarianism. Yvonne Zivkovic draws on space and memory studies to show how Mitteleuropa emerged as an alternate memory discourse that reveals deep ties between the Second Austrian Republic and the Socialist Federal Republic of Yugoslavia. The writers discussed address the major themes of the 1980s debate - traumatic memory, geographic displacement, and transnationalism - but also share a literary aesthetics that privileges the intersections of prose fiction and the essay, the literary fragment, and intertextuality. Zivkovic's book shows the persistence of Mitteleuropa as a literary network and as a cultural collective that examines civic values against public tendencies of memory manipulation.

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Illuminates our understanding of the soul as a historically and philosophically vital concept through Shakespearean drama Second Death seeks to revitalise our understanding of the soul as a philosophically profound, theoretically radical, and ultimately—and counterintuitively—theatrically realised concept. The book contends that the work of Shakespeare, when closely read alongside early modern cultural and religious writings, helps us understand the soul’s historical placement as a powerful paradox: it was essential to establishing humanity but resistant to clear representation. Drawing from current critical theory as well as extensive historical research, Second Death examines works of Shakespearean drama, including The Merchant of Venice, Coriolanus, and The Winter’s Tale, to suggest that rather than simply being incapable of understanding or physical realisation, the soul expressed itself in complex and subtle modes of performance. As a result, this book offers new ways of looking at identity, theatre, and spirituality in Shakespeare’s era and in our own. Key Features Provides understanding of the soul as not only a religious, cultural, and literary concept, but also a theatrical one Discusses genealogy of the philosophical and theological traditions that inform the soul’s placement in the early modern era, from Plato to Protestantism Includes novel readings of key works of Shakespearean drama along with substantial analyses of other Shakespeare plays (King Lear, Hamlet) as well as other early modern works (by John Donne, Christopher Marlowe, John Foxe, John Stow, Thomas Middleton, John Milton, and others) Draws new interdisciplinary connections among theatre studies, Shakespeare, critical theory, and religious studies

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As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comic books starring John Wayne, Gene Autry, Bob Hope, Abbott & Costello, Alan Ladd, and Dean Martin and Jerry Lewis. With a special focus on the Classical Hollywood era, Blair Davis investigates the factors that spurred this media convergence, as the film and comics industries joined forces to expand the reach of their various brands. While analyzing this production history, he also tracks the artistic coevolution of films and comics, considering the many formal elements that each medium adopted and adapted from the other. As it explores our abiding desire to experience the same characters and stories in multiple forms, Movie Comics gives readers a new appreciation for the unique qualities of the illustrated page and the cinematic moving image.

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An unusual, searching, and poignant memoir of one man's quest to make sense of depression George Scialabba is a prolific critic and essayist known for his incisive, wide-ranging commentary on literature, philosophy, religion, and politics. He is also, like millions of others, a lifelong sufferer from clinical depression. In How To Be Depressed, Scialabba presents an edited selection of his mental health records spanning decades of treatment, framed by an introduction and an interview with renowned podcaster Christopher Lydon. The book also includes a wry and ruminative collection of "tips for the depressed," organized into something like a glossary of terms—among which are the names of numerous medications he has tried or researched over the years. Together, these texts form an unusual, searching, and poignant hybrid of essay and memoir, inviting readers into the hospital and the therapy office as Scialabba and his caregivers try to make sense of this baffling disease. In Scialabba's view, clinical depression amounts to an "utter waste." Unlike heart surgery or a broken leg, there is no relaxing convalescence and nothing to be learned (except, perhaps, who your friends are). It leaves you weakened and bewildered, unsure why you got sick or how you got well, praying that it never happens again but certain that it will. Scialabba documents his own struggles and draws from them insights that may prove useful to fellow-sufferers and general readers alike. In the place of dispensable banalities—"Hold on," "You will feel better," and so on—he offers an account of how it's been for him, in the hope that doing so might prove helpful to others.

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Camille Saint-Saens--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saens and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saens, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saens and His World restores the composer to his vital role as innovator and curator of Western music. The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gerard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Leo Houziaux, Florence Launay, Stephane Leteure, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.

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American social critics in the 1970s, convinced that their nation was in decline, turned to psychoanalysis for answers and seized on narcissism as the sickness of the age. Books indicting Americans as greedy, shallow, and self-indulgent appeared, none more influential than Christopher Lasch’s famous 1978 jeremiad The Culture of Narcissism. This line of critique reached a crescendo the following year in Jimmy Carter’s “malaise speech” and has endured to this day.But as Elizabeth Lunbeck reveals, the American critics missed altogether the breakthrough in psychoanalytic thinking that was championing narcissism’s positive aspects. Psychoanalysts had clashed over narcissism from the moment Freud introduced it in 1914, and they had long been split on its defining aspects: How much self-love, self-esteem, and self-indulgence was normal and desirable? While Freud’s orthodox followers sided with asceticism, analytic dissenters argued for gratification. Fifty years later, the Viennese émigré Heinz Kohut led a psychoanalytic revolution centered on a “normal narcissism” that he claimed was the wellspring of human ambition, creativity, and empathy. But critics saw only pathology in narcissism. The result was the loss of a vital way to understand ourselves, our needs, and our desires.Narcissism’s rich and complex history is also the history of the shifting fortunes and powerful influence of psychoanalysis in American thought and culture. Telling this story, The Americanization of Narcissism ultimately opens a new view on the central questions faced by the self struggling amid the tumultuous crosscurrents of modernity.

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In A Social History of Modern Art, a sweeping multivolume social history of Western art from the French Revolution to World War I, Albert Boime moves beyond the concern with style and form that has traditionally characterized the study of art history and, in the tradition of Arnold Hauser, examines art in a broad historical context. Into his wide-ranging cultural inquiry Boime incorporates not only frequently studied mainstream artists and sculptors but also neglected and lesser known artists and unattributed popular imagery. He examines popular as well as official culture, the family as well as the state, and the conditions of the poor as well as of the affluent that affected cultural practice. This inaugural volume explores the artistic repercussions of the major political and economic events of the latter half of the eighteenth century: the Seven Years' War, the French Revolution, and the English industrial revolution. Boime examines the prerevolutionary popularity of the rococo style and the emergence of the cult of antiquity that followed the Seven Years' War. He shows how the continual experiments of Jacques-Louis David and others with neoclassical symbols and themes in the latter part of the century actively contributed to the transformation of French and English politics. Boime's analyses reveal the complex relationship of art with a wide range of contemporary attitudes and conditions—technological innovation, social and political tensions, commercial expansion, and the growth of capitalism. "Provocative and endlessly revealing."—Christopher Knight, Los Angeles Herald Examiner

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How the division of the Americas from the rest of the world affected human history.In 15,000 B.C. early humankind, who had evolved in Africa tens of thousands of years before and spread out to populate the Earth, arrived in Siberia, during the Ice Age. Because so much water was locked up at that time in the great ice sheets, several miles thick, the levels of the world's oceans were much lower than they are today, and early humans were able to walk across the Bering Strait, then a land bridge, without getting their feet wet and enter the Americas. Then, the Ice Age came to an end, the Bering Strait refilled with water and humans in the Americas were cut off from humans elsewhere in the world. This division - with two great populations on Earth, each oblivious of the other - continued until Christopher Columbus 'discovered' America just before 1500 A.D. This is the fascinating subject of THE GREAT DIVIDE, which compares and contrasts the development of humankind in the 'Old World' and the 'New' between 15,000 B.C. and 1500 A.D. This unprecedented comparison of early peoples means that, when these factors are taken together, they offer a uniquely revealing insight into what it means to be human.THE GREAT DIVIDE offers a masterly and totally original synthesis of archaeology, anthropology, geology, meteorology, cosmology and mythology, to give a new shape - and a new understanding - to human history.

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In recent decades, the technical handling of custody business in the OHADA region has undergone a lasting change. There has been a shift from a direct to an indirect holding system, in which the interests of an investor in respect of the underlying securities are recorded in the books of an intermediary (such as a bank or a securities firm). Under the law of all states within the OHADA region, the traditional conflict of laws rule for determining the enforceability of a securities pledge that occurs in the indirect holding system is the lex rei sitae (or the lex cartae sitae or the lex situs ) rule. However, the traditional lex rei sitae rule cannot be appropriately applied to a system where the dematerialised securities are held through multiple layers of intermediaries located in different jurisdictions. Yet, until the intermediated system and the collateralisation of intermediated securities in the OHADA region will continue to operate in somewhat legally murky waters, leading to more instability in the financial markets. Therefore, Justin Monsenepwoaims to find an appropriate and consistent approach that reflects the reality of the indirect holding system in the OHADA region. “This publication is essential reading for policy makers, academics, market participants, and legal practitioners in the OHADA region and beyond. I am convinced that its in-depth analysis of OHADA’s substantive and conflict of laws rules will go a long way in filling the gap in this area and encouraging further development in the future.” Christophe Bernasconi, Secretary General of the „Hague Conference on Private International Law“ – HCCH in the foreword

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Winner, APMA Best Atlantic-Published Book Award and The Critical Eye AwardHonourable Mention, Canadian Museums Association’s Outstanding Achievement in ResearchIn Future Possible, Mireille Eagan and other writers and artists navigate the tangled histories and cultures of Newfoundland and Labrador to investigate the visual output and to write the narrative that it has created. The result is an ambitious volume, arising from a two-part exhibition of the same name at The Rooms, that provides a multi-vocal, multi-faceted history spanning pre- and post-Confederation Newfoundland.Lavishly illustrated with reproductions of original works and installation views, Future Possible features essays by curators and artists on topics such as pre-Confederation art; contemporary art, craft, and Indigenous culture; and outsider and folk art. This intriguing volume places artifacts from the province’s history and work by iconic Newfoundland and Labrador artists such as Gerald Squires and Mary Pratt in conversation with works by contemporary artists like Jordan Bennett and Kym Greeley. Together they explore how history is told and retold through objects and images and how these objects and images, and the power structures that preserve them, define an understanding of place.Contributions from Mireille Eagan, Jamie Fitzpatrick, Andy Jones, Heather Igloliorte, Jeff Webb, Darryn Doull, Bushra Junaid, Cory Thorne, Kelley Totten, Patricia Grattan, Gerard Curtis, Caroline Stone, Craig Francis Power, Christopher Pratt, Logan MacDonald, Lisa Moore, Eva Crocker, Andria Hickey, and a foreword by Anne Chafe.

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A THE TIMES BOOK OF THE YEAR 2019'The best introduction to the plays I've read, perhaps the best book on Shakespeare, full stop' Alex Preston, Observer'It makes you impatient to see or re-read the plays at once' Hilary MantelA genius and prophet whose timeless works encapsulate the human condition like no others. A writer who surpassed his contemporaries in vision, originality and literary mastery. Who wrote like an angel, putting it all so much better than anyone else.Is this Shakespeare? Well, sort of.But it doesn't really tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant, deflecting us from investigating the challenges of his inconsistencies and flaws. This electrifying new book thrives on revealing, not resolving, the ambiguities of Shakespeare's plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex. It takes us into a world of politicking and copy-catting, as we watch him emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cut-throat issues of succession politics, religious upheaval and technological change. The Shakespeare in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean.This is Shakespeare. And he needs your attention.

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'The cruelty and magnificence of Restoration London provides endless fascination . . . there's much to delight in this volume' The Times'Don Jordan's history captures the shifts [Charles II] engineered in trade and culture' NatureDuring the reign of Charles II, London was a city in flux. After years of civil war and political turmoil, England's capital became the centre for major advances in the sciences, the theatre, architecture, trade and ship-building that paved the way for the creation of the British Empire.At the heart of this activity was the King, whose return to power from exile in 1660 lit the fuse for an explosion in activity in all spheres of city life. London flourished, its wealth, vibrancy and success due to many figures famous today including Christopher Wren, Samuel Pepys and John Dryden - and others whom history has overlooked until now.Throughout the quarter-century Charles was on the throne, London suffered several serious reverses: the plague in 1665 and the Great Fire in 1666, and severe defeat in the Second Anglo-Dutch War, which brought about notable economic decline. But thanks to the genius and resilience of the people of London, and the occasionally wavering stewardship of the King, the city rose from the ashes to become the economic capital of Europe.The King's City tells the gripping story of a city that defined a nation and birthed modern Britain - and how the vision of great individuals helped to build the richly diverse place we know today.

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IT'S THE END OF THE WORLD AS WE KNOW IT...For decades, the apocalypse and its aftermath have yielded some of the most exciting short stories of all time. From David Brin's seminal "The Postman" to Hugh Howey's "Deep Blood Kettle" and Tananarive Due's prescient "Patient Zero," the end of the world continues to thrill. This companion volume to the critically acclaimed WASTELANDS offers thirty of the finest examples of post-apocalyptic short fiction, with works by: Ann Aguirre Megan Arkenberg Paolo Bacigalupi Christopher Barzak Lauren Beukes David Brin Orson Scott Card Junot Diaz Cory Doctorow Tananarive Due Toiya Kristen Finley Milo James Fowler Maria Dahvana Headley Hugh Howey Keffy R. M. Kehrli Jake Kerr Nancy Kress Joe R. Lansdale George R. R. Martin Jack McDevitt Seanan McGuire Maureen F. McHugh D. Thomas Minton Rudy Rucker & Bruce Sterling Ramsey Shehadeh Robert Silverberg Rachel Swirsky Genevieve Valentine James Van Pelt Christie Yant Award-winning editor John Joseph Adams has once again assembled a who's who of short fiction, and the result is nothing short of mind-blowing. PRAISE FOR WASTELANDS "Everything that is best about the trope, from bleak, empty worlds to beacons of hope." Booklist "The best anthology of any kind I have read to date." Grasping for the Wind "A great collection that gets my highest recommendation." Bookgasm

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In the thirteenth century, Italian merchant and explorer Marco Polo traveled from Venice to the far reaches of Asia, a journey he chronicled in a narrative titled Il Milione, later known as The Travels of Marco Polo. While Polo's writings would go on to inspire the likes of Christopher Columbus, scholars have long debated their veracity. Now, there's new evidence connected to this historical puzzle: a very curious collection of fourteen little-known maps and related documents said to have belonged to the family of Marco Polo himself. In The Mysteries of the Marco Polo Maps, historian of cartography Benjamin B. Olshin offers the first credible book-length analysis of these artifacts, charting their course from obscure origins in the private collection of Italian-American immigrant Marcian Rossi in the 1930s; to investigations of their authenticity by the Library of Congress, J. Edgar Hoover, and the FBI; to the work of the late cartographic scholar Leo Bagrow; to Olshin's own efforts to track down and study the Rossi maps. Are the maps forgeries, facsimiles, or modernized copies? Did Marco Polo's daughters - whose names appear on several of the artifacts - preserve in them geographic information about Asia first recorded by their father? Or did they inherit maps created by him? If the maps have no connection to Marco Polo, who made them, when, and why? Regardless of the maps' provenance, Olshin's tale takes readers on a journey into Italian history, the age of exploration, and the wonders of cartography.

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This book is also available as an ebook: buy it from Amazon here.Byrne's poetry sparkles with wit and irony, and Blood / Sugar is his long-awaited first collection. The editor of a highly-regarded poetry magazine, Byrne maintains great technical proficiency in his structuring of verse, moving effortlessly between the traditional and the innovative to shape poems that brim with lyricism and confidence."James Byrneís second collection, Blood / Sugar is packed, ambitious and absorbing... The comparison that comes to mind is with Christopher Middleton, with whom Byrne shares a restless hunger."Sean O'Brien, Poetry Review"His poetry is clean, clear and contemporary; it cuts to the bone of the beast every time."Keith Richmond, Tribune"In Blood Sugar James Byrne's fine poems explore a variety of themes, combining light and shadow, tenderness and wit."Wayfarers "The way the Peruvian avant-gardist poet Cesar Vallejo described language as being the ëdark nebulae of life that dwells on the turn of a sentence...í can be applied here to the irrefutable poetics of James Byrne. For he has constructed a collection of poems of considerable imaginative pressure, a vice-like poetical ethos... poems of such exactitude and accuracy that it is almost as if Byrne is attempting to replicate and reconstruct his own jaw at the potterís wheel of his imagining... According to Geoffrey Hill, 'difficult poetry is the most democratic, because you are doing your audience the honour of supposing that they are intelligent human beings', and this can most definitely be said of the requirements of the reader facing these innovative poems."Paul StubbsJames Byrne was born in 1977 and is the editor and co-founder of The Wolf poetry magazine. His debut collection, Passages of Time, was published in 2003. In 2008 he won the prestigious Treci Trg poetry prize in Serbia. Since 2006 James has taught Wolf Workshops, which have helped many students with first book and pamphlet publications.

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Sanjay Patils tryst with architecture began in his early childhood as he soaked up the environs that surrounded him in his birthplace, Nashik. Moving on to formal education in architecture at the Sir JJ College of Architecture in Mumbai, Sanjay returned to his hometown in 1981 to immerse himself into a meaningful and sensitive architectural practice. Over the years, Sanjay Patil has received many honours from the industry and his projects have been widely published in architectural journals. His greatest reward however continues to be the appreciation and support of his numerous clients who have played a vital role in his approach to architecture. His Workspace 'Environ Planners' has also evolved into a centre for learning; inspiring, training and providing roots and wings to budding architects from various parts of the country. 'Knowledge sharing is integral to me and has always given me great pleasure and satisfaction. I have always made a conscious effort to share with others the little bit that I have learnt through my work, travel and other hobbies. This book is just an extension of this love for sharing; a humble effort to document some of my works across the last three decades and present it to a wider audience. It is an honest endeavour to make the reader a part of the design process and my passion for my work that is so much a part of my being.' The book is an attempt to chronicle the architects journey and delve deeper into his philosophy towards architecture and life, his love for nature and his commitment to architecture. Our journey thus encompasses influences from vernacular architecture, his leaning towards sustainable design, response to nature and his diverse use of courtyards in varying building typologies. It showcases 19 noteworthy projects, which include private residences, restoration projects, educational institutions, resorts and retreats, office spaces including his own workspace and farmhouse. It also includes essays by Christopher Benninger, Anand Mahindra (chairman and managing director, Mahindra Group) and Anu-rag Kashyap (principal, BNCA College of Architecture, Pune) providing valuable insights and perceptions about Sanjay Patils work.

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'David Esterly's handsome book on Gibbons has been republished by the V&A with sumptuous pictures' Laura Freeman, The Times, 14th August 2021 Reissued to mark 300 years since the death of Grinling Gibbons (1648-1721), this study views the work of the greatest of decorative woodcarvers from the perspective of a fellow carver, the late David Esterly. Grinling Gibbons is famous for giving wood "the loose and airy lightness of flowers." His flamboyant cascades of lifelike blossoms, fruits, foliage, birds and fish dominate English interiors of the late seventeenth century. They are among the glories of Windsor Castle, Hampton Court Palace, and St. Paul's Cathedral, as well as Badminton, Burghley, Petworth, and other great country houses. A contemporary of Christopher Wren and of the diarists Samuel Pepys and John Evelyn, Gibbons was part of the colourful world of Restoration England. His discovery by Evelyn in a tumble-down cottage near the River Thames was followed by a presentation to King Charles II, who rejected his early sculptural work. Gibbons responded by inventing his spectacular style of decorative carving. He was then rediscovered, reintroduced to the king, and launched into a triumphant career. After setting Gibbons in historical context, David Esterly's ground-breaking approach allows us to understand the process by which these exuberant carvings were created and how their forms reflect the organization of Gibbon's workshop. Esterly, a professional woodcarver who restored some of Gibbons' most important carvings, shares his unique knowledge of the layering process by which Gibbons built up such masterpieces as the Cosimo panel or the elaborate overmantels at Hampton Court Palace. Specially commissioned photographs show these carvings in a disassembled state, revealing the secrets of their construction. Esterly also discusses Gibbons' formidable carving techniques, and his tools, workshop practice, materials, and finishing are described in detail. This generously illustrated volume will have a special appeal for carvers as well as for those interested in seventeenth-century interiors and the decorative arts.

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The book behind Anton Corbijn’s film Squaring the Circle (the story of Hipgnosis)Founded in 1968 by Aubrey “Po” Powell, Storm Thorgerson and Peter Christopherson, graphic design firm Hipgnosis gained a legendary status by transforming the look of album art through their designs for AC/DC, Black Sabbath, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Syd Barrett, and The Who. In this lively volume, Powell presents brutally honest, entertaining and revealing insider stories from the world of rock, featuring an eclectic cast of pop stars, comedians, actors, managers, gangsters, and inspirational world figures from 1966 on. His thrilling narrative is packed with anecdotes - from the founding of Hipgnosis to surviving drugs busts, and from the creative process behind the most iconic album artworks of all time to mounting the Pink Floyd exhibition, Their Mortal Remains - and is richly illustrated with Hipgnosis artwork and Powell’s own photographs. Drama and creativity are the common threads throughout these amazing stories. With candor and insightful reflection, Powell reveals how he and Storm became an effective creative partnership despite their volatile relationship; how the final colour artwork for Led Zeppelin’s Houses Of The Holy was created; how the most iconic album cover of all time – The Dark Side Of The Moon – came about; and how the 2017 Pink Floyd retrospective became the largest and most successful music exhibition ever mounted by the Victoria and Albert Museum – despite the deeply antagonistic and dysfunctional relationship between Roger Waters and David Gilmour. Throughout, Powell exposes how the trappings of fame and glory upset the balance of everyday life, bringing creativity and destruction in equal measure. Packed with exciting insider stories and anecdotes featuring famous musicians, managers, and actors, Through the Prism is a must-have for music and pop-culture fans.With 253 illustrations

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'D'Ancona makes his case well... The book is well written and thoughtful' -- The Times'A heartfelt attempt to renew liberal ideals for the coming decades... How sorely our public debate needs others to express themselves similarly.' -- Henry Mance, Financial Times'An urgent and exhilarating account of how populism, prejudice & polarisation have corrupted objective truth and public discourse. D'Ancona's sparkling prose provides an explanation of how we got here and, crucially, how we might get out.' -- James O'Brien'A book so rich in thought, wisdom and persuasion I find myself sharing the ideas within it with everyone I meet... In the much-mourned absence of Christopher Hitchens, d'Ancona is fast becoming the voice of enlightenment for our bewildered age.' -- Emily Maitlis'A tonic for our times that blows open any complacency following Trump's defeat that the demise of populism and nativism is inevitable. In beautifully written prose, D'Ancona puts forward hopeful ideas and timely inspiration for a progressive politics to replace it.' -- David Lammy'A brilliant, lucid, fearless tract, just what the historical moment ordered.' -- Andrew O'Hagan'D'Ancona's regular practical suggestions help to take it beyond mere theory and into the real world... Decision-makers would do well to read it.' -- Charlotte Henry, TLS***This is a call to arms. The old tools of political analysis are obsolete - they have rusted and are no longer fit for purpose. We've grown lazy, wedded to the assumption that, after ruptures such as Brexit, the pandemic, and the rise of the populist Right, things will eventually go 'back to normal'.Award-winning political writer Matthew d'Ancona invites you to think afresh: to seek new ways of challenging political extremism, bombastic populism and democratic torpor on both Left and Right. In this ground-breaking book, he proposes a new way of understanding our era and plots a way forward. With rigorous analysis, he argues that we need to understand the world in a new way, with a framework built from the three I's: Identity, Ignorance and Innovation.

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The Sunday Times Gardening Book of the Year Described by Vogue as 'the revelatory garden book for our age' and a 'splendid new book' (Sebastian Shakespeare, Daily Mail), The Private Gardens of England is a glorious celebration of the art of gardening through some of the country's hidden horticultural jewels. Thirty-five English private gardens, thoughtfully selected by the writer and designer Tania Compton, are vividly described in the words of their owners, who bring an astonishing sense of intimacy to their own creations as well as their collaborations with some of the leading garden designers of today. From the Bannermans' romantic Cornish castle to the windswept shores of Howick in Northumberland via Jasper Conran in Somerset and Tom Stuart-Smith in Hertfordshire, an eclectic range of gardens is revealed. The traditional English garden is seen through the fresh eyes of plantswomen such as Mary-Anne Robb at Cothay Manor and Arabella Lennox-Boyd at Gresgarth Hall, alongside Hilborough House in Norfolk and Ferne Park in Dorset that recently only existed as fields. The historic landscape gardens of Boughton House and St Paul's Walden Bury are explored alongside the contemporary and conceptual at Plaz Metaxu in Devon. From the private walled garden at Petworth to the wildflower-strewn meadows of Spye Park, each garden is a testament to the thriving art of English gardening. With contributions from the country's best garden photographers, The Private Gardens of England reveals gardening at its highest level. It will inform and inspire anyone with a love of gardening, beauty and excellence. 'The photographs are take-your-breath-away spellbinding ...The minute level of detail here will satisfy real gardeners, elevating this book far above its competition.' Sarah Feeley, English Garden 'Captures a brilliant moment in our history, where plantsmanship, good design and love of plants have all come together ...compelling format ...the photography and production are superb.' Kathryn Bradley-Hole, Country Life One of Christopher Woodward's Books of the Year in the Evening Standard

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It is hard to think of an area of Christian theology that provides more scope for interdisciplinary conversation than the doctrine of creation. This doctrine not only invites reflection on an intellectual concept: it calls for contemplation of the endlessly complex, dynamic, and fascinating world that human being inhabit. But the possibilities for wide-ranging discussion are such that scholars sometimes end up talking past one another. Productive conversation requires mutual understanding of insights across disciplinary boundaries. Knowing Creation offers an essential resource for helping scholars from a range of fields to appreciate one another's concerns and perspectives. In so doing, it offers an important step forward in establishing a mutually-enriching dialogue that addresses, amongst others, the following key questions: Who is the God who creates? Why does God create? What is "creation"? What does it mean to recognize that a theology of creation speaks of a natural world that is subject to the observation of the natural sciences? What does it mean to talk about both a "natural" order and a "created" order? What are the major tensions that have arisen between the natural sciences and Christian thinking historically, and why? How can we move beyond such tensions to a positive and constructive conversation, while also avoiding facile notions such as a "god of the gaps"? Is it feasible for a natural scientist to maintain a belief in God's continuing creative activity? In what ways might a naturalistic understanding of the natural world be said to be limited? How can biblical studies, theology, philosophy, history, and science talk better together about these questions? At a time when the doctrine of creation - and even a mention of "creation" - has been disparaged due to its supposed associations with anti-scientific dogma, and theological offerings sometimes risk appearing a little more than reactionary exercises in naive apologetics, ill-informed by science or distinctly wary of engagement with it, it is more important than ever to offer a cross-disciplinary resource that can voice a positive account of a Christian theology of creation, and do so as a genuinely broad-ranging conversation about science and faith.Contributors to Knowing Creation include Marilyn McCord Adams, Denis Alexander, Susan Eastman, C. Stephen Evans, Peter van Inwagen, Christoph Schwobel, John H. Walton, Francis Watson, and more.

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A groundbreaking new book, Still the Same Hawk: Reflections on Nature and New York brings into conversation diverse and intriguing perspectives on the relationship between nature and America’s most prominent city. The volume’s title derives from a telling observation in Robert Sullivan’s contribution that considers how a hawk in the city is perceived so much differently from a hawk in the countryside. Yet it’s still the same hawk. How can a hawk nesting above Fifth Avenue become a citywide phenomenon? Or a sudden butterfly migration at Coney Island energize the community? Why does the presence of a community garden or an empty lot ripple so differently through the surrounding neighborhood? Is the city an oasis or a desert for biodiversity? Why does nature even matter to New Yorkers, who choose to live in the concrete jungle? Still the Same Hawk examines these questions with a rich mix of creative nonfiction that ranges from analytical to anecdotal and humorous. John Waldman’s sharp, well-crafted introduction presenting dualism as the defining quality of urban nature is followed by compelling contributions from Besty McCully, Christopher Meier, Tony Hiss, Kelly McMasters, Dara Ross, William Kornblum, Phillip Lopate, David Rosane, Robert Sullivan, Anne Matthews, Devin Zuber, and Frederick Buell. Together these pieces capture a wide range of viewpoints, including the myriad and shifting ways New Yorkers experience and consider the outdoors, the historical role of nature in shaping New York’s development, what natural attributes contribute to New York’s regional identity, the many environmental tradeoffs made by urbanization, and even nature’s dark side where “urban legends” flourish. Still the Same Hawk intermingles elements of natural history, urban ecology, and environmental politics, providing fresh insights into nature and the urban environment on one of the world’s great stages for the clash of these seemingly disparate realms—New York City.

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Exploring the broad implications of evolutionary theorist Lynn Margulis’s work, this collection brings together specialists across a range of disciplines, from paleontology, molecular biology, evolutionary theory, and geobiology to developmental systems theory, archaeology, history of science, cultural science studies, and literature and science. Addressing the multiple themes that animated Margulis’s science, the essays within take up, variously, astrobiology and the origin of life, ecology and symbiosis from the microbial to the planetary scale, the coupled interactions of earthly environments and evolving life in Gaia theory and earth system science, and the connections of these newer scientific ideas to cultural and creative productions. Dorion Sagan acquaints the reader with salient issues in Lynn Margulis’s scientific work, the controversies they raised, and the vocabulary necessary to follow the arguments. Sankar Chatterjee synthesizes several strands of current theory for the origin of life on earth. James Strick tells the intertwined origin stories of James Lovelock’s Gaia hypothesis and Margulis’s serial endosymbiosis theory. Jan Sapp explores the distinct phylogenetic visions of Margulis and Carl Woese. Susan Squier examines the epigenetics of embryologist and developmental biologist C. H. Waddington. Bruce Clarke studies the convergence of ecosystem ecology, systems theory, and science fiction between the 1960s and the 1980s. James Shapiro discusses the genome evolution that results not from random changes but rather from active cell processes. Susan Oyama shows how the concept of development balances an over-emphasis on genetic coding and other deterministic schemas. Christopher Witmore studies the ways in which a concentrated animal feeding operation, or CAFO, mixes up natural resources, animal lives, and human appetites. And Peter Westbroek brings the insights of earth system science toward a new worldview essential for a proper response to global change.

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**Winner of the Christopher Isherwood Prize for Autobiographical Prose**'A devastating front-line account of the police killings and the young activism that sparked one of the most significant racial justice movements since the 1960s: Black Lives Matter ... Lowery more or less pulls the sheet off America ... essential reading' Junot Díaz, The New York Times, Books of 2016'Electric ... so well reported, so plainly told and so evidently the work of a man who has not grown a callus on his heart' Dwight Garner, The New York Times, 'A Top Ten Book of 2016''I'd recommend everyone to read this book ... it's not just statistics, it's not just the information, but it's the connective tissue that shows the human story behind it. I really enjoyed it' Trevor Noah, host of Comedy Central's 'The Daily Show'A deeply reported book on the birth of the Black Lives Matter movement, offering unparalleled insight into the reality of police violence in America, and an intimate, moving portrait of those working to end it In over a year of on-the-ground reportage, Washington Post writer Wesley Lowery traveled across the US to uncover life inside the most heavily policed, if otherwise neglected, corners of America today. In an effort to grasp the scale of the response to Michael Brown's death and understand the magnitude of the problem police violence represents, Lowery conducted hundreds of interviews with the families of victims of police brutality, as well as with local activists working to stop it. Lowery investigates the cumulative effect of decades of racially biased policing in segregated neighborhoods with constant discrimination, failing schools, crumbling infrastructure and too few jobs. Offering a historically informed look at the standoff between the police and those they are sworn to protect, They Can't Kill Us All demonstrates that civil unrest is just one tool of resistance in the broader struggle for justice. And at the end of President Obama's tenure, it grapples with a worrying and largely unexamined aspect of his legacy: the failure to deliver tangible security and opportunity to the marginalised Americans most in need of it.

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"The most thorough examination we have of how early Americans wrestled with what types of political dissent should be permitted, even promoted, in the new republic they were forming. Martin shows the modern relevance of their debates in ways that all will find valuable—even those who dissent from his views!"—Rogers M. Smith, Christopher H. Browne Distinguished Professor of Political Science, University of Pennsylvania Democracy is the rule of the people. But what exactly does it mean for a people to rule? Which practices and behaviors are legitimate, and which are democratically suspect? We generally think of democracy as government by consent; a government of, by, and for the people. This has been true from Locke through Lincoln to the present day. Yet in understandably stressing the importance—indeed, the monumental achievement—of popular consent, we commonly downplay or even denigrate the role of dissent in democratic governments. But in Government by Dissent, Robert W.T. Martin explores the idea that the people most important in a flourishing democracy are those who challenge the status quo. The American political radicals of the 1790s understood, articulated, and defended the crucial necessity of dissent to democracy. By returning to their struggles, successes, and setbacks, and analyzing their imaginative arguments, Martin recovers a more robust approach to popular politics, one centered on the ever-present need to challenge the status quo and the powerful institutions that both support it and profit from it. Dissent has rarely been the mainstream of democratic politics. But the figures explored here—forgotten farmers as well as revered framers—understood that dissent is always the essential undercurrent of democracy and is often the critical crosscurrent. Only by returning to their political insights can we hope to reinvigorate our own popular politics.

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Longlisted, 2018 International DUBLIN Literary AwardLong-shortlisted, 2017 ReLit Awards"Complex, lyrical, and with a profound sense of a world long passed and humanity’s eternal motivations." — Quill & Quire"In Butler Hallett’s hands, Kit comes off as a fascinating and contradictory figure, part martyred freethinker and part unscrupulous opportunist." — Winnipeg Review"Perfectly paced and gracefully wrought." — Toronto Star1593. Queen Elizabeth still reigns but grows old. Two rival spymasters — Sir Robert Cecil and the Earl of Essex — plot from the shadows. Their goal: to control succession upon the aged queen’s death. The man on which their schemes depend: Christopher Marlowe ("Kit" to his friends), a cobbler’s son from Canterbury who has defied expectations and become an accomplished poet and playwright.And spy.As the novel opens, Kit Marlowe, fresh from betraying the target of his espionage, is himself betrayed. Fighting to stay one step ahead in a dizzying game that threatens the lives of those he holds most dear, including his beloved Tom Kyd, he comes to question his allegiances and nearly everything he once believed.In this psychological thriller, Michelle Butler Hallett fleshes out the historical record with insight and the rigor of authenticity. Her 16th-century England, surprising and fresh, offers historical figures both famous and obscure, casual descriptions of quotidian life, and vivid representations of cruelty and violence that reverberate with echoes of our own time.But it’s Kit, the fascinating Marlowe, an endless source of brilliance, passion and defiance, that brings the novel to life. Writes playwright Robert Chafe, "History’s Marlowe becomes [Butler Hallet’s] own, offering us his wit and wisdom and seemingly new lessons about faith, ambition, loyalty, and yes, love."

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On 13 December 1776, the Rev. William Turner preached the first avowedly anti-slavery sermon in the North of England. Copies of his sermon were distributed far and wide -in so doing, he had fired the first shot in the battle to end slavery had begun. Four years later, Rev. Turner, members of his congregation and the Rev. Christopher Wyvill founded The Yorkshire Association' to agitate for political and social reform. The Association sought universal suffrage, annual parliaments and the abolition of slavery. In the West Riding, despite furious opposition, by 1783 nearly 10,000 signatures were collected in support of the aims of the Association. Slavery, or rather its abolition, was now on the political agenda. _The Battle Against Slavery_ charts the story of a group of West Riding radicals in their bid to abolish slavery both in the United Kingdom and abroad. Such became the influence of this group, whose Unitarian beliefs were illegal in Britain, that the general election of 1806 in Yorkshire was fought on an abolitionist platform. At a time when the rest of the world engaged in slavery, this small body was fighting almost single-handedly to end such practices. Gradually, their beliefs began to spread across the country and across the Channel to France, the principles of which found resonance during the French Revolution and even across the Atlantic to America. At a time, today, when the history of slavery is the subject of considerable debate worldwide, this revealing insight into the abolitionist movement, which demonstrates how ordinary men and women battled against governments and the establishment, needs to be told. _The Battle Against Slavery_ adds an important dimension to the continuing debate over Britain's, and other nations', involvement in the slave trade and demonstrates how the determination of just a few right-minded people can change world opinion forever.

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NEW YORK TIMES BESTSELLER Power couple Marlo Thomas and Phil Donahue have created a compelling and intimate collection of intriguing conversations with famous couples about their enduring marriages and how they have made them last through the challenges we all share.What makes a marriage last? Who doesn’t want to know the answer to that question? To unlock this mystery, iconic couple Marlo Thomas and Phil Donahue crisscrossed the country and conducted intimate conversations with forty celebrated couples whose long marriages they’ve admired—from award-winning actors, athletes, and newsmakers to writers, comedians, musicians, and a former U.S. president and First Lady. Through these conversations, Marlo and Phil also revealed the rich journey of their own marriage. What Makes a Marriage Last offers practical and heartfelt wisdom for couples of all ages, and a rare glimpse into the lives of husbands and wives we have come to know and love. Marlo and Phil’s frequently funny, often touching, and always engaging conversations span the marital landscape—from that first rush of new love to keeping that precious spark alive, from navigating hard times to celebrating triumphs, from balancing work and play and family to growing better and stronger together. At once intimate, candid, revelatory, hilarious, instructive, and poignant, this book is a beautiful gift for couples of every age and stage.Featuring interviews with:Alan and Arlene Alda • Kevin Bacon and Kyra Sedgwick President Jimmy and Rosalynn Carter • James Carville and Mary Matalin Deepak and Rita Chopra • Patricia Cornwell and Staci Gruber Bryan Cranston and Robin Dearden • Billy and Janice Crystal Jamie Lee Curtis and Christopher Guest • Ted Danson and Mary Steenburgen Viola Davis and Julius Tennon • Gloria and Emilio EstefanMichael J. Fox and Tracy Pollan • Chip and Joanna Gaines Sanjay and Rebecca Gupta • Mariska Hargitay and Peter Hermann Neil Patrick Harris and David Burtka • Ron and Cheryl Howard Jesse and Jacqueline Jackson • Elton John and David Furnish John and Justine Leguizamo • LL COOL J and Simone I. Smith Melissa McCarthy and Ben Falcone • John McEnroe and Patty Smyth Mehmet and Lisa Oz • Rodney and Holly Robinson Peete Letty Cottin Pogrebin and Bert Pogrebin • Rob and Michele Reiner Kelly Ripa and Mark Consuelos • Al Roker and Deborah Roberts Ray and Anna Romano • Tony Shalhoub and Brooke Adams Judges Judy and Jerry Sheindlin • George Stephanopoulos and Ali Wentworth Sting and Trudie Styler • Capt. Chesley “Sully” and Lorrie Sullenberger Lily Tomlin and Jane Wagner • Judith and Milton Viorst Judy Woodruff and Al Hunt • Bob Woodward and Elsa Walsh

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The fully revised second edition of the Encyclopedia of Heart Diseases is an ideal resource for practicing clinicians and researchers. Available in print, online, and with dual access, it is a clear and comprehensive aggregation of the most crucial information and essential data on cardiovascular diseases and therapeutics.Comprised of over 95 entries with regular online updates, the Encyclopedia of Heart Diseases is fully referenced, and major points of interests are hyperlinked to complementary sections. Each entry is logically and superbly written, providing accurate core knowledge of pathogenesis, pathophysiology, clinical features, diagnostic techniques, and management strategies. Specific detail is paid to technological advances in imaging and diagnostics. Therapy focused entries give powerful insights into not only prescribing drug regimens, but also into the controversies surrounding their use.This major reference work is invaluable for all those involved in the care of cardiovascular patients. From the front-line practitioner to the basic science researcher to the student in training, the Encyclopedia of Heart Diseases offers an astute authoritative guide to navigating an immense body of fascinating information. From the trainee to the internist and cardiologist, all will find it useful. It is an essential resource for medical libraries and academic institutions worldwide. From the Foreword:So, what would we want from an encyclopedia on heart disease? Ideally, a book would be comprehensive, yet concise, and be practically oriented, and explain pathophysiology and treatment. In addition, it should be accessible online so that it can be accessed at the bedside or anywhere.Dr. Khan has written exactly such a book. Encyclopedia of Heart Diseases is comprehensive, yet concise, and very practically oriented. Importantly, it takes a step-by-step approach, walking the reader through a thorough pathophysiology of conditions, their evaluation and treatment. For therapies, he provides the mechanism of the drug, its doses, side effects and clinical efficacy....A terrific online resource with all the information you need!- Christopher P. Cannon, MD, TIMI Study Group, Brigham and Women's Hospital, Harvard Medical School, Boston, MA, USA

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Culture is the lens through which we make sense of the world. In any conflict, from petty disputes to wars between nation-states, the players invariably view that conflict through the filter of their own cultural experiences. This innovative volume prompts us to pause and think through our most fundamental assumptions about how conflict arises and how it is resolved. Even as certain culturally based disputes, such as the high-profile cases in which an immigrant engages in conduct considered normal in the homeland but which is explicitly illegal in his/her new country, enter public consciousness, many of the most basic intersections of culture and conflict remain unexamined. How are some processes cultured, gendered, or racialized? In what ways do certain groups and cultures define such concepts as "justice" and "fairness" differently? Do women and men perceive events in similar fashion, use different reasoning, or emphasize disparate values and goals? Spanning a wide array of disciplines, from anthropology and psychology to law and business, and culling dozens of intriguing essays, The Culture and Conflict Reader is edited for maximum pedagogical usefulness and represents a bedrock text for anyone interested in conflict and dispute resolution. Contributors include: Kevin Avruch, Peter W. Black, Jeffrey Z. Rubin, Frank E. A. Sander, John Paul Lederach, Heather Forest, Sara Cobb, Janet Rifkin, Ryunosuke Akutagawa, Laura Nader, Pat Chew, Stella Ting-Toomey, Harry C. Triandis, Christopher McCusker, C. Harry Hui, Anita Taylor, Judi Beinstein Miller, Carol Gilligan, Trina Grillo, James W. Grosch, Karen G. Duffy, Paul V. Olczak, Michele Hermann, Martha Chamallas, Loraleigh Keashly, Phil Zuckerman, Tracy E. Higgins, Howard Gadlin, Janie Victoria Ward, Kyeyoung Park, Taunya Lovell Banks, Margaret Read MacDonald, Mary Patrice Erdmans, Manu Aluli Meyer, Doriane Lambelet Coleman, Bruce D. Bonta, Paul E. Salem, Mohammed Abu-Nimer, Marc H. Ross, Z.D. Gurevitch, Mari J. Matsuda, Charles R. Lawrence III, Hsien Chin Hu, Glenn R. Butterton,Walter Otto Weyrauch, Maureen Anne Bell, Martti Gronfors, Thomas Donaldson, Marjorie Shostak, and Heather Forest.

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When the UN invaded the Freehold of Grainne, the intent was simple: Force a noncompliant star nation back into the collective. What the politicians hadn't accounted for was that the Freehold had spent 200 years as the haven for every independent, rebellious, self-reliant adventurer in human space. Its military are scattered remnants, its bases smoking ruins, its cities occupied. But Grainne and its space habitats have resources beyond measure. Retired intelligence agents, disabled veterans, animal handlers, petty smugglers, half-lame computer specialists, research scientists, professional duellists, all have one goal in mind: Make the invaders suffer for their presumption. This isn't just resistance. It's vengeance. Stories by: Larry Correia Michael Z. Williamson Brad R. Torgersen Mike Massa Kacey Ezell Robert E. Hampson John F. Holmes Marisa Wolf Justin Watson Jason Cordova Jamie Ibson Jessica Schlenker Christopher Dinote Philip Wohlrab Rob Reed Chris Smith Praise for Forged in Blood: “The anthology celebrates soldiers and their tools. . . . Most of all, it celebrates warriors and the stuff that makes them so—the mettle more than the metal.”—Tangent "Fans of combat science fiction will find this collection irresistible…an entertaining and engaging book."—The Daily News of Galveston County About Michael Z. Williamson: “A fast-paced, compulsive read . . . will appeal to fans of John Ringo, David Drake, Lois McMaster Bujold, and David Weber.”—Kliatt “Williamson's military expertise is impressive.”—SF Reviews Novels of Michael Z. Williamson's Freehold Universe: Freehold series Freehold The Weapon The Rogue Contact with Chaos Angeleyes Freehold: Forged in Blood Ripple Creek series Better to Beg Forgiveness . . . Do Unto Others . . . When Diplomacy Fails . . . Standalone A Long Time Until Now

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Salvation and human flourishingâa life marked by fulfillment and well-beingâhave often been divorced in the thinking and practice of the church. For the apostle Paul, however, the two were inseparable in the vision for the good life. Drawing on the revolutionary teachings and kingdom proclamation of Jesus, Paul and the early church issued a challenge to the ancient world's dominant narratives of flourishing. Paul's conviction of Jesus' universal Lordship emboldened him to imagine not just another world, but this world as it might be when transformed. With Paul and the Good Life , Julien Smith introduces us afresh to Paul's vision for the life of human flourishing under the reign of Jesus. By placing Paul's letters in conversation with both ancient virtue ethics and kingship discourse, Smith outlines the Apostle's christologically shaped understanding of the good life. Numerous Hellenistic philosophical traditions situated the individual cultivation of virtue within the larger telos of the flourishing polis . Against this backdrop, Paul regards the church as a heavenly commonwealth whose citizens are being transformed into the character of its king, Jesus. Within this vision, salvation entails both deliverance from the deforming power of sin and the re-forming of the person and the church through embodied allegiance to Jesus. Citizenship within this commonwealth calls for a countercultural set of virtues, ones that foster unity amidst diversity and the care of creation. Smith concludes by enlisting the help of present-day interlocutors to draw out the implications of Paul's argument for our own context. The resulting conversation aims to place Paul in engagement with missional hermeneutics, spiritual disciplines, liturgical formation, and agrarianism. Ultimately, Paul and the Good Life invites us to imagine how citizens of this heavenly commonwealth might live in the in-between time, in which Jesus's reign has been inaugurated but not consummated.

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Claude Debussy's Paris was factionalized, politicized, and litigious. It was against this background of ferment and change--which characterized French society and music from the Franco-Prussian War to World War I--that Debussy re-thought music. This book captures the complexity of the composer's restless personal and artistic identity within the new picture emerging of the musical, social, and political world of fin-de-siecle Paris. Debussy's setting did not simply mold his style. Rather, it challenged him to define a style and then to revamp it again and again as he situated himself simultaneously via the present and the past. These essays trace Debussy's perpetual reinvention, both social and creative, from his earliest to his last works. They explore tensions and contradictions in his best-known compositions and examine lesser-known pieces that reveal new aspects of Debussy's creative appropriation from poetry, painting, and non-Western music. The contributors reveal the extent to which Debussy's personal and professional lives were intertwined and sometimes in conflict. Belonging to no one group or class, but crossing many, Debussy abjured the orthodox. A maverick who reviled all convention and searched for a music that authentically reflected experience, Debussy balked at entering any situation--salons, musical societies, or factions--that would categorize and thus distort him. Because of this, music lovers still argue over the degree to which Debussy's music is Impressionist, symbolist, or even French. Aptly, the volume's editor reads Debussy's last works as a dialogue with himself that reflects his inherently pluralistic, paradoxical, negotiated, and ever-changing identity. William Austin's description of Debussy as "one of the most original and adventurous musicians who ever lived" is often repeated. This book illustrates how right Austin was and shows why Debussy's unclassifiable art continues to fascinate and perplex his historians even as it enthralls new listeners. The contributors are Leon Botstein, Christophe Charle, John Clevenger, Jane F. Fulcher, David Grayson, Brian Hart, Gail Hilson-Woldu, and Marie Rolf.

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If you love Helen Hoang, Abby Jimenez and Talia Hibbert, you'll LOVE Farrah Rochon!One of Cosmopolitan's '12 Books You'll Be Desperate to Read This Summer' and one of Oprah Magazine's Best Romances of 2020!'A prime example of how complex and insightful romances can be' Jasmine Guillory'Relatable and real... I smiled the whole time I was reading' Andie J. Christopher'The free-spirited, tell-it-like-it-is page-turner you've been looking for!' Kwana JacksonWhat happens when three women discover, thanks to the live tweeting of a disastrous date, that they've all been duped by the same man? They become friends of course!Three friends. One pact. And a temptation to break the rules... Samiah Brooks never thought she would be 'that' girl. But a live tweet of a horrific date reveals the painful truth: she's been catfished by her three-timing jerk of a boyfriend. Suddenly Samiah - along with the two other 'girlfriends', London and Taylor - have gone viral. Now the three new besties are making a six-month pact: no men, no dating, just time to focus on themselves. This means Samiah can finally focus on her exciting career in app development - so having the deliciously sexy and distracting Daniel Collins walk into her office definitely isn't part of her plan... But is Daniel really boyfriend material - or is he simply too good to be true?'A multilayered story about friendship, love, and following your dreams - all of it told with heart and emotion' Nalini Singh'Funny, fresh, sexy, and heartfelt. This is my new favorite romance series' Suzanne Brockmann'A smart, funny digital-age romance about real women living in the real world. Couldn't put it down!' Abby Jimenez'A masterpiece of modern-day Jane Austen with effortless, razor-sharp social commentary, romance, and humor. Farrah Rochon is one of the absolute best romance writers today. Period' Kristan Higgins'Swoon-worthy romance, the power of true friendship, and a grand gesture that makes your heart sigh with pure satisfaction. Absolutely a must-read summer romance!' Priscilla Oliveras'Rochon is a romance master who adeptly writes interesting and dynamic characters... A richly layered conflict adds depth and complexity to this charming workplace romance' Kirkus

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'Satisfying and entertaining.' - RT Book Reviews'Entertaining.... Holt has a zany humor that will appeal to fans of Terry Pratchett and Christopher Moore.' - Library JournalA HAPPY WORKFORCE, IT IS SAID, IS A PRODUCTIVE WORKFORCE.Try telling that to an army of belligerent goblins. Or the Big Bad Wolf. Or a professional dragon slayer. Who is looking after their well-being? Who gives a damn about their intolerable working conditions, lack of adequate health insurance, and terrible coffee in the canteen?Thankfully, with access to an astonishingly diverse workforce and limitless natural resources, maximizing revenue and improving operating profit has never really been an issue for the one they call 'the Wizard.' Until now.Because now a perfectly good business model-based on sound fiscal planning, entrepreneurial flair, and only one or two of the infinite parallel worlds that make up our universe-is about to be disrupted by a young man not entirely aware of what's going on.There's also a slight risk that the fabric of reality will be torn to shreds. You really do have to be awfully careful with these things.A story of overlords, underlings and inhuman resources, The Outsorcerer's Apprentice isthe hilarious new novel from comic fantasist Tom Holt.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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