Search results for ""author jean""

“The innovative essays in this volume . . . demonstrat[e] the potential of the perspective of the affects in a wide range of fields and with a variety of methodological approaches. Some of the essays . . . use fieldwork to investigate the functions of affects—among organized sex workers, health care workers, and in the modeling industry. Others employ the discourses of microbiology, thermodynamics, information sciences, and cinema studies to rethink the body and the affects in terms of technology. Still others explore the affects of trauma in the context of immigration and war. And throughout all the essays run serious theoretical reflections on the powers of the affects and the political possibilities they pose for research and practice.”—Michael Hardt, from the forewordIn the mid-1990s, scholars turned their attention toward the ways that ongoing political, economic, and cultural transformations were changing the realm of the social, specifically that aspect of it described by the notion of affect: pre-individual bodily forces, linked to autonomic responses, which augment or diminish a body’s capacity to act or engage with others. This “affective turn” and the new configurations of bodies, technology, and matter that it reveals, is the subject of this collection of essays. Scholars based in sociology, cultural studies, science studies, and women’s studies illuminate the movement in thought from a psychoanalytically informed criticism of subject identity, representation, and trauma to an engagement with information and affect; from a privileging of the organic body to an exploration of nonorganic life; and from the presumption of equilibrium-seeking closed systems to an engagement with the complexity of open systems under far-from-equilibrium conditions. Taken together, these essays suggest that attending to the affective turn is necessary to theorizing the social.Contributors. Jamie “Skye” Bianco, Grace M. Cho, Patricia Ticineto Clough, Melissa Ditmore, Ariel Ducey, Deborah Gambs, Karen Wendy Gilbert, Greg Goldberg, Jean Halley, Hosu Kim, David Staples, Craig Willse , Elizabeth Wissinger , Jonathan R. Wynn

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Jean Baudrillard is widely recognized as one of the most important and provocative writers of our age. Variously termed “France’s leading philosopher of postmodernism” and “a sharp-shooting Lone Ranger of the post-Marxist left,” he might also be called our leading philosopher of seduction or of mass culture. Following his acclaimed America and Cool Memories, this book is the third in a series of personal records in hyperreality. Idiosyncratic, outrageous, and brilliantly original, Baudrillard here casts his net widely and combines autobiographical memories with further reflections on America, the crisis of cultural production, new ideas in fiction/theory, and the “verbal fornication” of the postmodern. In this wide-ranging discussion of events and ideas, Baudrillard moves between poetry and waterfalls, strikes and stealth bombers, Freud and La Cicciolina, shadows and simulacra, deconstruction and the zodiac, Reagan’s smile and Kennedy’s death, the “curse” on South America and the future of the West, the last tango of French intellectual life and the exemplary disappearing act of Italian politics. Writing at the site where the philosophic and the poetic merge, he once again offers us commentary in the form of the riveting insight, the short distillation of reality that establishes its truth with the force of recognition. Cool Memories II, Baudrillard’s latest commentary on the technopresent and future, an installment of his reflections on the reality of contemporary western culture, will entice all readers concerned with postmodernism and the current state of theory.

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The Belgian artist Georges Remi's (Hergé) legendary creation, Tintin is a figure whose adventures have enchanted readers in Europe for the last eighty years. The series is one of the most popular European comics of the twentieth century, with translations published in over 50 languages and more than 200 million copies of the books sold to date. With the proliferation of Tintin blogs, Steven Spielberg's and Peter Jackson's planned cinematographic adaptations, and a Tintin museum scheduled to open in Belgium in the near future, there are many signs that the popularity of Hergé's boy hero continues to grow. The Metamorphoses of Tintin is the English translation of the first critical study of the canonical Tintin cartoons. Published in French in 1984 and republished many times since, this pioneering work examines the long career of both the cartoonist and his creation. Hergé's right-wing upbringing, all too apparent in his first two albums, brought accusations of misogyny, anti-Semitism, and racism, but in the endless revisions he undertook over the course of his career, he proved skillful at evading his critics. After the Second World War, Tintin's adventures became more psychological than political, thus appealing to a wider range of readers. He left behind the real world and came to occupy the center of a fictional universe where he tirelessly championed the underdog. A figure without origins, he turned international hero at the very moment that Western nations were becoming homogenized and transmitting their commodities and values on a global scale. Arguing that the series of albums thus offers a reflection on the whole of twentieth-century life, Jean-Marie Apostolidès traces the evolution of Tintin's character and reveals the unity of Hergé's masterpiece.

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This work, by one of the most innovative and challenging of contemporary thinkers, pivots on a Remark added by Hegel in 1831 to the second edition of his Science of Logic. As a model of close reading applied both to philosophical texts and the making of philosophical systems, The Speculative Remark played a significant role in transforming the practice of philosophy away from system building to analysis of specific linguistic detail, with meticulous attention to etymological, philological, and rhetorical nuance. Nancy uses his extended examination of the Remark to delineate certain overall strategies in several Hegelian texts that militate for language-oriented readings of Hegel, as shown in Nancy's redefinition of such key terms as Aufhebung, mediation, and speculation. Nancy's reading progresses from speculative words and propositions to registering the speculative itself. While he avoids analyzing Hegel's system as such, Nancy reconstructs the Hegelian trajectory on a basis of tropes, building from propositions rather than structures, elements, and cycles. The overview that emerges in the final chapter and epilogue constitutes a broad statement about Hegel's practice and significance, one nuanced by close attention to his deployment of rhetoric and linguistic play. The Speculative Remark thus furnishes a model for a theoretically aware approach to all systematic philosophy, while providing a significant historical contribution to the evolution of contemporary critical theory.

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This book, by one of the most challenging contemporary thinkers, begins with an essay that introduces the principal concern sustained in the four succeeding ones: Why are there several arts and not just one? This question focuses on the point of maximal tension between the philosophical tradition and contemporary thinking about the arts: the relation between the plurality of the human senses—to which the plurality of the arts has most frequently been referred—and sense or meaning in general. Throughout the five essays, Nancy’s argument hinges on the culminating formulation of this relation in Hegel’s Aesthetics and The Phenomenology of Spirit—art as the sensible presentation of the Idea. Demonstrating once again his renowned ability as a reader of Hegel, Nancy scrupulously and generously restores Hegel’s historical argument concerning art as a thing of the past, as that which is negated by the dialectic of Spirit in the passage from aesthetic religion to revealed religion to philosophy.

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This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism. Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. Examines each of Shakespeare’s plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis. Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems. Each volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre. Offers a provocative roadmap to Shakespeare studies at the dawning of the twenty-first century. This companion to Shakespeare's tragedies contains original essays on every tragedy from Titus Andronicus to Coriolanus as well as thirteen additional essays on such topics as Shakespeare's Roman tragedies, Shakespeare's tragedies on film, Shakespeare's tragedies of love, Hamlet in performance, and tragic emotion in Shakespeare.

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Comet presents the amazing story of the Rosetta space probe and its interstellar voyage to the comet Tchoury. Its mission – to find clues to the origins of our solar system and the emergence of life on Earth. Following a ten-year voyage and a journey spanning millions of kilometres through our Solar System, the Rosetta entered the comet’s orbit. Its lander, Philae – a miniature science laboratory – landed directly on Tchoury’s surface and was able to take the photographs presented here. This triumph of scientific endeavour brought back a raft of incredible new photographs, the best of which are featured here. The book is built around the various phases in Rosetta’s journey: leaving Earth, breaching its atmosphere and watching the lights of home recede; skirting the Moon and coming close to Mars; plunging into the cosmos’ starry void and approaching the comet; and, finally, landing on Tchoury. The photographs are accompanied by a text that reflects on the objectives of the mission and the accomplishment of such a technological feat for humanity. Detailed captions provide the reader with accessible scientific information, enabling them to get to the heart of the subject.

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Born into a coal-business family in Alsace, Jean-Georges Vongerichten left school at fifteen. He didn’t enrol at a top culinary programme but he was apprenticed with renowned chefs, opened restaurants across the world and has cemented his legacy in the New York City food scene. In JGV, with passion, humour and heart, Vongerichten tells the story of his mother’s goose stew and of his first taste of tom yum kung soup. With recipes, every story is full of wisdom, conveyed with the magnanimity and precision that has made this chef’s name. Including old handwritten menus and black-and-white photographs throughout, this is a book for young chefs as well as anyone who has stood at a stove and wondered what might be.

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This text presenting the mathematical theory of finite elements is organized into three main sections. The first part develops the theoretical basis for the finite element methods, emphasizing inf-sup conditions over the more conventional Lax-Milgrim paradigm. The second and third parts address various applications and practical implementations of the method, respectively. It contains numerous examples and exercises.

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Fifty years after their first practice in a Soho basement, Led Zeppelin continues to fascinate new generations of listeners. While their back-stage debauchery has been the focus of other books, All the Songs is about the music, detailing the Page's studio magic and inspiration that made all nine albums go platinum, including Led Zeppelin IV which was certified x23 platinum and has sold more than 37 million copies worldwide. Studio stories will include their productive time at Headley Grange in Wales, a poorly-heated former poorhouse where they recorded parts of Led Zeppelin III, Led Zeppelin IV, Houses of the Holy and Physical Graffiti. And how the first album was recorded in three weeks but their second took six months, done while the band was on a world tour. They carried the masters of the recording session in a steamer trunk wherever they went. Out of these chaotic sessions came the "Whole Lotta Love," which was finished in New York with Hendrix engineer Eddie Kramer helping create the psychedelic middle part, as well as "The Lemon Song," which was cut live in the studio. Page worked feverishly with Kramer to mix the LP on a primitive 12-channel Altec board in a two-day span. Fans will also learn the genesis of their lyrics, the inspiration for their album covers, the instruments used, and the contributions of engineers such as Andy Johns, who helped create the iconic drum sound on "When the Levee Breaks" by recording Bonham at the bottom of a stairwell.

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There are 27 million slaves living in the world today—more than at any time in history. Three hundred thousand of them are impoverished children in Haiti, who "stay with" families as unpaid and uneducated domestic workers, subject to physical, emotional, and sexual abuse. This practice, known locally as restavek ("staying with"), is so widespread that one in ten Haitian children is caught up in this form of slavery. Jean-Robert Cadet was a restavek in Haiti from the late 1950s until the early 1970s. He told the harrowing story of his youth in Restavec: From Haitian Slave Child to Middle-Class American—a landmark book that exposed ongoing child slavery in Haiti. Now in My Stone of Hope, Cadet continues his story from his early attempts to adjust to freedom in American society to his current life mission of eliminating child slavery through advocacy and education. As he recounts his own struggles to surmount the psychological wounds of slavery, Cadet puts a human face on the suffering that hundreds of thousands of Haitians still endure daily. He also builds a convincing case that child slavery is not just one among many problems that Haiti faces as the Western Hemisphere's poorest nation. Rather, he argues that the systematic abuse of so many of its children is Haiti's fundamental problem, because it creates damaged adults who seem incapable of governing the country justly or managing its economy productively. For everyone concerned about the fate of Haiti, the welfare of children, and the freedom of people around the globe, My Stone of Hope sounds an irresistible call to action.

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This biography of French philosopher Jacques Maritain and his wife Raïssa offers a fascinating story of perhaps the most influential French theologian of the twentieth century. This award-winning book, written by Jean-Luc Barré at the request of the Maritain Archives in Kolbsheim, France, and published in France in 1995, was the first biography of noted French philosopher Jacques Maritain and his wife Raïssa. Drawing on the wealth of Maritain materials at the Kolbsheim archives, many of which are unpublished, Barré offers a clear and objective account of the remarkable lives and intellectual pursuits of the Maritains. Noted scholar and translator Bernard Doering has now made this essential work available for the first time in English. Jacques and Raïssa Maritain: Beggars for Heaven focuses not only on the Maritains' philosophical work, but also on their pursuit of social justice, their opposition to the Vichy, their battle against intellectual repression in the church, and their contemplative life of prayer and devotion. Barré places a particular emphasis on the Maritains' close and supportive friendships with novelists, poets, painters, and musicians who were considered revolutionary at the time. Doering's translation will appeal not only to scholars but also to anyone interested in intellectual history generally and the intellectual history of modern Catholicism in particular.

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" . . . a most welcome addition to the body of scholarship on the Sokoto Jihad and Caliphate." —Religious Studies ReviewThe fascinating life and times of Nana Asma'u (1793 - 1864), a West African woman who was a Muslim scholar and poet. As the daughter of the spiritual and political leader of the Sokoto community, Asma'u was a role model and teacher for other Muslim women as well as a scholar of Islam and a key advisor to her father as he waged a jihad to bring Islam to the population of what is now northwestern Nigeria.

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Polarization between political religionists and militant secularists on both sides of the Atlantic is on the rise. Critically engaging with traditional secularism and religious accommodationism, this collection introduces a constitutional secularism that robustly meets contemporary challenges. It identifies which connections between religion and the state are compatible with the liberal, republican, and democratic principles of constitutional democracy and assesses the success of their implementation in the birthplace of political secularism: the United States and Western Europe. Approaching this issue from philosophical, legal, historical, political, and sociological perspectives, the contributors wage a thorough defense of their project's theoretical and institutional legitimacy. Their work brings fresh insight to debates over the balance of human rights and religious freedom, the proper definition of a nonestablishment norm, and the relationship between sovereignty and legal pluralism. They discuss the genealogy of and tensions involving international legal rights to religious freedom, religious symbols in public spaces, religious arguments in public debates, the jurisdiction of religious authorities in personal law, and the dilemmas of religious accommodation in national constitutions and public policy when it violates international human rights agreements or liberal-democratic principles. If we profoundly rethink the concepts of religion and secularism, these thinkers argue, a principled adjudication of competing claims becomes possible.

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Based on his experience as a scholar and diplomat stationed in China, Jean-Luc Domenach consults a wealth of archival and contemporary materials to examine China's place in the world. A sympathetic yet critical observer, Domenach brings his intimate knowledge of the country to bear on a range of crucial issues, such as the growth (or deterioration) of China's economy, the government's ever-delayed democratization, the potential outcomes of a national political crisis, and the possible escalation of a revamped authoritarianism. Domenach ultimately reads China's current progress as a set of easy accomplishments presaging a more difficult era of development. His finely nuanced analysis captures the difficult decisions now confronting China's elite, who are under tremendous pressure to support an economy based on innovation and consumption, establish a political system based on law and popular participation, rethink their national identity and spatial organization, and define a more positive approach to the world's problems. These leaders are also besieged by corruption among their ranks, an increasingly restless urban population, and a sharp decline in the country's demographic growth. Domenach taps into these anxieties and the attempt to alleviate them, revealing a China much less confident and secure than many would believe.

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In 1990 the Department of Graphic Arts at the Louvre made their holdings available to guest curatos for a programme called "Parti Pris" or "Taking Sides". Jean Starobinski, literary critic and intellectual historian from the University of Geneva, was selected as the third curator in the programme. In his exhibition and accompanying essay, Starobinski explores the theme of largesse in its broadest sense. Arguing that gift giving and receiving are fundamental human gestures, he examines graphic and textual representations from the offering of the apple to Eve to Salome's gift of the head of John the Baptist, from the giving of lawsto the gift of death.

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In this book, renowned anthropologists Jean and John L. Comaroff make a startling but absolutely convincing claim about our modern era: it is not by our arts, our politics, or our science that we understand ourselves it is by our crimes. Surveying an astonishing range of forms of crime and policing from petty thefts to the multibillion-dollar scams of too-big-to-fail financial institutions to the collateral damage of war they take readers into the disorder of the late modern world. Looking at recent transformations in the triangulation of capital, the state, and governance that have led to an era where crime and policing are ever more complicit, they offer a powerful meditation on the new forms of sovereignty, citizenship, class, race, law, and political economy of representation that have arisen. To do so, the Comaroffs draw on their vast knowledge of South Africa, especially, and its struggle to build a democracy founded on the rule of law out of the wreckage of long years of violence and oppression. There they explore everything from the fascination with the supernatural in policing to the extreme measures people take to prevent home invasion, drawing illuminating comparisons to the United States and United Kingdom. Going beyond South Africa, they offer a global criminal anthropology that attests to criminality as the constitutive fact of contemporary life, the vernacular by which politics are conducted, moral panics voiced, and populations ruled. The result is a disturbing but necessary portrait of the modern era, one that asks critical new questions about how we see ourselves, how we think about morality, and how we are going to proceed as a global society.

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"George Dillon has elected for speed and clarity; his speed, of which short quotations can impart no notion, is his equivalent for Racine's impetuous dexterity with the French Alexandrine. . . . Momentum, in such a version, is everything. It stands as a homage to Racine's strength of construction . . . and to the expressive power of his themes, on which Mr. Dillon's prefaces have eloquent and sensible things to say."—Hugh Kenner, National Review "His literal and flexible blank verse actually forms the nearest thing in English to the longer-measured rhymed couplets of Racine; even an ordinary reading aloud of so faithful a rendering provides something of the experience that Proust described."—Elliott Coleman, Poetry"A superb introduction . . . flawless translations, infused with poetic fire and charm."—Margaret Carpenter, Norfolk Virginian-Pilot

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In this intriguing blend of the commonplace and the ancient, Jean Bottero presents the first extensive look at the delectable secrets of Mesopotamia. Bottero's broad perspective takes us inside the religious rites, everyday rituals, attitudes and taboos, and even the detailed preparation techniques involving food and drink in Mesopotamian high culture during the second and third millenniums BCE, as the Mesopotamians recorded them. Offering everything from translated recipes for pigeon and gazelle stews to the contents of medicinal teas and broths and the origins of ingredients native to the region, this book reveals the cuisine of one of history's most fascinating societies. Links to the modern world, along with incredible re-creations of a rich, ancient culture through its cuisine, make Bottero's guide an entertaining and mesmerizing read.

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Orthodox theology is intimately linked to spiritual experience:it has a very different meaning to the present usage of this word coming from academia. The scientific methods developed in the West since the seventeenth century can of of benefit in many regards, but without strong roots in the Orthodox tradition theology risks being "eaten up" by the human sciences.These roots are in the mystical tradition of the Church as passed down from the the beginning and expressed in the lives of saints, iconography etc. Thus this work has both a theoretical and a practical scope, of relevance to all Christians.

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This book presents a full decade of Sartre's work, from the publication of the Critique of Dialectical Reason in 1960, the basic philosophical turning-point in his postwar development, to the inception of his major study on Flaubert, the first volumes of which appeared in 1971. The essays and interviews collected here form a vivid panorama of the range and unity of Sartre's interests, since his deliberate attempt to wed his original existentialism to a rethought Marxism.A long and brilliant autobiographical interview, given to New Left Review in 1969, constitutes the best single overview of Sartre's whole intellectual evolution. Three analytic texts on the US war in Vietnam, the Soviet invasion of Czechoslovakia, and the lessons of the May Revolt in France, define his political positions as a revolutionary socialist. Questions of philosophy and aesthetics are explored in essays on Kierkegaard, Mallarme and Tintoretto. Another section of the collection explores Sartre's critical attitude to orthodox psychoanalysis as a therapy, and is accompanied by rejoinders from colleagues on his journal Les Temps Modernes. The volume concludes with a prolonged reflection on the nature and role of intellectuals and writers in advanced capitalism, and their relationship to the struggles of the exploited and oppressed classes. Between Existentialism and Marxism is an impressive demonstration of the breadth and vitality of Sartre's thought, and its capacity to respond to political and cultural changes in the contemporary world.

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Hydro-Québec manages one of the largest power grids on the continent. It is among the most profitable, the least expensive and the greenest. With a stunning renewable energy rate of 99.8 percent, Quebec has two-generation advance on places like California and Ontario. Combining a reporters’ style with thought, philosophy and a touch of humour, Jean-Benoît Nadeau and Julie Barlow look into Hydro-Québec’s future – with an eye also on the past – as the public utility marks the 75th anniversary of its founding. The future is now and it is electric. It spans widely diverse fields such as big data aggregation centres, exports to the United States, acquisitions in Mexico, Chinese buses, mega-batteries, bitcoins, charging stations and much more.Between now and Hydro-Québec’s 100th anniversary, the challenges will be vast. As our habits and expectations change radically everything will be on the table, from solar panels to rates, from remote heating control to underground power lines, and from the environment to relations with the indigenous peoples.

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The Royal Museum for Central Africa, in Tervuren, Belgium, was founded in 1898, but its current building was inaugurated in 1910 and is characterised by many symbols reflecting the colonial propaganda of the time. The grand rotunda, designed to serve as the museum entrance, plays host to a series of statues that are strong examples of such imagery, reflecting fundamentally racist stereotypes. Between 2013 and 2018, the RMCA underwent a major renovation that saw a substantial redesign of the permanent exhibition, with the involvement of members of the African diaspora in Belgium. A major challenge of the renovation was to demonstrate the will to decolonise a listed building that is legally protected against changes. As removal of the colonial statues was not allowed, the museum was forced to find innovative solutions, notably by inviting contemporary African artists to create installations to dialogue, contrast, and discuss with colonial messages. Congolese artist Aimé Mpané was chosen to make such an installation in the rotunda in 2018 with New breath, or Burgeoning Congo. Public reaction helped the AfricaMuseum realise that it needed to go further. Along with the creation of a second sculpture, Aimé Mpané, in co-creation with Belgian artist Jean Pierre Müller, proposed the RE/STORE project: a permanent installation of transparent veils, each bearing a contemporary message, hung in front of every statue in the rotunda. The themes addressed in this collection of veils interact with the viewer in a powerful and eloquent manner. This richly illustrated book is a compilation of texts written by renowned experts about the history of the rotunda and its statues, as well as the semantic and artistic analysis of RE/STORE, providing a full catalogue of the installations, sculptures, and veils.

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In very different ways the writings of the New Testament have shaped cultures until today. The Novum Testamentum Patristicum project will give a full documentation of ancient Christian receptions of the New Testament in late antiquity. This volume focuses on the different mainly narrative receptions of New Testament texts in ancient Christian apocryphal literature. While it has been accepted for a long time that apocryphal writings mainly wanted to fill the gaps of New Testament texts in more or less fantastic ways, the articles in this volume discover a rich and very different variety of re-writings, relectures, and receptions of New Testament texts, motifs and ideas.

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Le travail d’analyse sociale nous pose toujours la question de la transcription des données et des résultats obtenus. Les modèles canoniques privilégient l’usage de l’écriture orthographique et relèguent souvent les formes d’écritures iconographiques dans la perception sensible, l’allusif et le flou symbolique, à l’extrême opposé de la rigueur démonstrative et argumentative de l’écriture. Dans le processus de production et de diffusion des connaissances en sciences sociales, le moment de l’enquête, en particulier, est une situation de transcription idéale pour examiner le passage d’un ordre de fait à un autre, et pour retracer sa fonction dans le projet scientifique. Cet ouvrage interroge les modalités d’implication de l’image dans la fabrication, la transformation et la présentation des données issues de l’enquête de terrain. La première partie questionne la constitution des mémoires et des identités individuelles et collectives. La photographie se tient au seuil de la mémoire et perpétue une interrogation sur les conditions d’exercice de la mémoire individuelle et collective. La contribution nous rappelle que l’image oblige les chercheurs plus que tout autre mode de présentation à s’interroger sur leur position. La deuxième partie est consacrée à l’épistémologie des images. Que les images soient produites par les chercheurs eux-mêmes ou récoltées lors du terrain ethnographique leur représentation est d’une importance cruciale mais ne va pas de soi. La troisième partie aborde la question de la restitution des données issues de l’enquête de terrain à travers l’analyse des photographies et plaide pour une analyse des rythmes, rare en sciences sociales, afin de saisir les complexités de l’urbanisation globale et de la restituer par les techniques de théâtre grâce à une approche du sensuous scholarship.

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Over the last decades, considerable effort has been directed towards the study of early complex societies of northern Peru, and in recent years archaeologists have expressed a strong interest in the art and archaeology of the Moche, Lambayeque and Chimu societies. Yet, comparatively little attention has been paid to the earlier cultural foundations of north coast civilization: the Gallinazo. In the recent years, however, the work of a number of north coast specialists brought about a large quantity of data on the Gallinazo occupation of the coast, but a coherent framework for studying this culture had yet to be defined. The present volume is the result of a round table, which gathered some thirty scholars from Europe and North and South America to discuss the Gallinazo phenomenon. In fourteen chapters, authors with different perspectives and backgrounds reconsider the nature of the Gallinazo culture and its position within north coast cultural history, while addressing wider issues about the development of complex societies in this area and within the Andean region in general. The contributions reveal a diversity of perspectives on north coast archaeology, something that is likely to stimulate methodological and theoretical debates among Andeanists, pre-Columbian specialists and New World archaeologists in general.

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The 4-cylinder Bugatti Type 40, sometimes unkindly referred to as `Ettore’s Morris Cowley,’ nevertheless shared its fine engineering pedigree with all other Bugattis. Packed with mainly period photographs, illustrations and sales literature, the book also features the factory’s individual chassis sales records.

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Photoinitiating systems play a key role in the starting point of a polymerization reaction under exposure to a UV or a visible light. The number of publications discussing photoinitiating systems for polymerization has seen a significant growth in recent years and this book provides an update on their latest research developments. The book covers different types of photoinitiating systems including UV radical photoinitiators, long wavelength sensitive radical photoinitiators, cationic photoinitiators and water soluble photoinitiators as well as a chapter on how to design novel photoinitiators. The book then focusses on the applications of the photoinitiators from nanoparticles and materials to ionic liquids and solar cells. Edited by leading names in the field, the book is suitable for postgraduate students and researchers in academia and industry interested in polymer chemistry, organic chemistry, materials science and the applications of the materials.

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A practical, illustrated, and scientifically grounded guide to improving your running technique and preventing injury, written by a kinesiologist In North America alone, thirty-seven million people run regularly, and most suffer at least one running-related injury a year. Run Better sets out to help runners of all abilities run smarter and injury-free by reviewing the proper mechanics of running and the role of shoes; providing training programs (from 5K to marathon distances) that promote rest and cross-training for adequate recovery; offering 90 running-specific exercises and technical drills to build strength, reinforce proper posture, encourage flexibility, improve mobility, and optimize breathing; and explaining 42 common running injuries and the ways to prevent and alleviate them. Illustrated with more than 150 color photographs, 50 black-and-white line drawings, and 20 charts and tables, Run Better is an easy to use and authoritative running handbook for anyone who wants to improve their running efficiency and decrease their risk of injury.

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A composer who has already given up composing - because of his inability to notate the music of the spheres - becomes increasingly fixated on capturing a mysterious, eerie, distant sound, which he soon equates with all the things he desires most: the perfect woman, the perfect city, the perfect work of art. Obsessed with his impossible quest, the man breaks out of the asylum and begins a series of comic, dreamlike, and ultimately haunting adventures as he tries to locate the source of the sound that consumes him... and instead finds the root cause of all his failures.

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Asterix, the Gaul is back for more funny, fast-paced adventure in this cheeky and energetic comic, the New York Times bestselling thirty-sixth Asterix album.Julius Caesar has finished writing the history of his campaigns in Gaul. His publisher, Libellus Blockbustus, foresees a huge success ... but there's a snag. The chapter about Caesar's defeats by the indomitable Gauls of Armorica. Cut it, Blockbustus advises, and everyone will believe that Caesar conquered all Gaul!Or will they? Newsmonger and activist Confoundtheirpolitix takes the chapter to Asterix's village. Can the Gauls make sure the truth is revealed?Multi-million selling Asterix is much loved across the world, perfect for children age 7-11 and hilarious for kids and parents alike. Following in the footsteps of Goscinny and Uderzo, the thirty-sixth Asterix album by Ferri and Conrad is a number 3 New York Times bestselling title.

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