Search results for ""Author Christo"

When Jesus walked with his confused disciples on the Emmaus road, he began with Moses and all the Prophets and explained to them what was said in all the Scriptures concerning himself - and their hearts burned within them (Luke 24). Contemporary people, too, can find their hearts burning as they hear God speak through the Old Testament texts. However, preaching from this part of the Christian Bible brings significant challenges and raises a number of issues, and hence can be neglected. This stimulating volume offers guidance for expository preaching from the Old Testament, and practical suggestions for how to understand the message of its diverse literature and to apply it today. The chapters cover narrative, plot and characters, along with the main Old Testament genres and two special topics: preaching from 'difficult' texts, and preaching Christ. The aim is to encourage use of all the Bible's rich resources, in the power of the Holy Spirit, in preaching the good news of the kingdom of God worldwide. The contributors are internationally respected evangelical Old Testament scholars, from a wide range of church traditions, who are also active in preaching: Daniel I. Block, David G. Firth, Grenville J. R. Kent, Paul J. Kissling, Alison Lo, Tremper Longman III, Ernest C. Lucas, R. W. L. Moberly, Laurence A. Turner, Federico G. Villanueva, Gordon Wenham, H. G. M. Williamson and Christopher J. H. Wright.

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'This exciting, science-packed novel is a cracking read and bursts with action, warmth and humour' - BookTrust Great Books Guide 2021 'This is great fun; an energetic middle-grade debut with a fresh contemporary feel and a good dash of Stranger Things' - The Bookseller Alfie has noticed a few things since his family moved to Folding Ford. He really misses life in the city. He and his sister don't exactly fit in here. But the most interesting one is that the weather is BONKERS. One frost-covered branch on one tree in the middle of June? A tiny whirlwind in a bucket in the garden? Only in Folding Ford. Armed with his bike, a notepad and his new best mate Sam, Alfie is going to investigate. His best clue is Nathaniel Clemm … the only thing in town weirder than the weather. When Alfie ‘investigates’ Mr Clemm’s garden, only SLIGHTLY illegally, he finds a strange box that freezes his trainers and makes his teeth tingle. And when he opens it, only SLIGHTLY deliberately, SOMETHING gets out. Something fast, fizzing and sparking with electricity and very, very much alive. But the creature from the box brings trouble of its own, and as barometers and tempers go haywire in Folding Ford, Alfie finds himself at the centre of a perfect storm. Skellig meets Stranger Things in this funny, heartfelt adventure story perfect for fans of Ross Welford, Christopher Edge and Frank Cottrell Boyce.

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From Farinelli, the eighteenth century castrato who brought down opera houses with his high C, to the recording of "Johnny B. Goode" affixed to the Voyager spacecraft, Let Me Clear My Throat dissects the whys and hows of popular voices, making them hum with significance and emotion. There are murders of punk rock crows, impressionists, and rebel yells; Howard Dean's "BYAH!" and Marlon Brando's "Stella!" and a stock film yawp that has made cameos in movies from A Star is Born to Spaceballs. The voice is thought's incarnating instrument and Elena Passarello's essays are a riotous deconstruction of the ways the sounds we make both express and shape who we are—the annotated soundtrack of us giving voice to ourselves. Elena Passarello is an actor and writer originally from Charleston, South Carolina. She studied nonfiction at the University of Pittsburgh and the University of Iowa, and her essays have appeared in Creative Nonfiction, Gulf Coast, Slate, Iowa Review, The Normal School, Literary Bird Journal, Ninth Letter, and in the music writing anthology Pop Till the World Falls Apart. She has performed in several regional theaters in the East and Midwest, originating roles in the premieres of Christopher Durang's Mrs. Bob Cratchit's Wild Christmas Binge and David Turkel's Wild Signs and Holler. In 2011 she became the first woman winner of the annual Stella Screaming Contest in New Orleans.

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The first in the Echoes of the Fall series, The Tiger and the Wolf is an epic fantasy novel by Adrian Tchaikovsky, winner of the Arthur C. Clarke Award and British Fantasy Award for Best Novel.‘One of the most interesting and accomplished writers in speculative fiction’ – Christopher PaoliniIn the bleak northern crown of the world, war is coming . . .Maniye’s father is the Wolf clan’s chieftain, but she’s an outcast. Her mother was queen of the Tiger and these tribes have been enemies for generations. Maniye also hides a deadly secret. All can shift into their clan’s animal form, but Maniye can take on tiger and wolf shapes. She refuses to disown half her soul so escapes, rescuing a prisoner of the Wolf clan in the process. The killer Broken Axe is set on their trail to drag them back for retribution.The Wolf chieftain plots to rule the north, and controlling his daughter is crucial to his schemes. However, other tribes also prepare for strife. Strangers from the far south appear too, seeking allies in their own conflict. It’s a season for omens as priests foresee danger and a darkness falling across the land. Some say a great war is coming, overshadowing even Wolf ambitions. A time of testing and broken laws is near – but what spark will set the world ablaze?Continue this sweeping coming-of-age fantasy with The Bear and the Serpent.

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The words most commonly associated with the environmental movement—save, recycle, reuse, protect, regulate, restore—describe what we can do to help the environment, but few suggest how we might transform ourselves to better navigate the sudden turns of the late Anthropocene. Which words can help us to veer conceptually along with drastic environmental flux? Jeffrey Jerome Cohen and Lowell Duckert asked thirty brilliant thinkers to each propose one verb that stresses the forceful potential of inquiry, weather, biomes, apprehensions, and desires to swerve and sheer. Each term is accompanied by a concise essay contextualizing its meaning in times of resource depletion, environmental degradation, and global climate change.Some verbs are closely tied to natural processes: compost, saturate, seep, rain, shade, sediment, vegetate, environ. Many are vaguely unsettling: drown, unmoor, obsolesce, power down, haunt. Others are enigmatic or counterintuitive: curl, globalize, commodify, ape, whirl. And while several verbs pertain to human affect and action—love, represent, behold, wait, try, attune, play, remember, decorate, tend, hope—a primary goal of Veer Ecology is to decenter the human. Indeed, each of the essays speaks to a heightened sense of possibility, awakening our imaginations and inviting us to think the world anew from radically different perspectives. A groundbreaking guide for the twenty-first century, Veer Ecology foregrounds the risks and potentialities of living on—and with—an alarmingly dynamic planet.Contributors: Stacy Alaimo, U of Texas at Arlington; Joseph Campana, Rice U; Holly Dugan, George Washington U; Lara Farina, West Virginia U; Cheryll Glotfelty, U of Nevada, Reno; Anne F. Harris, DePauw U; Tim Ingold, U of Aberdeen; Serenella Iovino, U of Turin; Stephanie LeMenager, U of Oregon; Scott Maisano, U of Massachusetts, Boston; Tobias Menely, U of California, Davis; Steve Mentz, St. John’s U; J. Allan Mitchell, U of Victoria; Timothy Morton, Rice U; Vin Nardizzi, U of British Columbia; Laura Ogden, Dartmouth College; Serpil Opperman, Hacettepe U, Ankara; Daniel C. Remein, U of Massachusetts, Boston; Margaret Ronda, U of California, Davis; Nicholas Royle, U of Sussex; Catriona Sandilands, York U; Christopher Schaberg, Loyola U; Rebecca R. Scott, U of Missouri; Theresa Shewry, U of California, Santa Barbara; Mick Smith, Queen’s U; Jesse Oak Taylor, U of Washington; Brian Thill, Golden West College; Coll Thrush, U of British Columbia, Vancouver; Cord J. Whitaker, Wellesley College; Julian Yates, U of Delaware.

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Great journeys often start with a single question. For D. K. Evans, a newly married professional in the Christian-dominated South, that question was, “Why Do I Believe in God?” That simple query led him on a years-long search to better understand the nature of religion and faith, particularly as it applies to the Black community. While many taking such a journey today might immerse themselves in the writing of Richard Dawkins, Daniel Dennett, Sam Harris, and Christopher Hitchens, Evans took inspiration not only from John Henrik Clarke, Yosef-Ben Jochannan, Hubert Harrison, and John G. Jackson, champions of a rich Black tradition of challenging religious orthodoxy, but also from many others in his own community who had similarly come to question their core religious beliefs. While this journey eventually led him to discount the notion of God, he calls on all to ask their own questions, particularly those within the Black community who act on blind faith. While their own journey might not lead to his truth, he acknowledges, that is the only way they will ever emancipate themselves from the truths thrust on them by others and arrive at their most important truth—their own.

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Latest volume in a series which is "a monumental achievement" REVIEW OF ENGLISH STUDIES The Hatton and e Musaeo manuscript collections are important donations given to the Bodleian Library during its formative years in the seventeenth century. The Hatton collection, assembled by Christopher, first Baron Hatton,was largely acquired by the Bodleian Library in 1671. Among its Middle English prose manuscripts are religious texts, including Nicholas Love's Mirror of the Blessed Life of Jesus Christ, commentaries by Richard Rolle on the psalms and ten commandments, chronicles such as the Brut and an assortment of manuscripts ranging from political prophecies and grammar treatises to compendia of medical recipes. The e Musaeo collection, so called because it was originally an eclectic group of manuscripts stored in the librarian's study, also contains a variety of significant Middle English texts. They range from the religious and devotional: a Wycliffite New Testament, Love's Mirror, and Heinrich Suso's treatise The Seven Points of True Love and Everlasting Wisdom); to the scientific and medicinal: Chaucer's Astrolabe, Henry Daniel's Liber Uricrisiarum; and to the historical, notably the Brut and Mandeville's Travels. Patrick J. Horner, FSC (a De LaSalle Christian Brother) is Professor of English at Manhattan College.

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A collection of the most significant articles in castle studies, with contributions from scholars in history, archaeology, historic buildings and landscape archaeology. The castles of the late medieval period represent some of the finest medieval monuments in Britain, with an almost infinite capacity to fascinate and draw controversy. They are also a source of considerable academic debate. The contents of this volume represent key works in castle scholarship. Topics discussed include castle warfare, fortress customs, architectural design and symbolism, spatial planning and the depiction of castles in medieval romance. The contributions also serve to highlight the diversity of approaches to the medieval castle, ranging from the study of documentary and literary sources, analysis of fragmentary architectural remains and the recording of field archaeology. The result is a survey that offers an in-depth analysis of castle building from the thirteenth to the fifteenth centuries, and places castles within their broader social, architectural and political contexts. Robert Liddiard is Professor of History, University of East Anglia. Contributors: Nicola Coldstream, Charles Coulson, Philip Dixon, Graham Fairclough, P.A. Faulkner, John Goodall, Beryl Lott, Charles McKean, T.E. McNeill, Richard K. Morris, Michael Prestwich, Christopher Taylor, Muriel A. Whitaker.

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Nominated for the 2019 Hammett Prize Autumn 1915. The First World War is raging across Europe. Woodrow Wilson has kept Americans out of the trenches, although that hasn't stopped young men and women from crossing the Atlantic to volunteer at the front. Christopher Marlowe 'Kit' Cobb, a Chicago reporter and undercover agent for the US government is in Paris when he meets an enigmatic nurse called Louise. Officially in the city for a story about American ambulance drivers, Cobb is grateful for the opportunity to get to know her. Soon his intelligence handler, James Polk Trask, extends his mission and he is active again. Parisians are meeting 'death by dynamite' in a new campaign of bombings, and the German-speaking Kit seems just the man to discover who is behind this - possibly a German operative who has infiltrated with the waves of refugees? And so begins a pursuit that will test Kit Cobb, in all his roles, to the very limits of his principles, wits and talents for survival. Fleetly plotted and engaging with political and cultural issues that resonate deeply today, Paris in the Dark is a page-turning novel of unmistakable literary quality.

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Selected as a Doody's Core Title for 2022 and 2023! Part of the popular and well-regarded Clinical Anesthesia family of titles, and founded by Drs. Paul G. Barash, Bruce F. Cullen, and Robert K. Stoelting, Clinical Anesthesia Fundamentals, Second Edition, is a concise, highly visual resource covering the core concepts in anesthesiology. The editorial board comprised of Drs. Bruce F. Cullen, M. Christine Stock, Rafael Ortega, Sam R. Sharar, Natalie F. Holt, Christopher W. Connor, and Naveen Nathan, and their team of expert contributors clearly and simply present the information you need on key aspects of anesthesia for every specialty area and key organ systems. From physiology and pharmacology to anatomy and system-based anesthesia, it uses full-color graphics, easy-to-read tables, and clear, concise text to convey the essential principles of the field. Presents material in a highly visual manner, including “Did You Know” boxes that highlight key points, as well as video boxes that reference more than 120 short, to-the-point tutorial videos in the eBook, in addition to end of chapter multiple choice questions, answers, and explanations. New features include: a chapter on anesthesia for the older patient as well as 31 chapter-based infographics that provide “At a Glance” or “A Closer Look” at topical content. The ebook also comes with access to question-based interactive versions of the infographics, as well as dozens of video lectures covering every chapter in the book, including 500integrated review questions throughout. Includes an introductory section covering scientific and technical foundations, pharmacology, and technology. Features helpful appendices with handy formulas; an electrocardiography atlas; numerous key protocols, guidelines, and standards; algorithms, and more. Ideal for medical students, residents, SRNAs, CRNAs, and practitioners studying for board exams—anyone who needs a quick overview of the essential elements of clinical anesthesia in an easily accessible format. ,Enrich Your eBook Reading Experience Read directly on your preferred device(s), such as computer, tablet, or smartphone. Easily convert to audiobook, powering your content with natural language text-to-speech. , ,

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The Body of the Cross is a study of holy victims in Western Christian history and how the uses of their bodies in Christian thought led to the idea of the cross as a substitutionary sacrifice. Since its first centuries, Christianity has traded on the suffering of victims—martyrs, mystics, and heretics—as substitutes for the Christian social body. These victims secured holiness, either by their own sacred power or by their reprobation and rejection. Just as their bodies were mediated in eucharistic, social, and Christological ways, so too did the flesh of Jesus Christ become one of those holy substitutes. But it was only late in Western history that he took on the function of the exemplary victim. In tracing the story of this embodied development, The Body of the Cross gives special attention to popular spirituality, religious dissent, and the writing of women throughout Christian history. It examines the symbol of the cross as it functions in key moments throughout this history, including the parting of the ways of Judaism and Christianity, the gnostic debates, martyr traditions, and medieval affective devotion and heresy. Finally, in a Reformation era haunted by divine wrath, these themes concentrated in the unique concept that Jesus Christ died on the cross to absorb divine punishment for sin: a holy body and a rejected body in one.

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"For a Vast Future Also": Essays from The Journal of the Abraham Lincoln Association, brings together the most informative and thoughtful articles by fourteen accomplished scholars in the Lincoln field. The essays provide compact, detailed treatments concerning different facets of three general themes: Lincoln and the problems of emancipation; Lincoln and presidential politics; and the Lincoln legacy. Readers of the collection will understand why the Civil War profoundly changed the nation. These essays give insight into how Lincoln and his administration dealt with the profound issues of war and slavery and the continuing legacy of Lincoln and the war. No book or essay collection brings together the writings of such luminaries in the field as John Hope Franklin, James M. McPherson, Don E. Fehrenbacher, T. Harry Williams, Phillip S. Paludan, Harold Hyman, John Niven, William A. Gienapp, Norman B. Ferris, John T. Hubbell, Arthur Zilversmit, Eugene H. Berwanger, Christopher N. Breiseth, and Michael Vorenberg. Researchers now have these valuable essays available in one volume. It offers the general public the distillation of scholarship supported by the Abraham Lincoln Association over the past twenty-five years. And college and university introductory courses will find this book a valuable summary of, and introduction to, the major issues of the Civil War period.

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This exquisite, deluxe edition contains the complete illustrated texts of both Winnie-the-Pooh and The House at Pooh Corner. In full-color and featuring a satin ribbon marker, it is the perfect gift and a cornerstone of every family's bookshelf.Since 1926, Winnie-the-Pooh and his friends—Piglet, Owl, Tigger, Kanga, Roo, and the ever doleful Eeyore—have endured as the unforgettable creations of A. A. Milne, who wrote two books of Pooh’s adventures for his son, Christopher Robin, and Ernest H. Shepard, who lovingly gave them shape through his iconic and beautiful illustrations. These characters and their stories are timeless treasures of childhood that continue to speak to all of us with the kind of freshness and heart that distinguishes true storytelling. This deluxe volume brings both Pooh stories—Winnie-the-Pooh and The House at Pooh Corner—together in one beautiful, full-color edition. The texts are complete and unabridged, and all of the illustrations, each gloriously recolored, are included. Elegant yet simple, whimsical yet wise, this classic edition is a book to savor and treasure. The perfect gift for holiday, to welcome a new baby, or for your favorite collector and book lover.

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The dramatic true story of a handful of students who resisted the Nazis and paid with their lives, now in a stunning graphic novel. With an entire nation blindly following an evil leader, where did a handful of students find the courage to resist? The university students who formed the White Rose, an undercover resistance movement in Nazi Germany, knew that doing so could cost them their lives. But some things are worth dying for. The White Rose printed and distributed leaflets to expose Nazi atrocities and wake up their fellow citizens. The Gestapo caught and executed them. Sophie Scholl was twenty-one; her brother Hans, twenty-four; Christoph Probst, twenty-three; Alexander Schmorell and Willi Graf, twenty-five. But the White Rose was not silenced. Their heroism continues to inspire new generations of resisters. Now, for the first time, this story that has been celebrated in print and film can be experienced as a graphic novel. Italian artist Andrea Grosso Ciponte’s haunting imagery will resonate with today’s students and activists. The challenges they face may vary, but the need for young people to stand up against evil, whatever the cost, will remain.

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'With A Delicate Truth, le Carré has in a sense come home. And it's a splendid homecoming . . . the novel is the most satisfying, subtle and compelling of his recent oeuvre' The TimesA counter-terror operation, codenamed Wildlife, is being mounted in Britain's most precious colony, Gibraltar. Its purpose: to capture and abduct a high-value jihadist arms-buyer. So delicate is the operation that even the Minister's Private Secretary, Toby Bell, is not cleared for it.Suspecting a disastrous conspiracy, Toby attempts to forestall it, but is promptly posted overseas. Three years on, summoned by Sir Christopher Probyn, retired British diplomat, to his decaying Cornish manor house, and closely watched by Probyn's daughter Emily, Toby must choose between his conscience and his duty to the Service.If the only thing necessary for the triumph of evil is that good men do nothing, how can he keep silent?__________________'No other writer has charted - pitilessly for politicians but thrillingly for readers - the public and secret histories of his times, from the Second World War to the 'War on Terror'' Guardian'The master of the modern spy novel returns . . . John le Carré was never a spy-turned-writer, he was a writer who found his canvas in espionage' Daily Mail 'A brilliant climax, with sinister deaths, casual torture, wrecked lives and shameful compromises' Observer

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One of the BBC's '100 Novels That Shaped Our World'The Hound of the Baskervilles gripped readers when it was first serialised and remains one of Sherlock Holmes's greatest and most popular adventures. Could the sudden death of Sir Charles Baskerville have been caused by the gigantic ghostly hound that is said to have haunted his family for generations? Arch-rationalist Sherlock Holmes characteristically dismisses the theory as nonsense. And, immersed in another case, he sends Dr Watson to Devon to protect the Baskerville heir and observe the suspects at close hand. With its atmospheric setting on the ancient, wild moorland and its savage apparition, The Hound of the Baskervilles is one of the greatest crime novels ever written. Rationalism is pitted against the supernatural and good against evil as Sherlock Holmes sets out to defeat a foe almost his equal.This edition contains a full chronology of Arthur Conan Doyle's life and works, an introduction by renowned horror scholar Professor Christopher Frayling discussing the background to the novel and the legends and events that inspired the story, with further reading and explanatory notes.'Arthur Conan Doyle is unique ... Personally, I would walk a mile in tight boots to read him to the milkman'Stephen Fry

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The hovercraft was first created in 1959, when Sir Christopher Cockerell came up with a prototype that crossed the English Channel. The SRN1, the first ever hovercraft, is now proudly housed by the Science Museum and this very British invention enjoys an active role in many arenas, from travel, leisure cruising and racing to lifesaving and transporting goods. This detailed book delves into the history of the hovercraft, from the early days of its development through to the commercial and military applications of the craft. It looks into the exciting world of hovercraft leisure, cruising and racing from amateur to Formula 1, and also explores the important role the hovercraft plays in rescues whether on water or delivering aid around the word in places that helicopters can’t reach. Finally, it details the types of hovercraft in use today, and what the future holds. The hovercraft is more than a product of 1960s Britain: it is one that has pushed the boundaries of transport as we look into the future and we have the back-shed culture of Britain to thank for its invention.

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Inspired by the fortunes and misfortunes of the Getty family, whose most extraordinary and troubled episode – the kidnap and ransom of grandson Paul Getty – is now a major motion picture, directed by Ridley Scott, from a screenplay written by David Scarpa and starring Michelle Williams, Christopher Plummer and Mark Wahlberg. When sixteen-year-old Paul Getty was kidnapped, the news exploded worldwide. But his grandfather, J. Paul Getty, the richest living American, refused to pay the ransom, oblivious to his sufferings. And as the days dragged painfully on, it was Paul’s distraught but determined mother Gail who was left to negotiate with his captors… In this full biography of the Getty family, John Pearson traces the creation of their phenomenal wealth and the ways in which it has touched and tainted the lives of various generations. Packed with colourful characters, bitter feuds and unexpected turns, it is a riveting insight into the lives of the super-rich. Previously published as Painfully Rich. Motion Picture Artwork ©2017 CTMG. All Rights Reserved.

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When theater and related forms of live performance explore the borderlands labeled animal and autism, they both reflect and affect their audiences’ understanding of what it means to be human. Affect, Animals, and Autists maps connections across performances that question the borders of the human whose neurodiverse experiences have been shaped by the diagnostic label of autism, and animal-human performance relationships that dispute and blur anthropocentric edges.By analyzing specific structures of affect with the vocabulary of emotions, Marla Carlson builds upon the conception of affect articulated by psychologist Silvan Tomkins. The book treats a diverse selection of live performance and archival video and analyzes the ways in which they affect their audiences. The range of performances includes commercially successful productions such as The Curious Incident of the Dog in the Night-Time, War Horse, and The Lion King as well as to the more avant-garde and experimental theater created by Robert Wilson and Christopher Knowles, Back to Back Theatre, Elevator Repair Service, Pig Iron Theatre, and performance artist Deke Weaver.

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Liberated, licentious, or merely liberal, the sexual freedoms of Germany's Weimar Republic have become legendary. The home of the world's first gay rights movement, the republic embodied a progressive, secular vision of sexual liberation. Immortalized - however misleadingly - in Christopher Isherwood's Berlin Stories and the musical Cabaret, Weimar's freedoms have become a touchstone for the politics of sexual emancipation. Yet, as Laurie Marhoefer shows in Sex and Weimar Republic, those sexual freedoms were only obtained at the expense of a minority who were deemed sexually disordered. In Weimar Germany, the citizen's right to sexual freedom came with a duty to keep sexuality private, non-commercial, and respectable. Sex and the Weimar Republic examines the rise of sexual tolerance through the debates which surrounded "immoral" sexuality: obscenity, male homosexuality, lesbianism, transgender identity, heterosexual promiscuity, and prostitution. It follows the sexual politics of a swath of Weimar society ranging from sexologist Magnus Hirschfeld to Nazi stormtrooper Ernst Rohm. Tracing the connections between toleration and regulation, Marhoefer's observations remain relevant to the politics of sexuality today.

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Ten years after an attack on the US diplomatic mission in Benghazi killed Ambassador Christopher Stevens and three other Americans, cries of "Benghazi!" still echo across America. But instead of a landmark event to be taken seriously, it has become a punchline, an empty word, or a code for controversy and political theatre. In this thrilling retelling, Ethan Chorin reveals Benghazi as?a watershed moment in American history, one that helped create the world America lives in today: polarized, fearful, and dangerously unstable.Here, Benghazi is not a story contained in 13 hours, but a decades-long history beginning with the rise of Muammar Gaddafi, stretching through 9/11, the War on Terror, and the Arab Spring, and reaching into the present day, as the impact of the attack and ensuing controversy remain visible in America and around the world. Chorin draws on his own bone-chilling experience during the Benghazi attack, his expertise as a former diplomat and scholar of Libyan history, and new interviews with Libyan insiders, eyewitnesses, and key players like Hillary Clinton and Ben Rhodes. With this ambitious, engaging narrative, Chorin makes clear why Benghazi still matters so much ten years later-and why we can't afford to continue overlooking and misunderstanding it.

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Contributions by Christopher Baker, Cristina Borgioli, Louisa M. Connor Bulman, Antonella Capitanio, Marco Collareta, Peter Davidson, Francisco Freddolini, Cristiano Giometti, John Harris, Elisabeth Kieven, and Cinzia Maria Sicca This handsome book is the only full-length study of John Talman (1677–1726), first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th-century Britain. Prominent scholars discuss the history of Talman’s acquisitions, shedding light on the competitive nature, social practices, and aesthetic ideas of connoisseurship both in England and abroad. Talman’s collection, amassed in England, Florence, and Rome between the 1690s and 1719, focused on Italian medieval art, architecture, and textiles as well as Renaissance and Baroque architecture and sculpture. It reflected the tastes and preoccupations of artistic and intellectual élites in pre-enlightenment Europe. A vehicle for disseminating aesthetic and historical ideas, the collection became not only an extraordinary document of the state of ancient and modern Italian monuments but also a history of architecture and culture at large that provided visual evidence of buildings and rituals lost through time. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art

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This is the first volume concerned solely with the archaeology of a major late 17th-century building in London, and the major changes it has undergone. St Paul's Cathedral in the City of London was built in 1675–1711 to the designs of Sir Christopher Wren and has been described as an iconic building many times.In this major new account, John Schofield examines the cathedral from an archaeological perspective, reviewing its history from the early 18th to the early 21st century, as illustrated by recent archaeological recording, documentary research and engineering assessment. A detailed account of the construction of the cathedral is provided based on a comparison of the fabric with voluminous building accounts which have survived and evidence from recent archaeological investigation. The construction of the Wren building and its embellishments are followed by the main works of later surveyors such as Robert Mylne and Francis Penrose.The 20th century brought further changes and conservation projects, including restoration after the building was hit by two bombs in World War II, and all its windows blown out. The 1990s and first years of the present century have witnessed considerable refurbishment and cleaning involving archaeological and engineering works. Archaeological specialist reports and an engineering review of the stability and character of the building are provided.

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Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously.Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi

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The British have always been a nation of gardeners. Our gardening history began even before the Romans, who brought Mediterranean plants which still flourish across Britain. Gardening grew in the sixteenth century and a distinctively British style became a major export in the eighteenth century. Today, the annual Chelsea Flower Show is an international festival, and our garden designers are in demand all over the world. This book traces the history of British gardening over 450 years through the stories of twenty-six key figures, showing what drove them, and their role in the evolution of Britain’s gardens. Their work reveals changes in taste and society down the centuries. Familiar names are featured, such as ‘Capability’ Brown, Humphry Repton, Gertrude Jekyll, Vita Sackville-West and Christopher Lloyd, together with less generally known figures such as John Gerard, whose Herball of 1597 inspired generations of plantsmen, the Tradescants, pioneer plant hunters, and J. C. Loudon, nineteenth-century champion of smaller gardens. In the present day, we meet Beth Chatto, advocate of the right plant in the right place, and John Brookes, who did for gardening what Elizabeth David did for cooking. Their achievements provide a colourful history and inspiration to every gardening enthusiast.

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John Gower's poetry offers an important and immediate response to the turbulent events of his day. The essays here examine his life and his works from an historical angle, bringing out fresh new insights. The late fourteenth century was the age of the Black Death, the Peasants' Revolt, the Hundred Years War, the deposition of Richard II, the papal schism and the emergence of the heretical doctrines of John Wyclif and the Lollards. These social, political and religious crises and conflicts were addressed not only by preachers and by those involved in public affairs but also by poets, including Chaucer and Langland. Above all, though, it is in the verse of John Gower that we find the most direct engagement with contemporary events. Yet, surprisingly, few historians have examined Gower's responses to these events or have studied the broader moral and philosophical outlook which he used to make sense of them. Here, a number of eminent medievalists seek to demonstrate what historians can add to our understanding of Gower's poetry and his ideas about society (the nobility and chivalry, the peasants and the 1381 revolt, urban life and the law), the Church (the clergy, papacy, Lollardy, monasticism, and the friars) gender (masculinity and women and power), politics (political theory and the deposition of Richard II) and science and astronomy. The book also offers an important reassessment of Gower's biography based on newly-discovered primary sources. STEPHEN RIGBY is Emeritus Professor of Medieval Social and Economic History at the University of Manchester; SIAN ECHARD is Professor of English, University of British Columbia. Contributors: Mark Bailey, Michael Bennett, Martha Carlin, James Davis, Seb Falk, Christopher Fletcher, David Green, David Lepine, Martin Heale, Katherine Lewis, Anthony Musson, Stephen Rigby, Jens Röhrkasten.

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In the humanitarian field those we rather mockingly call 'French doctors' seem always to be in the vanguard, the first to arrive in any critical situation. If they hold such a position in modern humanitarian intervention it is because these French doctors - first and foremost Medecins Sans Frontieres and its 'little sister' Medecins du Monde - have created a style of humanitarian action that combines intervention in crises with critical assessment of and commentary on the human tragedies -- wars, famines, earthquakes -- in which they find themselves involved. The humanitarian practices we are familiar with today were devised, through trial and errors, by agencies in the United States, Great Britain and Switzerland. France was the last to join the group of so-called 'founder democracies' in the humanitarian field. A closer examination of the history of humanitarianism reveals that it was by drawing on already existing forms of action that MSF, MDM and many others gradually developed its particular brand of intervention, which combines relief practices learnt from the Red Cross with efforts to mobilise public opinion using strategies invented by Amnesty International. The contributors to this volume assess the competing French and 'Anglo-Saxon' models of intervention in the hope of learning from both and formulating approaches to humanitarianism for the twenty-first century. CONTRIBUTORS: Philippe Ryfman, Hugo Slim, Egbert Sondorp, Francois Grunewald, Hugh Goyder, Sami Makki, James Darcy, Christophe Courtin, Adeel Jafferi.

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This book represents a major step forward in the use of economic sociology to illuminate the nature and workings of capitalism amid the far-reaching changes of the contemporary era of global capitalism. For the past twenty years economic sociologists have focused on mesa-level phenomena of networks, but they have done relatively little to analyze capitalism as an overall system or to show how such phenomena emerge from and shape the dynamics of capitalism. The Economic Sociology of Capitalism seeks to change this, by presenting both big-picture analyses of capitalism and more focused pieces on institutions crucial to capitalism. The book, which includes sixteen chapters by leading scholars in economic sociology, is organized around three broad themes. The first section addresses core issues and problems in the new study of capitalism; the second considers a variety of topics concerning America, the leading capitalist economy of the world; and the third focuses attention on the question of convergence stemming from the global transformation of capitalism and the challenge of explaining institutional change. The contributions, which follow a foreword by economic historian Avner Greif and the editor's introduction, are by Mitchel Abolafia, James Baron and Michael Hannan, Mary C. Brinton, John Campbell, Gerald Davis and Christopher Marquis, Paul DiMaggio and Joseph Cohen, Peter Evans, Neil Fligstein, John Freeman, Francis Fukuyama, Ko Kuwabara, Victor Nee, Douglass C. North, AnnaLee Saxenian, Richard Swedberg, and Viviana Zelizer.

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We know where he went, what he wrote, and even what he wore, but what in the world did Christopher Columbus eat? The Renaissance and the age of discovery introduced Europeans to exotic cultures, mores, manners, and ideas. Along with the cross-cultural exchange of Old and New World, East and West, came new foodstuffs, preparations, and flavors. That kitchen revolution led to the development of new utensils and table manners. Some of the impact is still felt-and tasted-today. Giovanni Rebora has crafted an elegant and accessible history filled with fascinating information and illustrations. He discusses the availability of resources, how people kept from starving in the winter, how they farmed, how tastes developed and changed, what the lower classes ate, and what the aristocracy enjoyed. The book is divided into brief chapters covering the history of bread, soups, stuffed pastas, the use of salt, cheese, meat, fish, fruits and vegetables, the arrival of butter, the quest for sugar, new world foods, setting the table, and beverages, including wine and tea. A special appendix, "A Meal with Columbus," includes a mini-anthology of recipes from the countries where he lived: Italy, Portugal, Spain, and England. Entertaining and enlightening, Culture of the Fork will interest scholars of history and gastronomy-and everyone who eats.

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A volume of carefully focused essays illuminating the works of one of the leading 20th-century German writers. Alfred Döblin (1878-1957) was one of the great German-Jewish writers of the 20th century, a major figure in the German avant-garde before the First World War and a leading intellectual during the Weimar Republic. Döblin greatly influenced the history of the German novel: his best-known work, the best-selling 1929 novel Berlin Alexanderplatz, has frequently been compared in its use of internal monologue and literary montage to James Joyce's Ulysses and John Dos Passos's Manhattan Transfer . Döblin's oeuvre is by no means limited to novels, but in this genre, he offered a surprising variety of narrative techniques, themes, structures, and outlooks. Döblin's impact on German writers after the Second World War was considerable: Günter Grass, for example, acknowledged him as "my teacher." And yet, while Alexanderplatz continues to fascinate the reading public, it has overshadowed therest of Döblin's immense oeuvre. This volume of carefully focused essays seeks to do justice to such important texts as Döblin's early stories, his numerous other novels, his political, philosophical, medical, autobiographical, and religious essays, his experimental plays, and his writings on the new media of cinema and radio. Contributors: Heidi Thomann Tewarson, David Dollenmayer, Neil H. Donahue, Roland Dollinger, Veronika Fuechtner, Gabriele Sander, Erich Kleinschmidt, Wulf Koepke, Helmut F. Pfanner, Helmuth Kiesel, Klaus Müller-Salget, Christoph Bartscherer, Wolfgang Düsing. Roland Dollinger is Associate Professor of German at Sarah Lawrence College; Wulf Koepke is Professor Emeritus of German at Texas A&M University; Heidi Thomann Tewarson is Professor of German at Oberlin College.

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The surprising final chapter of a great American life. When the first volume of Mark Twain's uncensored Autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist's life and times. This third and final volume crowns and completes his life's work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads. Created from March 1907 to December 1909, these dictations present Mark Twain at the end of his life: receiving an honorary degree from Oxford University; railing against Theodore Roosevelt, founding numerous clubs; incredulous at an exhibition of the Holy Grail; credulous about the authorship of Shakespeare's plays; relaxing in Bermuda; observing (and investing in) new technologies. The Autobiography's "Closing Words" movingly commemorate his daughter Jean, who died on Christmas Eve 1909. Also included in this volume is the previously unpublished "Ashcroft-Lyon Manuscript," Mark Twain's caustic indictment of his "putrescent pair" of secretaries and the havoc that erupted in his house during their residency. Fitfully published in fragments at intervals throughout the twentieth century, Autobiography of Mark Twain has now been critically reconstructed and made available as it was intended to be read. Fully annotated by the editors of the Mark Twain Project, the complete Autobiography emerges as a landmark publication in American literature. Editors: Benjamin Griffin and Harriet Elinor Smith Associate Editors: Victor Fischer, Michael B Frank, Amanda Gagel, Sharon K Goetz, Leslie Diane Myrick, Christopher M Ohge.

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Whether you are a seasoned professional looking to explore new areas within the alternative investment arena or a new industry participant seeking to establish a solid understanding of alternative investments, Alternative Investments: An Allocator's Approach, Fourth Edition (CAIA Level II curriculum official text) is the best way to achieve these goals. In recent years, capital formation has shifted dramatically away from public markets as issuers pursue better financial and value alignment with ownership, less onerous and expensive regulatory requirements, market and information dislocation, and liberation from the short-term challenges that undergird the public capital markets. The careful and informed use of alternative investments in a diversified portfolio can reduce risk, lower volatility, and improve returns over the long-term, enhancing investors' ability to meet their investment outcomes. Alternative Investments: An Allocator's Approach (CAIA Level II curriculum official text) is a key resource that can be used to improve the sophistication of asset owners and those who work with them. This text comprises the curriculum, when combined with supplemental materials available at caia.org, for the CAIA Level II exam. "Over the course of my long career one tenet has held true, 'Continuing Education'. Since CalSTRS is a teachers' pension plan, it is no surprise that continuing education is a core attribute of our Investment Office culture. Overseeing one of the largest institutional pools of capital in the world requires a cohesive knowledge and understanding of both public and private market investments and strategies. We must understand how these opportunities might contribute to delivering on investment outcomes for our beneficiaries. Alternative Investments: An Allocator's Approach is the definitive core instruction manual for an institutional investor, and it puts you in the captain's chair of the asset owner."—Christopher J. Ailman, Chief Investment Officer, California State Teachers’ Retirement System "Given their diversified cash flow streams and returns, private markets continue to be a growing fixture of patient, long-term portfolios. As such, the need to have proficiency across these sophisticated strategies, asset classes, and instruments is critical for today's capital allocator. As a proud CAIA charterholder, I have seen the practical benefits in building a strong private markets foundation, allowing me to better assist my clients."—Jayne Bok, CAIA, CFA, Head of Investments, Asia, Willis Tower Watson

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Encuadernación: rústicaColección: Sillón OrejeroLewis Trondheim lleva una felicidad atormentada. Son ya 80 días sin ponerse delante de un nuevo álbum después de haber estado durante 14 años dibujando y también escribiendo para otros de forma ininterrumpida y tremendamente prolífica. Detecta el problema de la repetición y tras preguntarse "Por qué los autores de cómic envejecen mal?" intenta encontrar las esquivas claves que permitan mantener la frescura y la magia que eviten derivar hacia un definitivo agotamiento creativo. Para ello, en sus viajes a distintos salones de cómic a los que es invitado y que alterna supervisando a un equipo de guionistas de una serie de animación para TV sobre El rey catástrofe, decide contrastar experiencias y "documentarse" con múltiples encuentros, conversaciones y correos electrónicos cruzados con autores jóvenes y veteranos ?todos ellos antropomorfizados como él?, de Moebius y Gotlib a Sfar y Frank Margerin, de Bilal y Fred a Christophe Blain y

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Danielle Steel nos regala un nuevo relato mágico en el cual nos recuerda que, a veces, los cuentos de hadas se hacen realidad.N 1 del New York TimesChristophe y Joy eran una pareja profundamente enamorada cuando convirtieron su suntuosa propiedad en California en una pequeña bodega de prestigio. En ese entorno de ensueño criaron a Camille, su única hija, que no tardará en regresar tras terminar los estudios para ayudar con el negocio familiar.Pero cuando la enfermedad se lleva a su madre y su padre cree recuperar la felicidad con una nueva compañera, Camille queda a la merced de su madrasta y comprende que su lugar en la familia está en peligro.La aparición en escena de una peculiar hada madrina y la ayuda inesperada de un vecino con aspecto de príncipe quizá le permitan recuperar su paraíso perdido y defender su legado.La crítica ha dicho...Steel es una de las mejores!Los Angeles TimesPocas mujeres transmiten el pathos de la

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The first novel from two-time National Book Award winner Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in a rural town on Mississippi’s Gulf Coast. Over the course of a single, life-changing summer, as they struggle to find work and contend with the reappearance of their parents – Cille, who left town for a better job, and Sandman, a dangerous addict – the brothers are forced into a series of decisions that will ultimately damn or save them. A delicate and closely observed portrait of fraternal love and strife and the bonds that can sustain and torment us, Where the Line Bleeds marks the beginning of Jesmyn Ward’s extraordinary career in fiction.

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'You should definitely read Jack McDevitt' Gregory BenfordForty-one years ago, renowned physicist Dr. Christopher Robin vanished. Before his disappearance, his fringe science theories about the existence of endless alternate universes had earned him both admirers and enemies.Now his widow has died and Alex Benedict has been asked to handle the auction of the physicist's artifacts - leading the public to once again speculate on the mystery surrounding Robin's disappearance. Did he finally find the door between parallel universes that he had long sought?Intrigued, Alex Benedict and Chase Kolpath embark on their own investigation as they follow the missing man's trail into the unknown to uncover the truth - a truth people are willing to kill to protect...

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Christopher Robin outside in the wood, Sweetly the sun sets, just as it should. Peep through, Winnie-the-Pooh! What do you see inside? Winnie-the-Pooh is getting ready for bed, in this delightful rhyming story with peep-through holes to play peepo! Join Pooh and his friends from the Hundred Acre Wood in a cosy bedtime story. Young Winnie-the-Pooh fans will love this bright and colourful storybook with sturdy board pages that's ideal for reading and sharing together. Milne’s classic children’s stories – featuring Piglet, Owl, Rabbit, Eeyore and, of course, Pooh himself – are both heart-warming and funny, teaching lessons of friendship and reflecting the power of a child’s imagination like no other story before or since. Pooh ranks alongside other beloved character such as Paddington Bear and Peter Rabbit as an essential part of our literary heritage.

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Association of Catholic Publishers 2022 Excellence in Publishing Awards: First Place, Theology Catholic Media Association, Honorable Mention in Theology: Morality, Ethics, Christology, Mariology, and Redemption Unveiling divine mysteries across continents and centuries. Revelation in the Vernacular retrieves a hermeneutics of the vernacular that is rooted en lo cotidiano, in everyday life and experience. Traversing time and geography, Ruiz remaps a theology of revelation done latinamente, beginning with sixteenth-century encounters of Spanish colonizers with Indigenous peoples in the Caribbean. Drawing on the theology of the Incarnation articulated by Fray Luis de León (1527–91), he offers rich resources for interreligious engagement by believers in today’s religiously diverse world. Through an analysis of the documents of the 2019 Amazonian Synod, including Querida Amazonia, the Postsynodal Exhortation by Pope Francis, he explores a culture of encounter and dialogue that has been a hallmark of this pontificate. From the inscriptions in the caves of la Isla de Mona through the writings of the Latin American Bishops (CELAM), this book establishes a solid basis on which to discern the “Seeds of the Word” in our times.

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This lavish catalogue presents sketches made en plein air between the end of the eighteenth century and late nineteenth century. It accompanies a major exhibition at the National Gallery of Art, Washington (USA), the Fondation Custodia (France) and the Fitzwilliam Museum, Cambridge (UK).In the eighteenth century the tradition of open-air painting was based in Italy, Rome in particular. Artists came from all over Europe to study classical sculpture and architecture, as well as masterpieces of Renaissance and Baroque art. During their studies, groups of young painters visited the Italian countryside, training their eyes and their hands to transcribe the effects of light on a range of natural features. The practice became an essential aspect of art education, and spread throughout Europe in the nineteenth century. This exhibition focuses on the artists’ wish to convey the immediacy of nature observed at first hand.Around a hundred works, most of them unfamiliar to the general public, will be displayed. The artists represented include Thomas Jones, John Constable, J.M.W. Turner, Pierre-Henri de Valenciennes, Achille-Etna Michallon, Camille Corot, Christoffer Wilhelm Eckersberg, Johan Thomas Lundbye, Vilhelm Kyhn, Carl Blechen, Johann Martin von Rohden, Johann Wilhelm Schirmer, Johann Jakob Frey, among others. The sketches demonstrate the skill and ingenuity with which each artist quickly translated these first-hand observations of atmospheric and topographical effects while the impression was still fresh.The exhibition and the catalogue will be organized thematically, reviewing, as contemporary artists did, motifs such as trees, rocks, water, volcanoes, and sky effects, and favourite topgraphical locations, such as Rome and Capri. The catalogue will present numerous unpublished plein air sketches, and contains original scholarship on this relatively young field of art history.

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New perspectives on and interpretations of the popular medieval genre of the universal chronicle. Found in pre-modern cultures of every era and across the world, from the ancient Near East to medieval Latin Christendom, the universal chronicle is simultaneously one of the most ubiquitous pre-modern cultural forms and one of the most overlooked. Universal chronicles narrate the history of the whole world from the time of its creation up to the then present day, treating the world's affairs as though they were part of a single organic reality, and uniting various strands of history into a unifed, coherent story. They reveal a great deal about how the societies that produced them understood their world and how historical narrative itself can work to produce that understanding. The essays here offer new perspectives on the genre, from a number of different disciplines, demonstrating their vitality, flexibility and cultural importance, They reveal them to be deeply political texts, which allowed history-writers and their audiences to locate themselves in space, time and in the created universe. Several chapters address the manuscript context, looking at the innovative techniques of compilation, structure and layout that placed them at the cutting edge of medieval book technology. Others analyse the background of universal chronicles, and identify their circulation amongst different social groups; there are also investigations into their literary discourse, patronage, authorship and diffusion. Michele Campopiano is Senior Lecturer in Medieval Latin Literature at the University of York; Henry Bainton is Lecturer in High Medieval Literature at the University of York. Contributors:Tobias Andersson, Michele Campopiano, Cornelia Dreer, Catherine Gaullier-Bougassas, Elena Koroleva, Keith Lilley, Andrew Marsham, Rosa M. Rodriguez Porto, Christophe Thierry, Elizabeth M. Tyler, Steven Vanderputten, Bjorn Weiler, Claudia Wittig.

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A very special story which at last provides a heroic exit for Colin Baker's much-loved Time Lord. Four hour-long episodes, connected by the presence of the Valeyard, the entity that exists between the Doctor's twelfth and final incarnations. THE END OF THE LINE - The Doctor and his latest companion Constance investigate a commuter train that has lost its way...THE RED HOUSE - The Doctor and Charlotte Pollard arrive on a world that is populated by werewolves. STAGE FRIGHT - The Doctor and Flip visit Victorian London, where investigators Jago and Litefoot explore theatrical performances that have echoes of the Doctor's past lives...THE BRINK OF DEATH - The Doctor and Mel face the final confrontation with the Valeyard - and the Doctor must make the ultimate sacrifice. Denied a proper farewell from the Doctor Who TV show, Colin Baker here takes the role anew to show how the Sixth Doctor met his end...New companion Constance Clarke is played by Miranda Raison, a familiar face from British stage and screen including Spooks, Poirot, Merlin, Doctor Who and 24: Live Another Day...India Fisher (Charlie Pollard) is the narrator for BBC's popular Masterchef program. The four stories are from four different periods of the Sixth Doctor's life, each bringing back a popular companion and other friends of the Time Lord...CAST: Colin Baker (The Doctor), Miranda Raison (Constance Clarke), Anthony Howell (Tim Hope), India Fisher (Charlotte Pollard), Michael Jayston (The Valeyard), Lisa Greenwood (Flip), Christopher Benjamin (Henry Jago), Trevor Baxter (George Litefoot), Lisa Bowerman (Ellie Higson), Bonnie Langford (Melanie Bush).

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A dynamic social history of shadow capitalism spanning the late nineteenth and twentieth centuries Observers see free markets, the relentless pursuit of profit, and the unremitting drive to commodify everything as capitalism's defining characteristics. These most visible economic features, however, obscure a range of other less evident, often unmeasured activities that occur on the margins and in the concealed corners of the formal economy. The range of practices in this large and diverse hidden realm encompasses traders in recycled materials and the architects of junk bonds and shadow banking. It includes the black and semi-licit markets that allow wealthy elites to avoid taxes and the unmeasured domestic and emotional labor of homemakers and home care workers. By some estimates, the unmeasured economic activity that occurs within the household, informal market, and underground economy amounts to a substantial portion of all economic activity in the world, as much as 30 percent in some countries. Capitalism's Hidden Worlds sheds new light on this shadowy economic landscape by reexamining how we think about the market. In particular, it scrutinizes the missed connections between the official, visible realm of exchange and the uncounted and invisible sectors that border it. While some hidden markets emerged in opposition to the formal economy, much of the obscured economy described in this volume operates as the other side of the legitimate, state-sanctioned marketplace. A variety of historical actors—from fortune tellers and forgers to tax lawyers and black market consumers—have constructed this unseen world in tandem with the observable public world of transactions. Others, such as feminist development economists and government regulators, have worked to bring the darkened corners of the economy to light. The essays in Capitalism's Hidden Worlds explore how the capitalist marketplace sustains itself, how it acquires legitimacy and even prestige, and how the marginalized and the dispossessed find ways to make ends meet. Contributors: Bruce Baker, Eileen Boris, Eli Cook, Hannah Frydman, James Hollis, Owen Hyman, Anna Kushkova, Christopher McKenna, Kenneth Mouré, Philip Scranton, Bryan Turo.

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The letter is a powerfully evocative form that has gained in resonance as the habits of personal letter writing have declined in a digital age. But faith in the letter as evidence of the intimate thoughts of individuals underplays the sophisticated ways letters functioned in the past. In Cultures of Correspondence in Early Modern Britain leading scholars approach the letter from a variety of disciplinary perspectives to uncover the habits, forms, and secrets of letter writing. Where material features of the letter have often been ignored by past generations fixated on the text alone, contributors to this volume examine how such elements as handwriting, seals, ink, and the arrangement of words on the manuscript page were significant carriers of meaning alongside epistolary rhetorics. The chapters here also explore the travels of the letter, uncovering the many means through which correspondence reached a reader and the ways in which the delivery of letters preoccupied contemporaries. At the same time, they reveal how other practices, such as the use of cipher and the designs of forgery, threatened to subvert the surveillance and reading of letters. The anxiety of early modern letter writers over the vulnerability of correspondence is testament to the deep dependence of the culture on the letter. Beyond the letter as a material object, Cultures of Correspondence sheds light on textual habits. Individual chapters study the language of letter writers to reveal that what appears to be a personal and unvarnished expression of the writer's thought is in fact a deliberate, skillful exercise in managing the conventions and expectations of the form. If letters were a prominent and ingrained part of the cultural life of the early modern period, they also enjoyed textual and archival afterlives whose stories are rarely told. Too often studied only in the case of figures already celebrated for their historical or literary significance, the letter in Cultures of Correspondence emerges as the most vital and wide-ranging material, textual form of the early modern period. Contributors: Nadine Akkerman, Mark Brayshay, Christopher Burlinson, James Daybell, Jonathan Gibson, Andrew Gordon, Arnold Hunt, Lynne Magnusson, Michelle O'Callaghan, Alan Stewart, Andrew Zurcher.

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This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world.Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking.Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.

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Christopher Flynn is trying to get it right. After years of trouble and rebellion that enraged his father and nearly cost him his life, he has a steady job in his father's company, he's seriously dating a woman he respects, and, aside from the distrust that lingers in his father's eyes, his mistakes are firmly in the past.One day on the job, Chris and his partner come across a temptation almost too big to resist. Chris does the right thing, but old habits and instincts rise to the surface, threatening this new-found stability with sudden treachery and violence. With his father and his most trusted friends, he takes one last chance to blast past the demons trying to pull him back. Like Richard Price or William Kennedy, Pelecanos pushes his characters to the extremes, their redemption that much sweeter because it is so hard fought. Pelecanos has long been celebrated for his unerring ability to portray the conflicts men feel as they search and struggle for power and love in a world that is often harsh and unforgiving but can ultimately be filled with beauty.

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Charles II's succession to the throne came at a time of national turbulence: his father had been beheaded, Oliver Cromwell had usurped his right to reign. England was at sea among Europe's constantly shifting allegiances. But Henry Jermyn, a Suffolk commoner, lover to the queen mother and possibly even father to the king, was there to keep the royal family together. Jermyn's deft way of secretly manipulating government and raising an army almost prevented Civil War. He was instrumental in saving the monarchy and set in motion the rise of the British Empire. A duellist, soldier and spymaster, Jermyn was close to the great men of the 17th century: Francis Bacon (his kinsman), Louis XIV, Cardinal Richelieu, Inigo Jones, Samuel Peypys, Christopher Wren and Thomas Hobbes (whose Leviathan he inspired). The King's Henchman is a story of love, family, regicide, adversity and last-minute escapes, set against the backdrop of bloody Civil War. It is also the remarkable love story of a commoner and a royal who together shared a vision for Britain and created St James's Square and Greenwich Park as its first grand expression.

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'Why is there a world rather than nothing at all?' remains the most curious and most enduring of all metaphysical mysteries. Moving away from the narrower paths of Christopher Hitchens, Roger Penrose and Stephen Hawking, the celebrated essayist Jim Holt now enters this fascinating debate with his broad, lively and deeply informed narrative that traces all our efforts to grasp the origins of the universe. With sly humour and a highly original personal approach Holt takes on the role of cosmological detective. Suggesting that we might have been too narrow in limiting our suspects to God and the Big Bang, he tracks down, among others, an eccentric Oxford philosopher, a Nobel Laureate physicist, a French Buddhist monk, and John Updike just before he died, to pursue this cosmic puzzle from every angle. As he pieces together a solution - while offering useful insights into time, consciousness, and eternity - he sheds fascinating new light on the meaning of existence. A New York Times bestseller on first publication, this new paperback edition provides a much-needed new take on history's greatest conundrum, in the vein of previous bestsellers like Michael Brooks' 13 Things that Don't Make Sense.

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When you think of British horror films, you might picture the classic Hammer Horror movies, with Christopher Lee, Peter Cushing, and blood in lurid technicolor. Yet British horror has undergone an astonishing change and resurgence in the twenty-first century, with films that capture instead the anxieties of post-Millennial viewers. Tracking the revitalization of the British horror film industry over the past two decades, media expert Steven Gerrard also investigates why audiences have flocked to these movies. To answer that question, he focuses on three major trends: “hoodie horror” movies responding to fears about Britain’s urban youth culture; “great outdoors” films where Britain’s forests, caves, and coasts comprise a terrifying psychogeography; and psychological horror movies in which the monster already lurks within us. Offering in-depth analysis of numerous films, including The Descent, Outpost, and The Woman in Black, this book takes readers on a lively tour of the genre’s highlights, while provocatively exploring how these films reflect viewers’ gravest fears about the state of the nation. Whether you are a horror buff, an Anglophile, or an Anglophobe, The Modern British Horror Film is sure to be a thrilling read.

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