Search results for ""Author Christo"

A genre-defying page turner that fuses thriller and speculative fiction with dark fantasy in a hidden world in the heart of Cold War Europe. THE TRUE COLD WAR IS FOUGHT ON THE BORDERS OF THIS WORLD, AT THE EDGES OF THE LIGHT. It’s 1965 and Christopher Winter is trying to carve a new life, a new identity, beyond his days in British Intelligence. Recruited by London’s gangland he now finds himself on the wrong side of the law – and about to discover that the secret service has a way of claiming back its own. Who is the fatally alluring succubus working honeytraps for foreign paymasters? What is the true secret of the Shadowless, a fabled criminal cabal deadlier than the Mafia? And why do both parties covet long- buried caskets said to hold the hearts of kings? Winter must confront the buried knowledge of his own past to survive – but is he ready to embrace the magic that created the darkness waiting there?

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Paula Murphy, the leading expert on Irish sculpture, offers an extensive survey of the history of sculpture in Ireland in the nineteenth century, with particular emphasis on the large public works produced during the Victorian period. The works of such major figures as Patrick MacDowell, John Henry Foley, Thomas Kirk, and Thomas Farrell are discussed —as well as works by a host of lesser-known sculptors, including John Edward Carew, Christopher Moore, James Cahill, and Joseph Robinson Kirk. Lavishly illustrated, the book covers the work of many Irish sculptors who practiced abroad, particularly in London, and the work of English sculptors, including John Flaxman, Francis Chantrey, E. H. Baily, and Richard Westmacott, who were located in Ireland. Murphy makes extensive use of contemporary documentation, much of it from newspapers, to present the sculptors and their work in the religious and political context of their time.Published for the Paul Mellon Centre for Studies in British Art

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The world's top experts take readers to the very frontiers of brain scienceIncludes a chapter by 2014 Nobel laureates May-Britt Moser and Edvard MoserAn unprecedented look at the quest to unravel the mysteries of the human brain, The Future of the Brain takes readers to the absolute frontiers of science. Original essays by leading researchers such as Christof Koch, George Church, Olaf Sporns, and May-Britt and Edvard Moser describe the spectacular technological advances that will enable us to map the more than eighty-five billion neurons in the brain, as well as the challenges that lie ahead in understanding the anticipated deluge of data and the prospects for building working simulations of the human brain. A must-read for anyone trying to understand ambitious new research programs such as the Obama administration's BRAIN Initiative and the European Union's Human Brain Project, The Future of the Brain sheds light on the breathtaking implications of brain science for medicine, psychiat

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It's simply peerless - there's no other book with this range of coverage and this amount of class questions. Melville deserves its place as the UK's leading tax textbook Christopher Coles, University of Stirling The book fits very well with the content and learning objectives of taxation modules Gwen Hannah, University of Dundee Now in its 21st annual edition, Melville's Taxation continues to be the definitive, market-leading text on UK taxation. This text serves as a comprehensive guide for students taking a first level course in the subject. Featuring clean, uncluttered prose and a wealth of immensely practical examples, this edition brings the book completely up to date with the provisions of the Finance Act 2015. Comprehensively updated to reflect the Finance Act 2015, including: This book will be of value to both undergraduate and professional students of business and accounting, and will be particularly useful for students preparing for the following examinations: ICAEW Profes

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Ambiguous, complex and innovative, Christopher Nolan's Memento has intrigued audiences and critics since the day of its release. Memento is the archetypal 'puzzle film', a noir thriller about a man with short-term memory loss seemingly seeking revenge for the death of his wife but finding it increasingly difficult to navigate through the facts. Truth, memory and identity are all questioned in a film that refuses to give easy answers or to adhere to some of the fundamental rules of classical filmmaking as the film makes use of some audacious stylistic and narrative choices, including a unique (for American cinema) editing pattern that produces a dizzying and highly disorienting effect for the spectator. The book introduces Memento as an important independent film and uses it to explore relationships between "indie," arthouse and commercial mainstream cinema while also examining independent film marketing practices, especially those associated with Newmarket, the film's producer and distributor. Finally, the book also locates Memento within debates around key film studies concepts such as genre, narrative and reception. Key features: * Presents an overview of Newmarket that maps the company's development from an independent financier to producer and distributor * Explores aspects of narrative complexity in contemporary films and examines Memento as an example of a 'puzzle film' * Considers Memento in relation to genre categories of noir and neo-noir * Examines the marketing of Memento and locates it within independent film marketing practices and strategies

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When beautiful heiress Nicky Samuel (1951-2019) left school at the age of 16, she was caught up in the world of Sixties London. Her first job was with Yoko Ono, and she soon fell in love with the owner of the fashionable hippy boutique ‘Granny Takes a Trip’, Nigel Waymouth, whom she married and with whom she later attended the legendary Isle of Wight Pop Concert. She spent time with celebrities such as Andy Warhol, Jane Fonda, Roger Vadim, Bob Dylan, Keith Richards, and Robert Mapplethorpe. At nineteen, Nicky became a fashionable hostess. She was photographed by Norman Parkinson for Vogue; and her close friends included Mick and Bianca Jagger, Christopher Gibbs, David Hockney, Anita Pallenberg and the eccentric, reclusive heroin addict John Paul Getty Jr. Her marriage broke up when she became involved in a passionate menage-a-trois involving the film-director Donald Cammell. In 1974, Nicky married homosexual jewellery designer, New York socialite and fortune-hunter Kenneth Jay Lane. Her social success was such that she was featured as a ‘New Beauty’ by Time Magazine. However, she became so unhappy and drug-addicted that she attempted suicide in the London Ritz. Nicky’s is exactly the kind of superficially glamorous life to which many star-struck and celebrity-hungry people aspire; this memoir is also a uniquely vivid experience of a vanished world.

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The apostle Paul’s theology of divine glory has its foundations in the biblical drama of creation, fall, redemption and consummation, and in the identity of Jesus as revealed in his teachings, life, death and resurrection. In The Glory of God and Paul, Christopher Morgan and Robert Peterson explore Paul’s view of the triune God – as one who is intrinsically glorious, and, through uniting his people to Christ, shares that glory with his people. Examining key parts of the New Testament letters, they show how the Pauline theology of glory is rooted in the Old Testament as well as in Jesus, revealing a God who joyfully displays his glory through his creation and whose people respond by glorifying him. Covering a range of topics, including the Trinity, salvation, eschatology and more, this new volume in the NSBT series ultimately shows that God intends his glory to have an impact on many areas of believers’ lives: their gradual transformation ‘from glory to glory’ occurs as they meditate and reflect on the splendour of the Lord. Full of accessible insights, The Glory of God and Paul is a brilliant addition to the New Studies in Biblical Theology series. It will leave you with a greater understanding of Pauline theology and how it is still relevant for Christians today. It is ideal for students, pastors and anyone looking for a study of Paul the apostle that digs deeply into his epistles, particularly in relation to his teachings on divine glory.

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“The DEEP STATE conspired to take down TRUMP. This book fills in all the details, and names names. All Patriots need to read it.”—Alex Jones, founder, InfowarsThe Plot to Destroy Trump exposes the deep state conspiracy to discredit and even depose the legitimately elected President Donald J. Trump with the fabricated Russian dossier, including: How the unsubstantiated accusations of collusion began with former MI6 agent Christopher Steele, Fusion GPS, and the Democratic National Convention on behalf of Hillary Clinton The opportunistic role played by Russia’s FSB and former KGB agents, according to Putin’s strategy to create chaos in the West Wikileaks, along with Fake News Award–winner CNN, BuzzFeed, and the other liberal media that all played a part in pushing the information to the American people The compromised CIA and FBI personnel who took the dossier and ran with it, despite knowing it was unverified The roles that George Papadopoulos, Carter Page, Bruce and Nellie Ohr, Paul Singer, Paul Manafort, and the Podesta brothers played—or did not play—in the conspiracy against the president How does all this tie together? And what does it mean for Trump’s presidency and American democracy? Ted Malloch names the players, connects the dots, and explains who was behind the plot to create a red November. With a foreword by New York Times bestseller and Trump confidant Roger Stone, The Plot to Destroy Trump uncovers the biggest political scandal since Watergate.

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Value and Vulnerability brings together scholars of many religions—including Catholicism, Buddhism, Judaism, Hinduism, Eastern Orthodoxy, Protestantism, Islam, and Humanism—to identify and examine conceptions and interpretations of dignity within different religious and philosophical perspectives and their applications to contemporary issues of conflict, such as gendered, religious, and racial violence, immigration, ecology, and religious peacemaking. Value and Vulnerability also includes response chapters that clarify and refine these interpretations from interfaith perspectives. Through this volume, Matthew R. Petrusek and Jonathan Rothchild offer recommendations for advancing the conversation about dignity within and among traditions and for addressing urgent global issues and threats to dignity. Together, Petrusek, Rothchild, and the contributors create a comparative framework constituted by seven questions: What sources justify dignity’s existence, nature, and purpose? What is the relationship between the divine and human dignity? What is the relationship between dignity and the human body? Is dignity vulnerable or invulnerable to moral harm? Is dignity inherent or attained? Is dignity universal and equal? Is dignity practical? Through its systematic, comparative, interdisciplinary, and practical dimensions, Value and Vulnerability fills in the gaps in contemporary theological, philosophical, and ethical discourses on dignity. Contributors: Matthew R. Petrusek, Jonathan Rothchild, Darlene Fozard Weaver, Kristin Scheible, Karen B. Enriquez, Elliot N. Dorff, Daniel Nevins, Christopher Key Chapple, David P. Gushee, Aristotle Papanikolaou, Zeki Saritoprak, William Schweiker, Hille Haker, Nicholas Denysenko, Terrence L. Johnson, William O’Neill, Victor Carmona, Dawn Nothwehr, OSF, and Ellen Ott Marshall.

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Brass Mix is an original series of graded pieces that can be played by any brass instrument. Book 2 covers Grades 4 & 5 and contains 8 new pieces for solo brass and piano, specially commissioned from some of today's most dynamic composers for brass. The pieces showcase a diverse range of styles and align with ABRSM grade levels. Many are featured on the ABRSM 2023 Brass syllabus and in addition, all are ideal choices for Performance Grade exams.Key features:-one piece at each grade and list of the ABRSM 2023 Brass syllabus, for all instruments -distinctive and engaging repertoire from which to build a programme for a Practical or Performance Grade exam - a single student book that can be used by treble- and bass-clef brass including Eb Tuba -separate Bb, Eb and F piano accompaniment books -a downloadable part for Bb Tuba. Contents: Rapscallion [Andrea Price] Sunday at the Boulevard [Christopher Augustine] Horizon [Clare Elton] Cumbianita para Ti [Shanti Paul Jayasinha] Lethe [Callum Au] By the River [Shanti Paul Jayasinha] A Postcard from Wasdale [Florence Anna Maunders] Koli [Shri Sriram]

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Brass Mix is an original series of graded pieces that can be played by any brass instrument. Book 2 covers Grades 4 & 5 and contains 8 new pieces for solo brass and piano, specially commissioned from some of today's most dynamic composers for brass. The pieces showcase a diverse range of styles and align with ABRSM grade levels. Many are featured on the ABRSM 2023 Brass syllabus and in addition, all are ideal choices for Performance Grade exams.Key features:-one piece at each grade and list of the ABRSM 2023 Brass syllabus, for all instruments -distinctive and engaging repertoire from which to build a programme for a Practical or Performance Grade exam - a single student book that can be used by treble- and bass-clef brass including Eb Tuba -separate Bb, Eb and F piano accompaniment books -a downloadable part for Bb Tuba. Contents: Rapscallion [Andrea Price] Sunday at the Boulevard [Christopher Augustine] Horizon [Clare Elton] Cumbianita para Ti [Shanti Paul Jayasinha] Lethe [Callum Au] By the River [Shanti Paul Jayasinha] A Postcard from Wasdale [Florence Anna Maunders] Koli [Shri Sriram]

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Discover the secrets of the Spider-Verse in this visually stunning collection of more than 500 pieces of artwork from the Oscar-winning, groundbreaking animated feature film! Fans can go behind the scenes with the creators of Spider-Man: Into the Spider-Verse and get a look at concept art, final designs, and artist commentary, plus previously unseen storyboards. Phil Lord and Christopher Miller, the creative minds behind The Lego Movie and 21 Jump Street, bring their unique talents to a fresh vision of a different Spider-Man universe. Spider-Man: Into the Spider-Verse introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse where more than one wears the mask. This luxurious oversized art book unmasks the artistry behind the dazzling and thoroughly original movie with a unique visual style that’s the first of its kind. Here you’ll find fascinating insights into the filmmakers’ creative process: • Exclusive commentary from creators Phil Lord and Christopher Miller on their inspirations for their unique new take on Spider-Man, rooted in his comics origins and the idea of a post-modern Spider-Man in an environment that has multiple spider-people from all of the comics, and giving the film an even stronger visual identity by leaning into the comic book language. • Concept art and sketches of every featured character and location in the film. Meet Miles Morales, the Peter Parkers, Spider-Gwen/Ghost-Spider, Spider-Ham, Peni and SP//dr and Spider-Man Noir—as well as villains Green Goblin, Scorpion, Tombstone, the Prowler, Doctor Octavius and Kingpin. Explore New York City and State, from Miles’s Brooklyn home to Manhattan, the Hudson Valley Forest, Spider-Man’s hideout and Wilson Fisk’s particle collider. • Unseen storyboards and paintings of key scenes—including Miles meeting the older Peter Parker for the first time; Miles swinging through the city, exploring the subway, and swinging through the forest; the fight at Aunt May’s; and Uncle Aaron’s death. • 2 gatefolds feature the film’s complete color script by Dave Bleitch and artwork by Justin K. Thompson, Wendell Dalit, Alberto Mielgo and Yuhki Demers depicting Miles Morales/Spider-Man; storyboards by Ryan Savas of Miles exploring his powers for the first time; and lighting keys by Wendell Dalit of the same sequence. • A foreword written by Brian Michael Bendis, Miles Morales’ co-creator and executive producer of the film. Go into the Spider-Verse any time you want with this special compilation of art from the film that belongs on every fan’s coffee table! “The visual look of Spider-Man: Into the Spider-Verse is a marvel. Seeing how they came to the design choices they did is... worth the price of this book and then some - Vespe's Holiday Gift Guide

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This book explores how writers adhered to, played with, and subverted the formulaic precepts of educational transformation in the German Democratic Republic. Perhaps never before has a state emphasized education to citizenship more than in the new nation founded in 1949 as the German Democratic Republic. For forty years, educational and cultural policy played a pivotal role in effortsto build and sustain a socialist state on German soil. Party and state held teachers and writers responsible for demonstrating the superiority of socialism, infusing pupils and readers with a commitment to the emerging state, andproviding persuasive role models of der neue Mensch each was challenged to become. Utilizing an innovative triangular framework, this book demonstrates how mentor-protegé(e) rubrics, traditionally associated with the socialist Bildungsroman, came to characterize text-external and text-internal relations within diverse narrative forms. Thus, leading writers such as Hermann Kant, Christa Wolf, Brigitte Reimann, and Christoph Hein played with the genre's patterns of transformation as they engaged with the intellectual, societal, and aesthetic dilemmas of GDR life. This book shows that understanding representations of educational transformation in GDR literature, a topic largely overlooked by critics, is central to an aesthetic appreciation of that literature more broadly.

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Can two quiet con men who lost their childhoods find their places as a part of a family—and with each other?Ever since he watched his father die, Etienne Couvier has kept to himself. Under the tutelage of his adoptive family, the Salingers, Tienne grows into a gifted forger and artist. But no matter how hard they try to draw him into their midst—and despite the singular pull their friend Stirling Christopher has on his emotions—he resists. When computer tech Stirling lost his foster parents, he found shelter and love with the Salingers. Stirling knows firsthand what Tienne has been through, so when an attacker shatters Tienne’s self-imposed isolation, Stirling urges him into the Salinger crew. Maybe they can finally explore the quiet attraction between them. Then the Salingers announce their next project: an inquest into the mysterious deaths of Stirling’s adoptive parents. They descend on the Caribbean for answers, with Stirling and Tienne the quiet centers of the human justice-seeking hurricane. As they stretch out of their comfort zones, they learn that being family means someone always has your back. Hand in hand, they’ll solve the mystery. They might even be able to live with the consequences—as long as they do it together.Amy Lane’s Long Con series follows a crew of civic-minded thieves on their quests for justice, adventure, and love. Fans of Leverage, heist movies, and romantic suspense will love The Tech.

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On March 2, 1965, The Sound of Music was released in the United States and the love affair between moviegoers and the classic Rodgers and Hammerstein musical was on. Rarely has a film captured the love and imagination of the moviegoing public in the way that The Sound of Music did as it blended history, music, Austrian location filming, heartfelt emotion, and the yodeling of Julie Andrews into a monster hit. Tom Santopietro has written the ultimate Sound of Music fan book with all the details from behind-the-scenes stories of the filming in Austria and Hollywood to new interviews with Johannes von Trapp and others. Santopietro looks back at the real-life story of Maria von Trapp, goes on to chronicle the sensational success of the Broadway musical, and recounts the story of the near cancellation of the film when Cleopatra bankrupted 20th Century Fox. We all know that Julie Andrews and Christopher Plummer played Maria and Captain Von Trapp, but who else had been considered? Tom Santopietro knows and will tell all while providing a historian's critical analysis of the careers of director Robert Wise and screenwriter Ernest Lehman, a look at the critical controversy which greeted the movie, the film's relationship to the turbulent 1960s and the super stardom which engulfed Julie Andrews. Tom Santopietro's The Story of The Sound of Music is book for everyone who cherishes this American classic.

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Wie kommt ein gültiger Vertrag zustande? Welche Pflichten werden durch einen Vertrag und durch die Aufnahme von Vertragsverhandlungen begründet? Nach welchen Regeln beurteilt es sich, ob eine Partei Erfüllung des Vertrages verlangen, den Vertrag durch Rücktritt, Widerruf oder Kündigung aufheben oder ihren Kontrahenten auf Schadensersatz in Anspruch nehmen kann? Hein Kötz geht im vorliegenden Band diesen und anderen Fragen des Vertragsrechts nach. Die 2. Auflage wurde gründlich überarbeitet.Das Werk wurde zu den "juristischen Ausbildungsbüchern des Jahres 2009" gewählt. Aus Rezensionen zur 1. Auflage: "Der Gesamteindruck ist jedoch ohne Zweifel bestechend: ein großer Wurf!" Gostomzyk/Neureither/Norouzi JuS 2009, S. 1158f."Neben den didaktischen und vertragstheoretischen Lorbeeren, die Kötz zuzusprechen sind, kommen dem Buch auch bedeutende systemanalytische Verdienste zu. […] Die jetzt erschienene Erstauflage jedenfalls hat Pioniercharakter und ist als unverzichtbare Lektüre für alle Lernenden und Lehrenden zu begreifen, die sich 'am Puls der Zeit' mit dem Vertragsrecht befassen wollen." Christoph Reymann Zeitschrift für Europäisches Privatrecht 2011, 739-742"Wer Kötz' "Vertragsrecht" gelesen hat, ist zweifelsohne auf höchstem Niveau und hat neben dem unverzichtbaren Standardwissen auch wirtschaftliches und rechtsvergleichendes Verständnis zum Vertragsrecht gewonnen." Benjamin Krenberger studjur-online.de (1/2010) Aus Rezensionen zur 2. Auflage: "Es lässt sich wunderbar flüssig lesen und ist aufgrund der sehr guten Strukturierung auch zum schnellen 'Nachschlagen' geeignet."Die ungekürzte Rezension von Sebastian Jäger finden Sie auf http://dierezensenten.blogspot.de/2013/02/rezension-zivilrecht-vertragsrecht.html (02/2013)

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The book of Jonah is full of surprises, and this is no less true for us today than it was for its original readers. How is it possible that a city like Nineveh would repent? Why does Jonah seem so out of touch with the God who calls him to act as a prophet? And the end of the book asks readers the same question that God poses to Jonah: to what extent is their character truly in accord with that of the God whom they claim to serve? At the same time, Jonah centres on the grand theme of the Bible: the manifestation of God's unmerited grace to those who have sinned against him. However, despite its brevity, Jonah raises challenging theological questions regarding mission and religious conversion; and there is no shortage of fascinating historical aspects, along with the various unexpected plot twists. In this stimulating biblical-theological study, Daniel Timmer examines the book's historical backgrounds (in both Israel and Assyria), discusses the biblical text in detail, and pays special attention to redemptive history and its Christocentric orientation. He explores the relationship between Israel and the nations - including the question of mission - and the nature of religious conversion and spirituality in the Old Testament. Timmer also argues that the book of Jonah was written to facilitate spiritual change in its readers, and our study is not complete until we have wrestled with it on those terms. The New Studies in Biblical Theology offer creative expositions of key issues in understanding the Bible.

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Throughout history and across social and cultural contexts, most systems of belief—whether religious or secular—have ascribed wisdom to those who see reality as that which transcends the merely material. Yet, as the studies collected here show, the immaterial is not easily separated from the material. Humans are defined, to an extraordinary degree, by their expressions of immaterial ideals through material forms. The essays in Materiality explore varied manifestations of materiality from ancient times to the present. In assessing the fundamental role of materiality in shaping humanity, they signal the need to decenter the social within social anthropology in order to make room for the material. Considering topics as diverse as theology, technology, finance, and art, the contributors—most of whom are anthropologists—examine the many different ways in which materiality has been understood and the consequences of these differences. Their case studies show that the latest forms of financial trading instruments can be compared with the oldest ideals of ancient Egypt, that the promise of software can be compared with an age-old desire for an unmediated relationship to divinity. Whether focusing on the theology of Islamic banking, Australian Aboriginal art, derivatives trading in Japan, or textiles that respond directly to their environment, each essay adds depth and nuance to the project that Materiality advances: a profound acknowledgment and rethinking of one of the basic properties of being human.Contributors. Matthew Engelke, Webb Keane, Susanne Küchler, Bill Maurer, Lynn Meskell, Daniel Miller, Hirokazu Miyazaki, Fred Myers, Christopher Pinney, Michael Rowlands, Nigel Thrift

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Throughout history and across social and cultural contexts, most systems of belief—whether religious or secular—have ascribed wisdom to those who see reality as that which transcends the merely material. Yet, as the studies collected here show, the immaterial is not easily separated from the material. Humans are defined, to an extraordinary degree, by their expressions of immaterial ideals through material forms. The essays in Materiality explore varied manifestations of materiality from ancient times to the present. In assessing the fundamental role of materiality in shaping humanity, they signal the need to decenter the social within social anthropology in order to make room for the material. Considering topics as diverse as theology, technology, finance, and art, the contributors—most of whom are anthropologists—examine the many different ways in which materiality has been understood and the consequences of these differences. Their case studies show that the latest forms of financial trading instruments can be compared with the oldest ideals of ancient Egypt, that the promise of software can be compared with an age-old desire for an unmediated relationship to divinity. Whether focusing on the theology of Islamic banking, Australian Aboriginal art, derivatives trading in Japan, or textiles that respond directly to their environment, each essay adds depth and nuance to the project that Materiality advances: a profound acknowledgment and rethinking of one of the basic properties of being human.Contributors. Matthew Engelke, Webb Keane, Susanne Küchler, Bill Maurer, Lynn Meskell, Daniel Miller, Hirokazu Miyazaki, Fred Myers, Christopher Pinney, Michael Rowlands, Nigel Thrift

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A novel interpretation of architecture, ugliness, and the social consequences of aesthetic judgmentWhen buildings are deemed ugly, what are the consequences? In Ugliness and Judgment, Timothy Hyde considers the role of aesthetic judgment—and its concern for ugliness—in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles’s opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural ugliness do not pertain solely to buildings or assessments of style, but intrude into other spheres of civil society.Hyde explores how accidental and willful conditions of ugliness—including the gothic revival Houses of Parliament, the brutalist concrete of the South Bank, and the historicist novelty of Number One Poultry—have been debated in parliamentary committees, courtrooms, and public inquiries. He recounts how architects such as Christopher Wren, John Soane, James Stirling, and Ludwig Mies van der Rohe have been summoned by tribunals of aesthetic judgment. With his novel scrutiny of lawsuits for libel, changing paradigms of nuisance law, and conventions of monarchical privilege, he shows how aesthetic judgments have become entangled in wider assessments of art, science, religion, political economy, and the state.Moving beyond superficialities of taste in order to see how architectural improprieties enable architecture to participate in social transformations, Ugliness and Judgment sheds new light on the role of aesthetic measurement in our world.

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A comprehensive new survey tracing the global history of urbanism and urban design from the industrial revolution to the present “An engaging read for urban planners and non-designer urbanists. . . . The extent and detail of Mumford’s geographical coverage of the topics are exceptional.”—Christopher Auffrey, Journal of Urban Affairs Written with an international perspective that encourages cross-cultural comparisons, leading architectural and urban historian Eric Mumford presents a comprehensive survey of urbanism and urban design since the industrial revolution. Beginning in the second half of the 19th century, technical, social, and economic developments set cities and the world’s population on a course of massive expansion. Mumford recounts how key figures in design responded to these changing circumstances with both practicable proposals and theoretical frameworks, ultimately creating what are now mainstream ideas about how urban environments should be designed, as well as creating the field called “urbanism.” He then traces the complex outcomes of approaches that emerged in European, American, and Asian cities. This erudite and insightful book addresses the modernization of the traditional city, including mass transit and sanitary sewer systems, building legislation, and model tenement and regional planning approaches. It also examines the urban design concepts of groups such as CIAM (International Congresses of Modern Architecture) and Team 10, and their adherents and critics, including those of the Congress for the New Urbanism, as well as efforts toward ecological urbanism. Highlighting built as well as unbuilt projects, Mumford offers a sweeping guide to the history of designers’ efforts to shape cities.

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The cross-cultural exchange of ideas that flourished in the Mediterranean during the sixteenth and seventeenth centuries profoundly affected European and Islamic society. Gardens of Renaissance Europe and the Islamic Empires considers the role and place of gardens and landscapes in the broader context of the information sharing that took place among Europeans and Islamic empires in Turkey, Persia, and India.In illustrating commonalities in the design, development, and people’s perceptions of gardens and nature in both regions, this volume substantiates important parallels in the revolutionary advancements in landscape architecture that took place during the era. The contributors explain how the exchange of gardeners as well as horticultural and irrigation techniques influenced design traditions in the two cultures; examine concurrent shifts in garden and urban landscape design, such as the move toward more public functionality; and explore the mutually influential effects of politics, economics, and culture on composed outdoor space. In doing so, they shed light on the complexity of cultures and politics during the Renaissance.A thoughtfully composed look at the effects of cross-cultural exchange on garden design during a pivotal time in world history, this thought-provoking book points to new areas in inquiry about the influences, confluences, and connections between European and Islamic garden traditions.In addition to the editor, the contributors include Cristina Castel-Branco, Paula Henderson, Simone M. Kaiser, Ebba Koch, Christopher Pastore, Laurent Paya, D. Fairchild Ruggles, Jill Sinclair, and Anatole Tchikine.

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The pioneering British modernist architect Richard Seifert was one of the most successful and influential architects of his generation. During the 1960s and '70s he changed the face and fabric of London with a powerful series of highly visible and uncompromising brutalist buildings, including - most famously - Centre Point, the Nat West Tower and King's Reach Tower. Seifert is often described as a modernist version of Christopher Wren in terms of his impact upon the capital, building hundreds of towers, office buildings and hotels in London but also working in other parts of the UK and internationally. An enigmatic and determined figure, Seifert achieved much in his lifetime yet has remained a controversial and divisive figure due to his unwavering commitment to modernism. Both Seifert and his buildings have been attacked, with his work described as 'notorious' for its brutalist aesthetic and an arguable lack of contextuality. Yet in recent years there has been a noticeable upsurge of interest in brutalist architecture in general along with the beginnings of a re-evaluation of Seifert's extraordinary contribution to mid-century architecture and design: a number of buildings by Seifert and his associates have been listed in recognition of their architectural importance. Beautifully illustrated, this book records, analyses and celebrates a considered selection of Seifert's buildings, including Centre Point, the Nat West and King's Reach Towers, Space House, the Euston Station Buildings, the Park Lane Tower Hotel, Drapers Gardens, the International Press Centre, all in London, Wembley Conference Centre and Sussex Heights in Brighton, within the most extensive survey of his work to date.

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The book addresses themes such as visual perception, perception of 3-D and stereo. With the event of the stereoscope and the theatre, dioramas and panoramas before it, vision and perception in the eighteenth and nineteenth century is seen to be marketed to a mass audience. As such the spectacle of the stereoscope and other optical devices can be seen as a precursor to mass media dissemination today. Yet artists use the stereoscope and VR to signify the spectacle, clairvoyance, vision and the mechanism of vision as well as a symbol for the act of looking, being looked at while looking and the gaze within an art new media practice. Other artists have used 3-D and virtual reality to address themes such as theories of consciousness or embodied consciousness, the human – machine relationship and the idea of mapping reality, alternative networked realities. The book includes an introduction and summary of chapters, 86 anaglyphic 3-D images and presents a survey of artists working in 3-D and virtual reality, VR art. The convergence of other fields such as new media art, video art and early virtual reality art is described through many examples within the scope of the book. Artists discussed include Mert Akbal, Zoe Beloff , Geoffrey Berliner, Lygia Clark, Dan Graham, Salvador Dali, Marcel Duchamp, Scott S. Fisher, Rebecca Hackemann, Perry Hoberman, Daniel Iglesia, Ken Jacobs, William Kentridge, Susan MacWilliam, Patrick Meagher, Rosa Menkman, Jim Naughten, Tony Ousler, Alfons Schilling, Joel Schlemowitz, Christopher Schneberger, Judith Sönniken, Ethan Turpin, Aga Ousseinov, Colleen Woolpert. 3-D glasses included with hardback book.

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A fascinating portrait of Reinhard Heydrich, one of the darkest figures of Hitler's elite, featuring words with those who knew him best, including in-depth and rare interviews with his wife, Lina. He was called the 'Hangman of the Gestapo' and the 'Butcher of Prague'. He had a reputation as a ruthlessly efficient killer and was known as an exemplar of Nazi ideals. He was the head of the SS and the Gestapo, second in command to Heinrich Himmler and supposedly in line to succeed the Fuhrer.His orders set in motion the Kristallnacht pogrom of 1938 and he was the lead planner of the Final Solution, which led to the murder of millions of Jews across Nazi-occupied Europe.Hitler called him 'the man with the iron heart'.This incredible biography explores who Reinhard Heydrich was, how he came to be and what led him to do what he did.Using in-depth research, Nancy Dougherty (and, following her death, Christopher Lehman-Haupt), paint a detailed picture of Heydrich as never seen before. Through extensive interviews with those who knew him best, including his wife Lina von Osten Heinrich, we hear about his rarefied musical family origins and ugly-duckling childhood, his failed Naval career and struggles to find employment, and finally his meteoric rise through the Nazi high command and his time within the Third Reich.The Man With the Iron Heart is an astonishing journey into the depths of Nazi evil and a powerful insight into one of humanity's darkest figures.

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Winner of the 2012 Roald Dahl Funny Prize!Thirteen-year-old schoolboy, Dirk Lloyd, has a dark secret - in fact he is a dark secret. Dirk - according to his own account - is the earthly incarnation of a Dark Lord, supreme ruler of the Darklands and leader of great armies of orcs and warriors, intent on destruction and bloody devastation. Following a colossal final battle between the forces of good and evil, the Dark Lord was defeated and hurled by his arch-foe's spells into the Pit of Uttermost Despair. At the bottom of the Pit lies...a supermarket car park in the municipal town of Whiteshields, somewhere in modern day England. And when he is found, and tries to explain that he is the Dark Lord, people think he means Dirk Lloyd. The fact that he's trapped in the puny body of a schoolboy doesn't help. And so begins Dirk's battle to recover his dignity, his power, and his lands... Along the way he faces the inconvenience of being fostered by a do-gooding family, the Purejoies; the torture of endless hours of drudgery at the Whiteshields Brainwashing Centre (aka school); a vengeful Headmaster; two interfering Psychotic Persecutors (psychotherapists); and constant laughter and disrespect when he attempts to marshall his lackeys and lickspittles (friends) to do what he wants them to.Dirk makes friends with the son of his foster family, Christopher, and the local Goth Girl, Sooz, and together they attempt to cast a spell that will transport Dirk back to his homeland. Inevitably, not everything goes to plan... But that's for book 2Roald Dahl Prize winner, 2012.

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'Melding noir with the fantasy genre, this is a rather clever read, one which feels especially prescient for our reality' SCIFINOW There's power in stories, but stories can be silenced. It's election year and the streets of Fenest are filled with people from every corner of the Union of Realms. But this year is different. The Wayward storyteller has been murdered. Detective Cora Gorderheim has found the man responsible, but now he's dead too, and it's clear that the silenced Wayward is just a small part of a much bigger tale. As her investigation digs ever deeper, Cora pieces together a conspiracy that will take her from the gutter dwellers of the Union right to the top. A conspiracy that will force her to return to her own story, to its very beginning, if she is to have any say in its end. Widow's Welcome, the first book in the Tales of Fenest trilogy, is available now. 'It's rare to find such a richly imagined world about the art of myth and storytelling' CHRISTOPHER FOWLER 'Like a Philip Pullman rendition of Cloud Atlas. Widow's Welcome is an irresistibly thrilling introduction to a world of stories within stories – and I can't wait for more' TIM MAJOR 'There is more than meets the eye in this gripping and inventive debut... Rife with intrigue, deceit and cultural tension' JAMES AITCHESON 'An utterly absorbing tale set in a fascinating world. A terrific start to the series' MICK FINLAY 'If you love storytelling, you'll love this' SIMON MORDEN

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A story of class and corruption, sex and the Sixties, for fans of A Very English Scandal and The Trial of Christine Keeler Nik felt the mistake in his bones. The man in the snakeskin suit reached down towards him and pulled Nik upright by the collar of his coat. Nik didn’t see what happened next but he felt the wall. He cried out and then someone hit him and he closed his eyes and waited for it to be over. London. 1967. Nik Christou has been a rent boy since he was 15. He knows the ins and outs of Piccadilly Circus, how to spot a pretty policeman and to interpret a fleeting glance. One summer night his life is turned upside down, first by violence and then by an accusation of murder. Anna Treadway, fleeing the ghosts of her past, works as a dresser in Soho’s Galaxy theatre. She has learned never to place too much trust in the long arm of the law and, convinced Nik is innocent she determines to find him an alibi. Merrian Wallis, devoted wife to an MP with a tarnished reputation, just wants proof that her husband couldn’t have been involved. But how do you recognise the truth when everyone around you is playing a role – and when any spark of scandal is quickly snuffed out by those with power? As Anna searches for clues amongst a cast of MPs, actors, members of gentlemen’s clubs and a hundred different nightly clients, will anyone be willing to come forward and save Nik from his fate?

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Wunderbar wohlschmeckender Wein auf der Zunge, Todesgeruch in der Nase und den Finger in der Wunde zur Vergewisserung der Botschaft des neuen Lebens: Ausgerechnet das "geistliche Evangelium" enthält ausgesprochen sinnlich-körperliche Erzählungen. Rainer Hirsch-Luipold interpretiert sie als Antwort auf die erkenntnistheoretische Problemanalyse: "Keiner hat Gott jemals gesehen" (Joh 1,18). Vom Gedanken der Fleischwerdung des göttlichen Logos her entwickelt das vierte Evangelium eine christologisch zentrierte Ästhetik des Unsichtbaren. Über Augen, Mund und Nase der ersten Zeugen erhalten die Leserinnen und Leser die Möglichkeit der Wahrnehmung Gottes in der Begegnung mir Jesus. Gemäß der soteriologischen Pragmatik des Evangeliums werden sie dadurch über Gotteserkenntnis und Glauben zum Leben geführt. Ausgehend von drei exemplarischen Erzählungen entwirft der Autor eine Gesamtsicht der literarischen Technik, Pragmatik und Theologie des vierten Evangeliums.

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The 7th Edition of Who''s Who in Fashion captures the energy, drama, excitement, and diversity of the luminaries working in the world of fashion. This lushly illustrated book features profiles of fashion legends as well as newcomers who make up the rich tapestry of the fashion industry, spanning designers, photographers, costume designers, writers/editors, illustrators, companies, accessory designers, makeup/cosmetic specialists, and fashion conglomerates. This new edition includes over 400 profiles, 90 of which are new, and 820 images, making this a must-have reference for fashion students, historians, costume curators, and fashion enthusiasts alike. New Profiles Virgil Abloh, Haider Ackermann, Adidas, Adnym, AEFFE, Mike Amiri, Imran Amed, Jonathan Anderson, Paul Andrew, Rosie Assoulin, Kevyn Aucoin, Brendon Babenzien (Noah), BCBGMAXAZRIA, Ritu Beri, Christopher Bevans (DYNE), Blair Breitenstein, Bobbi Brown, Sarah Burton, Giuliano Calz

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In pursuit of the oneness of scripture's scope, Brevard Childs (1923-2007) ranged across the Christian Bible, writing Introductions to the Old and New Testaments before attempting a landmark Biblical Theology of the same. For him the canon is a christological rule of faith, though perceiving the "family resemblance" in its historic formation and impress in the life of the church as well as, mysteriously, the synagogue, is always a great struggle. Yet Childs' argument for final form exegesis rose out of his form-critical training: Hermann Gunkel is a crucial antecedent. Childs' work has been much discussed, and in the wake of James Barr's criticism much misunderstood. Driver gives its total profile for the first time, from its background and controversy to its later development, analyzing all published titles and filling out this record with a number of previously unseen letters and papers.

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The evolution of Latin American literature. A Companion to Latin American Literature offers a lively and informative introduction to the most significant literary works produced in Latin America from the fifteenth century until the present day. It shows how the press, and its product the printed word, functioned as the common denominator binding together, in different ways over time, the complex and variable relationship between the writer, the reader and the state. The meandering story of the evolution of Latin American literature - from the letters of discovery written by Christopher Columbus and Vaz de Caminha, via the Republican era at the end of the nineteenth century when writers in Rio de Janeiro as much as inBuenos Aires were beginning to live off their pens as journalists and serial novelists, until the 1960s when writers of the quality of Clarice Lispector in Brazil and García Márquez in Colombia suddenly burst onto the world stage- is traced chronologically in six chapters which introduce the main writers in the main genres of poetry, prose, the novel, drama, and the essay. A final chapter evaluates the post-boom novel, testimonio, Latino and Brazuca literature, gay, Afro-Hispanic and Afro-Brazilian literature, along with the Novel of the New Millennium. This study also offers suggestions for further reading. STEPHEN M. HART is Professor of Hispanic Studies, UniversityCollege London, and Profesor Honorario, Universidad de San Marcos, Lima.

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Despite the prodigious inventiveness of the Middle Ages, the era is often characterized as deeply suspicious of novelty. But if poets and philosophers urged caution about the new, Patricia Clare Ingham contends, their apprehension was less the result of a blind devotion to tradition than a response to radical expansions of possibility in diverse realms of art and science. Discovery and invention provoked moral questions in the Middle Ages, serving as a means to adjudicate the ethics of invention and opening thorny questions of creativity and desire. The Medieval New concentrates on the preoccupation with newness and novelty in literary, scientific, and religious discourses of the twelfth through sixteenth centuries. Examining a range of evidence, from the writings of Roger Bacon and Geoffrey Chaucer to the letters of Christopher Columbus, and attending to histories of children's toys, the man-made marvels of romance, the utopian aims of alchemists, and the definitional precision of the scholastics, Ingham analyzes the ethical ambivalence with which medieval thinkers approached the category of the new. With its broad reconsideration of what the "newfangled" meant in the Middle Ages, The Medieval New offers an alternative to histories that continue to associate the medieval era with conservation rather than with novelty, its benefits and liabilities. Calling into question present-day assumptions about newness, Ingham's study demonstrates the continued relevance of humanistic inquiry in the so-called traditional disciplines of contemporary scholarship.

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Since 1990, more than 10 million people have been killed in the civil wars of failed states, and hundreds of millions more have been deprived of fundamental rights. The threat of terrorism has only heightened the problem posed by failed states. When States Fail is the first book to examine how and why states decay and what, if anything, can be done to prevent them from collapsing. It defines and categorizes strong, weak, failing, and collapsed nation-states according to political, social, and economic criteria. And it offers a comprehensive recipe for their reconstruction. The book comprises fourteen essays by leading scholars and practitioners who help structure this disparate field of research, provide useful empirical descriptions, and offer policy recommendations. Robert Rotberg's substantial opening chapter sets out a theory and taxonomy of state failure. It is followed by two sets of chapters, the first on the nature and correlates of failure, the second on methods of preventing state failure and reconstructing those states that do fail. Economic jump-starting, legal refurbishing, elections, the demobilizing of ex-combatants, and civil society are among the many topics discussed. All of the essays are previously unpublished. In addition to Rotberg, the contributors include David Carment, Christopher Clapham, Nat J. Colletta, Jeffrey Herbst, Nelson Kasfir, Michael T. Klare, Markus Kostner, Terrence Lyons, Jens Meierhenrich, Daniel N. Posner, Susan Rose-Ackerman, Donald R. Snodgrass, Nicolas van de Walle, Jennifer A. Widner, and Ingo Wiederhofer.

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Many writers, from Aristophanes to Joseph Heller, have written about politics. But at certain periods in history, often at times of conflict and turmoil, writers have consciously used their literary talents to support or oppose a specific cause. The 1930s, a decade of widespread social and political breakdown, was such a period.Today the Struggle examines the political involvement of those leading British writers who dedicated their talents to the defense of Nationalists or Loyalists during the Spanish Civil War and who saw that war as symbolic of their own Right-Left dialogue.Conservatives like William Butler Yeats and T. S. Eliot and Roman Catholics like Evelyn Waugh were passionately anti-Communist. They viewed fascism as a bulwark against communism but were unwilling to support the Franco cause actively. Other pro-Nationalists were not so hesitant: Roy Campbell and Wyndham Lewis were ardent participants in the fight against the British left wing.Pro-Loyalists, united only in their antifascism, ranged from conservative to anarchist in political commitment. Their literary contributions included fine poems by W. H. Auden and Stephen Spender, experimental drama by Auden and Christopher Isherwood, and impassioned prose by Rex Warner, George Orwell, and Aldous Huxley.Katharine Hoskins’s principal interest in Today the Struggle is to discover how and why certain writers supported specific political actions, to ascertain the effectiveness of their efforts, and to evaluate the influence of these efforts on their work.

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Published to mark the reopening of the spectacular baroque interior of the Old Royal Naval College in Greenwich after a landmark conservation project, The Painted Hall is a wonderful celebration of what has been called `the Sistine Chapel of the UK’. The ceiling and wall decorations of the Painted Hall were conceived and executed by the artist Sir James Thornhill between 1707 and 1726 – years that witnessed the Act of Union during the reign of Queen Anne and Great Britain’s rise to become a dominant Protestant power in a predominantly Catholic Europe. The accessions to the throne of William III and Mary II in 1688 and George I in 1714 form the central narrative of a scheme that also honours Britain’s maritime successes and mercantile prosperity. The artist drew on a cast of around 200 figures – a mixture of historical, contemporary, allegorical and mythological characters – to tell a story of political change, scientific and cultural achievements, naval endeavours, and commercial enterprise against a series of magnificent backdrops. In the first part of the book, Dr Anya Lucas describes the history and architecture of the building and the background to Thornhill’s commission. The grandeur of his composition, which covers 40,000 square feet, reflects the importance of the space that the paintings adorn: the hall of the new Royal Hospital for Seamen. The Hospital was established in 1694 at Queen Mary’s instigation for men invalided out of the Navy, and was designed by Sir Christopher Wren and Nicholas Hawksmoor. The Painted Hall was originally intended as a grand dining room, but it soon became a ceremonial space open to paying visitors and reserved for special functions. The last naval pensioners left the site in 1869, when it became home to the Royal Naval College, an officers’ training academy. The passage of nineteen years from the start of the commission to its completion, and the need to navigate contemporary political events, meant that Thornhill was required to rethink the design of his paintings several times. His preparatory sketches for the Painted Hall reveal how carefully he experimented with and planned the content. When he had finished his work, Thornhill wrote An Explanation of the paintings, which was published by the Hospital directors and sold to visitors. This guide is the subject of the second part of our book, by Dr Richard Johns. Johns also explores image and meaning in Thornhill’s decorative scheme, which stretches across three distinct but connected spaces: the domed Vestibule, the long Lower Hall, and the Upper Hall, together presenting a vivid and compelling picture of Britain’s place in the world according to those who governed it at the start of the 18th century. During the last 300 years, smoke and dirt built up on the fragile painted surfaces of the Hall, and varnish layers fractured under the effects of heat and humidity. In the final part of the book, the specialist conservators Sophie Stewart and Stephen Paine consider historic restorations of the Painted Hall from the 18th century to the Ministry of Works campaign of the late 1950s. The spring of 2019 sees the completion of a ground-breaking conservation programme that has reversed decades of decay and ensured the long-term preservation of the paintings. Now that every inch of decorated surface has been lovingly cleaned and conserved, new photography brings the colour, clarity and vibrancy of Thornhill’s masterpiece to life.

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Packed with insights from a lifetime of directing theatre, Words into Action is a fascinating read and a vital masterclass for actors and directors. Renowned theatre director William Gaskill was one of the founders of the Royal Court, whose ethos, as Christopher Hampton says in his Foreword, 'this book goes a long way towards defining'. Gaskill's acclaimed work as a director always began with the words of the playwright, and here, starting with a chapter on 'Trusting the Writer', he takes the actor through the vital steps needed to find the life of the play and then to articulate it on stage. Drawing instances from his own work in the theatre and from teaching at the Royal Academy of Dramatic Art, he looks at action and intention, stillness and movement, sentences and rhetoric, punctuation and pauses. He pays detailed attention to staging Shakespeare's plays, and there are also chapters on masks, on language as character, and on verse and prose. Gaskill was, says Maggie Smith, ‘the best teacher in the world.'

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The gospel accounts of the birth and childhood of Jesus have puzzling discrepancies and contradictions. In particular, Matthew and Luke give different versions of the genealogy and birth of Jesus, and of the events that follow.A long forgotten tradition held that there were, in fact, two families and two Jesus children whose destinies would come together: one from the kingly line of Solomon, and the other from the priestly line of Nathan. There are various apocryphal texts, as well as works of art, in which both children clearly occur.Emil Bock shows how the pattern and structure of the four gospels support the stories of two boys called Jesus, living side by side in Nazareth until the age of twelve, right up to the dramatic day of their visit to the temple in Jerusalem. He also recreates the years between this time and Jesus' baptism.This book is essential reading for every Christology student, and for anyone who has ever wondered about the gospel accounts of Jesus' birth.

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The Trio tells the story of three war correspondents, two Englishmen and an Australian, all in their 30s, whose friendship was forged during the Second World War. They became so close that their colleagues dubbed them ‘The Trio’, sometimes out of disgruntled rivalry. Alan Moorehead, Alexander Clifford and Christopher Buckley worked for the Express, Mail and Telegraph respectively. Clifford and Moorehead lived together more closely than most married couples, and all three correspondents spent the war years travelling relentlessly, chasing news and writing stories, while being reliant on each other’s friendship and mutual trust. They slept under the desert stars, in sumptuous Italian villas, in trains and army trucks. They were frequently in the line of fire, while their names became synonymous with the best war reporting. The Trio describes their relationship, what happened to each of them in the war and finally, when the fighting was over, how success gave way to personal tragedy.

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Ian Shapiro makes a compelling case that the overriding purpose of politics should be to combat domination. Moreover, he shows how to put resistance to domination into practice at home and abroad. This is a major work of applied political theory, a profound challenge to utopian visions, and a guide to fundamental problems of justice and distribution.“Shapiro’s insights are trenchant, especially with regards to the Citizens United decision, and his counsel on how the ‘status-quo bias’ in national political institutions favors the privileged. After more than a decade of imperial overreach, his restrained account of foreign policy should likewise find support.”—Scott A. Lucas, Los Angeles Review of Books“Shapiro has a brief and compelling section on the importance of hope in his first chapter. This book enacts and encourages hope, with its analytical clarity, deep engagement of complicated political issues that resist easy theorizing, and emphasis on the politically possible.”—Kathleen Tipler, Political Science Quarterly“Offers important insights for thinking about democracy’s prospects.”—Christopher Hobson, Perspectives on Politics

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The City of London is a jurisdiction whose relationship with the English monarchy has sometimes been turbulent. This fascinating book explores how architecture was used to renew and redefine a relationship essential to both parties in the wake of two momentous events: the restoration of the monarchy, in 1660, and the Great Fire six years later. Spotlighting little-known projects alongside such landmarks as Christopher Wren’s St. Paul’s Cathedral, it explores how they were made to bear meaning. It draws on a range of evidence wide enough to match architecture’s resonances for its protagonists: paintings, prints, and poetry, sermons and civic ceremony mediated and politicized buildings and built space, as did direct and sometimes violent action. The City and the King offers a nuanced understanding of architecture’s place in early modern English culture. It casts new light not only on the reign of Charles II, but on the universal mechanisms of construction, decoration, and destruction through which we give our monuments significance.Published for the Paul Mellon Centre for Studies in British Art

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Find out all about the history of the Vikings, the warriors and explorers who raided Europe in their longships throughout the Middle Ages. Learn about Viking warfare, their families, homes, clothes, and crafts, as well as gods from Norse mythology, such as Thor and Loki, in this beautifully illustrated children's book that is crammed with amazing facts. Part of the award-winning DKfindout! series, this engaging book includes new photography and illustrations that transport children directly into the world of the Vikings. Written by experts in Viking history, and checked by an educational consultant, DKfindout! Vikings is ideal for school projects or for children who simply love to learn about accurate ancient history. Amazing cut-away artworks take you inside Viking homes and longships, in which these notorious seafaring warriors sailed to North America 500 years before Christopher Columbus. New photography, including reenactments of Viking life, makes this book essential for budding historians and imaginative learners.

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J.R.R. Tolkien's writings on the Second Age of Middle-earth, collected for the first time in one volume.Guided by the Dark Lord Sauron, the Elves of Eregion forge the Rings of Power. Yet in secret he has begun building the Barad-dûr in Mordor, and here, in the fires of Mount Doom, he makes the One Ring. Seeking to rule Middle-earth, Sauron begins to wage terrible war upon them.On the island-kingdom of Númenor, the Men of the West become mighty, building great ships to increase their influence throughout Middle-earth. But as their power grows, the seed of their downfall is sown. Only by uniting in alliance with the Elves can they hope to overcome Sauron.Adhering to The Tale of Years' timeline in The Lord of the Rings, Brian Sibley assembles a new chronicle of Middle-earth, a tragic tale of pride, envy and downfall told substantially in the words of J.R.R. Tolkien from the various published texts originally edited by Christopher Tolkien, and illustrated with pencil drawings by Alan Lee.

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In A History of Britain in 100 Maps Jeremy Black takes readers deep into the unparalleled collections of the British Library Map Room to tell a new story of the British Isles through acknowledged treasures and previously undiscovered and unpublished items. Presenting in detail 100 important maps Black explores major themes in British history, from settlement, environmental change, state formation and ecclesiastical development to industrialisation, urbanisation, and modern socio-political developments. In doing so he also tells the story of how a rich mapmaking tradition developed from the medieval Mappa Mundi to the work of pioneering cartographers including Matthew Paris, John Speed and Christopher Saxton and on through institutions such as the Ordnance Survey and the A-Z Company. Cartographic records of the Civil War and Great Fire, or curiosities including Emil Reich's 'Map of British Genius', are contrasted with infographic maps of recent elections and the COVID-19 epidemic. The book also considers the growing field of fine and digital artists using delineated images of Britain as their subject matter.

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A vital contribution to environmental humanities that explores artistic responses to the plastic age Since at least the 1960s, plastics have been a defining feature of contemporary life. They are undeniably utopian—wondrously innovative, cheap, malleable, durable, and convenient. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are piling up in landfills, floating in oceans, and contributing to climate change and cancer clusters. They are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. Plastic reshapes our cultural and social imaginaries. With impressive breadth and compelling urgency, the essays in Life in Plastic examine the arts and literature of the plastic age. Focusing mainly on post-1960s North America, the collection spans a wide variety of genres, including graphic novels, superhero comics, utopic and dystopic science fiction, poetry, and satirical prose, as well as vinyl records and visual arts. Essays by a remarkable lineup of cultural theorists interrogate how plastic—as material and concept—has affected human sensibilities and expression. The collection reveals the place of plastic in reshaping how we perceive, relate to, represent, and re-imagine bodies, senses, environment, scale, mortality, and collective well-being.Ultimately, the contributors to Life in Plastic think through plastic with an eye to imagining our way out of plastic, moving toward a postplastic future.Contributors: Crystal Bartolovich, Syracuse U; Maurizia Boscagli, U of California, Santa Barbara; Christopher Breu, Illinois State U; Loren Glass, U of Iowa; Sean Grattan, U of Kent; Nayoung Kim, Brandeis U; Jane Kuenz, U of Southern Maine; Paul Morrison, Brandeis U; W. Dana Phillips, Towson U in Maryland and Rhodes U in Grahamstown, South Africa; Margaret Ronda, UC-Davis; Lisa Swanstrom, U of Utah; Jennifer Wagner-Lawlor, Pennsylvania State U; Phillip E. Wegner, U of Florida; Daniel Worden, Rochester Institute of Technology.

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Fifty more essays from famous writers on their incurable love affair with the Big Apple What do Francine Prose, Suketu Mehta, and Edwidge Danticat have in common? Each suffers from an incurable love affair with the Big Apple, and each contributed to the canon of writing New York has inspired by way of the New York Times City Section, a part of the paper that once defined Sunday afternoon leisure for the denizens of the five boroughs. Former City Section editor Constance Rosenblum has again culled a diverse cast of voices that brought to vivid life our metropolis through those pages in this follow-up to the publication New York Stories (2005). The fifty essays in More New York Stories unite the city’s best-known writers to provide a window to the bustle and richness of city life. As with the previous collection, many of the contributors need no introduction, among them Kevin Baker, Laura Shaine Cunningham, Dorothy Gallagher, Colin Harrison, Frances Kiernan, Nathaniel Rich, Jonathan Rosen, Christopher Sorrentino, and Robert Sullivan; they are among the most eloquent observers of our urban life. Others are relative newcomers. But all are voices worth listening to, and the result is a comprehensive and entertaining picture of New York in all its many guises. The section on “Characters’’ offers a bouquet of indelible profiles. The section on “Places” takes us on journeys to some of the city’s quintessential locales. “Rituals, Rhythms, and Ruminations” seeks to capture the city’s peculiar texture, and the section called “Excavating the Past” offers slices of the city’s endlessly fascinating history. Delightful for dipping into and a great companion for anyone planning a trip, this collection is both a heart-warming introduction to the human side of New York and a reminder to life-long New Yorkers of the reasons we call the city home.

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This bestselling undergraduate level book is an ideal resource for student paramedics looking for an excellent introduction to the main theoretical subjects studied in paramedic courses, and links practice issues to the all-important theory base.The chapters bring to life a wide variety of academic subjects, making complex subjects easily readable and encouraging reflection on how theory fits with practice. This third edition has been expanded throughout and includes five new chapters on research and evidence-based practice, human factors affecting paramedic practice, developing resilience, caring for people with dementia, and public health perspectives. This new edition also covers:• Ethics and law for the paramedic• Reflective practice and communication• Professional issues, including clinical audit and governance and anti-discriminatory practice• Psychological perspectives on health and ill health• Social factors• Care of vulnerable adults and end of life care• Safeguarding children• Managing change, decision making and leadership theoryWritten by a team of experienced paramedics, specialist health care professionals and doctors from across the UK, the book includes numerous links to practice, a wide selection of case studies and examples which encourage you to ‘stop and think’ and reflect upon your practice experience.Blaber’s Foundations for Paramedic Practice: A Theoretical Perspective, Third Edition is a core text for student paramedics and a valuable resource for students of all allied health professions.'This book should be considered essential reading material for student paramedics endeavouring to understand the vital core concepts that underpin paramedic science. This clear, concise and user-friendly text is also invaluable for newly qualified paramedics, experienced paramedics looking to continue their own professional development and those acting as Practice Educators'.Sarah Christopher, PGC LTHE, BSc (Hons), MA Ed, FHEA, MC Para, Programme Lead for Paramedic Science, The University of Lincoln, UK

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'A marvellous book, lovingly edited, beautifully produced. . . and brimming with literary insights, much laughter, a sprinkle of gossip and the poet's insuppressible joie de vivre, even in adversity. Buy it, read it, and keep it to hand on to your children.' John Banville, Guardian'An epistolary cornucopia. . . contains an abundance of insight and illumination, literary gossip and appraisal, playfulness and cogency, all bound up with a steadfast attention to the feelings and expectations of each correspondent.' Patricia Craig, TLS Books of the YearEvery now and again I need to get down here, to get into the Diogenes tub, as it were, or the Colmcille beehive hut, or the Mossbawn scullery. At any rate, a hedge surrounds me, the blackbird calls, the soul settles for an hour or two . . .For all his public eminence, Seamus Heaney seems never to have lost the compelling need to write personal letters. In this ample but discriminating selection from fifty years of his correspondence, we are given access as never before to the life and poetic development of a literary titan - from his early days in Belfast, through his controversial decision to settle in the Republic, to the gradual broadening of horizons that culminated in the award of a Nobel Prize and the years of international acclaim that kept him heroically busy until his death.Editor Christopher Reid draws from both public and private archives to reveal this story in the poet's own words. Generous, funny, exuberant, confiding, irreverent, empathetic and deeply thoughtful, the letters encompass decades-long relationships with friends and colleagues, as well as showing an unstinted responsiveness to passing acquaintances. Moreover, Heaney's joyous mastery of language is as evident here as it is in any of his writing for a literary readership.Listening to Heaney's voice, we find ourselves in the same room as a man whose presence, when he lived, enriched the world immeasurably, and whose legacy continues to deepen our sense of what truly matters.

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