Search results for ""author davida"

Novelist Robert Olmstead journeys back to his youth on his grandfather’s New Hampshire dairy farm to confront the ghosts that continue to afflict him in this coming-of-age memoir. Robert Olmstead has peopled his fiction with the rough-hewn farmers, loggers, and hired hands of rural New England mountain towns where getting drunk, getting into fights, and getting thrown out of bars are the normal rites of passage. In Stay Here with Me, Olmstead lays bare the acute pain of his father’s alcoholism and the decline of his grandfather, the family patriarch. With delicate sensuality, he also traces the flowering of his first love for a woman who “walks like light would walk if it could.” Authentic, intimate, and intense, Stay Here with Me is about growing up and leaving home and about the acts of rebellion that free the body even as they bind the soul to a place forever. This Nonpa

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The complete guide to achieving classical type and book design with a keyboard and screen.How do we absorb the lessons of the printing tradition’s hot metal past and bring them to the digital era? Distinguished designer Mark Argetsinger guides the reader through every aspect of modern book design and production — from the choosing the proper typeface and leading of type to the choice of paper and specifications for binding. Chapters include “The Classical Tradition,“ “A Short History of Typographical Variations,“ “Desktop Publishing,“ “Composition,“ and “OpenType Fonts and Font Editing.“Illustrated with over 425 images and diagrams, many in color, Argetsinger discusses and delineates typography as a discipline, situating it among other art forms. Two appendices cover the history of cast-type ornaments and of Greek typography. Throughout there is special reference to the historical printers’ grammars—from Moxon to De Vinne—that serve as a present-day apprenticeship in the traditions of classical typography. Whether a novice or an expert, readers will gain a deeper appreciation for text, and all its rules of form, that can make words on a page a joy to the eye.

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For nearly three decades, Richard Buckner has been traveling the byways of America, often alone and with little more than his guitars and notebooks. Now he’s sharing what he saw, felt, and found.Long admired for his impressionistic and elliptical lyrics, Buckner has more recently found himself pulling off the road to furiously write longer, fuller pieces. Here is a collection of his story-like poems gathered by haunting the public and private fringes of America: fifty studies wrung from thin motel walls and passing hallway echoes; from exchanges overheard between happy hour and closing time; from casually caustic conversations in junker parking lots and hash house booths; and from lost opportunities and vague chance meetings—but also from distant narrators caught staring off to recall what refuses to be forgotten. he’d swallowed her youth in sips so small she wouldn’t notice until it was eventually but-remembered on dark afternoonsWith titles such as “One More Last One,” “Everyone is driven unknowingly to their urges,” and simply “Work,” these are Buckner’s singular reports from a revelatory road. reappraising past decisions in renewable review, demanded by the weight of explanations that can still determine what drove you elsewhere then, now with no-where left to wait. Black Sparrow Press is proud to bring this remarkable debut work of prose-poetry to readers.“During a career spent crisscrossing the country, Buckner has seen plenty. In all those hotels between here and there, at those bars and truck stops and lounges, he would sit and listen . . . Buckner puts that power of observation to good use.”—NPR’s Morning Edition“Cuttings from the Tangle is not the work of a road-weary musician dabbling in another form. This book confirms a truth hinted at all these years in the language of his lyrics: Buckner is a writer.”—Literary Hub

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“Beguiling and informative”—Wall Street JournalLearn to see art as an artist does. Discover how a painting’s composition or a sculpture’s spatial structure influence the experience of what you’re seeing. With an artist as your guide, viewing art becomes a powerfully enriching experience that will stay in your mind long after you’ve left a museum.A visit to view art can be overwhelming, exhausting, and unrewarding. Lincoln Perry wants to change that. In fifteen essays—each framed around a specific theme—he provides new ways of seeing and appreciating art. Drawing heavily on examples from the European traditions of art, Perry aims to overturn assumptions and asks readers to re-think artistic prejudices while rebuilding new preferences. Included are essays on how artists “read” paintings, how scale and format influence viewers, how to engage with sculptures and murals, as well as guides to some of the great museums and churches of Europe.Seeing Like an Artist is for any artist, art-lover, or museumgoer who wants to grow their appreciation for the art of others.

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The full, inside story of how the discovery of a previously unknown painting by Raphael, the Italian Renaissance master, went from media sensation to career-destroying scandal.On the eve of its centennial celebrations in December, 1969, the Boston Museum of Fine Arts announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston’s coup made headlines around the world. Soon afterward, an Italian art sleuth began investigating the details of the painting’s export from Italy, challenged the museum’s right to ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate the artwork’s very authenticity.While these contests played themselves out on the international stage, the crisis deepened within the museum as its charismatic director, Perry T. Rathbone, faced the most challenging crossroads of his thirty-year career. The facts about the forces that converged on the museum, and how the

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Summer is fireflies and sparklers. Fat red tomatoes sliced thin and salted. Lemonade and long dreamy days. The treasures of the season are gone much too soon — but they’re captured here, in loving sensuous prose that’s both personal and universal, for you to find any time of year.Experience the most evocative tribute to the meaning of the season, a season whose magical feeling stays with us even in winter. Where does that feeling come from? What is summer made of? The smell of cut grass behind the gasoline of a lawnmower. A crown you’ve made of flowers. Blackberry bush prickers. First hot dog off the grill. Stargazing and sleeping with the windows open. This essay brims with a searching honesty and insight about what this season has meant in our pasts and what it might mean in our lives ahead.Release yourself into the sky and feel, Nina MacLaughlin writes, for a moment: there's time.If summer is the season of your life, if the months between Memorial Day and Labor Day hold your favorite memories, you’ll love Summer Solstice.

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“Instructive and entertaining.”—Wall Street JournalLearn how to argue from the masters. This book is a complete course on the art of argument, taught by the greatest practitioners of it: Churchill, Lincoln, and hundreds of others from the golden age of debate in England and America. The book’s concise chapters provide lessons in all aspects of give and take—the syllogism and the slippery slope, the argumentum ad hominem and reductio ad absurdum, the fallacy and the insult. Ward Farnsworth shows how the full range of such techniques can be used or repelled, and illustrates them with examples that are fascinating, instructive, and fun to read. The result is a browsable reference in which every page is a pleasure. It will leave you better able to win arguments and to defend yourself under fire. It’s also an entertaining reminder that argument can be a source of beauty and delight. As Farnsworth says of t

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Young S. Chae analyzes the puzzling association of the Son of David with Jesus' healing ministry in the First Gospel. This, along with the Gospel's rich shepherd/sheep images and the theme of the restoration of the lost sheep of the house of Israel, finds a significant clue in the picture of Jesus as the eschatological Davidic Shepherd according to the pattern of the Davidic Shepherd tradition in the Old Testament and Second Temple Judaism. As Matthew communicates the identity and mission of Jesus, he is conversant with this tradition, particularly Ezekiel 34 and 37 as well as Micah 2-5 and Zechariah 9-14. The story of the First Gospel is the story of the return of YHWH as the eschatological Shepherd for the lost sheep of Israel and also that of the one Davidic Shepherd-Appointee as the eschatological Teacher-Prince in the midst of his one eschatological flock.

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