Search results for ""rebellion""

Acts of Union explores the political relationship between Scotland and England as it was negotiated in the literary realm in the century after the 1707 Act of Union. It examines Britain, one of the precursors to the modern nation, not as a homogeneous, stable unit, but as a dynamic process, a dialogue between heterogeneous elements. Far from being constituted by a single Act of Union, the author contends, Britain was forged—in all the variant senses of that word—from multiple acts of union and dislocation over time. Accordingly, each of the first five chapters focuses on a discursive encounter between a Scottish and an English writer. Chapter 1 examines the political debate between Daniel Defoe and Lord Belhaven concerning the Act of Union. Chapter 2 considers how Tobias Smollett and Henry Fielding used the novel form to highlight their concerns regarding the state of the nation after the 1745 rebellion. Chapter 3 analyzes the debate between James Macpherson and Samuel Johnson over the poems of Ossian and the origins of British culture, concluding with the crucial role played by James Boswell as a political and cultural mediator. Chapter 4 reads William Wordsworth's renegotiation of Robert Burns's work after the Scottish poet's death as illustrative of the contest for control of the British cultural realm at the end of the eighteenth century. Chapter 5 argues that in his 1830 republication of Minstrelsy of the Scottish Border, Walter Scott imagines alternative histories of Britain and of English literature through his negotiations with Thomas Percy and his Scottish predecessors Macpherson and Burns. The concluding chapter considers the use made of the representation of Scottish national difference in the institutionalization of English literature. As well as plotting out specific moments during which writing served both to trouble and to renegotiate the Union of Great Britain, the book considers the articulation of British national identity within more general questions concerning postcolonial theories of the nation, and also sets itself within the current debate about the future of Scotland within Britain.

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_________________________A sweeping, epic novel of the greatest city in the world.From the empty grandeur of the New World to the skyscrapers of the City that Never Sleeps, from the intimate detail of lives long forgotten to those lived today at breakneck speed, Edward Rutherfurd's acclaimed novel is a true epic.The novel begins with a tiny Indian fishing village and the Dutch traders who first carved out their hopes amidst the splendour of the wilderness. The British settlers and merchants followed, with their aristocratic governors and unpopular taxation which led to rebellion, war, the burning of the city and the birth of the American Nation. Yet a country that had already rent itself asunder once did so again over slavery. As the country fought its bloody Civil War, the city was torn apart by deadly riots. Hopes and dreams, greed and corruption - they have always been the companions of freedom and opportunity in the city's teeming streets. As the immigrant ships berthed next to Ellis Island in the shadow of the Statue of Liberty, they poured more and more Germans, Irish, Italians and Jews into the churning ethnic mix of the city. Deals were struck, politicians corrupted, men bought or assassinated, heiresses wooed, fortunes were speculated on Wall Street and men became rich beyond the dreams of avarice. The heady seesaw of wealth and poverty was seen in the Roaring Twenties and the Great Crash, the city's future symbolised by its buildings which literally touched the sky: the Empire State, the Chrysler Building, the Twin Towers. Rutherfurd tells this irresistible story through a cast of fictional and true characters whose fates interweave in the rise and fall, fall and rise of the city's fortunes. It is the story of how in four centuries New York became the envy of the world. And in telling the story through the lens of New York, Rutherfurd brings the story of America itself to unforgettable life in this epic masterpiece.

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Unconditional Defeat-the second book in a Pacific War trilogy that is part of SR Books' Total War series-examines the concluding stages of World War II in Asia and the Pacific, from November 1943 until September 1945. Thomas W. Zeiler argues that this "war without mercy" could only come to one conclusion: the complete, unconditional defeat of Japan by a mobilized, overwhelming, vengeful United States. Zeiler describes these final 22 months of the Pacific War as a story of contrasts. While the U.S. launched a methodical, smothering attack with all the means at its disposal, Japan fought a fierce yet hopeless defense with diminishing supplies. By November 1943, Japan lacked the necessities not just for victory, as in the earlier phases of the war, but for adequate defense. The Japanese had no options. The strategic planning rested with the Americans. Zeiler's gripping and thorough overview discusses other contrasts between the two foes. The Americans planned multiple advances in the Pacific Ocean and on the Asian mainland. They used a massive number of troops, devised and adopted new amphibious techniques, and deployed the new nuclear category of weapons. The Japanese stubbornly but desperately clung to their territory, often with the basest of defenses. By August 1945, the United States' forces at sea, on land, and in the air had brought Japan near complete defeat. In addition, the Japanese Empire was diplomatically isolated. Japanese politics was in turmoil, the government faced rebellion, and the Emperor stood on the brink of extinction. Wracked by the destruction of the homeland from the air and blockade by sea, Japanese society veered near chaos and the people peered into the abyss of an uncertain future. In the meantime, America's military had experienced such horrors at the hands of Japan that the U.S. made the difficult decision to unleash the atomic bomb. Despite the stark differences between the U.S. and Japan, argues Zeiler, there was one aspect of the war that both sides held i

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A Junior Library Guild Selection "Highly recommended for readers passionate about activism." — SCHOOL LIBRARY JOURNAL, Starred Review "Sure to inspire today’s youthful generation of tenacious changemakers." — BOOKLIST, Starred Review "The messages of hope are universal." — PUBLISHERS WEEKLY, Starred Review "A timely read about friendship amid chaos." — NPR "It’s hard to imagine a world where Banned Book Club could be more relevant than it is right now." — A.V. CLUB When Kim Hyun Sook started college in 1983 she was ready for her world to open up. After acing her exams and sort-of convincing her traditional mother that it was a good idea for a woman to go to college, she looked forward to soaking up the ideas of Western Literature far from the drudgery she was promised at her family’s restaurant. But literature class would prove to be just the start of a massive turning point, still focused on reading but with life-or-death stakes she never could have imagined. This was during South Korea's Fifth Republic, a military regime that entrenched its power through censorship, torture, and the murder of protestors. In this charged political climate, with Molotov cocktails flying and fellow students disappearing for hours and returning with bruises, Hyun Sook sought refuge in the comfort of books. When the handsome young editor of the school newspaper invited her to his reading group, she expected to pop into the cafeteria to talk about Moby Dick, Hamlet, and The Scarlet Letter. Instead she found herself hiding in a basement as the youngest member of an underground banned book club. And as Hyun Sook soon discovered, in a totalitarian regime, the delights of discovering great works of illicit literature are quickly overshadowed by fear and violence as the walls close in. In BANNED BOOK CLUB, Hyun Sook shares a dramatic true story of political division, fear-mongering, anti-intellectualism, the death of democratic institutions, and the relentless rebellion of reading.

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The rise of the Auntie Sewing Squad, a massive mutual-aid network of volunteers who provided free masks in the wake of US government failures during the COVID-19 pandemic. In March 2020, when the US government failed to provide personal protective gear during the COVID-19 pandemic, the Auntie Sewing Squad emerged. Founded by performance artist Kristina Wong, the mutual-aid group sewed face masks with a bold social justice mission: to protect the most vulnerable and most neglected. Written and edited by Aunties themselves, The Auntie Sewing Squad Guide to Mask Making, Radical Care, and Racial Justice tells a powerful story. As the pandemic unfolded, hate crimes against Asian Americans spiked. In this climate of fear and despair, a team of mostly Asian American women using the familial label "Auntie" formed online, gathered momentum, and sewed masks at home by the thousands. The Aunties nimbly made and funneled masks to asylum seekers, Indigenous communities, incarcerated people, farmworkers, and others disproportionately impacted by COVID-19. When anti-lockdown agitators descended on state capitals—and, eventually, the US Capitol—the Aunties dug in. And as the nation erupted in rebellion over police violence against Black people, the Aunties supported and supplied Black Lives Matter protesters and organizations serving Black communities. Providing hundreds of thousands of homemade masks met an urgent public health need and expressed solidarity, care, and political action in a moment of social upheaval. The Auntie Sewing Squad is a quirky, fast-moving, and adaptive mutual-aid group that showed up to meet a critical need. Led primarily by women of color, the group includes some who learned to sew from mothers and grandmothers working for sweatshops or as a survival skill passed down by refugee relatives. The Auntie Sewing Squad speaks back to the history of exploited immigrant labor as it enacts an intersectional commitment to public health for all. This collection of essays and ephemera is a community document of the labor and care of the Auntie Sewing Squad.

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Mary, Queen of Scots is seen as one of Scotland's heroes. She was queen regnant of Scotland from 1542-1667 but was held in various houses for eighteen and a half years by Queen Elizabeth and beheaded for plotting to assassinate Elizabeth. This book explains simply and clearly who Mary was and her life and is told by her loyal servant, Mary Seton. She was born in 1542 and she died in 1587. She was queen regnant of Scotland from 1542 -1567. A queen regnant is a queen who rules in her own right. She was the only surviving legitimate child of King James V of Scotland, and was six days old when her father died and she acceded to the throne. She spent most of her childhood in France while Scotland was ruled by regents, and in 1558, she married the Dauphin of France, Francis. He ascended the French throne as King Francis II in 1559, and Mary briefly became queen consort of France, until his death on 5 December 1560. Widowed, Mary returned to Scotland, arriving in Leith on 19 August 1561. Four years later, she married her first cousin, Henry Stuart, Lord Darnley, but their union was unhappy. In February 1567, his residence was destroyed by an explosion, and Darnley was found murdered in the garden. James Hepburn, 4th Earl of Bothwell, was generally believed to have orchestrated Darnley's death, but he was acquitted of the charge in April 1567, and the following month he married Mary. Following an uprising against the couple, Mary was imprisoned in Loch Leven Castle. On 24 July 1567, she was forced to abdicate in favour of James, her one-year-old son by Darnley. After an unsuccessful attempt to regain the throne, she fled southwards seeking the protection of her first cousin once removed, Queen Elizabeth I of England. Mary had previously claimed Elizabeth's throne as her own and was considered the legitimate sovereign of England by many English Catholics, including participants in a rebellion known as the Rising of the North. Seen as a threat by Elizabeth, Mary was confined in various houses and after eighteen and a half years, she was found guilty of plotting to assassinate Elizabeth. She was beheaded.

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‘An utter joy to read’ NetGalley reviewer, 5 stars The brand-new novel from the 2020 CILIP Carnegie medal nominee and New York Times bestseller, Robin Talley. ************************************************************* ‘I’m just so sick of blending in…’ It’s 1977, and the USA is tearing itself apart. And so is Tammy Larson. Seventeen and scared, Tammy has a secret that her strict community and conservative family must never find out; one that she’s only ever shared in unposted letters to her hero, Harvey Milk. She’s gay. Hundreds of miles away, Tammy’s new pen pal is dealing with a few secrets of her own. Sharon Hawkins lives in foggy San Francisco, an exciting city full of protests and punk music. But as the letters pile up in her desk drawer, Sharon begins to realise that her world might not be that different to Tammy’s after all… Set to a soundtrack of Bowie, Blondie and a whole lot of Patti Smith, the girls’ worlds converge in ways they could never have imagined. With a fierce sense of rebellion and a feminist attitude to boot, Tammy and Sharon soon discover what it means to be their true selves, and one thing’s for sure: they’re both sick of blending in. The perfect empowering and life-affirming read for fans of Caitlin Moran, Becky Albertalli and Meredith Russo. *************************************************************Praise for Music from Another World: ‘Difficult to put down… an empowering read with a powerful message’ Paper Lanterns ‘Absolutely LOVED it! So funny and romantic and incredibly tense’ Tom Ellen Praise for Robin Talley’s previous novels: ‘The main characters are terrific in what is a moving novel. And an important one.’ The Telegraph ‘absolutely loved it – romantic and funny and gripping and just generally excellent!’ Tom Ellen, author of Freshers ‘touching, clever and absolutely hilarious’ The Herald ‘I really loved the book… it was just a lovely, refreshing read for me, and I’m so glad there are authors like Robin Talley out there.’ Bookseller ‘One of the most interesting and informative LGBT books I've read recently!’ Reader ‘a must-read for anyone interested in LGBTQ+ history’ NetGalley reviewer

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When the residents of a Highland care home discover that the new owners are about to substantially put up the fees, they know that dramatic action is called for. But what can a group of senior citizens possibly do against a big organisation? For Dorothy, the situation is serious. If she can t raise money she ll have to leave all her friends, like dear Miss Ross.In protest, the residents barricade themselves into the lounge. However, their rebellion fails, so worldly-wise Joan suggests a most unusual way to cover the rise a very naughty chat line for men who want to talk to older women in a particular way ! As their lives take a series of unexpected turns, things get increasingly out of control ...Casting Off is a hilarious, poignant tale of friendship, loyalty and sacrifice and how it s never too late to try something new.What readers have been saying about Casting Off:"This book has to be my favourite comedy novel of the year... the whole novel is just so very uplifting and leaves you with a feel good factor."BOOKS FROM DUSK TO DAWN"A cheeky and hilarious read... A book of pure delight and I'm sure it will life the hardest of hearts."TRACY SHEPHARD, POSTCARD REVIEWS"This uplifting, mischievous and brilliantly written tale is one that has left a huge impression on me, for ALL the right reasons."LITTLE BOOKNESS LANE"Funny, achingly sad and raunchy... your view of assisted living will never be the same! ... My soggy tissue and gentle sigh as I reached the final sentence is my version of a five-star review."SCREENWIPER"This is a story which will have you laughing out loud one moment and in need of a tissue the next. It is a great read.""Funny and Sweet.""I could not put it down.""The characters were fantastic, funny and utterly believable. A great read for any age.""Friendship, heartache, love and life... you'll find it here.""I was very sad to finish this book. I'd give it more than 5* if I could.""You will not be disappointed. A book that made me laugh and cry at the same time. A must read!!"

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The Sunday Times bestseller Shortlisted for the Women’s Prize for Fiction Longlisted for the Booker Prize ‘It is a book not read, but lived’ Telegraph ‘Mantel has taken us to the dark heart of history … and what a show’ The Times The Sunday Times bestselling sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Wolf Hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it?’ England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. A Guardian Book of the Year • A Times Book of the Year • A Daily Telegraph Book of the Year • A Sunday Times Book of the Year • A New Statesman Book of the Year • A Spectator Book of the Year Sunday Times Bestseller (08/03/2020)

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SHORTLISTED for The Kerry Group Irish Novel of the Year Award 2021 ‘An ambitious and vital novel with an epic sweep: a complex, timely story about liberty, equality, identity. [...] This book is an act of salvage, performed with great skill: cleanly written, sharp-eyed, undeceived.’ — Hilary Mantel In a London graveyard in 1857, Harriet Small is approached by a stranger, an unwanted intruder who insists that she hear him out . . . in the will of a woman she only barely remembers, Harriet has been left an unusual collection of papers: her father’s True Narrative of his life after escaping slavery and his journey into the heart of revolutionary Ireland. Nearly sixty years earlier, in the aftermath of Lord Edward FitzGerald’s death and disgrace in the 1798 Rebellion, his sister, Lady Lucy, had commissioned Harriet’s father, Tony Small, to write about his life as Edward’s manservant in the form a ‘slave narrative’. But Lucy’s real motivation was to restore Edward’s reputation and her family’s fortune. What emerges from ‘Faithful’ Tony’s pages – at first unsure but later confident in his words – is a complex, co-dependent and sometimes turbulent friendship between the two men. Edward is everything Tony is not: beloved by a large family and carelessly sure of his privileged place in the world. With Edward, Tony hopes to begin a new life – to belong – only to find himself a stranger in a strange land who often comprehends better than his employer the racism, privilege and power that drive the inequalities of their time. As historical events gallop towards their devastating conclusion, Tony learns that the sacrifices to be free are never-ending. And as difficult and heartbreaking as it is to read her father’s story, Harriet comes to realise there is more than one way to be free. From war in South Carolina to genteel drawing rooms in Kildare, from the discomfort and boredom of Antigua to the snow-covered nothingness of Canada, the slave-owning territories along the Mississippi to a printing house in Hamburg and the colonial politics of London to the intrigue and simmering resentments of Dublin, Words to Shape My Name is about hope, failure and resilience, an adventurous novel of great intelligence and awareness that will resonate today.

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Out of print for more than half a century, LSD: A Journey into the Asked, the Answered, and the Unknown, is now available in a commemorative edition, with candid commentary, a new introduction by counterculture journalist Jessica Hundley, and a photographic portrait of a generation.In the midst of a raging national controversy around the indiscriminate use of LSD, two authorities – Richard Alpert, PhD (AKA Ram Dass) and psychoanalyst Sidney Cohen, MD – spoke out on the dangers, merits, legal regulations and control of the revolutionary psychedelic drug. Their book was illustrated with a groundbreaking photo essay by journalist Lawrence Schiller, whose cover story for Life magazine introduced America to the sweeping new LSD epidemic and was a precursor to the federal criminalization of the drug.As the first national photojournalist to capture the American acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their private experiences with LSD. At first, his contacts were few and difficult. “Many of them were afraid,” and said no. There were others, however, who were trying to exercise their rebellion, “and some…had a sort of missionary quality. They not only wanted to tell about their experiences; they seemed as though they had to.”Schiller’s reporting expanded to include Timothy Leary, then on trial in Laredo, Texas, and the Merry Pranksters, who stopped by his studio for stroboscopic photos after the Hollywood Acid Test. The deeper he went into the story, the more questions he had. Questions like, “Is the LSD state reality or illusion?” and “Can you understand…without having had “the experience?” Figuring others did as well, he asked Alpert and Cohen to answer them for readers—from their two opposing points of view. The unexpected result is perhaps one of the most deeply informative documents on psychedelics ever published. It sold close to a million copies.At a time when the use of consciousness-expanding substances is again making headlines, the moment that LSD burst out from the rarified world of Timothy Leary and Richard Alpert’s experiments at Harvard to acid parties on the Sunset Strip is worth a second look.

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The Sunday Times bestseller Shortlisted for the Women’s Prize for Fiction Longlisted for the Booker Prize ‘It is a book not read, but lived’ Telegraph ‘Her Cromwell novels are, for my money, the greatest English novels of this century’ Observer The long-awaited sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Wolf Hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it? England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. A Guardian Book of the Year • A Times Book of the Year • A Daily Telegraph Book of the Year • A Telegraph Book of the Year • A Sunday Times Book of the Year • A New Statesman Book of the Year • A Spectator Book of the Year

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Two of the most prominent and celebrated athletes in the world, Marvelous Marvin Hagler and Sugar Ray Leonard came together to contest the $100million SuperFight on April 6, 1987 at Caesars Palace in Las Vegas. From Frank Sinatra to U2, Joan Collins to Whoopi Goldberg, the stars were drawn to ringside by the huge box-office appeal of the blue-collar, dominant world middleweight champion facing his nemesis, the charismatic and flamboyant Sugar Ray, who was coming out of virtually five years of retirement. Drawing on his deep reservoir of nerve, outstanding technique and a strategy which Budd Schulberg - who provided Marlon Brando with the immortal line, 'I coulda been a contender' - called a compound optical illusion, Leonard won on points. It was boxing's greatest comeback, but to this day the judges' decision remains bitterly contested and not merely by the protagonists. But the story of The SuperFight is much more than the story of the fight, for it details two remarkable lives, the demons that drove both men and the formidable challenges they overcame inside and outside the ring. Hagler grew up in the Newark, New Jersey ghetto of Central Ward, where a riot/rebellion rooted in racism claimed the lives of 26 people, injured 1,000 more and, to the young teenager, was "like the end of the world". Fuelled by anger, he climbed to the top of his domain and ruled for seven years as champion, one of the most accomplished in boxing's annals. Leonard was an Olympic gold medallist and all-American hero whose career was cut short by a detached retina after he became the world welterweight king. He was Muhammad Ali's gifted and anointed successor but he succumbed to alcohol and drug abuse and for years was tormented by a secret - the sexual abuse he endured as an amateur boxer by a trusted coach. As provocative and polarising in its own way as Ali's defining rivalry with Joe Frazier, this is the story of The SuperFight, of Marvin Hagler and Ray Leonard and a fierce fire that still burns.

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The term “subalternity” refers to a condition of subordination brought about by colonization or other forms of economic, social, racial, linguistic, and/or cultural dominance. Subaltern studies is, therefore, a study of power. Who has it and who does not. Who is gaining it and who is losing it. Power is intimately related to questions of representation—to which representations have cognitive authority and can secure hegemony and which do not and cannot. In this book John Beverley examines the relationship between subalternity and representation by analyzing the ways in which that relationship has been played out in the domain of Latin American studies. Dismissed by some as simply another new fashion in the critique of culture and by others as a postmarxist heresy, subaltern studies began with the work of Ranajit Guha and the South Asian Subaltern Studies collective in the 1980s. Beverley’s focus on Latin America, however, is evidence of the growing province of this field. In assessing subaltern studies’ purposes and methods, the potential dangers it presents, and its interactions with deconstruction, poststructuralism, cultural studies, Marxism, and political theory, Beverley builds his discussion around a single, provocative question: How can academic knowledge seek to represent the subaltern when that knowledge is itself implicated in the practices that construct the subaltern as such? In his search for answers, he grapples with a number of issues, notably the 1998 debate between David Stoll and Rigoberta Menchú over her award-winning testimonial narrative, I, Rigoberta Menchú. Other topics explored include the concept of civil society, Florencia Mallon’s influential Peasant and Nation, the relationship between the Latin American “lettered city” and the Túpac Amaru rebellion of 1780–1783, the ideas of transculturation and hybridity in postcolonial studies and Latin American cultural studies, multiculturalism, and the relationship between populism, popular culture, and the “national-popular” in conditions of globalization.This critique and defense of subaltern studies offers a compendium of insights into a new form of knowledge and knowledge production. It will interest those studying postcolonialism, political science, cultural studies, and Latin American culture, history, and literature.

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Discover art that dared to be different, risked reputations and put careers in jeopardy. This is what happens when artists take tradition and rip it up. ArtQuake tells the stories of 50 pivotal works that shook the world, telling the fascinating stories behind their creation, reception and legacy. The books begin with the rebels who struck out against Victorian conformism, daring painters and sculptors like Manet and Rodin, Van Gogh and Courbet, who experimented with expressionist and realist art styles as well as controversial subjects. Moving into the fin de siècle and the 20th century, we study the truly iconic works and turbulent lives of artists like Munch and Klimt, Picasso and Egon Schiele, whose work into abstraction, surrealism and cubism shocked and scandalized, but ultimately changed the course of western art forever. Moving into the second half of the 20th Century, we see spectacular works of conceptual rebellion, absurdity and political protest, from Andy Warhol and the Pop Art movement to Marina Abramovic, whose often visceral and violent works of performance art laid bare the savagery of the patriarchy and the human condition. In the 21st century, we see how iconoclastic creators have pushed the boundaries of art even further, from Banksy to Louise Bourgeoise, from self-destructing paintings to experimental works of computerized art. Complete with beautiful reproductions of their iconic works, as well as a glossary of terms and movements at the back, meet the huge egos, uncompromising feminists, gifted recluses, spiritualists, anti-consumerists, activists and satirists who have irrevocably carved their names into the history of art around the world. In telling the history of modern and contemporary art through the works that were truly disruptive, and explaining the context in which each was created, ArtQuake demonstrates the heart of modern art, which is to constantly question and challenge expectation. This book is from the Culture Quake series, which looks into iconic moments of culture which truly created paradigm shifts in their respective fields. Also available is FilmQuake, which tells the stories of 50 key films that consciously questioned the boundaries, challenged the status quo and made shockwaves we are still feeling today.

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The stunning biographical portraits in Modern Girls, Shining Stars, the Skies of Tokyo, some adapted from essays that first appeared in The New Yorker, explore the lives of five women who did their best to stand up and cause more trouble than was considered proper in Japanese society. Their lives stretch across a century and a half of explosive cultural and political transformations in Japan. These five artists-two actresses, two writers, and a painter-were noted for their talents, their beauty, and their love affairs rather than for any association with politics. But through the fearlessness of their art and their private lives, they influenced the attitudes of their times and challenged the status quo. Phyllis Birnbaum presents her subjects from various perspectives, allowing them to shine forth in all of their contradictory brilliance: generous and petulant, daring and timid, prudent and foolish. There is Matsui Sumako, the actress who introduced Ibsen's Nora and Wilde's Salome to Japanese audiences but is best remembered for her ambition, obstreperous temperament and turbulent love life. We also meet Takamura Chieko, a promising but ultimately disappointed modernist painter whose descent into mental illness was immortalized in poetry by a husband who may well have been the source of her troubles. In a startling act of rebellion, the sensitive, aristocratic poet Yanagiwara Byakuren left her crude and powerful husband, eloped with her revolutionary lover, and published her request for a divorce in the newspapers. Uno Chiyo was a popular novelist who preferred to be remembered for the romantic wars she fought. Willful, shrewd, and ambitious, Uno struggled for sexual liberation and literary merit. Birnbaum concludes by exploring the life and career of Takamine Hideko, a Japanese film star who portrayed wholesome working-class heroines in hundreds of films, working with such directors as Naruse, Kinoshita, Ozu, and Kurosawa. Angry about a childhood spent working to provide for greedy relatives, Takamine nevertheless made peace with her troubled past and was rewarded for years of hard work with a brilliant career. Drawing on fictional accounts, interviews, memoirs, newspaper reports, and the creative works of her subjects, Birnbaum has created vivid, seamless narrative portraits of these five remarkable women.

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'O'Keeffe exposes the scandal of the Special Demonstration Squad with empathy and anger' - SAGA'In a country of lockdowns, borders bills and voter ID, O'Keefe's 'arrow of hope' is needed more than ever. In Skylark that arrow will pierce your heart.' - SHINY NEW BOOKS BLOG'O'Keeffe brings the world Skylark inhabits to vibrant life, painting the passions of her activists so vividly that the reader - and Dan himself - are drawn into their desire to change the world.' - OBSERVER'An acutely observed, beautifully written story of lies and betrayal ... a thought-provoking, well-researched and compelling saga.' - BUZZ MAGAZINE'A lyrical love story about a real-life scandal' - HEAT'respectful and moving... a lovingly evoked examination of the 90s protest scene.' THE GUARDIAN'SKYLARK plunges the reader headfirst into a vivid, heady world where passion and betrayal collide. Beautifully-written, immersive and ultimately enraging, it's a must-read for anyone who has ever wanted to change the world.' - ERIN KELLY'Alice O'Keeffe deftly renders the shocking truth of the spy cops scandal into a moving tale of love, identity and betrayal. Essential reading.' - JAKE ARNOTT'Skylark is a book of profound psychological perception, which conjures with deft precision the atmosphere of the anti-roads movement in all its fierce, tender idealism. I couldn't put it down.' - JAY GRIFFITHSTheir ideals brought them together, but how closely should you follow your heart?It's the mid-90s, and rebellion is in the air.Skylark is an activist, a raver, a tree-dweller, a world-changer. Handsome, dependable Dan appears on the scene, offering her the security she has never had. When they fall in love, she shows him a new way to live; he will never be the same. But Dan has a secret, which Skylark must never, ever know. A secret so powerful that its fault-lines run from their ordinary council flat right up to the highest echelons of the state.Their story is the story of Britain's undercover police.As Skylark comes to doubt not only Dan's commitment to their shared ideals, but his very identity, she finds herself asking: can you ever really know the person you love?

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'My favourite kind of grand space opera'BEN AARONOVITCH, Sunday Times-bestselling author of the Rivers of London series6066: In Emperor Thracin's brave new galaxy, humans are not citizens but indentured labourers, working to repay the debt they unwittingly incurred when they settled on Gahraan - a desert planet already owned by the emperor himself. Asha Akindele knows she's just another voiceless cog working the assembly lines that fuel his vast imperial war machine. Her only rebellion: studying stolen aeronautics manuals in the dead of night. But then a cloaked stranger arrives to deliver an impossible message, and her life changes in an instant.1812: Obi Amadi is done with time-travelling. Never mind the fact he doesn't know how to cure himself of the temporal sickness he caught whilst anchoring his soul to Regency London, the one that unmakes him further with every jump. Or if the prince he loves will ever love him back. Or why his father disappeared. He is done. Until he hears about the ghost of a girl in the British Museum. A girl from another time.When Obi's path tangles with Asha's and a prophecy awakens in the cold darkness of space, they must voyage through the stars, racing against time, tyranny, and the legacy of three heroes from an ancient religion who may be awakening, reincarnated in ways beyond comprehension.A love letter to Black readers of science-fantasy, The Principle of Moments is a symphonic, centuries-spanning adventure - unmissable for fans of the spacefaring found family of Becky Chambers, the alternate London of V. E. Schwab, and the virtuosic climate-craft of N. K. Jemisin.WHAT READERS ARE SAYING:'This is a brilliant debut. The world-building is great, and I love how we get a little bit of mythology at the start of each chapter, and slowly start to understand how it relates to the story... I did not want to put it down' Sarah, NetGalley reader review'Totally different to what I would usually read - a mixture of Star Wars meets Doctor Who in an epic spacey scifi fantasy saga... Fantastic and captivating' Julia, NetGalley reader review'SUCH A BRILLIANT DEBUT for Esmie Jikiemi-Pearson! I devoured it' Caleb, NetGalley reader review

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A stunning tour de force and a remarkable achievement.- Alison WeirThis is Our Island Story for the modern age. - Charles Spencer'Not just a brilliant compendium of biographies, but the biography of an institution: a marvellous read' - Tom Holland'This royal throne of kings, this sceptred isle'(William Shakespeare, Richard II)With 1000 years of royal history from 1066 to the present day, Domesday Book to Magna Carta the Field of Cloth of Gold to King Charles' accession, Crown & Sceptre is an unparalleled exploration of the British monarchy. From Sunday Times bestselling author and joint Chief Curator of Historic Royal Palaces Tracy Borman, comes a fresh, engaging and authoritative account of the crown's tumultuous history - including a chapter on King Charles III. Impeccably researched, Crown & Sceptre explores in gripping detail how this iconic institution has survived the storms of rebellion, revolution and war that brought most of the world's other monarchies to an abrupt and bloody end. It is a story of ruthless dynastic battles, political and social leadership, usurpation and abdication, all set against a backdrop of dazzling ceremony and pageantry."Crown and Sceptre shows an astonishing command of a thousand years of the British monarchy, its traditions, roles and realities beyond the pageantry and romance. Beautifully crafted, insightful, and a genuine pleasure to read, it underscores the royal heritage at the heart of a nation." - Lauren Mackay"Crown and Sceptre" combines an eminently accessible narrative with a lucid scholarly lens. Tracy Borman skilfully unravels the trials and triumphs of this ever-shifting institution. By charting both the majesty and mechanics of monarchy, we get a vivid understanding of why its glittering gears shifted over time, and by whom the levers of change were pulled. A triumph.' - Owen Emmerson, Curator at Hever Castle'Tracy Borman's passion for the British monarch and the crown is infectious and compelling!' - Estelle Paranque'Borman embraces a huge task' - Gerard DeGroot, The TimesEnlightening, gripping and skilfully composed, Tracy Borman navigates the twists and turns of the British monarchy with an expert hand. A pacy narrative that's simply bursting with colour and intrigue, Crown and Sceptre is both powerful and compulsively readable. A masterpiece. - Nicola Tallis

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'One of the most perceptive and thought-provoking books …Essential reading for these turbulent times.' Amitav Ghosh, author of The Great Derangement 'Dougald Hine’s brilliant book demands we stare into that abyss and rethink our securest certainties about what is actually going on in the climate crisis. It’s lucidly unsettling and yet in the end empowering. There is something we can do, and it starts with where we look, how we see and what we choose to change.’ Brian Eno, Musician ‘[A] rich book, which like a poetic or religious text deserves multiple readings’ Richard Smith, British Medical Journal ‘I consider this book a must-read for all those activists feeling lost, desperate and perhaps subject to ‘press-on-itis'.’ Gail Bradbrook, cofounder, Extinction Rebellion Dougald Hine, world-renowned environmental thinker, has spent most of his life talking to people about climate change. And then one afternoon in the second year of the pandemic, he found he had nothing left to say. Why would someone who cares so deeply about ecological destruction want to stop talking about climate change now? At Work in the Ruins explores that question. ‘Climate change asks us questions that climate science cannot answer,’ Dougald says. Questions like, how did we end up in this mess? Is it just a piece of bad luck with atmospheric chemistry – or is it the result of a way of approaching the world that would always have brought us to such a pass? How we answer such questions also has consequences. Through our over-reliance on the single lens of science, Dougald writes that we are blinded to the nature of the crises around and ahead of us, leading to ‘solutions’ that can only make things worse. At Work in the Ruins is his reckoning with the strange years we have been living through and our long history of asking too much of science. He offers guidance by standing firmly forward and facing the depth of the trouble we are in, to ultimately, helps us find the work that is worth doing, even in the ruins.

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One of the most iconic characters in children’s books Join the world’s most famous travelling reporter in his exciting adventures as he faces ruthless gangsters in The Red Sea Sharks, scales mountain peaks in Tintin in Tibet, and solves a baffling case of theft in The Castafiore Emerald. The seventh of eight volumes containing Hergé’s best loved adventure stories, with three thrilling mysteries: The Red Sea SharksThere's a rebellion in Khemed and the Emir's life is in danger! He has entrusted his mischievous son to Captain Haddock's care, but when an old friend of Tintin's is caught smuggling arms to the Khemed rebels, they must jump straight on a plane to find out what on earth is going on … Tintin in TibetTintin's friend Chang has been killed in a terrible plane crash and Tintin is distraught. But after a strange dream, Tintin becomes convinced Chang is alive. Together with Captain Haddock, he sets out on an impossible mission, an adventure deep into the mountains, through blizzards and caves of ice. They must find Chang at all costs! The Castafiore EmeraldWhen Captain Haddock meets a palm reader, he dismisses a forewarning about a beautiful lady’s stolen jewels. But when the famous opera singer Bianca Castafiore suddenly descends on Marlinspike Hall, the palm reader’s prediction seems to be all too real. Can Tintin catch the emerald thief? Join the most iconic character in comics as he embarks on extraordinary adventures spanning historical and political events. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time.

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The Everyman edition reprints the classic black and white illustrations of C. Walter Hodges which accompanied the first edition in 1954.Around the year 117 AD, the Ninth Legion, stationed at Eburacum - modern day York - marched north to suppress a rebellion of the Caledonian tribes, and was never heard of again. During the 1860s, a wingless Roman Eagle was discovered during excavations at the village of Silchester in Hampshire, puzzling archaeologists and scholars alike. Rosemary Sutcliff weaves a compelling story from these two mysteries, dispatching her hero, the young Roman officer Marcus Aquila, on a perilous journey beyond Hadrian's Wall to find out what happened to the discredited legion in which his father served, and to salvage, if he can, its Eagle and its honour.All the essential elements of a classic adventure are here - the daring quest, the uncovering of the secrets of the past, and a nerve-racking escape across the mountains, pursued by vengeful tribesmen. But it is the human element which triumphs, and one of the most memorable scenes in the book is Marcus appealing to a crowd baying for blood to save a young British gladiator from certain death during the Saturnalia Games. Proud son of a Brigantian chieftain, Esca becomes his slave, then his freedman, and the indispensable companion of his travels. The Eagle of the Ninth is partly the story of their growing friendship, crossing the divide created by conquest and colonialism; and partly Marcus's journey of self-discovery as he learns of his father's fate and comes to terms with the end of his own military career. At the end he embraces a different, more hopeful future - not in Rome but 'under the pale and changeful northern skies' - acquiring a farm in the Downs, and marrying the girl next door.The Eagle of the Ninth has all its author's hallmark qualities - a mature and complex story, a wealth of historical detail, cultural sensitivity, wit and compassion. Above all, Sutcliff is able to conjure up the atmosphere of a distant age in a totally convincing way. It is hardly surprising that her work would set the standard for all historical fiction to come.

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Michael Kingman thought he was going to die by the executioner's axe, forever labelled as a traitor. Still alive, and under the protection of the Orbis Mercenary company, Michael and his family and friends are deeply involved in the seemingly rival conspiracies that are tearing The Hollows apart. With the death of the King, both the Corrupt Prince and his sister Serena are vying for the throne, while the Rebel Emperor is spreading lies amongst the people, and all of them want Michael dead. This is a story of betrayal, murder, and rebellion, and in this direct sequel to the debut novel The Kingdom of Liars, also some hope for justice.For readers who love the intrigue and widening scope of epic fantasy like Sanderson's Mistborn and Week's The Black Prism, this is your next must-read fantasy series.Praise for The Kingdom of Liars:'An excellent fantasy debut, with engaging worldbuilding and a good mix between action and character. I thoroughly enjoyed the novel, and look forward to following Nick's sure-to-be lengthy writing career' - Brandon Sanderson, #1 New York Times best-selling author of The Stormlight Archive series'A symphony of loyalty, greed, family, and betrayal set in an innovative culture!' - Tamora Pierce, #1 New York Times bestselling author of Tempests and Slaughter'With a smartly plotted story, great world-building, flawed but fascinating characters and plenty of mystery, The Kingdom of Liars is a terrific debut' - James Islington, author of The Shadow of What Was Lost'A richly rewarding fantasy that seethes with mysteries, fuzed with a mindscrew of a magic system. This, dear readers, is the good stuff' - Jeremy Szal, author of Stormblood'Nick Martell's debut The Kingdom of Liars lives up to its name, with so many truths and lies interwoven that nothing is as it seems and surprises lurk across every turn of the page. Michael's tale is nothing, if not thrilling' - Ryan Van Loan, author of The Sin in the Steel"This smart, briskly told high fantasy entertains all the way until the unexpected end' - Publishers Weekly

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'My favourite kind of grand space opera'BEN AARONOVITCH, Sunday Times-bestselling author of the Rivers of London series6066: In Emperor Thracin's brave new galaxy, humans are not citizens but indentured labourers, working to repay the debt they unwittingly incurred when they settled on Gahraan - a desert planet already owned by the emperor himself. Asha Akindele knows she's just another voiceless cog working the assembly lines that fuel his vast imperial war machine. Her only rebellion: studying stolen aeronautics manuals in the dead of night. But then a cloaked stranger arrives to deliver an impossible message, and her life changes in an instant.1812: Obi Amadi is done with time-travelling. Never mind the fact he doesn't know how to cure himself of the temporal sickness he caught whilst anchoring his soul to Regency London, the one that unmakes him further with every jump. Or if the prince he loves will ever love him back. Or why his father disappeared. He is done. Until he hears about the ghost of a girl in the British Museum. A girl from another time.When Obi's path tangles with Asha's and a prophecy awakens in the cold darkness of space, they must voyage through the stars, racing against time, tyranny, and the legacy of three heroes from an ancient religion who may be awakening, reincarnated in ways beyond comprehension.A love letter to Black readers of science-fantasy, The Principle of Moments is a symphonic, centuries-spanning adventure - unmissable for fans of the spacefaring found family of Becky Chambers, the alternate London of V. E. Schwab, and the virtuosic climate-craft of N. K. Jemisin.WHAT READERS ARE SAYING:'This is a brilliant debut. The world-building is great, and I love how we get a little bit of mythology at the start of each chapter, and slowly start to understand how it relates to the story... I did not want to put it down' Sarah, NetGalley reader review'Totally different to what I would usually read - a mixture of Star Wars meets Doctor Who in an epic spacey scifi fantasy saga... Fantastic and captivating' Julia, NetGalley reader review'SUCH A BRILLIANT DEBUT for Esmie Jikiemi-Pearson! I devoured it' Caleb, NetGalley reader review

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The recovery of the ideas and experiences of William Manning is a major event in the history of the American Revolutionary era. A farmer, foot soldier, and political philosopher, Manning was a powerful democratic voice of the common American in a turbulent age. The public crises of the infant republic—beginning with the Battle of Concord—shaped his thinking, and his writings reveal a sinewy mind grappling with some of the weightiest issues of the nation’s founding. His most notable contribution was the first known plan for a national political association of laboring men. That plan, and Manning’s broader conclusions, open up a new vista on the popular origins of American democracy and the invention of American politics.Until now, only a few specialists have referred to any of Manning’s writings—though always with some wonderment at his sophistication—and his place as a pioneering and exemplary American democrat has been largely unacknowledged. In this new and complete presentation of his works, the often arid debates over “republicanism” and “liberalism” in early America come to life in vivid human detail. The early growth of democratic impulses among quite ordinary people—impulses that defy orthodox categories, yet come closer to describing the ferment that led to the repeated political conflicts of the late eighteenth century—is here visible and felt. The Key of Liberty allows us a fuller understanding of the popular responses to the major political battles of the early republic, from Shays’ Rebellion through the election of Thomas Jefferson. It offers, better than any book yet published, a grassroots view of the rise of democratic opposition in the new nation. It sheds considerable light on the popular culture—literary, religious, and profane—of the epoch, with more exactness than previous histories, presenting a new interpretation of early American democracy that is bound to be controversial and much discussed.The editors have written a lengthy and detailed introduction placing Manning and his writings in broad context. They have also modernized the text for easy use and have included full annotation, making this volume an authoritative contribution to the American Revolution and its aftermath.

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This groundbreaking new book presents 60 projects - past and present, real and imagined - of 'anarchist' architecture. From junk playgrounds to Extinction Rebellion in the UK, from Christiania to the Calais Jungle in Europe, and from Dignity Village to Slab City in the USA - all are motivated by the core values of autonomy, voluntary association, mutual aid and self-organisation. Taken as a whole, they are meant as an inspiration to build less uniformly, more inclusively and more freely.Architecture and Anarchism documents and illustrates 60 projects, past and present, that key into a libertarian ethos and desire for diverse self-organised ways of building. They are what this book calls an 'anarchist' architecture, that is, forms of design and building that embrace the core values of traditional anarchist political theory since its divergence from the mainstream of socialist politics in the 19th century. These are autonomy, voluntary association, mutual aid, and self-organisation through direct democracy. As the book shows, there are a vast range of architectural projects that can been seen to refl ect some or all of these values, whether they are acknowledged as specifically anarchist or otherwise.Anarchist values are evident in projects that grow out of romantic notions of escape - from isolated cabins to intentional communities. Yet, in contrast, they also manifest in direct action - occupations or protests that produce micro-countercommunities. Artists also produce anarchist architecture - intimations of much freer forms of building cut loose from the demands of moneyed clients; so do architects and planners who want to involve users in a process normally restricted to an elite few. Others also imagine new social realities through speculative proposals. Finally, building without authority is, for some, a necessity - the thousands of migrants denied their right to become citizens, even as they have to live somewhere; or the unhoused of otherwise affl uent cities forced to build improvised homes for themselves.The result is to significantly broaden existing ideas about what might constitute anarchism in architecture and also to argue strongly for its nurturing in the built environment. Understood in this way, anarchism off ers a powerful way of reconceptualising architecture as an emancipatory, inclusive, ecological and egalitarian practice.

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In June 1973, amid ideological rifts in the U.S. gay liberation movement, thousands of people gathered in New York City's Washington Square Park to commemorate the fourth anniversary of the Stonewall Rebellion. Partway through the rally, Street Transvestite Action Revolutionaries (STAR) co-founder Sylvia Rivera fought her way to the stage to address the predominantly white, middle class lesbian and gay crowd. Over the din of their boos and jeers, Rivera reprimanded the crowd for failing in their responsibilities to their "gay brothers and sisters" in jail, detailed the sacrifices she had made for the movement, and called them into the politics of STAR, "The people who are trying to do something for all of us and not men and women that belong to a white middle class white club! And that is what you all belong to!" Rivera's appeal thus worked through a push-pull of distance and belonging, shaming the movement for its assimilatory turn while invoking forms of kinship and calling her listeners into an expansive multi-issue liberation politics. How does a sense of intimacy call people into political community? If We Were Kin is about the we of politics--how that we is made, fought over, and remade--and how these struggles lie at the very core of questions about power and political change. Across a range of sites in racial justice and queer/trans liberation movements--from speeches by James Baldwin and Sylvia Rivera in the 1960s and 1970s to contemporary immigrant justice campaigns by the antiracist LGBTQ organization Southerners on New Ground (SONG)--Lisa Beard traces a distinct lineage of appeals that challenge atomized and hierarchical racial formations in the United States and advance powerful visions of political relationships rooted in mutuality and shared freedom. In plumbing the deeper registers of identificatory appeals, Beard transforms understandings of identity, solidarity, political confrontation, and apparent loss/failure as points of possibility. If We Were Kin offers an innovative account of racial politics and political theory rooted in Black, Latinx, queer, and trans activism in twentieth and twenty-first century America.

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When Jean-Jacques Dessalines proclaimed Haitian independence on January 1, 1804, Haiti became the second independent republic, after the United States, in the Americas; the Haitian Revolution was the first successful antislavery and anticolonial revolution in the western hemisphere. The histories of Haiti and the early United States were intimately linked in terms of politics, economics, and geography, but unlike Haiti, the United States would remain a slaveholding republic until 1865. While the Haitian Revolution was a beacon for African Americans and abolitionists in the United States, it was a terrifying specter for proslavery forces there, and its effects were profound. In the wake of Haiti's liberation, the United States saw reconfigurations of its geography, literature, politics, and racial and economic structures. The Haitian Revolution and the Early United States explores the relationship between the dramatic events of the Haitian Revolution and the development of the early United States. The first section, "Histories," addresses understandings of the Haitian Revolution in the developing public sphere of the early United States, from theories of state sovereignty to events in the street; from the economic interests of U.S. merchants to disputes in the chambers of diplomats; and from the flow of rumor and second-hand news of refugees to the informal communication networks of the enslaved. The second section, "Geographies," explores the seismic shifts in the ways the physical territories of the two nations and the connections between them were imagined, described, inhabited, and policed as a result of the revolution. The final section, "Textualities," explores the wide-ranging consequences that reading and writing about slavery, rebellion, emancipation, and Haiti in particular had on literary culture in both the United States and Haiti. With essays from leading and emerging scholars of Haitian and U.S. history, literature, and cultural studies, The Haitian Revolution and the Early United States traces the rich terrain of Haitian-U.S. culture and history in the long nineteenth century. Contributors: Anthony Bogues, Marlene Daut, Elizabeth Maddock Dillon, Michael Drexler, Laurent Dubois, James Alexander Dun, Duncan Faherty, Carolyn Fick, David Geggus, Kieran Murphy, Colleen O'Brien, Peter P. Reed, Siân Silyn Roberts, Cristobal Silva, Ed White, Ivy Wilson, Gretchen Woertendyke, Edlie Wong.

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The stunning biographical portraits in Modern Girls, Shining Stars, the Skies of Tokyo, some adapted from essays that first appeared in The New Yorker, explore the lives of five women who did their best to stand up and cause more trouble than was considered proper in Japanese society. Their lives stretch across a century and a half of explosive cultural and political transformations in Japan. These five artists-two actresses, two writers, and a painter-were noted for their talents, their beauty, and their love affairs rather than for any association with politics. But through the fearlessness of their art and their private lives, they influenced the attitudes of their times and challenged the status quo. Phyllis Birnbaum presents her subjects from various perspectives, allowing them to shine forth in all of their contradictory brilliance: generous and petulant, daring and timid, prudent and foolish. There is Matsui Sumako, the actress who introduced Ibsen's Nora and Wilde's Salome to Japanese audiences but is best remembered for her ambition, obstreperous temperament and turbulent love life. We also meet Takamura Chieko, a promising but ultimately disappointed modernist painter whose descent into mental illness was immortalized in poetry by a husband who may well have been the source of her troubles. In a startling act of rebellion, the sensitive, aristocratic poet Yanagiwara Byakuren left her crude and powerful husband, eloped with her revolutionary lover, and published her request for a divorce in the newspapers. Uno Chiyo was a popular novelist who preferred to be remembered for the romantic wars she fought. Willful, shrewd, and ambitious, Uno struggled for sexual liberation and literary merit. Birnbaum concludes by exploring the life and career of Takamine Hideko, a Japanese film star who portrayed wholesome working-class heroines in hundreds of films, working with such directors as Naruse, Kinoshita, Ozu, and Kurosawa. Angry about a childhood spent working to provide for greedy relatives, Takamine nevertheless made peace with her troubled past and was rewarded for years of hard work with a brilliant career. Drawing on fictional accounts, interviews, memoirs, newspaper reports, and the creative works of her subjects, Birnbaum has created vivid, seamless narrative portraits of these five remarkable women.

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Don’t miss this gripping historical novel from the USA Today bestselling author of The Girl From Bletchley Park. A country rebellingIt’s 1916 and, as war rages in Europe, Gráinne leaves her job in a department store to join Countess Markiewicz’s revolutionary efforts. It is a decision which will change her life forever. A rebellion is brewing, and as Dublin’s streets become a battleground, Gráinne soon discovers the personal cost of fighting for what you believe in… A forgotten sacrificeDecades on, student Nicky is recovering from a break-up when a research project leads her to her great-grandmother’s experiences in revolutionary Ireland. When Nicky finds a long-forgotten handkerchief amongst her great-grandmother’s things, it leads to the revelation of a heartbreaking story of tragedy and courage, and those who sacrificed everything for their country. Inspired by a heartbreaking true story, this emotional historical novel will sweep you away to the Emerald Isle. Perfect for fans of Jean Grainger, Sandy Taylor and Fiona Valpy. Readers LOVE The Girl with the Emerald Flag! ‘Kathleen never disappoints’ Amazon reviewer ⭐⭐⭐⭐⭐ ‘The mark of an excellent book – when you don't want it to be finished and when you want to find out more about the subject…This book was an education as well as entertaining – as always well written and one not to put down until it was finished.’ Amazon reviewer ⭐⭐⭐⭐⭐ ‘If you like getting your history from fictional stories rather than dry tomes then this is the book for you. I'd highly recommend it!’ Amazon reviewer ⭐⭐⭐⭐⭐ ‘This is a book that has been researched so well and so accurate, attention to detail is brilliant, I loved this from start to finish and can highly recommend for a very true to life book.’ Amazon reviewer ⭐⭐⭐⭐⭐ ‘I absolutely loved reading 'The Girl With The Emerald Flag' and I would certainly recommend it to other readers. I will definitely be reading more of Kathleen's work in the future’ Amazon reviewer ⭐⭐⭐⭐⭐

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The Sunday Times bestseller Shortlisted for the Women’s Prize for Fiction Longlisted for the Booker Prize ‘It is a book not read, but lived’ Telegraph ‘Her Cromwell novels are, for my money, the greatest English novels of this century’ Observer The bestselling sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Wolf Hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it?’ England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. A Guardian Book of the Year • A Times Book of the Year • A Daily Telegraph Book of the Year • A Sunday Times Book of the Year • A New Statesman Book of the Year • A Spectator Book of the Year Sunday Times Bestseller (08/03/2020)

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For the first time ever, a beautiful slipcased edition of the forerunner to The Lord of the Rings, illustrated throughout in colour by J.R.R. Tolkien himself, with the complete text printed in two colours and with many bonus features unique to this edition. The Silmarilli were three perfect jewels, fashioned by Fëanor, most gifted of the Elves, and within them was imprisoned the last Light of the Two Trees of Valinor. But the first Dark Lord, Morgoth, stole the jewels and set them within his iron crown, guarded in the impenetrable fortress of Angband in the north of Middle-earth. The Silmarillion is the history of the rebellion of Fëanor and his kindred against the gods, their exile from Valinor and return to Middle-earth, and their war, hopeless despite all the heroism, against the great Enemy. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The book also includes several shorter works: the Ainulindalë, a myth of the Creation, and the Valaquenta, in which the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings. This deluxe slipcased edition contains the complete text, which is printed in two colours and features, for the very first time, more than 50 colour paintings, illustrations and designs drawn by J.R.R. Tolkien himself as he composed this epic work. Unique to this edition are two poster-size, fold-out maps revealing all the detail of Beleriand as the tales grew, an illustrated booklet featuring ‘A Brief Account of The Silmarillion and its Making’ by Christopher Tolkien, and a printed art card reproducing ‘Taniquetil’. It is additionally quarterbound in blue leather, with raised ribs on the spine, stamped in three foils on black cloth boards, and housed in a custom-built clothbound slipcase. The pages are edged in silver and include a ribbon marker.

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LONGLISTED FOR THE WALTER SCOTT HISTORICAL FICTION PRIZE 2021SHORTLISTED FOR THE HWA GOLD CROWN AWARD 2020'A STRIKINGLY SHARP AND SUBTLE WRITER' Guardian'SUPERB...BEAUTIFULLY WRITTEN...UNFORGETTABLE' FT Weekend'SKILFUL' Sunday Times 'RICH, INTRICATE, IMPRESSIVELY REALISED' Observer 'VIVIDLY REALISED' The Times'A VISION OF THE PAST AND A VISION OF THE FUTURE' Irish Times'A VIVID SLICE OF HISTORICAL FICTION' Sunday Express1815, Sumbawa Island, IndonesiaMount Tambora explodes in a cataclysmic eruption, killing thousands. Sent to investigate, ship surgeon Henry Hoggcan barely believe his eyes. Once a paradise, the island is now solid ash, the surrounding sea turned to stone. But worse is yet to come: as the ash cloud rises and covers the sun, the seasons will fail.1816In Switzerland, Mary Shelley finds dark inspiration. Confined inside by the unseasonable weather, thousands of famine refugees stream past her door. In Vermont, preacher Charles Whitlock begs his followers to keep faith as drought dries their wells and their livestock starve.In Suffolk, the ambitious and lovesick painter John Constable struggles to reconcile the idyllic England he paints with the misery that surrounds him. In the Fens, farm labourer Sarah Hobbs has had enough of going hungry while the farmers flaunt their wealth. And Hope Peter, returned from the Napoleonic wars, finds his family home demolished and a fence gone up in its place. He flees to London, where he falls in with a group of revolutionaries who speak of a better life, whatever the cost. As desperation sets in, Britain becomes beset by riots - rebellion is in the air.The Year Without Summer is the story of the books written, the art made; of the journeys taken, of the love longed for and the lives lost during that fateful year. Six separate lives, connected only by an event many thousands of miles away. Few had heard of Tambora - but none could escape its effects.'VIVID, VIBRANT, HARD TO PUT DOWN' Hilary Spurling'THOUGHT-PROVOKING, BEAUTIFULLY WRITTEN AND VERY COMPELLING' Harriet Tyce'INGENIOUS AND ABSORBING' Kirsty Wark 'ASTONISHING, RIVETING, MASTERFUL, POETIC' Emily Rapp Black 'A WORLDWIDE CANVAS BROUGHT TO LIFE IN VIVID, HEARTBREAKING DETAIL' Marianne Kavanagh

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Rarely has an air force gone into combat as poorly prepared and outgunned as the Royal Hellenic Air Force had to when Mussolini's Italy dragged Greece into war on 28 October 1940. Without warning, as Italian forces poured over the frontier from Albania, the RHAF's paltry effective lineup of 128 battleworthy aircraft, most of them obsolete, were pitted against the 463 fielded by the Regia Aeronautica, whose pilots had honed their skills in the Spanish Civil War. On the Greek side, though, aces such as Marinos Mitralexis, with his audacious ramming of an Italian bomber on the fifth day of the war, ensured that morale in the RHAF remained high. Though the RAF pitched in with whatever help it could provide in machines and manpower, the aerial war was unequal from the first. By the end of 1940 the RHAF was seriously depleted, though individual pilots and crews continued to fight valiantly. The end came in April 1941 when Hitler sped to the rescue of the Duce. The Luftwaffe blasted out of the sky what remained of the RHAF and whatever RAF units remained to help out its last stand. A single mira (squadron), with just 5 Avro Ansons escaped intact to Egypt, where British forces were bracing for Rommel's onslaught. Out of this small squadron grew three full mirai, whose pilots, now equipped with modern aircraft, played a decisive part in the Allied victory at El Alamein. Until Greece was liberated in October 1944 the RHAF units in the Allied air forces ranged over targets in the Aegean Sea, Italy and Yugoslavia. The RHAF was little affected by a communist-inspired mutiny in the Greek forces in Egypt that briefly threatened to neutralize the Greek contribution. After the end of World War II the RHAF was called upon to confront the threat of an attempted communist takeover of Greece and played a major part in overcoming the rebellion and saving the country for the West. Meticulous research interwoven with first-hand accounts makes this a fitting tribute to the skill and heroism of the Greek airmen and a valuable account of a neglected aspect of WWII air warfare.

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This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of William Blake (1757-1827). Accompanied by full scholarly apparatus, this authoritative edition enables students to explore Blake's poetry, illuminated poetry, and prose alongside selections from his letters, manuscripts, notebook, advertising pamphlets, marginalia, and works he printed in conventional letterpress. The edition arranges Blake's works in chronological order, according to the date when they were first printed or, in the case of unpublished works, the years in which they were composed. With the help of editorial headnotes and annotations, this arrangement brings to the foreground Blake's material and intellectual labours as a poet, painter, prophet, and non-academic philosopher; the networks of acquaintances, friends, patrons, and enemies who helped support or provoke this work; and the tumultuous historical events he responded to, which included the beginning of modern feminism, the agricultural and industrial revolutions, the American and French Revolutions, William Pitt's so-called 'Reign of Terror' in Britain, an attempted revolution in Ireland (1798), a successful slave rebellion in Haiti (1791-1804), and the French revolutionary and Napoleonic wars. Some editions attempt to sanitize Blake, by hiding from view the most startling elements of his thought; but in this edition Blake's sexual, political, religious, and poetic heterodoxy comes into full view. At the same time, this edition foregrounds the dynamics of Blake's composite art, with equal weight given to its verbal and visual dimensions; makes visible the chief lines of force that structure his oeuvre; and highlights his developing thought on sapphism, sodomy, the body, relations between the sexes, the roots of violence, and the politics of imagination. This is a Blake whose dialogue with his own time anticipates much later developments, including modern depth psychologies; analyses of the social and psychological dynamics of war and peace; interest in the body, sexuality, and gender; and experiments in the relation between actual and virtual realities—a Blake who is provocative, unsettling, exhilarating, and somehow our contemporary. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Blake, and a Chronology.

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Using recently opened archives, this book provides new insights into the history of the British intelligence community and helps explain Anglo-Irish relations during a time of momentous change. The lessons it draws still echo today, as Britain contends with the threat posed by violent militants, whether from Ireland or further afield. One of the Irish Times' Books of the Year, 2008 The struggle between British intelligence agencies and Irish revolutionaries has lasted for centuries - and still goes on. But it was at its most intense during the first half of the twentieth century. Ireland experienced a bloody rebellion, bitter partition and a stuttering march towards independence. Britain grappled with imperial decline and world war, while government agencies were worrying about being stabbed in the back by their Irish neighbour. Using recently opened archives, this book reveals for the first time how intelligence and intelligence agencies shaped Anglo-Irish relations during this formative period. The book casts light on characters long kept in the shadows - IRA gunrunners, Bolshevik agitators, Nazi saboteurs, British double agents. It shows what happened when Irish revolutionaries stopped fighting, formed governments and started sharing information with London - while doing everything possible to hide this from the Irish public. It also fills in a missing chapter in the history of the British intelligence community, tracing its evolution from amateurishbeginnings, through a painful adolescence, to the sophisticated apparatus that is largely still with us. The book probes some deeper questions about intelligence and the complex Anglo-Irish relationship. What has the most influence on government policy? The work of professional intelligence agencies? Or the misconceptions and preconceptions that politicians and civil servants bring to their jobs? Why are secrets so seductive - and sometimes so misleading? Packed with anecdotes and unexpected paradoxes, this book provides new insights into the history of the British intelligence community and helps explain the twists and turns of Anglo-Irish relations during a time of momentous change. The lessons it draws still echo today, as Britain contends with the threat posed by violent militants, whether from Ireland or further afield. PAUL MCMAHON received his bachelor's degree from University College Dublin, before studying for an MPhil and a PhD at Cambridge University. He has worked as a management consultant and policy advisor focussing on climate change and food security.

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First published in 1988, Marc Egnal's now classic revisionist history of the origins of the American Revolution, focuses on five colonies—Massachusetts, New York, Pennsylvania, Virginia, and South Carolina—from 1700 to the post-Revolutionary era. Egnal asserts that throughout colonial America the struggle against Great Britain was led by an upper-class faction motivated by a vision of the rapid development of the New World. In each colony the membership of this group, which Egnal calls the expansionist faction, was shaped by self-interest, religious convictions, and national origins. According to Egnal, these individuals had long shown a commitment to American growth and had fervently supported the colonial wars against France, Spain, and Native Americans. While advancing this interpretation, Egnal explores several salient aspects of colonial society. He scrutinizes the partisan battles within the provinces and argues that they were in fact clashes between the expansionists and a second long-lived faction that he calls the "nonexpansionists." Through close analysis he shows how economic crisis—the depression of the 1760s—influenced the colonists' behavior. And although he focuses on the initiative and leadership of the elite, Egnal also investigates the part played by the "common people" in the rebellion. A Mighty Empire contains insightful sketches of Benjamin Franklin, John Adams, and other revolutionary leaders and makes clear the human dimensions of the clash with Great Britain. The final chapter provides a new context for understanding the writing of the Constitution and considers the links between the Revolution and modern America. An appendix lists members of the colonial factions and identifies their patterns of political commitment. Now back in print with a new preface, A Mighty Empire is a valuable addition to the debate over the role of ideas and interests in shaping the Revolution. For the 2010 edition, Egnal reviews how interpretations of the American Revolution have developed since the publication of his landmark volume. In his new preface he considers and critiques explanations for the Revolution founded on ideology, the role of non-elite Americans, and British politics. Egnal also looks to a trend in the writing of the history of the Revolution that considers its effects more than its causes and thereby grapple with the conflicts ingredient in the nascent American empire. With great lucidity, he shows where the writing of history has gone since the appearance of A Mighty Empire and makes a case for its continuing relevance.

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Defiance against Chinese oppression has been a defining characteristic of Tibetan life for more than four decades, symbolized most visibly by the much revered Dalai Lama. But the story of Tibetan resistance weaves a far richer tapestry than anyone might have imagined. Kenneth Conboy and James Morrison reveal how America's Central Intelligence Agency encouraged Tibet's revolt against China—and eventually came to control its fledgling resistance movement. While the CIA's presence in Tibet has been alluded to in other works, the authors provide the first comprehensive, as well as most compelling account of this little known agency enterprise.The CIA's Secret War in Tibet takes readers from training camps in the Colorado Rockies to the scene of clandestine operations in the Himalayas, chronicling the agency's help in securing the Dalai Lama's safe passage to India and subsequent initiation of one of the most remote covert campaigns of the Cold War. Establishing a rebel army in the northern Nepali kingdom of Mustang and a para-commando force in India designed to operate behind Chinese lines, Conboy and Morrison provide previously unreported details about secret missions undertaken in extraordinarily harsh conditions. Their book greatly expands on previous memoirs by CIA officials by putting virtually every major agency participant on record with details of clandestine operations. It also calls as witnesses the people who managed and fought in the program—including Tibetan and Nepalese agents, Indian intelligence officers, and even mission aircrews.Conboy and Morrison take pains to tell the story from all perspectives, particularly that of the former Tibetan guerrillas, many of whom have gone on record here for the first time. The authors also tell how Tibet led America and India to become secret partners over the course of several presidential administrations and cite dozens of Indian and Tibetan intelligence documents directly related to these covert operations. Ultimately, they are persuasive that the Himalayan operations were far more successful as a proving ground for CIA agents who were later reassigned to southeast Asia than as a staging ground for armed rebellion. As the movement for Tibetan liberation continues to attract international support, Tibet's status remains a contentious issue in both Washington and Beijing. This book takes readers inside a covert war fought with Tibetan blood and U. S. sponsorship and allows us to better understand the true nature of that controversy.

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Through Chinese Eyes tells the sweeping story of Chinese history, politics and culture — from ancient China to the turbulent transformation of the last thirty years — through the eyes of its own citizens. Speeches and writings from Chinese leaders and political activists are interspersed with thoughtful analysis by the editors, Edward Vernoff and Peter J. Seybolt. Artwork cleverly illustrating the complexity of modern China includes photos of Western-style billboards in Chinese cities, the cover of a Chinese copy of Monopoly and a deck of cards using pictures of Western currencies for the high cards and Asian currencies for the low cards. Half the material in this Third Edition of Through Chinese Eyes relates to changes in Chinese society since the 1980s. The Era of Reform section describes the changes, engineered primarily by Deng Xiaoping, that have taken place in China during the last two decades. China and the World discusses the role of China on the world stage, with a particular focus on international relations since the 1970s. It includes a section on Chinese relations with the United States. This edition is an expanded and updated version of the 1974 classic, slightly revised in 1981. Material from the classic text, that makes this third edition twice the size of the original, includes: Revolution: A Nation Stands Up, recounting the conditions in rural China in the 1940s and the Communist transformation of village life during the civil war; The Conservative Tradition, presenting aspects of Confucianism which dominated Chinese society for over two millennia; and The Era of Mao Zedong, presenting the story of the Communist Revolution from its beginnings in the 1920s until the death of Mao in 1976. A new section, The Seeds of Revolution, provides examples of the Chinese counter-tradition of equality and rebellion and foreshadows the revolution. Through Chinese Eyes is the third edition of a classic CITE book. CITE, the Center for International Training and Education, is a program of the Council on International and Public Affairs' "World Cultures Series," a group of books that presents world cultures to readers through the "eyes" of its own peoples. Known as the "Eyes" books, these textbooks - regularly updated - have sold more than half a million copies since the early 1970s. In 2004, one of the series (Through Middle Eastern Eyes) was a winner of the American Library Association's Choice Magazine Outstanding Academic Title Award.

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World War I ushered in a renewed scramble for Africa. At its helm, Jan Smuts grabbed the opportunity to realise his ambition of a Greater South Africa. He set his sights upon the vast German colonies of South-West Africa and East Africa - the demise of which would end the Kaiser's grandiose schemes for Mittelafrika. As part of his strategy to shift South Africa's borders inexorably northward, Smuts even cast an eye toward Portuguese and Belgian African possessions.Smuts, his abilities as a general much denigrated by both his contemporary and then later modern historians, was no armchair soldier. This cabinet minister and statesman donned a uniform and led his men into battle. He learned his soldiery craft under General Koos De la Rey's tutelage, and another soldier-statesman, General Louis Botha during the South African War 1899-1902. He emerged from that war, immersed in the Boer manoeuvre doctrine he devastatingly waged in the guerrilla phase of that conflict. His daring and epic invasion of the Cape at the head of his commando remains legendary. The first phase of the German South West African campaign and the Afrikaner Rebellion in 1914 placed his abilities as a sound strategic thinker and a bold operational planner on display. Champing at the bit, he finally had the opportunity to command the Southern Forces in the second phase of the German South West African campaign.Placed in command of the Allied forces in East Africa in 1916, he led a mixed bag of South Africans and Imperial troops against the legendary Paul von Lettow-Vorbeck and his Shutztruppe. Using his penchant for Boer manoeuvre warfare together with mounted infantry led and manned by Boer Republican veterans, he proceeded to free the vast German territory from Lettow-Vorbeck's grip. Often leading from the front, his operational concepts were an enigma to the British under his command, remaining so to modern-day historians. Although unable to bring the elusive and wily Lettow-Vorbeck to a final decisive battle, Smuts conquered most of the territory by the end of his tenure in February 1917.General Jan Smuts and his Great War in Africa makes use of multiple archival sources and the official accounts of all the participants to provide a long-overdue reassessment of Smuts's generalship and his role in furthering the strategic aims of South Africa and the British Empire in Africa during World War I.

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The incredible true story of the only woman to have worked during the Second World War as a codebreaker at both Bletchley Park and the Pentagon Betty Webb is the only surviving codebreaker to have worked on both Nazi and Japanese codes at Bletchley Park during the Second World War. This is the tale of her extraordinary life. Betty has had a ringside seat to history. Born one hundred years ago, she spent her childhood in the Shropshire countryside during the 1920s – without heating, electricity or running water. As a schoolgirl, thanks to her mother’s desire for her to learn to speak German proficiently, she took part in an exchange programme and spent time in Nazi Germany. It was 1937 and Germany was on the cusp of war. As a small act of rebellion, she refused to give the Nazi salute alongside her classmates. Back in England, after graduating from school, Betty faced the usual limited opportunities for employment on offer to women at the time. However, with the war in full swing, fate intervened and in 1941, wanting to play her part in the war effort, Betty joined the Auxiliary Territorial Service (Women’s Army). After being interviewed by an intelligence officer, she found herself at Euston station with her kit-bag, a travel warrant in her pocket and instructions to get off the train at Bletchley Park. There, having signed the Official Secrets Act with a gun laid next to her on the table highlighting the enormous importance of the work she was about to do, she joined the ranks of the other men and women ‘codebreakers’. Between 1941 and 1945 Betty Webb played a vital role in the top-secret efforts being made to decipher the secret communications of the Germans and later the Japanese. In 1945, as other members of the forces returned home from the war in Europe, she was sent to the Pentagon and was in Washington DC when the atomic bombs fell and when Eisenhower announced the end of the war. Betty was unable to reveal the true nature of her work, even to her parents, until years later. In this fascinating book, she revisits the key moments of her life and recounts the incredible stories from her time at Bletchley Park.

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter flies out to Khemed to investigate a case of arms smuggling and the involvement of an old friend. There’s a rebellion in Khemed and the Emir’s life is in danger! He has entrusted his mischievous son to Captain Haddock’s care, but when an old friend of Tintin’s is caught smuggling arms to the Khemed rebels, they must jump straight on a plane to find out what on earth is going on . . . Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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For the first time ever, a very special edition of the forerunner to The Lord of the Rings, illustrated throughout in colour by J.R.R. Tolkien himself and with the complete text printed in two colours. The Silmarilli were three perfect jewels, fashioned by Fëanor, most gifted of the Elves, and within them was imprisoned the last Light of the Two Trees of Valinor. But the first Dark Lord, Morgoth, stole the jewels and set them within his iron crown, guarded in the impenetrable fortress of Angband in the north of Middle-earth. The Silmarillion is the history of the rebellion of Fëanor and his kindred against the gods, their exile from Valinor and return to Middle-earth, and their war, hopeless despite all the heroism, against the great Enemy. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The book also includes several shorter works: the Ainulindalë, a myth of the Creation, and the Valaquenta, in which the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings. Tolkien could not publish The Silmarillion in his lifetime, as it grew with him, so he would leave it to his son, Christopher Tolkien, to edit the work from many manuscripts and bring his father’s great vision to publishable form, so completing the literary achievement of a lifetime. This special edition presents anew this seminal first step towards mapping out the posthumous publishing of Middle-earth, and the beginning of an illustrious forty years and more than twenty books celebrating his father’s legacy. This definitive new edition includes, by way of an introduction, a letter written by Tolkien in 1951 which provides a brilliant exposition of the earlier Ages, and for the first time in its history is presented with J.R.R. Tolkien’s own paintings and drawings, which reveal the breathtaking grandeur and beauty of his vision of the First Age of Middle-earth.

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The adventurer and artist John Castle, of mixed British and Prussian descent, was one of several foreigners commissioned by the Russian Empire to take part in the Orenburg Expedition which started in 1734. Its aims were to secure and encircle Bashkiria, to the north of present-day western Kazakhstan. The Russians planned to establish a line of forts, a trading base and centre for overseeing the Kazakhs at Orenburg at the junction of the Or and Ural (Jaik) rivers and to investigate the natural resources of the region. The Expedition attracted numerous merchants, surveyors and curious travellers. Castle volunteered to visit Khan Abulkhayir of the Lesser Kazakh Horde and to negotiate with him on behalf of the Russians. At the time Abulkhayir had been compelled, against the will of his people, to swear an oath of allegiance to Russia, and the situation with the Kazakhs remained volatile. Castle set off into virtually uncharted territory in the midst of chaos due to a major Bashkir rebellion prompted by the Orenburg Expedition. During his two-month journey he recorded his impressions of places, people and customs. Castle's diary describes this dangerous journey, subsequent events and his return to safety. It provides information on the tense political dynamics of the time, on the ethnography, geography and natural resources of Kazakhstan and on the difficult interactions between foreign members of the Expedition and Russian officials. The diary's rich ethnographic content, which includes first-hand observations of exorcism and divination rituals and the local administration of justice, gives clear - and for its time extremely rare - insights into the combined use of customary Kazakh steppe practices and Islam. It is a major historiographical source because it is written from the point of view of a foreigner and not a Russian. This book is the first English translation (by Sarah Tolley) and edition of John Castle's Journal von der AO 1736 aus Orenburg zu dem Abul Geier Chan der Kirgis-Kaysak Tartarichen Horda - , Riga 1784 (Journal of a Journey undertaken in AO 1736 from Orenburg to Abul Geier, Khan of the Kirgis Caysak Horde - ). It reproduces the diary in full, with its glossary and 13 plates. These include unique illustrations of the Khan, his yurt and life on the steppe. An introduction provides the context of the Expedition, and footnotes accompany the text giving further clarifications and explanations.

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**Longlisted for Best Published Novel in the Wilbur Smith Adventure Writing Prize 2022**The sands of Egypt carry whispers of rebellion…The much-anticipated third novel in the William John Hazzard series, following Lords of the Nile.Egypt, September 1798. After tragedy at the Battle of the Nile, Hazzard is possessed by a dark vengeance: with the marines of 9 Company and their Bedouin allies he scours the Nile Delta for his nemesis, the French spy-catcher Citizen Derrien.However, among the sacred ibis and ever-shifting sands, Hazzard catches wind of something far more deadly: the stirrings of revolt in Cairo, the outbreak of plague, and the cold hand of Admiralty Intelligence. When riot explodes in the capital, Hazzard fears he is simply too late.Abandoned by the French Government, Napoleon and his army are now trapped in Egypt. When Bonaparte discovers that Al-Djezzar ‘the Butcher’ of Acre is gathering his forces to attack, he accepts the challenge.Riding with the Mamluk and the beautiful Shajar al-Durr, Hazzard engages French cavalry in the shadow of Ozymandias in ancient Thebes – and the Admiralty calls upon him once more as Napoleon launches his bloody crusade on Syria and the Holy Land to become the new Emperor in the East.From flaming battle at sea with the blockade fleet to massacre at the walls of Jaffa and Acre, this is Napoleon’s desperate bid to seize the Orient – and the next explosive chapter of the French occupation of Egypt. Perfect for fans of Bernard Cornwell and Simon Scarrow. Never give up the boat.Praise for Jonathan Spencer‘Eloquently crafted and dripping with richly detailed historical and fictional characters, Emperor of Dust is a riveting tale of heartbreak, anguish, courage and love. Spencer is a master storyteller, captivating and entertaining in ways seldom done in adventure literature today’ Quarterdeck on Emperor of Dust‘This is an outstanding novel, made even more remarkable by its debut status. Better than Sharpe, gripping and intense, Napoleon’s Run deserves to be a runaway success’ Ben Kane, Sunday Times bestselling author of Lionheart on Napoleon’s Run‘Hornblower meets Mission: Impossible. A thrilling, page-turning debut packed with rousing, rip-roaring action’ J. D. Davies, author of the Matthew Quinton Journals on Napoleon’s Run

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PARIS: A MILLION MEANINGS IN A SINGLE NAME Heiress. Party girl. Problem child. Selfie taker. Model. Reality star. Self-created. The labels attached to Paris Hilton. Founder. Entrepreneur. Pop Culture Maker. Innovator. Survivor. Activist. Daughter. Sister. Wife. Mother. The roles Paris embraces as a fully realized woman. Paris rose to prominence as an heiress to the Hilton hotel empire but cultivated her fame and fortune as the IT Girl of the aughts, a time marked by the burgeoning 24-hour entertainment news cycle and the advent of the celebrity blog. Using her celebrity brand, Paris set in motion her innovative business ventures, while being the constant target of tabloid culture that dismissively wrote her off as “famous for being famous.” With tenacity, sharp business acumen and grit, she built a global empire and, in the process, became a truly modern icon beloved around the world. Now, with courage, honesty, and humour, Paris Hilton is ready to take stock, place it all in context and share her story with the world. Separating the creation from the creator, the brand from the ambassador, Paris: The Memoir strips away all we thought we knew about a celebrity icon, taking us back to a privileged childhood lived through the lens of undiagnosed ADHD, a teenage rebellion that triggered a panicked – and perilous – decision by her parents. Led to believe they were saving their child’s life, Paris’s mother and father had her kidnapped and saw her sent to a series of ‘emotional growth boarding schools’, where she survived almost two years of verbal, physical and sexual abuse. In the midst of a hell we now call the ‘troubled teen industry’, Paris created a beautiful inner world where the ugliness couldn’t touch her. She came out, resolving to trust no-one but herself as she transformed that fantasy world into a multibillion-dollar reality. Recounting her perilous journey through pre-#MeToo sexual politics with grace, dignity and just the right amount of sass. Paris: The Memoir tracks the evolution of celebrity culture through the story of the figure at its leading edge, full of defining moments and marquee names. Most important, Paris shows us her path to peace while she challenges us to question our role in her story and in our own. Welcome to Paris.

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter flies out to Khemed to investigate a case of arms smuggling and the involvement of an old friend. There’s a rebellion in Khemed and the Emir’s life is in danger! He has entrusted his mischievous son to Captain Haddock’s care, but when an old friend of Tintin’s is caught smuggling arms to the Khemed rebels, they must jump straight on a plane to find out what on earth is going on … Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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When a spy and her mortal enemy crash-land on a dying planet, she must figure out how to survive long enough to uncover the deadly, galaxy-spanning conspiracy that landed them there. The Blighted Stars is the first book in an epic new space-opera trilogy from the author of the Philip K. Dick-nominated Velocity Weapon.She's a revolutionary. Humanity is running out of options. Habitable planets are being destroyed as quickly as they're found, and Naira Sharp thinks she knows the reason why. The all-powerful Mercator family has been controlling the exploration of the universe for decades, and exploiting any materials they find along the way under the guise of helping humanity's expansion. But Naira knows the truth, and she plans to bring the whole family down from the inside.He's the heir to the dynasty. Tarquin Mercator never wanted to run a galaxy-spanning business empire. He just wanted to study geology and read books. But Tarquin's father has tasked him with monitoring the settlement of a new planet, and he doesn't really have a choice in the matter. Disguised as Tarquin's new bodyguard, Naira plans to destroy the settlement ship before they land. But neither of them expects to end up stranded on a dead planet. To survive and keep her secret, Naira will have to join forces with the man she's sworn to hate. And together they will uncover a plot that's bigger than both of them.'Character-driven science fiction at its best - a taut novel with human questions at its heart'E. J. Beaton, author of The Councillor'Smart, incisive and utterly gripping. Megan E. O'Keefe's masterful storytelling will draw you into a complex, brutal, yet hope-charged world, break your heart, and leave you begging for more'Rowenna Miller, author of Torn'A delightfully twisty space opera filled with unique worldbuilding and deft explorations of humanity, family and power. Add in a dash of rebellion and a hint of romance, and I'm hooked - I can't wait for the next book!'Jessie Mihalik, author of Hunt the Stars'This is space opera for the ages, wrapped in complicated and delicious layers of family and loyalty and science and love and duty. I couldn't put it down!Karen Osborne, author of Architects of Memory

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