Search results for ""author jan"

'Superb - a great book to fuel your wanderlust.' Mark Beaumont'The ultimate running book, showcasing the ultimate running adventure.' Sean Conway---In 2019, Nick Butter became the first person to run a marathon in every country on Earth. This is Nick's story of his world record-breaking adventure and the extraordinary people who joined him along the way.On January 6th 2018, Nick Butter tied his laces and stepped out on to an icy pavement in Toronto, where he began to take the first steps of an epic journey that would see him run 196 marathons in every one of the world's 196 countries. Spending almost two years on the road and relying on the kindness of strangers to keep him moving, Nick's odyssey allowed him to travel slowly, on foot, immersing himself in the diverse cultures and customs of his host nations.Running through capital cities and deserts, around islands and through spectacular landscapes, Nick dodges bullets in Guinea-Bissau, crosses battlefields in Syria, survives a wild dog attack in Tunisia and runs around an erupting volcano in Guatemala. Along the way, he is often joined by local supporters and fellow runners, curious children and bemused passers-by. Telling their stories alongside his own, Nick captures the unique spirit of each place he visits and forges a new relationship with the world around him.Running the World captures Nick's journey as he sets three world records and covers over five thousand miles. As he recounts his adventures, he shares his unique perspective on our glorious planet, celebrates the diversity of human experience, and reflects on the overwhelming power of running.

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It has been called a "Noble Possession", abused as "A Nest of Corsairs" and extolled as "The Pearl of the Mediterranean". This city of Tripoli, one of the oldest on both the Mediterranean and the fringes of the Sahara, and never deserted, has meant many different things to many different people over the past 2,500 years. To its first outside visitors, the trading Phoenicians, it was a safe haven and a market. To its later Roman colonizers it was an outlet for the low grade pastoral produce of its Saharan hinterland. Under Muslim Arab rule it became a wealthy transit market, trading with three continents, while under its Turkish and Karamanli rulers, it was notorious for its corsair galleys that preyed on the merchant shipping of the Central and Eastern Mediterranean. After the Napoleonic Wars the city took on a new role as a base for the trans-Saharan exploration and penetration of inner Africa, with British pioneers followed by Germans, French and Italians. In 1911 Italy invaded this last remaining Turkish possession in North Africa, soon transforming a neglected exiles' outpost into an imposing capital symbolizing Fascist imperial pretensions. Tripoli's fall to the British Eighth Army in January 1943 was seen as a turning point in World War Two, while in 1951 its role as joint capital of the newly-independent Kingdom of Libya marked the start of Africa's post- colonial era. Oil found in Libya in the 1950s and 1960s made Tripoli rich - and a prize that fell in 1969 to the rising forces of Arab nationalism personified by Colonel Muammar Gaddafi. During his 42 years of eccentric rule, Tripoli was transformed into a mega-city, one hundred times greater in extent and population that it had been a century earlier. But by 2015 continuing post-Gaddafi anarchy and depleting oil reserves made the city's future seem as precarious and uncertain as ever it had been. Mixing personal observation and research with accounts from foreign travellers and residents, John Wright reveals the reality of this unique, remarkable and ever-vibrant city: a city with special social, cultural and linguistic "flavours" that not even visitors from other parts of the Arab World can always understand or define.

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More than two years after the U.S. invasion of Iraq, a loosely organized insurgency continues to target American and Coalition soldiers, as well as Iraqi security forces and civilians, with devastating results. In this sobering account of the ongoing violence, Ahmed Hashim, a specialiston Middle Eastern strategic issues and on irregular warfare, reveals the insurgents behind the widespread revolt, their motives, and their tactics. The insurgency, he shows, is not a united movement directed by a leadership with a single ideological vision. Instead, it involves former regime loyalists, Iraqis resentful of foreign occupation, foreign and domestic Islamist extremists, and elements of organized crime. These groups have cooperated with one anotherin the past and coordinated their attacks; but the alliance between nationalist Iraqi insurgentson the one hand and religious extremists has frayed considerably.The U.S. led offensive to retake Fallujah in November 2004 and the success of the elections for the Iraqi National Assembly in January 2005 have led more 'mainstream' insurgent groups to begin thinking of reinforcing the political arm of their opposition movement and to seek political guarantees for the Sunni Arab community in the new Iraq. Hashim begins by placing the Iraqi revolt in its historical context. He next profiles the various insurgent groups, detailing their origins, aims, and operational and tactical modi operandi. He concludes with an unusually candid assessment of the successes and failures of the Coalition's counter-insurgency campaign. Looking ahead, Hashim warns that ethnic and sectarian groups may soon be pitted against one another in what will be a fiercely contested fight over who gets what in the new Iraq.Evidence that such a conflict is already developing does not augur well for Iraq's future stability. Both Iraq and the United States must work hard to ensure that slow but steady success over the insurgency is not overshadowed by growing ethno-sectarian animositiesas various groups fight one another for the biggest slice of the political and economic pie. In place of sensational headlines, official triumphalism, and hand-wringing, "Insurgency and Counter-Insurgency in Iraq" offers a clear-eyed analysis of the increasingly complex violence that threatens the very future of Iraq.

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THE SUNDAY TIMES BESTSELLER'Tessa Dunlop...succeeds in weaving a rich tapestry of experiences.' Independent‘A warm-hearted and engaging read, The Century Girls is replete with wonderful characters.’ Sunday Express'A delightful book... all about women and women's lives.' Jane Garvey, Radio 4 Woman's Hour 'It’s a brilliant book… It’s fantastic!' Chris Evans, Radio 2 Breakfast ShowA celebration of the one-hundred years since British women got the vote, told, in their own voices, by six centenarians: Helena, Olive, Edna, Joyce, Ann and Phyllis – The Century Girls​In 2018, Britain celebrated the centenary of some women getting the vote. The intervening ten decades have witnessed staggering change, and The Century Girls features six women born in 1918 or before who haven’t just witnessed that change, they’ve lived it. Empire shrank, war came and went, and modern society demanded continual readjustment.... the Century Girls lasted the course, and this book weaves together their lifetime’s adventures – what they were taught, how they were treated, who they loved, what they did and where they are now. With stories that are intimately knitted into the history of the British Isles, this is a time-travel epic featuring our oldest, most precious national treasures. Edna, 102, was a domestic servant born in Lincolnshire. Helena is 101 years old and the eldest of eight born into a Welsh farming family. Olive, 102, began life as a child of empire in British Guiana and was one of the first women to migrate to London after the war. There’s Ann, a 103-year-London bohemian; 100-year-old Phyllis, daughter of the British Raj, who has called Edinburgh home for nearly eighty years; and finally ‘young’ Joyce – a 99-year-old Cambridge classicist who’s still at work.It is through the prism of these women’s very long lives that The Century Girls provides a deeply personal account of British history over the past one hundred years. Their story is our story too.

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'This page-turning series never lets the reader down’ HARLAN COBENIN A PROFESSION LIKE THIS, YOU'RE BOUND TO MAKE ENEMIES . . . It all starts when Dr Temperance Brennan finds a box on her porch. Inside is a fresh human eyeball with GPS coordinates etched into it. They lead her to a macabre discovery in a Benedictine Monastery, and soon after she discovers a mummified corpse in a state park. There seems to be no pattern to these killings, except that each mimics a killing connected to something a younger Tempe experienced, or barely escaped. Someone is targeting her, and she needs to figure out why before they strike again. And then her daughter Katy disappears. Someone is playing a dangerous game with Tempe. And they won’t stop until they have taken everything from her . . .Electrifying, heart-stopping and compulsive, this is Tempe’s most personal and dangerous case yet . . .PRAISE FOR KATHY REICHS ‘A thing of clever beauty – smart, scary, complicated, and engrossing from the first sentence' MICHAEL CONNELLY ‘Reanimates all the ghosts from Temperance Brennan’s forensic past until they thoroughly haunt her present . . . This page-turning series never lets the reader down’ HARLAN COBEN ‘Masterfully constructed’ J.A. JANCE 'A mystery within a mystery that invites you to get into the action, complete with twisting turns and heart-stopping dives into the unknown . . . The crowning achievement of a master storyteller' NELSON DeMILLE 'I await the next Kathy Reichs’ thriller with the same anticipation I have for the new Lee Child or Patricia Cornwell' JAMES PATTERSON 'Over the course of twenty books, Kathy Reichs and Tempe Brennan have thrilled readers with pacey, mazey tales . . . We readers are truly grateful' IAN RANKIN ‘Reichs, skilfully using the conventions of the mystery novel, forces the reader to face up to the obscene realities of death time and time again. At work and a play she gets under your skin’ THE TIMES 'A thrilling read from one of my favorite writers' KARIN SLAUGHTER 'One of the absolute best thrillers of the year! I can’t recall when this many twists have been so masterfully woven into a novel.' JEFFERY DEAVER 'The Queen of forensic crime' EVENING STANDARD

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees

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Yugoslavia, Rwanda, Liberia, Somalia, Azerbaijan, El Salvador, Northern Ireland, Lebanon, Cambodia -- all provide bloody evidence that civil wars continue to have a powerful impact on the international scene. Because they tear at the very fabric of a society and pit countryman against countryman, civil wars are often the most brutal and difficult to extinguish -- witness the American Revolution. And yet, civil wars do inevitably end. England is no longer criss-crossed by warring armies representing York and Lancaster or King and Parliament. The French no longer kill one another over the divine right of kings. Argentines seem reconciled to living in a single state, rather than several. The ideologies of the Spanish Civil War now seem largely irrelevant. And the possibility of Southern secession is an issue long-buried in the American past. The question then begs itself: how do people who have been killing one another with considerable enthusiasm and success come together to form a common government? How can individuals and factions work together, politically and economically, with others who have killed their friends, parents, children and lovers? How are armed societies disarmed? What effect does a total military victory have on a lasting peace? In sum, how are civil societies constructed from civil violence and chaos? This is the central concern of Stopping the Killing. In this highly original and much needed volume, a distinguished group of experts on civil wars discuss both specific conflicts and broader theoretical issues. Individual chapters examine civil wars in Colombia, the Sudan, Yemen, America, Greece, and Nigeria, and analyze the causes of peace, the relationship between the battlefield and the negotiating table, and issues of settlement. An introduction and conclusion by the editor unify the volume. Contributors include: Jonathan Hartlyn (Univ. of North Carolina), Caroline Hartzell (Univ. of California, Davis), Jane E. Holl (U.S. Military Academy), John Iatrides (Southern Connecticut State University), James O'Connell (University of Bradford), Donald Rothchild (Univ. of California, Davis), Stephen John Stedman (Johns Hopkins Univ.), Robert Harrison Wagner (Univ. of Texas, Austin), Harvey Waterman (Rutgers Univ.), Manfred Wenner (Northern Illinois Univ.), and I. William Zartman (Johns Hopkins Univ.).

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On January 21, 2017, massive demonstrations in Washington DC and sister marches held in over 600 American cities drew crowds of over four million people. Popularly called 'The Women's March,' it became the largest single-day protest in American history. The feminism that shaped the consciousness of millions in 2017 had distinct roots in the 1990s. In They Didn't See Us Coming, historian Lisa Levenstein argues we have missed much of the past quarter century of the women's movement because the conventional wisdom is that the '90s was the moment when the movement splintered into competing factions. But by showcasing voices and stories long overlooked by popular culture and scholars, They Didn't See Us Coming shows that this decade was actually a time of intense and international coalition building. This activism centered around the growing influence of women of color, women with disabilities, women from the global South, and people of ranging gender expressions and identities. Together, they built a movement from the margins. Exclusion sparked action. Moments like the 1995 Beijing Women's Conference, whose major players included Betty Friedan and Bella Abzug and where Hillary Clinton famously declared, 'Women's rights are human rights,' were also stages for less-remembered but no less important calls to action. Wheelchair riders staged a 'crawl in' protest when a panel on disabilities was held on the third floor of a building with no elevator-a consciousness-raising moment that informed much of the work around disabilities for the remainder of the decade. Meanwhile, new tools like e-mail, listservs, and discussion boards brought people with common purpose into instant contact; activists working on campuses and in culture, like Riot Grrls and Guerilla Girls, organized in ad hoc and less visible ways, without figureheads but with clarity of purpose. All this work reveals a thriving (but changing) women's movement. A necessary and fresh understanding of a transformative period in the history of American and international feminism, They Didn't See Us Coming also offers an urgent road map for thinking about organizing today and continuing to build on the work of these extraordinary activists.

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Among the great figures of Progressive Era reform, Edith and Grace Abbott are perhaps the least sung. Peers, companions, and coworkers of legendary figures such as Jane Addams and Sophonisba Breckinridge, the Abbott sisters were nearly omnipresent in turn-of-the-century struggles to improve the lives of the poor and the working-class people who fed the industrial engines and crowded into diverse city neighborhoods. Grace's innovative role as a leading champion for the rights of children, immigrants, and women earned her a key place in the history of the social justice movement. As her friend and colleague Eleanor Roosevelt wrote, Grace was "one of the great women of our day ...a definite strength which we could count on for use in battle." A Sister's Memories is the inspiring story of Grace Abbott (1878-1939), as told by her sister and social justice comrade, Edith Abbott (1876-1957). Edith recalls in vivid detail the Nebraska childhood, impressive achievements, and struggles of her sister who, as head of the Immigrants' Protective League and the U.S. Children's Bureau, championed children's rights from the slums of Chicago to the villages of Appalachia. Grace's crusade can perhaps be best summed up in her well-known credo: "Justice for all children is the high ideal in a democracy." Her efforts saved the lives of thousands of children and immigrants and improved those of millions more. These trailblazing social service works led the way to the creation of the Social Security Act and UNICEF and caused the press to nickname her "The Mother of America's 43 Million Children." She was the first woman in American history to be nominated to the presidential cabinet and the first person to represent the United States at a committee of the League of Nations. Edited by Abbott scholar John Sorensen, A Sister's Memories is destined to become a classic. It shapes the diverse writings of Edith Abbott into a cohesive narrative for the first time and fills in the gaps of our understanding of Progressive Era reforms. Readers of all backgrounds will find themselves engrossed by this history of the unstoppable, pioneer feminist Abbott sisters.

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New from the Winner of the Writers' Trust of Canada Marian Engel Award and the Governor General's Award for English Fiction Once touted as compendiums of human knowledge, the encyclopedias and handbooks of bygone eras now read quaintly, if not comically--yet within their musty pages are often found phrases of uncanny evocative power. Scrupulously stitching such fragments together, in a sequel to the Governor General's Award-winning Forms of Devotion, By The Book is a collection of verbal and visual collages whose alchemies transform long-dead texts into tales of enduring vitality. With her visually witty full-colour artwork and stories like "What Is A Hat? Where Is Constantinople? Who Was Sir Walter Raleigh? And Many Other Common Questions, Some With Answers, Some Without," and "Consumptives Should Not Kiss Other People: A Handy Guide to the Care and Maintenance of Your Family's Good Health," Schoemperlen's irreverent and ironic brand of nostalgia combines vintage kitsch with comic, creepy, unexpectedly moving yarns. Praise for By The Book "Diane Schoemperlen's By The Book is a bravura performance. Fragments, collage, assemblage, found poetry - none of the conventional words cover it for they miss the fantastic wit, the energy of humour, the divine ability to find comedic ore in the print detritus of our culture. She doesn't rescue texts; with her wicked sense of irony, she actually puts thought where there was none. She infects the banal with the virus of her own brain and makes it into art. Then she makes a picture of it--oh, dwell upon the details; there are whole novels lurking in the details."--Douglas Glover Praise for Diane Schoemperlen "Schoemperlen's inventive language and narrative structures encourage readers to be free 'from the prison of everyday thinking."--New York Times Book Review "Lovely, clever [and] imaginative."--Wall Street Journal "Cuttingly witty ...Schoemperlen could almost form a school of piquant and inventive fiction with Julie Hecht, Janet Kauffman, and Lydia Davis."--Booklist "There is no mistaking a Schoemperlen story--devoted to form, faithful to the mysteries of the everyday."--The Globe & Mail

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THE INSTANT SUNDAY TIMES BESTSELLER 'Landslide cuts deeper than any previous book about this president, indeed about any president' The Times'First there was Fire and Fury, then there was Siege, now there is Landslide. The third is the best of the three . . . Required reading' Guardian 'Michael Wolff concludes his Trump trilogy - with the best book yet . . . Unforgettable' Telegraph'Wolff is the shrewdest chronicler of Trump' Sunday Times__________________________________________'We won. Won in a landslide. This was a landslide.'President Donald J. Trump, 6 January 2021Politics has given us some shocking and confounding moments but none have come close to the careening final days of Donald Trump's presidency: the surreal stage management of his re-election campaign, his audacious election challenge, the harrowing mayhem of the storming of the Capitol and the buffoonery of the second impeachment trial. But what was really going on in the inner sanctum of the White House during these calamitous events? What did the president and his dwindling cadre of loyalists actually believe? And what were they planning?Drawing on an exclusive and wide range of sources who took part in or witnessed Trump's closing moments, Michael Wolff finds the Oval Office more chaotic and bizarre than ever before, a kind of Star Wars bar scene. At all times of the day, Trump, hunched behind the Resolute desk, is surrounded by schemers and unqualified sycophants who spoon-feed him the 'alternative facts' he hungers to hear - about COVID-19, Black Lives Matter protests, and, most of all, his chance of winning re-election. In this extraordinary telling of a unique moment in history, Wolff gives us front row seats as Trump's circle of plotters whittles down to the most enabling and the least qualified - and the president overreaches the bounds of democracy, entertaining the idea of martial law and balking at calling off the insurrectionist mob that threatens the hallowed seat of democracy itself.Michael Wolff pulled back the curtain on the Trump presidency with his globally bestselling blockbuster Fire and Fury. Now, in Landslide, he closes the door on the presidency with a final, astonishingly candid tale.

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“This book offers a broad and helpful definition of inclusive education – one which centres upon high quality, relevant and evidenced teaching and support.”Graeme Douglas, Professor of Disability and Special Educational Needs, University of Birmingham, UK“This book is a must-have for every teacher in primary and secondary schools and should be compulsory literature on all teacher training courses.”Marleen J. Janssen, Ph.D., Professor Inclusive and Special Needs Education, University of Groningen Institute for Deafblindness, The NetherlandsSupporting learners with Multisensory Impairment (MSI) (Deafblindness) requires a range of strategies and this book offers a synthesis of best practice with the latest theory and research. At a time when we are urgently calling for inclusive and equitable quality education and lifelong learning opportunities for all, there are significant gaps in research on educating children and young people with MSI and complex needsTo address this gap, this book brings together theoretical literature, the latest research studies, and a combination of best practices and effective educational strategies for learners with MSI and complex needs. Leda Kamenopoulou ensures the central focus is on learners with the most complex needs, for whom inclusion in education can be very challenging to achieve without bespoke strategies, flexibility and creativity.This book:•Provides a multitude of resources for those teaching learners with MSI and complex needs•Expands the understanding of inclusive education and advocates for a focus on the ‘quality of provision’•Features illustrative case studies, tools, and bespoke activities •Raises awareness and contributes to the current knowledge base around an under-explored disability•Presents evidence and practice-based strategies for including learners with MSI in any educational settingThis is a much-needed resource for student teachers, professionals, post-graduate researchers and academics in the field of MSI, sensory and complex needs, and all those interested in making inclusive and equitable quality education a reality for all. Leda Kamenopoulou is an Associate Professor at the Department of Psychology and Human Development, IOE, UCL’s Faculty of Education and Society, UK. Her teaching, research and publications focus on Multisensory Impairment (Deafblindness), inclusive education within different contexts, and preparing teaching professionals for meeting the needs of all learners.

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‘Lovely heart-warming story! I smiled a lot and laughed… Loved every minute of it!’ NetGalley reviewer,⭐⭐⭐⭐⭐ One lost engagement ring. One chance encounter. A summer that changes Ruby’s life forever… After years of dating losers, cheats and one guy who did something unrepeatable to her kettle, Ruby has all but given up on romance. But then a stranger sits next to her on a train to London and explains his plan to propose to the woman of his dreams. Maybe true love does exist after all? When the man accidentally leaves the engagement ring behind, Ruby is determined to save the day. But she hasn't counted on fellow passenger Curtis stepping in and insisting he should be the one to track the stranger down. As summer closes in, the unlikely pair make a promise to reunite the ring with its owner. But can they find their own happy ever after along the way? The absolutely perfect summer read you’ve been waiting for! Fans of Cathy Bramley, Katie Fforde and Milly Johnson will be totally hooked! Winner of the Jane Wenham-Jones Award for Romantic Comedy 2022 The Promise of Summer was originally published as a four-part serial. This is the complete story in one package. Readers love The Promise of Summer! ‘Fantastic read! A hilarious and heart-warming read that I couldn’t have loved anymore!… Perfect, feel good, summer read.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘I loved this book! It makes you feel all warm and fuzzy inside… A perfect summer read.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘Fantastic… I read this book in two days, I couldn’t put it down… I would recommend this to all my friends.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘If I could give more than 5⭐I would… It’ll keep you turning the pages.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘I devoured this book in one sitting!’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘As sweet as summer pudding, this book brims with fun, romance and friendship.’ Milly Johnson ‘It’s been a long time since the love story in a book has given me butterflies in my tummy and a lump in my throat, but this wonderful book delivered.’ NetGalley reviewer, ⭐⭐⭐⭐⭐

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THE BOOK AT THE TOP OF THEIR CHRISTMAS LIST**Selected for BBC 2 Between the Covers 2023****WINNER Crime Novel of the Year, Irish Book Awards 2023**Sally Diamond cannot understand why what she did was so strange. She was only doing what her father told her to do, to put him out with the rubbish when he died.Now Sally is the centre of attention, not only from the hungry media and police detectives, but also a sinister voice from a past she cannot remember. As she begins to discover the horrors of her childhood, Sally steps into the world for the first time, making new friends and big decisions, and learning that people don't always mean what they say.But who is the man observing Sally from the other side of the world? And why does her neighbour seem to be obsessed with her? Sally's trust issues are about to be severely challenged . . .*****'In Sally Diamond, Nugent has given us an astounding creation with a singular voice . . . an absorbing, twisty, compulsive psychological thriller with surprising humour and pathos' Sunday Independent'Strikingly well-observed and consistently surprising' The Times'Incredible' Sara Cox'Strange indeed . . . and smart, too! Shocking, disturbing and utterly original, Strange Sally Diamond will grip you from first page to last' Paula Hawkins'Irresistibly compelling, this dark story is shocking yet endearing. A brilliant read that will suck you in' Crime Monthly'Liz Nugent has outdone herself. Twisted and twisty, dark and gripping, no one is going to forget Sally Diamond in a hurry!' Graham Norton'It creeped me out (in a good way) . . . Terrific' Ian Rankin'Dark, compelling and deeply moving' Ruth Ware'So, so good! Sally gets under your skin and worms her way into your heart. I didn't want it to end' Jane Fallon'I'm lost in admiration for Liz and her writing . . . vivid, pacy, taut but so very moving' Marian Keyes'Jaw-droppingly clever . . . One of the best books I've read in a long, long time. I can't stop thinking about it' Lucy Foley'An outstanding achievement which transforms the dark psychological thriller map with both bravura and delicacy. One for the ages' Maxim Jakubowski

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A missing woman. A husband suspected.The truth will … Take Your Breath Away Linwood Barclay is… ‘A suspense master’ Stephen King ‘In a class of his own’ T.M. Logan‘One of the finest thriller writers in the world’ Mark Billingham It’s always the husband, isn’t it? When his wife Brie vanishes from their home one night, never to be seen again, people assume Andy got away with murder. The police can’t build a case against him, but still his friends and neighbours abandon him. Six years later, Andy’s life is back on track, and he’s settled with a new girlfriend. And when he hears his old house has been bulldozed and rebuilt, he’s not bothered. Things are good. But then one day, a woman who looks like Brie shows up at their old address, screaming ‘Where’s my house? What happened to my house?’ before vanishing as quickly as she appeared. And as dark suspicions resurface, Andy’s future depends on discovering what the hell is going on. The trick is staying alive long enough to find out… PRAISE FOR LINWOOD BARCLAY: ‘A suspense master’ STEPHEN KING ‘A full-throttle powerhouse of a thriller – Linwood Barclay is in a class of his own’ T.M. LOGAN ‘One of the finest thriller writers in the world’ MARK BILLINGHAM ‘The twists keep coming’ THE TIMES 'No one can thrill you and chill you better than Barclay' TESS GERRITSEN ‘Another lightning-paced page-turner with a twist that really did take my breath away. Absolutely classic Linwood’ MARK EDWARDS ‘Gripping, propulsive, and surprising – he wasn’t kidding, I’m breathless’ DAVID KOEPP ‘If you want someone to jangle your nerves and mess with your mind, Barclay’s your man’ SAGA 'Nothing is more satisfying than tucking into a new Linwood Barclay novel' SHARI LAPENA ‘[Exhibits] Barclay’s remarkable strengths in plotting and characterisation. Perhaps only John Grisham is his equal in creating show-stealing supporting characters’ SUNDAY TIMES ‘Linwood Barclay is a stone-cold pro’ JOE HILL ‘A fast-moving, high-concept thriller from the talented Barclay … a rip-roaring rollercoaster of a ride’ DAILY MAIL

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As seen on The 700 Club! HE WAS THERE! Apple Records former US manager Ken Mansfield takes a touching and comprehensive look back on one of Rock’n’Roll’s most significant events, while bringing an insider’s perspective to the days leading up to those 42 fascinating minutes of the Beatles monumental Rooftop Concert.There are moments in time that cause us to stop and take notice of where we were and what we were doing when they happen in order to commit the experience to memory—how it made us feel, who was there with us, why it felt important. January 30, 1969 was one of those moments. There are those who were on the periphery of the event that day and heard what was going on; but as one of the few remaining insiders who accompanied the Beatles up onto the cold windswept roof of the Apple building, Ken Mansfield had a front row seat to the full sensory experience of the moment and witnessed what turned out to be beginning of the end. Ken shares in The Roof: The Beatles Final Concert, the sense that something special was taking place before his eyes that would live on forever in the hearts and souls of millions. As the US manager of Apple, Ken Mansfield was on the scene in the days, weeks, and months leading up to this monumental event. He shares his insights into the factors that brought them up onto that roof and why one of the greatest bands of all time left it all on that stage. Join Ken as he reflects on the relationships he built with the Fab Four and the Apple corps and what each player meant to this symphony of music history.

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From Harold Bloom, one of the greatest Shakespeare scholars of our time, comes an intimate, wise, deeply compelling portrait of Cleopatra—one of the Bard’s most riveting and memorable female characters—in “a masterfully perceptive reading of this seductive play’s endless wonders” (Kirkus Reviews).Cleopatra is one of the most famous women in history—and thanks to Shakespeare, one of the most intriguing personalities in literature. She is lover of Marc Antony, defender of Egypt, and, perhaps most enduringly, a champion of life. Cleopatra is supremely vexing, tragic, and complex. She has fascinated readers and audiences for centuries and has been played by the greatest actresses of their time, from Elizabeth Taylor to Vivien Leigh to Janet Suzman to Judi Dench. Award-winning writer and beloved professor Harold Bloom writes about Cleopatra with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are in high school and college and another when we are adults, Bloom explains his shifting understanding of Cleopatra over the course of his own lifetime. The book becomes an extraordinarily moving argument for literature as a path to and a measure of our own humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. With Cleopatra, “Bloom brings considerable expertise and his own unique voice to this book” (Publishers Weekly), delivering exhilarating clarity and inviting us to look at this character as a flawed human who might be living in our world. The result is an invaluable resource from our greatest literary critic.

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A crucial senatorial debate on the question of the states’ relationship to the federal government.Two generations after the founding, Americans still disagreed on the nature of the Union. Was it a confederation of sovereign states or a nation headed by a central government? To South Carolina Senator Robert Y. Hayne and others of his mindset, only the vigilant protection of states’ rights could hold off an attack on the southern way of life, which was undergirded by slavery. Massachusetts Senator Daniel Webster, on the other hand, believed that the political and economic ascendancy of New England—and the nation—required a strong, activist national government. In The Webster-Hayne Debate, Christopher Childers focuses on the sharp dispute that engaged Webster and Hayne in January 1830. During Senate discussion of western land policy, Childers explains, the senators’ exchanges grew first earnest and then heated, finally landing on the question of union—its nature and its value in a federal republic. Childers argues that both Webster and Hayne, and the factions they represented, saw the West as key to the success of their political plans and sought to cultivate western support for their ideas.A short, accessible account of the conflict and the related issues it addressed, The Webster-Hayne Debate captures an important moment in the early republic. Ideal for use in college classrooms or for readers interested in American history, this book examines a pivotal moment and a critical problem in the history of US politics. It also shows how Americans grappled with the issues of nationalism, sectionalism, and the meaning of union itself—issues that still resonate today.

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From the MTV trailblazer, stand-up comedian, and actor, a hilariously candid memoir that is an intimate, entertaining, and heartfelt tour through the exclusive, elusive, and eternally iconic world of ’90s pop culture.Imagine 50 Cent’s Hustle Harder, Hustle Smarter written by a nerdy Black kid from Newark, New Jersey, who made it big despite the skepticism of his family. That’s Top Billin'.Bill Bellamy is Carlton Banks’s slightly cooler and comedically inclined alter-ego—a guy who went against the grain and left a promising corporate career path to pursue comedy (much to the dismay of his family). Making the leap paid off—in ways Bill never expected. In Top Billin', he looks back at his time at MTV during the ’90s, when the cable music channel was at the epicenter of pop culture. He recounts his legendary interviews with the biggest pop stars—Tupac, Biggie, and Kurt Cobain—making friends with Janet Jackson, and even coining the infamous term “booty call” on HBO’s Def Comedy Jam. During his time at MTV, Bill broke color and class barriers, appearing four times a week on the network’s various programs, including MTV Jamz and MTV Beach House.Top Billin' is an exclusive, all-access backstage pass to Bill’s career and life. It’s all in here—memories, music, and unforgettable moments, including conversations with some of the decade’s legendary artists, the best of the ’90s celebri-tea, nostalgia, and insights on what it meant to be a tastemaker during one of the most exciting and innovative periods in music and American pop culture history.

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On 8 March, 1965, 3,500 United States Marines of the 9th Marine Expeditionary Brigade made an amphibious landing at Da Nang on the south central coast of South Vietnam, marking the beginning of a conflict that would haunt American politics and society for many years, even after the signing of the Paris Peace Accords in January 1973. For the people of North Vietnam it was just another in a long line of foreign invaders. For two thousand years they had struggled for self-determination, coming into conflict during that time with the Chinese, the Mongols, the European colonial powers, the Japanese and the French. Now it was the turn of the United States, a far-away nation reluctant to go to war but determined to prevent Vietnam from falling into Communist hands. A Short History of the Vietnam War explains how the United States became involved in its longest war, a conflict that, from the outset, many claimed it could never win. It details the escalation of American involvement from the provision of military advisors and equipment to the threatened South Vietnamese, to an all-out shooting war involving American soldiers, airmen and sailors, of whom around 58,000 would die and more than 300,000 would be wounded. Their struggle was against an indomitable enemy, able to absorb huge losses in terms of life and infrastructure. The politics of the war are examined and the decisions and ambitions of five US presidents are addressed in the light of what many have described as a defeat for American might. The book also explores the relationship of the Vietnam War to the Cold War politics of the time.

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Those Flat Share Girls is a collection of light verse, written in easy to read rhyming couplets, containing an old man’s recollections of his young life in London in the 1960s. It begins in January 1960, when he bids his school goodbye with the thought that: I knew I’d never use again A logarithm or a sine But the trappings of a cultured mind I knew exactly where to find. And, not long after this, while strolling to a local coffee bar, he and a friend sense that: There was a fire about to burn And of that flame we had both caught a spark. That warm summer’s evening in Grovelands Park. And so, life moves forward through the years with the usual parties and musical delights of the superb jazz bands to be found performing in the back rooms of pubs for twopence ha’penny and the emerging electric bands who would sell black rhythm and blues back to the USA. Unfortunately, he misses most of this scene’s excitement because: Far from the fuss and ballyhoo I was on my way to Kathmandu On what became known as the Hippie Trail. Then onwards to a couple of years in Australia as a roustabout ‘swagman’. A few further adventures follow, an attempt to walk the Pennine Way amongst them; and there are several unconsummated romances along the way until he eventually finds himself ‘complete’ in the comforting arms of a loving wife. And finally, back in a local park, an old man minding a friend’s dog. He sits observing the changed world of 2022, sixty odd years after he sensed a fire about to burn and ponders contentedly: There really is no better place To see first-hand the changing face Of our noble, ancient ‘Island Race’ Than in a local park on a Sunday morn …

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* WINNER OF THE CRIME FICTION LOVER BEST DEBUT NOVEL AWARD * 'An absolute roller-coaster of a read' - DAILY MAIL 'The most fun you're ever likely to have with a hammer-wielding maniac' - DAILY EXPRESS 'Refreshingly original and laugh-out-loud funny' - CLARE MACKINTOSH I have a gift. I see people as ghosts before they die. Of course, it helps that I'm the one killing them. The night after her father's funeral, Claire meets Lucas in a bar. Lucas doesn't know it, but it's not a chance meeting. One thoughtless mistyped email has put him in the crosshairs of an extremely put-out serial killer. But even before they make eye contact, before Claire lets him buy her a drink, before she takes him home and carves him up into little pieces, something about that night is very wrong. Because someone is watching Claire. Someone who is about to discover her murderous little hobby. The thing is, it's not sensible to tangle with a part-time serial killer, even one who is distracted by attending a weekly bereavement support group and trying to get her art career off the ground. Claire will do anything to keep her secret hidden - not to mention the bodies buried in her garden. Let the games begin... Dexter meets Killing Eve in this superb thriller, perfect for fans of How To Kill Your Family and My Sister, the Serial Killer. 'A welcome addition to darkly humorous female serial killer novels' - GUARDIAN 'Delightfully shocking and irreverently funny' - JANICE HALLETT 'If Bret Easton Ellis ever went to grief counselling, this would be just the kind of brilliant book he'd write' - PHILIPPA EAST

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In the wake of the attack on the offices of Charlie Hebdo in Paris on 7 January 2015, millions took to the streets to demonstrate their revulsion, expressing a desire to reaffirm the ideals of the French Republic: liberté, égalité, fraternité. But who were the millions of demonstrators who were suddenly united under the single cry of ‘Je suis Charlie’?In this probing new book, Emmanuel Todd investigates the cartography and sociology of the three to four million who marched in Paris and across France and draws some unsettling conclusions. For while they claimed to support liberal, republican values, the real middle classes who marched on that day of indignant protest also had a quite different programme in mind, one that was far removed from their proclaimed ideal. Their deep values were in fact more reminiscent of the most depressing aspects of France’s national history: conservatism, selfishness, domination and inequality.By identifying the anthropological, religious, economic and political forces that brought France to the edge of the abyss, Todd reveals the real dangers posed to all western societies when the interests of privileged middle classes work against marginalised and immigrant groups. Should we really continue to mistreat young people, force the children of immigrants to live on the outskirts of our cities, consign the poorer classes to the remoter parts of the country, demonise Islam, and allow the growth of an ever more menacing anti-Semitism? While asking uncomfortable questions and offering no easy solutions, Todd points to the difficult and uncertain path that might lead to an accommodation with Islam rather than a deepening and divisive confrontation.

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Acclaimed by critics as a second F. Scott Fitzgerald, Billy Lee Brammer was once one of the most engaging young novelists in America. “Brammer’s is a new and major talent, big in scope, big in its promise of even better things to come,” wrote A. C. Spectorsky, a former staffer at the New Yorker. When he published his first and only novel, The Gay Place, in 1961, literary luminaries such as David Halberstam, Willie Morris, and Gore Vidal hailed his debut. Morris deemed it “the best novel about American politics in our time.” Halberstam called it “a classic . . . [a] stunning, original, intensely human novel inspired by Lyndon Johnson. . . . It will be read a hundred years from now.” More recently, James Fallows, Gary Fisketjon, and Christopher Lehmann have affirmed The Gay Place’s continuing relevance, with Lehmann asserting that it is “the one truly great modern American political novel.”Leaving the Gay Place tells a sweeping story of American popular culture and politics through the life and work of a writer who tragically exemplifies the highs and lows of the country at mid-century. Tracy Daugherty follows Brammer from the halls of power in Washington, DC, where he worked for Senate majority leader Johnson, to rock-and-roll venues where he tripped out with Janis Joplin, and ultimately to back alleys of self-indulgence and self-destruction. Constantly driven to experiment with new ways of being and creating—often fueled by psychedelics—Brammer became a cult figure for an America on the cusp of monumental change, as the counterculture percolated through the Eisenhower years and burst out in the sixties. In Daugherty’s masterful recounting, Brammer’s story is a quintessential American story, and Billy Lee is our wayward American son.

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'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig RobertsonSt. Andrews, Scotland: When a man's preserved body is discovered in a whisky ageing cask in the local Gleneden Distillery, DCI Andy Gilchrist and his partner, DS Jessie Janes, are assigned to the investigation. But when the dead man is identified as Hector Dunmore, the once heir-apparent of Gleneden Distillery, their investigation takes a dramatic turn, for Dunmore was reported missing 25 years earlier when his Land Rover was found abandoned on the outskirts of Mallaig, almost two hundred miles away on the Scottish west coast.Why hide a body in a 25-year ageing cask? And who would want Dunmore dead?Suspicion falls on Duncan Milne, the distillery manager at the time, but when Gilchrist learns that Milne died under suspicious circumstances the year Dunmore disappeared, he suspects they are looking at a double murderer. Gilchrist's efforts to resolve the murders forces him to dig deep into the Dunmore family's past, only to come up against a frightening killer who will stop at nothing to keep the darkest of family secrets from ever coming to light.PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'DCI Gilchrist gets under your skin. Though, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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From the contributors to The Conversation, this collection of essays by leading experts in biotechnology provides foundational knowledge on a range of topics, from CRISPR gene sequencing to the ethics of GMOs and "designer babies."In The Conversation on Biotechnology, editor Marc Zimmer collects essays from The Conversation U.S. by top scholars and experts in the field, who present a primer on the latest biotechnology research, the overwhelming possibilities it offers, and the risks of its abuse. From an overview of CRISPR technology and gene editing in GMOs to the ethical questions surrounding "designer babies" and other applications of biotechnology in humans, it highlights the major implications biotechnology will bring for health and society. Topics range from the spectacular use of light to fire individual neurons in the brain to making plant-based meats; from curbing diseases with genetically modified mosquitoes to looking back on 40 years of opinions on IVF babies.The Critical Conversations series collects essays from top scholars on timely topics, including water, biotechnology, gender diversity, gun culture, and more, originally published on the independent news site The Conversation U.S.Contributors: Nathan Ahlgren, Ivan Anishchenko, Trine Antonsen, Jennifer Barfield, Pedro Belda-Ferre, Ari Berkowitz, Adeline Boettcher, Jason Delbourne, Kevin Doxzen, Mo Ebrahimkhani, Eleanor Feingold, J. Benjamin Hurlbut, Cecile Janssens, Samira Kiani, Amanda Kowalczyk, Mariana Lamas, Andrew Lapworth, Rebecca Mackelprang, Kathleen Merrigan, Saman Naghieh, Sean Nee, Dimitri Perrin, Christopher Preston, Jason Rasgon, Penny Riggs, Jason Robert, Oliver Rogoyski, Gary Samore, Sahotra Sarkar, George E. Seidel, Patricia A. Stapleton, Craig W. Stevens, Paul B. Thompson, Christopher Tuggle, Vikramaditya G. Yadav, Marc Zimmer

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Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities. Levy revisits media characters that have caught the attention of the broader public – such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003-2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood – and argues that they have gradually blended in the public's perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, poverty and societal exclusion. Levy also questions what happens when global media flows take queer culture to regions wherein the notion of LGBTQ+ rights are not entirely acceptable. Utilizing insights from media reports published across the world's ten biggest media markets, Levy argues that there are a series of conditions which artists and cultural actors negotiate once they achieve any kind of success in mainstream media, while local queer references remain unseen in the wider media world. For that reason, he argues for stronger incentives for communities to accept and acknowledge the work of queer people before and after commoditization.

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Transport economics and policy analysis is a field which has seen major advances in methodology in recent decades. The transport sector has many unique characteristics - non-storability, economies of scale and scope, indivisibilities and the extensive production of positive and negative externalities that need careful consideration in any analysis. The aim of this Handbook is to provide an overview of the essential research methods with illustrations of how they are applied in practice.The book is divided into six sections - transport costs, externalities, transport demand, pricing and investment, deregulation and privatisation, and transport policy impacts. Each section comprises several chapters, divided by mode of transport or other relevant factor.Some of the unique features include: a comprehensive overview of methods used in transport economics and policy analysis from leading researchers in the field up-to-date methodology for analyzing transport costs and demand examples of how to value the full range of externalities of transport, including both costs and benefits guidance on how to assess the impact of privatisation and (de)regulation, with examples from local public transport, rail and air identification of the relevant factors involved in transport pricing, including roads, public transport, ports and airports an analysis of the neglected topic of equity in transport. This illustrative overview of research methods will be essential to researchers, students and practitioners in academia, government and business.Contributors: J. Bates, O. Betancor, B. de Borger, T. Fowkes, J. Holmgren, J. Owen Jansson, G. de Jong, G. Lindberg, H. Link, R. Liu, A. Ljungberg, A.D. May, H. Meersman, S. Morrison, C. Nash, J.-E. Nilsson, J. de Dios Ortuzar, J. Preston, S. Proost, L.I. Rizzi, W. Rothengatter, G. de Rus, S. Shepherd, A. Smith, J. Stanley, J. Stanley, S. Pettersen Strandenes, D. Van de Velde, E. Van de Voorde, R. Vickerman, P. Wheat, M. Wolanski

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On January 29, 2001, President George W. Bush signed an executive order creating the White House Office of Faith-Based and Community Initiatives. This action marked a key step toward institutionalizing an idea that emerged in the mid-1990s under the Clinton administration--the transfer of some social programs from government control to religious organizations. However, despite an increasingly vocal, ideologically charged national debate--a debate centered on such questions as: What are these organizations doing? How well are they doing it? Should they be supported with tax dollars?--solid answers have been few. In Saving America? Robert Wuthnow provides a wealth of up-to-date information whose absence, until now, has hindered the pursuit of answers. Assembling and analyzing new evidence from research he and others have conducted, he reveals what social support faith-based agencies are capable of providing. Among the many questions he addresses: Are congregations effective vehicles for providing broad-based social programs, or are they best at supporting their own members? How many local congregations have formal programs to assist needy families? How much money do such programs represent? How many specialized faith-based service agencies are there, and which are most effective? Are religious organizations promoting trust, love, and compassion? The answers that emerge demonstrate that American religion is helping needy families and that it is, more broadly, fostering civil society. Yet religion alone cannot save America from the broad problems it faces in providing social services to those who need them most. Elegantly written, Saving America? represents an authoritative and evenhanded benchmark of information for the current--and the coming--debate.

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Framed by tensions between figural sculpture experienced in the round and its translation into two-dimensional representations, Animating the Antique explores enthralling episodes in a history of artistic and aesthetic encounters. Moving across varied locations—among them Rome, Florence, Naples, London, Dresden, and Paris—Sarah Betzer explores a history that has yet to be written: that of the Janus-faced nature of interactions with the antique by which sculptures and beholders alike were caught between the promise of animation and the threat of mortification.Examining the traces of affective and transformative sculptural encounters, the book takes off from the decades marked by the archaeological, art-historical, and art-philosophical developments of the mid-eighteenth century and culminantes in fin de siècle anthropological, psychological, and empathic frameworks. It turns on two fundamental and interconnected arguments: that an eighteenth-century ontology of ancient sculpture continued to inform encounters with the antique well into the nineteenth century, and that by attending to the enduring power of this model, we can newly appreciate the distinctively modern terms of antique sculpture’s allure. As Betzer shows, these eighteenth-century developments had far-reaching ramifications for the making and beholding of modern art, the articulations of art theory, the writing of art history, and a significantly queer Nachleben of the antique.Bold and wide-ranging, Animating the Antique sheds light upon the work of myriad artists, in addition to that of writers ranging from Goethe and Winckelmann to Hegel, Walter Pater, and Vernon Lee. It will be especially welcomed by scholars and students working in eighteenth- and nineteenth-century art history, art writing, and art historiography.

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'The list of female war reporters is long and distinguished. But the great-grandmother of them all was Clare Hollingworth' Mail on Sunday 'She was a pioneer' Kate Adie OBE'Unputdownable' Alexander McCall Smith'One of the most unforgettable journalists I have ever met' Chris PattenONE OF THE INSPIRATIONS BEHIND THE NEW BBC DRAMA WORLD ON FIRE. Legendary pioneering journalist Clare Hollingworth died in Hong Kong aged 105 in January 2017 after an illustrious career spanning the great events of the 20th century. Clare was famous for getting 'the scoop of the century': the outbreak of the World War 2. From witnessing the first aerial bombings against England in the First World War, through Hitler's Blitzkrieg, Clare's résumé included desert war in North Africa, civil war in Greece, terrorism in Jerusalem, naming Philby as the Third Man, and guerrilla warfare in Vietnam and Borneo. She had an uncanny ability to make headlines throughout her century-long life. And although her style of journalism was very different from the 24-hour breaking rolling news we have today, the need for detailed eye-witness reporting seems even more important today as we face an onslaught of fake news and alternative facts. The story is not just about news and war however: through access to family papers and personal accounts, her great-nephew Patrick Garrett is able to show Clare in three dimensions, explain her life and loves, and show how she dealt with the pressures of life as a correspondent - decades before women were routinely accepted in this role.facebook.com/celebrateclaretwitter.com/celebrateclare

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With more than 99.2 million cases and 2.13 million deaths worldwide (figures for January 2021), the new Coronavirus COVID-19 has spread to nearly every country in the world since it first emerged in China in early 2020. Coronaviruses are a family of viruses that cause disease in animals – seven of which, including the new virus, have transferred to humans, with most just causing cold-like symptoms. COVID-19 is closely related to severe acute respiratory syndrome (SARS) which swept around the world in 2002/2003. Another coronavirus is Middle East respiratory syndrome (MERS), cases of which have been occurring sporadically since 2012. COVID-19 is different to these two coronaviruses in that the spectrum of the disease is broad, with around 80 per cent of cases leading to a mild infection. There may also be many people carrying the disease and displaying no symptoms, making it even harder to control. Scientists in China believe that COVID-19 has mutated into two strains, one more aggressive than the other, which could make developing a vaccine more complicated (The Telegraph). This book offers clinicians a guide to the epidemiology and virology of COVID-19, explaining its clinical features and diagnostic and management techniques. With the evidence that the disease has more adverse effects in the elderly and those with comorbidities, the text includes guidelines for the diagnosis and treatment of COVID-19 in patients with gastrointestinal disorders, diabetes and obesity, kidney disease, pulmonary disorders, cardiovascular disease, and geriatrics. Pulmonary and haematological manifestations of the disease and ICU support are covered in separate chapters.

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In 2019, award-winning journalist Glenn Greenwald writes in this gripping new book, "a series of events commenced that once again placed me at the heart of a sustained and explosive journalistic controversy." New reporting by Greenwald and his team of Brazilian journalists brought to light stunning information about grave corruption, deceit, and wrongdoing by the most powerful political actors in Brazil, his home since 2005. These stories, based on a massive trove of previously undisclosed telephone calls, audio, and text shared by an anonymous source, came to light only months after the January 2019 inauguration of Brazil 's far-right president, Jair Bolsonaro, an ally of President Trump. The revelations "had an explosive impact on Brazilian politics" (The Guardian) and prompted serious rancor, including direct attacks by President Bolsonaro himself, and ultimately an attempt by the government to criminally prosecute Greenwald for his reporting. "A wave of death threats--in a country where political violence is commonplace--have poured in, preventing me from ever leaving my house for any reason without armed guards and an armored vehicle," Greenwald writes. Securing Democracy takes readers on a fascinating ride through Brazilian politics as Greenwald, his husband, the left-wing Congressman David Miranda, and a powerful opposition movement courageously challenge political corruption, homophobia, and tyranny. While coming at serious personal costs for himself and his family, Greenwald writes, "I have no doubt at all that the revelations we were able to bring to the public strengthened Brazilian democracy in an enduring and fundamental way. I believe we righted wrongs, reversed injustices, and exposed grave corruption." The story, he concludes, "highlights the power of transparency and the reason why a free press remains the essential linchpin for securing democracy."

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A practical guide for actors who want to find work in the corporate sector, by a veteran with over 1400 corporate events to his credit. Thousands of actors in the UK make their living not from treading the boards but in the conference centres and training rooms of the nation’s corporate sector. In this, the first book to be published about the increasingly accessible and lucrative business of corporate acting, Paul Clayton shows how this sort of work – training, coaching, role-plays, Forum Theatre and live events – can keep you in paid employment, and your skills sharp, whilst you look for other acting opportunities. He takes you through every aspect of the industry, with a series of practical examples and invaluable tips at every stage, including: What sort of work is available – and how you can get it The various role-play techniques you’ll encounter The dos and don’ts for offering constructive feedback to your clients What Forum Theatre is – and how to do it How to handle live events – and escape with your dignity intact Written with humour and great insight, So You Want To Be A Corporate Actor? encourages you to look at your skills from a business point of view, enabling you to take control over your own career. It is a must-read for any actor wishing to broaden their skills and make themselves more employable at all stages of their career. ‘For actors wishing to utilise their theatrical skills within the corporate world, this book should be their bible. It is crystal clear, informative and irreverent – and lays out in simple terms how actors need to think and present themselves to be employable.’ Janet Rawson, Co-founder of Steps Drama Learning Development

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* WINNER OF THE CRIME FICTION LOVER BEST DEBUT NOVEL AWARD * 'An absolute roller-coaster of a read' - DAILY MAIL 'The most fun you're ever likely to have with a hammer-wielding maniac' - DAILY EXPRESS 'Refreshingly original and laugh-out-loud funny' - CLARE MACKINTOSH I have a gift. I see people as ghosts before they die. Of course, it helps that I'm the one killing them. The night after her father's funeral, Claire meets Lucas in a bar. Lucas doesn't know it, but it's not a chance meeting. One thoughtless mistyped email has put him in the crosshairs of an extremely put-out serial killer. But even before they make eye contact, before Claire lets him buy her a drink, before she takes him home and carves him up into little pieces, something about that night is very wrong. Because someone is watching Claire. Someone who is about to discover her murderous little hobby. The thing is, it's not sensible to tangle with a part-time serial killer, even one who is distracted by attending a weekly bereavement support group and trying to get her art career off the ground. Claire will do anything to keep her secret hidden - not to mention the bodies buried in her garden. Let the games begin... Dexter meets Killing Eve in this superb thriller, perfect for fans of How To Kill Your Family and My Sister, the Serial Killer. 'A welcome addition to darkly humorous female serial killer novels' - GUARDIAN 'Delightfully shocking and irreverently funny' - JANICE HALLETT 'If Bret Easton Ellis ever went to grief counselling, this would be just the kind of brilliant book he'd write' - PHILIPPA EAST

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Kobe Bryant is a legend – The Rise is a fascinating look at his early life and how he became regarded as one of basketball’s greatest-ever players.Kobe Bryant’s death in January 2020 did more than rattle the worlds of sports and celebrity. It took the tragedy of that helicopter crash to reveal the full breadth and depth of Kobe’s influence. By tracing and telling the oft-forgotten and lesser-known story of his early life, The Rise promises to provide an unparalleled insight into Kobe.In The Rise, readers travel from the cracked concrete basketball courts of Philadelphia in the 1960s and 70s – where Kobe’s father, Joe, became a playground, college and professional stand-out – to the majesty and isolation of Europe, where Kobe spent his formative years, and to the leafy suburbs of Lower Merion, where Kobe’s legend was born. The story ends with his leading Lower Merion to the 1995–96 Pennsylvania state championship – a true underdog run for a team with just one star player, Kobe – and with the 1996 NBA draft, where Kobe’s dream of playing pro basketball culminated with his acquisition by the Los Angeles Lakers.With exclusive access to a series of never-before-released interviews during Bryant’s senior season and early days in the NBA, and tapes and transcripts which have preserved Kobe’s thoughts, dreams and goals from his teenage years for a quarter-century, Mike Sielski’s The Rise uncovers insights and stories that have never been revealed before.This is an exploration of the making of an icon and the effect of his development on those around him – the essence of the man before he truly became a man.

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PRE-ORDER RETURN TO BLOOD, THE RIVETING FOLLOW-UP TO THE ACCLAIMED CRIME DEBUT BETTER THE BLOOD, COMING SPRING 2024 'A compelling, atmospheric page turner with an authentic insight into Māori culture' Val McDermidA DETECTIVE IN SEARCH OF THE TRUTH. A KILLER IN SEARCH OF RETRIBUTION. A CLASH BETWEEN CULTURE AND DUTY. THE PAST NEVER TRULY STAYS BURIED. WELCOME TO THE DARK SIDE OF PARADISE. Detective Senior Sergeant Hanna Westerman is a tenacious Māori detective juggling single motherhood and the pressures of her career in Auckland’s Central Investigation Branch. When she’s led to a crime scene by a mysterious video, she discovers a man hanging in a hidden room. With little to go on, Hana knows one thing: the killer is sending her a message. As a Māori officer, there has always been a clash between duty and culture for Hana, but it is something that she’s found a way to live with. Until now. When more murders follow, Hana realises that her heritage and past are the keys to finding the perpetrator.Especially when the killer's agenda of revenge may include Hana – and her family . . . ‘As page-turning as it is eye-opening’ Ambrose Parry ‘A remarkable new detective’ Daily Mail ‘[A] highly addictive read’ My Weekly ‘So chilling’ Crime Monthly ‘Opens a unique window onto a fascinating Antipodean society as only world-class crime fiction can’ Deon Meyer Shortlisted for the Jann Medlicott Acorn Prize for Fiction, Ockham New Zealand Book Awards Finalist for Best First Novel and Best Novel at the 2023 Ngaio Marsh AwardsLonglisted for the CWA John Creasey New Blood DaggerShortlisted for Audio Book of the Year at the Capital Crime Fingerprint Awards

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Join award-winning broadcaster Alvin Hall on a journey through America’s haunted racial past, with the legendary Green Book as your guide.For countless Americans, the open road has long been a place where dangers lurk. In the era of Jim Crow, Black travelers encountered locked doors, hostile police, and potentially violent encounters almost everywhere, in both the South and the North. From 1936 to 1967, millions relied on The Negro Motorist Green Book, the definitive guide to businesses where they could safely rest, eat, or sleep. Most Americans only know of the guide from the 2018 Green Book movie or the 2020 Lovecraft Country TV show. Alvin Hall set out to revisit the world of the Green Book to instruct us all on the real history of the guide that saved many lives. With his friend Janée Woods Weber, he drove from New York to Detroit to New Orleans, visiting motels, restaurants, shops, and stores where Black Americans once found a friendly welcome. They explored historical and cultural landmarks, from the theatres and clubs where stars like Duke Ellington and Lena Horne performed to the Lorraine Motel where Dr. Martin Luther King, Jr. was assassinated. Along the way, they gathered memories from some of the last living witnesses for whom the Green Book meant survival—remarkable people who not only endured but rose above the hate, building vibrant Black communities against incredible odds.Driving the Green Book is a vital work of national history as well as a hopeful chronicle of Black resilience and resistance.The book contains 25 outstanding black and white photos and ephemera.

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An intimate portrait of Patrick O’Brian, written by his stepson Nikolai Tolstoy. Patrick O’Brian was one of the greatest British novelists of the twentieth century, securing his place in literary history with the bestselling Aubrey–Maturin series, books that have sold millions of copies worldwide and been hailed as the best historical fiction of all time. An exquisite novelist, translator and biographer, O’Brian moved in 1949 to Collioure in the south of France, where he led a secluded life with his wife Mary and wrote all his major works. The twenty books that make up the beloved Aubrey–Maturin series earned O’Brian the epithet ‘Jane Austen at sea’ for their authentic depiction of Nelson’s navy, and the relationship between Captain Jack Aubrey and his friend and ship’s surgeon Stephen Maturin. Outside his triumphant popularity in fiction, O’Brian also wrote erudite biographies of both Pablo Picasso and Joseph Banks, as well as publishing translations of Simone de Beauvoir and Henri Charrière. In A Very Private Life, Nikolai Tolstoy draws upon his close relationship with his stepfather, as well as his notebooks, letters and photographs, to capture a highly researched but intimate account of those fifty years in Collioure that were the richest of O’Brian’s writing life. With warm and honest reflection, this biography gives insight into the genius of the little-known man behind the much-loved writing. Tolstoy also tells how, through a sad irony, unjust attacks on O’Brian’s private life destroyed much of the happiness he had gained from his achievement just as his literary career attained greater acclaim.

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E.T. meets Stig of the Dump in a page-turning adventure for fans of Frank Cottrell Boyce and David Almond'A proper adventure story for all curious middle graders ... heartily recommended' The Bookbag*Highly commended for the Branford Boase Award 2018, shortlisted for the Essex Book Awards 2018, the East Sussex Children's Book Awards 2019 and nominated for the Northern Ireland Book Award 2019*He wasn't an alien, I was sure of that. It was more like he'd walked in through an ancient door from the past ... except he was here, in my bedroom and his misty forest was somewhere real on Planet Earth.Twelve-year-old Kofi first spots the prehistoric human on a supermarket roundabout. He is small and dark and curled into a tight ball. His name is Rorty Thrutch and he has zero memory of how he ended up in the unexceptional village of Bradborough, or why he's being hunted... Kofi soon finds out that Rorty can do amazing things. He can copy, paste and delete objects, using only the power of his mind. This is the discovery of the century and mad, greedy scientists will stop at nothing to track him down.Kofi and best friend Janie are on a mission. Not only must they protect Rorty, but they have to find his missing girlfriend Pogsy Blue, too. Our prehistoric ancestors have crashed headlong into the 21st century and time is running out to save them...THE STARMAN AND ME explores where we have come from and where we are moving to - it's about the magic of DNA, the power of identity, and the importance of caring for each other.

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When Joe Christie's fishing boat is swept onto Tentsmuir beach during a fierce storm, a man's mutilated body is found in the hold. DCI Andy Gilchrist of St Andrews CID is called in to investigate. But his murder investigation deepens when he learns that Joe Christie and his boat have been missing for three years. The police pathologist, Dr Rebecca Cooper, retrieves a five pound note from the dead man's throat. Is this the killer's calling card? And whatever happened to Joe Christie? Cooper offers Gilchrist a clue to the dead man's identity - a scar from a recent operation to repair a bone shattered by a bullet.The dead man is found to have been on the payroll of big Jock Shepherd, Scotland's premier crime patriarch, and when three more of Shepherd's men turn up brutally murdered, Gilchrist fears a tectonic shift in the criminal underworld.Gilchrist and his partner, DS Jessie Janes, set off along a murderous trail where they uncover a plot involving drug shipments and police corruption, and come face to face with a man for whom human life means nothing.PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig Robertson'DCI Gilchrist gets under your skin. Though, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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'A love letter to English horticulture written by a passionate gardener. A must-read for anyone who has dreamt of cultivating their own patch of land' Jane Perrone'Skymeadow is a fascinating book . . . Every flower, every passing bud, every change in the season is described with rapture' Jilly CooperWhen Charlie Hart first visited Peverels, a small farmhouse that sits lazily on the lip of a hill running down into the Peb Valley, he was at breaking point, grieving the loss of his father and anxious about the impending death of his mother. He and his wife Sybilla felt that their London life had been steadily growing in noise: the noise of grief, the noise of busyness, the noise that comes from the expectations of others and, for Charlie, the constant clamour of dissatisfaction at work. At Peverels, Charlie found an expanse of untouched meadowland, the perfect setting for an audacious garden. Charlie felt an unquenchable urge to dig, to create something. The days he spent wrestling with the soil in the rose garden were the days in which he mourned the loss of his parents. Gardening has taught him that you can dig for victory, but you can also dig for mental health. As the garden formed around Charlie, he buried his fears and anxieties within it. A garden that is now known as Skymeadow and grows with a lusty, almost biblical vigour.In Skymeadow, Charlie seamlessly weaves together his own memoir with that of his garden. The result is a lyrical and incisive story of mental health at an all-time low, the healing powers of digging and, ultimately, a celebration of nature.

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'Winningly eccentric . . . London, in all its non-homogenous, sprawling splendour, is as much a character as Fowler's sleuthing duo' Barry Forshaw, Financial TimesThe Peculiar Crimes Unit has solved many extraordinary cases over the years, but some were hushed up and hidden away. Until now.Arthur Bryant remembers these lost cases as if they were yesterday. Unfortunately, he doesn't remember yesterday, so the newly revealed facts could come as a surprise to everyone, including his exasperated partner John May.Here, then, is the truth about the Covent Garden opera diva and the seventh reindeer, the body that falls from the Tate Gallery, the ordinary London street corner where strange accidents keep occurring, the consul's son discovered buried in the unit's basement, the corpse pulled from a swamp of Chinese dinners, a Hallowe'en crime in the Post Office Tower, and the impossible death that's the fault of a forgotten London legend. All of the unit's oddest characters are here, plus the detectives' long-suffering sergeant Janice Longbright gets to reveal her own forgotten mystery.These twelve crimes must be solved without the help of modern technology, mainly because nobody knows how to use it. Expect misunderstood clues, lost evidence, arguments about Dickens, churches, pubs and disorderly conduct from the investigative officers they laughingly call 'England's Finest'!_______________________What readers are saying:***** 'Another gem from Christopher Fowler'***** 'I've loved Bryant & May since I first discovered them'***** 'A perfect collection of implausibly, improbably impossible mysteries for readers of Bryant and May both old and new'

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What we had was far too beautiful to be forgotten.If you love Nicholas Sparks' The Notebook, you will devour the heartbreaking, emotional storytelling of Jodi Perry's Nineteen Letters.The 19th of January, 1996 . . . I'll never forget it. It was the day we met. I was seven and she was six. It was the day she moved in next door, and the same day I developed my first crush on a girl.Then tragedy struck. Nineteen days after our wedding day, Jemma was in an accident that would change our lives forever. When she woke from her coma, she had no memory of me, of us, of the love we shared.That's when I started writing her letters. The stories of our life. Of when we met. About the happier times, and everything we'd experienced together.What we had was far too beautiful to be forgotten.A heart-stopping and romantic love story that spans decades and asks the question, if the love of your life had no memory of you . . . what would you do?____Readers are falling in love with Nineteen Letters . . .'This is the love story to end all love stories''Makes you believe that happily ever after may just be possible''It left my heart full and a smile on my face''I cried with them, laughed with them, mourned with them and loved with them''A masterpiece of a story that will stay with me for a long time to come''I wish I could give this book nineteen stars''Jam packed full of emotion. The heartache is tangible and the love is overwhelming''This book will leave you with a heavy but beautifully full heart'

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Rock Hudson reigned in the late 1950s and early '60s as Hollywood's greatest ambisexual swordsman," seducing icons who included Marilyn Monroe, Elizabeth Taylor, Errol Flynn, Tyrone Power, Joan Crawford, and Lauren Bacall, as well as hundreds of other lesser-known players willing to share some Pillow Talk." Mamie Van Doren, one of Hollywood's bustiest, most provocative, and most promiscuous bombshells, asserted loudly that the boulder that Rock's agent named him after was a big one." Just released from the Navy, the muscled, 6'4" hunk, then known as Roy Fitzgerald, arrived in Hollywood with a clear understanding of what he wanted: I don't want to be an actor...I want to be a movie star! And I don't give a damn how many casting couches I have to lie on!" To that end, between gigs as a truck driver, he donned very tight, faded jeans and seductively stationed himself near the entrances of such studios as Warners and Universal. Eventually, he was discovered." Eventually, he was assigned roles in a string of B-pictures, playing handsome Apaches, easy-on-the-eyes sea captains, and drop-dead gorgeous Ordinary Joes" whose charm moviegoers remembered way beyond the limited scale of his roles. Meanwhile, power players in Hollywood clamored for him up close and personal, too. According to Yvonne de Carlo, Rock was predatory after midnight." Stardom finally arrived based on a performance opposite Jane Wyman (she had divorced Ronald Reagan) in that tear-jerking melodrama, Magnificent Obsession (1954). Replicating her passion offscreen, she demanded (unsuccessfully) that he marry her. Hudson had already been defined as the sexiest man alive" when he was assigned the role of a Texas cattle rancher in Giant (1956). During its filming in the dusty hamlet of Marfa, Texas, he sustained affairs with both Elizabeth Taylor and James Dean. Three eventful years later, his status as one of the most popular (and most consistently profitable) actors in Hollywood was reinforced, based on his co-starring performance opposite Doris Day in the spectacularly successful Pillow Talk (1959). Together, as a captivating duo, they went on to appear together in other artfully campy" battles of the sexes. Compiled as a memorial for the 30th anniversary of his death, Rock Hudson Erotic Fire is based on dozens of face-to-face interviews with Rock Hudson's friends, co-conspirators, and enemies. Researched over a period of a half century by Hollywood insider Darwin Porter, it reveals the secretive actor's complete, never-before-told story within a context of scandal-soaked and historic ironies, many of which have never been fully exploreduntil now. Although maligned by the media because of the stigmas associated with his AIDS-related death, Rock showed inner courage and manly grace as he lay dying. This is my shining hour," he told his closest friends, as the media rushed to Out" him as a celebrity bisexual" who'd been stricken by the then-stigmatizing scourge. Today, beloved by hordes of cultish fans and film buffs around the world, Rock Hudson is the often misunderstood (until now) Golden Icon of a glamorous bygone era.

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This book comprises twenty-two articles devoted to First Millennium Egypt, all intended to honour Antony Leahy, whose interest in this period is well known to scholars of this period. Both archaeology and philology are represented in this volume as well as studies on history and material culture. The interlocking interpretation of texts and objects is also noteworthy. The paper by Karl Jansen-Winkeln re-examines the question of the Libyan or Egyptian nature/origin/ethnic identity of the Third Intermediate Period, whilst others are more specific in their scope. Chronological discussions concerning the order of the kings of the 25th Dynasty in Egypt and Nubia are presented by Gerard Broekman and Roberto Gozzoli. Several objects belonging to a king Djehutyemhat are described by Troy Sagrillo. Statues belonging to the Memphite governor, chancellor and scribe to the king Horsematuyemhat; the Theban governor Nesptah A; the admiral Hor, who presumably lived in Tell el Yahudiya; and the royal tutor Ankhefensenmut from Permanu are discussed by Mélanie Cressent, Frédéric Payraudeau, Campbell Price and Oliver Perdu respectively, with the latter arguing for an identification of Permanu with Kom Firin. The Theban choachytes of the Third Intermediate Period are studied by Cynthia Sheikoleslami, whilst Maria Cannata reports on the remains of an embalmer’s cache from the Saite Period. The minor arts of the First Millenium BC are addressed by Claus Jurman, who writes on a number of seals, Julia Budka, who deals with Twenty-fifth Dynasty votive pottery from Abydos, Benjamin Hinson, who reports on the presence of bells in First Millennium private tombs, and John Taylor, who discusses two lost Twenty-second Dynasty Theban cartonnages. Other studies examine the possibility of a third large Twenty-first dynasty cache at Thebes (David Aston); the possible location of the tomb of Osorkon III at Thebes (Michinori Ohshiro); the use of Pyramid texts in Twenty-fifth and Twenty-sixth Dynasty tombs (Antonio Morales); Saite warfare (Alan Lloyd) and Thirtieth Dynasty Apis burials (Didier Devauchelle). The volume also comprises philologically orientated contributions on Glorification Texts (Martin Bommas) and the Horus Throne in djet and neheh (Stephen Gregory). The collection of articles is rounded off by Günter Vittmann’s account of a previously unpublished letter written in abnormal hieratic from Amheida in the Dakhleh Oasis.

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PUBLISHED BY EUREKA PRESS, TOKYO, AND DISTRIBUTED BY ROUTLEDGE OUTSIDE JAPAN.The scholar and diplomat Sir Ernest Satow was the best-known Westerner who lived in Meiji Japan. Although he rose to become British Minister to Japan, the most interesting part of his career was the start of it, when he witnessed, and in a small way influenced, the fall of the bakufu and the Meiji Restoration. He wrote an account of this in a memoir called A Diplomat in Japan in 1921, which was based on the diaries transcribed in this volume. These diaries, hitherto unpublished, reveal the original material from which he crafted his memoir, as well as the material (about one-third of the diaries in total) he omitted. In various respects, the memoir is a sanitized account, written partly in Bangkok in the 1880s, and completed in retirement at the urging of younger relatives. In A Diplomat in Japan, Satow comes across as an assured young statesman, who, with his excellent Japanese and ability to make contact with the key players, was able to perceive the direction that the turbulent and confused events he witnessed was taking. In the diaries, he is a little less assured and not quite so percipient and interspersed with tales of meeting the likes of Saigō Takamori and Sakamoto Ryōma, are stories such as that of the paternity claim against him by a Japanese woman in Nagasaki. The part of the diaries relating to Satow’s stay in China (Shanghai and Peking from January to August 1862) has never before been transcribed or published, and is the most interesting part on a human level. It was an environment in which Satow, aged just 18, was forced to grow up fast, and we see him and his fellow student interpreters behaving badly on numerous occasions. Yet we also see the breadth of his intellect in the books he was reading and his informed interest in everything he saw around him. The editors have added extensive annotations and explanations to these diaries, making this book an indispensable reference work for students of bakumatsu Japan, and indeed anybody who wants to understand the story of how a very young, very clever, but rather awkward Englishman could have penetrated the very highest levels of the Japanese hierarchy to witness the transformation of the country from a feudal, inward-looking society to one that would become a major industrialized power to shock the world.

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'The last line will make you literally shout with shock' Good Housekeeping'Terrifically twisty ... hooks from the first page' Sunday TimesOn a bright morning in the London suburbs, a family moves into the house they’ve just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn’t sell it.FOR BETTER, FOR WORSE. When Fi Lawson arrives home to find strangers moving into her house, she is plunged into terror and confusion. She and her husband Bram have owned their home on Trinity Avenue for years and have no intention of selling. How can this other family possibly think the house is theirs? And why has Bram disappeared when she needs him most?FOR RICHER, FOR POORER. Bram has made a catastrophic mistake and now he is paying. Unable to see his wife, his children or his home, he has nothing left but to settle scores. As the nightmare takes grip, both Bram and Fi try to make sense of the events that led to a devastating crime. What has he hidden from her – and what has she hidden from him? And will either survive the chilling truth – that there are far worse things you can lose than your house? TILL DEATH US DO PART.Praise for Our House: 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible’ Clare Mackintosh ‘I raced through it this weekend. Such a smart idea. Twisty, warped, credible. Brilliantly plotted and compelling. Deserves to be such a hit’ Sarah Vaughan ‘Louise Candlish is a great writer;she inhaled me into her nightmarish world where everything we think we know is ripped from under our feet’ Fiona Barton ''A masterfully plotted, compulsive page-turner' Guardian 'Keeps you guessing to the end - and beyond' Stylist 'Whip-smart, knowing and brilliantly plotted' India Knight 'A corker' Evening Standard 'Terrific premise' New York Times 'Wonderfully plotted' Jane Garvey, Woman's Hour 'A blood pressure-raising thriller' Red ‘Gripping and heartbreaking with an undercurrent of unease running through it’ Louise Jensen ‘What a book! Fast, edge-of-your-seat stuff. Each time I set the book down I had to remind myself to breathe’ broadbeanbooks ‘Oh Louise Candlish, you are a genius! Our House is just brilliant. Scarily believable with the BEST ending I have read in a long time. I devoured it!’ Claire Frost, Fabulous magazine

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