Search results for ""Author A""

As a boy growing up near Liverpool in the 1950s, Andrew Lees would visit the docks with his father to watch the ships from Brazil unload their exotic cargo of coffee, cotton bales, molasses, cocoa - the ships’ names and goods noted down in loving detail in his exercise book. One day, his father gave him a dog-eared book called Exploration Fawcett. The book told the true story of Lieutenant-Colonel Percy Fawcett, a British explorer who in 1925 had gone in search of a lost city in the Amazon, and never returned. The riveting story of Fawcett’s encounters with deadly animals and hostile tribes, his mission to discover an Atlantean civilization, and the many who lost their own lives when they went in search of him, inspired the young Lees to believe that there were still earthly places where one could ‘fall off the edge’.Lees travelled to Manaus in Fawcett’s footsteps. After a time-bending psychedelic experience in the forest, he understood that his yearning for the imaginary Brazil of his boyhood, like Fawcett’s search for an earthly paradise, was a nostalgia for what never was. Part travelogue, part memoir, Lees paints a portrait of an elusive Brazil, and a flawed explorer whose doomed mission ruined lives.

Read more less

This is the first social history to explore experiences of British emigrants from the peak years of the 1960s to the emigration resurgence of the turn of the twentieth century. It explores migrant experiences in Australia, Canada and New Zealand alongside other countries. The book charts the gradual reinvention of the ‘British diaspora’ from a postwar migration of austerity to a modern migration of prosperity. It offers a different way of writing migration history, based on life histories but exploring mentalities as well as experiences, against a setting of deep social and economic change. Key moments are the 1970s loss of Britons’ privilege in Commonwealth destination countries, ‘Thatcher’s refugees’ in the 1980s and shifting attitudes to cosmopolitanism and global citizenship by the 1990s. It charts a long process of change from the 1960s to patterns of discretionary and nomadic migration, which became more common practice from the end of the twentieth century.

Read more less

A. Aubrey Bodine, newspaper photographer, pictorialist, modernist, and documentarian, was a Baltimore Sunday Sun feature photographer from 1924 to 1970. He left an archive of photographs, chronicling mid-twentieth century American life, of people doing all kinds of work. Bodine’s images of heavy industry document an era passed. This book contains a wide range of award winning and historically significant images, many not seen since they were published in the Sun. These pictures demonstrate Bodine’s extraordinary depth and breadth as a photographic artist. This is the third Bodine picture book assembled by his daughter, Jennifer. Their previous collaborations are Bodine’s Chesapeake Bay Country and Bodine’s City.

Read more less

Journey through New England's haunted past with an all-female paranormal investigation team, Whaling City Ghosts, to explore an audio fortress of ghosts at over 8 locations. Oftentimes, with long and violent periods, these locations have become some of the most haunted places in the world. Learn about the Salem witch trials and meet their ghosts as they speak out to you. Enter Lizzie Borden's B&B, if you dare, as investigators and celebrities examine claims of paranormal activity in a room where a violent ax murder took place over 100 years ago. Visit an ancient cemetery where the ghosts do not rest easy. Roam the hallways of a historic, haunted gentleman's club and be invited into private homes where ghosts from all ages reside. Tremble to the entity telling an investigator, "You're mine…" in a sinister form of intimidation at a New England home. Take an adventure like no other, and listen to the dead whispers of the past with an enclosed CD. When a ghost asks, "Who are you?" could it be talking to you?

Read more less

Collecting Staffordshire ceramic figures, a particularly English folk art, has expanded from its origins to include much of the English speaking world. This work, in two books, details and illustrates the range and depth of figures made by the potters. Over 2,900 figures are illustrated in the two books, virtually all in the brilliant color which was imperative for the beauty and simplicity of the figures to be fully appreciated. Many of these figures have never before been recorded. A history of the figures, together with sources and relevant bibliographical details, are included, along with a guide to current prices. Victorian Staffordshire Figures 1835-1875, Book Two details Religous and Temperance Figures; Hunters and Huntsmen; Shepherds, Gardeners, Harvesters, and Pastoral Scenes; Other Pursuits, Pastimes, and Occupations; Children with Animals; Dogs; Animals; Houses, Cottages, and Castles; and Sport and Miscellaneous.

Read more less

In her debut book, A. V. Marraccini explores how we inhabit works of art, and how our sense of longing informs and changes our relationship to them. Intertwining fig wasps, Updike, Genet, Twombly, Rilke, jewel heists, and a vividly rendered panoply of histories and myths from classical antiquity, We the Parasites both tells a strange love story and makes a slantwise argument about reading with the body, and what it ultimately means to know, and to want.‘We the Parasites is my new favourite book, a dazzlingly erudite disquisition of the erotics of criticism, riven with knockout sentences and a luxuriant sensibility. A.V. Marraccini stops you in your tracks, urges you to think with her a while about the delicious joy of art, how we grow huge and terrifying on it, and how this thievery, this parasitism is necessary both for its continuance and for our own.’ Lauren Elkin, author of Flâneuse: Women Walk The City‘In 1964, Sontag wrote: ‘In place of a hermeneutics we need an erotics of art.’ Since then, many works of criticism have paid lip service to this desideratum, but few have managed to achieve it... In We the Parasites, encountering a work of art is not fixed as a safe looking at, but rather as an eating, a kissing, a being-seduced-by, a being-contaminated by, a being-infected-by that restores art and criticism to the dangerous adventure that it is.' Ryan Ruby

Read more less

The first complete collection of A. A. Milne's short fiction for grown-ups, including several newly discovered stories

Read more less

When you combine the deepest learning and the highest readability with the most plumptious story-telling, the result is A. N. Wilson … Stephen Fry Known for his journalism, biographies and novels, A. N. Wilson turns a merciless searchlight on his own early life, his experience of sexual abuse, his catastrophic mistakes in love and his life in Grub Street as a prolific writer. Before he came to London, as one of the “Best of Young British” novelists, and Literary Editor of the Spectator, we meet another A. N. Wilson. We meet his father, the Managing Director of Wedgwood, the grotesque teachers at his first boarding school, and the dons of Oxford – one of whom, at the age of just 20, he married, the renowned Shakespearean scholar, the late Katherine Duncan-Jones. At every turn of this reminiscence, Wilson is baffled by his earlier self – whether flirting with unsuitable lovers or with the idea of the priesthood. His chapter on the High Camp seminary which he attended in Oxford is among the funniest in the book. We follow his unsuccessful attempts to become an academic, his aspirations to be a Man of Letters, and his eventual encounters with the famous, including some memorable meetings with royalty. The princesses, dons, paedophiles and journos who cross the pages are as sharply drawn as figures in his early comic fiction. But there is also a tenderness here, in his evocation of those whom he has loved, and hurt, the most.

Read more less

“Photography in the United States was a big thrill, but I always get a bigger thrill when I make a picture of a fleet of dredge boats moving over an oyster bed on a beautiful autumn day.” —A. Aubrey Bodine Bodine’s Chesapeake Bay Country is by and about A. Aubrey Bodine, one of the greatest photographers of his time and a Maryland treasure. Bodine’s photographs chronicled nearly every aspect of Maryland life on the pages of the Baltimore Sun papers from 1924 to 1970, and won nearly a thousand awards in national and international competitions. This volume, containing 286 digitally restored pictures, is divided into five distinct areas of Maryland: Baltimore and surrounds, Chesapeake Bay, Eastern Shore, Southern Maryland and Annapolis, and Western Maryland. Published between 1952 and 1970, Bodine’s first four books, My Maryland, Chesapeake Bay and Tidewater, Face of Maryland, and Face of Virginia, were immensely popular. This volume follows a similar format to those books. Editor Jennifer Bodine, the photographer’s daughter, has used essays and photo captions from Bodine’s earlier books, where appropriate, to convey Bodine’s unique observations and his own words. The Baltimore Sun graciously gave Jennifer Bodine access to its extensive archive, allowing her to include unique, interesting, and historical photographs from the Sun collection. Photographs also were selected from Bodine’s books, and the Bodine family archive.

Read more less

The first comprehensive political history of the communist partyVanguard of the Revolution is a sweeping history of one of the most significant political institutions of the modern world. The communist party was a revolutionary idea long before its supporters came to power. A. James McAdams argues that the rise and fall of communism can be understood only by taking into account the origins and evolution of this compelling idea. He shows how the leaders of parties in countries as diverse as the Soviet Union, China, Germany, Yugoslavia, Cuba, and North Korea adapted the original ideas of revolutionaries like Karl Marx and Vladimir Lenin to profoundly different social and cultural settings. Vanguard of the Revolution is essential reading for anyone seeking to understand world communism and the captivating idea that gave it life.

Read more less

Born in Yorkshire in 1903, of the heroic generation in twentieth-century British Art which included Henry Moore (with whom she studied in Leeds) and Ben Nicholson (whom she married), she explored in her sculpture the forms of life – especially human life – as well as those of mathematics. Professor Hammacher knew Hepworth for many years, and has written an intimate and highly readable account of her life and work.

Read more less

Like, that currency of social media, is a little word with infinite potential; it can be nearly any part of speech. Without it, there is no simile, that engine of the lyric poem, the lyre’s note in the epic. A poem can hardly exist otherwise. In Like, her most ambitious collection to date, A. E. Stallings continues her archaeology of the domestic, her odyssey through myth and motherhood in received and invented forms, from sonnets to syllabics. Stallings also eschews the poetry volume’s conventional sections for the arbitrary order of the alphabet. Contemporary Athens itself, a place never dull during the economic and migration crises of recent years, shakes off the dust of history and emerges as a vibrant character. Known for her wry and musical lyric poems, Stallings here explores her themes in greater depth, including the bravura performance 'Lost and Found', a meditation in ottava rima on a parent’s sublunary dance with daily-ness and time, set in the moon’s Valley of Lost Things.

Read more less