Search results for ""indiana university press""

The movie Jeremiah Johnson introduced millions to the legendary mountain man, John Johnson. The real Johnson was a far cry from the Redford version. Standing 6'2" in his stocking feet and weighing nearly 250 pounds, he was a mountain man among mountain men, one of the toughest customers on the western frontier. As the story goes, one morning in 1847 Johnson returned to his Rocky Mountain trapper's cabin to find the remains of his murdered Indian wife and her unborn child. He vowed vengeance against an entire Indian tribe. Crow Killer tells of that one-man, decades-long war to avenge his beloved. Whether seen as a realistic glimpse of a long ago, fierce frontier world, or as a mythic retelling of the many tales spun around and by Johnson, Crow Killer is unforgettable. This new edition, redesigned for the first time, features an introduction by western frontier expert Nathan E. Bender and a glossary of Indian tribes.

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In this book, Rudolf A. Raff reaches out to the scientifically queasy, using his life story and his growth as a scientist to illustrate why science matters, especially at a time when many Americans are both suspicious of science and hostile to scientific ways of thinking. Noting that science has too often been the object of controversy in school curriculums and debates on public policy issues ranging from energy and conservation to stem-cell research and climate change, Raff argues that when the public is confused or ill-informed, these issues tend to be decided on religious, economic, and political grounds that disregard the realities of the natural world. Speaking up for science and scientific literacy, Raff tells how and why he became an evolutionary biologist and describes some of the vibrant and living science of evolution. Once We All Had Gills is also the story of evolution writ large: its history, how it is studied, what it means, and why it has become a useful target in a cultural war against rational thought and the idea of a secular, religiously tolerant nation.

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The PEIRCE EDITION contains large sections of previously unpublished material in addition to selected published works. Each volume includes a brief historical and biographical introduction, extensive editorial and textual notes, and a full chronological list of all of Peirce's writings, published and unpublished, during the period covered.

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To be successful, a musician often has to be an entrepreneur: someone who starts a performing venue, develops patrons, and promotes the project aggressively. Accomplishing this requires musicians to acquire social and business skills and to be highly opportunistic in what they do. In The Musician as Entrepreneur, 1700–1914, international scholars investigate cases of musical entrepreneurship between around 1700 and 1914 in Britain, France, Germany, and the United States. By uncovering the ways in which musicians such as Telemann, Beethoven, Paganini, and Liszt conducted their daily business, the authors reveal how musicians reshaped the frameworks of musical culture and, in the process, the nature of the music itself.

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Who is Socrates? While most readers know him as the central figure in Plato's work, he is hard to characterize. In this book, S. Montgomery Ewegen opens this long-standing and difficult question once again. Reading Socrates against a number of Platonic texts, Ewegen sets out to understand the way of Socrates. Taking on the nuances and contours of the Socrates that emerges from the dramatic and philosophical contexts of Plato's works, Ewegen considers questions of withdrawal, retreat, powerlessness, poverty, concealment, and release and how they construct a new view of Socrates. For Ewegen, Socrates is a powerful but strange and uncanny figure. Ewegen's withdrawn Socrates forever evades rigid interpretation and must instead remain a deep and insoluble question.

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Since his death, Abraham Lincoln has been celebrated as savior of the Union, proponent for emancipation, president of the United States, and skilled statesman. Although Lincoln's adult life has been well documented and analyzed, most biographers have regarded his early years as inconsequential to his career and accomplishments.In 1920 a group of historians known as the Lincoln Inquiry were determined to give Lincoln's formative years their due. Abe's Youth takes a look into their writings, which focus on Lincoln's life between 7 and 21 years of age. By filling in the gaps on Lincoln's childhood, these authors shed light on how his experiences growing up influenced the man he became. As the first fully annotated edition of the Lincoln Inquiry papers, Abe's Youth offers indispensable reading for anyone hoping to learn about Lincoln's early life.

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"[Heidegger's] greatest work . . . essential for all collections." —Choice" . . . students of Heidegger will surely find this book indispensable." —Library JournalContributions to Philosophy (From Enowning), written in 1936-38 and first published in 1989 as Beiträge zur Philosophie (Vom Ereignis), is Heidegger's most ground-breaking work after the publication of Being and Time in 1927. If Being and Time is perceived as undermining modern metaphysics, Contributions undertakes to reshape the very project of thinking.

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Griots, a uniquely African profession, fulfill a variety of roles as genealogists, historians, spokespersons, diplomats, musicians, teachers, praise singers, and advisors. Telling the story of these remarkable wordsmiths and performers, Thomas A. Hale addresses the nature of their verbal and musical art, the role of female griots, or griottes, how griots and griottes fit into their societies, and what their future might be in Africa and the rest of the world.

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Over the past decade, Wildflowers of Ohio has become the standard for field identification in Ohio, used by both college biology students and wildflower enthusiasts alike. This second edition marks the 10th anniversary of Robert L. Henn's popular guide. It has been expanded to include more than 300 species of wildflowers arranged by color and taxonomy, each with a thorough description of characteristics, habitat, distribution, and human uses. Henn includes a glossary, diagrams of flower parts and leaf arrangements, and a succinct, informative introduction. Designed for durability, the guide retains its innovative side-flip design for ease of use. Any Ohioan or resident of neighboring states who is captivated by the wonders of the natural world will find this pocket guide to be indispensable.

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South Africa's Weapons of Mass Destruction offers an in-depth view of the secret development and voluntary disarmament of South Africa's nuclear, biological, and chemical weapons program, Project Coast. Helen E. Purkitt and Stephen F. Burgess explore how systems used for nuclear, biological, and chemical weapons in South Africa were acquired and established beyond the gaze of international and domestic political actors. On the basis of archival evidence from Project Coast and their own extensive interviews with military and political officials, Purkitt and Burgess consider what motivates countries to acquire and build such powerful weaponry and examine when and how decisions are made to dismantle a military arsenal voluntarily. Questions such as how to destroy weapons safely and keep them from reappearing on international markets are considered along with comparative strategies for successful disarmament in other nation-states.

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"Few books on popular music treat their subject so comprehensively, with thoughtful attention to ideology, history, and verbal and musical rhetoric. Miyakawa's approach is at once comprehensive and streamlined, making for an especially effective presentation of the issues as well as a good read." —Albin Zak, author of The Poetics of Rock: Cutting Tracks, Making Records"Miyakaya provides a great deal of information and analysis that is impossible to come by elsewhere. A sterling example of culturally-engaged musicology, her book is also a significant contribution to American history." —Joseph Schloss, author of Making Beats: The Art of Sample-Based Hip-HopThe Five Percent Nation is a controversial organization and a substantial cultural force. Also known as Five Percenters, this offshoot of the Nation of Islam has employed commercial rap, or "God Hop," to teach its beliefs, comment on relevant issues, and recruit new members. Rap artists such as Erykah Badu and Queen Latifah are past members of the Five Percent Nation; GURU and Wu-Tang Clan are currently affiliated.Five Percenter Rap: God Hop's Music, Message, and Black Muslim Mission examines the phenomenon from musical, historical, and cultural perspectives. Such a kaleidoscopic approach is necessary given the Five Percent Nation's complex theology—grounded in Black Muslim traditions, black nationalism, Kemetic (ancient Egyptian) symbolism, Masonic mysticism, and Gnostic spirituality—its historical ties to major movements and moments in American history, and its deep involvement with popular culture.After establishing the theological and historical underpinnings of Five Percenter Rap, Felicia Miyakawa considers its marketing approaches and its use of specific musical techniques such as sampling, groove, and layering (often in significant numerical groupings). These techniques, she argues, are in service to the greater goal of Five Percenter rappers, who see themselves primarily as teachers and as bringers of a specific type of redemption and self-knowledge to benighted souls.Vividly written and solidly researched, Five Percenter Rap will appeal to readers interested in popular music, American music and history, and African American religion and culture.

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" . . . a valuable book of scholarly yet highly readable studies . . . every organist and anyone interested in the music of J. S. Bach should have it." —Early Keyboard Journal" . . . a very perceptive and informative guide . . . " —Early Music" . . . this book is a must." —The American Organist" . . . invaluable and entertaining . . . " —American Music Teacher" . . . among the most important and accomplished studies on eighteenth-century performance. Its comprehensiveness, clarity, and scholarship make it indispensable." —Performance Practice ReviewIn J. S. Bach as Organist, specialists from six countries explore Bach's relationship to his favorite instrument during all periods of his career. J. S. Bach as Organist is a book for scholars, performers, and students. Authoritative and wide-ranging.

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Energetic, shrewd, and charming, Herman B Wells was the driving force behind the transformation of Indiana University—which became a model for American public higher education in the 20th century. A person of unusual sensitivity and a skilled and empathetic communicator, his character and vision shaped the structure, ethos, and spirit of the institution in countless ways. Wells articulated a persuasive vision of the place of the university in the modern world. Under his leadership, Indiana University would grow in size and stature, establishing strong connections to the state, the nation, and the world. His dedication to the arts, to academic freedom, and to international education remained hallmarks of his 63-year tenure as President and University Chancellor. Wells lavished particular attention on the flagship campus at Bloomington, expanding its footprint tenfold in size and maintaining its woodland landscape as new buildings and facilities were constructed. Gracefully aging in place, he became a beloved paterfamilias to the IU clan. Wells built an institution, and, in the process, became one himself.

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Literary Learning explores the nature of literary knowledge and offers guidance for effective teaching of literature at the college level. What do English majors need to learn? How can we help them develop the skills and knowledge they need? By identifying the habits of mind that literary scholars use in their own research and writing, Sherry Lee Linkon articulates the strategic knowledge that lies at the heart of the discipline, offering important insights and models for beginning and experienced teachers.

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Brian Attebery considers eccentricities and history in the writings of, Baum, Ruskin, MacDonald, Morris, Lewis and Tolkien in a concise survey of the different definitions and characteristics of the genre of fantasy, first exploring it as a whole, then defining its influence on American folklore.

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New Harmony Then and Now is a photographic and historic celebration of two of America's great Utopian communities located in New Harmony, Indiana. The Harmonists, started by George Rapp, labored to provide physical, intellectual, and spiritual wealth for its members. Ten years later, the Owenites, founded by Robert Owen and his partner William Maclure, settled there, intent on improving humanity through innovations in social theory, educational systems, and discoveries in natural science. Though Owen's communal experiment would not endure, a new social frontier prospered. Today, New Harmony remains a haven of promise, a village that honors its progressive heart. Intellectuals as well as artisans are drawn to this place of science and spirit.

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In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and, most importantly, Puccini. Taking account of some 400 primary sources, Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. The Italian Traditions and Puccini offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini.

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Among America's more interesting new religious movements, the Shakers and the Mormons came to be thought of as separate and distinct from mainstream Protestantism. Using archives and historical materials from the 19th century, Stephen C. Taysom shows how these groups actively maintained boundaries and created their own thriving, but insular communities. Taysom discovers a core of innovation deployed by both the Shakers and the Mormons through which they embraced their status as outsiders. Their marginalization was critical to their initial success. As he skillfully negotiates the differences between Shakers and Mormons, Taysom illuminates the characteristics which set these groups apart and helped them to become true religious dissenters.

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First published in German in 1995, volume 77 of Heidegger's Complete Works consists of three imaginary conversations written as World War II was coming to an end. Composed at a crucial moment in history and in Heidegger's own thinking, these conversations present meditations on science and technology; the devastation of nature, the war, and evil; and the possibility of release from representational thinking into a more authentic relation with being and the world. The first conversation involves a scientist, a scholar, and a guide walking together on a country path; the second takes place between a teacher and a tower-warden, and the third features a younger man and an older man in a prisoner-of-war camp in Russia, where Heidegger's two sons were missing in action. Unique because of their conversational style, the lucid and precise translation of these texts offers insight into the issues that engaged Heidegger's wartime and postwar thinking.

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The tales of the mi'raj describe the prophet Muhammad's journey through the heavens, his encounters with prophets and angels, and his visit to heaven and hell. The tales are among Islam's most popular, appearing in Arabic, Persian, and Turkish literature, and in later adaptations throughout the Muslim world. Often serving as narratives designed to promote the worldview of particular Muslim groups, the tales were also a means for communities to construct rules of normative behavior and ritual practices, and were used to assert the superiority of Islam over other religions. The essays in this collection discuss the formation of this narrative, the mi'raj as a missionary text, its various adaptations, its application to esoteric thought, and its use in performance and ritual.

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From operas presented in reconfigured army barracks to those mounted on a stage rivaling that of New York's Metropolitan Opera House, Indiana University Opera Theater has grown into a world-class training ground for opera's next generation. A lavishly illustrated history, Opera for All Seasons captures the excitement, hard work, and talent that distinguish each performance and that have made IU Opera Theater what it is today. More than 300 photos and drawings illustrate six decades of opera production from the inaugural Tales of Hoffman, a legendary Parsifal, and a performance of Martinů's Greek Passion at the Met, to the 2008 La Bohème—the first opera streamed live on the internet from Indiana University to a worldwide audience. Opera lovers will delight in this sumptuous memento of IU Opera Theater's glorious history.

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Taking as its starting point Franz Kafka's complex relationship to Jews and to communities in general, When Kafka Says We explores the ambivalent responses of major German-Jewish writers to self-enclosed social, religious, ethnic, and ideological groups. Vivian Liska shows that, for Kafka and others, this ambivalence inspired innovative modes of writing which, while unmasking the oppressive cohesion of communal groupings, also configured original and uncommon communities. Interlinked close readings of works by German-Jewish writers such as Kafka, Else Lasker-Schüler, Nelly Sachs, Paul Celan, Ilse Aichinger, and Robert Schindel illuminate the ways in which literature can subvert, extend, or reconfigure established visions of communities. Liska's rich and astute analysis uncovers provocative attitudes and insights on a subject of continuing controversy.

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The years of the Great Depression, World War II, and their aftermath brought a sea change in American music. This period of economic, social, and political adversity can truly be considered a musical golden age. In the realm of classical music, Aaron Copland, Samuel Barber, Howard Hanson, Virgil Thompson, and Leonard Bernstein—among others—produced symphonic works of great power and lasting beauty during these troubled years. It was during this critical decade and a half that contemporary writers on American culture began to speculate about "the Great American Symphony" and looked to these composers for music that would embody the spirit of the nation.In this volume, Nicholas Tawa concludes that they succeeded, at the very least, in producing music that belongs in the cultural memory of every American. Tawa introduces the symphonists and their major works from the romanticism of Barber and the "all-American" Roy Harris through the theatrics of Bernstein and Marc Blitzstein to the broad-shouldered appeal of Thompson and Copland. Tawa's musical descriptions are vivid and personal, and invite music lovers and trained musicians alike to turn again to the marvelous and lasting music of this time.

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Debussy's Late Style explores Claude Debussy's musical responses to World War I. This period of composition encompasses the duration of the war and the last four years of Debussy's life. The works that emerged during this time reflect both wartime events and the composer's self-conscious desire to define his own musical legacy as he felt his life nearing its end. Debussy's complete wartime compositions comprise a small but significant body of works, some little known and some now acknowledged to be among the masterpieces of his career. These include the Berceuse héroïque, En Blanc et noir, the Douze Études, the "Noël des enfants qui n'ont plus de maisons," and the three instrumental sonatas (the Cello Sonata; the Sonata for Flute, Viola, and Harp; and the Violin Sonata). Through music analysis, musicology, and cultural history, this study offers interpretive readings of Debussy's late works, focusing in particular on how they reflect the unique cultural milieu of wartime Paris.

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Exploring many aspects of Felix Mendelssohn's multi-faceted career as musician and how it intersects with his work as composer, contributors discuss practical issues of music making such as performance space, instruments, tempo markings, dynamics, phrasings, articulations, fingerings, and instrument techniques. They present the conceptual and ideological underpinnings of Mendelssohn's approach to performance, interpretation, and composing through the contextualization of specific performance events and through the theoretic actualization of performances of specific works. Contributors rely on manuscripts, marked or edited scores, and performance parts to convey a deeper understanding of musical expression in 19th-century Germany. This study of Mendelssohn's work as conductor, pianist, organist, violist, accompanist, music director, and editor of old and new music offers valuable perspectives on 19th-century performance practice issues.

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Compiled by eminent Africanist film scholar Roy Armes, Dictionary of African Filmmakers is an inclusive, comprehensive treatment of films and filmmaking on the African continent. The dictionary covers African feature filmmaking from the first locally produced films to today's thriving film industry, listing 5,415 films made by 1,253 filmmakers in 37 countries. Part 1 includes information on filmmakers and provides date and place of birth, training or film experience, other creative activities, and a list of feature films produced. Part 2 presents a national chronology, filmography, and bibliography for each country producing feature films. Part 3 indexes film titles and provides translations into English or French where appropriate. This book is an essential reference tool for anyone who wants to know more about the vibrant and exciting world of African film.

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In From Metaphysics to Midrash, Shaul Magid explores the exegetical tradition of Isaac Luria and his followers within the historical context in 16th-century Safed, a unique community that brought practitioners of Judaism, Christianity, and Islam into close contact with one another. Luria's scripture became a theater in which kabbalists redrew boundaries of difference in areas of ethnicity, gender, and the human relation to the divine. Magid investigates how cultural influences altered scriptural exegesis of Lurianic Kabbala in its philosophical, hermeneutical, and historical perspectives. He suggests that Luria and his followers were far from cloistered. They used their considerable skills to weigh in on important matters of the day, offering, at times, some surprising solutions to perennial theological problems.

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" . . . the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will profit." —Journal of CommunicationSaint-Martin elucidates a syntax of visual language that sheds new light on nonverbal language as a form of representation and communication. She describes the evolution of this language in the visual arts as well as its multiple uses in contemporary media. The result is a completely new approach for scholars and practitioners of the visual arts eager to decode the many forms of visual communication.

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How could Germans, inhabitants of the most scientifically advanced nation in the world in the early 20th century, have espoused the inherently unscientific racist doctrines put forward by the Nazi leadership? Eric Ehrenreich traces the widespread acceptance of Nazi policies requiring German individuals to prove their Aryan ancestry to the popularity of ideas about eugenics and racial science that were advanced in the late Imperial and Weimar periods by practitioners of genealogy and eugenics. After the enactment of Nazi racial laws in the 1930s, the Reich Genealogical Authority, employing professional genealogists, became the providers and arbiters of the ancestral proof. This is the first detailed study of the operation of the ancestral proof in the Third Reich and the link between Nazi racism and earlier German genealogical practices. The widespread acceptance of this racist ideology by ordinary Germans helped create the conditions for the Final Solution.

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Using newly available material from the U.S. National Archives, Michael Phayer sheds new light on the actions of the Vatican and of the man whom some have mistakenly called "Hitler's Pope." As a new world war loomed, the Vatican believed it had to make a choice between communism and Nazism. Reluctantly, both Pius XII and his predecessor chose the Nazis as the lesser of two evils. In the balance rested the genocide of European Jews. As difficult as his wartime behavior is to accept, perhaps nothing demonstrates Pius's fear of communism more than his misguided and unethical attempt to thwart its growth in South America by abetting the escape of Nazis and Ustaši war criminals. The story of these Vatican "ratlines" adds another facet to the complex picture of Pius XII and the Holocaust.

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This is the first book devoted to the archaeology of African life on both sides of the Atlantic; it highlights the importance of archaeology in completing the historical records of the Atlantic world's Africans. Archaeology of Atlantic Africa and the African Diaspora presents a diverse, richly textured picture of Africans' experiences during the era of the Atlantic slave trade and offers the most comprehensive explanation of how African lives became entangled with the creation of the modern world. Through interdisciplinary approaches to material culture, the dynamics of a comparative transatlantic archaeology is developed.

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This study of Boston's West Indian immigrants examines the identities, goals, and aspirations of two generations of black migrants from the British-held Caribbean who settled in Boston between 1900 and 1950. Describing their experience among Boston's American-born blacks and in the context of the city's immigrant history, the book charts new conceptual territory. The Other Black Bostonians explores the pre-migration background of the immigrants, work and housing, identity, culture and community, activism and social mobility. What emerges is a detailed picture of black immigrant life. Johnson's work makes a contribution to the study of the black diaspora as it charts the history of this first wave of Caribbean immigrants.

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"Graham has brilliantly encapsulated and interwoven the major features of Soviet and post-Soviet history in his riveting stories. . . . a splendid and extraordinary work." —Edward Grant, author of God and Reason in the Middle Ages"A very lively read, indeed a real page turner . . . Graham's discussion of pressing ethical dilemmas displays a sureness of hand and a refreshing candor about his own struggles with the issues." —Susan Solomon, University of TorontoThe distinguished American historian of Russian and Soviet science Loren R. Graham recounts with warmth and wit his experiences during 45 years of traveling and researching in the Soviet Union and post-Soviet Russia, from 1960 to 2005. Present for many historic events during this period, Graham writes not as a political correspondent or an analyst, but as an ordinary American living through these years alongside Russian friends and critics. Graham befriended some of the leading scientists and politicians in Russia, but his most touching stories concern average Russians with whom he lived, worked, suffered, and exchanged views. Graham also writes of the ethical questions he confronted, such as the tension between independence of thought and political loyalty. Finally, he depicts the ways in which Russia has changed—visually, politically, and ideologically—during the last 15 years. These gripping, sometimes humorous, always deeply personal stories will engage and inform all readers with an interest in Russia during this tumultuous period of history.

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This book explores the lives and worldviews of Indiana's southern hill-country residents during much of the 19th century. Focusing on local institutions, political, economic, and religious, it gives voice to the plain farmers of the region and reveals the world as they saw it. For them, faith in local institutions reflected a distrust of distant markets and politicians. Localism saw its expression in the Democratic Party's anti-federalist strain, in economic practices such as "safety-first" farming which focused on taking care of the family first, and in non-perfectionist Christianity. Localism was both a means of resisting changes and the basis of a worldview that helped Hoosiers of the hill country negotiate these changes.

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" . . . brilliant . . . [Polzin's] splendid work deserves consideration by all serious students of 2 Samuel." —The Catholic Biblical QuarterlyThe figure of David is the focus of Polzin's provocative new reading of 2 Samuel. Polzin makes a strong case for a complex yet coherent picture of the monarchy within Israelite theology as he demonstrates the literary artfulness and ideological sophistication of the Deuteronomic History.

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The meat-eating dinosaurs, or Theropoda, include some of the fiercest predators that ever lived. Some of the group's members survive to this day—as birds. The theropod/bird connection has been explored in several recent works, but this book presents 17 papers on a variety of other topics. It is organized into three parts. Part I explores morphological details that are important for understanding theropod systematics. Part II focuses on specific regions of theropod anatomy and biomechanics. Part III examines various lines of evidence that reveal something about theropods as living creatures.The contributors are Ronan Allain, Rinchen Barsbold, Kenneth Carpenter, Karen Cloward, Rodolfo A. Coria, Philip J. Currie, Peter M. Galton, Robert Gay, Donald M. Henderson, Dong Huang, James I. Kirkland, Yoshitsugu Kobayashi, Eva B. Koppelhus, Peter Larson, Junchang Lü, Lorrie A. McWhinney, Clifford Miles, Ralph E. Molnar, N. Murphy, John H. Ostrom, Gregory S. Paul, Licheng Qiu,J. Keith Rigby, Jr., Bruce Rothschild, Christopher B. Ruff, Leonardo Salgado, Frank Sanders, Julia T. Sankey, Judith A. Schiebout, David K. Smith, Barbara R. Standhardt, Kathy Stokosa, Darren H. Tanke, François Therrien, David Trexler, Kelly Wicks, Douglas G. Wolfe, and Lowell Wood.

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"[A]n important contribution to scholarship. . . . rigorous and intelligible." —Patrick James, University of MissouriInternational Change and the Stability of Multiethnic States contributes to the debate over ethnic conflict and cooperation in multiethnic states destabilized by the changing environment of the post–Cold War era, proposing a new way of viewing and dealing with these problems. Through an analysis of important moments in the history of two prominent multiethnic societies—the former Yugoslavia and Lebanon—in which nonstate actors such as communal groups played important roles in events that determined the fates of both states, Badredine Arfi builds a general theory of how the governance of multiethnic societies is transformed under changing international conditions. His work provides new insights on how policymaking can be improved to respond to the challenges posed by the creation, maintenance, transformation, and, when it occurs, collapse of state governance in multiethnic societies. This timely work will interest scholars of international relations and comparative politics, regional specialists, policymakers, and activists.

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Called by some a "Mediterranean Jutland," the Battle of the Otranto Straits involved warships from Austria, Germany, Italy, Britain, and France. Although fought by light units with no dreadnoughts involved, Otranto was a battle in three dimensions—engaging surface vessels, aircraft, and subsurface weapons (both submarines and mines). An attempt to halt the movement of submarines into the Adriatic using British drifters armed with nets and mines led to a raid by Austrian light cruisers. The Austrians inflicted heavy damage on the drifters, but Allied naval forces based at Brindisi cut off their withdrawal. The daylight hours saw a running battle, with the Austrians at considerable risk. Heavier Austrian units put out from Cattaro in support, and at the climactic moment the Allied light forces had to turn away, permitting the Austrians to escape. In the end, the Austrians had inflicted more damage than they suffered themselves. The Otranto action shows the difficulties of waging coalition warfare in which diplomatic and national jealousies override military efficiency.

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In Philanthropy, Patronage, and Civil Society, Thomas Adam has assembled a comparative set of case studies that challenge long-held and little-studied assumptions about the modern development of philanthropy. Histories of philanthropy have often neglected European patterns of giving and the importance of financial patronage to the emergence of modern industrialized societies. It has long been assumed, for example, that Germany never developed civic traditions of philanthropy as in the United States. In truth, however, 19th-century German museums, art galleries, and social housing projects were not only privately founded and supported, they were also blueprints for the creation of similar public institutions in North America. The comparative method of the essays also reveals the extent to which the wealthy classes on both sides of the Atlantic defined themselves through their philanthropic activities.Contributors are Thomas Adam, Maria Benjamin Baader, Karsten Borgmann, Tobias Brinkmann, Brett Fairbairn, Eckhardt Fuchs, David C. Hammack, Dieter Hoffmann, Simone Lässig, Margaret Eleanor Menninger, and Susannah Morris.

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Early in the 19th century, growing American cities began to experience transportation problems. One solution was the horse-drawn streetcar, developed in 1832, but it soon proved inadequate. The first elevated train was transporting passengers above the streets of Manhattan by 1871; the first subway opened 25 years later in Boston; and similar systems soon followed in Philadelphia and Chicago. Rapid transit was confined to these few cities until after World War II, when a new generation of systems began to appear. In the 1970s, light rail became an economical alternative to conventional rapid transit. By century's end, some three dozen cities in the U.S., Canada, and Mexico operated metropolitan rapid transit or light rail systems that transported five billion urban passengers annually, and still more were under construction or planned. These diverse systems include elevated lines ranging from Chicago's "L" to the fully automatic Skytrain metro of Vancouver, B.C.; subways from New York City's thundering tunnels—the world's largest underground system—to the thoroughly modern metro of Guadalajara; and light rail from lovingly restored New Orleans streetcars to the sleek, articulated vehicles of Silicon Valley.Metropolitan Railways is a large-scale, extensively illustrated volume that deals with the growth and development of urban rail transit systems in North America. It traces the history of rail transit technology from such impractical early schemes as a proposed steam-powered "arcade railway" under New York's Broadway through today's sophisticated systems. Rapid transit enthusiasts as well as residents of cities that are potential candidates for rapid transit or light rail systems will find this book indispensable.

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". . . by reconstructing the history/experience of Brzezany in Jewish, Ukrainian, and Polish memories [Redlich] has produced a beautiful parallel narrative of a world that was lost three times over. . . . a truly wonderful achievement." —Jan T. Gross, author of NeighborsShimon Redlich draws on the historical record, his own childhood memories, and interviews with Poles, Jews, and Ukrainians who lived in the small eastern Polish town of Brzezany to construct this account of the changing relationships among the town's three ethnic groups before, during, and after World War II. He details the history of Brzezany from the prewar decades (when it was part of independent Poland and members of the three communities remember living relatively amicably "together and apart"), through the tensions of Soviet rule, the trauma of the Nazi occupation, and the recapture of the town by the Red Army in 1945. Historical and contemporary photographs of Brzezany and its inhabitants add immediacy to this fascinating excursion into history brought to life, from differing perspectives, by those who lived through it.

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" . . . are dinosaurs social constructs? Do we really know anything about dinosaurs? Might not all of our beliefs about dinosaurs merely be figments of the paleontological imagination? A few years ago such questions would have seemed preposterous, even nonsensical. Now they must have a serious answer."At stake in the "Science Wars" that have raged in academe and in the media is nothing less than the standing of science in our culture. One side argues that science is a "social construct," that it does not discover facts about the world, but rather constructs artifacts disguised as objective truths. This view threatens the authority of science and rejects science's claims to objectivity, rationality, and disinterested inquiry. Drawing Out Leviathan examines this argument in the light of some major debates about dinosaurs: the case of the wrong-headed dinosaur, the dinosaur "heresies" of the 1970s, and the debate over the extinction of dinosaurs. Keith Parsons claims that these debates, though lively and sometimes rancorous, show that evidence and logic, not arbitrary "rules of the game," remained vitally important, even when the debates were at their nastiest. They show science to be a complex set of activities, pervaded by social influences, and not easily reducible to any stereotype. Parsons acknowledges that there are lessons to be learned by scientists from their would-be adversaries, and the book concludes with some recommendations for ending the Science Wars.

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Discussions of managed care frequently begin and end with an opposition between the Hippocratic ethic of dedication to patient welfare and a business ethic of self-interest in the service of efficiency. Mary R. Anderlik approaches managed care as a problem of organizations. Rejecting a simple "medicine vs. business" analysis, she directs attention to management as manipulation, the neglect of such personal goods as satisfaction in professional accomplishment, and organizational moral myopia.In this account, "pragmatic" suggests practical idealism, not the jettisoning of principle in the interests of expediency. In The Ethics of Managed Care, Anderlik favors a broad empiricism and a moral vision centered on values of democracy and community. She describes how organizations can nourish or destroy openness, creativity, cooperation, and faithfulness—and display "virtues" such as justice, integrity, responsiveness, and efficiency, rightly understood. She uses community care clinics, asthma outreach programs, and new contexts for participatory decision-making to show the promise of managed care. She also explains the complexities of financial arrangements, arguing for an end to schemes that reward clinicians for providing less care and profiting from avoiding people who need a lot of it. The book concludes with a look at the future of managed care, proposing a program for reform.

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For more than a century, the Lower East Side of New York City has been recognized and scrutinized as the largest and most vibrant immigrant Jewish neighborhood in America. In recent years a spate of art works, performances, and tourist productions have fostered increased interest in the neighborhood. This lively book explores the dynamics of Lower East Side memory and considers the changing ways that this unique neighborhood has been embraced by American Jews over the course of a century. Part 1, "The Dynamics of Remembrance," investigates multiple facets of life on the Lower East Side and considers the emerging repertoire of memory that took shape around the neighborhood. Themes include the naming of the Lower East Side, a century of photography of the neighborhood, and the colorful histories of synagogues and schools, restaurants and cabarets. Part 2, "Contemporary Recollections," examines the recent upsurge of interest in the Lower East Side as a site of Jewish heritage and cultural innovation. Topics include the creation of the Tenement Museum, walking tours of the neighborhood and visits to popular "period" restaurants, the experience of a documentary filmmaker, and the performance of memory in a refurbished synagogue. A generous selection of photographs enhances the book's wide-ranging insights into how the Lower East Side became a touchstone of Jewish identity and history.Contributors include Stephan Brumberg, Hasia R. Diner, Joseph Dorman, Paula Hyman, Eve Jochnowitz, Seth Kamil, David Kaufman, Jack Kugelmass, David Lobenstine, Mario Maffi, Deborah Dash Moore, Riv-Ellen Prell, Moses Rischin, Jeffrey Shandler, Suzanne Wasserman, Aviva Weintraub, and Beth S. Wenger.

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This book is a brilliant commentary on the political culture of the BaKongo of Lower Congo (now the Democratic Republic of Congo). MacGaffey analyzes texts written by young Kongo men between 1914 -1916 to explicate KiKongo culture and to question long-cherished anthropological assumptions.

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"Frankel's scholarship in this carefully researched and clearly written study is impressive. . . . The study is thoroughly documented with 70 pages of footnotes and a 14-page bibliography, refleccting Frankel's grasp of the secondary literature as well as extensive work in primary documents." —ChoiceFreedom's Women examines African American women's experiences during the Civil War and early Reconstruction years in Mississippi. Exploring issues of family and work, the author shows how African American women's attempts to achieve more control over their lives shaped their attitudes toward work, marriage, family, and community.

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Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony.Volume IV The Second Golden Age of the Viennese SymphonyBrahms, Bruckner, Dvorák, Mahler, and Selected ContemporariesAlthough during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.

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"Taking into account their multiple loyalties, this book explores how these Jewish women created their own space and how we interpret their achievements. With a comprehensive bibliography, notes, and an index, this work is essential for scholars, women's and Jewish studies departments, and literary and historical studies." —Library Journal" . . . Lichtenstein has served the fields of American women's and Jewish history well . . . " —American Historical Review"This is a fascinating, well-researched book." —Na'amat Woman"A significant record of the relationship of gender and Jewish ethnicity to American literary studies." —ChoiceThe unique literary tradition of nineteenth-century American Jewish women has been largely ignored. Diane Lichtenstein considers more than twenty-five of these authors, including Emma Lazarus, Rebekah Hyneman, Penina Moise, and Emma Wolf.

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