Search results for ""author jan"

SECRETS AND LIES RUIN LIVES'So many twists and thrills I was gripping the sides of the book all the way to the dynamite ending' DAN MALAKIN'A high-paced and relentlessly twisty thriller' L.V. MATTHEWS'An intricately plotted thriller full of deeply flawed yet believable characters. Utterly riveting and clever' CATHERINE COOPER'Fiendishly clever and compulsive - this novel will leave you feeling breathless in the best way' SARAH LAWTON'More twists and turns than a rollercoaster! Superbly plotted, compelling, pacy. Sarah is a tour de force' T ORR MUNROTwo women receive an anonymous note.For one it's a threat.For the other it's an invitation for revenge.Helena is beautiful, successful, and living in married bliss in Exeter. But she's hiding a secret that could tear her perfect life apart. When the notes begin to arrive, she realises someone else must know her secret. But what might her husband and his overbearing family do if they find out the truth?Thea is reeling from her best friend Helena's death. But when she starts digging into the circumstances, she receives a threatening note warning her to stop. She knows her friend's death wasn't an accident. This was murder. And she is determined to get revenge . . .PRAISE FOR SARAH BONNER'S DEBUT HER PERFECT TWIN:'Brilliantly twisty' T. M. Logan'Terrifyingly vivid' Janice Hallett'Made my jaw drop' Samantha Downing'A perfect storm of sly revenge and rivalry' L. V. Matthews

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'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig RobertsonSt. Andrews, Scotland: When an elderly woman's naked body is found in her home, crucified to the floor, DCI Andy Gilchrist and his associate, DS Jessie Janes, find themselves in a hunt for a brutal serial killer. As the body count rises, suspicion falls on Tap 'Dancer' McCrear, a career criminal recently released from prison after serving fifteen years for a murder he swore he never committed.As Gilchrist begins to uncover the terrifying truth behind each of the killings, his worst fears are realised when he learns that McCrear is killing everyone involved in his murder trial... for it was Gilchrist who arrested McCrear all those years ago. High-flying Detective Superintendent Rommie Frazier, who leads the multi-constabulary task force searching for McCrear, clashes with Gilchrist over the detail of the investigation, and demands his removal. But Gilchrist won't leave without a fight, for he knows it is up to him to find Tap McCrear... before his own name is struck off the murder list.PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'DCI Gilchrist gets under your skin. Tough, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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EIGHT GENERATIONS OF BOLEYN WOMEN FROM THE FOURTEENTH CENTURY TO 1603 The Boleyn family appeared from nowhere at the end of the fourteenth century, moving from peasant to princess in only a few generations. The women of the family brought about its advancement, beginning with the heiresses Alice Bracton Boleyn, Anne Hoo Boleyn and Margaret Butler Boleyn, who brought wealth and aristocratic connections. Then there was Elizabeth Howard Boleyn, who was rumoured to have been the mistress of Henry VIII, along with her daughter Mary and niece Madge, who certainly were. Anne Boleyn became the king’s second wife and her aunts, Lady Boleyn and Lady Shelton, helped bring her to the block. The infamous Jane Boleyn, the last of her generation, betrayed her husband before dying on the scaffold with Queen Catherine Howard. The next generation was no less turbulent and Catherine Carey, the daughter of Mary Boleyn, fled from England to avoid persecution under Mary Tudor. Her daughter, Lettice, was locked in bitter rivalry with the greatest Boleyn lady of all, Elizabeth I, winning the battle for the affections of Robert Dudley but losing her position in society as a consequence. Finally, another Catherine Carey, the Countess of Nottingham, was so close to her cousin, the queen, that Elizabeth died of grief following her death. The Boleyn family was the most ambitious dynasty of the sixteenth century, rising dramatically to prominence in the early years of a century that would end with a Boleyn on the throne.

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SHORTLISTED FOR THE ALCS GOLD DAGGER FOR NON-FICTION'METICULOUSLY RESEARCHED ... A GLORIOUSLY ENGAGING ROMP' JANICE HALLETT, THE SUNDAY TIMES'IMMERSIVE AND COMPELLING' DAVID KYNASTON'A PAGE-TURNER' ROBERT LACEY'CAREFUL AND COMPELLING' KATE MORGAN'YOU WILL READ IT IN ONE SITTING' MARC MULHOLLAND'A REAL-LIFE GOLDEN-AGE CRIME NOVEL' SEAN O'CONNORA brilliant narrative investigation into the 1920s case that inspired Agatha Christie, Dorothy Sayers and Margery Allingham.On a bleak Tuesday morning in February 1921, 48-year-old Katharine Armstrong died in her bedroom on the first floor of an imposing Edwardian villa overlooking the rolling hills of the isolated borderlands between Wales and England.Within fifteen months of such a sad domestic tragedy, her husband, Herbert Rowse Armstrong, would be arrested, tried and hanged for poisoning her with arsenic, the only solicitor ever to be executed in England.Armstrong's story was retold again and again, decade after decade, in a thousand newspaper articles across the world, and may have also inspired the new breed of popular detective writers seeking to create a cunning criminal at the centre of their thrillers.With all the ingredients of a classic murder mystery, the case is a near-perfect whodunnit. But who, in fact, did it? Was Armstrong really a murderer?One hundred years after the execution, Agatha-Award shortlisted Stephen Bates examines and retells the story of the case, evoking the period and atmosphere of the early 1920s, and questioning the fatal judgement.

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On January 16, 1944, the submarine rescue vessel USS Macaw (ASR-11) ran aground at Midway Atoll while attempting to get a towing line to the stranded submarine USS Flier (SS-250). The Flier was pulled free six days later, but another three weeks of salvage efforts, plagued by rough seas and equipment problems, failed to dislodge the Macaw. Then on Saturday, February 12, amid an episode of freakishly enormous waves, the sea accomplished that task, nudging the ship from her perch backward into deeper water.As night fell and the ship slowly sank, the 22 men on board face=Calibri>– Lt. Cmdr. Paul W. Burton, USN, the captain, his executive officer and twenty enlisted men—sought refuge in the pilot house. By about 0230 Sunday, that compartment having flooded almost entirely, Burton gave the order to open the portside door and make for the foremast. Three men got to it and climbed it. Most of the rest were swept overboard. Five of the men, including Burton himself, died, as did three sailors from the base at Midway in a pair of unauthorized and effectively suicidal rescue attempts that morning.Drawing on contemporaneous written statements by survivors of that night and interviews conducted over a span of thirty years, this book traces the lives of the Macaw and her enigmatic captain, from birth on San Francisco Bay to death at Midway. It tells a war story short on combat but not on drama, a wartime tragedy in which the conflict is more interpersonal, and perhaps intrapersonal, than international. Ultimately, for Paul Burton and the Macaw the real enemy was the sea, and in a deadly denouement told here in riveting detail, the sea won. Highlighting the underreported role auxiliary vessels played in the war, A Strange Whim of the Sea: The Wreck of the USS Macaw should engage the military historian and lay reader alike with the previously untold story it tells of struggle, sacrifice, death and survival in the Pacific in World War II.

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This wide-ranging selection combines popular choices of traditional poems read at funerals with powerful poems by contemporary writers more tuned to our present age of doubt and disbelief. There are poems here for churchgoers and believers, including classic verses of grief and consolation by John Donne, Christina Rossetti, Emily Bronte and Emily Dickinson, the anonymous Do not stand at my grave and weep, and the poems read at Princess Diana's funeral. But there are also poems for people of all faiths and religions, for agnostics and atheists, and most importantly for those who aren’t sure what they believe, whose grief over loss is the more intense for not knowing what happens to the soul after death. Grief isn’t denied but experienced and made more bearable by being put into memorable words. Searing poems of lament are followed by moving elegies celebrating the lives of those we will always love. Whether and how the spirit survives is then explored in an extraordinary gathering of poems by writers as different and diverse as the Persian mystic Rumi, Zen Buddhist composers of Japanese haiku, and American poets Mary Oliver and Jane Kenyon. Buttressed against their assertions of faith in an afterlife are modern sceptics, from Auden and Larkin to William Carlos Williams and C.K. Williams, whose wrestling with the meaning of death helps us make sense of no sense, mirroring our own anxieties and difficulties. But however various and contradictory these poems, their message chimes with Larkin’s famous words, proving 'Our almost-instinct almost true:/ What will survive of us is love.' Unlike other poetry anthologies of loss, mourning and remembrance, Do Not Go Gentle offers a selection of poems specifically for reading at funerals and memorial services. It can also be used for reading aloud to friends and family, or for reading while numbed and bewildered – all times when the right poem can help us share and bear the burden of immediate grief.

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This three-volume edition provides translations of the Goldsmiths' Company Register of Deeds with full explicatory annotation, and with a clear introduction to both the manuscript and the legal texts contained in it. The Worshipful Company of Goldsmiths, commonly known as the Goldsmiths' Company, is one of the twelve Great Livery Companies of the City of London. This three-volume edition provides translations of the company's Register of Deeds with full explicatory annotation and with a clear introduction to both the manuscript and the legal texts contained within. Additionally, the volumes contain detailed name and subject indexes. The company's Register of Deeds has never been fully utilised by historians, but it contains a record copy made from the fifteenth century onwards of the original deeds of the company's acquisitions of property from the reign of King Richard I to the seventeenth century. These deeds reveal much about the precise location of properties and their inhabitants. Wills, often appearing in the Register, help to piece together a social history of the time. Charitable purposes were often the reason for monies or property bequeathed to the Goldsmiths, sometimes of an educational nature, or of almsgiving to the poor, or for the training and support of young goldsmiths and silversmiths. Many documents also concern women, either acting solely in their own name or jointly with a husband, sometimes also appearing as daughters or sisters, providing evidence regarding their legal position during the medieval and early modern period. The editing and translation of these documents (from Latin and French into modern-day English) will be of great use to historians interested in the buildings of medieval and Tudor London and their use as personal or business premises. But beyond these obvious confines, these so far hidden sources will help to rewrite a social, legal, and economic history of medieval and Tudor London. SPECIAL INTRODUCTORY PRICE: £395/$575. Rises to full price £450/$650 on 1st January 2023.

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Introduced by Apple in January 2005, iWork '05 is an innovative new suite of document and presentation software that's the same caliber as Apple's groundbreaking digital media applications and that's wholly dedicated to what Mac users like you care about most: artistry and creativity. iWork '05 isn't about "office productivity" - it's about creating slick and stylish documents and cinema-quality digital presentations that say precisely what you want them to say. While iWork '05 helps you create stunning documents and presentations, the suite doesn't come with any in-depth documentation of its own. That's where "iWork '05: The Missing Manual" comes in. The book that should have been in the box, it gives you everything you need to master iWork '05. Seamlessly integrated with the wildly popular iLife '05 and designed to take advantage of the advanced typography and graphics engine of Mac OS X, iWork is actually two separate programs: Pages and Keynote 2. Pages is a brand-new, streamlined word processor and page layout program that allows non-professionals to quickly and painlessly produce gorgeous brochures, newsletters, letters, invitations, product data sheets, and more. You can start documents from scratch or use one of the 40 professionally designed templates as a starting point. Keynote 2 is a significant upgrade to Keynote, Apple's PowerPoint-like presentation software that allows you to build unique presentations, demonstrations, storyboard animations, interactive slideshows, and more. Like every Missing Manual, this one is refreshingly entertaining and scrupulously detailed. "iWork '05: The Missing Manual" gives you all the essentials of Pages and Keynote 2, including an objective look at each program's capabilities, its advantages over similar programs, and its limitations. The book delivers countless goodies that you won't find anywhere else: undocumented tips, tricks, and secrets for getting the very best results from both exciting new applications. With the iWork '05 suite and "iWork '05: The Missing Manual", you are totally equipped to give your work the style it deserves.

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'Obligatory reading for all parents of teenagers!' NIGELLA LAWSON'Bloody marvellous. Horribly familiar, funny, touching, sad, brutally honest...clutch this book to your stained T-shirt and never let it go.' JO BRAND'Terrific. A remarkable blend of hilarity and heartbreak with a really satisfying plot. Being childless never felt so good.' GRAHAM NORTON'Warm and witty... The competitive mothering, the hell that is other people's children, the fights and accusations of Homeland inquisition all rang deliciously true... a most entertaining read.' KATHY LETTE'Very poignant... A moving read as well as a funny one.' JANE GARVEY 'Honest, hilarious and painful' WOMAN & HOMEWarning!! This novel may lead you to make rash and life-changing decisions!**Probably don't read if you fear you may be ripe for liberation. Or if you sometimes wee when you laugh...First there was Having It All, then there was Bridget Jones' s Diary and I Don't Know How She Does It. Now there is Teenage Punchbag.I'm Just A Teenage Punchbag is a laugh-out-loud, sob-on-the bus journey through the so-called life of a middle-aged woman.Ciara is mother to three ungrateful, entitled teenagers, is married to steady Martin, a man with hairy udders, and is grieving for her mum who now lives in the wardrobe in a cardboard box from the crematorium. She finds solace in her anonymous blog, and in the daily chats she has with her mum's ashes (often the best conversations she has all day.)Despite the menopause, the invisibility of middle age and the daily self-esteem bashings, courtesy of her kids, Ciara manages to navigate the stormy waters of grief and family life - until her mask slips and she is cast out from the family bosom. She embarks on a mission to fulfil her mum's dying wishes to have her remains sprinkled from the top of the Empire State Building, finding company, distraction and - ultimately - herself in the process.If motherhood is a job - who says you can't resign?

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"Terry was everywhere in the '60s - he knew everything and everyone that was happening" - Keith Richards Terry O'Neill (1938-2019) was one of the world's most celebrated and collected photographers. No one captured the front line of fame so broadly - and for so long. Terry O'Neill's Rock ‘n’ Roll Album contains some of the most famous and powerful music photographs of all time. At the same time, the book includes many intimate personal photos taken 'behind the scenes' and at private functions. Terry O'Neill photographed the giants of the music world - both on and off-stage. For more than fifty years he captured those on the front line of fame in public and in private. David Bowie, Elton John, Led Zeppelin, Amy Winehouse, Dean Martin, The Who, Janis Joplin, AC/DC, Eric Clapton, Sammy Davis Jnr., The Rolling Stones, Bruce Springsteen, Chuck Berry and The Beatles - to name only a few. O'Neill spent more than 30 years photographing Frank Sinatra as his personal photographer, with unprecedented access to the star. He took some of the earliest known photographs of The Beatles, and then forged a lifetime relationship with members of the band that allowed him to photograph their weddings and other private moments. It is this contrast between public and private that makes Terry O'Neill's Rock ‘n’ Roll Album such a powerful document. Without a doubt, Terry O'Neill's work comprises a vital chronicle of rock 'n' roll history. To any fan of music or photography, this book will be a must-buy. "Trusted by the stars to make them look good, O'Neill has captured the icons of music for over half a century... Terry O'Neill's Rock 'N' Roll Album, collects a wealth of private moments and memories captured for eternity, with the likes of David Bowie, Bryan Ferry, Dolly Parton, Diana Ross, Bruce Springsteen, Led Zeppelin, Amy Winehouse and even Elvis Presley all the subject of O'Neill's immaculately placed lens. A life in pictures, a legacy in print. Pay heed to history!" - Simon Harper, Clash Magazine

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A beautiful story of love and survival for fans of Ruth Hogan and Sally Page.-----A LOST CHILD. A LONG-KEPT SECRET. THE HOUSE THAT HOLDS THE KEYSpring 1937: Teresa is evacuated to London in the wake of the Guernica bombing. She thinks she's found safety in the soothing arms of Mary Davidson and the lofty halls of Rochester Place, but trouble pursues her wherever she goes.Autumn 2020: Corinne, an emergency dispatcher, receives a call from a distressed woman named Mary. But when the ambulance arrives at the address, Mary is nowhere to be found. Intrigued, Corinne investigates and, in doing so, disturbs secrets that have long-dwelt in Rochester Place's crumbling walls. Secrets that, once revealed, will change her life for ever . . .Who is Mary Davidson? And what happened at Rochester Place all those years ago?Set between the dusty halls of Rochester Place and the bustling streets of modern-day Tooting, this emotive, intricately layered mystery tells the spellbinding story of two people, separated by time, yet mysteriously connected through an enchanting Georgian house and the secrets within its walls.-----'A moving, page-turning story - beautifully written and heartfelt' Amanda Prowse, To Love and Be Loved'A rich and tender story of fortitude, family and friendship' Ruth Hogan, The Keeper of Lost Things'Simply spellbinding, very addictive, and so beautifully written' Sophie Irwin, A Ladies Guide to Fortune Hunting'Richly atmospheric, evocative and moving - a triumph of storytelling' Abbie Greaves, The Silent Treatment'Full of intrigue and loss, this beautifully written gothic tale makes for a spellbinding read' Rhiannon Ward, The Quickening'This atmospheric tale of family, friendship and long held secrets is a compelling read' My Weekly'An intriguing story which skilfully entwines the past and present' Heidi Swain, A Taste of Home'Absorbing, moving and multi-layered... A book to curl up with' Emma Curtis, Keep Her Quiet'Beautifully written with a story that draws you in' Jane Corry, We All Have Our Secrets

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'Riveting, twisty, page-turning stuff' GuardianA 'best books of 2020' pick for BBC Radio 4 Open Book, the Guardian, the Telegraph and Good Housekeeping'The page turner you've been looking for. Sly, witty and gripping . . . I devoured it' Naomi Alderman'An utter joy . . . wonderfully skilled' Sarah Perry'Beguiling, brilliantly creepy, and an utterly compelling read' Claire Fuller'Tender, creepy and gripping' Sunday Times'Spellbinding and spooky . . . a dazzling high wire act, superbly absorbing' Sunday MirrorWhen the eight-year-old daughter of an Oxford College Master vanishes in the middle of the night, police turn to the Scottish nanny, Dee, for answers.As Dee looks back over her time in the Master's Lodging - an eerie and ancient house - a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother.But is Dee telling the whole story? Is her growing friendship with the eccentric house historian, Linklater, any cause for concern? And most of all, why is Felicity silent?Roaming Oxford's secret passages and hidden graveyards, Magpie Lane explores the true meaning of family - and what it is to be denied one.'Enthralling . . . creepy and compelling' The Times'Deliciously dark' Alexandra Shulman'A gorgeously satisfying triumph' Lucy Mangan'A rare thing . . . simply stunning' Daily Express'I was gripped . . . highly original' Alex Clark'Creepy, suspenseful' Independent'One of the most intriguing narrators since Notes on a Scandal' Sara Collins'Grown-up and cleverly written . . . a dizzying sense of uncertainty' Literary Review'Keeps you guessing . . . a real sense of menace' Good Housekeeping'Wholly beguiling' Mick Herron'Dazzlingly good' Diane Setterfield'Beautiful writing' Polly Samson'Clever, tense and twisty' Amanda Craig'Highly intelligent' Sarah Vaughan'Simply brilliant!' JP Delaney'Darkly atmospheric' Jane Fallon'Clever and creepy' Erin Kelly'Highly recommended' Louise Candlish

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Sleater-Kinney’s 1997 album Dig Me Out is built on Corin Tucker and Carrie Brownstein’s competing guitars, Janet Weiss’s muscular rhythms, and layered vocals that teeter between an urgent, banshee-like vibrato and a lower accompaniment. Dig Me Out was the band’s third studio album, but the first one written and recoded with Weiss. It inaugurated Sleater-Kinney into a lineup that would span its two-decade career. This 33 1/3 follows the narrative of Dig Me Out from its inception in Olympia to its recording in Seattle and its reception across the United States. It’s anchored in a short period of time – roughly from mid-1996 to mid-1998 – but it encompasses a series of battles over meaning that continued to preoccupy Sleater-Kinney in the coming decades. The band wrestled with the media about how they would be presented to the public, it contended with technicians about how their sound would be heard in clubs, and they struggled with pervasive social hierarchies about how their work would be understood in popular culture. The only instance where the band didn't have to put up much of a fight was when it came to their fans. The acclaim Sleater-Kinney received from their listeners in the late 1990s, and continue to receive today, speaks to a need for icons who challenged normative notions of culture and gender. This story of Dig Me Out chronicles how Sleater-Kinney won the fight to define themselves on their own terms – as women and as musicians – and, in the process, how they redefined the parameters of rock.

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Islamic economics and finance has recently enjoyed a spike in interest and a rise in status from theology-tinged discussion fodder for Muslim intellectuals to a fully fledged academic discipline knocking on the doors of university social science departments. The Handbook of Empirical Research on Islam and Economic Life provides a solid background and overview of current empirical research, evaluating how well Islamic institutions have performed in pursuing their objectives. With contributions from leading scholars, this unique Handbook provides chapters examining a range of phenomena in Islamic finance, focusing on five main research areas: religion and growth, Islamic social finance, Islamic banking and finance, Islamic capital market and Sukuk (Islamic bonds). This selection of research literature provides:- a socio-economic profile of Muslim countries- an outline of Islamic systems of accounting and governance- an analysis of the religion-development link- a consideration of the role of the state under Islam.Scholars of finance and Islam in Muslim and in Western universities, students in graduate and post-graduate courses in Islamic studies, and Islamic research institutes and libraries in Western, Middle Eastern and Asian universities will all find great value in this vital resource and its exploration of a compelling approach to finance.Contributors include: A.U.F. Ahmad, M.S. Akhtar, E. Aksak, M.A.M. Al JanabiIhsan Isik, N. Alam, F. Alqahtani, S.O. Alhabshi, C. Aloui, S.B. Anceaur, D. Ashraf, M. Asutay, A.F. Aysan, O. Bacha, A. Barajas, M. Bekri, C. De Anca, G. Dewandaru, M. Disli, A.O. El Aloui, M. Farooq, K. Gazdar, R. Grassa, H.B. Hamida, M.K. Hassan, R. Hayat, C.M. Henry, J. Howe, M.H. Ibrahim, M. Jahrom, K. Jouaber-Snoussi, F. Kamarudin, M. Khawaja, H. Khan, K. Khan, O. Krasicka, M.T. Majeed, N.A.K. Malim, M. Masih, A. Massara, D.G. Mayes, A.K.M. Meera, M. Mehri, C. Mertzanis, H.S. Min, M.A. Mobin, Y.A. Nainggolan, M. Naseri, A.M. Nassir, A. Ng, S. Nowak, M.S. Nurzaman, M. Omran, H. Ozturk, M. Rashid, M.E.S.M. Rashid, R.M. Shafi, A. Shah, N.S. Shirazi, F. Sufian, G.M.W. Ullah, P. Verhoeven, L. Weill, S. Zaheer, S.R.S.M. Zain, A. Zarka

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15th-c. adaptations of Chrétien de Troyes, the use of motifs, and standard features including current state of research and book review section. Setting the tone for volume 24 is a trio of articles on 15th-century French adaptations of Chrétien de Troyes's Arthurian romances. Norris Lacy examines adaptation and reception in Cligés,Jane Taylor writes on the importance of cultural details to reception studies of both Erec and Cligés, and Maria Timelli on structural aspects of Erec. Other studies of romance include MaryLynn Saul's article on courtly love and patriarchal marriage institutions in Malory, and Anne Caillaud's piece on gender conventions of courtly love as a vehicle for misogyny in Antoine de la Sale's Petit Jehan de Saintre. Hans-Joachim Behr deals with an adaptation of the 12th-century historical figure of Heinrich von der Löwe in his article on the poetic workof Michel Wyssenherre. Roxana Recio's article on Spanish "amplifications and glosses" draws connections between translation, reception, and interpretation.Moving from romance to legend, Peter De Wilde, in his article on the legendary matter of St. Patrick's journeys to Purgatory, relates a 15th-century account of one Englishman's "visionary pilgrimage" to that destination.A second area of concentration in the volume is the thematic and structural use of motifs. Rainer Goetz discusses archery in Spanish poetry of love and death; Georg Roellenbleck courtly pastimes and the term passe temps inFrench poetry. James Wilkins focuses on the "body as currency" in French passion plays. Kristine Patz moves into art history, examining the importance of the Pythagorean ypsilonin the work of the Italian painter Mantegna.Dealing with the turn to Renaissance humanism are articles by Grady Smith on the short literary career and Latin dramas of Titus Livius Frulovisi, and by Christiane Raynaudon humanism and good government in the Latin Romuleon. Franco Mormando investigates a darker moment: the 1426 witch trial in Rome and the role of Bernardino of Siena as its instigator and chronicler. Rouben Choulakian writes on the poetry of Charles d'Orlean

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Ruth Bader Ginsburg believed that the equal rights of women belonged in the Constitution. She stood on the shoulders of brilliant women who persisted across generations to change the Constitution. We the Women tells their stories, showing what’s at stake in the current battle for the Equal Rights Amendment.A century after the Nineteenth Amendment guaranteed women the constitutional right to vote, the quest for women’s full inclusion in the US Constitution continues. After passage of the Nineteenth Amendment, revolutionary women demanded full equality beyond suffrage by proposing the Equal Rights Amendment (ERA). Congress took almost fifty years to adopt it in 1972, and the states took almost as long to ratify it. In January 2020, Virginia became the final state needed to ratify the amendment. Why did the ERA take so long? Is it too late to add it to the Constitution? And what could it do for women? Distinguished legal scholar Julie C. Suk tells the story of the ERA through the voices of the bold women lawmakers who created it. They faced opposition and subterfuge at every turn, but they kept the ERA alive. And, despite significant gains, the achievements of gender equality have fallen short, especially for working mothers and women of color. Suk excavates the ERA’s past to guide its future, explaining how the ERA can address hot-button issues such as pregnancy discrimination, sexual harassment, and unequal pay. The rise of movements like the Women’s March and #MeToo have ignited women across the country. Unstoppable women are winning elections, challenging male abuses of power, and changing the law to support working families. Can they add the ERA to the Constitution and improve American democracy? We the Women shows how the founding mothers of the ERA and the for-gotten mothers of all our children have transformed our living Constitution for the better.

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One of our great essayists and journalists-the Dean of American Rock Critics, Robert Christgau-takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock 'n' roll before Elvis, settled east of Manhattan's Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago '68, and the first abortion speak-out. He's caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin's A Walker in the City, E. B. White's Here Is New York, Joseph Mitchell's Up in the Old Hotel, and Patti Smith's Just Kids, it is a loving portrait of a lost New York. It's an homage to the city of Christgau's youth from Queens to the Lower East Side-a city that exists mostly in memory today. And it's a love story about the Greenwich Village girl who roamed this realm of possibility with him.

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'It's not a high concept movie, there's actually no story there really. It’s what happens in between the story that’s important' – Bill Forsyth The story of an American businessman sent to buy the Scottish village of Ferness with the aim of turning it into an oil refinery, Local Hero is one of Scotland’s most beloved, and most misunderstood, films. When Bill Forsyth’s incredible success with the low-budget That Sinking Feeling and Gregory’s Girl found him collaborating with Britain’s best-known film producer, David Puttnam, he soon found his independent ethos clashing with Hollywood’s desire for superstar actors and a happy ending. Jonathan Melville checks into the MacAskill Arms and looks back at Bill Forsyth’s career with the help of new and archive interviews, before spending time with the cast and crew, including stars Peter Riegert and Denis Lawson, who made Local Hero on location in Houston and Scotland in 1982. With access to early drafts of the Local Hero script (including hand-written notes) that reveal more about Mac and mermaids, excerpts from a previously unpublished interview in which Bill Forsyth explains why he refuses to call his film 'feel-good', and a look at long-lost deleted scenes with exclusive commentary from those involved, this is the definitive history of the Scottish classic. ‘Genuine fairy tales are rare; so is film-making that is thoroughly original in an unobtrusive way. Bill Forsyth's quirky disarming Local Hero is both . . . it demonstrates Mr. Forsyth's uncanny ability for making an audience sense that something magical is going on, even if that something isn't easily explained’ – Janet Maslin, The New York Times 'Local Hero is kind of transcendent. It's poetic in a way that most films can't hope to be' – Frank Cottrell-Boyce 'Local Hero is one my favourite films of all time . . . A timeless masterpiece' – Mark Kermode

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On 14 January 1930, Horst Wessel, a young and ambitious member of the SA was shot at close range at his home in Berlin. Although the crime was never completely solved, the murder was most likely committed by a group of communists with close ties to the city's gangland. Wessel later died from his injuries. Joseph Goebbels, whose attention had already been drawn to Wessel as a possible future Nazi leader, was the first to recognize the propaganda potential of the case. 'A young martyr for the Third Reich' he wrote in his diary on 23 February 1930 immediately after receiving the news of Wessel's death. This was the beginning of the myth-making that transformed an ordinary individual into a masculine role model for an entire generation. Two months later, thousands of people lined the streets for Wessel's funeral parade and Goebbels delivered a graveside eulogy. In the years that followed - and as Nazi power increased - Horst Wessel became the hero of the Nazi movement - with his elaborate memorial quickly becoming a site of pilgrimage. The song Die Fahne Hoch for which Wessel had written the lyrics (and which subsequently became popularly known as the Horst Wessel Song) became the official Nazi party anthem and the Berlin district of Friedrichshain, where Wessel was murdered was renamed Horst-Wessel-Stadt in his honour. Numerous biographies and films followed. Using previously unseen material, Daniel Siemens provides a fascinating and gripping account of the background to Horst Wessel's murder and uncovers how and why the Nazis made him a political hero. He examines the Horst Wessel 'cult' which emerged in the aftermath of Wessel's death and the murders of revenge, particularly against Communists, committed by the SA and Gestapo after 1933. At the same time, the story of Horst Wessel provides a portrait of the Nazi propaganda machine at its most effective and most chilling.

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A vital contribution to environmental humanities that explores artistic responses to the plastic age Since at least the 1960s, plastics have been a defining feature of contemporary life. They are undeniably utopian—wondrously innovative, cheap, malleable, durable, and convenient. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are piling up in landfills, floating in oceans, and contributing to climate change and cancer clusters. They are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. Plastic reshapes our cultural and social imaginaries. With impressive breadth and compelling urgency, the essays in Life in Plastic examine the arts and literature of the plastic age. Focusing mainly on post-1960s North America, the collection spans a wide variety of genres, including graphic novels, superhero comics, utopic and dystopic science fiction, poetry, and satirical prose, as well as vinyl records and visual arts. Essays by a remarkable lineup of cultural theorists interrogate how plastic—as material and concept—has affected human sensibilities and expression. The collection reveals the place of plastic in reshaping how we perceive, relate to, represent, and re-imagine bodies, senses, environment, scale, mortality, and collective well-being.Ultimately, the contributors to Life in Plastic think through plastic with an eye to imagining our way out of plastic, moving toward a postplastic future.Contributors: Crystal Bartolovich, Syracuse U; Maurizia Boscagli, U of California, Santa Barbara; Christopher Breu, Illinois State U; Loren Glass, U of Iowa; Sean Grattan, U of Kent; Nayoung Kim, Brandeis U; Jane Kuenz, U of Southern Maine; Paul Morrison, Brandeis U; W. Dana Phillips, Towson U in Maryland and Rhodes U in Grahamstown, South Africa; Margaret Ronda, UC-Davis; Lisa Swanstrom, U of Utah; Jennifer Wagner-Lawlor, Pennsylvania State U; Phillip E. Wegner, U of Florida; Daniel Worden, Rochester Institute of Technology.

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WOOD DETERIORATION, PROTECTION AND MAINTENANCE Wood has low embodied energy, is a renewable resource and can perform extremely well in a range of construction applications, so it is not surprising that there is growing interest in the use of wood in new buildings. As a natural material, wood can be subject to degradation by a range of environmental factors, insects, bacteria or fungi. Advances in the understanding of the degradation processes caused by these factors, as well as increased knowledge about boundary environmental conditions and the extractives that suppress the development of timber pests, have led to new methods of structural, physical and chemical protection of wood and wooden composites. The result is that wood can deliver high-performance, long-life buildings and structures with low environmental impact at relatively modest cost. Wood Deterioration, Protection and Maintenance provides an up-to-date discussion of the natural durability of wood, wood degradation processes, and methods of structural, physical and chemical protection of wood. The important information relating to wood degradation by abiotic and biotic agents in the context of the basic structure of wood is fully discussed, showing how structural changes in damaged wood relate to physical and mechanical properties. Modern active substances in wood protection and the relationships between preservative properties, the anatomical structure and moisture content of wood, and protective processes involving pressure and/or diffusion driving forces are fully illustrated. Mentioned also are principles of wood maintenance, together with modes of damaged wood identification, sterilization and reconstruction. OTHER BOOKS OF INTEREST Wood Modification: Chemical, Thermal and Other Processes Callum A. S. Hill Hardback ISBN 9780470021729 January 2006, Wiley Wood in Construction: How to Avoid Costly Mistakes Jim Coulson Paperback ISBN 9780470657775 March 2012, Wiley Blackwell Structural Timber Design to Eurocode 5, 2nd Edition Jack Porteous, Abdy Kermani Paperback ISBN 9780470675007 May 2013, Wiley Blackwell

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When we think of literature and film about farm workers, The Grapes of Wrath may come to mind, but Farm Worker Futurism reveals that the historical role of technology, especially new media, has in fact had much more to do with depicting the lives of farm laborers—Mexican migrants in particular—in the United States. From the late 1940s, when Ernesto Galarza led a strike in the San Joaquin Valley, to the early 1990s, when the United Farm Workers (UFW) helped organize a fast in solidarity with janitors at Apple Computers in the Santa Clara Valley, this book explores the friction between agribusiness and farm workers through the lens of visual culture.Marez looks at how the appropriation of photography, film, video, and other media technologies expressed a “farm worker futurism,” a set of farm worker social formations that faced off against corporate capitalism and government policies. In addition to drawing fascinating links between the worlds envisioned in UFW videos on the one hand and visions of Cold War geopolitics on the other, he demonstrates how union cameras and computer screens put the farm worker movement in dialogue with futurist thinking and speculative fictions of all sorts, including the films of George Lucas and the art of Ester Hernandez. Finally Marez examines the legacy of farm worker futurism in recent cinema and literature, contemporary struggles for immigrant rights, management–labor conflicts in computer hardware production, and the antiprison movement.In contrast with cultural histories of technology that take a top-down perspective, Farm Worker Futurism tells the story from below, showing how working-class people of color have often been early adopters and imaginative users of new media. In doing so, it presents a completely novel analysis of speculative fiction’s engagements with the farm worker movement in ways that illuminate both.

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Liberals and leftists in the United States have not always been estranged from one another as they are today. Historian Doug Rossinow examines how the cooperation and the creative tension between left-wing radicals and liberal reformers advanced many of the most important political values of the twentieth century, including free speech, freedom of conscience, and racial equality. Visions of Progress chronicles the broad alliances of radical and liberal figures who were driven by a particular concept of social progress—a transformative vision in which the country would become not simply wealthier or a bit fairer but fundamentally more democratic, just, and united. Believers in this vision—from the settlement-house pioneer Jane Addams and the civil rights leader W. E. B. Du Bois in the 1890s and after, to the founders of the ACLU in the 1920s, to Minnesota Governor Floyd Olson and assorted labor-union radicals in the 1930s, to New Dealer Henry Wallace in the 1940s—belonged to a left-liberal tradition in America. They helped push political leaders, including Presidents Woodrow Wilson, Franklin Roosevelt, and Harry Truman, toward reforms that made the goals of opportunity and security real for ever more Americans. Yet, during the Cold War era of the 1950s and '60s, leftists and liberals came to view one another as enemies, and their influential alliance all but vanished. Visions of Progress revisits the period between the 1880s and the 1940s, when reformers and radicals worked together along a middle path between the revolutionary left and establishment liberalism. Rossinow takes the story up to the present, showing how the progressive connection was lost and explaining the consequences that followed. This book introduces today's progressives to their historical predecessors, while offering an ambitious reinterpretation of issues in American political history.

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In May of 1919, women from around the world gathered in Zurich, Switzerland, and proclaimed, "We dedicate ourselves to peace!" Just months after the end of World War I, the Womens International League for Peace and Freedom--a group led by American progressive Jane Addams and comprising veteran campaigners for social reform--knew that a peaceful world was essential to their ongoing quest for social and economic justice. Alan Dawley tells the story of American progressives during the decade spanning World War I and its aftermath. He shows how they laid the foundation for progressive internationalism in their efforts to improve the world both at home and abroad. Unlike other accounts of the progressive movement--and of American politics in general--this book fuses social and international history. Dawley shows how interventions in Latin America and Europe affected domestic plans for social reform and civic engagement, and he depicts internal battles among progressives between unabashed imperialists like Theodore Roosevelt and their implacable opponents like Robert La Follette. He draws a contrast between Woodrow Wilson's use of force in exporting American ideals and Addams's more cosmopolitan pursuit of economic justice and world peace. In discussing the debate over the League of Nations within the context of turbulent domestic affairs, Dawley brings keen insight into that complicated moment in American history. In striking and original ways, Dawley brings together domestic and world affairs to argue that American progressivism cannot be understood apart from its international context. Focusing on world-historical events of empire, revolution, war, and peace, he shows how American reformers invented a new politics built around progressive internationalism. Changing the World retrieves the progressive tradition in American politics and makes it available to contemporary debates. The book speaks to anyone seeking to be both a good citizen within the nation and a good citizen of today's troubled world.

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‘The word “mesmerising” is frequently applied to memoirs, but seldom as deservedly as in the case of Girl With Dove’ Financial Times ‘Reading is a form of escape and an avid reader is an escape artist…’ Brilliantly original, funny and clever Honor Clark, Spectator, Book of the Year Growing up in a dilapidated house by the sea where men were forbidden, Sally’s childhood world was filled with mystery and intrigue. Hippies trailed through the kitchen looking for God – their leader was Aunt Di, who ruled the house with charismatic force. When Sally’s baby brother vanishes from his pram, she becomes suspicious of the activities going on around her. What happened to Baby David and the woman called Poor Sue? And where did all the people singing and wailing prayers in the front room suddenly go? Disappearing into a world of books and reading, Sally adopts the tried and tested methods of Miss Marple. Taking books for hints and clues, she turns herself into a reading detective. Her discovery of Jane Eyre marks the beginning of a vivid journey through Victorian literature where she also finds the kind, eccentric figure of Charles Dickens’ Betsey Trotwood. These characters soon become her heroines, acting as a part of an alternative family, offering humour and guidance during many difficult moments in Sally’s life. Combining the voices of literary characters with those of her real-life counterparts, Girl With Dove reads as a magical series of strange encounters, climaxing with a comic performance of Shakespeare in the children’s home where Sally is eventually sent. Weaving literary classics with a young girl’s coming of age story, this is a book that testifies to the transformative power of reading and the literary imagination. Mixing fairy tale, literary classics, nursery rhymes and folklore, it is the story of a child’s adventure in wonderland and search for truth in an adult world often cast in deep shadow.

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Mirsad Hadžkadić never planned for a life in politics. Yet, in 2018, he decided to run for the Bosniak presidential council seat in Bosnia and Herzegovina. Mirsad made the life-changing decision to run, despite the fact that he had a successful, thirty-year career as a professor at the University of North Carolina at Charlotte and very little experience in politics outside of academia. However, a conversation with a dear friend from Sarajevo planted the idea in his mind. Samir Avdakovi suggested that he run for office because "there may never be another election in Bosnia and Herzegovina, and the country as we know it will probably disintegrate." The words rumbled within Mirsad's mind for the next several months, and he thought to himself, "if what Samir says is so, who am I, because of the comforts I have, to decide not to even try?" After announcing his intentions on national TV in January of 2018, Mirsad began this journey in earnest in May of 2018 by building a campaign from the ground up with the hope of instilling a vision of hope and change and shifting the country's political discourse. However, he soon learned that the odds were stacked against him. He only had five months and limited funds to prove to the citizens of Bosnia and Herzegovina that he deserved their votes. And so, he took his meager funds, limited time, and infinite passion to do just that. He toured the country, meeting and talking with citizens, to share his vision of hope and change. Though Mirsad was not victorious on October 7th, his results were deemed historic and unprecedented. A relatively unknown, underfunded independent candidate managed to receive 60,000 votes or ten percent of the total votes cast. And, despite the defeat, Mirsad succeeded in spearheading a democratic movement, resulting in the formation of the Platform for Progress political organization in November of 2018 and the official dawning of The Odyssey for Democracy.

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From long lost paintings to ephemeral sculptures; from whimsical performances to iconic public murals; and from independent films to landmark design objects, the surprising and provocative contents of Moving Focus, India have been provided by a varied group of experts. A first of its kind, this book invited 54 artists, curators, historians and writers to each create a list of five works of art, made at any time since 1900, by artists living in India or identifying as part of its diaspora. With over 250 individual nominations, including artists whose works have been exhibited at venues as various as Houghton Hall (Anish Kapoor, 2020), the Asia Society Museum, New York (MF Husain, 2019) and the Piramal Museum of Art, Mumbai (SH Raza, 2018), the exercise produced thrilling and unexpected choices across many mediums. Drawing from a wide range of private and public collections, the selections reveal the diversity and inclusiveness of today’s art scene: an art scene that has embraced the progressive changes evident in society at large. In addition to these lists, the book includes reflections on collecting, curating and canon-formation from a range of important voices, by way of a roundtable discussion and a series of essays. Spread over two volumes and marked by an innovative and fresh design sensibility, whether you are familiar with modern and contemporary art from the subcontinent or looking for an introduction, Moving Focus, India contains a wealth of information. Lavishly illustrated with over 1,000 archival and freshly commissioned photographs, this book is an important and timely addition to the global art discourse and a key source of reference. Nominated artists include Ramkinkar Baij, Chittaprosad, VS Gaitonde, Amrita Sher Gil, Rummana Hussain, Bhupen Khakhar, Nasreen Mohamedi, Benode Behari Mukherjee, Meera Mukherjee, Mrinalini Mukherjee, Gieve Patel, Sudhir Patwardhan, Nilima Sheikh, Jangarh Singh Shyam, KG Subramanyan, Vivan Sundaram, Zarina and many more.

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On the Horizon of World Literature compares literary texts from asynchronous periods of incipient literary modernity in different parts of the world: Romantic England and Republican China. These moments were oriented alike by “world literature” as a discursive framework of classifications that connected and re-organized local articulations of literary histories and literary modernities. World literature thus provided—and continues to provide—a condition of possibility for conversation between cultures as well as for their mutual provincialization. The book offers readings of a selection of literary forms that serve also as textual sites for the enactment of new socio-political forms of life. The literary manifesto, the tale collection, the familiar essay, and the domestic novel function as testing grounds for questions of both literary-aesthetic and socio-political importance: What does it mean to attain a voice? What is a common reader? How does one dwell in the ordinary? What is a woman? In different languages and activating heterogeneous literary and philosophical traditions, works by Percy Bysshe Shelley, Lu Xun, Charles and Mary Lamb, Lin Shu, Zhou Zuoren, Jane Austen, and Eileen Chang explore the far-from-settled problem of what it means to be modern in different lifeworlds. Sun’s book brings to light the disciplinary-historical impact world literature has had in shaping literary traditions and practices around the world. The book renews the practice of close reading by offering the model of a deprovincialized close reading loosened from confinement within monocultural hermeneutic circles. By means of its own focus on England and China, the book provides methods useful for comparatists working between other Western and non-Western languages. It establishes the critical significance of Romanticism for the discipline of literary studies and opens up new paths of research in global Romanticism and global nineteenth-century studies. And it offers a new approach to analyzing the cosmopolitan character of the literary and cultural transformations of early twentieth-century China.

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From the Sunday Times bestseller comes a warm, tender and utterly hilarious story about love and betrayal ‘The feeling you get when you read a Milly Johnson book should be bottled and made available on the NHS’ Debbie JohnsonLove can sting. Or make you fly ... Romance writer and single mum Stevie Honeywell has only weeks to go to her wedding when her fiancé Matthew runs off with her glamorous new friend Jo MacLean. It feels like history repeating itself for Stevie, but this time she is determined to win back her man. She isn't going to act as he might expect. She isn't going to wail and dig her heels in, she is simply going to pretend to let him go whilst she pursues a mad course of dieting, exercising and self-improvement. And it feels like history is repeating itself for Adam MacLean too, who is also determined to win his lady, Jo, back with the same basic psychological tactics. Then he is going to initiate his master plan: Getting together with Stevie to drive Jo wild with jealousy. So, like the Scottish country jig 'The Birds and the Bees', the couples all change partners and learn some revealing truths about each other along the way. But what happens when Adam's master plan actually starts to work? And just who will Stevie be dancing with when the music stops?Praise for Milly Johnson: 'Every time you discover a new Milly book, it’s like finding a pot of gold' heat 'A glorious, heartfelt novel' Rowan Coleman ‘Absolutely loved it. Milly's writing is like getting a big hug with just the right amount of bite underneath. I was rooting for Bonnie from the start' Jane Fallon ‘Bursting with warmth and joie de vivre’ Jill Mansell ‘Warm, optimistic and romantic’ Katie Fford

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London, 1888, and one-man's brutal campaign of violence has taken the lives of unsuspecting victims, cut London to the core and carved his name into history. Well, not his name, exactly. Whomever this man was, remains a mystery but there are few people who haven't heard of his nickname: Jack the Ripper.The same is true for those said to have died at his hands. If Polly Nicholls, Annie Chapman, Elizabeth Stride, Catherine Eddowes and Mary Jane Kelly had not fallen to his knife, their names would have been lost to history. Instead, they themselves are as much a part of the folklore as their killer. Then there are those who investigated the crimes: the ordinary men, doing their jobs as best they could, who will always be associated with the failed attempts to catch this monster. But if those crimes had happened today, how would they be investigated and how would the approach differ? There is no doubt, how detectives work has changed dramatically over those 130 years. Although, in many senses, things are very much the same. Solving murders relies on an understanding of people, be that the victims, the witnesses and, most importantly, the killers themselves.In Murder Investigation Team: Jack the Ripper, while journeying through these infamous murders, through meticulous contemporary research, witness statements and reporting, ex-detective Steven Keogh will revisit the crimes that were committed, why these lives were taken, and attempt to discover just who was Jack the Ripper? Applying modern-day investigative approaches to the 19th century investigation, and with ground-breaking insight from one of the UK's leading criminal profilers, Pippa Gregory, join Steven on a gruesome and incredible journey of discovery into one of the most infamous crimes in British history.

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Winner of the Mbokodo Award for Women in the Arts for Literature, the ATKV (Afrikaans Language and Culture Association) Award for non-fiction and the kykNet/Rapport Award for non-fiction. 'Here was Emily . . . in these diaries and scrapbooks. An unprecedented, intimate angle on the real Emily'Elsabé Brits has drawn on a treasure trove of previously private sources, including Emily Hobhouse's diaries, scrap-books and numerous letters that she discovered in Canada, to write a revealing new biography of this remarkable Englishwoman. Hobhouse has been little celebrated in her own country, but she is still revered in South Africa, where she worked so courageously, selflessly and tirelessly to save lives and ameliorate the suffering of thousands of women and children interned in camps set up by British forces during the Anglo-Boer War, in which it is estimated that over 27,000 Boer women and children died; and where her ashes are enshrined in the National Women's Monument in Bloemfontein. During the First World War, Hobhouse was an ardent pacifist. She organised the writing, signing and publishing in January 1915 of the 'Open Christmas Letter' addressed 'To the Women of Germany and Austria'. In an attempt to initiate a peace process, she also secretly metwith the German foreign minister Gottlieb von Jagow in Berlin, for which some branded her a traitor. In the war's immediate aftermath she worked for the Save the Children Fund in Leipzig and Vienna, feeding daily for over a year thousands of children, who would otherwise have starved. She later started her own feeding scheme to alleviate ongoing famine.Despite having been instrumental in saving thousands of lives during two wars, Hobhouse died alone - spurned by her country, her friends and even some of her relatives. Brits brings Emily's inspirational and often astonishing story, spanning three continents, back into the light.

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Praise for the exhibition ***** The Telegraph ***** The Times ***** Daily Telegraph **** The Evening Standard “Plunge into the infinity pool of ancient Egyptian history with this dizzying array of artworks” - Waldemar Januszczack, Sunday Times Culture magazine Today the history of ancient Egypt is known around the world, recognisable in precious museum collections and countless retellings from popular culture. Yet for hundreds of years, from the late Roman Empire to the 19th century, the wonders of this ancient civilisation were frozen in time, locked in artefacts that could not be understood due to the loss of the ancient Egyptian language. In 1799 the discovery of the Rosetta Stone, a slab inscribed in three scripts, hieroglyphs, demotic and Greek, changed the course of history, unlocking thousands of years of ancient culture and eventually becoming one of the world’s most famous museum artefacts. The British Museum’s exhibition Hieroglyphs: unlocking ancient Egypt and this accompanying publication tell the story of the Rosetta Stone and of countless other objects that were key to efforts to decode the hieroglyphs dating back to the Islamic Golden Age. Featuring fascinating objects from the British Museum and international lenders, the book shows how the presence of a written language was the key to understanding life in ancient Egypt, from everyday business affairs to the sacred secrets of the afterlife. Interweaving the story of decipherment with colonial history, the book takes readers up to the present day, revealing what researchers are doing now to tell us more about one of the world’s longest surviving civilisations through the understanding of their writing. Published to coincide with the bicentenary of Jean-François Champollion’s breakthrough in decipherment, this beautifully illustrated book shows how an unassuming grey stone was the key to the secrets of ancient Egypt and led to the most significant code breaking moment in history.

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Generations are familiar with the haunting black and white television footage of Donald Campbell somersaulting to his death in his famous Bluebird boat on Coniston Water in January, 1967. It has become an iconic image of the decade. His towering achievements, and the drama of his passing, are thus part of the national psyche. But what of the man himself? The son of the legendary Sir Malcolm Campbell who was famous for being the ultimate record-breaker of the inter-war years - he broke the land speed record nine times and the water speed record four times with his Bluebird cars and boats - Donald Campbell was born to speed. He was outgoing and flamboyant, yet carefully orchestrated the image he presented to the world. Some saw him as a playboy adventurer; others, such as the radio producer on the twenty-first anniversary of his death, as a reckless daredevil with a death wish. He was known to take solace in extra-marital dalliances, and was obsessed with spiritualism. And in his final years, battered by a 360-mph accident while attempting the land record on the Bonneville Salt Flats in Utah, and his prolonged and anti-climactic subsequent effort on the treacherous Lake Eyre in Australia, Campbell appeared a haggard and often frightened man. He had become trapped on his record-breaker's treadmill as he continually sought to prove himself to his illustrious father, in whose long shadow he felt forever trapped. DONALD CAMPBELL: THE MAN BEHIND THE MASK paints a fascinating portrait of an intense, complex, superstitious yet abnormally brave man who was driven not only by the desire to prove that he was worthy of the mantle of his father, but also by his fervent and unswerving desire to keep Britain at the forefront of international speed endeavour. This book generates a unique insight into how his desperate fear of failure finally lured him into taking one risk too many.

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The first girl came back.The next might not be so lucky...--------'A real gripper of a read' Peter James 'Masterful, engrossing, twisty' Rosamund Lupton'One of our most exciting crime writers' John Marrs A girl is taken from the streets of Oxford. But it's unlike any abduction DI Fawley's seen before . . . Faith Appleford was attacked, a plastic bag tied over her head, taken to an isolated location . . . and then, by some miracle, she escaped. What's more, when DC Erica Somer interviews Faith, she quickly becomes convinced that Faith knows who her abductor is. Yet Faith refuses to press charges. Without more evidence, it's looking like the police may have to drop the case. But what happens if Faith's attacker strikes again?The fourth twisty, up-all-night thriller from the Sunday Times bestselling Cara Hunter. For fans of Shari Lapena, Claire Douglas and Lisa Jewell.--------What they're saying about Cara Hunter 'Twist follows twist at a breathtaking pace' Daily Mail 'Fantastic...my favourite series ever!' Shari Lapena, Not A Happy Family 'You can almost hear her characters breathing from the page' Jane Corry, We All Have Our Secrets 'Utterly compelling' Nicci French, The Unheard 'A top-notch psychological thriller' JP Delaney, The Perfect Wife 'I was totally gripped and terrified!' Araminta Hall, Hidden Depths 'Hunter has rejuvenated the form' Financial TimesAnd readers are loving this series, too 'All hail the new queen of all things crime' Penny, Netgalley 'Mind-bending brilliance' Kath, Netgalley 'Packed full of twists' Gary, Netgalley 'Definitely for fans of Lisa Gardner, Karin Slaughter and the like' Fiona, Netgalley 'Captivating: full of mystery, tension, moral dilemma . . . outstanding' Peter, Netgalley 'This series just gets better and better' Tina, Netgalley

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The murder is the messageWhat you don't see is what you get. When a sniper targets a blind man walking along the lagoon of the Cleveland Museum of Art, the bullet is a wake-up call aimed straight for Allie Harper and Tom Bennington, shattering their illusion that the Mondo Mega Jackpot Nightmare is over.On the day Allie—sassy, lonely, broke—met Tom—smart, hot, blind—he won $500 million trying to show a kid that gambling doesn't pay. Romance—and multiple murders—ensued, along with a new, opulent lifestyle that the couple had never dreamed possible. Then a ruthless man of formidable skills and resources hacked into the security system in their rented 9,000 square-foot lakeside mansion, and they learned just how far someone who begrudges their good fortune would go to destroy them. Now they know the past six months of peace and quiet were the calm before a rising storm of mayhem and revenge.The new game begins tonight. An old devil. A new devil. And a new case for The T&A Detective Agency. (Yes. They should have put Allie's initial first.) Tom and Allie aren't on the case long before they discover a strong lead that takes them into the heights of Cleveland's upper-crust, where husbands and wives weave webs of betrayal with unfathomable sums of money at the center. As the threats-and murders—multiply, Allie, Tom, and the T&A must fight to beat the devil's own game. Will they get out alive?Somebody's Bound to Wind Up Dead series:Too Lucky to Live (Book 1)Murder to the Metal (Book 2)The Devil's Own Game (Book 3)Praise for Annie Hogsett:"The original voice, humor, and unusual premise will appeal to Janet Evanovich readers." —Library Journal STARRED review for Too Lucky to Live"Fast pacing, multiple plot twists, and humor, including a Stephanie Plum-like main character, enliven the story and keep the pages turning." —Booklist for Too Lucky to Live"The bittersweet mystery, with the open-ended threat of a villainous mastermind, is reminiscent of P.J. Tracy's early 'Monkeewrench' novels." —Library Journal for Murder to the Metal

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White aster flowers, on sale on the streets of Budapest on the eve of All Souls' Day, are made the symbol of a revolution which brings Mihaly Karolyi (1875-1955) to power at the head of a National Council. Karoly concludes an armistice which leaves large areas of Hungarian territory under occupation by French, Romanian and Serbian forces. Following the King-Emperor's abdication in November 1918, Hungary is declared an independent republic with Karolyi as its President. He sets about meeting Hungary's most pressing social need, for land reform. But Karolyi's liberal regime is soon beset by strong opposition from the right and from the left. The Allies seal Karolyi's fate by refusing to end the economic blockade of Hungary and by imposing, even in advance of a peace settlement (Hungary is denied an invitation until the Conference is virtually over), even harsher armistice terms. Karolyi flinches from opposing these measures by force. The small socialist element in his government of well-meaning aristocrats defects and forms an alliance with Hungary's fledgling Communist Party. Karolyi resigns and chooses exile. The Communists, led by Bela Kun, take power. Kun raises a Red Army, which defeats a Czech invasion but fails to stem the Romanian advance, which enters Budapest in defiance of orders from Paris and engages in an orgy of pillage and destruction. The Peace Conference despatches a British diplomat, Sir George Clerk, to Budapest to broker a Romanian withdrawal. Clerk succeeds in forming a coalition government of right-wing parties, with token representation for the centre-left, which he recognises in the name of the Peace Conference and invites to send a delegation to Paris. It includes Counts Istvan Bethlen (1874-1946) and Pal Teleki, both future prime ministers. The delegation is presented on arrival, on 6 January 1920, with the draft peace treaty for Hungary which the expert committees of the Conference have produced and which the Council has approved without amendment. The Hungarians are appalled to find that the treaty will deprive their country of two-thirds of her territory and over half of her population. The injustice of the Treaty will drive Hungary into the arms of Nazi Germany, a fatal alliance which will doom Hungary's Jews to annihilation and Hungary to defeat and destruction in the Second World War.

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The Instant New York Times Bestseller now available in paperback!A fast-paced, rollicking, behind-the-scenes account of how the GOP since the 1950s has encouraged and exploited extremism, bigotry, and paranoia to gain power, American Psychosis offers readers a brisk, can-you-believe-it journey through the netherworld of far-right irrationality and the Republican Party's interactions with the darkest forces in America. In a compelling and thoroughly-researched narrative, Corn reveals the hidden history of how the Party of Lincoln forged alliances with extremists, kooks, racists, and conspiracy-mongers and fostered fear, anger, and resentment to win elections-and how this led to Donald Trump's triumph and the transformation of the GOP into a Trump personality cult that foments and bolsters the crazy and dangerous excesses of the right.The Trump-incited insurrectionist attack on the US Capitol on January 6, 2021, was no aberration. American Psychosis shows it was a continuation of the long and deep-rooted Republican practice of boosting and weaponizing the rage and derangement of the right.The gripping tale in American Psychosis covers the last seven decades. From McCarthyism to the John Birch Society to segregationists to the New Right to the religious right to Rush Limbaugh to Newt Gingrich to the militia movement to Fox News to Sarah Palin to the Tea Party to Trumpism, the Republican Party has deliberately nurtured and exploited right-wing fear and loathing fuelled by paranoia, grievance, and tribalism. This powerful and important account explains how one political party has harnessed the worst elements in politics to poison the nation's discourse and threaten American democracy."[Corn is] a great journalist. I love the way he thinks. I love the way he writes. I'm so glad he's done a super-readable, modern history of the right...We just need smart, digestible history about this stuff right now...[American Psychosis] is perfectly timed...Relevant history for where we are right now." -Rachel Maddow, host, The Rachel Maddow Show"With American Psychosis, David Corn 'did the full homework to take us all the way back to where it really begins.'" -Lawrence O'Donnell, host, The Last Word

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"[Corn is] a great journalist. I love the way he thinks. I love the way he writes. I'm so glad he's done a super-readable, modern history of the right...We just need smart, digestible history about this stuff right now...[AMERICAN PSYCHOSIS] is perfectly timed...Relevant history for where we are right now." -Rachel Maddow, host, The Rachel Maddow Show"With AMERICAN PSYCHOSIS, David Corn 'did the full homework to take us all the way back to where it really begins.'" -Lawrence O'Donnell, host, The Last WordA fast-paced, rollicking, behind-the-scenes account of how the GOP since the 1950s has encouraged and exploited extremism, bigotry, and paranoia to gain power, AMERICAN PSYCHOSIS offers readers a brisk, can-you-believe-it journey through the netherworld of far-right irrationality and the Republican Party's interactions with the darkest forces in America. In a compelling and thoroughly-researched narrative, Corn reveals the hidden history of how the Party of Lincoln forged alliances with extremists, kooks, racists, and conspiracy-mongers and fostered fear, anger, and resentment to win elections-and how this led to Donald Trump's triumph and the transformation of the GOP into a Trump personality cult that foments and bolsters the crazy and dangerous excesses of the right.The Trump-incited insurrectionist attack on the US Capitol on January 6, 2021, was no aberration. AMERICAN PSYCHOSIS shows it was a continuation of the long and deep-rooted Republican practice of boosting and weaponizing the rage and derangement of the right.The gripping tale in AMERICAN PSYCHOSIS covers the last seven decades. From McCarthyism to the John Birch Society to segregationists to the New Right to the religious right to Rush Limbaugh to Newt Gingrich to the militia movement to Fox News to Sarah Palin to the Tea Party to Trumpism, the Republican Party has deliberately nurtured and exploited rightwing fear and loathing fueled by paranoia, grievance, and tribalism. This powerful and important account explains how one political party has harnessed the worst elements in politics to poison the nation's discourse and threaten American democracy.

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*** PRE-ORDER THE BONE HACKER, COMING IN PAPERBACK IN SPRING 2024! *** 'This page-turning series never lets the reader down’ HARLAN COBENIN A PROFESSION LIKE THIS, YOU'RE BOUND TO MAKE ENEMIES . . . It all starts when Dr Temperance Brennan finds a box on her porch. Inside is a fresh human eyeball with GPS coordinates etched into it. They lead her to a macabre discovery in a Benedictine Monastery, and soon after she discovers a mummified corpse in a state park. There seems to be no pattern to these killings, except that each mimics a killing connected to something a younger Tempe experienced, or barely escaped. Someone is targeting her, and she needs to figure out why before they strike again. And then her daughter Katy disappears. Someone is playing a dangerous game with Tempe. And they won’t stop until they have taken everything from her . . .Electrifying, heart-stopping and compulsive, this is Tempe’s most personal and dangerous case yet . . .PRAISE FOR KATHY REICHS ‘A thing of clever beauty – smart, scary, complicated, and engrossing from the first sentence' MICHAEL CONNELLY ‘Reanimates all the ghosts from Temperance Brennan’s forensic past until they thoroughly haunt her present . . . This page-turning series never lets the reader down’ HARLAN COBEN ‘Masterfully constructed’ J.A. JANCE 'A mystery within a mystery that invites you to get into the action, complete with twisting turns and heart-stopping dives into the unknown . . . The crowning achievement of a master storyteller' NELSON DeMILLE 'I await the next Kathy Reichs’ thriller with the same anticipation I have for the new Lee Child or Patricia Cornwell' JAMES PATTERSON 'Over the course of twenty books, Kathy Reichs and Tempe Brennan have thrilled readers with pacey, mazey tales . . . We readers are truly grateful' IAN RANKIN ‘Reichs, skilfully using the conventions of the mystery novel, forces the reader to face up to the obscene realities of death time and time again. At work and a play she gets under your skin’ THE TIMES 'A thrilling read from one of my favorite writers' KARIN SLAUGHTER 'One of the absolute best thrillers of the year! I can’t recall when this many twists have been so masterfully woven into a novel.' JEFFERY DEAVER 'The Queen of forensic crime' EVENING STANDARD

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Britain’s gardens are a vast, living landscape and the home to hundreds of species of birds. Learn to pay attention to these visitors to your own garden or local park and you’ll have a front-row seat to the unfolding drama that is the garden bird’s year. As dawn breaks across your back garden, if you were paying attention, you would notice that the robin and the blackbird are always the first birds to arrive. These ground hunters have large eyes, so don’t mind the dim light of the early morning. And that’s just the beginning of what you can learn watching your own back garden. Ornithologist Mike Toms has spent a year avidly observing his own garden, and the result is a comprehensive picture of the lives of garden birds.From the crowded yet quiet January garden populated by migratory fieldfares and bramblings, to the riotous gardens of spring, filled with songbirds competing for mates, the garden ecosystem changes throughout the year. Learn to spot these changes, to greet the arrival of the swifts in May and the new crop of fledgling goldfinches and blackbirds in June, and you’ll find a new world opening up to you.A Garden Bird’s Year is the perfect introduction to this world. Supremely readable, it explains biology and behaviour to paint a picture of the lives of common bird species, while also offering practical information for watching and feeding the birds in your own backyard. Toms details birds’ preferences for particular plants, seeds and feeders, so you can learn to attract different species to your own garden. He also charts fascinating recent adaptations – urban birds sleep later than their rural counterparts, probably because cities are on average a few degrees warmer, and they sing either earlier or later, to avoid competing with local traffic; and the balance of migratory birds to Britain is being affected by the world’s changing climate. Many species of garden birds are threatened, but there is much that each one of us can do to support them, to attract them, and to help them thrive through the year.

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Choice Magazine's Outstanding Academic Books for 2004The only book to cover the entire history of birth control and the intense controversies about reproduction rights that have raged in the United States for more than 150 years, The Moral Property of Women is a thoroughly updated and revised version of the award-winning historian Linda Gordon's classic history Woman's Body, Woman's Right, originally published in 1976.Arguing that reproduction control has always been central to women's status, The Moral Property of Women shows how opposition to it has long been part of the conservative opposition to gender equality. From its roots in folk medicine and in a campaign so broad it constituted a grassroots social movement at some points in history, to its legitimization through public policy, the widespread acceptance of birth control has involved a major reorientation of sexual values.Gordon puts today's reproduction control controversies--foreign aid for family planning, the abortion debates, teenage pregnancy and childbearing, stem-cell research--into historical perspective and shows how the campaign to legalize abortion is part of a 150-year-old struggle over reproductive rights, a struggle that has followed a circuitous path. Beginning with the "folk medicine" of birth control, Gordon discusses how the backlash against the first women's rights movement of the 1800s prohibited both abortion and contraception about 130 years ago. She traces the campaign for legal reproduction control from the 1870s to the present and argues that attitudes toward birth control have been inseparable from family values, especially standards about sexuality and gender equality.Highlighting both leaders and followers in the struggle, The Moral Property of Women chronicles the contributions of well-known reproduction control pioneers such as Elizabeth Cady Stanton, Margaret Sanger, and Emma Goldman, as well as lesser- known campaigners including the utopian socialist Robert Dale Owen, the three doctors Foote--Edward Bliss Foote, Edward Bond Foote, and Mary Bond Foote--the civil libertarian Mary Ware Dennett, and the daring Jane project of the 1970s, in which Chicago women's liberation activists performed illegal abortions.

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When we crashed over the line two and a half minutes later, there was a short, disbelieving silence and I could feel my knee trembling behind its sarcastic `Disco' patch. A song I'd written had just been played to the finish, and what's more, it hadn't sounded weak, or delusional-it had, in fact, kicked. I backed down from the mic. Here was a new world of sound. Its sky was borderless, and its horizon curled off a previously flat earth. I'd been given a virtual super power and a flame to shoot from my fingers. In Dead People I Have Known, the legendary New Zealand musician Shayne Carter tells the story of a life in music, taking us deep behind the scenes and songs of his riotous teenage bands Bored Games and the Doublehappys and his best-known bands Straitjacket Fits and Dimmer. He traces an intimate history of the Dunedin Sound-that distinctive jangly indie sound that emerged in the seventies, heavily influenced by punk-and the record label Flying Nun. As well as the pop culture of the seventies, eighties and nineties, Carter writes candidly of the bleak and violent aspects of Dunedin, the city where he grew up and would later return. His childhood was shaped by violence and addiction, as well as love and music. Alongside the fellow musicians, friends and family who appear so vividly here, this book is peopled by neighbours, kids at school, people on the street, and the other passing characters who have stayed on in his memory. We also learn of the other major force in Carter's life: sport. Harness racing, wrestling, basketball and football have provided him with a similar solace, even escape, as music. Dead People I Have Known is a frank, moving, often incredibly funny autobiography; the story of making a life as a musician over the last forty years in New Zealand, and a work of art in its own right. 'Sometimes profound. Sometimes utterly hilarious. I couldn't put this book down. A triumph.'-Jon Toogood 'Life life life. Music music music. Girls girls girls. Brilliant - funny, painful, reflective and raw.' -Emily Perkins.

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Chapter 1 provides background information on e-cigarettes. Tobacco use among youth and young adults in any form, including e-cigarettes, is not safe. In recent years, e-cigarette use by youth and young adults has increased at an alarming rate. E-cigarettes are now the most commonly used tobacco product among youth in the United States. Chapter 2 highlights the rapidly changing patterns of e-cigarette use among youth and young adults, assesses what we know about the health effects of using these products, and describes strategies that tobacco companies use to recruit our nation's youth and young adults to try and continue using e-cigarettes. It also outlines interventions that can be adopted to minimize the harm these products cause to our nation's youth. Over the last decade, use of electronic cigarettes, known as e-cigarettes, in the United States has grown rapidly as use of traditional cigarettes declined among both adolescents and adults. Most e-cigarettes sold in the United States were thought to be imported, but e-cigarette import volume and tariff revenue were unknown because the Harmonized Tariff Schedule of the United States (HTS) did not contain separate statistical reporting numbers. New statistical reporting numbers went into effect on January 1, 2016. Chapter 3 reports on e-cigarettes imported into the United States in 2016. While chapter 4 reports on e-cigarettes imported into the United States from 2016 through 2018. E-cigarettes are battery-powered devices which simulate tobacco smoking by producing a heated vapor that resembles smoke. A number of explosions and fires have been attributed to e-cigarettes, causing some concern within the fire service community as discussed in chapter 5. Electronic cigarettes, known as "personal vaporizers" (PV) have experienced a significant increase in popularity for those seeking an alternative to smoking traditional tobacco products. The use of the e-cigarettes as an illicit drug delivery device is touted on websites, forums, blogs, and videos describing how best to use them for specific illicit drugs such as tetrahydrocannabinol, methamphetamine, fentanyl, and heroin as reported in chapter 6. Chapters 7 and 8 report on the 2019 outbreak of lung injury associated with e-cigarette use.

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Why has Serge Gainsbourg crossed over to the English-speaking world when so many of his contemporaries have remained largely confined to the Francosphere? What is it about this unshaven provocateur that so appeals to us? And who was the real Serge Gainsbourg anyway? Was he the sensitive seducer and songwriting colossus of the 60s and 70s? Was he Lucien Ginsburg, the son of Russian Jewish refugees who had to wear a yellow star during the Nazi Occupation of Paris? Or was he Gainsbarre, the deplorable, attention-seeking drunk who shamelessly propositioned Whitney Houston on live TV? Gainsbourg s cult has only grown since his death in 1991, and Histoire de Melody Nelson is now regarded as a classic in France and internationally. The 1971 album had only sold eighty thousand copies by 1986 when it finally went gold fifteen years after its release; its canonical elevation is a remarkable story, and there are many more remarkable stories attached to all of Gainsbourg s genre-defying, transgressive long-players. In Relax Baby Be Cool, writer Jeremy Allen takes each studio album in turn while exploring themes pertinent to Gainsbourg s life and music: jazz, performance, provocation, appropriation, postmodernism, aesthetics, metamorphosis, muses, Nazis, film and TV, Surrealism, fame, and decline. French pop music is more popular than it s been since the mid-90s, when the French touch was breaking. Gainsbourg s influence has also been huge on alternative music: from Pulp to Massive Attack, De La Soul to Danger Mouse, Black Grape to Iggy Pop, Luke Vibert to Die Antwoord, Air to Kylie Minogue. This book is full of new interviews from people who knew him, as well as younger artists who ve discovered him long after his death. Contributors include Jane Birkin, Charlotte Gainsbourg, Jacqueline Ginsburg (Gainsbourg s sister), Anna Karina, Mike Patton, Etienne Daho, Sly Dunbar, Alan Hawkshaw, Alan Parker, Jean-Claude Vannier, Tony Frank, Tony Allen, Mick Harvey, Bertrand Burgalat, Acid Arab, Jehnny Beth, Alain Chamfort, Metronomy, David Holmes, Blonde Redhead, Air, Sparks, Will Oldham, and many more.

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Jeffrey Brown's irresistible comic spin comes to Marvel! Young Thor and Loki have traveled with their parents Odin and Frigga across the ten realms to their favorite world, and Midgard (aka Earth) may never be the same. From the creator of the beloved and bestselling Darth Vader and Son series, this sweetly funny comic collection finds the kid gods of thunder and mischief suffering helmet hair (Thor), trying to ride the school bus as an alligator (Loki), playing freeze tag with the Avengers, crafting Odin an All-Father's Day present, discovering a mysteriously delicious food Midgardians call mac and cheese," and much more. Jeffrey Brown's Eisner Award-winning humor, inventive colorful artwork, and playful approach to the characters make this a must-have for Marvel fans of all ages. FAMILY FUN: Jeffrey brings his funny family dynamics to a whole new universe. Where Jeffrey's Darth Vader series features the Sith Lord as the long suffering, but loving father of scamps Luke and Leia, in Midgard Mayhem, Jeffrey brings you Thor and Loki's mom and dad, Odin and Frigga, as they grapple with the antics of their magical sons. MIDGARD FAMILY MAYHEM: See Thor and Loki playing superpowered sports, transforming into all kinds of animals, getting Thor's hammer stuck in the ceiling, playing pranks, entering the school science fair, trick or treating, and popping popcorn with lightning. WITH THEIR FRIENDS, THE AVENGERS: A whole expanded cast of beloved Avengers characters populate this adventure in Midgard, including unique versions of Captain America, Iron Man, Black Panther, The Hulk, Black Widow, Hawkeye, and more! FEATURING JEFFREY'S PLAYFUL SPIN ON THOR AND LOKI FAVORITE CHARACTERS: Including Beta Ray Bill, Jane Foster, Sif, Hela, Balder the Brave, Valkyrie, Volstagg, Surtur, Heimdall, Thori the dog, and Throgg (the frog version of Thor). (C) 2022 MARVEL For fans of Jeffrey Brown's Darth Vader and Son series, families, and Marvel fans of all ages.

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TWO SUSPECTS. TWO IDENTICAL STORIES. WHO IS TELLING THE TRUTH? *** On a scorching day in Western Australia, a man named Gabriel stumbles into the remote police station in Wilbrook. He is badly injured, covered in dust and dried blood. He has fought his way through the surrounding wilderness to escape a man named Heath. Heath drugged Gabriel, took him to a cabin in the mountains and tied him up. He told him that he would be his 55th victim. Heath is dangerous. He is a serial killer. Just as Police Sergeant Jenkins launches a manhunt to find him, Heath walks into the station with a story to tell: he was drugged by a man named Gabriel, chained up and told he would be his 55th victim. Gabriel is dangerous. He is a serial killer. The two victims are also the two suspects. Which one is telling the truth?***For fans of Jane Harper's The Dry, don't miss James Delargy's masterful novel of a small Western Australian town and its people, swallowed whole by the hunt for a serial killer . . . This novel has been sold in 19 countries so far and has been optioned for film*** WHAT READERS ARE SAYING ABOUT 55 . . . ‘A pulse-pounding psycho-thriller . . . splendidly-engineered plot and a masterly sense of pace allied to a haunting background make for a powerful debut’ Crime Time ‘A clever concept for this fast-moving debut, fleshed out with a sympathetic hero haunted by grim memories’ Sunday Times Crime Club 'An intriguing whodunit that keeps the reader engrossed as Chandler searches for the truth among the lies' Canberra Times 'If you liked the Dry you will like this' 5*, Reader review 'I enjoy a good psychological thriller and this was up there with the best' 5*, Reader review ‘I loved this book from start to finish . . . the ending is still on my mind today’ 5*, Reader review ‘A real page-turner. Gets a grip on you from the start. Best book I’ve read in years!’ 5*, Reader review ‘I found it impossible to tear myself away from this small, isolated community as they stumbled into a territory more hostile and unpredictable than any place on earth. LOVED IT’ 5*, Reader review

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Discover this vast and varied South American country with the most incisive and entertaining guidebook on the market. Whether you plan to hit the beaches of Rio, take a boat up the Amazon or explore the gorgeous colonial towns of Minas Gerais, The Rough Guide to Brazil will show you the ideal places to sleep, eat, drink, shop and visit along the way.-Independent,trusted reviews written with Rough Guides' trademark blend of humour, honesty and insight, to help you get the most out of your visit, with options to suit every budget.-Full-colour chapter maps throughout - to explore Rio's beach neighbourhoods and remote Amazon towns without needing to get online.-Stunning images - a rich collection of inspiring colour photography. Things not to miss - Rough Guides' rundown of the best sights and experiences in Brazil.Itineraries - carefully planned routes to help you organise your trip. Detailed coverage - this travel guide has in-depth practical advice for every step of the way.Areas covered include: Rio de Janeiro, São Paulo, Minas Gerais, EspíritoSanto, Bahia, the Northeast, the Amazon, Brasília, the Pantanal and the South, covering Paraná,Santa Catarina and Rio Grande do Sul. Attractions include: Rio's Corcovado, Iguaçu Falls, Salvador's old town, Rio Amazon as boat trips and theIlha do Mel.Basics - essential pre-departure practical information including getting there, local transport, accommodation, food and drink, festivals and events,sports and outdoor activities and more.Background information - a Contexts chapter devoted to history, the environment, music, cinema, football and recommended books, as well as a guide to Brazilian Portuguese.Make the most of your time on Earth with The Rough Guide to Brazil.About Rough Guides: Escape the everyday with Rough Guides. We are a leading travel publisher known for our "tell it like it is" attitude, up-to-datecontent and great writing. Since 1982, we've published books covering more than 120 destinations around the globe, with an ever-growing series of ebooks, a range of beautiful, inspirational reference titles, and an award-winning website. We pride ourselves on our accurate, honest and informed travel guides.

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'A landmark piece of non-fiction' Janet Maslin, The New York TimesFrom the winner of the Pulitzer Prize, this is one of the great untold stories of American history: the migration of black citizens who fled the south and went north in search of a better life From 1915 to 1970, an exodus of almost six million people would change the face of America. With stunning historical detail, Pulitzer prize-winning journalist Isabel Wilkerson gives us this definitive, vividly dramatic account of how these journeys unfolded. Based on interviews with more than a thousand people, and access to new data and official records, The Warmth of Other Suns tells the story of America's Great Migration through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career.Wilkerson brilliantly captures their first treacherous and exhausting cross-country journeys, as well as how they changed their new homes forever.'You will never forget these people' Gay Talese'A brilliant and stirring epic' John Stauffer, Wall Street Journal 'The mass migration of African Americans out of the US south forever changed the country's cultural fabric - and Wilkerson's history of this period is full of sacrifice and hope ... a long overdue account' Lettecha Johnson, Guardian'A deeply affecting, finely crafted and heroic book. . . .Wilkerson has taken on one of the most important demographic upheavals of the past century and told it through the lives of three people ... lyrical and tragic' Jill Lepore, New Yorker

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