Search results for ""author christo"

Contributions by Christopher Baker, Cristina Borgioli, Louisa M. Connor Bulman, Antonella Capitanio, Marco Collareta, Peter Davidson, Francisco Freddolini, Cristiano Giometti, John Harris, Elisabeth Kieven, and Cinzia Maria Sicca This handsome book is the only full-length study of John Talman (1677–1726), first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th-century Britain. Prominent scholars discuss the history of Talman’s acquisitions, shedding light on the competitive nature, social practices, and aesthetic ideas of connoisseurship both in England and abroad. Talman’s collection, amassed in England, Florence, and Rome between the 1690s and 1719, focused on Italian medieval art, architecture, and textiles as well as Renaissance and Baroque architecture and sculpture. It reflected the tastes and preoccupations of artistic and intellectual élites in pre-enlightenment Europe. A vehicle for disseminating aesthetic and historical ideas, the collection became not only an extraordinary document of the state of ancient and modern Italian monuments but also a history of architecture and culture at large that provided visual evidence of buildings and rituals lost through time. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art

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This is the first volume concerned solely with the archaeology of a major late 17th-century building in London, and the major changes it has undergone. St Paul's Cathedral in the City of London was built in 1675–1711 to the designs of Sir Christopher Wren and has been described as an iconic building many times.In this major new account, John Schofield examines the cathedral from an archaeological perspective, reviewing its history from the early 18th to the early 21st century, as illustrated by recent archaeological recording, documentary research and engineering assessment. A detailed account of the construction of the cathedral is provided based on a comparison of the fabric with voluminous building accounts which have survived and evidence from recent archaeological investigation. The construction of the Wren building and its embellishments are followed by the main works of later surveyors such as Robert Mylne and Francis Penrose.The 20th century brought further changes and conservation projects, including restoration after the building was hit by two bombs in World War II, and all its windows blown out. The 1990s and first years of the present century have witnessed considerable refurbishment and cleaning involving archaeological and engineering works. Archaeological specialist reports and an engineering review of the stability and character of the building are provided.

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Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously.Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi

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The British have always been a nation of gardeners. Our gardening history began even before the Romans, who brought Mediterranean plants which still flourish across Britain. Gardening grew in the sixteenth century and a distinctively British style became a major export in the eighteenth century. Today, the annual Chelsea Flower Show is an international festival, and our garden designers are in demand all over the world. This book traces the history of British gardening over 450 years through the stories of twenty-six key figures, showing what drove them, and their role in the evolution of Britain’s gardens. Their work reveals changes in taste and society down the centuries. Familiar names are featured, such as ‘Capability’ Brown, Humphry Repton, Gertrude Jekyll, Vita Sackville-West and Christopher Lloyd, together with less generally known figures such as John Gerard, whose Herball of 1597 inspired generations of plantsmen, the Tradescants, pioneer plant hunters, and J. C. Loudon, nineteenth-century champion of smaller gardens. In the present day, we meet Beth Chatto, advocate of the right plant in the right place, and John Brookes, who did for gardening what Elizabeth David did for cooking. Their achievements provide a colourful history and inspiration to every gardening enthusiast.

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Relational Undercurrents accompanies an exhibition curated by Tatiana Flores for the Museum of Latin American Art in Long Beach, California, which forms part of the Getty Foundation's Pacific Standard Time: LA/LA. This initiative examines the artistic legacy of Latin America and U.S. Latinos through a series of exhibitions and related programs. This exhibition catalog and volume edited by Flores and Michelle Ann Stephens calls attention to the artistic production of the Caribbean islands and their diasporas, challenging the conventional geographic and conceptual boundaries of Latin America. The editors offer an "archipelagic model," which proposes a mapping of the Caribbean from the perspective of its islands as distinct from its continental coasts. The exhibition, organized around the four themes of Conceptual Mappings, Perpetual Horizons, Landscape Ecologies, and Representational Acts, highlights thematic continuities in the art of the insular Caribbean, placing Hispanophone artists in visual conversation with those from Anglophone, Francophone, Dutch, and Danish backgrounds. It includes over eighty artists, among them Tania Bruguera, Allora & Calzadilla, Christopher Cozier, Jorge Pineda, Edouard Duval-Carrié, and Ebony G. Patterson. In accompanying essays, curators, critics, and scholars discuss particular artistic traditions in Cuban, Puerto Rican, Dominican, and Haitian art and theorize the broader decolonial and archipelagic conceptual frameworks within which such works are produced. Relational Undercurrents will be on display that the Museum of Latin American Art from September 2017 through January 2018. Publication by the Museum of Latin American Art in collaboration with Fresco Books / SF Design, LLC. Distributed by Duke University Press.

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Entgegen verbreiteter Vorurteile können messianische Erwartungen zu frühjüdischer Zeit auf sehr unterschiedliche Weise auch übermenschliche Aspekte integrieren. Ruben A. Bühner unterzieht erstmals alle relevanten messianischen Texte der Hebräischen Bibel, der Septuaginta, aus Qumran und den alttestamentlichen Pseudepigraphen einer historisch-philologischen Analyse und diskutiert sie mit Fokus auf traditions- und rezeptionsgeschichtliche Perspektiven. Dabei entsteht ein eindrückliches Tableau an messianischen Gestalten, die Züge aufweisen, welche über das Bild eines bloßen Menschen hinausgehen und z.B. himmlische Zugehörigkeit, vor- oder überzeitliches Sein oder engelhafte Charakteristika umfassen.Damit erweitert der Autor unser Bild von der Pluriformität des Frühjudentums und bietet zugleich die Grundlage für wesentliche Neuzugänge in der Erforschung von Ursprung und Entwicklung neutestamentlicher Christologien.Diese Arbeit wurde mit dem Manfred Lautenschlaeger Award for Theological Promise 2021 ausgezeichnet.

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This is the second volume of a collection which includes all the significant remains of tragedies produced by the contemporaries and successors of the three classic Greek tragedians (Aeschylus, Sophocles and Euripides). Greek texts and sources are accompanied by English translations, related historical information, detailed explanatory notes and bibliographies. Volume Two includes more than a dozen poets of the fourth and early third centuries (Astydamas, Carcinus, Chaeremon, Theodectas, Moschion and others), the Alexandrian Pleiad, Ezechiel’s Exagôgê (a tragedy based on the biblical Exodus), and some anonymous material derived from ancient sources or rediscovered papyrus texts. Remnants of the satyr-plays of this period are included in a separate Aris & Phillips Classical Texts volume, Euripides Cyclops and Major Fragments of Greek Satyric Drama, edited by Patrick O’Sullivan and Christopher Collard (2013).

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Psychology of religion is essentially as old as psychology itself, with over a hundred years of history and claiming some of psychology's most notable characters as contributors, including William James, Sigmund Freud, Gordon Allport, and Jean Piaget. In recent years, this subfield of psychology has risen in prominence. Sectarian violence, secularization, the culture wars', and increase in cross-cultural and cross-religious contact through migration, urbanization, and globalization have all contributed to heightened interest in questions such as: where do religious beliefs come from? Why do they seem to motivate behaviour so powerfully? Is religious belief and practice good or bad for us? Does religious belief assist or hinder morality? Increasingly discussed by journalists and science-popularisers such as Richard Dawkins, Daniel Dennett, A.C. Grayling, Sam Harris, Christopher Hitchens, and Lewis Wolpert, these sorts of questions are psychological questions with psycho

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The Harlem Renaissance (1919-1934) is one of the most fascinating periods of American cultural history. When it was first released in 2004, Harlem Stomp! was the first trade book to bring this important period alive for young adults. Lavishly illustrated with a cover by Caldecott Honor winner Christopher Myers, with sepia tone photographs, reproductions of historical documents, and full-color paintings, this book features a powerful foreword written by award-winning poet Nikki Giovanni, as well as artwork, political rhetoric, poetry, and prose by prominent Harlem Renaissance artists, activists, and writers, such as Langston Hughes, Zora Neale Hurston, Sargent Johnson, and Marcus Garvey.Now, in time for Black History Month, we have repackaged this classic with a fresh new cover and accessible trim size so even more readers can experience this lively celebration of the Harlem Renaissance.

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The Mandalorian and The Child are on the run, and nowhere is safe!The Mandalorian, a solitary bounty hunter, is sent to secure the Child at the request of a ruthless Imperial Remnant, which is all that remains of the once all-powerful Galactic Empire. The journey to return his passenger to the client proves more dangerous than anyone could have ever imagined, but the Child demonstrates a mysterious power that changes everything about the Mandalorian’s mission. Based on the series created by Jon Favreau and written by Jon Favreau, Dave Filoni, Christopher Yost, and Rick Famuyiwa.

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Dieser Band lässt die Geschichte der auf Siegmund Heinrich Fuchs (S. H. Foulkes) zurückgehenden Gruppenanalyse in den deutschsprachigen Ländern nach dem Zweiten Weltkrieg anhand von 16 autobiografischen Berichten wesentlicher Protagonisten und Pionierinnen lebendig werden. In jedem der Texte wird der individuelle Weg zur Gruppenanalyse aus den familiären und lebensgeschichtlichen Erfahrungen in Ost- und Westdeutschland und der Schweiz abgeleitet und eindrucksvoll beschrieben. Alle Autorinnen und Autoren haben einen bedeutenden Anteil an der gesundheitspolitischen Institutionalisierung der gruppenanalytischen und gruppenpsychotherapeutischen Aus-, Fort- und Weiterbildung. Ohne sie gäbe es die heutigen Weiterbildungsstätten für Gruppenanalyse und psychodynamische Gruppenpsychotherapie nicht. Mit Beiträgen von: Rudolf Balmer (Basel), Michael Geyer (Erfurt), Michael Hayne (Bonn), Kurt Höhfeld (Berlin), Dietlind Köhncke (Frankfurt a. M.), Wulf-Volker Lindner (Hamburg), Hans-Joachim Maaz (Halle a. d. S.), Wilhelm Meyer (Berlin), Irene Misselwitz (Jena), Elisabeth Rohr (Marburg), Gerhard Rudnitzki (Heidelberg), Dieter Sandner (München), Wolfgang Schmidbaur (München), Regine Scholz (Düsseldorf), Christoph Seidler (Berlin), Helga Wildberger (Frankfurt a. M.).

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St.Cyril of Alexandria is best known for his role in the Christological disputes of the fifth century. In recent years, however, scholars have turned their attention to Cyril the exegete. Cyril wrote extensive commentaries on nearly every book of the Bible; in fact, two-thirds of his extant corpus is devoted to biblical interpretation. Yet, despite this strong interest in Cyril as theologian and biblical interpreter, his activity as the Patriarch of Alexandria remains obscure. Doctrinal treatises and biblical commentary reveal little of the daily pastoral duties that occupied Cyril during his years as leader of one of ancient Christianity's most important sees. This new translation of Cyril's ""Festal Letters"" will help fill these gaps. Twenty-nine in all, these letters cover all but three of Cyril's years as bishop. In Alexandria, festal letters functioned primarily as a vehicle for announcing the beginning of Lent and the proper date for the celebration of Easter. They also served an important catechetical purpose by providing the patriarch with an annual opportunity to present his flock with a pastoral version of the theological issues that found more formal and complex expression elsewhere. Thus, Cyril's ""Festal Letters"" offer the modern reader a glimpse into the issues that Cyril himself considered important enough to proclaim to the entire diocese and a sample of how he prepared these ideas for reception by a less sophisticated audience. These letters illuminate other aspects of the ancient church in Alexandria, including that church's complex relationship with the Jews and other religious groups, as well as the ways in which the ascetical movement wound its way into the patriarch's pastoral program. In short, Cyril of Alexandria's ""Festal Letters"" provides modern readers with a rare opportunity to enter the daily reality of the church in ancient Alexandria.

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Essays exploring Chaucer's identity as a London poet and the urban context for his writings. Literature of the city and the city in literature are topics of major contemporary interest. This volume enhances our understanding of Chaucer's iconic role as a London poet, defining the modern sense of London as a city in history, steeped in its medieval past. Building on recent work by historians on medieval London, as well as modern urban theory, the essays address the centrality of the city in Chaucer's work, and of Chaucer to a literature and a language of the city. Contributors explore the spatial extent of the city, imaginatively and geographically; the diverse and sometimes violent relationships between communities, and the use of language to identify and speak for communities; the worlds of commerce, the aristocracy, law, and public order. A final section considers the longer history and memory of the medieval city beyond the devastations of the Great Fire and into the Victorian period. Dr ARDIS BUTTERFIELD is Reader in English at University College London. Contributors: ARDIS BUTTERFIELD, MARION TURNER, RUTH EVANS, BARBARA NOLAN, CHRISTOPHER CANNON, DEREK PEARSALL, HELEN COOPER, C. DAVID BENSON, ELLIOTKENDALL, JOHN SCATTERGOOD, PAUL DAVIS, HELEN PHILLIPS

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This issue provides an overview of the emerging interdisciplinary field of Critical AI, which seeks to demystify artificial intelligence; counter its mythologizing as a marvelous and impenetrable black box; and translate, interpret, and critique its operations, from data collection and model architecture to decision making. Artists and researchers are developing new methods, practices, and concepts for this critical project, which is both historicist and attentive to the institutional, technological, and epistemic transformations still underway. Contributors to this special issue collectively articulate and evince just such a critical approach to AI, one that combines humanistic and technical inquiry in its exploration of disciplinary and epistemological questions on the one hand, and the techniques of machine learning on the other. Featured contributions articulate some of the social, cultural, and ethicopolitical dimensions of machine learning in domains such as ecologies, art, poetics, race, warfare, pedagogy, and speculative fiction. Contributors. Ranjodh Singh Dhaliwal, Evan Donahue, Michele Elam, Seb Franklin, Christopher Grobe, N. Katherine Hayles, Tung-Hui Hu, Patrick Jagoda, Melody Jue, Fabian Offert, Rita Raley, Jennifer Rhee, R. Joshua Scannell, J.D. Schnepf, Tyler Shoemaker, Avery Slater, Luke Stark, Lindsay Thomas, Sherryl Vint

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The contributors to Passages and Afterworlds explore death and its rituals across the Caribbean, drawing on ethnographic theories shaped by a deep understanding of the region's long history of violent encounters, exploitation, and cultural diversity. Examining the relationship between living bodies and the spirits of the dead, the contributors investigate the changes in cosmologies and rituals in the cultural sphere of death in relation to political developments, state violence, legislation, policing, and identity politics. Contributors address topics that range from the ever-evolving role of divinized spirits in Haiti and the contemporary mortuary practice of Indo-Trinidadians to funerary ceremonies in rural Jamaica and ancestor cults in Maroon culture in Suriname. Questions of alterity, difference, and hierarchy underlie these discussions of how racial, cultural, and class differences have been deployed in ritual practice and how such rituals have been governed in the colonial and postcolonial Caribbean. Contributors. Donald Cosentino, Maarit Forde, Yanique Hume, Paul Christopher Johnson, Aisha Khan, Keith E. McNeal, George Mentore, Richard Price, Karen Richman, Ineke (Wilhelmina) van Wetering, Bonno (H.U.E.) Thoden van Velzen

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A definitive monograph to accompany the first museum survey of the renowned photographer and conceptual artist Rosamond Purcell (b. 1942), known for her strangely beautiful, often unsettling photographs of objects from the natural and man-made world. With more than 150 illustrations, the book reflects the breadth of the artist s career from the late 1960s to the present day, and includes photographs, assemblages, collages, and installations that serve to illuminate and explore the shifting boundaries between art and science. From large-format Polaroid prints to objects rescued from obscurity, Purcell s empathetic, evocative, multifaceted work explores the interstices between the unsettling and the sublime, the beautiful and the bizarre, the natural and the manufactured. With thoughtful and insightful texts from an eclectic list of critical voices including the acclaimed documentary filmmaker Errol Morris and the writer Christopher Irmscher and featuring an interview between Purcell and fellow contemporary artist Mark Dion, this book rejuvenates the critical approach Purcell s work and brings to light the evolution of a remarkable career.

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In this fascinating anthology, one hundred men - distinguished in literature and film, science and architecture, theatre and human rights - confess to being moved to tears by poems that haunt them. Representing 20 nationalities and ranging in age from their early 20s to their late 80s, the majority are public figures not prone to crying. Here they admit to breaking down when ambushed by great art, often in words as powerful as the poems themselves. 75 per cent of the selected poems were written in the 20th century, with more than a dozen by women. Their themes range from love in its many guises, through mortality and loss, to the beauty and variety of nature. Three men have suffered the pain of losing a child; others are moved to tears by the exquisite way a poet captures, in Alexander Pope's famous phrase, 'what oft was thought, but ne'er so well express'd'. From J.J Abrams to John le Carré, Salman Rushdie to Jonathan Franzen, Daniel Radcliffe to Nick Cave, Ian McEwan to Stephen Fry, Stanley Tucci to Colin Firth, and Seamus Heaney to Christopher Hitchens, this collection delivers private insight into the souls of men whose writing, acting, and thinking are admired around the world.

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Prominent Dante scholars from the United States, Italy, and the United Kingdom contribute original essays to the first critical companion in English to Dante’s “other works.” Rather than speak of Dante’s “minor works,” according to a tradition of Dante scholarship going back at least to the eighteenth century, this volume puts forward the designation “other works” both in light of their enhanced status and as part of a general effort to reaffirm their value as autonomous works. Indeed, had Dante never written the Commedia, he would still be considered the most important writer of the late Middle Ages for the originality and inventiveness of the other works he wrote besides his monumental poem, including the Rime, the Fiore, the Detto d’amore, the Vita nova, the Epistles, the Convivio, the De vulgari eloquentia, the Monarchia, the Egloge, and the Questio de aqua et terra. Each contributor to this volume addresses one of the “other works” by presenting the principal interpretative trends and questions relating to the text, and by focusing on aspects of particular interest. Two essays on the relationship between the “other works” and the issues of philosophy and theology are included. Dante’s “Other Works” will interest Dantisti, medievalists, and literary scholars at every stage of their career. Contributors: Manuele Gragnolati, Christopher Kleinhenz, Zygmunt G. Barański, Claire E. Honess, Simon Gilson, Mirko Tavoni, Paola Nasti, Theodore J. Cachey, Jr., David G. Lummus, Luca Bianchi, and Vittorio Montemaggi.

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Your teen years are a time of change, growth, and-all too often-psychological struggle. To make matters worse, you are often own worst critic. The Self-Compassion Workbook for Teens offers valuable tools based in mindfulness and self-compassion to help you overcome self-judgment and self-criticism, cultivate compassion toward yourself and others, and embrace who you really are. As a teen, you're going through major changes-both physically and mentally. These changes can have a dramatic effect on how you perceive, understand, and interpret the world around you, leaving you feeling stressed and anxious. Additionally, you may also find yourself comparing yourself to others-whether its friends, classmates, or celebrities and models. And all of this comparison can leave you feeling like you just aren't enough. So, how can you move past feelings of stress and insecurity and start living the life you really want? Written by psychologist Karen Bluth and based on practices adapted from Kristin Neff and Christopher Germer'sMindful Self-Compassion program, this workbook offers fun and tactile exercises grounded in mindfulness and self-compassion to help you cope more effectively with the ongoing challenges of day-to-day life. You'll learn how to be present with difficult emotions, and respond to these emotions with greater kindness and self-care. By practicing these activities and meditations, you'll learn specific tools to help you navigate the emotional ups and downs of the teen years with greater ease.Life is imperfect-and so are we. But if you're ready to move past self-criticism and self-judgment and embrace your unique self, this compassionate guide will light the way.

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In engem exegetischen Anschluß an das Markusevangelium - ergänzt durch Bergpredigt, Vaterunser und Seligpreisungen (Mt) - erarbeitet Joachim Ringleben ein systematisch-theologisches Verständnis von Jesu Weg von der Taufe bis zur Passion. Dabei finden Jesu Sohnesbewußtsein, seine Reich-Gottes-Verkündigung, sein Verhältnis zum Alten Testament, die Heilungen, sein Gebet und seine Gleichnisse sowie seine Selbstverortung zwischen Schöpfung und Eschatologie (mit Ausblick auf die Auferstehung) besondere Berücksichtigung.Joachim Ringleben stellt drei systematische Hauptthesen auf und stellt deren Ergebnisse dar: Jesu sprachlich vermitteltes Selbstverständnis dient der Erschließung seines Gottesbewußtseins und führt zu einer radikalen Neufassung des überlieferten Gottesgedankens. In der Perspektive von Gott als dem 'Gott des Sohnes' wird Gottes Verhältnis zu diesem Menschen systematisch nachvollziehbar. Und schließlich lässt sich Jesu Gottesverhältnis theologisch als der Ort begreifen, an dem Gott sich selber hervorbringt und zu sich kommt. Damit eröffnet der Autor eine neue Anschlußmöglichkeit für die dogmatische Christologie.

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Alfred Hitchcock is not often associated with a social justice movement. But in 1956, the world’s most famous director focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a wrenching and largely overlooked drama based on the false arrest of Queens musician Christopher “Manny” Balestrero. Despite a detective’s assurance that the innocent have “nothing to fear,” Manny and his family faced ruin from false charges that he twice robbed an insurance office. Aspiring to documentary-like authenticity, Hitchcock and his team meticulously recreated one man’s odyssey through the corridors of justice. In so doing, they opened a window into New York’s history of mistaken identity cases. The Balestrero prosecution was not an isolated miscarriage of justice. Instead, Manny fell victim to the same rush to judgment and suggestive eyewitness identification procedures that had doomed innocent defendants in earlier cases.

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While on a visit to London, American genealogist Jefferson Tayte’s old friend and colleague dies in his arms. Before long, Tayte and a truth-seeking historian, Professor Jean Summer, find themselves following a corpse-ridden trail that takes them to the Royal Society of London, circa 1708. What to make of the story of five men of science, colleagues of Isaac Newton and Christopher Wren, who were mysteriously hanged for high treason? As they edge closer to the truth, Tayte and the professor find that death is once again in season. A new killer, bent on restoring what he sees as the true, royal bloodline, is on the loose...as is a Machiavellian heir-hunter who senses that the latest round of murder, kidnapping, and scandal represents an unmissable business opportunity. The Last Queen of England is a racing thriller with a heart-stopping conclusion. It is the third book in the Jefferson Tayte Genealogical Mystery series but can be enjoyed as a stand-alone story.

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Mary Reichert is one of the best sharpshooters in the country, and in the Brookstone Wild West Extravaganza her skills are on display in every performance. But unless the man responsible for her brother's death is brought to justice, Mary's fame and accomplishments seem hollow. She feels helpless in the face of the murderer's money, power, and connections. The only bright spot in her days is the handsome journalist who keeps attending their shows. Christopher Williams has been assigned to follow the Brookstone show on its 1901 tour of England and write a series of articles for his magazine. As he gets to know the cast he quickly finds himself irresistibly drawn to the show's sharpshooter. But getting close to someone would threaten to bring his past to light. How could he ever win Mary's heart if she knows the truth? Mary and Chris will both have to trust God if they are to heal from the wounds of the past and chart a new future together.

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William and Mary, Britain's most mysterious monarchs, were married for reasons of dynasticconvenience. Their union gradually developed into a happy and successful one, despiteWilliam's frequent absences on military campaign. They shared interests such as art andgardening, both of which they practised at their palace retreat, Het Loo. Despite the fact thatMary was heir presumptive to her father, the Duke of York, they might have expected toremain in the Netherlands for the rest of their lives. Midway through their marriage, their way of life changed substantially when Mary's father,now King James II, was rejected by his English and Scottish subjects because of his ferventCatholicism. William, a foreigner, was accepted as a replacement primarily because of hisBritish queen. The couple had Kensington Palace built, to a design by Sir Christopher Wren,and their renovations at Hampton Court Palace, also by Wren, gave the palace much of itspresent character. The monarchy was now fully ans

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''A sweeping tale of dark magic, artistic obsession, and a love unbound from the limits of time'' Paulette Kennedy A vanished star. A haunted film. A mystery only love can unravel . . .1968 Gemma Turner once dreamed of stardom, now she''s on the cusp of obscurity. When a radical new horror film offers her the leading role, her luck looks set to change. Until one dark night, Gemma disappears on set and is never seen again. But this is only the beginning... Gemma has been pulled into the film itself, where the script - and the horrors within it - are more real than she ever imagined, and she must play her role perfectly if she hopes to survive. 2007Gemma Turner''s disappearance is one of Hollywood''s greatest mysteries - one that''s captivated film student Christopher ever since he saw the infamous L''Étrange Lune for the first time. The film is screened just once a decade, and each time there is

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Tessa Templeton has thrived at Oxford University under the tutelage and praise of esteemed classics professor Christopher Eccles. And now, his support is the one thing she can rely on: her job search has yielded nothing, and her devotion to her work has just cost her her boyfriend, Ben. Yet shortly before her thesis defense, Tessa learns that Chris has sabotaged her career—and realizes their relationship is not at all what she believed. Driven by what he mistakes as love for Tessa, Chris has ensured that no other institution will offer her a position, keeping her at Oxford with him. His tactics grow more invasive as he determines to prove he has her best interests at heart. Meanwhile, Tessa scrambles to undo the damage—and in the process makes a startling discovery about an obscure second-century Latin poet that could launch her into academic stardom, finally freeing her from Chris’s influence. A contemporary reimagining of the Daphne and Apollo myth, The Latinist is a page-turning exploration of power, ambition, and the intertwining of love and obsession.

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The culture of early Anglo-Saxon England explored from an inter-disciplinary perspective. A stimulating contribution to the field of Anglo-Saxon studies. MEDIEVAL ARCHAEOLOGY A mind-stretching read. NOTES AND QUERIES The papers contained in this volume, by leading researchers in the field, cover a wide range of social, economic and ideological aspects of the culture of early Anglo-Saxon England, from an inter-disciplinary perspective. The status of `Anglo-Saxondom' and `Englishness' as cultural and ethnic categories are a recurrent focus of debate, while other topics include the reconstruction of settlement patterns; social and political structures; farming in medieval England; and the spiritual world of the Anglo-Saxons. As a whole, the contributionsoffer fascinating insights into key contemporary research questions and projects, and into the character and problems of interdisciplinary approaches. Dr JOHN HINES is Reader in the School of History and Archaeology atthe University of Wales, Cardiff. Contributors: WALTER POHL, IAN WOOD, DELLA HOOKE, DOMINIC POWLESLAND, HEINRICH HÄRKE, THOMAS CHARLES-EDWARDS, PATRIZIA LENDINARA, PETER FOWLER, CHRISTOPHER SCULL, JANE HAWKES, D.N. DUMVILLE, JOHN HINES, GIORGIO AUSENDA

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Don Bull's series of books on corkscrews has won world-wide acclaim, and this book offers even more about the wide range of figural corkscrews. Find corkscrews from an aviary, an aquarium, an armory, a museum, a tool shed, a zoo, and much more in over 900 splendid photographs in twenty chapters. Everything from airplane to zebras is detailed with value ranges. The "museum" alone offers the reader a fascinating visit to the world of corkscrew barrels, jugs, bells, bottles, faucets, insects, keys, pipes, and more. Corkscrew designs by Alessi, Colombo, Gemelli, Gladman, Pal-Bell, Syroco, and others showcase some fascinating pieces. Special corkscrews related to Christopher Columbus, Queen Elizabeth II, and New York City will intrigue the specialists. The final chapter, the Zoo, is filled with camels, elephants, giraffes, lions, tigers, and monkeys. Right Kincaid of the International Correspondence of Corkscrew Addicts previewed the book and wrote “I guarantee that once you open the cover, you will not stop until you have looked through the entire array of figural corkscrews.”

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'I can wholeheartedly confirm that Susie Donkin is funnier than Shakespeare' MEL GIEDROYC'Impeccably researched, contagiously enjoyable, highly recommended.' BRIAN COXImogen thinks she knows what Shakespeare's most famous plays are all about. Everyone does, right? Star-crossed lovers. Naughty Greeks getting up to mischief in the woods. Scottish kings losing their minds. Young men with daddy issues. Dads who just need some positive affirmation from their daughters*. (*Okay, that's maybe putting it a bit mildly) But when Imogen brings 14 amateur actors together to perform one of the Bard's great works in a bid to save their local community centre, it becomes apparent that she - or anyone who reads this book for that matter - will never see Shakespeare's greatest works in the same light again . . ."BAFTA-winning Horrible Histories writer Susie Donkin makes Shakespeare's greatest works even greater." Stan Lafski, Imogen's uncle "A very funny book. Would definitely not have been as funny if it was about Christopher Marlowe." Larry Fairfoul, troupe member

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An all-new cast of characters in a standalone thriller from the New York Times bestselling writer.Tom Sagan is staring down the barrel of a gun - literally. He has lost everything he ever loved: his job, his wife, his daughter, his reputation.And - what hurts most - he knows the story which ruined his career as a Pulitzer Prize-winning journalist was a set-up, a trap. But he can never prove it. They - whoever they are - have beaten him.And then his daughter calls him.But Alle doesn't want to forgive him. She wants information.Her postgraduate research into Christopher Columbus has put Alle in touch with Zachariah Simon, a supremely wealthy man with a powerful interest in both Columbus and Tom Sagan.What is the connection between the Sagan family and the man who ushered in a new age when he sailed for the Americas in 1492?To find out, Tom must embark on his own journey of discovery, and enter a world of danger and betrayal, of history and deadly conspiracy.What he finds could change the world forever.

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The volume relates the controversy concerning competing knowledge claims to truth. In a pluralist context, substantive claims can no longer be made by skirting epistemological issues. Rather, claims concerning content can only be adequately addressed once epistemological issues have been clarified. Truth must furthermore be related to the hermeneutical task of understanding another's position. Finally, truth must be related to the rules governing the path by which competing claims arrive at consensus. This volume contains interdisciplinary dialogues between philosophers of religion, theologians, historians, and biblical scholars. The interdisciplinary dialogues are structured thematically; "Truth and Reality" is the theme structuring contributions by Marvin A. Sweeney (Claremont), Christine Helmer (Claremont), Christof Landmesser (Tubingen), Kristin De Troyer (Claremont), D.Z. Phillips (Claremont), and John S. Kloppenborg (Toronto). "Truth and History" is the focus of contributions by Tammi J. Schneider (Claremont), Lori Anne Ferrell (Claremont), and Anselm Kyongsuk Min (Claremont). The theme of "Truth and Religious Pluralism" is treated in contributions by Lieven Boeve (Louvain), Richard Amesbury (Valdosta) & H. Jong Kim (Claremont), Marjorie Suchocki (Claremont), and David Ray Griffin (Claremont).

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Originating in Craigslist personals to indicate a trans person seeking another trans person, the term “t4t” has come to describe not only circuits of desire and attraction but also practices of trans solidarity and mutual aid. Contributors to this issue investigate the multiple meanings associated with t4t, considering both its potential and its shortcomings. They explore forms of Black trans kinship, consider the possibilities and limits of trans crowdfunding, theorize transmasculine pornography as a site of identity formation, and critique t4t spaces that allow for abuse or exploitation. Because t4t names a type of separatism, it carries risks such as identity policing, the prioritization of one aspect of identity over others, and difficulty engaging in strategic coalition. And yet, in a world that remains hostile to trans forms of life, t4t also circulates as a promising practice of love, repair, and healing. Contributors. Cassius Adair, Aren Aizura, Cameron Awkward-Rich, Chris Barcelos, Cynthia Citlallín Delgado Huitrón, Lauren Fournier, Vox Jo Hsu, Christopher Joseph Lee, Amira Lundy-Harris, Hil Malatino, Amy Marvin, Isaac Preiss, Amir Rabiyah, Nicholas Reich

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As a Taurus witch, everything you need to improve your craft and personal development is right here. Ivo Dominguez Jr. and Thorn Mooney show how to enrich your spells, rituals, and daily life through astrology. You'll learn which practices come naturally to a Taurus, which herbs and crystals are ideal for your sign, how to clear and shield your energy, how your moon and rising signs affect your magic, and more. Featuring recipes and exercises, as well as stories and spells from a variety of Taurus contributors, this book reveals what strengths and weaknesses come from your sign. Discover how to avoid pitfalls, use Taurus-related correspondences, connect with your sign to improve rituals, and rest up with self-care practices. This entry in the Witch's Sun Sign Series helps you reach every goal and supports your grounded, sensual self. Contributors include Cheryl Costa, Khi Armand, Dodie Graham McKay, Chris Orapello, Selena Fox, Dawn Aurora Hunt, Sandra Kynes, and Christopher Penczak.

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Over There explores the social impact of America’s global network of more than 700 military bases. It does so by examining interactions between U.S. soldiers and members of host communities in the three locations—South Korea, Japan and Okinawa, and West Germany—where more than-two thirds of American overseas bases and troops have been concentrated for the past six decades. The essays in this collection highlight the role of cultural and racial assumptions in the maintenance of the American military base system, and the ways that civil-military relations play out locally. Describing how political, spatial, and social arrangements shape relations between American garrisons and surrounding communities, they emphasize such factors as whether military bases are located in democratic nations or in authoritarian countries where cooperation with dictatorial regimes fuels resentment; whether bases are integrated into neighboring communities or isolated and surrounded by “camp towns” wholly dependent on their business; and whether the United States sends single soldiers without families on one-year tours of duty or soldiers who bring their families and serve longer tours. Analyzing the implications of these and other situations, the contributors address U.S. military–regulated relations between GIs and local women; the roles of American women, including military wives, abroad; local resistance to the U.S. military presence; and racism, sexism, and homophobia within the U.S. military. Over There is an essential examination of the American military as a global and transnational phenomenon.ContributorsDonna Alvah Chris Ames Jeff Bennett Maria Höhn Seungsook Moon Christopher Nelson Robin Riley Michiko Takeuchi

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Religion and empire were inseparable forces in the early modern Atlantic world. Religious passions and conflicts drove much of the expansionist energy of post-Reformation Europe, providing both a rationale and a practical mode of organizing the dispersal and resettlement of hundreds of thousands of people from the Old World to the New World. Exhortations to conquer new peoples were the lingua franca of Western imperialism, and men like the mystically inclined Christopher Columbus were genuinely inspired to risk their lives and their fortunes to bring the gospel to the Americas. And in the thousands of religious refugees seeking asylum from the vicious wars of religion that tore the continent apart in the sixteenth and seventeenth centuries, these visionary explorers found a ready pool of migrants—English Puritans and Quakers, French Huguenots, German Moravians, Scots-Irish Presbyterians—equally willing to risk life and limb for a chance to worship God in their own way. Focusing on the formative period of European exploration, settlement, and conquest in the Americas, from roughly 1500 to 1760, Empires of God brings together historians and literary scholars of the English, French, and Spanish Americas around a common set of questions: How did religious communities and beliefs create empires, and how did imperial structures transform New World religions? How did Europeans and Native Americans make sense of each other's spiritual systems, and what acts of linguistic and cultural transition did this entail? What was the role of violence in New World religious encounters? Together, the essays collected here demonstrate the power of religious ideas and narratives to create kingdoms both imagined and real.

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Scholars explore from many fresh angles the interweavings of two of the richest strands of human culture - music and esotericism - with examples from the medieval period to the modern age. Music and esotericism are two responses to the intuition that the world holds hidden order, beauty, and power. Those who compose, perform, and listen to music have often noted that music can be a bridge between sensory and transcendent realms. Such renowned writers as Boethius expanded the definition of music to encompass not only sounded music but also the harmonic fabric of human and cosmic life. Those who engage in pursuits called "esoteric," from ancient astrology, magic, and alchemy to recent and more novel forms of spirituality, have also remarked on the relevance of music to their quests. Esotericists have composed music in order to convey esoteric meaning, performed music to create esoteric influences, and listened to music to raise their esoteric awareness. The academic study of esotericism is a young field, and few researchers have probed the rich interface between the musical and esoteric domains. In Explorations in Music and Esotericism, scholars from numerous fields introduce the history of esotericism and current debates about its definition and extent. The book's sixteen chapters present rich instances of connections between music and esotericism, organized with reference to four aspects of esotericism: as a form of thought; as the keeping and revealing of secrets; as an identity; and as a signifier. Edited by Marjorie Roth and Leonard George. Contributors: Elizabeth Abbate, Malachai Komanoff Bandy, Adam Bregman, Charles E. Brewer, Benjamin Dobbs, Anna Gawboy, Pasquale Giaquinto, Adam Knight Gilbert, Joscelyn Godwin, Virginia Christy Lamothe, Andrew Owen, Christopher Scheer, Codee Ann Spinner, Woodrow Steinken, and Daphne Tan.

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Four new brand-new full-cast Blake's 7 adventures set during the TV series' third season. 9. Ministry of Truth by Una McCormack. In a special facility, the Federation propagandists are hard at work. When first Zeera Vos, and then the Liberator crew arrive, their work is disrupted, and a traitor, it seems, has been busy in their midst. 10. Refuge by Trevor Baxendale. The Federation is in turmoil. The war is raging out of control. It’s time for Avon and his crew to pick a side – but when the Liberator finds a ship full of refugees, they realise that nothing can ever be that simple...11. Kith and Kin by Christopher Cooper. The planet Corrolos is a safe haven for ex-oligarchs and retired royalty. So why is Tarrant insistent on going there, and what was the last wish of his dead brother, Deeta? 12. Death of Empire by Steve Lyons. Servalan is Supreme Empress of the Galaxy – but the man whose throne she usurped wants it back. The final battle of the Civil War begins – and it’s time for the Liberator crew to take a stand. Blake's 7 proves to be one of Big Finish's most popular ranges, with fans of the original late 1970s BBC1 series enjoying many of the TV actors returning to their roles. This set comprises the third run of four tales in a fourth series of full-cast Blake's 7adventures from Big Finish, accompanying three complete series of full-cast adventures, and the award-winning range of Blake's 7- Liberator Chronicles volumes. The stories are set within the third BBC TV series, as Paul Darrow's Avon begins to cement his place as the leader of the anti-heroes on their stolen alien ship. Yasmin Bannerman (Doctor Who, Merseybeat) has been cast as Dayna Mellanby, a character originally played by Josette Simon. CAST: Paul Darrow (Kerr Avon), Michael Keating (Vila Restal), Jan Chappell (Cally), Steven Pacey (Del Tarrant), Jacqueline Pearce (Servalan), Yasmin Bannerman (Dayna Mellanby), Alistair Lock (Zen/Orac), Rebecca Crankshaw (Zeera Vos), Dan March (Verner), Susie Riddell (Bowkan), Bruce Alexander (Galon), Malcolm James (Dev), Charlotte Strevens (Reeva), Peter Aubrey (Kimar), Hugh Fraser (The Former President), John Green (Mordekain).

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Bloodline features the return of the cursed Collins family - those that survived the events of Bloodlust. As family and friends gather at the Collinwood estate for the wedding of David Collins and Amy Jennings, a new mystery starts to unfold. In the Great House of Collinwood Amy Jennings and David Collins are finally putting years of tragedy and loss behind them and committing to a life together. And, as the ceremony approaches, friends old and new are drawn to the town at the edge of the sea. Once again, the tortured vampire, Barnabas Collins, is amongst them. But this time he is not alone. After so many years away, Doctor Julia Hoffman has returned with him, finally convinced she has the means to cure his affliction. But joy and happiness never last long in Collinsport, for malevolent forces are never far away. Among those gathered for the celebration are some who would conspire to tear the family apart. In this town some wounds refuse to heal, some secrets demand to be heard, and some sins cry out to be punished. Welcome back to Collinsport. Until death do you part. This is the second volume of two, forming a new, long-awaited, 13-part series. CAST: Georgina Strawson (Vivian Bell), Stephanie Ellyne (Amy Jennings), Alec Newman (David Collins), Michael Shon (Tom Cunningham), Scott Haran (Harry Cunningham), Lachele Carl(Sheriff Rhonda Tate), Alexandra Donnachie (Jackie Tate), Walles Hamonde (Cody Hill and Richard Hill), Nancy Barrett(Carolyn Stoddard), David Selby (Quentin Collins), Susan Sullivan (Lela Collins), Christopher Pennock (Cyrus Longworth-Jennings), Lisa Richards (Sabrina Longworth-Jennings), Jake Wardle (ArnoldHaggerty) Nico Diodoro (Brian Monro) Adam HallAndrew McLellan/Conductor/Old-Timer),Jamison Selby (Ed Griffin), Marie Wallace (Jessica Griffin), Andrew Collins (Barnabas Collins), Jerry Lacy (Matthew Young),Sarah Pitard (Bonnie Sands,Tom Michael Blyth (Jamie Forbes), Sydney Aldridge (Waitress/Nurse), Wallace McBride (Edgar McBride), Kathryn Leigh Scott (Maggie Haskell), Kelly Burke (Fiona Tanner), Daniel Collard (Pastor Grayson), Roy Gill (Randy Young), Abi Harris (Nurse Grimes) and Julie Newmar (Dr Julia Hoffman). Other parts played by members of the cast.

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Bloodline features the return of the cursed Collins family - those that survived the events of Bloodlust. the Great House of Collinwood Amy Jennings and David Collins are finally putting years of tragedy and loss behind them and committing to a life together. And, as the ceremony approaches, friends old and new are drawn to the town at the edge of the sea.Once again, the tortured vampire, Barnabas Collins, is amongst them. But this time he is not alone. After so many years away, Doctor Julia Hoffman has returned with him, finally convinced she has the means to cure his affliction.But joy and happiness never last long in Collinsport, for malevolent forces are never far away. Among those gathered for the celebration are some who would conspire to tear the family apart. In this town some wounds refuse to heal, some secrets demand to be heard, and some sins cry out to be punished.Welcome back to Collinsport.Until death do you part.This is the first volume of two, forming a new, long-awaited,13-part series. CAST: Georgina Strawson (Vivian Bell), Stephanie Ellyne (Amy Jennings), Alec Newman (David Collins), Michael Shon (Tom Cunningham), Scott Haran (Harry Cunningham), Lachele Carl (Sheriff Rhonda Tate), Alexandra Donnachie (Jackie Tate), Walles Hamonde (Cody Hill and Richard Hill), Nancy Barrett (Carolyn Stoddard), David Selby(Quentin Collins), Susan Sullivan (Lela Collins), Christopher Pennock (Cyrus Longworth-Jennings), Lisa Richards (Sabrina Longworth-Jennings), Jake Wardle (Arnold Haggerty), Nico Diodoro (Brian Monroe),Adam Hall (Andrew McLellan/Conductor/ Old-Timer),Jamison Selby (Ed Griffin), Marie Wallace (Jessica Griffin), Andrew Collins (Barnabas Collins), Jerry Lacy (Matthew Young),Sarah Pitard (Bonnie Sands), Tom Michael Blyth (Jamie Forbes), Sydney Aldridge (Waitress/Nurse), Wallace McBride (Edgar McBride), Kathryn Leigh Scott (Maggie Haskell), Kelly Burke (Fiona Tanner), Daniel Collard (Pastor Grayson), Roy Gill (Randy Young), Abi Harris (Nurse Grimes) and Julie Newmar (Dr Julia Hoffman). Other parts played by members of the cast.

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By far the best collection of sources to introduce readers to Renaissance humanism in all its many guises. What distinguishes this stimulating and useful anthology is the vision behind it: King shows that Renaissance thinkers had a lot to say, not only about the ancient world--one of their habitual passions--but also about the self, how civic experience was configured, the arts, the roles and contributions of women, the new science, the 'new' world, and so much more. --Christopher S. Celenza, Johns Hopkins University

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The imagery of "peacemaking through Christ's blood" in Colossians 1.20b evokes conceptual frames from both the Graeco-Roman and Jewish thought worlds. To grasp the full significance of the imagery, it is necessary to explore which frames could have been activated by the writer's metaphors. In this work, Diego dy Carlos Araújo applies insights from frame semantics and conceptual metaphor to investigate the multiple frames possibly evoked in the minds of the implied readers by the metaphorical expressions εἰρηνοποιήσας διὰ τοῦ αἵματος τοῦ σταυροῦ αὐτοῦ in this passage. Colossians' own version of the message challenges the cultural and theological expectations of the audience concerning peacemaking through bloodThe impact of its Christological configuration lies precisely in the incongruity between its message and the frames with which the hearers were familiar.

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This definitive paperback edition features nine illustrations and two maps drawn by J.R.R. Tolkien, and a preface by Christopher Tolkien. Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey ‘there and back again’. They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon… The prelude to The Lord of the Rings, The Hobbit has sold many millions of copies since its publication in 1937, establishing itself as one of the most beloved and influential books of the twentieth century.

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This is an in-depth study of every major aspect of Thomas Aquinas’ theology. Contributors offer fresh and compelling readings of Aquinas on the Trinity, creation theology, theory of analogy, anthropology, predestination and human freedom, evil and original sin, Christology and grace, soteriology, eschatology, sacramentology, ecclesiology, moral theology, the relation between theology and philosophy, and scriptural exegesis. Contributors to The Theology of Thomas Aquinas come from seven different countries and a variety of specialties within the discipline of theology. Their diverse perspectives add considerable merit to the depth and breadth of this project. Contributors both outline the thought of Aquinas in its own right and bring it into dialogue with present theological concerns. The high quality of these essays make this volume an invaluable reference tool. This book will establish itself as the best scholarly introduction to the theology of Thomas Aquinas. It belongs on the bookshelf of every theologian and Thomistic scholar, and it will be read with appreciation by students and scholars alike.

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Odette, who looks like Linda Lusardi in a DKNY suit and has more zeros at the end of her bank balance than an astronaut's altimeter, decides to throw up the high-powered job that doesn't leave time for relationships and start her own club/restaurant. When the venture seems doomed before it has even begun by a rival chef who is as gorgeous as Jean Christophe Novelli and as temperamental as Marco Pierre White, Odette determines on revenge. Accepting a menial job in her enemy's kitchen, she plots his downfall - but ends up getting her heart broken, fingers burnt and her goose cooked. . .

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The collections of twentieth-century paintings in the Ashmolean Museum, Oxford, have developed largely through the generosity of individuals. Notable among these in the early decades of the century were Frank Hindley Smith and Mrs W F R Weldon, while since the Second World War the Museum's collections have been enriched through gifts and requests from Thomas Balston, R A P Bevan, Molly Freeman, Christopher Hewett and others. This book gives the reader a taste of the wide range of the collection, with its representative group of Camden Town and Euston Road School pictures, and important early works by Bonnard, Picasso and Matisse.

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Agatha Christie’s ingenious mystery thriller, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers. Lucy Angkatell invited Hercule Poirot to lunch. To tease the great detective, her guests stage a mock murder beside the swimming pool. Unfortunately, the victim plays the scene for real. As his blood drips into the water, John Christow gasps one final word: ‘Henrietta’. In the confusion, a gun sinks to the bottom of the pool. Poirot’s enquiries reveal a complex web of romantic attachments. It seems everyone in the drama is a suspect – and each a victim of love.

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The essays in Physics and Cosmology: Scientific Perspectives on the Problem of Natural Evil resulted from the seventh international research conference co-sponsored by the Vatican Observatory Foundation and the Center for Theology and the Natural Sciences. It is the first in a new series on the problem of natural evil—on reconciling suffering caused by natural processes with God's goodness. The editors have divided this volume into four sections. The first includes history of the issue and a critical analysis of how the history has often been understood, followed by two chapters that provide typologies: one of types of suffering, the other of the various “shapes” of defenses. The second section comprises chapters that address the problem of suffering head-on, with resources from science, theology, and philosophy. The third section contains essays that address the issue by offering reformulations of typical understandings of the relation between God and the world. Finally, essays in the fourth section claim, in one way or another, that the question of the volume needs to be reframed. Contributors: Niels Christian Hvidt, Terrence W. Tilley, Wesley J. Wildman, Christopher Southgate, Andrew Robinson, William R. Stoeger, S.J., Robert John Russell, Nancey Murphy, Thomas F. Tracy, Philip Clayton, Steven Knapp, Kirk Wegter-McNelly, Denis Edwards, Brad J. Kallenberg, and Don Howard.

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This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); Maria Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Remi Labrusse (Universite Paris Ouest Nanterre la Defense); Gulru Necipo?lu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaro?lu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).

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