Search results for ""author jan"

Life Lessons from Literature is a must for all bibliophiles, providing a concise and highly accessible bucket list of must-read books that teaches us so many fundamental truths and broadens our minds.‘I read a book one day and my whole life was changed’ ... So confesses the narrator of Orhan Pamuk’s novel The New Life. But what can we learn from reading books? Life Lessons from Literature poses this broad question by examining the works of some of the greatest writers in history.In it, we can draw wisdom from Charles Dickens’ views on poverty and wealth; seek comfort from ideas about love from Jane Austen and the Bronte sisters. Yet books are about much more than just romance and money. Through careful examination of over one hundred classic works of world literature, life lessons are also drawn from themes such as conflict and oppression, identity and psychology, showing how literature enriches and informs our understanding of ourselves and the wider world around us.From Brazil to Japan, the Americas to Africa; from Victor Hugo to Mark Twain and Chinua Achebe to Haruki Murakami, you will find literature from around the world in this gem of a book, in which the plots may differ but the themes and the lessons they have to teach us are entirely universal.

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*** LONGLISTED FOR THE CWA GOLD DAGGER AWARD *** *** A SUNDAY TIMES CRIME PICK OF THE MONTH *** 'A scorchingly good novel' - MICHAEL ROBOTHAM 'Disher is the gold standard for rural noir' - CHRIS HAMMER 'An utterly compelling mystery with rare heart and humanity' - DERVLA MCTIERNAN ________________________________________ AN ACT OF INEXPLICABLE CRUELTY. A FAMILY DESTROYED. Constable Paul Hirschhausen runs a one-cop station in the dry farming country south of the Flinders Ranges. He's still new in town but his community work - welfare checks and a light touch - is starting to pay off. Now Christmas is here and, apart from a grass fire, two boys stealing a vehicle, and Brenda Flann entering the front bar of the pub without exiting her car, Hirsch's life has been peaceful. Until he's called to an incident on Kitchener Street, a strange and vicious attack that sickens the community. And when the Sydney police ask him to look in on a family living on a forgotten back road, it doesn't look like a season of goodwill at all... A hugely atmospheric police procedural set in the dust of the Australian outback. Perfect for readers of Jane Harper, Chris Hammer and Dervla McTiernan. ________________________________________ 'In this brilliant novel, Disher takes his readers on a harrowing journey' - JOCK SERONG 'An atmospheric and nail-biting novel by one of Australia's finest writers' -THE TIMES 'Disher is brilliant at rural noir, capturing the stifling atmosphere of a small town where resentments simmer' - SUNDAY TIMES

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AS FEATURED ON THE ZOE BALL RADIO 2 BOOK CLUB SUNDAY TIMES CRIME BOOK OF THE MONTH 'Wonderful' Lee Child 'Outstanding' Nadine Matheson 'Riveting' Harriet Tyce 'Brilliant' Janice Hallett 'We know you know. Talk and you’re next.' Bishop Jeremiah Dawodu, pastor of a Nigerian megachurch, has been arrested and charged with the murder of his wife, Folasade, the 'First Lady' of the church. The arrest was public, humiliating and sensational - sending shockwaves through Lagos - but throughout it all, Bishop Dawodu maintains his innocence. Philip Taiwo, an acclaimed investigative psychologist, is asked by his sister, a member of the church's congregation, to clear the pastor’s name. With no actual body, it looks to be a simple case and despite Philip’s dislike of organised religion, he agrees to take it on as a favour to his sister. Then the First Lady's body is found in a nearby lake just as Philip’s beloved family come under attack from someone warning him off the case, and he realises that nothing to do with this investigation will be straightforward. Was it murder or suicide? Is someone framing the Bishop or the First Lady? Gaslight is the sensational follow up to Femi Kayode's acclaimed debut, Lightseekers, picked as a Book of the Month by the Times, Sunday Times, Independent, Guardian, Observer, Financial Times and Irish Times 'Femi Kayode is an unparalleled wordsmith' S. A. Cosby 'Deftly plotted, with strong characterisation and a great sense of place' Guardian

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Shortlisted for the Wales Book of the Year 2022. Wales's best-loved contemporary poet, one of the major poets of our endangered environment, returns to prose in Roots Home. As in At the Source (2008), she does something unusual with form. She combines two elements. Seven vivid essay-meditations, informed by (among others) Dylan Thomas, George Herbert and W. B. Yeats, explore the ways in which poetry bears witness to what is and what might be, presence and transcendence in a threatened world. The meditations precede a journal that runs from January 2018 to December 2020, concluding with a poem entitled 'Winter Solstice' - three years of living close to animals, mountains, and (in particular) trees, in human intimacy and lockdown. 'Listen! They are whispering / now while the world talks, / and the ice melts, / and the seas rise. / Look at the trees!...' This is necessary work. As she declares in 'Why I Write', the first meditation in Roots Home: 'Morning begins with my journal. I write in it most days, though not every day. It is friend and listener, to record, remember, rage and rhapsodise, a place for requiem and celebration. Words hold detail which might be forgotten - the way the hare halted as it crossed the lawn, the field where a rainbow touched down across the valley, the different voices of wind, or water, the close and distant territorial arias of May blackbirds.'

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'The nation's favourite gardener' - Guardian 'There was nothing here that could possibly be described as a garden. But beneath years of neglect was a blank canvas that I could fill with the garden of my dreams...'Monty Don invites you into Longmeadow, a place that has become synonymous with Gardener's World, to show how he creates and tends his own garden, and how you can bring some of that same magic to our own.Following the cycle of the seasons, Gardening at Longmeadow is a year-long diary of Monty's gardening wisdom: from the earliest snowdrops of January and the first splashes of colour in the Spring Garden, to the electric summer displays of the Jewel Garden and the autumn harvest in the orchard. Alongside his rich, personal experiences at Longmeadow, Monty describes the individual plants coming into their own in the floral and vegetable gardens and talks you through key tasks, from composting and lawn maintenance to topiary clipping and fruit pruning. The result is a very personal account of failure, bewilderment and surprise, as well as endless pleasure and some success over the course of a gardening year.With beautiful photography throughout, Gardening at Longmeadow is an essential book for gardening enthusiasts of all skill levels. It will inspire you to achieve a balanced, healthy garden of your own, that's spilling with produce and full colour all year round.

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Life is full of surprises in a winning novel about a girl dreaming big during one unexpected small-town summer. When seventeen-year-old aspiring designer Tahira Janmohammad’s coveted fashion internship falls through, her parents have a Plan B. Tahira will work in her aunt’s boutique in the small town of Bakewell, the flower capital of Ontario. It’s only for the summer, and she’ll get the experience she needs for her college application. Plus her best friend is coming along. It won’t be that bad. But she just can’t deal with Rowan Johnston, the rude, totally obsessive garden-nerd next door with frayed cutoffs and terrible shoes. Not to mention his sharp jawline, smoldering eyes, and soft lips. So irritating. Rowan is also just the plant-boy Tahira needs to help win the Bakewell flower-arranging contest—an event that carries clout in New York City, of all places. And with designers, of all people. Connections that she needs! No one is more surprised than Tahira to learn that floral design is almost as great as fashion design. And Rowan? Turns out he’s more than ironic shirts and soil under the fingernails. Tahira’s about to find out what she’s really made of—and made for. Because here in the middle of nowhere, Tahira is just beginning to bloom.

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One wealthy bachelor. Two Bennet sisters lacking prospects. Can either defy expectations? 'A charmingly written evocation of what might have happened to the remaining Bennet sisters. Very enjoyable' Katie Fforde, Sunday Times Number One BestsellerMary Bennet does not dream of marriage. Much to her mother's horror, Mary is determined not to follow in the footsteps of her elder sisters, Jane (now Mrs Bingley) and Lizzy (now Mrs Darcy). Living at home with her remaining sister, Kitty, and her parents, Mary does not care for fashions or flattery. Her hopes are simple - a roof over her head, music at the piano, a book in her hand and the freedom not to marry the first bachelor her mother can snare for her.But Mrs Bennet is not accustomed to listening to her daughters. While Kitty is presented with tempting choices and left trying to resist old habits, May discovers that things are not always what they seem and that happiness has a price. But by the time she realises that her perceptions might be false, could she have missed her chance at a future she'd never imagined?Perfect for fans of Pride and Prejudice, Perception continues the adventures of the Bennet sisters in the Regency world we all know. For lovers of Austen and sequels Longbourn and Thornfield Hall, to reimaginings like Eligible and Death Comes to Pemberley, this is a sweeping historical epic to savour.

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Well known to ancient Norse mariners, the Shetland Islands offer a fascinating cruising ground for today's less warlike sailors. There are numerous beautiful, if sometimes rugged anchorages, many harbours and several marinas all of which create a variety that ensures that one visit to these islands will not be the last. Natural scenery apart, one function of the ongoing drive to attract tourism is a strong appreciation of the benefits brought by visiting yachts, and this, coupled with the natural and very welcoming grace of the Shetland people, ensures a hugely warm welcome. Summer is the time to cruise these islands, one added benefit of their Northern location is the almost constant daylight, making both sightseeing and pilotage much more enjoyable. Summer is also the time when many of the island's towns and villages hold their annual festivals, often including yacht races and much waterborne hilarity. That is not to say that a visit in winter should be avoided; the annual festival of 'Up Helly Aa' at the end of January is an experience not to be missed. The riotous enthusiasm with which the ever-friendly Shetland Islanders share their annual celebration of Shetland history is likely to draw summer visitors back time and time again. Gordon Buchanan knows the Shetland Islands from visits over many years and presents detailed pilotage information on reaching and cruising this delightful area.

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Gruel and truffles, wine and gin, opium and cocaine. Making a Man: Gentlemanly Appetites in the Nineteenth-Century British Novel addresses consumption of food, drink, and drugs in the conspicuously consuming nineteenth century in order to explore the question of what, in fact, makes a man in novels of the period. Gwen Hyman analyzes the rituals of dining room, drawing room, opium den, and cocaine lab, and the ways in which these alimentary behaviors make, unmake, and remake the gentlemanly body. The gentleman, Making a Man argues, is a dangerous alimental force. Threatened with placelessness, he seeks to locate and mark himself through his feasting and fasting. But in doing so, he inevitably threatens to starve, to subsume, to swallow the community around him. The gentleman is at once fundamental and fundamentally threatening to the health of the nation: his alimental monstrousness constitutes the nightmare of the period’s striving, anxious, alimentally fraught middle class. Making a Man makes use of food history and theory, literary criticism, anthropology, gender theory, economics, and social criticism to read gentlemanly consumers from Mr. Woodhouse, the gruel-eater in Jane Austen’s Emma, through the vampire and the men who hunt him in Bram Stoker’s Dracula. Hyman argues that appetite is a crucial means of casting light on the elusive identity of the gentleman, a figure who is the embodiment of power and yet is hardly embodied in Victorian literature.

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On 29 January 2008 Philip Gould was told he had cancer. He was stoical, and set about his treatment, determined to fight his illness. In the face of difficult decisions he sought always to understand the disease and the various medical options open to him, supported by his wife Gail and their two daughters, Georgia and Grace.In 2010, after two hard years of chemotherapy and surgery, the tests came up clear - Philip appeared to have won the battle. But his work as a key strategist for the Labour party took its toll, and feeling ill six months later, he insisted on one extra, precautionary test, which told him that the cancer had returned. Thus began Philip's long, painful but ultimately optimistic journey towards death, during which time he began to appreciate and make sense of his life, his work and his relationships in a way he had never thought possible. He realized something that he had never heard articulated before: death need not be only negative or painful, it can be life-affirming and revelatory.Written during the last few months of his life, When I Die describes the journey Philip took with his illness, leaving to us what he called his lessons from the death zone. This courageous, profoundly moving and inspiring work is as valuable a legacy to the world as anyone could wish to bestow - hugely uplifting, beautifully written with extraordinary insight.

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On the outskirts of the Milky Way, floating slowly through space, there hangs a planet unlike any other. It has oceans, deserts, jungles and mountains. It has life that swims, life that soars and life that swings through the trees. It is a place of dazzling variety and infinite wonder - and it's the only world we've got. Climate change is happening, now. But it's not too late to change the story. Meet the humans, from around the world, who are fighting to save our planet. This is your call to arms. Featuring 25 hopeful stories including Greta Thunberg, David Attenborough, Jane Goodall, Wangari Maathai - as well as lesser-known heroes, such as turtle-protector Len Peters, the guardians of the Amazon rainforest, and the poacher patrollers The Black Mambas.This book will transport you from the poles, to the oceans, to the rainforests, with iconic illustration. These are true stories to make you think, make you cry, make you hope - and these are stories to make us all stand together and protect our home. These stories are the proof that one person's small changes can grow into something big, and powerful, and world-changing.So read on to be inspired, as we take our future in our own hands, and together save Planet Earth - for all the living things that call it their home.

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Guaranteed to bring warmth and comfort into your life, The Little Book of Hygge is the book we all need.Hygge has been described as everything from "cosines of the soul" to "the pursuit of everyday pleasures". The Little Book of Hygge is the book we all need right now, and is guaranteed to bring warmth and comfort to you and your loved ones this winter.Hooga? Hhyooguh? Heurgh? It is not really important how you choose to pronounce 'hygge'. What is important is that you feel it. Whether you're cuddled up on a sofa with a loved one, or sharing comfort food with your closest friends, hygge is about creating an atmosphere where you can let your guard down.The Little Book of Hygge is the definitive, must-read introduction to hygge, written by Meik Wiking, CEO of the Happiness Research Institute in Copenhagen. The book is packed full of original research on hygge, along with beautiful photographs, recipes and ideas to help you add a sprinkle of Danish magic to your life.From fans of The Little Book of Hygge: 'It's the cosiest book in the world!''This book is made for lovers of creature comforts''Perfect for reading on a stormy January night''A lovely book to read during winter months, it helps you detach from the chaos of life''If you want a book that takes you to a happy place every time, buy this one'Sunday Times bestseller, November 2016

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If you love Bridgerton, you'll love Georgette Heyer!'The greatest writer who ever lived' Antonia Fraser'My generation's Julia Quinn' Adjoa Andoh'Utterly delightful' Guardian'If you haven't read Georgette Heyer yet, what a treat you have in store' Harriet Evans______________Tragically left an orphan after her father's death, Kate Malvern is taken under the wing of her forbidding aunt Minerva and brought to the grand house of Staplewood, where Minerva rules the roost.Her uncle lives in one wing, while her handsome, moody cousin occupies another; guests are few and far between, and even family dinners are rigidly formal.But the sudden arrival of Cousin Philip throws Minerva's control over the household into doubt, and soon Kate begins to suspect the shocking reason for Minerva's generosity.She has no-one to confide in but Cousin Philip who - for reasons unknown - seems to have taken an unaccountable dislike to her...A rich and classic Regency Romance, Cousin Kate is replete with the sparkling humour, memorable characters and intricate plots that will delight Heyer fans the world over.______________Readers love Cousin Kate ...***** 'Great read with gothic flare!'***** 'If you love a good romance, you can't go wrong with a Georgette Heyer novel.'***** 'I truly enjoyed this and will read more Heyer novels with pleasure.***** 'A delightful read from start to finish.***** 'Second, in my opinion, only to Jane Austen.'

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The inspiration behind the HBO series THE PACIFICHere is one of the most riveting first-person accounts to ever come out of World War 2. Robert Leckie was 21 when he enlisted in the US Marine Corps in January 1942. In Helmet for My Pillow we follow his journey, from boot camp on Parris Island, South Carolina, all the way to the raging battles in the Pacific, where some of the war's fiercest fighting took place. Recounting his service with the 1st Marine Division and the brutal action on Guadalcanal, New Britain and Peleliu, Leckie spares no detail of the horrors and sacrifice of war, painting an unsentimental portrait of how real warriors are made, fight, and all too often die in the defence of their country.From the live-for-today rowdiness of Marines on leave to the terrors of jungle warfare against an enemy determined to fight to the last man, Leckie describes what it's really like when victory can only be measured inch by bloody inch. Unparalleled in its immediacy and accuracy, Helmet for My Pillow tells the gripping true story of an ordinary soldier fighting in extraordinary conditions. This is a book that brings you as close to the mud, the blood, and the experience of war as it is safe to come.'Helmet for My Pillow is a grand and epic prose poem. Robert Leckie's theme is the purely human experience of war in the Pacific, written in the graceful imagery of a human being who - somehow - survived' Tom Hanks

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Essential reading for all involved in the educational sector in Wales (and beyond), A Class Apart investigates the effectiveness of educational policies, such as the Foundation Phase and Welsh Baccalaureate, introduced by the Welsh Government since devolution and assesses whether they have really created the potential for Wales to become a 'small, clever nation'. Spanning all major policy developments, from Primary to Higher Education, since 1999, Gareth Evans also assesses the legacy of the two main protagonists, former Education Ministers Jane Davidson and Leighton Andrews. He investigates the issues that some policymakers wished were swept under the carpet and delves deeper to analyse the big issues effecting educational practitioners in Wales, including: Welsh education's place on the world stage The growing funding gap between Wales and England The role of schools inspectorate Estyn The truth behind Wales' ambitious PISA target The 2012 GCSE grading fiasco Secrecy and personality clashes in the higher education merger saga His chronological account also includes the events up to and following the PISA results of 2013 and his close proximity to the key protagonists in Welsh education provides him with the perfect position to judge the situation in which Wales' education system finds itself today.

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Let Secret Rio guide you around the unusual and unfamiliar. Step off the beaten track with this fascinating Rio guide book and let our local experts show you the well-hidden treasures of this fascinating city. Ideal for local inhabitants, curious visitors and armchair travellers alike. Visit an extraordinary hill where the little angels are buried; discover remarkable forgotten Art Deco buildings; see a plane taking off at really close range, leftovers from the 1908 and 1922 Universal Expositions, a beautiful private palace open to visitors once a month, modernist ceramics hidden on the 15th-floor terrace of a former government building, a remarkable secret staircase; experience little-known walks and views of the city; find an Amazonian talisman at Copacabana, vestiges of the Carioca river, a rare statue of the great-grandmother of Jesus, a taxi nightclub, a work of art in a favela, a disused airship hangar...Far from the crowds and the usual beach and carnival cliches, Rio de Janeiro has countless treasures it reveals only to residents and travellers who wander off the beaten track. An indispensable guide for all those who thought they were familiar with Rio or would like to discover the other face of the city.

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Compared to the People’s Liberation Army Air Force and Naval Aviation, the PLA’s Army Aviation is the least known und understood of the country’s air arms. Its formation was only approved in 1986 and it was established as the Army Aviation Corps in January 1988, using helicopters inherited from the Air Force. Beginning as a single regiment, the first true Army Aviation brigade was formed in 2009 and the force has now expanded to around a dozen frontline units operating hundreds of different helicopters. In its current form, Army Aviation has established itself as a major force in support of the PLA Ground Forces.In April 2017 – and in parallel with China’s other two air arms – the Army Aviation began a dramatic reorganisation. The former PLA Group Armies were restructured, and the aviation units have undergone major changes. This trend has included not only the introduction of larger numbers of more modern helicopters, but also the establishment of newly numbered aviation brigades. Consequently, while the PLA Ground Forces generally face a reduction in numbers, the Army Aviation brigades will probably see expansion, not only in size but also in operational importance.Complementing Harpia’s two fully revised volumes dedicated to the PLAAF and Naval Aviation, this uniquely compact yet comprehensive directory provides a magnificently illustrated, in-depth analysis and directory of modern Chinese Army Aviation air power. It is organised in four parts: the most important military aircraft and their weapons in service today; aircraft markings and serial number systems; recent modernisation efforts and structural reforms and orders of battle for the PLA’s Army Aviation.

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The sixteenth Parker novel, "Butcher's Moon" is more than twice as long as most of the master heister's adventures and absolutely jammed with the action, violence, and nerve-jangling tension readers have come to expect. Back in the corrupt town where he lost his money, and nearly his life, in Slayground, Parker assembles a stunning cast of characters from throughout his career for one gigantic, blowout job: starting - and finishing - a gang war. It feels like the Parker novel to end all Parker novels, and for nearly twenty-five years that's what it was. After its publication in 1974, Donald Westlake said, 'Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone.' And readers waited. But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, 'suddenly, he came back from the dead, with a chalky prison pallor' - and the resulting novel, "Comeback", showed that neither Stark nor Parker had lost a single step. Knocking over a highly lucrative religious revival show, Parker reminds us that not all criminals don ski masks - some prefer to hide behind the wings of fallen angels. Backflash followed soon after, and it found Parker checking out the scene on a Hudson River gambling boat. Parker's no fan of either relaxation or risk, however, so you can be sure he's playing with house money - and he's willing to do anything to tilt the odds in his favor. Featuring three new introductions by Westlake's close friend and writing partner Lawrence Block, these classic Parker adventures deserve a place of honor on any crime fan's bookshelf.

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Bridgerton is the runaway Netflix success that has captured the hearts and imaginations of its biggest ever global audience. Producers Chris Van Dusen and Shonda Rhimes have ripped up the Regency drama rulebook to create a series that speaks to a modern audience. Apart from the intense sexual chemistry, inspired casting and a lavish costume budget, what sets Bridgerton apart is the extensive use of location shooting. Step forward Bath: the Georgian architectural jewel gets to play many different parts of fashionable London. Bridgerton’s Bath takes you on a tour of all these locations from No.1 The Royal Crescent (the Featherington’s house on Grosvenor Square) to Abbey Green (Covent Garden) and the Abbey Deli (Modiste couturier) on Abbey Street. Bridgerton intersects with Jane Austen’s world at the Assembly Rooms where one of the early balls takes place, while the 18th-century Bath Guildhall also gets a place on the series’ dance card. A key character in the drama is Lady Danbury, played by Adjoa Andoh, and her grand mansion is Bath’s former Sydney Hotel, today the Holburne Museum. Gunter’s Tea Room was a celebrated London patisserie and in Bridgerton it can be found on Trim Street. Many Bath streets feature regularly, including Beauford Square, a place for regular carriage trips and the Royal Crescent, which in Series One, reverberated to the sound of galloping hooves as our heroine (or her stunt double) raced to stop a duel. The book includes a feature on how the series was filmed in the city, and includes a detailed map so you can follow your own Bridgerton Walking Tour of this beautiful city, which has more to offer besides.

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Discover 100 life-changing travel experiences. Familiar faces from the world of travel, plus Lonely Planet writers, share their most remarkable, poignant and memorable experiences from the road - moments that changed them as individuals and reshaped their perspective on the world. Tales includes a Rwandan gorilla encounter, reincarnation on the Ganges, horse riding with Patagonian gauchos, witnessing Nelson Mandela's first free speech, watching a space shuttle launch, crossing the Gobi desert on foot, and a son journeying with his mother back to Alexandria, the city of her childhood. Destinations include Monument Valley Navajo Tribal Park in Utah, Cape Town, Gir National Park in India, the Western Wall in Jerusalem, Carnival in Rio de Janeiro, the Trans-Siberian Railway, Antarctica, Samburu National Reserve in Kenya, Samye Monastery in Tibet and Madagascan forests. With each story, you'll get a powerful account of how the experience unfolded and what it was like to be there, right at that moment. A 'Build Up' and 'Take Away' complete the story, detailing how the moment made a lasting impact on the contributor's life. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more.

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I know you want to punish me, trying to make me live. In 1995 Sarah Kane's first full-length play Blasted sent shockwaves throughout the theatrical world. Making front-page headlines, the play outraged critics with its depiction of rape, torture and violence in civil war. However, from being roundly condemned by the critics the play is now considered a seminal work of European theatre and has defined an entire era of stage writing. In an expensive hotel room in Leeds, Ian, a middle-aged tabloid journalist, sits with his teenage lover Cate who he attempts to seduce and eventually rapes. As reality dissipates, the room becomes embroiled in civil war as a soldier invades the space and the play descends into apocalyptic scenes of brutality. Blasted's canonical status reflects the raw beauty and terror of Kane's writing. Probing the brutality people inflict upon one another, the suffering and violation, the play also looks at the role of love and the redemption it offers. Unafraid to delve into darkness, this is a provocative, fragmenting piece full of significance and power. Blasted premiered at the Royal Court Theatre Upstairs in January 1995. Methuen Drama’s iconic Modern Plays series began in 1959 with the publication of Shelagh Delaney’s A Taste of Honey and has grown over six decades to now include more than 1000 plays by some of the best writers from around the world. This new special edition hardback of Blasted was published to celebrate 60 years of Methuen Drama’s Modern Plays in 2019, chosen by a public vote and features a brand new foreword by Mel Kenyon.

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The Forest: Politics, Poetics, and Practice focuses on the forest as a theme in contemporary art. The full-color catalog accompanies one of the inaugural exhibitions at the new Nasher Museum of Art at Duke University, on view from October 2, 2005, through January 29, 2006. The show features contemporary works of art by more than thirty artists from North and South America, Europe, Asia, Africa, and Australia. It includes drawings, prints, sculpture, photography, film, video, digital imagery, and sound art. Starting with “politics”—the first of its three organizing themes—the exhibition examines works that take a political approach to the forest and nature. Germany’s Joseph Beuys’s lithograph Save the Woods (1972) anchors a contemporary collection of works—by An-My Le (Vietnam), Rosemary Laing (Australia) and Collier Schorr (U.S.), and Zwelethu Mthethwa (South Africa), among others—that look at issues of war, nuclear threat, colonialism, industrialization, and deforestation.“Poetics” investigates the psychological, mythical, spiritual, and literary aspects of the forest, inspired by the Grimms’ fairy tales, Celtic mythology, and European ghost stories. Among the artists showcased are Kiki Smith (U.S.), Wim Wenders (Germany), Yang FuDong (China), Petah Coyne (U.S.), and Paloma Varga Weisz (Germany). “Practice” focuses on artists who are actively engaged with issues of ecology. The exhibition marks the premiere of a webcam project by pioneering media artist Wolfgang Staehle. Other artists include Simon Starling (U.K.), Alan Sonfist (U.S.), and Carsten Holler (Germany).The Forest is cosponsored by the Nicholas School of the Environment and Earth Sciences at Duke University.

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"We thought the study of women would be a temporary phase; eventually we would all go back to our disciplines."—Gloria Bowles, From the AfterwordSince the 1970s, Women's Studies has grown from a volunteerist political project to a full-scale academic enterprise. Women's Studies on Its Own assesses the present and future of the field, demonstrating how institutionalization has extended a vital, ongoing intellectual project for a new generation of scholars and students.Women’s Studies on Its Own considers the history, pedagogy, and curricula of Women’s Studies programs, as well as the field’s relation to the managed university. Both theoretically and institutionally grounded, the essays examine the pedagogical implications of various divisions of knowledge—racial, sexual, disciplinary, geopolitical, and economic. They look at the institutional practices that challenge and enable Women’s Studies—including interdisciplinarity, governance, administration, faculty review, professionalism, corporatism, fiscal autonomy, and fiscal constraint. Whether thinking about issues of academic labor, the impact of postcolonialism on Women’s Studies curricula, or the relation between education and the state, the contributors bring insight and wit to their theoretical deliberations on the shape of a transforming field.Contributors. Dale M. Bauer, Kathleen M. Blee, Gloria Bowles, Denise Cuthbert, Maryanne Dever, Anne Donadey, Laura Donaldson, Diane Elam, Susan Stanford Friedman, Judith Kegan Gardiner, Inderpal Grewal, Sneja Gunew, Miranda Joseph, Caren Kaplan, Rachel Lee, Devoney Looser, Jeanette McVicker, Minoo Moallem, Nancy A. Naples, Jane O. Newman, Lindsey Pollak, Jean C. Robinson, Sabina Sawhney, Jael Silliman, Sivagami Subbaraman, Robyn Warhol, Marcia Westkott, Robyn Wiegman, Bonnie Zimmerman

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From the early days of second-wave feminism, motherhood and the quest for women's liberation have been inextricably linked. And yet motherhood has at times been viewed, by anti-feminists and select feminists alike, as somehow at odds with feminism. In reality, feminists have long treated motherhood as an organizing metaphor for women's needs and advancement. The mother has been regarded with suspicion at times, deified at others, but never ignored.The first book devoted to this complex relationship, Motherhood Reconceived examines in depth how the realities of motherhood have influenced feminist thought. Bringing to life the work of a variety of feminist writers and theorists, among them Jane Alpert, Mary Daly, Susan Griffin, Adrienne Rich, and Dorothy Dinnerstein, Umansky situates feminist discourses of motherhood within the social and political contexts of the 1960s. Charting an increasingly favorable view of motherhood among feminists from the late 1960s through the 1980s, Umansky reveals how African American feminists sought to redefine black nationalist discourses of motherhood, a reworking subsequently adopted by white radical and socialist feminists seeking to broaden the racial base of their movement. Noting the cultural left's conflicted relationship to feminism, that is, the concurrent demand for individual sexual liberation and the desire for community, Umansky traces that legacy through various stages of feminist concern about motherhood: early critiques of the nuclear family, tempered by strong support for day care; an endorsement of natural childbirth by the women's health movement of the early 1970s; white feminists' attempt to forge a multiracial movement by declaring motherhood a universal bond; and the emergence of psychoanalytic feminism, ecofeminism, spiritual feminism, and the feminist anti- pornography movement.

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Behind some of the most popular works of science fiction, fantasy, and horror there are forgotten stories of female creators. It's no secret that genres like science fiction, fantasy, horror, and more, have evolved from niche interest to mainstream staple in the last few decades. However, the countless women who have been instrumental in creating and shaping those genres for the last fifty-plus years have largely gone largely unrecognized -- until now. Pop Culture Pioneers explores and pays respect to the work and influence of the female creators who played a crucial role in creating and influencing of some of the most famous worlds and characters in pop culture from the early 70s through to 2010 including:* Creators like Bonnie Erickson (co-creator of Miss Piggy), Christy Marx (Jem! And The Holograms creator), Roberta Williams (creator of the adventure game genre), and Betty Cohen (founder of Cartoon Network)* Writers & Editors like Jeanette Khan (head of DC Comics), Alice Bradley Sheldon (writing as James Tiptree Jr.) and Malia Scotch Marno (screenwriter for Jurassic Park and Hook)* Animators & Artists like Vicky Jenson (animator and director of Shrek) and Brenda Chapman (animator and director of Brave)* Directors & Producers like Jean MacCurdy (producer of Batman: The Animated Series and Animaniacs), Denise Di Novi (co-producer of Batman Returns and The Nightmare Before Christmas), and Fran Walsh (co-producer of the Lord of the Rings trilogy)* As well as Yvonne Blake (costume designer for Superman), Marlene Clark (Blaxploitation actress), Jane Feinberg (casting director for Blade Runner, E.T., The Goonies, and Indiana Jones), and so many more!

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*A TIMES AND SPECTATOR BOOK OF THE YEAR*'[Owolade's] argument has needed saying for years' Janan Ganesh, Financial Times'Compelling and admirable' Sunday Times'Passionate and timely' Observer'Excellent' Telegraph'Illuminating' The Times'Timely [and] engaging' Guardian***Chosen as a non-fiction highlight of 2023 in The Times, Guardian, Observer, Irish Times and New Statesman***Across the West, racial injustice has become one of the most divisive issues of our age. In the rush to address inequality and prejudice, and to understand concerns around identity, immigration and colonial history, Britain has followed the lead of the world's dominant power: America. We judge ourselves by America's standards, absorb its arguments and follow its agenda. But what if we're looking in the wrong place?This is Not America is built on the idea that black Britons are British first and foremost, and thus are likely to have more in common with other Britons than with black people in other parts of the world. It argues that too much of the conversation around race in Britain today is viewed through the prism of American ideas that don't reflect the history, challenges and achievements of increasingly diverse black populations at home. To build a long-lasting and more effective anti-racist agenda we must acknowledge that crucial differences exist between Britain and America, and that we are talking about distinct communities and cultures, distinguished by language, history, class, religion and national origin. Humane, empirical and passionate, this book provides a bold new framework for understanding race in Britain today.

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The Tet Offensive of January 1968 was the most important military campaign of the Vietnam War. The ancient capital city of Hue, once considered the jewel of Indochina’s cities, was a key objective of a surprise Communist offensive launched on Vietnam’s most important holiday. But when the North Vietnamese launched their massive invasion of the city, instead of the general civilian uprising and easy victory they had hoped for, they faced a devastating battle of attrition with enormous casualties on both sides. In the end, the battle for Hue was an unambiguous military and political victory for South Vietnam and the United States. In Fire in the Streets, the dramatic narrative of the battle unfolds on an hour-by-hour, day-by-day basis. The focus is on the U.S. and South Vietnamese soldiers and Marines–from the top commanders down to the frontline infantrymen–and on the men and women who supported them. With access to rare documents from both North and South Vietnam and hundreds of hours of interviews, Eric Hammel, a renowned military historian, expertly draws on first-hand accounts from the battle participants in this engrossing mixture of action and commentary. In addition, Hammel examines the tremendous strain the surprise attack put on the South Vietnamese-U.S. alliance, the shocking brutality of the Communist “liberators,” and the lessons gained by U.S. Marines forced to wage battle in a city–a task for which they were utterly unprepared and which remains highly relevant today. Re-issued in the fiftieth anniversary year of the battle, with an updated photo section and maps this is the only complete and authoritative account of this crucial landmark battle.

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A revealing, no-holds-barred portrait of the legendary Eileen Ford-the entrepreneur who transformed the business of modeling and helped invent the celebrity supermodel. Working with her husband, Jerry, Eileen Ford created the twentieth century's largest and most successful modeling agency, representing some of the fashion world's most famous names-Suzy Parker, Carmen Dell'Orefice, Lauren Hutton, Rene Russo, Christie Brinkley, Jerry Hall, Christy Turlington, and Naomi Campbell. Her relentless ambition turned the business of modeling into one of the most glamorous and desired professions, helping to convert her stable of beautiful faces into millionaire superstars. Model Woman chronicles the Ford Modeling Agency's meteoric rise to the top of the fashion and beauty business, and paints a vibrant portrait of the uncompromising woman at its helm in all her glittering, tyrannical brilliance. Outspoken and controversial, Ford was never afraid to offend in defense of her stringent standards. When she chose, she could deliver hauteur in the grand tradition of fashion's battle-axes, from Coco Chanel to Diana Vreeland-just ask John Casablancas or Janice Dickinson. But she was also a shrewd businesswoman with a keen eye for talent and a passion for serving her clients. Drawing on more than four years of intensive interviews with Ford and her intimates, associates, and rivals, as well as exclusive access to agency documents and memorabilia, Robert Lacey weaves an unforgettable tale of a determined entrepreneur and the empire she built-a story of beauty, ambition, business, and popular culture as powerful and complex as the woman at its center.

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In these pages you will encounter gamblers and adventurers, conmen and conwomen, rodomontades and ragamuffins, outright fools and outrageous liars. Scalawags, the lot of them. But you can be an adventurer, a conman or conwoman, a fool, liar, gambler, rodomontade or ragamuffin and not be a scalawag. Many adventurers are not even interesting, come to think of it, let alone scalawags. There is an ineffable quality, an indefinable something or other that sets some people apart, places themin the special category that Jim Christy calls "scalawag." You might call them something else: nuts, perhaps. And quite frankly in many instances-George Francis Train, for instance, or Louis De Rougemont-you'd probably be right. But likewise you don't have to be a crackpot to be a scalawag: Two Gun Cohen, for instance, or Lady Jane Digby. What you have to be is outrageous with a bit of what Andre Malraux, an adventurer and liar, perhaps-;but not a scalawag-designated, in reviving an old French word, farfelu. It means that you are willing to risk everything, whether on a grand or small scale, on the craziest of schemes, the wildest of notions. "Curious cases of cannibalism, extreme sado-masochism, and generally irrational behaviour abound, making 'Scalawags' the perfect balm anyone attempting to cloister their desires in a bid for self improvement." - Steven Schelling "My advice: Keep your copy of 'Scalawags' in the bathroom. Or on your bedside table. Or in the bag you carry on thebus. It's perfectly suited to those times when you're seeking a momentary escape. There's nothing like outrageous lives and flamboyant characters to take you out of your dreary day-to-day." - Robert J. Wiersema, The Vancouver Sun

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Hollywood’s Africa after 1994 investigates Hollywood’s colonial film legacy in the postapartheid era, and contemplates what has changed in the West’s representations of Africa. How do we read twenty-first-century projections of human rights issues—child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation—within the contexts of celebrity humanitarianism, “new” military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamond, The Last King of Scotland, The Constant Gardener, Shake Hands with the Devil, Tears of the Sun, and District 9, construct explicit and implicit arguments about the effects of Western intervention in Africa. Do the emphases on human rights in the films offer a poignant expression of our shared humanity? Do they echo the colonial tropes of former “civilizing missions?” Or do human rights violations operate as yet another mine of sensational images for Hollywood’s spectacular storytelling? The volume provides analyses by academics and activists in the fields of African studies, English, film and media studies, international relations, and sociology across continents. This thoughtful and highly engaging book is a valuable resource for those who seek new and varied approaches to films about Africa. Contributors Harry Garuba and Natasha Himmelman Margaret R. Higonnet, with Ethel R. Higgonet Joyce B. Ashuntantang Kenneth W. Harrow Christopher Odhiambo Ricardo Guthrie Clifford T. Manlove Earl Conteh-Morgan Bennetta Jules-Rosette, J. R. Osborn, and Lea Marie Ruiz-Ade Christopher Garland Kimberly Nichele Brown Jane Bryce Iyunolu Osagie Dayna Oscherwitz

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"This richly varied text offers generous support for every aspect of the teacher's role, while constantly reminding us that mathematical activity is not a de-contextualised skill that children possess, but part of their identity, their way of being in the world, engaged with the world, energetically - and playfully - trying to make sense of it."Mary Jane Drummond, formerly of the Faculty of Education, University of Cambridge, UKTeaching and Learning Early Number is a bestselling guide for all trainee and practising Early Years teachers and classroom assistants. It provides an accessible guide to a wide range of research evidence about the teaching and learning of early number.Major changes in the primary mathematics curriculum over the last decade - such as the National Numeracy Strategy, the Primary National Strategy, the Early Years Foundation Stage and the Williams Review - have greatly influenced the structure of this new edition. The book includes: A new introductory chapter to set the scene Six further new chapters - including Mathematics through play, Children's mathematical graphics and Interview-based assessment of early number knowledge Six completely re-written chapters and two updated chapters A new concluding chapter looking to the future The chapters can be read in a standalone fashion and many are cross referenced to other parts of the book where specific ideas are dealt with in a different manner. Issues addressed include: new research on the complex process of counting and on children's written mathematical marks; counting in the home environment and play in the school setting; the importance of mathematical representations and of ICT in children's understanding of number; errors and misconceptions and the assessment of children’s number knowledge.

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THE NEW THRILLER FROM THE NO.1 SUNDAY TIMES BESTSELLERThey say the camera never lies.But on this show, you can't trust anything you see.Stranded in the Welsh mountains, seven reality show contestants have no idea what they've signed up for.Each of these strangers has a secret. If another player can guess the truth, they won't just be eliminated - they'll be exposed live on air. The stakes are higher than they'd ever imagined, and they're trapped.The disappearance of a contestant wasn't supposed to be part of the drama. Detective Ffion Morgan has to put aside what she's watched on screen, and find out who these people really are - knowing she can't trust any of them.And when a murderer strikes, Ffion knows every one of her suspects has an alibi . . . and a secret worth killing for.'Twisty and clever . . . another deeply enjoyable mystery from a talented storyteller' KARIN SLAUGHTER'Sharply written, wickedly fun, and smartly plotted - A GAME OF LIES is a joy from beginning to end' LUCY CLARKE'Great fun - clever plot, engaging characters and smart, sharp writing' SHARI LAPENAPraise for The Last Party (a DC Ffion Morgan thriller):'Superb, with echoes of Agatha Christie' PATRICIA CORNWELL'A dark delight of a murder mystery' JANICE HALLETT'Detectives Leo and Ffion make a storming debut' BELINDA BAUER'Mackintosh is just getting better and better' PETER JAMES'An absolute triumph' CLAIRE DOUGLAS'I fell in love with courageous, complicated DC Ffion Morgan' RUTH WARE'This is the new crime series you need in your life' WILL DEAN'Expertly plotted and relentlessly gripping' LUCY CLARKE

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Longlisted for the New Blood Dagger Award 2021 'A darkly gripping and addictive read. I tore through it in a few days’ ESTHER FREUD 'Deeply engrossing … an exquisite literary thriller’ PHILIPPA EAST ‘Emotionally wrenching’ WALL STREET JOURNAL ‘Impossible to put down’ TREVOR WOOD A missing woman 30 years ago, in the suffocating heat of a Sydney summer, the Greens’ next-door neighbour Mandy disappeared without a trace. A cold case reopened In 1997, in a basement flat in Hackney, Isla Green is awakened by a call in the middle of the night: her father is under suspicion of Mandy’s murder. A devastating secret How well does Isla know her father? Is he capable of doing something terrible? And is there another secret in their community – a conspiracy of silence which stretches deep into Australia’s past? –––––––––––––––––––––––––––––– ‘An atmospheric, convincing portrayal of the way that the decisions we make, both individually and collectively, reverberate down the years’ GUARDIAN ‘Allott uses the scandal of Australia’s stolen children to devastating effect in this memorable debut’ SUNDAY TIMES 'A riveting mystery, beautifully unwound. The Silence excavates dark, decades-old secrets buried in human hearts, in families and in nations. I read it in one weekend’ ERIN KELLY ‘An impressive and beautifully written, Australian-set debut with the devastating subject of the Stolen Generation at its core’ FIONA MITCHELL ‘Tense, atmospheric and brilliantly paced. The Silence is fraught with disturbing secrets and powerful emotions. I loved it’ FRANCESCA JAKOBI ‘A brooding, suspenseful debut’ SUNDAY MIRROR ‘A suspenseful, beautifully crafted debut for fans of Celeste Ng and Jane Harper’ TELEGRAPH AUSTRALIA ‘Intricate and suspenseful… [a] stellar debut’ NEW YORK JOURNAL OF BOOKS

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In This Means War: The Sunset Years of the NWOBHM, Martin Popoff and dozens of his UK rock buddies document the frenzied fruition years of the movement, namely 1981 and 1982, and then the many facets that caused the genre to implode by the end of 1984, with cracks in the armour beginning to appear the previous year. Why did metal disappear in Great Britain with the first hungover light on January 1, 1985? And where exactly did it go? The answers are enclosed, in the words of those who were there... and then nowhere fast! Utilizing his celebrated oral history method—rich with detailed chronological entries to frame the story—Popoff blasts through all of the big events from 1981 to 1984, in this action-packed book that serves as concluding volume to Wheels of Steel: The Explosive Early Years of the NWOBHM—same easy reading format, same attention to documenting the subject at hand with visuals from the glorious era. And by the way, this one’s way more packed with historical images, with more substantive text as well. It’s a beefy follow-up and conclusion to the well-received volume one, and the two together serve as a grand and exhaustive study of this momentous metal movement. So come join Martin, along with dozens of the rockers themselves, as they together tell the tale of this ersatz genre’s maturity and demise, a demise that is ultimately laced with the pride that a platform had been created on which metal was to thrive for all of the rest of the loud `n’ proud `80s.

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'A sparkling debut...this is a very good plot-driven thriller dressed in a glittery jumpsuit.' GUARDIAN'I couldn't stop turning the pages . . . a debut you won't want to miss' MEGAN ABBOTT'A wild, energetic gem of a novel' DAILY MAIL Intoxicating, compulsive and blackly funny, Other People's Clothes is the thrilling novel from Berlin-based American artist Calla Henkel.2009. Berlin. Two art students arrive from New York, both desperate for the city to solve their problems.Zoe is grieving for her high school best friend, murdered months before in her hometown in Florida.Hailey is rich, obsessed with the exploits of Lindsay Lohan and Britney Spears and wants to be a Warholian legend.Together they rent a once-magnificent apartment from eccentric crime writer Beatrice Becks. With little to fill their time, they spend their nights twisting through Berlin's club scene and their days hungover. Soon inexplicable things start happening in the apartment and the two friends suspect they are being watched by Beatrice. Convinced that their landlord is using their lives as inspiration for her next thriller novel, they decide to beat her at her own game. The girls start hosting wild parties in the flat and quickly gain notoriety, with everyone clamouring for an invite to 'Beatrice's.' But ultimately they find themselves unable to control the narrative and it spirals into much darker territory . . .'Thrilling' Cosmopolitan'Full of delicious layers . . . I felt drunk reading it.' Emma Jane Unsworth'Other People's Clothes feels like reading a thriller by your most acerbic friend' Rowan Hisayo Buchanan

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Previously published as PeacemakersBetween January and July 1919, after the war to end all wars, men and women from all over the world converged on Paris for the Peace Conference. At its heart were the leaders of the three great powers - Woodrow Wilson, Lloyd George and Clemenceau. Kings, prime ministers and foreign ministers with their crowds of advisers rubbed shoulders with journalists and lobbyists for a hundred causes - from Armenian independence to women's rights. Everyone had business in Paris that year - T.E. Lawrence, Queen Marie of Romania, Maynard Keynes, Ho Chi Minh. There had never been anything like it before, and there never has been since. For six extraordinary months the city was effectively the centre of world government as the peacemakers wound up bankrupt empires and created new countries. They pushed Russia to the sidelines, alienated China and dismissed the Arabs, struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews. The peacemakers, so it has been said, failed dismally; failed above all to prevent another war. Margaret MacMillan argues that they have unfairly been made scapegoats for the mistakes of those who came later. They tried to be evenhanded, but their goals - to make defeated countries pay without destroying them, to satisfy impossible nationalist dreams, to prevent the spread of Bolshevism and to establish a world order based on democracy and reason - could not be achieved by diplomacy. Paris 1919 (originally published as Peacemakers) offers a prismatic view of the moment when much of the modern world was first sketched out.

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'Riveting and thrilling in equal measure. I didn't come up for air until the very last page. Filled with fantastic characters who find themselves in terrifying and unexpected situations. I kept asking myself, what would I do if it was me? A fantastic read with so many great twists. The best book from Louise Phillips so far.' Patricia Gibney'Compelling and clever. They All Lied grips you from the opening page and doesn't let you go.' Brian McGilloway When Nadine Fitzmaurice, a manager in an insurance company, gets a distressed phone call from her eighteen-year-old daughter, Becca, telling her she's killed someone, Nadine's life is turned upside down.Now Becca is being held against her will and, determined to save her daughter, Nadine finds herself dragged into the underworld of organised crime - and under the scrutiny of Detective Sergeant Wren Moore.But the more Nadine gets sucked in by those holding Becca, elements of her past, and a 'TRUTH or DARE' game that went terribly wrong years before, come to the surface.Eighteen years earlier, teenager Evie Nolan went missing. She never came home.One day Becca was there, and now she is gone too.But can Nadine help her daughter before it's too late?'One of the most original and distinctive voices in Irish crime fiction.' Jane Casey'Cleverly plotted and deftly woven, with surprises at every turn.' Andrea Mara'An explosive thriller with brilliant twists.' Anthony Quinn'From the opening psychological dilemma to the breathtaking denouement, They All Lied is Louise Phillips' best yet' Sharon Dempsey

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Lovers challenge destiny and risk their lives in the new Carpathian novel by the #1 New York Times bestselling 'queen of paranormal romance.' (J.R. Ward)Gabrielle has had enough of battles, of wars, of seeing Gary Jansen, the man she loves nearly lose his life when it isn't even his fight. Once he was a gentle and very human researcher. Now he's a fearless and lethal Carpathian warrior with the blood of an ancient lineage coursing through his veins-a man Gabrielle still needs and desires and dreams of with every breath she takes. All she wants is a life far away from the Carpathian mountains, far from vampires and the shadows cast by the crumbling monastery that hides so many terrible secrets. But Gabrielle soon learns that promises made in the dark can pierce the heart like a dagger.And she isn't the only one in search of answers in the corners of the unknown.... Trixie Joanes has come to the Carpathian mountains in search of her wayward granddaughter, fearing that she has been lured there by something unspeakable. Instead, Trixie has stumbled into the path of a desperate man and a woman in love and on the run. And they're all fated for the lair of a mysterious ancient with revenge in his soul and the undying power to make bad dreams come true.'After Bram Stoker, Anne Rice and Joss Whedon, Christine Feehan is the person most credited with popularizing the neck gripper.'Time'Feehan has a knack for bringing vampiric Carpathians to vivid, virile life in her Dark Carpathian novels.'Publishers Weekly

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Villette is Charlotte Brontë's powerful autobiographical novel of one woman's search for true love, edited with an introduction by Helen M. Cooper in Penguin Classics.With neither friends nor family, Lucy Snowe sets sail from England to find employment in a girls' boarding school in the small town of Villette. There, she struggles to retain her self-possession in the face of unruly pupils, the hostility of headmistress Madame Beck, and her own complex feelings - first for the school's English doctor and then for the dictatorial professor Paul Emanuel. Drawing on her own deeply unhappy experiences as a governess in Brussels, Charlotte Brontë'sautobiographical novel, the last published during her lifetime, is a powerfully moving study of loneliness and isolation, and the pain of unrequited love, narrated by a heroine determined to preserve an independent spirit in the face of adverse circumstances. Helen M. Cooper's new introduction places the novel in the context of Brontë's life and career and argues for the importance of the novel as an exploration of imperialism.Charlotte Brontë (1816-55), eldest of the Brontë sisters, was born in Thornton, West Yorkshire. Jane Eyre was first published in 1847 under the pen-name Currer Bell, and was followed by Shirley (1848) and Vilette (1853). In 1854 Charlotte Brontë married her father's curate, Arthur Bell Nicholls. She died during her pregnancy on 31 March 1855 in Haworth, Yorkshire. The Professor was posthumously published in 1857.If you liked Villette, you may enjoy Elizabeth Gaskell's Cranford, also available in Penguin Classics.'I am only just returned to a sense of real wonder about me, for I have been reading Villette' George Eliot'Her finest novel'Virginia Woolf

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Along with the movement Humans of New York, a project to share the stories of New Yorkers, Humans of San Antonio is part of the Global Humans Project, a network of major cities around the world dedicated to capturing a glimpse into the lives of the everyday citizen. From Amsterdam to India to Rio de Janeiro, San Antonio joins the ranks of cities photographed and shown through social media to the rest of the world. Michael Cirlos is the photojournalist behind Humans of San Antonio, a social media project founded in 2012 that combines photography and storytelling to promote the spirit of San Antonio's growing downtown community. Humans of San Antonio, the book, is the culmination of more than four years of photographs that highlight the people, culture, and vibrancy of San Antonio. As a community that has weathered economic imbalance and proven itself a leader in urban redevelopment and 21-century innovation, San Antonio embraces change while continuing to celebrate the diversity, history, and individuality that makes it so completely unique. This book reflects the the city's heart and symbolizes the importance of the people who make up its melting pot of cultures. Each photograph tells the story of a citizen of downtown, and through images and his subject's own stories, Michael is able to communicate not just the human vulnerability to fear, sadness, and anger but also its resilience, strength, hope, tolerance, and perseverance. Humans of San Antonio is at once uniquely individual as a photography collection while celebrating the international collaborative that forms its roots. Each personal history maps out the family, friends, and neighbors that populate a lifetime and encourages the reader to explore San Antonio's cultural differences by showcasing the diversity it honors.

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SADIKA'S WAY has been chosen as a 2005 Kiriyama Prize Notable Book. The Kiriyama Prize was established in 1996 to recognise outstanding books about the Pacific Rim and South Asia that encourage greater mutual understanding of and among the peoples and nations of this vast and culturally diverse region. The clock had started ticking for Sadika from the day she was born into her traditional Pakistani village family. She must be married off to somebody while she is still a teenager or she will be considered a hopeless failure. Carefully planned marriages are a long tradition in Pakistan, as they are throughout the Middle East, where women have little social status and fewer individual rights and much of their value is measured by how good a marriage can be arranged for them. Sadika must be married off first because she is the eldest of three daughters. It would be a disgrace an indelible stigma - if a younger daughter was married first. The enormous tension that accompanies this ancient ritual makes 'Sadika's Way' at once a very funny and instructive work of fiction: we watch as mothers vie with each other on their daughters' behalf for the affections of the most eligible males. We see them in their homes and listen to their conversations as they boast to each other about their daughters' qualities - real and imagined. The infighting gets intense, even downright nasty, all fed by the desperation that grows quite naturally out of a system that literally holds the fate of women in its hands. Sadika's coming of age and final journey to a new life involve culture clashes and family characters worthy of a modern Middle Eastern Jane Austen. This is a social comedy with serious undertones and a rare novel of manners which spans the world in both time and space.

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The Kenney family grew up in Saddleworth, outside Oldham, in the last decades of the nineteenth century. In 1905, three of the sisters met Christabel Pankhurst, a turning point which changed the rest of their lives. Annie Kenney became one of the leaders of the Women's Social and Political Union (WSPU), Jessie was an organiser at the heart of the organisation, and Nell campaigned outside the capital. Caroline and Jane used their connections within the suffrage movement as the springboard for careers in innovative education on both sides of the Atlantic. While working-class women are increasingly acknowledged in histories of the WSPU, this study is the first to make them the primary focus, and, in doing so, it opens up a new conversation around sex, class, and politics, and how these categories interacted in this period. This is a study of the possibilities for, and experiences of, working-class women in the militant suffrage movement. It identifies why these women became politically active, their experiences as activists, and the benefits they gained from their political work. It stresses the need to see working-class women as significant actors and autonomous agents in the suffrage campaign. It shows why and how some women became politicised, why they prioritised the vote above all else, and how this campaign came to dominate their lives. It also places the suffrage campaign within the broader trajectory of their lives to stress how far the personal and political were intertwined for these women. Although this is a book about 'working-class suffragettes', Lyndsey Jenkins also reveals what it says about women as workers and teachers, religious believers and political thinkers, and friends and colleagues, as well as suffragettes. Above all, it is a study of sisterhood.

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Bring on the Books for Everybody is an engaging assessment of the robust popular literary culture that has developed in the United States during the past two decades. Jim Collins describes how a once solitary and print-based experience has become an exuberantly social activity, enjoyed as much on the screen as on the page. Fueled by Oprah’s Book Club, Miramax film adaptations, superstore bookshops, and new technologies such as the Kindle digital reader, literary fiction has been transformed into best-selling, high-concept entertainment. Collins highlights the infrastructural and cultural changes that have given rise to a flourishing reading public at a time when the future of the book has been called into question. Book reading, he claims, has not become obsolete; it has become integrated into popular visual media. Collins explores how digital technologies and the convergence of literary, visual, and consumer cultures have changed what counts as a “literary experience” in phenomena ranging from lush film adaptations such as The English Patient and Shakespeare in Love to the customer communities at Amazon. Central to Collins’s analysis and, he argues, to contemporary literary culture, is the notion that refined taste is now easily acquired; it is just a matter of knowing where to access it and whose advice to trust. Using recent novels, he shows that the redefined literary landscape has affected not just how books are being read, but also what sort of novels are being written for these passionate readers. Collins connects literary bestsellers from The Jane Austen Book Club and Literacy and Longing in L.A. to Saturday and The Line of Beauty, highlighting their depictions of fictional worlds filled with avid readers and their equations of reading with cultivated consumer taste.

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In the Guangdong province in southeastern China lies Dafen, a village that houses thousands of workers who paint Van Goghs, Da Vincis, Warhols, and other Western masterpieces, producing an astonishing five million paintings a year. To write about life and work in Dafen, Winnie Wong infiltrated this world, investigating the claims of conceptual artists who made projects there; working as a dealer; apprenticing as a painter; surveying merchants in Europe, Asia, and America; establishing relationships with local leaders; and organizing a conceptual art show for the Shanghai World Expo. The result is Van Gogh on Demand, a fascinating book about a little-known aspect of the global art world - one that sheds surprising light on our understandings of art, artists, and individual genius. Confronting difficult questions about the definition of art, the ownership of an image, and the meaning of imitation and appropriation, Wong shows how a plethora of artistic practices joins Chinese migrant workers, propaganda makers, and international artists together in a global supply chain of art and creativity. She examines how Berlin-based conceptual artist Christian Jankowski, who collaborated with Dafen's painters to reimagine the Dafen Art Museum, unwittingly appropriated a photojournalist's intellectual property. She explores how Zhang Huan, a radical performance artist from Beijing's East Village, prompted propaganda makers to heroize the female artists of Dafen village. Through these cases, Wong shows how Dafen's workers force us to reexamine our expectations about the cultural function of creativity and imitation, and the role of Chinese workers in redefining global art. Providing a valuable account of art practices in a period of profound global cultural shifts and an ascendant China, Van Gogh on Demand is a rich and detailed look at the implications of a world that can offer countless copies of everything that has ever been called "art."

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________________________'Ellroy writes with raw power … undeniably one of the most influential crime writers of our time' THE TIMES'a tangled fever-dream … Ellroy offers a grandiose, Wagnerian vision of wartime LA' SUNDAY TIMES________________________A brilliant historical crime novel, set in Los Angeles and Mexico during the pulse-pounding aftermath of the attack on Pearl Harbor.January, ’42. L.A. reels behind the shock of Pearl Harbor. Local Japanese are rounded up and slammed behind bars. Massive thunderstorms hit the city. A body is unearthed in Griffith Park. The cops tag it a routine dead-man job. They’re wrong. It’s an early-warning signal of Chaos. There’s a murderous fire and a gold heist exploding out of the past. There’s Fifth Column treason – at this moment, on American soil. There are homegrown Nazis, commies and race racketeers. There’s two dead cops in a dive off the jazz-club strip. And three men and one woman have a hot date with History. Elmer Jackson is a corrupt Vice cop. He’s a flesh peddler and a bagman for the L.A. Chief of Police. Hideo Ashida is a crime-lab whiz, lashed by anti-Japanese rage. Dudley Smith is a PD hardnose working Army Intelligence. He’s gone rogue and gone all-the-way fascist. Joan Conville was born rogue. She’s a defrocked Navy lieutenant and a war profiteer to her core. L.A., ’42. Homefront madness ascendant. Early-wartime inferno – This Storm is James Ellroy’s most audacious novel yet. It is by turns savage, tender, elegiac. It lays bare and celebrates crazed Americans of all stripes.________________________‘Epic crime writing from a master’ DAILY MAIL‘Ellroy is unique. There is nobody writing this way … Nobody has done or is doing what he is doing’ BOOKMUNCH

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'Shockingly real, twisty and dark' - INDEPENDENT 'Tense, thrilling and darkly comedic' - HEAT 'The feminist update to Rosemary's Baby we all needed' - ANDREA BARTZ I wanted this baby so badly. But she may be the death of me... Anna Alcott is desperate to have a family. But as she tries to balance her increasingly public life as an indie actress with a gruelling IVF regime, she starts to suspect that someone is going to great lengths to make sure that never happens. Crucial medicines are lost. Appointments are moved without her knowledge. She's sure she's being followed. And when she finally does get pregnant, someone breaks into her house and steals the ultrasound photograph of her baby. But despite everything she's gone through, not even her husband is willing to believe that someone is playing twisted games with her. Then her doctors tell her she's lost the baby. Despite her grief, Anna ignores the grave-faced men lecturing her - because she can still feel the baby moving, can see the toll it's taking on her weakened body. Isolated in a remote snowbound town, Anna is sure that whoever has been following her is closing in on her and her unborn child. And as her symptoms become more terrifying, she can't help but wonder what exactly is growing inside her... and why no-one will listen when she says that something is horribly wrong. Exploring visceral themes of loss, medical misogyny and female power, The Push meets Behind Her Eyes in this spellbindingly dark thriller. 'A timely, terrifying, heartfelt thriller' - CHRIS WHITAKER 'Perfectly terrifying and terrifyingly perfect' - JANICE HALLETT 'A thrilling, visceral read' - HEATHER DARWENT

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From bestselling crime novelist and renowned Irish TV journalist Sinéad Crowley, gripping dual timelines entwine in this heart-stopping story of old secrets and forbidden passion. An old house can hold many secrets. Hollowpark in the west of Ireland certainly does. At the heart of the gardens is an intricate maze, named after a deadly poison, Belladonna. If you know the way through, it's magical, a hiding place and playground like no other. If you don't, it's a place of fear and sinister riddles, where a young girl once went missing and was never seen again. Grace comes to Hollowpark as a nanny for young Skye FitzMahon. Soon the mysterious past of Hollowpark has seduced her. Who is the woman she sometimes glimpses in an upstairs window? Or the apparition who keeps showing up unexpectedly, pleading, 'Find me'. And how can she fight her growing attraction to Skye's father? Praise for Sinéad Crowley: 'The Belladonna Maze is spine tinglingly magnificent! Hugely atmospheric and completely engrossing it pulls you in and holds you captive until the very last word. Utterly unputdownable!' Steph Broadribb 'Beautifully written, and deftly plotted... So compelling that the pages almost turned themselves. A terrific novel' Liz Nugent 'Compelling, clever and deeply romantic, the plot has more twists and turns than the maze itself... A welcome return to fiction by one of Ireland's most accomplished crime writers... A joy to read' Jane Casey 'Prepare to lose yourself in The Belladonna Maze, a sweeping saga that embraces mystery, history and romance. If you're still missing Maeve Binchy, this one's for you' Erin Kelly 'Atmospheric, creepy, utterly engrossing and as twisty-turny as the maze itself' Tammy Cohen

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This book explains how information literacy (IL) is essential to the contemporary workplace and is fundamental to competent, ethical and evidence-based practice. In today’s information-driven workplace, information professionals must know when research evidence or relevant legal, business, personal or other information is required, how to find it, how to critique it and how to integrate it into their knowledge base. To fail to do so may result in defective and unethical practice which could have devastating consequences for clients or employers. There is an ethical requirement for information professionals to meet best practice standards to achieve the best outcome possible for the client. This demands highly focused and complex information searching, assessment and critiquing skills. Using a range of new perspectives, Information Literacy in the Workplace demonstrates several aspects of IL’s presence and role in the contemporary workplace, including IL’s role in assuring competent practice, its value to employers as a return on investment, and its function as an ethical safeguard in the duty and responsibilities professionals have to clients, students and employers. Chapters are contributed by a range of international experts, including Christine Bruce, Bonnie Cheuk and Annemaree Lloyd, with a foreword from Jane Secker. Content covered includes: examination of the value and impact of IL in the workplace how IL is experienced remotely, beyond workplace boundaries IL’s role in professional development organizational learning and knowledge creation developing information professional competencies how to unlock and create value using IL in the workplace. This book will be useful for librarians and LIS students in understanding how information literacy is experienced by the professions they support and academics teaching professional courses. It will also be of interest to professionals (e.g. medical, social care, legal and business based) and their employers in showing that IL is essential to best practice and key to ethical practice.

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