Search results for ""Author Christo"

Scholars continue to dispute the foundations of Quakerism. James Nayler, his prophetic Bristol 'sign' of 1656, and George Fox's relation to him have been of especial interest in defining the movement's identity. Conventionally, historians and theologians have taken either a 'traditional' approach, which assesses Nayler by the standards of orthodoxy, or a 'revisionist' one, which absolves him by the standards of early Quaker relativism and Christology. This study by Euan David McArthur mediates between these positions, finding that Nayler and Fox developed an ambiguous theology, but adopted a consistent approach to Quaker performances. The latter dissuaded against performances such as Nayler's 'sign'; Nayler is argued, instead, to have diverged from other Quaker leaders following disputations between 1655 and 1656. The lessons his person and actions hold for us are concluded to be complex, but worthy of study for a wide range of historians and thinkers.

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El kick Boxing es una forma moderna de lucha deportiva desarrollada en la década de los años setenta y que cada vez cuenta con más adeptos, en el que los contrincantes emplean técnicas del boxeo y espectaculares golpes con las piernas. Además se entrena en las disciplinas de semi contact, ligth contact y full contact, y también existen formas con y sin armas, así como el kick boxing practicado para mantener la forma física y para la autodefensa. El autor y kickboxer Christoph Delp, junto a una serie de destacados deportistas y entrenadores, nos ilustran en este libro sobre:La historia, los fundamentos y el equipamiento del kick boxing.El espíritu combativo, la autodisciplina y el comportamiento durante el entrenamiento.Técnicas de golpes con las manos y con las piernas así como sus combinaciones.Técnicas de defensa y contraataque.Organización y planificación del entrenamiento.Todas las técnicas están explicadas de modo claro y con ilustrativas y detalladas imágenes, l

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Stephen Spender, the son of a journalist, was born in London in 1909. He was educated at University College, Oxford, where he met, among others, W. H. Auden, Christopher Isherwood and Louis MacNeice, with whom he was to develop a poetics of engagement, writing powerfully of the confusion and alarm of 1930s Europe. He visited Spain during the Civil War, in 1937, where he assisted the Republican cause with propaganda activity. His post-war memoir World within World was recognised as one of the most illuminating literary autobiographies to have come out of the 1930s and 1940s, distilling a distinctively personal, humanistic socialism. His poetry has been praised for its exploratory candour, its personal approach to the stresses of modernity, and its exact portraiture of social and political upheaval. Grey Gowrie's new selection offers a timely and incisive revaluation of Spender's substantial poetic corpus.

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Atheism is on the march in the western world, and its enemy is God. Religion, the "New Atheists" claim, "is dangerous", it "kills" or "poisons everything". And if religion is the problem with the world, their answer is simple: get rid of it. But are things really so straightforward? Tackling the likes of Richard Dawkins, Stephen Hawking, Christopher Hitchens, and Daniel Dennett head on, John Lennox highlights the fallacies in the their approach, arguing that their irrational and unscientific methodology leaves them guilty of the same obstinate foolishness of which they accuse dogmatic religious folks. Erudite and wide-ranging, Gunning for God packs some debilitating punches. It also puts forward new ideas about the nature of God and Christianity that will give the 'New Atheists' best friends and worst enemies alike some stimulating food for thought.

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Classic hardback edition of the second volume of The Lord of the Rings, featuring Tolkien’s original unused dust-jacket design. Includes special packaging and the definitive edition of the text, with fold-out map. Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in the battle with an evil spirit in the Mines of Moria; and at the Falls of Rauros, Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape the rest of the company were attacked by Orcs. Now they continue their journey alone down the great River Anduin – alone, that is, save for the mysterious creeping figure that follows wherever they go. This classic hardback features Tolkien’s original unused dust-jacket design, and its text has been fully restored with almost 400 corrections – with the full co-operation of Christopher Tolkien – making it the definitive version, and as close as possible to the version that J.R.R. Tolkien intended. Also included is the original red and black map of the Shire as a foldout sheet.

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Why is the idea of conflict between science and religion so popular in the public imagination?The “conflict thesis”—the idea that an inevitable and irreconcilable conflict exists between science and religion—has long been part of the popular imagination. In The Warfare between Science and Religion, Jeff Hardin, Ronald L. Numbers, and Ronald A. Binzley have assembled a group of distinguished historians who explore the origin of the thesis, its reception, the responses it drew from various faith traditions, and its continued prominence in public discourse. Several essays in the book examine the personal circumstances and theological idiosyncrasies of important intellectuals, including John William Draper and Andrew Dickson White, who through their polemical writings championed the conflict thesis relentlessly. Other essays consider what the thesis meant to different religious communities, including evangelicals, liberal Protestants, Roman Catholics, Eastern Orthodox Christians, Jews, and Muslims. Finally, essays both historical and sociological explore the place of the conflict thesis in popular culture and intellectual discourse today. Based on original research and written in an accessible style, the essays in The Warfare between Science and Religion take an interdisciplinary approach to question the historical relationship between science and religion. This volume, which brings much-needed perspective to an often bitter controversy, will appeal to scholars and students of the histories of science and religion, sociology, and philosophy.Contributors: Thomas H. Aechtner, Ronald A. Binzley, John Hedley Brooke, Elaine Howard Ecklund, Noah Efron, John H. Evans, Maurice A. Finocchiaro, Frederick Gregory, Bradley J. Gundlach, Monte Harrell Hampton, Jeff Hardin, Peter Harrison, Bernard Lightman, David N. Livingstone, David Mislin, Efthymios Nicolaidis, Mark A. Noll, Ronald L. Numbers, Lawrence M. Principe, Jon H. Roberts, Christopher P. Scheitle, M. Alper Yalçinkaya

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In blood-soaked lore handed down the centuries, the vampire is a monster of endless fascination: from Bram Stoker's "Dracula" to "Buffy the Vampire Slayer", this seductive lover of blood haunts popular culture and inhabits our darkest imaginings. The history of the vampire is a compelling tale that is now documented in "From Demons to Dracula", which reveals why the vampire myth and this creature of the undead fascinates us. Beresford's chronicle roams from the mountains of Eastern Europe, to the foggy streets of Victorian England, to Hollywood film, as he investigates the portrayal of the vampire in history, literature and art. Investigating the historical "Dracula", "Vlad the Impaler", and his status as a national hero in Romania, Beresford endeavours to winnow out truths from the complex legend and folklore. "From Demons to Dracula" tracks the evolution of the vampire, drawing on classical Greek and Roman myths, witch trials and medieval plagues, Gothic literature and even contemporary works such as Anne Rice's Interview with the Vampire and Elizabeth Kostova's "The Historian". Beresford also looks at the widespread impact of screen vampires from television shows, classic movies starring Bela Lugosi and Christopher Lee, and more recent films such as "Underworld" and "Blade". Whether as a demon of the underworld or a light-fearing hunter of humans, the vampire has endured through the centuries, the book reveals, as a powerful symbolic figure for human concerns with life, death and the afterlife. Wide-ranging and engrossing, "From Demons to Dracula" casts this bloodthirsty nightstalker as a remarkably complex and telling totem of our nightmares, real and imagined.

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Labor Day, 1969. Two recent college graduates move to New York to edit a new magazine called The National Lampoon. Over the next decade, Henry Beard and Doug Kenney, along with a loose amalgamation of fellow satirists including Michael O’Donoghue and P. J. O’Rourke, popularized a smart, caustic, ironic brand of humor that has become the dominant voice of American comedy. Ranging from sophisticated political satire to broad raunchy jokes, the National Lampoon introduced iconoclasm to the mainstream, selling millions of copies to an audience both large and devoted. Its excursions into live shows, records, and radio helped shape the anarchic earthiness of John Belushi, the suave slapstick of Chevy Chase, and the deadpan wit of Bill Murray, and brought them together with other talents such as Harold Ramis, Christopher Guest, and Gilda Radner. A new generation of humorists emerged from the crucible of the Lampoon to help create Saturday Night Live and the influential film Animal House, among many other notable comedy landmarks. Journalist Ellin Stein, an observer of the scene since the early 1970s, draws on a wealth of revealing, firsthand interviews with the architects and impresarios of this comedy explosion to offer crucial insight into a cultural transformation that still echoes today. Brimming with insider stories and set against the roiling political and cultural landscape of the 1970s, That’s Not Funny, That’s Sick goes behind the jokes to witness the fights, the parties, the collaborations—and the competition—among this fraternity of the self-consciously disenchanted. Decades later, their brand of subversive humor that provokes, offends, and often illuminates is as relevant and necessary as ever.

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Acclaimed by critics as a second F. Scott Fitzgerald, Billy Lee Brammer was once one of the most engaging young novelists in America. “Brammer’s is a new and major talent, big in scope, big in its promise of even better things to come,” wrote A. C. Spectorsky, a former staffer at the New Yorker. When he published his first and only novel, The Gay Place, in 1961, literary luminaries such as David Halberstam, Willie Morris, and Gore Vidal hailed his debut. Morris deemed it “the best novel about American politics in our time.” Halberstam called it “a classic . . . [a] stunning, original, intensely human novel inspired by Lyndon Johnson. . . . It will be read a hundred years from now.” More recently, James Fallows, Gary Fisketjon, and Christopher Lehmann have affirmed The Gay Place’s continuing relevance, with Lehmann asserting that it is “the one truly great modern American political novel.”Leaving the Gay Place tells a sweeping story of American popular culture and politics through the life and work of a writer who tragically exemplifies the highs and lows of the country at mid-century. Tracy Daugherty follows Brammer from the halls of power in Washington, DC, where he worked for Senate majority leader Johnson, to rock-and-roll venues where he tripped out with Janis Joplin, and ultimately to back alleys of self-indulgence and self-destruction. Constantly driven to experiment with new ways of being and creating—often fueled by psychedelics—Brammer became a cult figure for an America on the cusp of monumental change, as the counterculture percolated through the Eisenhower years and burst out in the sixties. In Daugherty’s masterful recounting, Brammer’s story is a quintessential American story, and Billy Lee is our wayward American son.

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What does it mean to describe cinematic effects as “movie magic,” to compare filmmakers to magicians, or to say that the cinema is all a “trick”? The heyday of stage illusionism was over a century ago, so why do such performances still serve as a key reference point for understanding filmmaking, especially now that so much of the cinema rests on the use of computers? To answer these questions, Colin Williamson situates film within a long tradition of magical practices that combine art and science, involve deception and discovery, and evoke two forms of wonder—both awe at the illusion displayed and curiosity about how it was performed. He thus considers how, even as they mystify audiences, cinematic illusions also inspire them to learn more about the technologies and techniques behind moving images. Tracing the overlaps between the worlds of magic and filmmaking, Hidden in Plain Sight examines how professional illusionists and their tricks have been represented onscreen, while also considering stage magicians who have stepped behind the camera, from Georges Méliès to Ricky Jay. Williamson offers an insightful, wide-ranging investigation of how the cinema has functioned as a “device of wonder” for more than a century, while also exploring how several key filmmakers, from Orson Welles to Christopher Nolan and Martin Scorsese, employ the rhetoric of magic. Examining pre-cinematic visual culture, animation, nonfiction film, and the digital trickery of today’s CGI spectacles, Hidden in Plain Sight provides an eye-opening look at the powerful ways that magic has shaped our modes of perception and our experiences of the cinema.

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An exciting full-color storybook based on the animated series Thomas & Friends: All Engines Go™ on Netflix and Cartoon Network!Thomas the Tank Engine's newest adventures take him to places he never dreamed of! Train-loving boys and girls ages 2 to 5 will love this adorable Little Golden Book based on the Thomas & Friends animated series Thomas & Friends: All Engines Go™ on Netflix and Cartoon Network!As the hero of his own adventure in the Thomas & Friends: All Engines Go™ series, Thomas will be center stage and we will see the world through his young eyes. More playful and relatable than ever before, his competitive spirit will be readily apparent as he strives to be the Number One Tank Engine on Sodor through play, trial and error, and just enjoying being a kid.In the early 1940s, a loving father crafted a small blue wooden train engine for his son, Christopher. The stories that this father, the Reverend W Awdry, made up to accompany the wonderful toy were first published in 1945 and became the basis for the Railway Series, a collection of books about Thomas the Tank Engine and his friends--and the rest is history.The Thomas & Friends characters are now a big extended family of engines and others on the Island of Sodor. They appear not only in books but also in television shows and movies, and as a wide variety of beautifully made toys. The adventures of Thomas and his friends, which are always, ultimately, about friendship, have delighted generations of train-loving boys and girls for more than 70 years and will continue to do so for generations to come.

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Christopher Hitchens was for many years considered one of the fiercest and most eloquent left-wing polemicists in the world. But on much of today’s left, he’s remembered as a defector, a warmonger, and a sellout—a supporter of the wars in Afghanistan and Iraq who traded his left-wing principles for neoconservatism after the September 11 attacks. In How Hitchens Can Save the Left, Matt Johnson argues that this easy narrative gets Hitchens exactly wrong. Hitchens was a lifelong champion of free inquiry, humanism, and universal liberal values. He was an internationalist who believed all people should have the liberty to speak and write openly, to be free of authoritarian domination, and to escape the arbitrary constraints of tribe, faith, and nation. He was a figure of the Enlightenment and a man of the left until the very end, and his example has never been more important. Over the past several years, the liberal foundations of democratic societies have been showing signs of structural decay. On the right, nationalism and authoritarianism have been revived on both sides of the Atlantic. On the left, many activists and intellectuals have become obsessed with a reductive and censorious brand of identity politics, as well as the conviction that their own liberal democratic societies are institutionally racist, exploitative, and imperialistic. Across the democratic world, free speech, individual rights, and other basic liberal values are losing their power to inspire. Hitchens’s case for universal Enlightenment principles won’t just help genuine liberals mount a resistance to the emerging illiberal orthodoxies on the left and the right. It will also remind us how to think and speak fearlessly in defense of those principles.

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Superheroes! is the ultimate reference book about the men and women in tights who fight for what’s right and the comic book phenomenon that conquered the world. From their origins in stories created by barely grown men during an era of global war and printed on cheap paper for consumption by children, superheroes have grown into a popular culture whirlwind that has attracted millions of fans and crossed over into every form of media.Encompassing early coming books, indie outliers, and the mammoth fictional universes managed by DC and Marvel, Superheroes! chronicles the rise of a distinctly American invention, the modern-day evolution of the myths and legends of old. Superman, Batman, Spider-Man, Iron Man, Wonder Woman, the Flash, Captain America, X-Men, the Justice League and the Avengers—they all represent our greatest hopes, and sometimes our darkest fantasies. Pop culture expert Brian Solomon tells a story that goes from the Golden, Silver and Bronze Ages of comic book history right up to the Modern Age of multimillion-dollar Hollywood movies, and beyond. Perhaps no fictional genre has endured and blossomed over the past eighty years the way superheroes have. Learn all about the creators who have brought them to life: artists like Jack Kirby and Jim Lee, writers like Stan Lee and Alan Moore, actors like Christopher Reeve and Robert Downey Jr., and directors like Tim Burton and Joss Whedon. They’re all here, in all their high-flying, eye-zapping, goon-punching glory. Up, up and away!

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The first thorough exploration of musical life in nineteenth-century New York City, with topics ranging from military bands and immigrant impresarios to visits from operatic diva Adelina Patti. The musical scene in mid-nineteenth century New York City, contrary to common belief, was exceptionally vibrant. Thanks to several opera companies, no fewer than two orchestras, public chamber music and solo concerts, and numerouschoirs, New Yorkers were regularly exposed to "new" music of Verdi, Meyerbeer, Schumann, Berlioz, Liszt, and Wagner. In European Music and Musicians in New York City, 1840-1900, the first thorough exploration of musical life in New York City during this period, editor John Graziano and a number of other distinguished essayists assert that the richness of the artistic life of the city, particularly at this time, has been vastly underrated and undervalued. This marvelous new collection of essays, with topics ranging from military bands and immigrant impresarios to visits from operatic diva Adelina Patti, establishes that this musical scene was one of quantity and quality, lively and multifaceted -- in many ways equal to the scene in the largest of the Old World's Cities. Contributors: Adrienne Fried Block, Christopher Bruhn, Raoul F. Camus, Frank J. Cipolla, John Graziano, Ruth Henderson, John Koegel, R. Allen Lott, Rena C. Mueller, Hilary Poriss, Katherine K. Preston, Nancy B. Reich, Ora Frishberg Saloman, Wayne Shirley. John Graziano is Professor of Music, The City College and Graduate Center,CUNY, and co-Director of the Music in Gotham research project.

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The French sociologist Pierre Bourdieu had a broader theoretical agenda than is generally acknowledged. Introducing this innovative collection of essays, Philip S. Gorski argues that Bourdieu's reputation as a theorist of social reproduction is the misleading result of his work's initial reception among Anglophone readers, who focused primarily on his mid-career thought. A broader view of his entire body of work reveals Bourdieu as a theorist of social transformation as well. Gorski maintains that Bourdieu was initially engaged with the question of social transformation and that the question of historical change not only never disappeared from his view, but re-emerged with great force at the end of his career.The contributors to Bourdieu and Historical Analysis explore this expanded understanding of Bourdieu's thought and its potential contributions to analyses of large-scale social change and historical crisis. Their essays offer a primer on his concepts and methods and relate them to alternative approaches, including rational choice, Lacanian psychoanalysis, pragmatism, Latour's actor-network theory, and the "new" sociology of ideas. Several contributors examine Bourdieu's work on literature and sports. Others extend his thinking in new directions, applying it to nationalism and social policy. Taken together, the essays initiate an important conversation about Bourdieu's approach to sociohistorical change.Contributors. Craig Calhoun, Charles Camic, Christophe Charle, Jacques Defrance, Mustafa Emirbayer, Ivan Ermakoff, Gil Eyal, Chad Alan Goldberg, Philip S. Gorski, Robert A. Nye, Erik Schneiderhan, Gisele Shapiro, George Steinmetz, David Swartz

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The specter of Spain rarely figures in our discussions of the drama that is often regarded as the crowning achievement of the English literary Renaissance. Yet dramatists such as Thomas Kyd, Christopher Marlowe, and William Shakespeare are exactly contemporary with England's protracted conflict with the Spanish Empire, a traditional ally turned archetypical adversary. Were these playwrights really so mute with respect to their nation's Spanish troubles? Or have we failed—for reasons cultural and institutional—to hear the Hispanophobic crosstalk that permeated the drama no less than England's other public discourses? Imagining an early modern public sphere in which dramatists cross pens with proto-imperialists, Protestant polemicists, recusant apologists, and a Machiavellian network of propagandists that included high government officials as well as journeyman printers, Eric Griffin uncovers the rhetorical strategies through which the Hispanophobic perspectives that shaped the so-called Black Legend of Spanish Cruelty were written into English cultural memory. At the same time, he demonstrates that the English were as ready to invoke Spain in the spirit of envious emulation as to demonize the Spanish other as an ethnic agent of intolerance and oppression. Interrogating the Whiggish orientation that has continued to view the English Renaissance through a haze of Anglo-American triumphalism, English Renaissance Drama and the Specter of Spain recovers the voices of key Spanish participants and the "Hispanized" Catholic resistance, revealing how England and Spain continued to draw upon shared traditions and cultural resources, even during the moments of their most storied confrontation.

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Swiss theologian Hans Urs von Balthasar (1905–1988) originated much of twentieth- and twenty-first-century theology's renewed interest in aesthetics. Von Balthasar's theology is both poetic and philosophical, and while this combination is often recognized, it calls for an explanation. In Theo-Poetics: Hans Urs von Balthasar and the Risk of Art and Being, Anne M. Carpenter explores von Balthasar's use of poetry and poetic language, and she offers a detailed analysis of his philosophical presuppositions. Carpenter argues that von Balthasar uses poets and poetic language to make theological arguments because this poetic way of speaking expresses metaphysical truth without reducing one to the other. Carpenter begins with von Balthasar's very early interests in music, literature, and philosophy, in particular his work, Apocalypse of the German Soul. She explores Glory of the Lord and the trilogy, moving through his despair over the possibility of reconciling art and theology. She uncovers the major characteristics of von Balthasar's metaphysical thinking, discussing his interactions with Thomas Aquinas, Karl Barth, and Martin Heidegger to firmly link Christology, metaphysics, and the expressiveness of language. The book concludes by marshaling its themes into a focused evaluation of von Balthasar's "redeemed" theo-poetic as it comes to expression in the poetry of G. M. Hopkins. Carpenter resituates and reevaluates Hopkins's poetry in a new context, placing him in the school of Aquinas rather than Scotus, and shows us how metaphysics is necessary for a vigorous understanding of language.

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The Body of the Cross is a study of holy victims in Western Christian history and how the uses of their bodies in Christian thought led to the idea of the cross as a substitutionary sacrifice. Since its first centuries, Christianity has traded on the suffering of victims—martyrs, mystics, and heretics—as substitutes for the Christian social body. These victims secured holiness, either by their own sacred power or by their reprobation and rejection. Just as their bodies were mediated in eucharistic, social, and Christological ways, so too did the flesh of Jesus Christ become one of those holy substitutes. But it was only late in Western history that he took on the function of the exemplary victim. In tracing the story of this embodied development, The Body of the Cross gives special attention to popular spirituality, religious dissent, and the writing of women throughout Christian history. It examines the symbol of the cross as it functions in key moments throughout this history, including the parting of the ways of Judaism and Christianity, the gnostic debates, martyr traditions, and medieval affective devotion and heresy. Finally, in a Reformation era haunted by divine wrath, these themes concentrated in the unique concept that Jesus Christ died on the cross to absorb divine punishment for sin: a holy body and a rejected body in one.

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"For a Vast Future Also": Essays from The Journal of the Abraham Lincoln Association, brings together the most informative and thoughtful articles by fourteen accomplished scholars in the Lincoln field. The essays provide compact, detailed treatments concerning different facets of three general themes: Lincoln and the problems of emancipation; Lincoln and presidential politics; and the Lincoln legacy. Readers of the collection will understand why the Civil War profoundly changed the nation. These essays give insight into how Lincoln and his administration dealt with the profound issues of war and slavery and the continuing legacy of Lincoln and the war. No book or essay collection brings together the writings of such luminaries in the field as John Hope Franklin, James M. McPherson, Don E. Fehrenbacher, T. Harry Williams, Phillip S. Paludan, Harold Hyman, John Niven, William A. Gienapp, Norman B. Ferris, John T. Hubbell, Arthur Zilversmit, Eugene H. Berwanger, Christopher N. Breiseth, and Michael Vorenberg. Researchers now have these valuable essays available in one volume. It offers the general public the distillation of scholarship supported by the Abraham Lincoln Association over the past twenty-five years. And college and university introductory courses will find this book a valuable summary of, and introduction to, the major issues of the Civil War period.

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This exquisite, deluxe edition contains the complete illustrated texts of both Winnie-the-Pooh and The House at Pooh Corner. In full-color and featuring a satin ribbon marker, it is the perfect gift and a cornerstone of every family's bookshelf.Since 1926, Winnie-the-Pooh and his friends—Piglet, Owl, Tigger, Kanga, Roo, and the ever doleful Eeyore—have endured as the unforgettable creations of A. A. Milne, who wrote two books of Pooh’s adventures for his son, Christopher Robin, and Ernest H. Shepard, who lovingly gave them shape through his iconic and beautiful illustrations. These characters and their stories are timeless treasures of childhood that continue to speak to all of us with the kind of freshness and heart that distinguishes true storytelling. This deluxe volume brings both Pooh stories—Winnie-the-Pooh and The House at Pooh Corner—together in one beautiful, full-color edition. The texts are complete and unabridged, and all of the illustrations, each gloriously recolored, are included. Elegant yet simple, whimsical yet wise, this classic edition is a book to savor and treasure. The perfect gift for holiday, to welcome a new baby, or for your favorite collector and book lover.

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The dramatic true story of a handful of students who resisted the Nazis and paid with their lives, now in a stunning graphic novel. With an entire nation blindly following an evil leader, where did a handful of students find the courage to resist? The university students who formed the White Rose, an undercover resistance movement in Nazi Germany, knew that doing so could cost them their lives. But some things are worth dying for. The White Rose printed and distributed leaflets to expose Nazi atrocities and wake up their fellow citizens. The Gestapo caught and executed them. Sophie Scholl was twenty-one; her brother Hans, twenty-four; Christoph Probst, twenty-three; Alexander Schmorell and Willi Graf, twenty-five. But the White Rose was not silenced. Their heroism continues to inspire new generations of resisters. Now, for the first time, this story that has been celebrated in print and film can be experienced as a graphic novel. Italian artist Andrea Grosso Ciponte’s haunting imagery will resonate with today’s students and activists. The challenges they face may vary, but the need for young people to stand up against evil, whatever the cost, will remain.

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'With A Delicate Truth, le Carré has in a sense come home. And it's a splendid homecoming . . . the novel is the most satisfying, subtle and compelling of his recent oeuvre' The TimesA counter-terror operation, codenamed Wildlife, is being mounted in Britain's most precious colony, Gibraltar. Its purpose: to capture and abduct a high-value jihadist arms-buyer. So delicate is the operation that even the Minister's Private Secretary, Toby Bell, is not cleared for it.Suspecting a disastrous conspiracy, Toby attempts to forestall it, but is promptly posted overseas. Three years on, summoned by Sir Christopher Probyn, retired British diplomat, to his decaying Cornish manor house, and closely watched by Probyn's daughter Emily, Toby must choose between his conscience and his duty to the Service.If the only thing necessary for the triumph of evil is that good men do nothing, how can he keep silent?__________________'No other writer has charted - pitilessly for politicians but thrillingly for readers - the public and secret histories of his times, from the Second World War to the 'War on Terror'' Guardian'The master of the modern spy novel returns . . . John le Carré was never a spy-turned-writer, he was a writer who found his canvas in espionage' Daily Mail 'A brilliant climax, with sinister deaths, casual torture, wrecked lives and shameful compromises' Observer

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One of the BBC's '100 Novels That Shaped Our World'The Hound of the Baskervilles gripped readers when it was first serialised and remains one of Sherlock Holmes's greatest and most popular adventures. Could the sudden death of Sir Charles Baskerville have been caused by the gigantic ghostly hound that is said to have haunted his family for generations? Arch-rationalist Sherlock Holmes characteristically dismisses the theory as nonsense. And, immersed in another case, he sends Dr Watson to Devon to protect the Baskerville heir and observe the suspects at close hand. With its atmospheric setting on the ancient, wild moorland and its savage apparition, The Hound of the Baskervilles is one of the greatest crime novels ever written. Rationalism is pitted against the supernatural and good against evil as Sherlock Holmes sets out to defeat a foe almost his equal.This edition contains a full chronology of Arthur Conan Doyle's life and works, an introduction by renowned horror scholar Professor Christopher Frayling discussing the background to the novel and the legends and events that inspired the story, with further reading and explanatory notes.'Arthur Conan Doyle is unique ... Personally, I would walk a mile in tight boots to read him to the milkman'Stephen Fry

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The essential text for ornithology courses, this book will leave students with a lifelong understanding and appreciation of the biology and ecology of birds.Aves, the birds, is the wildlife group that people most frequently encounter. With over 10,000 species worldwide, these animals are part of our everyday experience. They are also the focus of intense research, and their management and conservation is a subject of considerable effort throughout the world. But what are the defining attributes that make a bird a bird?Aimed at undergraduate and graduate students, Ornithology provides a solid modern foundation for understanding the life and development of birds. Written by renowned experts from around the globe, this comprehensive textbook draws on the latest research to create an innovative learning experience. Moving beyond bones, muscle, and feathers, it provides the core information needed to “build” the bird, linking anatomy and physiology with ecology and behavior.As it reviews the major orders of birds, the book highlights their wide diversity and critically evaluates ornithological concepts and theories. Incorporating brief biographies of leaders in the field, the text describes their contributions in the context of key historical events in bird science. Each chapter ends with a summary of the material covered, a discussion of potential management and conservation applications, and suggested study questions that will stimulate thought and discussion. Contributors: Peter Arcese, George E. Bentley, Lori A. Blanc, William M. Block, Alice Boyle, Leonard A. Brennan, Luke K. Butler, Zac Cheviron, Luis M. Chiappe, Melanie R. Colón, Caren B. Cooper, Robert J. Cooper, Jamie M. Cornelius, Carlos Martinez Del Rio, John Dumbacher, Shannon Farrell, Maureen Flannery, Geoffrey Geupel, Patricia Adair Gowaty, Thomas P. Hahn, Ashley M. Heers, Fritz Hertel, Geoffrey E. Hill, Matthew Johnson, Lukas F. Keller, Dylan C. Kesler, Pablo Sabat Kirkwood, John Klicka, Christopher A. Lepczyk, Ashley M. Long, Scott R. Loss, Graham R. Martin, John M. Marzluff, Susan B. McRae, Michael L. Morrison, Timothy J. O’Connell, Jen C. Owen, Marco Pavia, Jeffrey Podos, Lars Pomara, Jonathan F. Prather, Marco Restani, Alejandro Rico-Guevara, Amanda D. Rodewald, Vanya G. Rohwer, Matthias Starck, Michael W. Strohbach, S. Mažeika P. Sullivan, Diego Sustaita, Kerri T. Vierling, Gary Voelker, Margaret A. Voss, Jeff R. Walters, Paige S. Warren, Elisabeth B. Webb, Michael S. Webster, Eric M. Wood, Robert M. Zink, Benjamin Zuckerberg

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During the scientific revolution, the dominant Aristotelian picture of nature, which cohered closely with common sense and ordinary perceptual experience, was completely overthrown. Although we now take for granted the ideas that the earth revolves around the sun and that seemingly solid matter is composed of tiny particles, these concepts seemed equally counterintuitive, anxiety provoking, and at odds with our ancestors' embodied experience of the world. In Losing Touch with Nature, Mary Thomas Crane examines the complex way that the new science's threat to intuitive Aristotelian notions of the natural world was treated and reflected in the work of Edmund Spenser, Christopher Marlowe, William Shakespeare, and other early modern writers. Crane breaks new ground by arguing that sixteenth-century ideas about the universe were actually much more sophisticated, rational, and observation-based than many literary critics have assumed. The earliest stages of the scientific revolution in England were most powerfully experienced as a divergence of intuitive science from official science, causing a schism between embodied human experience of the world and learned explanations of how the world works. This fascinating book traces the growing awareness of that epistemological gap through textbooks and natural philosophy treatises to canonical poetry and plays, presciently registering and exploring the magnitude of the human loss that accompanied the beginnings of modern science.

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This volume contains the papers presented at the 47th Colloquium Biblicum Lovaniense (Leuven, 1998). The general theme of the meeting was the unity of the Gospel of Luke and the Acts of the Apostles. Main papers on this topic were read by R.L. Brawley, J. Delobel, A. Denaux, J.A. Fitzmeyer, F.W. Horn, J. Kremer, A. Lindemann, O. Mainville, D. Marguerat, F. Neirynck, W. Radl, M. Rese, J. Taylor, C.M. Tuckett, and J. Verheyden. While a large majority of scholars agree that Luke intended his work to cover both the past and the continuing history of Jesus (Gospel and Acts), the essays also illustrate the complexities of this view on the unity of Luke-Acts when it comes to interpret the various aspects of Lukan theology, christology, pneumatology, and ecclesiology, the expansion of the Church in light of its Jewish origins, the genre of Luke-Acts, and the literary and stylistic means Luke used to make his work a unity. In total the volume includes some 40 papers, of which 24 are offered papers: L. Alexander, H. Baarlink, M. Bachmann, D. Bechard, T.L. Brodie, G.P. Carras, A. del Agua, C. Focant, G. Geiger, B.J. Koet, V. Koperski, D.P. Moessner, G. Oegema, J. Pichler, E. Plumacher, A. Puig i Tarrech, U. Schmid, B. Schwank, N. Taylor, P.J. Tomson, S. Van den Eynde, S. Walton, G. Wasserberg, F. Wilk. This collection is an invaluable contribution to current discussions in Lukan study and to a nuanced understanding of the relationship between Luke's two volumes.

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Die hier zusammengestellten Abhandlungen Reinhard Feldmeiers zu Texten und Themen der hellenistischen Religionsgeschichte, des Antiken Judentums und des Neuen Testaments sind bei aller Unterschiedenheit verbunden durch ihr gemeinsames Thema, die von Juden, Christen und Heiden immer wieder neu gestellte Frage nach Gott. Neben exegetischen und religionsgeschichtlichen Untersuchungen wurden dabei auch Vorträge aufgenommen, die auf Tagungen, vor Pfarrkapiteln oder in Gemeinden gehalten wurden.Titel und Untertitel deuten schon an, dass es um den biblischen Gottesglauben geht, der im Kontext der antiken Religionsgeschichte und Philosophie in einem fortwährenden dialektischen Prozess von Anpassung und Abgrenzung, Abstoßung und Aneignung, Überbietung und Überformung immer wieder neu zur Sprache gebracht wurde. Gerade die Auseinandersetzung mit den 'Heiden' und die sorgfältige Beachtung der Außenperspektive (die nicht zu verwechseln ist mit der ahistorischen Konstruktion eines Kontrastbildes) verhilft dazu, die Konturen des biblischen Zeugnisses umso schärfer wahrzunehmen.Systematisch ist der Band in drei Hauptteile gegliedert. Der erste widmet sich der Religionsgeschichte der kaiserzeitlichen Antike mit Schwerpunkt auf Plutarch. Der zweite Hauptteil zeichnet nach, wie Juden und Christen in diesem Kontext ihren Glauben an den Gott Israels und den Vater Jesu Christi reflektiert und auf neue Weise zur Sprache gebracht haben. Im dritten Teil ist vor allem die Verbindung des Gottesglaubens mit der Christologie und hier vor allem mit der Passion im Blick.

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Der vorliegende Band versammelt insgesamt 23 zumeist nur noch schwer zugängliche Aufsätze von Michael Theobald zum bedeutendsten Brief des Apostels. Darunter befinden sich vier größere bislang unveröffentlichte Texte. Die Sammlung deckt die Breite der im Brief behandelten Thematik exemplarisch ab und ist um folgende Problemkreise gruppiert: 'Gottesfrage', 'Christologie', 'Zur Lehre von der Rechtfertigung', 'Kirche und Israel', 'Verständiger Glaube' und 'Zur paulinischen Ethik'. Michael Theobald berücksichtigt dabei neuere methodische Zugänge zum Römerbrief, unter anderem die Frage nach der Rhetorik (so in der Studie zur 'propositio' des Briefes, Röm 1,16 f.). Er erhellt den Brief im Horizont hellenistischer Literatur. Hohe Aktualität besitzen einige Beiträge dadurch, daß sie zu heute strittigen Fragen eine bibeltheologische Besinnung bieten (Rechtfertigungslehre und Ekklesiologie, die 'Ethik' des Römerbriefs und die kirchliche Morallehre). Auch vernachlässigte Themen, wie der 'Zorn Gottes', werden angesprochen. Von besonderem Interesse sind Michael Theobalds 'fundamentaltheologische' Studien zur Argumentation im Römerbrief als einer Rechenschaft über den Glauben und seine spezifische Art, Theologie zu treiben. Die Beiträge zeigen insgesamt, welche überragende Rolle die Frage nach dem Selbstverständnis der Kirche im Angesicht Israels für die Theologie des Römerbriefs spielt. "... Alles in allem: Ein Buch, von dem auch der fortgeschrittene Leser viel lernen wird - gleichgültig welcher Konfession er angehört!" Wolfgang Reinbold in Biblische Zeitschrift 47/1 (2003) S. 147-149

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Communion is a dynamic reality - love, unity of life, mutual penetration, the closest union. The Holy Spirit is the Communion within the Trinity and forms the communion between God, man and the world, between people, in the Church and within whole reality of this world.Showing pneumatology as a dimension of the entire dogmatic theology determines the originality of this monograph. Typically, theologians focused their works on pneumatology itself. Marek Jagodzinski's monograph is especially up to date since the pentecostal awakening in Christianity carries certain dangers. They take the forms of over-exposing the Holy Spirit at the expense of the Son of God, overly simplified ecumenism, emphasising charisms over the institution and putting personal experience over the community faith of the Church. The study is not only a presentation of ideas but brings new and inspiring elements to the scientific discussion. It is an original and creative contribution to the theoretical achievements of theology as a discipline of science. The dissertation brings a new name for the Third Divine Person - Communion in the Holy Trinity. Communion reflects the mission of the Holy Spirit which embraces the Church and the sacraments, voices a golden mean between forgetting about the Holy Spirit and the Joachimism of proclaiming the era of the Holy Spirit. The monograph justifies the simultaneous existence of Christology and pneumatology, brings a new perspective on Filioque and is of significance for ecumenism.

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When Jesus walked with his confused disciples on the Emmaus road, he began with Moses and all the Prophets and explained to them what was said in all the Scriptures concerning himself - and their hearts burned within them (Luke 24). Contemporary people, too, can find their hearts burning as they hear God speak through the Old Testament texts. However, preaching from this part of the Christian Bible brings significant challenges and raises a number of issues, and hence can be neglected. This stimulating volume offers guidance for expository preaching from the Old Testament, and practical suggestions for how to understand the message of its diverse literature and to apply it today. The chapters cover narrative, plot and characters, along with the main Old Testament genres and two special topics: preaching from 'difficult' texts, and preaching Christ. The aim is to encourage use of all the Bible's rich resources, in the power of the Holy Spirit, in preaching the good news of the kingdom of God worldwide. The contributors are internationally respected evangelical Old Testament scholars, from a wide range of church traditions, who are also active in preaching: Daniel I. Block, David G. Firth, Grenville J. R. Kent, Paul J. Kissling, Alison Lo, Tremper Longman III, Ernest C. Lucas, R. W. L. Moberly, Laurence A. Turner, Federico G. Villanueva, Gordon Wenham, H. G. M. Williamson and Christopher J. H. Wright.

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'This exciting, science-packed novel is a cracking read and bursts with action, warmth and humour' - BookTrust Great Books Guide 2021 'This is great fun; an energetic middle-grade debut with a fresh contemporary feel and a good dash of Stranger Things' - The Bookseller Alfie has noticed a few things since his family moved to Folding Ford. He really misses life in the city. He and his sister don't exactly fit in here. But the most interesting one is that the weather is BONKERS. One frost-covered branch on one tree in the middle of June? A tiny whirlwind in a bucket in the garden? Only in Folding Ford. Armed with his bike, a notepad and his new best mate Sam, Alfie is going to investigate. His best clue is Nathaniel Clemm … the only thing in town weirder than the weather. When Alfie ‘investigates’ Mr Clemm’s garden, only SLIGHTLY illegally, he finds a strange box that freezes his trainers and makes his teeth tingle. And when he opens it, only SLIGHTLY deliberately, SOMETHING gets out. Something fast, fizzing and sparking with electricity and very, very much alive. But the creature from the box brings trouble of its own, and as barometers and tempers go haywire in Folding Ford, Alfie finds himself at the centre of a perfect storm. Skellig meets Stranger Things in this funny, heartfelt adventure story perfect for fans of Ross Welford, Christopher Edge and Frank Cottrell Boyce.

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From Farinelli, the eighteenth century castrato who brought down opera houses with his high C, to the recording of "Johnny B. Goode" affixed to the Voyager spacecraft, Let Me Clear My Throat dissects the whys and hows of popular voices, making them hum with significance and emotion. There are murders of punk rock crows, impressionists, and rebel yells; Howard Dean's "BYAH!" and Marlon Brando's "Stella!" and a stock film yawp that has made cameos in movies from A Star is Born to Spaceballs. The voice is thought's incarnating instrument and Elena Passarello's essays are a riotous deconstruction of the ways the sounds we make both express and shape who we are—the annotated soundtrack of us giving voice to ourselves. Elena Passarello is an actor and writer originally from Charleston, South Carolina. She studied nonfiction at the University of Pittsburgh and the University of Iowa, and her essays have appeared in Creative Nonfiction, Gulf Coast, Slate, Iowa Review, The Normal School, Literary Bird Journal, Ninth Letter, and in the music writing anthology Pop Till the World Falls Apart. She has performed in several regional theaters in the East and Midwest, originating roles in the premieres of Christopher Durang's Mrs. Bob Cratchit's Wild Christmas Binge and David Turkel's Wild Signs and Holler. In 2011 she became the first woman winner of the annual Stella Screaming Contest in New Orleans.

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The first in the Echoes of the Fall series, The Tiger and the Wolf is an epic fantasy novel by Adrian Tchaikovsky, winner of the Arthur C. Clarke Award and British Fantasy Award for Best Novel.‘One of the most interesting and accomplished writers in speculative fiction’ – Christopher PaoliniIn the bleak northern crown of the world, war is coming . . .Maniye’s father is the Wolf clan’s chieftain, but she’s an outcast. Her mother was queen of the Tiger and these tribes have been enemies for generations. Maniye also hides a deadly secret. All can shift into their clan’s animal form, but Maniye can take on tiger and wolf shapes. She refuses to disown half her soul so escapes, rescuing a prisoner of the Wolf clan in the process. The killer Broken Axe is set on their trail to drag them back for retribution.The Wolf chieftain plots to rule the north, and controlling his daughter is crucial to his schemes. However, other tribes also prepare for strife. Strangers from the far south appear too, seeking allies in their own conflict. It’s a season for omens as priests foresee danger and a darkness falling across the land. Some say a great war is coming, overshadowing even Wolf ambitions. A time of testing and broken laws is near – but what spark will set the world ablaze?Continue this sweeping coming-of-age fantasy with The Bear and the Serpent.

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“The DEEP STATE conspired to take down TRUMP. This book fills in all the details, and names names. All Patriots need to read it.”—Alex Jones, founder, InfowarsThe Plot to Destroy Trump exposes the deep state conspiracy to discredit and even depose the legitimately elected President Donald J. Trump with the fabricated Russian dossier, including: How the unsubstantiated accusations of collusion began with former MI6 agent Christopher Steele, Fusion GPS, and the Democratic National Convention on behalf of Hillary Clinton The opportunistic role played by Russia’s FSB and former KGB agents, according to Putin’s strategy to create chaos in the West Wikileaks, along with Fake News Award–winner CNN, BuzzFeed, and the other liberal media that all played a part in pushing the information to the American people The compromised CIA and FBI personnel who took the dossier and ran with it, despite knowing it was unverified The roles that George Papadopoulos, Carter Page, Bruce and Nellie Ohr, Paul Singer, Paul Manafort, and the Podesta brothers played—or did not play—in the conspiracy against the president How does all this tie together? And what does it mean for Trump’s presidency and American democracy? Ted Malloch names the players, connects the dots, and explains who was behind the plot to create a red November. With a foreword by New York Times bestseller and Trump confidant Roger Stone, The Plot to Destroy Trump uncovers the biggest political scandal since Watergate.

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Value and Vulnerability brings together scholars of many religions—including Catholicism, Buddhism, Judaism, Hinduism, Eastern Orthodoxy, Protestantism, Islam, and Humanism—to identify and examine conceptions and interpretations of dignity within different religious and philosophical perspectives and their applications to contemporary issues of conflict, such as gendered, religious, and racial violence, immigration, ecology, and religious peacemaking. Value and Vulnerability also includes response chapters that clarify and refine these interpretations from interfaith perspectives. Through this volume, Matthew R. Petrusek and Jonathan Rothchild offer recommendations for advancing the conversation about dignity within and among traditions and for addressing urgent global issues and threats to dignity. Together, Petrusek, Rothchild, and the contributors create a comparative framework constituted by seven questions: What sources justify dignity’s existence, nature, and purpose? What is the relationship between the divine and human dignity? What is the relationship between dignity and the human body? Is dignity vulnerable or invulnerable to moral harm? Is dignity inherent or attained? Is dignity universal and equal? Is dignity practical? Through its systematic, comparative, interdisciplinary, and practical dimensions, Value and Vulnerability fills in the gaps in contemporary theological, philosophical, and ethical discourses on dignity. Contributors: Matthew R. Petrusek, Jonathan Rothchild, Darlene Fozard Weaver, Kristin Scheible, Karen B. Enriquez, Elliot N. Dorff, Daniel Nevins, Christopher Key Chapple, David P. Gushee, Aristotle Papanikolaou, Zeki Saritoprak, William Schweiker, Hille Haker, Nicholas Denysenko, Terrence L. Johnson, William O’Neill, Victor Carmona, Dawn Nothwehr, OSF, and Ellen Ott Marshall.

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Premier recueil de législation ecclésiastique, la Collection canonique d'Antioche a surgi au IVe siècle au temps des premières controverses christologiques. Son auteur présumé, Euzoïos d'Antioche, fut la figure de proue de l'Église «semi-arienne», plus précisément homéenne, et bénéficia du soutien de l'empereur Valens. Composée en 370 dans le contexte brûlant de la querelle arienne qui déchire la chrétienté durant tout le IVe siècle, cette collection constitue à double titre un corpus de combat. Au plan politique, chacun des cinq groupes canoniques qui le composent est destiné à lutter et à condamner un ou plusieurs des courants doctrinaux opposés à l'Église homéenne. Au plan juridique, la législation de la Collection canonique d'Antioche s'organise autour de deux grands thèmes: le contrôle de la hiérarchie ecclésiastique et la lutte contre les mouvements rigoristes. Le présent ouvrage analyse cette oeuvre originelle qui consacra le long travail d'innovation dans le domaine du droit ecclésiastique, entamé par les ariens au lendemain du concile de Nicée (325). Ceux-ci souhaitaient promouvoir la législation conciliaire naissante qu'ils considéraient comme plus opérante pour uniformiser le droit ecclésiastique de la pars Orientis, et lutter contre leurs adversaires nicéens. Mais, après leur victoire en 379 due à l'avènement de Théodose, les nicéens furent amenés à reprendre à leur compte ce corpus: ne pas se l'approprier aurait contribué à la survivance des théories des homéens, laissant la possibilité d'une contre-offensive de leur part. Afin de neutraliser une telle arme, il convenait de se l'attribuer. Euzoïos d'Antioche et son Église étaient, certes, des vaincus de l'histoire, mais en créant la Collection canonique d'Antioche, ils avaient légué un héritage à l'ensemble de la chrétienté: la racine d'où allait croître, au-delà des controverses théologiques, le droit de l'Église.

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Drawing on rich insights from the early Church Fathers, Discerning Persons addresses the neglected issue of disablism and how discriminatory attitudes fail to treat people with profound disabilities as persons. This discrimination can be found in the field of bioethics, where the stakes are often high and a matter of life or death. Whereas views that give priority to human beings whatever their capacities are seen as speciesist and so discriminatory, bioethical approaches that are disablist are rarely acknowledged as prejudiced. Many bioethicists do not even realize there is an issue. Current bioethical thinking appears uncritical and unreflective in the way it accepts a separation of the human being from the person and downgrades certain individuals who do not fulfill arbitrarily defined and insubstantial criteria for being persons. Using neglected Patristic thinking and its analogies with the human person, abled and disabled, found in reflection on the image of God and in the Trinitarian and Christological disputes of the early centuries where person language originated, the book makes patristic thinking do important work. It establishes that there are no early historical, philosophical, or theological grounds for calling or treating human beings as anything less than persons. Nor is there foundation for defining the person purely in terms of individuality, rationality, autonomy, or self-consciousness. Patristic insights conclusively call us to be discerning persons: to realize that persons are not so much defined as discerned, and to discern that all human beings, whatever their situations or capacities, are unique and unrepeatable persons.

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A family story of blood and memory and the haunting power of the past. 2018 WINNER OF THE CHRISTOPHER EWART-BIGGS MEMORIAL PRIZE 2017 WINNER OF THE NON-FICTION IRISH BOOK OF THE YEAR AWARD A SUNDAY TIMES BESTSELLER After nearly three decades reporting conflict from all over the world for the BBC, Fergal Keane has gone home to Ireland to tell a story that lies at the root of his fascination with war. It is a family story of war and love, and how the ghosts of the past return to shape the present. Wounds is a powerful memoir about Irish people who found themselves caught up in the revolution that followed the 1916 Rising, and in the pitiless violence of civil war in north Kerry after the British left in 1922. It is the story of Keane’s grandmother Hannah Purtill, her brother Mick and his friend Con Brosnan, and how they and their neighbours took up guns to fight the British Empire and create an independent Ireland. And it is the story of another Irishman, Tobias O’Sullivan, who fought against them as a policeman because he believed it was his duty to uphold the law of his country. Many thousands of people took part in the War of Independence and the Civil War that followed. Whatever side they chose, all were changed in some way by the costs of violence. Keane uses the experiences of his ancestral homeland in north Kerry to examine why people will kill for a cause and how the act of killing reverberates through the generations.

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In July 2010, Terry Jones, the pastor of a small fundamentalist church in Florida, announced plans to burn two hundred Qur'ans on the anniversary of the September 11 attacks. Though he ended up canceling the stunt in the face of widespread public backlash, his threat sparked violent protests across the Muslim world that left at least twenty people dead. In Terrified, Christopher Bail demonstrates how the beliefs of fanatics like Jones are inspired by a rapidly expanding network of anti-Muslim organizations that exert profound influence on American understanding of Islam. Bail traces how the anti-Muslim narrative of the political fringe has captivated large segments of the American media, government, and general public, validating the views of extremists who argue that the United States is at war with Islam and marginalizing mainstream Muslim-Americans who are uniquely positioned to discredit such claims. Drawing on cultural sociology, social network theory, and social psychology, he shows how anti-Muslim organizations gained visibility in the public sphere, commandeered a sense of legitimacy, and redefined the contours of contemporary debate, shifting it ever outward toward the fringe. Bail illustrates his pioneering theoretical argument through a big-data analysis of more than one hundred organizations struggling to shape public discourse about Islam, tracing their impact on hundreds of thousands of newspaper articles, television transcripts, legislative debates, and social media messages produced since the September 11 attacks. The book also features in-depth interviews with the leaders of these organizations, providing a rare look at how anti-Muslim organizations entered the American mainstream.

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Can the Holocaust be compellingly described or represented? Or is there some core aspect of the extermination of the Jews of Europe which resists our powers of depiction, of theory, of narrative? In this volume, twenty scholars probe the moral, epistemological, and aesthetic limits of an account or portrayal of the Nazi horror.Christopher Browning, Hayden White, Carlo Ginzburg, Martin Jay, Dominick LaCapra, and others focus first on the general question: can the record of his historical event be established objectively through documents and witnesses, or is every historical interpretation informed by the perspective of its narrator? The suggestion that all historical accounts are determined by a preestablished narrative choice raises the ethical and intellectual issues of various forms of relativization. In more specific terms, what are the possibilities of historicizing National Socialism without minimizing the historical place of the Holocaust?Also at issue are the problems related to an artistic representation, particularly the dilemmas posed by aestheticization. John Felstiner, Yael S. Feldman, Sidra Ezrahi, Eric Santner, and Anton Kaes grapple with these questions and confront the inadequacy of words in the face of the Holocaust. Others address the problem of fitting Nazi policies and atrocities into the history of Western thought and science. The book concludes with Geoffrey Hartman’s evocative meditation on memory.These essays expose to scrutiny questions that have a pressing claim on our attention, our conscience, and our cultural memory. First presented at a conference organized by Saul Friedlander, they are now made available for the wide consideration and discussion they merit.

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Grit and Hope tells the story of five inner-city Hispanic students who start their college applications in the midst of the country's worst recession and of Reality Changers, the program that aims to help them become the first in their families to go college. This year they must keep up their grades in AP courses, write compelling essays for their applications, and find scholarships to fund their dreams. One lives in a garage and struggles to get enough to eat. Two are academic standouts, but are undocumented, ineligible for state and federal financial assistance. One tries to keep his balance as his mother gets a life-threatening diagnosis; another bonds with her sister when their parents are sidelined by substance abuse. The book also follows Christopher Yanov, the program's youthful, charismatic founder in a year that's as critical for Reality Changers' future as it is for the seniors. Yanov wants to grow Reality Changers into national visibility. He's doubled the program's size, and hired new employees, but he hasn't anticipated that growing means he'll have to surrender some control, and trust his new staff. It's the story of a highly successful, yet flawed organization that must change in order to grow. Told with deep affection and without sentimentality, the students stories show that although poverty and cultural deprivation seriously complicate youths' efforts to launch into young adulthood, the support of a strong program makes a critical difference.

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Traditionally, Christian martyrdom is a repetition of the story of Christ’s suffering and death: the more closely the victim replicates the Christological model, the more legible the martyrdom. But if the textual construction of martyrdom depends on the rehearsal of a paradigmatic story, how do we reconcile the broad range of individuals, beliefs, and persecutions seeking justification by claims of martyrdom? Observing how martyrdom is constituted through the interplay of historical event and literary form, Alice Dailey explores the development of English martyr literature through the period of intense religious controversy from the heresy executions of Queen Mary to the regicide of 1649. Through close study of texts ranging from late medieval passion drama and hagiography to John Foxe’s Acts and Monuments, martyrologies of the Counter-Reformation, Charles I’s Eikon Basilike, and John Milton’s Eikonoklastes, The English Martyr from Reformation to Revolution traces the shifting constructions of the martyr figure across Reformation England. By putting history and literary form in dialogue, Dailey describes not only the reformation of one of the oldest, most influential genres of the Christian West but a revolution in the very concept of martyrdom. In late sixteenth- and early seventeenth-century England, she argues, martyrdom develops from medieval notions of strict typological repetition into Charles I’s defense of individual conscience—an abstract, figurative form of martyrdom that survives into modernity. Far from static or purely formulaic, martyrology emerges in Dailey’s study as a deeply nuanced genre that discloses the mutually constitutive relationship between the lives we live and the stories we tell.

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Abstract art was never dead. Since its revolutionary beginnings at the dawn of the 20th century, it has repeatedly flourished and survived all animosities, even bans. And more than that: today in particular, artists and museums are increasingly devoting themselves to this theme, in the world’s most important art metropolises and in unprecedented diversity. Aspects of contemporary abstract art, coupled with historical reminiscences, are the focus of the publication on the occasion of the third exhibition, showcasing works from the Deutsche Bank Collection at the PalaisPopulaire. The selection includes works from 1959 to 2021. Included are not only drawings and photographs but also, for the first time, significant paintings and prints. Artists: Markus Amm, Rana Begum, Otto Boll, Kerstin Brätsch, Cabrita, Ernst Caramelle, Carlos Cruz-Diez, Adriana Czernin, Helmut Federle, Günther Förg, Günter Fruhtrunk, Franziska Furter, Rupprecht Geiger, Katharina Grosse, João Maria Gusmão + Pedro Paiva, Erwin Heerich, Bernhard Härtter, Daniel Hunziker, ShŌichi Ida, Jürgen Jansen, Olav Christopher Jenssen, Jennie C. Jones, Kapwani Kiwanga, Imi Knoebel, Norbert Kricke, Tadaaki Kuwayama, Thomas Locher, Fabian Marti, Bernd Minnich, Wilhelm Müller, Nima Nabavi, Albert Oehlen, Susanne Paesler, Blinky Palermo, Jorge Pardo, Georg Karl Pfahler, Charlotte Posenenske, Lothar Quinte, Gerhard Richter, Peter Roehr, Ulrich Rückriem, Fred Sandback, Karin Sander, Kai Schiemenz, Richard Serra, Dieuwke Spaans, Ulrich Wendland, Claudia Wieser, Beat Zoderer Text in English and German.

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Natural Designs chronicles the life and work of the earliest and most influential Spanish historian of the New World, Gonzalo Fernández de Oviedo (1478–1557). Through a combination of biography and visual and textual analysis, Elizabeth Gansen explores how Oviedo, in his writings, brought the European Renaissance to bear on his understanding of New World nature. Oviedo learned much from the humanists with whom he came into contact in the courtly circles of Spain and Italy, including Giovanni Battista Ramusio and Pietro Bembo, and witnessed Christopher Columbus regaling Queen Isabel and King Ferdinand with news from his inaugural voyage to the Indies. Fascinated by the Caribbean flora and fauna Oviedo encountered on his arrival to the Caribbean in 1514, he made them the protagonists of his writings on the Indies. From his consumption of the prickly pear cactus, which led him to believe his death was imminent, to the behavior of the iguana, which defied his efforts to determine if the lizard was fish or flesh, his works reveal the challenges at the heart of Spain’s encounter with the biological wonders of the Americas. Natural Designs foregrounds Oviedo’s role as a writer, illustrator, and editor of New World nature. As much as Oviedo is credited as a pioneer in the literary genre of American natural history, his contributions to early modern conceptions of the flora and fauna of the Indies are still not widely understood and appreciated. Gansen situates us in the early sixteenth century to reappraise the works of the Spanish historian who first shaped these realities.

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Camille Saint-Saens--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saens and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saens, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saens and His World restores the composer to his vital role as innovator and curator of Western music. The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gerard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Leo Houziaux, Florence Launay, Stephane Leteure, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.

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“What a treat. An all-star cast with one thing in common: they worked with David Wood. And just for us he’s brought them to life again – and so vividly – in this irresistible memoir of his ‘brushes with Hollywood'." Gyles Brandreth In this memoir, actor and writer David Wood recalls his ‘brushes with Hollywood’, notably being kissed on the lips by Elizabeth Taylor as midnight struck on his 22nd birthday; playing Richard Burton’s servant on stage in Dr Faustus; being seduced by Shelley Winters in The Vamp, a television two-hander play; hanging upside down from a chandelier and being rescued by David Hemmings in the West End musical Jeeves; singing songs and being shot down in flames as a Royal Flying Corps officer in the film Aces High, in which he was reunited with Malcolm McDowell (his fellow rebel schoolboy in the film If….) and acted alongside Christopher Plummer and Simon Ward; sharing the screen at sea in an oil rig supply vessel with Roger Moore, Anthony Perkins and James Mason in North Sea Hijack; penning the daytime Emmy-nominated Back Home, starring Hayley Mills, thereby becoming a Disney-approved writer; and writing The Queen’s Handbag to celebrate the Queen’s 80th birthday, performed in Buckingham Palace Gardens and seen live by 8,000,000 BBC TV viewers. "I couldn’t put it down. It has all the charm and warmth and wit that is David Wood and his lifelong passion for the theatre is inspiring. I loved it." Hayley Mills

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Richard Sennett's The Fall of Public Man examines the growing imbalance between private and public experience, and asks what can bring us to reconnect with our communities. Are we now so self-absorbed that we take little interest in the world beyond our own lives? Or has public life left no place for individuals to participate? Tracing the changing nature of urban society from the eighteenth century to the world we now live in, and the decline of involvement in political life in recent decades, Richard Sennett discusses the causes of our social withdrawal. His landmark study of the imbalance of modern civilization provides a fascinating perspective on the relationship between public life and the cult of the individual. 'Brilliant ... One admires the breadth of Professor Sennett's erudition, the reach of his historical imagination, the doggedness of his analysis ... Buy this book and read it. Ironically, it may provide a key to happiness' Christopher Lehmann-Haupt, The New York Times 'A powerful argument for a more formal public culture and a swipe against the rise of a self-indulgent counter-culture' Melissa Benn, Guardian 'A provocative book ... Sennett brings us to an undeniably recognizable place, the contemporary urban scene' Richard Todd, Atlantic Monthly Richard Sennett's previous books include The Fall of Public Man, The Corrosion of Character, Flesh and Stone and Respect. He was founder director of the New York Institute for the Humanities, and is now University Professor at New York University and Academic Governor and Professor of Sociology at the London School of Economics.

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Collector’s slipcased edition of the first ever standalone presentation of one of J.R.R. Tolkien’s most important poetic dramas, that explores timely themes such as the nature of heroism and chivalry during war, and which features unpublished and never-before-seen texts and drafts. In 991 AD, vikings attacked an Anglo-Saxon defence-force led by their duke, Beorhtnoth, resulting in brutal fighting along the river Blackwater, near Maldon in Essex. The attack is widely considered one of the defining conflicts of tenth-century England, and is immortalised in the poem, The Battle of Maldon. Written shortly after the battle, the poem survives only as a 325-line fragment, but its value to today is incalculable. J.R.R. Tolkien considered The Battle of Maldon ‘the last surviving fragment of ancient English heroic minstrelsy’. It would inspire him to compose, during the 1930s, his own dramatic verse-dialogue, The Homecoming of Beorhtnoth Beorhthelm’s Son, which imagines the aftermath of the great battle when two of Beorhtnoth’s retainers come to retrieve their duke’s body. Leading Tolkien scholar, Peter Grybauskas, presents for the first time Tolkien’s own prose translation of The Battle of Maldon together with the definitive treatment of The Homecoming of Beorhtnoth and its accompanying essays; also included and never before published is the lecture, ‘The Tradition of Versification in Old English’. Illuminated with insightful notes and commentary, he offers a definitive critical edition of these works, and argues compellingly that, Beowulf excepted, The Battle of Maldon may well have been ‘the Old English poem that most influenced Tolkien’s fiction’, most dramatically within the pages of The Lord of the Rings. This slipcased edition includes a colour frontispiece reproducing a page of Tolkien’s original manuscript of The Homecoming, and is printed on acid-free paper with a ribbon marker. It is quarterbound with a unique illustration by Bill Sanderson gold-foiled on grey boards and is housed in a custom-built slipcase. It also includes a digitally remastered recording of The Homecoming of Beorhtnoth read by J.R.R. Tolkien & Christopher Tolkien, which is available on CD for the first time.

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