Search results for ""Author Christo"

New Testament theology, maintains Donald Guthrie, centers on Jesus Christ--his person, work and mission--and is unified by repeated emphasis on the fulfillment of Old Testament promise, community, the Spirit and the future hope. An extended introduction surveys the history, nature and method of New Testament theology and sets forth the distinctive of Guthrie's synthetic approach. Guthrie then examines New Testament thought under the thematic headings of God, man and his world, Christology, the mission of Christ, the Holy Spirit, the Christian life, the church, the future, the New Testament approach to ethics, and Scripture. Within each chapter he explores the synoptic Gospels, the Johannine literature, Acts, Paul, Hebrews, the remaining Epistles and Revelation. Marked by scholarly rigor and thoroughness, this volume is a standard reference and text, reflecting mature conservative scholarship at its best

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A collection of graphic narratives from one of the most influential and respected visual artists of the past half centuryTalking Lines is the first-ever comprehensive collection of the work of R. O. Blechman, one of the most prolific and influential visual artists of the twentieth century. His graphic stories are at once jocular, wry, and profound. Blechman ruminates on such various topics as nuclear weapons, war, wiretapping, Christopher Columbus, Leo Tolstoy, William Shakespeare, and Virginia Woolf. His stories have appeared in the seminal magazine Humbug (edited by Harvey Kurtzman), The Nation, Nozone (edited by his son, Nicholas Blechman), The New York Times, and The New York Times Book Review.Blechman is a modern master of all things visual whose timeless intellect and stripped-down artistry propels his nonstop relevancy. He is one of the few artists who has been able to balance the commercial and the artistic. In

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A book of short stories featuring Dorothy L Sayers' classic character Lord Peter Wimsey, introduced by thriller writer Christopher Fowler - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries. 'D. L. Sayers is one of the best detective story writers' Daily TelegraphLord Peter Wimsey - expert on subjects as diverse as crosswords and cats - displays his detective genius in some of the cleverest mysteries ever devised.One solution requires expertise in fine wines; another calls on his knowledge of fine art. Lord Peter has the knack of being on the spot at just the right time to spot a thief or blackmail a blackmailer. Or even prevent a murder... Whatever the occasion, the aristocratic detective uses his razor-sharp mind and unerring instincts to unmask the guilty and go to the aid of their victims. 'She brought to the detective novel originality, intelligence, energy and wit.' P. D. James

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At a time when democracy seems to be in retreat in many parts of the world, Africa presents a more mixed picture. A number of African countries have been convulsed by high-profile crises, while others have quietly continued making progress on the difficult path toward democratic stability. Democratization in Africa: Progress and Retreat brings into focus the complex landscape of African politics by pairing broad analytical surveys with country-specific case studies-most previously published in the Journal of Democracy and all written by prominent Africanists with deep knowledge of the continent and their subject countries. Thematic chapters address some of the major forces working for and against African democracy: the phenomenon of "frontier Africa"; presidentialism; the rise of independent legislatures; the rule of law versus the "big man"; the institutionalization of political power; the decline of military coups; the paradox of growth without prosperity; and the roles of formal and informal institutions. Countries examined include Angola, Botswana, the Democratic Republic of the Congo, Ghana, Kenya, Liberia, Nigeria, Senegal, Sierra Leone, Somaliland, South Africa, Tanzania, Uganda, Zambia, and Zimbabwe. Democratization in Africa: Progress and Retreat is an essential primer for students of African politics and those interested in the future of democracy around the world. Contributors: Kate Baldwin, Joel D. Barkan, Michael Bratton, Michael Chege, John F. Clark, Larry Diamond, Steven Friedman, Kenneth Good, E. Gyimah-Boadi, Barak Hoffman, Richard Joseph, Seth Kaplan, Maina Kiai, Peter Lewis, Eldred Masunungure, Penda Mbow, Andrew M. Mwenda, Dave Peterson, Daniel N. Posner, H. Kwasi Prempeh, Lindsay Robinson, Paula Cristina Roque, Rotimi T. Suberu, Herbert F. Weiss, Christopher Wyrod, Daniel J. Young

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By exploring dynamic Jewish-Muslim interactions across North Africa and France through performance culture in the 20th and 21st centuries, we offer an alternative chronology and lens to a growing trend in media and scholarship that views these interactions primarily through conflict. Our volume interrogates interaction that crosses the genres of theatre, music, film, art, and stand-up, emphasising creative influence and artistic cooperation between performers from the Maghrib, with a focus on Algeria, Tunisia, Morocco, and diaspora communities, notably in France. The plays, songs, films, images, and comedy sketches that we analyse are multilingual, mixing not only with the former colonial language French, but also the rich diversity of indigenous Amazigh and Arabic languages. The volume includes contributions by scholars working across and beyond disciplinary boundaries through anthropology, ethnomusicology, history, sociology, and literature, engaging with postcolonial studies, memory studies, cultural studies, and transnational French studies. The first section examines accents, affiliations, and exchange, with an emphasis on aesthetics, familiarity, changing social roles, and cultural entrepreneurship. The second section shifts to consider departure and lingering presence through spectres and taboos, in its exploration of absence, influence, and elision. The volume concludes with an autobiographical afterword, which reflects on memories and legacies of Jewish-Muslim interactions across the Mediterranean. Contributors: Cristina Moreno Almeida, Jamal Bahmad, Adi Saleem Bharat, Aomar Boum, Morgan Corriou, Ruth Davis, Samuel Sami Everett, Fanny Gillet, Jonathan Glasser, Miléna Kartowski-Aïach, Nadia Kiwan, Hadj Miliani, Vanessa Paloma Elbaz, Elizabeth Perego, Christopher Silver, Rebekah Vince, Valérie Zenatti

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At a time when democracy seems to be in retreat in many parts of the world, Africa presents a more mixed picture. A number of African countries have been convulsed by high-profile crises, while others have quietly continued making progress on the difficult path toward democratic stability. Democratization in Africa: Progress and Retreat brings into focus the complex landscape of African politics by pairing broad analytical surveys with country-specific case studies-most previously published in the Journal of Democracy and all written by prominent Africanists with deep knowledge of the continent and their subject countries. Thematic chapters address some of the major forces working for and against African democracy: the phenomenon of "frontier Africa"; presidentialism; the rise of independent legislatures; the rule of law versus the "big man"; the institutionalization of political power; the decline of military coups; the paradox of growth without prosperity; and the roles of formal and informal institutions. Countries examined include Angola, Botswana, the Democratic Republic of the Congo, Ghana, Kenya, Liberia, Nigeria, Senegal, Sierra Leone, Somaliland, South Africa, Tanzania, Uganda, Zambia, and Zimbabwe. Democratization in Africa: Progress and Retreat is an essential primer for students of African politics and those interested in the future of democracy around the world. Contributors: Kate Baldwin, Joel D. Barkan, Michael Bratton, Michael Chege, John F. Clark, Larry Diamond, Steven Friedman, Kenneth Good, E. Gyimah-Boadi, Barak Hoffman, Richard Joseph, Seth Kaplan, Maina Kiai, Peter Lewis, Eldred Masunungure, Penda Mbow, Andrew M. Mwenda, Dave Peterson, Daniel N. Posner, H. Kwasi Prempeh, Lindsay Robinson, Paula Cristina Roque, Rotimi T. Suberu, Herbert F. Weiss, Christopher Wyrod, Daniel J. Young

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For the second installment of Nomenus, a limited edition arts publication, Erik Madigan Heck has curated a special issue titled The Language of Flowers, that seamlessly weaves together a curated selection of floral and figurative contemporary paintings and photographic studies from Anselm Kiefer, Rita Ackermann, Helen Frankenthaler, Gabriel Orozco, Nick Knight, Mircea Suciu, Miranda Lichtenstein, Ida Applebroog, Emily Mason, Christophe Yvoré, Ben Sledsens, Martina Hoogland Ivanow, Brigitte Lustenberger, Alex Foxton, Kaye Donachie, Jesse Willenbring, Aubrey Levinthal, Erik Madigan Heck, and Tomo Campbell.

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From zombies in Restoration London, to Hell gatecrashing a funeral, rogue Time Agent Captain John Hart leads the universe the rack and ruin in four new adventures written by David Llewellyn. The Restored, Escape from Nebazz, Peach Blossom Heights and Darker Purposes. NOTE: Torchwood contains adult material and is not suitable for younger listeners. 1. The Restored Captain John is in Restoration England looking for some gauntlets. There’s intrigue in the Tower of London, the dead are walking the streets, and the severed head of Oliver Cromwell has a terrible warning. 2. Escape from Nebazz Captain John is in a wooden space prison that’s under attack by a strange and terrible life form. Also the catering is truly dreadful and Dr Magpie’s latest discovery may have got a little out of hand. 3. Peach Blossom Heights Captains John and Jack find themselves stranded on a world that may be actual paradise – the weather is pleasant, the people are friendly, and the giant stuffed animals only come out at night. There’s only one thing the world is missing. No-one has every explained to any of the population about the birds and the bees. Which is unfortunate. 4. Darker Purposes Captain John arrives at the funeral of one of the galaxy’s richest men. He died without making a will, and his heirs have some very creative ideas about how this can be put to rights involving murder, necromancy and seduction. Sadly, Captain John is only too happy to oblige. CAST: James Marsters (Captain John Hart), John Barrowman (Captain Jack Harkness), Christopher Allen (The Archivist), Ayesha Antoine (Caitlin), Rosie Baker (Ilsa Vargosh), Connor Calland (Grimble), Silas Carson (Sir Thomas Pewsey), Dona Croll (Miss Slaughter), Laura Doddington (Frances, Duchess of Winchester), Kathryn Drysdale (Dr Magpie), Serin Ibrahim (Mohisha Varma), Matthew Jacobs-Morgan (Chester Vamooth), Robbie Jarvis (Trevor), Nicholas Khan (Jillix), Wilf Scolding (King Charles II), David Sibley (Uther Vargosh), Rick Yale (Darius Vargosh). Other parts played by members of the cast. NOTE: Torchwood contains adult material and is not suitable for younger listeners.

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"And the Word became flesh"John's Gospel famously opens with a poetic prologue about the Word. However, after these initial verses, the theme of God's Word incarnate seems to fade.The silence is only apparent. In The Word from the Beginning, Bruce G. Schuchard reunites John's prologue with the rest of his Gospel. What Jesus does in the Gospel embodies who Jesus is in the prologue. Jesus's words and actions reveal and unfold his unique identity as the Word. Jesus is indeed God's Word enfleshed.This theological reading of John's Gospel unifies Jesus's identity, words, and work, opening up implications for Johannine Christology.

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Discover a nest of vampires, brave a technological ''gate'' to another realm, and track down the truth behind Jack the Ripper in this collection of three intense adventures of Sir Edward Grey. As the Queen''s personal ''Witchfinder,'' Grey continues to pursue the occult goings on in London and beyond. But this time the events he encounters - and the things he learns - will lead him to question his very future. Complete your Witchfinder omnibus library with this second volume, featuring the writing of Mike Mignola and Chris Roberson, with art from Ben Stenbeck, D''Israeli, and Christopher Mitten and stunning colors from Michelle Madsen and Dave Stewart.

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A COMPANION TO ‘TWENTIETH-CENTURY AMERICAN DRAMA Contributors to this volume: Thomas P. Adler, Sarah Bay-Cheng, Annemarie Bean, Deanna M. Toten Beard, Murray Biggs, Stephen J. Bottoms, Mark Evans Bryan, Peter Civetta, Jerry Dickey, Jill Dolan, Harry J. Elam, Jr., Mark Fearnow, Anne Fletcher, Ehren Fordyce, J. Ellen Gainor, Janet V. Haedicke, Ann Haugo, David Krasner, Daphne Lei, Julia Listengarten, Felicia Hardison Londré, Tiffany Ana Lopez, Brenda A. Murphy, Christopher Olsen, Linda Rohrer Paige, Ann Pellegrini, Gene A. Plunka, Steven price, June Schlueter, Mike Sell, Rachel Shteir, Molly Smith. Andrew Sofer, Leslie A. Wade Also available in The Blackwell Companions to Literature and Culture series:

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A COMPANION TO ‘TWENTIETH-CENTURY AMERICAN DRAMA Contributors to this volume: Thomas P. Adler, Sarah Bay-Cheng, Annemarie Bean, Deanna M. Toten Beard, Murray Biggs, Stephen J. Bottoms, Mark Evans Bryan, Peter Civetta, Jerry Dickey, Jill Dolan, Harry J. Elam, Jr., Mark Fearnow, Anne Fletcher, Ehren Fordyce, J. Ellen Gainor, Janet V. Haedicke, Ann Haugo, David Krasner, Daphne Lei, Julia Listengarten, Felicia Hardison Londré, Tiffany Ana Lopez, Brenda A. Murphy, Christopher Olsen, Linda Rohrer Paige, Ann Pellegrini, Gene A. Plunka, Steven price, June Schlueter, Mike Sell, Rachel Shteir, Molly Smith. Andrew Sofer, Leslie A. Wade Also available in The Blackwell Companions to Literature and Culture series:

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Inspired by Hugh Lofting's classic tales of Doctor Dolittle, his son Christopher Lofting has updated his father's story for today's readers- still with all the charm of the original. Nine-and-a-half year old Tommy Stubbins is about to go on an adventure of a lifetime!Being assistant to the genius (and eccentric) Doctor Dolittle means no day is quite the same, especially when they set sail on the high seas. After a hair-raising shipwreck lands them on the floating Spidermonkey Island, they meet the mysterious Great Glass Sea Snail who could change their lives forever... The new movie Dolittle is coming February 2020, starring Robert Downey Jr.

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Over There explores the social impact of America’s global network of more than 700 military bases. It does so by examining interactions between U.S. soldiers and members of host communities in the three locations—South Korea, Japan and Okinawa, and West Germany—where more than-two thirds of American overseas bases and troops have been concentrated for the past six decades. The essays in this collection highlight the role of cultural and racial assumptions in the maintenance of the American military base system, and the ways that civil-military relations play out locally. Describing how political, spatial, and social arrangements shape relations between American garrisons and surrounding communities, they emphasize such factors as whether military bases are located in democratic nations or in authoritarian countries where cooperation with dictatorial regimes fuels resentment; whether bases are integrated into neighboring communities or isolated and surrounded by “camp towns” wholly dependent on their business; and whether the United States sends single soldiers without families on one-year tours of duty or soldiers who bring their families and serve longer tours. Analyzing the implications of these and other situations, the contributors address U.S. military–regulated relations between GIs and local women; the roles of American women, including military wives, abroad; local resistance to the U.S. military presence; and racism, sexism, and homophobia within the U.S. military. Over There is an essential examination of the American military as a global and transnational phenomenon.ContributorsDonna Alvah Chris Ames Jeff Bennett Maria Höhn Seungsook Moon Christopher Nelson Robin Riley Michiko Takeuchi

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Religion and empire were inseparable forces in the early modern Atlantic world. Religious passions and conflicts drove much of the expansionist energy of post-Reformation Europe, providing both a rationale and a practical mode of organizing the dispersal and resettlement of hundreds of thousands of people from the Old World to the New World. Exhortations to conquer new peoples were the lingua franca of Western imperialism, and men like the mystically inclined Christopher Columbus were genuinely inspired to risk their lives and their fortunes to bring the gospel to the Americas. And in the thousands of religious refugees seeking asylum from the vicious wars of religion that tore the continent apart in the sixteenth and seventeenth centuries, these visionary explorers found a ready pool of migrants—English Puritans and Quakers, French Huguenots, German Moravians, Scots-Irish Presbyterians—equally willing to risk life and limb for a chance to worship God in their own way. Focusing on the formative period of European exploration, settlement, and conquest in the Americas, from roughly 1500 to 1760, Empires of God brings together historians and literary scholars of the English, French, and Spanish Americas around a common set of questions: How did religious communities and beliefs create empires, and how did imperial structures transform New World religions? How did Europeans and Native Americans make sense of each other's spiritual systems, and what acts of linguistic and cultural transition did this entail? What was the role of violence in New World religious encounters? Together, the essays collected here demonstrate the power of religious ideas and narratives to create kingdoms both imagined and real.

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When Jesus turned and saw them following, he said to them, 'What are you looking for?' They said to him, 'Rabbi . . . where are you staying?' He said to them, 'Come and see.' John 1.38 39 'Come and see.' That is Jesus' invitation: courteous and confident, welcoming but not overpowering, full of grace and truth. It is the gospel in three words. The two disciples - Andrew was one of them - came and saw. They stayed with Jesus for a day and they liked what they saw. Andrew then went searching for his brother, Simon, and told him, 'We have found the Messiah.' Andrew took Simon to Jesus who (says John) 'looked at him'. . . This dynamic of seeing Jesus and being seen by him was transformative . . . They were never the same again. They became Jesus' disciples, people who spent time with him, getting to know him better and learning to see the world differently, as Jesus sees it. Those are three dimensions of seeing that will run through . . . this book: seeing Jesus, being seen by him and seeing things the way Jesus sees them.' From Chapter 1: What do you see?

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Christopher Nolan's Inception (2010) is a difficult film to categorize. It partakes of various genres, blurring the distinctions between them. It is science fiction, but it does not contain many of the ingredients associated with that genre. It can also be identified as a kind of heist film, and there are shades of film noir as well, not only because of the heist motifs but also due to its character types. It can also be described as psychological thriller, telling the story of one man's attempt to flee his past and regain access to his family, of his coming to terms with the death of his wife. In addition, it plays with time, questioning the certainty of consciously experienced real time, and revealing that the personal experience of the passing of time is variable. The film also explores the nature of the mind and how dreams are related to the conscious and unconscious mind. David Carter's contribution to the Constellation series covers all of these facets of a complex yet highly successful film, as well as considering it in the context of the director's other work.

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The German silversmith Paula Straus (1894–1943) was a pivotal figure in shaping the “Golden Twenties” and the creative decades of the Bauhaus. Even early on, her jewellery objects and handmade items of silverware were reviewed with praise in the specialist press, and national and international exhibitions followed. In joining the design studio of the silverware factory Peter Bruckmann & Söhne, Heilbronn, in 1925, an unparalleled career began as Germany’s first woman industrial designer. The silverware she designed — coffee and tea services — for handcrafted as well as machine production stands as an example of her own original style, which is defined by a purist idiom. Her professional success and her renown as a craftswoman and designer have been completely forgotten due to the national-socialist persecution of the Jews from 1933 and her murder in Auschwitz. The time has now come to rediscover her work. With contributions by Edith Neumann, Monika and Reinhard Sänger, Joachim W. Storck, Michal S. Friedlander, Christoph Engel, and a foreword by Winfried Kretschmann. Text in German.

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MEET LUCAS PAGE: A DETECTIVE WHO SEES CRIME FROM A DIFFERENT ANGLE... 'A great plot, a great setting, and even better characters - I loved this' Lee Child'Told at a ferocious pace in staccato prose, this thriller truly gets the blood racing' Daily MailSeverely injured on a case, Page retired from the FBI to become a professor. But now his friend has been killed by a sniper in New York and Page's extraordinary mind is needed urgently.The shot that killed the man should have been impossible: in the middle of a blizzard, down a busy New York avenue, into a moving car. But it happened.Only Page can work out the science behind the shot, the geometry that reveals the killer's location. The logic that says the shooter has killed like this before. And will do it again, and again, until they are stopped ...'A page-turner painted with soaring prose' Gregg Hurwitz'Relevant, smart and action-packed' Christopher Brookmyre

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A superlative account of how theatre is made, in the words of the very people who make it. In Talking Theatre, Richard Eyre uses his unrivalled access to leading theatre people to allow us to eavesdrop on the stories behind many of the most important productions and performances in the theatre of recent times: John Gielgud • Peter Brook • Margaret 'Percy' Harris • Peter Hall • Ian McKellen • Judi Dench • Trevor Nunn • Vanessa Redgrave • Fiona Shaw • Liam Neeson • Stephen Rea • Stephen Sondheim • Arthur Laurents • Arthur Miller • August Wilson • Jason Robards • Kim Hunter • Tony Kushner • Luise Rainer • Alan Bennett • Harold Pinter • Tom Stoppard • David Hare • Jocelyn Herbert • William Gaskill • Arnold Wesker • Peter Gill • Christopher Hampton • Peter Shaffer • Frith Banbury • Alan Ayckbourn • John Bury • Victor Spinetti • John McGrath • Cameron Mackintosh • Patrick Marber • Steven Berkoff • Deborah Warner • Willem Dafoe • Simon McBurney • Robert Lepage • John Johnston (Britain's last Theatre Censor) 'A rich, stimulating treasure trove. Eyre's interviews exactly hit the spot: in revealing themselves, his subjects also give the reader a panoramic view of modern theatre' Michael Billington

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Most of the high-profile cases of real or perceived unethical activity in data science aren’t matters of bad intent. Rather, they occur because the ethics simply aren’t thought through well enough. Being ethical takes constant diligence, and in many situations identifying the right choice can be difficult. In this in-depth book, contributors from top companies in technology, finance, and other industries share experiences and lessons learned from collecting, managing, and analyzing data ethically. Data science professionals, managers, and tech leaders will gain a better understanding of ethics through powerful, real-world best practices. Articles include: Ethics Is Not a Binary Concept—Tim Wilson How to Approach Ethical Transparency—Rado Kotorov Unbiased ≠ Fair—Doug Hague Rules and Rationality—Christof Wolf Brenner The Truth About AI Bias—Cassie Kozyrkov Cautionary Ethics Tales—Sherrill Hayes Fairness in the Age of Algorithms—Anna Jacobson The Ethical Data Storyteller—Brent Dykes Introducing Ethicize™, the Fully AI-Driven Cloud-Based Ethics Solution!—Brian O’Neill Be Careful with "Decisions of the Heart"—Hugh Watson Understanding Passive Versus Proactive Ethics—Bill Schmarzo

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In recent years, the publication of best-selling books by Richard Dawkins, Daniel Dennett, Sam Harris and Christopher Hitchens has given rise to the New Atheism. For the New Atheists, belief in God is a delusion because it is based on faith rather than evidence, and because science has removed the need for God; and it is a dangerous delusion because it is responsible for much of the suffering throughout the world. These characteristics distinguish New Atheism from other forms of atheism. Drawing on recent work in the philosophy of religion, David Glass addresses the issues raised by the New Atheists, responds to their objections, and presents a positive case for Christian theism. He shows that the New Atheists fail to engage seriously with the best theistic arguments, and that science, far from undermining belief in God, provides some of the best reasons for such belief. His valuable analysis also explores how faith and reason interact; miracles; the relationship between religion, morality and evil; the possibility of revelation from God; and the historical value of the Gospels and the reality of the resurrection of Jesus.

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In 1945, Sukarno declared that the new Indonesian republic would be grounded on monotheism, while also insisting that the new nation would protect diverse religious practice. The essays in Religious Pluralism in Indonesia explore how the state, civil society groups, and individual Indonesians have experienced the attempted integration of minority and majority religious practices and faiths across the archipelagic state over the more than half century since Pancasila. The chapters in Religious Pluralism in Indonesia offer analyses of contemporary phenomena and events; the changing legal and social status of certain minority groups; inter-faith relations; and the role of Islam in Indonesia's foreign policy. Amidst infringements of human rights, officially recognized minorities—Protestants, Catholics, Hindus, Buddhists and Confucians—have had occasional success advocating for their rights through the Pancasila framework. Others, from Ahmadi and Shi'i groups to atheists and followers of new religious groups, have been left without safeguards, demonstrating the weakness of Indonesia's institutionalized "pluralism." Contributors: Lorraine Aragon, Christopher Duncan, Kikue Hamayotsu, Robert Hefner, James Hoesterey, Sidney Jones, Mona Lohanda, Michele Picard, Evi Sutrisno, Silvia Vignato

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From electronic ankle monitors and predictive-policing algorithms to workplace surveillance systems, technologies originally developed for policing and prisons have rapidly expanded into nonjuridical domains, including hospitals, schools, banking, social services, shopping malls, and digital life. Rooted in the logics of racial disparity and subjugation, these purportedly unbiased technologies not only extend prison spaces into the public sphere but also deepen racial hierarchies and engender new systems for social control. The contributors to Captivating Technology examine how carceral technologies are being deployed to classify and coerce specific populations and whether these innovations can be resisted and reimagined for more liberatory ends. Moving from traditional sites of imprisonment to the arenas of everyday life being reshaped by carceral technoscience, this volume culminates in a sustained focus on justice-oriented approaches to science and technology that blends historical, speculative, and biographical methods to envision new futures made possible. Contributors. Ruha Benjamin, Troy Duster, Ron Eglash, Nettrice Gaskins, Anthony Ryan Hatch, Andrea Miller, Alondra Nelson, Tamara K. Nopper, Christopher Perreira, Winifred R. Poster, Dorothy E. Roberts, Lorna Roth, Britt Rusert, R. Joshua Scannell, Mitali Thakor, Madison Van Oort

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The first decade of the twenty-first century saw a number of best-selling books which not only challenged the existence of god, but claimed that religious faith was dangerous and immoral. The New Atheists, as writers such as Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett have become known, sparked a vicious debate over religion's place in modern society. In After the New Atheist Debate, Phil Ryan offers both an elegant summary of this controversy and a path out of the cul-de-sac that this argument has become. Drawing on the social sciences, philosophy, and theology, Ryan examines the claims of the New Atheists and of their various religious and secular opponents and finds both sides wanting. Rather than the mutual demonization that marks the New Atheist debate, Ryan argues that modern society needs respectful ethical dialogue in which citizens present their points of view and seek to understand the positions of others. Lucidly written and clearly argued, After the New Atheist Debate is a book that brings welcome clarity and a solid path to the often contentious conversation about religion in the public sphere.

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Economists make confident assertions in op-ed columns and on cable news—so why are their explanations often at odds with equally confident assertions from other economists? And why are all economic predictions so rarely borne out? Harnessing his frustration with these contradictions, Jonathan Schlefer set out to investigate how economists arrive at their opinions.“A lucid, plain-spoken account of the major economic models, which [Schlefer] introduces in chronological order, creating a kind of intellectual history of macroeconomics. He explains what the models assume, what they actually demonstrate—and where they fall short.”—Binyamin Applebaum, New York Times blog“Fascinating...[Schlefer’s] book is a tough critique of economics, but a deeply informed and sympathetic one.”—Justin Fox, Harvard Business Review blog“This book is an impressive and informative analysis of the economics literature—and it presents some useful insights about how a more eclectic, catholic approach might allow economics to progress more convincingly into the future.”—Michelle Baddeley, Times Higher Education“The Assumptions Economists make [is] a knowledgeable...broadside against neoclassical economics...Schlefer’s gripes concern model-building run amok...His criticisms of these models are original and sophisticated.”—Christopher Caldwell, Literary Review

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Sometimes overshadowed by his friend and contemporary, Samuel Pepys, Evelyn is the other great English diarist. He was a scholar, a scientific amateur, a garden designer and architect, and a founder member of the Royal Society who published a magisterial book about trees, Sylva, and many pamphlets on assorted subjects.His great interest as a diarist is that he was privy to all the great men and events of his very long life, from the execution of Charles I to the accession of Queen Anne, whereas Pepys writes of a relatively short period. A personal friend of Charles II, he observed at close quarters- and with some disapproval- that monarch's amorous life, and the diaries contain vivid portraits of Nell Gwynn, other royal mistresses and their children. The personalities of James II, the Dukes of Monmouth and Marlborough, and Judge Jeffreys, also figure largely. But this is more than a social record. As a valued administrator, Evelyn was also involved with many serious projects, such as combating the Plague, and rebuilding London after the Great Fire - an enterprise which brought him close to Christopher Wren.In all, a vivid portrait of the social, personal and political life of a society in ferment by one of its major players.

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It is a common misconception that it is difficult or impossible to discuss music, that a piece of music simply speaks to the listener-or not. Paul Steenhuisen, in conversation with composers, offers readers insight into the creative process, and ways of listening and entering into works of new music. Steenhuisen, himself a composer of merit, talks one on one with thirty-two of his contemporaries-twenty-six of whom are Canadian-with a colleague's candour, sympathy, and expertise. These rare intimations afford fellow composers, musicologists, students, and inquisitive listeners a comparative look into the lives of the people who write some of the most innovative, challenging, and sublime music today. Composers Interviewed: R. Murray Schafer; Robert Normandeau; Chris Paul Harman; Linda Catlin Smith; Alexina Louie; Omar Daniel; Michael Finnissy; John Weinzweig; Udo Kasemets; Pierre Boulez; Barbara Croall; James Rolfe; John Beckwith; Yannick Plamondon and Marc Couroux; George Crumb; Peter Hatch; John Oswald; Francis Dhomont; Martin Arnold; Helmut Lachenmann; Juliet Palmer; Christian Wolff; Mauricio Kagel; John Rea; Gary Kulesha; Howard Bashaw; Christopher Butterfield; Keith Hamel; Jean Piché; James Harley; Hildegard Westerkamp;

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This book brings together seventeen important new papers published by Anna Muthesius since 1995. Many of the articles, plates and specially prepared figures are available only in this book. The volume acts as an essential companion to Dr Muthesius' earlier book in this series, Studies in Byzantine and Islamic Silk Weaving. The present book includes a group of seven papers (Studies II-VI, X, and XIV) originally entitled 'Silk in Byzantium'. These were prepared in the first instance for a seminar held in 1997 in Nicosia at the University of Cyprus. They offer an overall survey of Byzantine sericulture, silk manufacture, design, use and distribution. Study I has been added as an introduction to the Cyprus series, and to the book as a whole. Silk in an ecclesiastical context (the relationship between Imperial and monastic piety, ritual and Christological debate) forms the focus for a further five papers (Studies VIII-IX and XI-XIII). Study VIII acts to introduce a new subject, the theme of Byzantine Seafaring silks. The final three articles (Studies XV-XVII) explore the immense impact of Byzantine silks abroad between the fifth and fifteenth centuries, in regions as far apart as the British Isles and Central Asia.

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When Hammer Films broke box office records in 1957 with `The Curse of Frankenstein’, the company not only resurrected the gothic horror film, but also created a particularly British-flavoured form of horror that swept the world. `The British Horror Film from the Silent to the Multiplex’ is your guide to the films, actors, and filmmakers who have thrilled and terrified generations of movie fans. In just one book, you will find the literary and cinematic roots of the genre to the British films made by film legends such as Bela Lugosi and Boris Karloff, Hammer’s accomplishments starring Christopher Lee and Peter Cushing, and the post-Hammer horrors such as Peter Walker’s `Frightmare’ and huge British-made successes such as `Alien’ and the zombie craze of the twenty-first century. Featuring the history, the films, the stars, the directors, and the studios in one fascinating, fun, and fact-filled volume, whether you are an absolute beginner or a seasoned gore-hound, this volume covers everything you ever wanted to know about the British horror movie, but were too bone-chillingly afraid to ask.

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Piano Mix is packed full of brilliant music that has been specially arranged for easy piano. It's a whirlwind of styles and genres from centuries gone by through to the present day. The repertoire reflects the type of music found in our Piano syllabuses. In Piano Mix 1 the pieces are mostly at Grade 1 standard, helping pianists progress to Grade 2 towards the end of the book. The series has been compiled and edited by David Blackwell with arrangements by Alan Bullard, Nikki Iles, Christopher Norton and Tim Richards to name a few. Every arrangement is enjoyable to play because it fits well under the pianist's hands while remaining faithful to the original work. Well-known music includes Handel's 'Fireworks Minuet' and opera classics from Bizet and Verdi. There are also lots of unsung melodies to be discovered, like Harry J. Lincoln's 'Bees-Wax Rag' and a traditional Swiss piece called 'In the Alps'. From the orchestra to the opera and from folk to jazz, there's a world of music at your fingertips! Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

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Piano Mix is packed full of brilliant music that has been specially arranged for easy piano. It's a whirlwind of styles and genres from centuries gone by through to the present day. The repertoire reflects the type of music found in our Piano syllabuses. In Piano Mix 3 the pieces are mostly at Grade 3 standard, helping pianists progress to Grade 4 towards the end of the book. The series has been compiled and edited by David Blackwell with arrangements by Alan Bullard, Nikki Iles, Christopher Norton and Tim Richards to name a few. Every arrangement is enjoyable to play because it fits well under the pianist's hands while remaining faithful to the original work. Well-known music includes The Lark Ascending by Vaughan Williams and 'Consider yourself' from Oliver! There are also lots of unsung melodies to be discovered, like 'Clog Dance' from La fille mal gardée and a traditional Serbian folk tune Djurdjevka. From the orchestra to the opera and from folk to jazz, there's a world of music at your fingertips! Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

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Take as long as you need, they said. Enjoy Oxford. Get better. But it didn’t turn out that way… Recovering from a near-fatal shooting, British diplomat Adam White is sent on a sabbatical to Oxford University. He soon becomes embroiled in the murder of an Oxford colleague. There is no shortage of suspects: the victim was widely disliked and feared. Among those affected are Sir Julian de Crespigny, director of the diplomacy programme, Catriona MacKay, the programme administrator, and Dame Gillian King, master of St Christopher’s College. MI6 are also involved, through the shadowy figure of John Smith, tasked with recruiting spies at Oxford. Impatient with the speed of police investigations, Adam sets out to solve the murder himself, his characteristically incautious approach putting him rapidly in jeopardy. In the past, against the odds, he has escaped death three times. Has his luck finally run out? Meanwhile, Adam’s partner, Alison, becomes emotionally involved with a colleague in New York, not suspecting that she too will be drawn into danger as the fates of the various characters converge. The story concludes with a denouement both violent and shocking. As readers of Alan Hunt’s previous books have come to expect, nothing is quite as it seems…

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Ivor Novello (born David Ivor Davies) was a Welsh composer, singer and actor who became one of the most popular British entertainers of the early 20th century. He first became well known through the song Keep the Home Fires Burning which he composed during World War I. After the war, he began a film career, and also appeared on stage in the West End, in musical shows of his own devising, most notably The Dancing Years. Novello starred in two early Hitchcock films before heading to Hollywood and appeared in some successful films. He died in 1951, at a fairly young age of 58. Novello wrote his musical shows in the style of operetta, and was one of the last major composers in this form. He generally composed his music to the librettos of Christopher Hassall. The Ivor Novello Awards for songwriting, are awarded each year by the record industry to songwriters and arrangers as well as the performing artistes. **ABRSM selected pieces (Singing from 2009): We’ll gather lilacs: from Perchance to Dream (Novello) Waltz of my heart: from The Dancing Years (Novello & Hassall) **Trinity College London selected piece (Singing 2010-2012): We’ll gather lilacs: from Perchance to Dream (Novello)

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Shortlisted for the Baileys Women's Prize for Fiction'Extraordinarily affecting' Alex Preston, Observer'This is a novel whose engine is flesh and blood, not cold ideas . . . Grant brings the 1950s - that odd, downbeat, fertile decade between war and sexual liberation - into sharp, bright, heartbreaking focus' - Christobel Kent GuardianAll over Britain life is beginning again now the war is over but for Lenny and Miriam, East End London teenage twins who have been living on the edge of the law, life is suspended - they've contacted tuberculosis. It's away to the sanatorium - newly opened by the NHS - in deepest Kent for them where they will meet a very different world: among other patients, an aristocract, a young university grad, a mysterious German woman and an American merchant seaman with big ideas about love and rebellion. They are not the only ones whose lives will be changed forever. 'Grant is so good at conjuring up atmosphere and writes with earthy vivacity'- Anthony Gardner Mail on Sunday'Read this fine, persuasive, moving novel and contemplate' John Sutherland, The Times

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Although in recent years scholars have explored the cultural construction of masculinity, they have largely ignored the ways in which masculinity intersects with other categories of identity, particularly those of race and ethnicity. The essays in Race and the Subject of Masculinities address this concern and focus on the social construction of masculinity—black, white, ethnic, gay, and straight—in terms of the often complex and dynamic relationships among these inseparable categories.Discussing a wide range of subjects including the inherent homoeroticism of martial-arts cinema, the relationship between working-class ideologies and Elvis impersonators, the emergence of a gay, black masculine aesthetic in the works of James Van der Zee and Robert Mapplethorpe, and the comedy of Richard Pryor, Race and the Subject of Masculinities provides a variety of opportunities for thinking about how race, sexuality, and "manhood" are reinforced and reconstituted in today’s society. Editors Harry Stecopoulos and Michael Uebel have gathered together essays that make clear how the formation of masculine identity is never as obvious as it might seem to be. Examining personas as varied as Eddie Murphy, Bruce Lee, Tarzan, Malcolm X, and Andre Gidé, these essays draw on feminist critique and queer theory to demonstrate how cross-identification through performance and spectatorship among men of different races and cultural backgrounds has served to redefine masculinity in contemporary culture. By taking seriously the role of race in the making of men, Race and the Subject of Masculinities offers an important challenge to the new studies of masculinity.Contributors. Herman Beavers, Jonathan Dollimore, Richard Dyer, Robin D. G. Kelly, Christopher Looby, Leerom Medovoi, Eric Lott, Deborah E. McDowell, José E. Muñoz, Harry Stecopoulos, Yvonne Tasker, Michael Uebel, Gayle Wald, Robyn Wiegman

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A dynamic social history of shadow capitalism spanning the late nineteenth and twentieth centuries Observers see free markets, the relentless pursuit of profit, and the unremitting drive to commodify everything as capitalism's defining characteristics. These most visible economic features, however, obscure a range of other less evident, often unmeasured activities that occur on the margins and in the concealed corners of the formal economy. The range of practices in this large and diverse hidden realm encompasses traders in recycled materials and the architects of junk bonds and shadow banking. It includes the black and semi-licit markets that allow wealthy elites to avoid taxes and the unmeasured domestic and emotional labor of homemakers and home care workers. By some estimates, the unmeasured economic activity that occurs within the household, informal market, and underground economy amounts to a substantial portion of all economic activity in the world, as much as 30 percent in some countries. Capitalism's Hidden Worlds sheds new light on this shadowy economic landscape by reexamining how we think about the market. In particular, it scrutinizes the missed connections between the official, visible realm of exchange and the uncounted and invisible sectors that border it. While some hidden markets emerged in opposition to the formal economy, much of the obscured economy described in this volume operates as the other side of the legitimate, state-sanctioned marketplace. A variety of historical actors—from fortune tellers and forgers to tax lawyers and black market consumers—have constructed this unseen world in tandem with the observable public world of transactions. Others, such as feminist development economists and government regulators, have worked to bring the darkened corners of the economy to light. The essays in Capitalism's Hidden Worlds explore how the capitalist marketplace sustains itself, how it acquires legitimacy and even prestige, and how the marginalized and the dispossessed find ways to make ends meet. Contributors: Bruce Baker, Eileen Boris, Eli Cook, Hannah Frydman, James Hollis, Owen Hyman, Anna Kushkova, Christopher McKenna, Kenneth Mouré, Philip Scranton, Bryan Turo.

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The letter is a powerfully evocative form that has gained in resonance as the habits of personal letter writing have declined in a digital age. But faith in the letter as evidence of the intimate thoughts of individuals underplays the sophisticated ways letters functioned in the past. In Cultures of Correspondence in Early Modern Britain leading scholars approach the letter from a variety of disciplinary perspectives to uncover the habits, forms, and secrets of letter writing. Where material features of the letter have often been ignored by past generations fixated on the text alone, contributors to this volume examine how such elements as handwriting, seals, ink, and the arrangement of words on the manuscript page were significant carriers of meaning alongside epistolary rhetorics. The chapters here also explore the travels of the letter, uncovering the many means through which correspondence reached a reader and the ways in which the delivery of letters preoccupied contemporaries. At the same time, they reveal how other practices, such as the use of cipher and the designs of forgery, threatened to subvert the surveillance and reading of letters. The anxiety of early modern letter writers over the vulnerability of correspondence is testament to the deep dependence of the culture on the letter. Beyond the letter as a material object, Cultures of Correspondence sheds light on textual habits. Individual chapters study the language of letter writers to reveal that what appears to be a personal and unvarnished expression of the writer's thought is in fact a deliberate, skillful exercise in managing the conventions and expectations of the form. If letters were a prominent and ingrained part of the cultural life of the early modern period, they also enjoyed textual and archival afterlives whose stories are rarely told. Too often studied only in the case of figures already celebrated for their historical or literary significance, the letter in Cultures of Correspondence emerges as the most vital and wide-ranging material, textual form of the early modern period. Contributors: Nadine Akkerman, Mark Brayshay, Christopher Burlinson, James Daybell, Jonathan Gibson, Andrew Gordon, Arnold Hunt, Lynne Magnusson, Michelle O'Callaghan, Alan Stewart, Andrew Zurcher.

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This book is the visual resource for anyone looking for garden inspiration, showcasing image after aspirational image of garden designs and solutions.This fully updated and revised edition contains more than 800 full-color images by leading garden photographer Andrea Jones. Organized into a variety of topics and themes that address frequently encountered garden design questions and challenges, this expanded edition now covers thirty-two trending garden design topics, such as Containerism, Dutch Wave, Extreme Naturalism, New Nordic, Tropical Chic, Vertical and Roof Gardens, and Xeriscaping.With thousands of possible design solutions and inspirations for any type of garden, this book covers gardens from all over the world and features projects by leading designers, including Christopher Bradley-Hole, Rick Darke, Topher Delaney, Bunny Guinness, Sean Hogan, James van Sweden, and Piet Oudolf, among others. Detailed photos capture the essence of both never-before-seen private gardens, as well as much heralded public spaces such as New York's High Line and groundbreaking exhibitions at the Chelsea Flower Show--all sources of new ideas easily adapted for the home garden.

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Scholars from the humanities and social sciences analyze representations of Latinidad in a diversity of genres Latinos have become the largest ethnic minority group in the United States. While the presence of Latinos and Latinas in mainstream news and in popular culture in the United States buttresses the much-heralded Latin Explosion, the images themselves are often contradictory. In Latino/a Popular Culture, Habell-Pallán and Romero have brought together scholars from the humanities and social sciences to analyze representations of Latinidad in a diversity of genres—media, culture, music, film, theatre, art, and sports—that are emerging across the nation in relation to Chicanas, Chicanos, mestizos, Puerto Ricans, Caribbeans, Central Americans and South Americans, and Latinos in Canada. Contributors include Adrian Burgos, Jr., Luz Calvo, Arlene Dávila, Melissa A. Fitch, Michelle Habell-Pallán, Tanya Katerí Hernández, Josh Kun, Frances Negron-Muntaner, William A. Nericcio, Raquel Z. Rivera, Ana Patricia Rodríguez, Gregory Rodriguez, Mary Romero, Alberto Sandoval-Sánchez, Christopher A. Shinn, Deborah R. Vargas, and Juan Velasco. Cover artwork "Layering the Decades" by Diane Gamboa, 2002, mixed media on paper, 11 X 8.5". Copyright 2001, Diane Gamboa. Printed with permission.

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The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world’s great poets. The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive American Dante tradition? Why—and how—do we read Dante in today’s global, postmodern culture? From John Ahern on the first copies of the Commedia to Peter Hawkins and Rachel Jacoff on Dante after modernism, the essays shed brilliant new light on Dante’s texts, his world, and what we make of his legacy. The contributors: John Ahern, H. Wayne Storey, Guglielmo Gorni, Teodolinda Barolini, Gary P. Cestaro, Lino Pertile, F. Regina Psaki, Steven Botterill, Giuseppe Mazzotta, Alison Cornish, Robert M. Durling, Manuele Gragnolati, Giuliana Carugati, Susan Noakes, Zygmunt Baranski, Christopher Kleinhenz, Ronald L. Martinez, Ronald Herzman, Amilcare Iannucci, Albert Russell Ascoli, Michelangelo Picone, Jessica Levenstein, David Wallace, Piero Boitani, Peter Hawkins, and Rachel Jacoff.

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An independent bookshop in Glasgow. An ice cream parlour in Havana, where strawberry is the queerest choice. A cathedral in ruins in Managua, occupied by the underground LGBTQIA+ community. Queer people have always found ways to exist and be together, and there will always be a need for queer spaces. In this lavishly illustrated volume, Adam Nathaniel Furman and Joshua Mardell have gathered together a community of contributors to share stories of spaces that range from the educational to the institutional to the re-appropriated, and many more besides. With historic, contemporary and speculative examples from around the world, Queer Spaces recognises LGBTQIA+ life past and present as strong, vibrant, vigorous, and worthy of its own place in history. Looking forward, it suggests visions of what form these spaces may take in the future to continue uplifting queer lives. Featured spaces include: Black Lesbian and Gay Centre, London Category Is Books, Glasgow Christopher Street, New York Coppelia, Havana New Sazae, Tokyo ONE Institute for Homophile Studies, Los Angeles Pop-Up spaces, Dhaka Queer House Party, Online Santiago Apóstol Cathedral, Managua Trans Memory Archive, Buenos Aires Victorian Pride Centre, Melbourne

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Derek Jarman’s Sketchbooks – Deluxe Edition. Edited by Stephen Farthing and Ed Webb-Ingall. With a preface by Tilda Swinton. Featuring contributions from Keith Collins, Christopher Hobbs, Andrew Logan, James Mackay, Jon Savage, Howard Sooley, Neil Tennant and Toyah Willcox. DELUXE SLIPCASED EDITION. INCLUDES THREE PRINTS. Containing poetry, drawings, pressed flowers, photographs, excerpts from scripts and notes, Derek Jarman’s sketchbooks are part autobiography and part social history, bursting with the energy and creativity of this groundbreaking artist. This publication collates the best of Jarman’s sketchbooks to reveal the detailed planning and emotional engagement behind each of his films in more depth than ever before. This deluxe edition is limited to 500 copies, each presented in a cloth-covered slipcase. Each numbered copy is accompanied by three prints reproduced from the sketchbooks, housed in an envelope tipped into the book. The book, which is covered in real blue cloth with gold foil blocking on the spine and in a debossed recess on the frontboard, is c.15% larger than the standard edition. 196 illustrations, 187 in colour, 31.0 x 24.0cm, 256pp, ISBN 978 0 500 517185 . £150.00 slipcased hardback + 3 prints

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Born in 1451 in the seafaring nation of Genoa in northern Italy, Christopher Columbus grew up watching ships sail into the harbor loaded with riches from Egypt, Spain, England, and Belgium. Columbus was convinced that he could gain gold, silk, ivory, and much personal wealth for himself if he were to sail west from Europe to the East and trade with China and India. When Queen Isabella of Castile and King Ferdinand of Aragon finally provided him with three ships, a crew, and supplies for his journey, Columbus embarked on the first of four voyages to the East in 1492. Although he never reached Asia, he did land in Central and South America, establishing a firm foothold in America and opening up wider European exploration to the new continent and other foreign lands. Demi portrays Columbus as a great navigator and explorer, but she also provides a balanced view of his accomplishments, describing his enslavement of the native Taino Indians of Central America and his mismanagement of the colonies that he established in the Indies. Using Chinese paintbrushes and inks, gold overlays, and Italian marbled paper from Florence, Italy, she paints Columbus’s vast world with characteristic skill and beauty.

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Few composers even begin to approach Beethoven's pervasive presence in modern Western culture, from the concert hall to the comic strip. Edited by a cultural historian and a music theorist, Beethoven and His World gathers eminent scholars from several disciplines who collectively speak to the range of Beethoven's importance and of our perennial fascination with him. The contributors address Beethoven's musical works and their cultural contexts. Reinhold Brinkmann explores the post-revolutionary context of Beethoven's "Eroica" Symphony, while Lewis Lockwood establishes a typology of heroism in works like Fidelio. Elaine Sisman, Nicholas Marston, and Glenn Stanley discuss issues of temporality, memory, and voice in works at the threshold of Beethoven's late style, such as An die Ferne Geliebte, the Cello Sonata op. 102, no. 1, and the somewhat later Piano Sonata op. 109. Peering behind the scenes into Beethoven's workshop, Tilman Skowroneck explains how the young Beethoven chose his pianos, and William Kinderman shows Beethoven in the process of sketching and revising his compositions. The volume concludes with four essays engaging the broader question of reception of Beethoven's impact on his world and ours. Christopher Gibbs' study of Beethoven's funeral and its aftermath features documentary material appearing in English for the first time; art historian Alessandra Comini offers an illustrated discussion of Beethoven's ubiquitous and iconic frown; Sanna Pederson takes up the theme of masculinity in critical representations of Beethoven; and Leon Botstein examines the aesthetics and politics of hearing extramusical narratives and plots in Beethoven's music. Bringing together varied and fresh approaches to the West's most celebrated composer, this collection of essays provides music lovers with an enriched understanding of Beethoven--as man, musician, and phenomenon.

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From the start of the rebellion to its brutal conclusion, Arlen has haunted for Roj Blake. Cally fights beside her. Jenna Stannis works for her. Space Commander Travis is her mentor. As she plays each side off against the other, how will Arlen decide who are allies and who are enemies? 1. Saurian Major by Lizbeth Myles. Saurian Major is a key Federation communications hub. Federation Office Arlen undertakes an undercover mission to destroy the rebel factions that threaten it. The last person she expects to find is an Auron outcast among the humans. Will the mysterious Cally disrupt her plan? 2. No Name by Simon Guerrier. Everyone on Vanstone is hiding something. That's why they are there. Hiding from her own past, Arlen wonders what has brought Roj Blake to this remote outpost. Has Arlen uncovered a buried secret? And what does Space Commander Travis want on Vanstone? 3. Sedition by Jonathan Morris. Jenna Stannis knows that smuggling guns will help free Solta-Minor from the Federation. And she suspects that's not the only reason why Arlen wants her help. But Jenna doesn't know who else is on the planet. How can Travis have survived Star One? CAST: Sally Knyvette (Jenna Stannis), Jan Chappell (Cally), Brian Croucher (Travis), Stephen Greif (Travis), Sasha Mitchell (Arlen), Victoria Alcock (Mac), Christopher Brand (Haban), Lauren Fitzpatrick (Faro), Jacqueline King (Kovic), Samuel Lawrence (Tomal), Nigel Lindsay (Stor/Lux), Paul Panting (Cary / Velkrov).

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When Raymond E. Brown died in 1998, less than a year after the publication of his masterpiece, An Introduction to the New Testament, he left behind a nearly completed revision of his acclaimed two-volume commentary on the Gospel of John. The manuscript, skillfully edited by Francis J. Moloney, displays the rare combination of meticulous scholarship and clear, engaging writing that made Father Brown’s books consistently outsell other works of biblical scholarship. An Introduction to the Gospel of John represents the culmination of Brown’s long and intense examination of part of the New Testament. One of the most important aspects of this new book, particularly to the scholarly community, is how it differs from the original commentary in several important ways. It presents, for example, a new perspective on the historical development of the Gospels, and shows how Brown decided to open his work to literary readings of the text, rather than relying primarily on the historical, which informed the original volumes. In addition, there is an entire section devoted to Christology, absent in the original, as well as a magisterial new section on the representation of Jews in the Gospel of John.

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This reader shows why Edward Schillebeeckx remains one of the most influential Catholic theologians of the 20th century. Spanning more than half a century and including several texts that appear in English for the first time, it enables students to understand how Edward Schillebeeckx’s thought resonates with current debates in theology, for instance on ecology and secularization. T&T Clark Reader in Edward Schillebeeckx includes selections from both pre- and post-Conciliar texts that illustrate the evolution in Schillebeeckx’s thought, while also pointing towards the deep underlying continuity which comes from his essential commitment to his faith. His Christological Trilogy, which was a touchstone for doctrinal controversy and methodological progress, is represented here, as well as important works on ministry, the sacraments, hermeneutics, secularization, and the environment. These complex theological topics are broken down in every chapter with the help of explanatory notes, discussion questions and further reading suggestions. This reader is an essential resource which will enable students to contextualize and unpack the rich layers within Schillebeeckx’s theology.

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