Search results for ""o'reilly""

MALAPROP Theatre is an award-winning collective of Irish theatremakers, who seek to challenge, delight and speak to the world we live in (even when imagining different ones). This volume brings together four of their bold, playful and genre-spanning plays, all premiered at the Dublin Fringe Festival between 2017 and 2023. In Everything Not Saved, ex-lovers argue about when they were happiest, police officers rewrite history, and Rasputin dances like no one’s watching. Oh, and also the Queen is there. Before You Say Anything questions how everyone can be safe at the same time. A time-travelling set of interweaving stories exploring injustice, freedom and bravery. Where Sat the Lovers is about codes, hallucinations, Isaac Newton, war crimes, seeing meaning where there's none and vice versa. In an age of misinformation, how do you know if you know the right things? HOTHOUSE tackles climate breakdown with big ideas, a lot of laughs, and some truly grotesque cabaret numbers. Cruise ships, horny/murderous songbirds, fecund/fatalistic rabbits, loving/bruising parents and Minnie Riperton all make an appearance in this play with songs, which asks if things can ever get better. MALAPROP Theatre are Carys D. Coburn, John Gunning, Breffni Holahan, Molly O'Cathain, Maeve O'Mahony, Claire O'Reilly and Carla Rogers. 'MALAPROP have quickly distinguished themselves as one of Ireland's most exciting emerging companies' Ruth McGowan, Director, Dublin Fringe Festival (2018-23) 'A company of real ambition. One which is using theatrical form to grapple with the complexities of a world where the ground is constantly shifting beneath our feet and where what we believe can be recalibrated not just on a daily basis but minute by minute' Lyn Gardner, Stage Door 'Reminiscent of early Caryl Churchill... this is thinking theatre at its best' Irish Independent

Read more less

A gripping and emotional cross-cultural love story for readers of Dilly Court and Glenda Young.1897Young Annie Maguire is leaving the only home she has ever known, the family farm in County Down, Ireland. Driven away by poverty and the death of Annie's mother, she and her beloved father are looking for a place to start again and settle in Cleator Moor, Cumberland.Robert McClure also grew up in County Down. The illegitimate son of a land agent and the cook from the big house, he spent his childhood being moved from pillar to post, never sure who he was or where he belonged. That is until he found himself in Cleator Moor and invited to join the Orange Order, a Protestant Society.On the 12th of July, day of the Orange March, Annie and Robert meet. Sparks instantly fly, but Annie has been brought up Catholic and is devoted to her community and religion. Brought together by chance, but with backgrounds worlds apart, Annie and Robert will have to fight to be together. But can their love really survive when the weight of the community is against them?Don't miss Katie Hutton's other heart-wrenching sagas, The Gypsy Bride and The Gypsy's Daughter. Available now.- - - - - -Praise for Katie Hutton'Love, loss and everything in between. Another fabulous read by Katie Hutton.' Lynn Johnson, author of Wartime with the Tram Girls'Cleverly balanced between two worlds and weaves a story that's well-written, exciting and full of Romani charm.' Shirley Mann, author of Lily's War and Bobby's War on The Gypsy's Daughter'Cracking characters, tender love story, impeccably researched historical detail. I loved it . . . I couldn't put it down.' Elizabeth Woodcraft, author of The Saturday Girls and The Girls from Greenway'At times, heartbreaking. At others, heartwarming. This is the enchanting story of a young woman's struggle to recover from the traumatic events of her past.' Jennifer Page, author of Freedom from Loneliness'A poignant and compelling story of trauma and the healing power of love: its many voices ring true and a past era in England is evoked with cinematic precision.' Maybelle Wallis, author of Heart of Cruelty'An original gem . . . Captivating.' Patricia O'Reilly, author of The First Rose of Tralee

Read more less

A moving and tragic cross-cultural love story for readers of Dilly Court and Kitty Neale. Oxfordshire, 1917Ellen is growing up in the Oxfordshire countryside. The granddaughter of a Methodist preacher and intending to marry Charlie, a boy from the local village, Ellen's life is mapped out for her. When Charlie is killed on the battlefields of the First World War, Ellen is left heart-broken and lost. But then she meets Sam Loveridge. Mysterious and unruly, Sam is from a local Gypsy community, and unlike anyone Ellen has ever met before. Before she knows what's hit her, Ellen is swept off her feet and shown a world of passion, excitement - and true love. But the conservative world that Ellen is from can't possibly understand or approve of their relationship, and Ellen and Sam are torn apart. Is their love strong enough overcome their cultural distances, or will the hostility and prejudice they face destroy their chance at happiness?The Gypsy Bride is a dramatic new saga for readers of The Country Bride. Don't miss Katie Hutton's brand-new book, The Gypsy's Daughter. Available to pre-order now. - - - - 'The history is meticulous and fascinating and the character of Sam Loveridge is absolutely captivating - I can still hear his voice perfectly, months after finishing.' Julie Cohen, bestselling author of The Two Lives of Louis and Louise'A family saga that had me hooked from the first page.' Lynn Johnson, author of The Girl from the Workhouse'A richly evoked, completely involving story of love, loss and redemption. So satisfying.' Elizabeth Woodcraft, author of The Saturday Girls and The Girls from Greenway 'Katie Hutton transports you to a forgotten England in this poignant story of star-crossed lovers. A triumph!' Catherine Kullman, author of The Gracechurch Trilogy'A moving love story, brilliantly depicting the dynamic between settled communities and gypsies.' Patricia O'Reilly, author of The First Rose of Tralee'[A] moving and well-wrought tale' Historical Novel Society'An enthralling and well-researched saga.' Lancashire Evening Post'The characters and storyline were fantastic.' Netgalley reviewer'A powerful saga full of tragedy and such sadness.' Netgalley reviewer

Read more less

From the Olympics to the World Cup, mega sporting events are a source of enjoyment for tens of thousands of people, but can also be a source of intense debate and controversy. This insightful new Handbook addresses a number of central questions, including: How are host cities selected and under what economic conditions? How are these events organized, and how is local resistance overcome? Based on historical and empirical experience, what are the pitfalls for the organizers of these events? What are the potential economic benefits, including any international image effects? How can the costs be minimized and the benefits maximized for host cities and countries? How do these mega events impact the challenges of globalization and what is their environmental legacy? Compiled and edited by two internationally renowned sports economists, the expert contributions elaborate on the specific mechanisms of the bid processes, analyze the determining factors of winning bids, and illustrate how to construct future bid campaigns. Underpinned by case studies from four continents and by theoretical considerations, the reasons for seemingly systemic cost overruns are explored and analyzed, as are the effects on national and regional employment and income, property values, non-traditional economic variables (such as psychological and marketing benefits) and urban branding and transformation. The Handbook also reflects on important elements of design of the games in order to better plan, prepare and allocate resources - including, for example, sustainability issues and the use of campaigns to secure positive perceptions. This book provides an up-to-date analysis of the financing and economic impact of mega sporting events, as well as a full discussion of how host cities can maximize the benefits from their experience. As such, it will prove a fascinating read for academics, students, researchers and policy makers with an interest in economics and public sector economics generally, and more specifically, in the economics of sport. Contributors: G.M. Ahlfeldt, G. Andranovich, W. Andreff, R.A. Baade, O. Bass, R. Baumann, U. Bob, D. Brown, M.J. Burbank, R. Burton, A. Cartwright, A. Ceballos, D.M. Chin, D. Coates, L.M. de Melo, S. du Plessis, N. Eber, B. Engelhardt, A. Feddersen, R. Flores, D. Forrest, Y. Guo, C.H. Heying, Y. Hou, B.R. Humphreys, G. Kavetsos, S. Kesenne, R.H. Koning, J.G. Long, W. Maennig, B. Majumdar, V.A. Matheson, I.G. McHale, N. Mehta, N. O'Reilly, M. Olschlager, P.K. Porter, A.R. Sanderson, I. Sanz, J. Schokkaert, B. Seguin, S. Shmanske, E. Sterken, B. Sussmuth, K. Swart, J.F.M. Swinnen, S. Szymanski, J.D. Tena, R. Tomlinson, H. van Egteren, T. Vandemoortele, C. Zhou, A. Zimbalist

Read more less

From the Olympics to the World Cup, mega sporting events are a source of enjoyment for tens of thousands of people, but can also be a source of intense debate and controversy. This insightful new Handbook addresses a number of central questions, including: How are host cities selected and under what economic conditions? How are these events organized, and how is local resistance overcome? Based on historical and empirical experience, what are the pitfalls for the organizers of these events? What are the potential economic benefits, including any international image effects? How can the costs be minimized and the benefits maximized for host cities and countries? How do these mega events impact the challenges of globalization and what is their environmental legacy? Compiled and edited by two internationally renowned sports economists, the expert contributions elaborate on the specific mechanisms of the bid processes, analyze the determining factors of winning bids, and illustrate how to construct future bid campaigns. Underpinned by case studies from four continents and by theoretical considerations, the reasons for seemingly systemic cost overruns are explored and analyzed, as are the effects on national and regional employment and income, property values, non-traditional economic variables (such as psychological and marketing benefits) and urban branding and transformation. The Handbook also reflects on important elements of design of the games in order to better plan, prepare and allocate resources - including, for example, sustainability issues and the use of campaigns to secure positive perceptions. This book provides an up-to-date analysis of the financing and economic impact of mega sporting events, as well as a full discussion of how host cities can maximize the benefits from their experience. As such, it will prove a fascinating read for academics, students, researchers and policy makers with an interest in economics and public sector economics generally, and more specifically, in the economics of sport. Contributors: G.M. Ahlfeldt, G. Andranovich, W. Andreff, R.A. Baade, O. Bass, R. Baumann, U. Bob, D. Brown, M.J. Burbank, R. Burton, A. Cartwright, A. Ceballos, D.M. Chin, D. Coates, L.M. de Melo, S. du Plessis, N. Eber, B. Engelhardt, A. Feddersen, R. Flores, D. Forrest, Y. Guo, C.H. Heying, Y. Hou, B.R. Humphreys, G. Kavetsos, S. Kesenne, R.H. Koning, J.G. Long, W. Maennig, B. Majumdar, V.A. Matheson, I.G. McHale, N. Mehta, N. O'Reilly, M. Olschlager, P.K. Porter, A.R. Sanderson, I. Sanz, J. Schokkaert, B. Seguin, S. Shmanske, E. Sterken, B. Sussmuth, K. Swart, J.F.M. Swinnen, S. Szymanski, J.D. Tena, R. Tomlinson, H. van Egteren, T. Vandemoortele, C. Zhou, A. Zimbalist

Read more less

The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics. Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento enla poesía española del siglo de oro The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics, without limiting the dialectic of stasis and movement to any single sphere or manifestation. Interrogation of the interdependence of tradition and innovation, poetry, power and politics, shifting signifiers, the intersection of topography and deviant temporalities, the movement between the secular and the sacred, tensions between centres and peripheries, issues of manuscript circulation and reception, poetic calls and echoes across continents and centuries, and between creative writing and reading subjects, all demonstrate that Helgerson's central notion of conspicuous movement is relevant beyond early sixteenth-century secular poetics, By opening it up we approximate a better understanding of poetry's flexible spatio-temporal co-ordinates in a period of extraordinary historical circumstances and conterminous radical cultural transformation. Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento en la poesía española del siglo de oro, sin limitar la dialéctica de la estasis y movimiento a una sola esfera o manifestación única. Entre los multiples enfoques cabe destacar: el cuestionamiento de la interdependencia de la tradición e inovación, de la poesía, del poder y la política, de los sigantes que se transforman, de los espacios que conectan y cruzan con los tiempos 'desviados'; análisis de las tensiones entre lo sagrado y lo secular, del conflicto centro-periferia y del complejo sistema de producción, circulacióny recepción de los manuscritos; el diálogo con el eco poético a través de los siglos y de los continentes y la construcción creativa del sujeto escritor y/o lector. Al abrir la noción central de Helgerson del "movimiento cono" más allá de la poesía nueva secular, este libro propone un entendimiento más completo de las coordinadas espacio-temporales de la poesía en un periodo de circunstancias históricas extrao Jean Andrews is Associate Pssor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham. Isabel Torres is Professor of Spanish Golden Age Literature at Queen's University, Belfast. Contributors: Jean Andrews,Dana Bultman, Noelia Cirnigliaro, Marsha Collins, Trevor J. Dadson, Aurora Egido, Verónica Grossi, Anne Holloway, Mark J. Mascia,Terence O'Reilly, Carmen Peraita, Amanda Powell, Colin Thompson, Isabel Torres

Read more less

As Earth dies, an architect is commissioned to remote build a monument on Mars from the remains of a failed colony; a man who has transferred his consciousness into a humanoid robot discovers he’s missing thirty percent of his memories, and tries to discover why; bored with life in the underground colony of an alien world, a few risk life inside one of the “whales” floating in the planet’s atmosphere; an apprentice librarian searching through centuries of SETI messages from alien civilizations makes an ominous discovery; a ship in crisis pulls a veteran multibot out from storage with an unusual assignment: pest control; the dead are given a second shot at life, in exchange for a five-year term in a zombie military program. For decades, science fiction has compelled us to imagine futures both inspiring and cautionary. Whether it’s a warning message from a survey ship, a harrowing journey to a new world, or the adventures of well-meaning AI, science fiction inspires the imagination and delivers a lens through which we can view ourselves and the world around us. With The Best Science Fiction of the Year: Volume Three, award-winning editor Neil Clarke provides a year-in-review and twenty-seven of the best stories published by both new and established authors in 2017. Table of ContentsIntroduction: The State of Short SF Field in 2017 A Series of Steaks by Vina Jie-Min Prasad Holdfast by Alastair Reynolds Every Hour of Light and Dark by Nancy Kress The Last Novelist, or a Dead Lizard in the Yard by Matthew Kressel Shikasta by Vandana Singh Wind Will Rove by Sarah Pinsker Focus by Gord Sellar The Martian Obelisk by Linda Nagata Shadows of Eternity by Gregory Benford The Worldless by Indrapramit Das Regarding the Robot Raccoons Attached to the Hull of My Ship by Rachel Jones and Khaalidah Muhammad-Ali Belly Up by Maggie Clark Uncanny Valley by Greg Egan We Who Live in the Heart by Kelly Robson A Catalogue of Sunlight at the End of the World by A.C. Wise Meridian by Karin Lowachee The Tale of the Alcubierre Horse by Kathleen Ann Goonan Extracurricular Activities by Yoon Ha Lee In Everlasting Wisdom by Aliette de Bodard The Last Boat-Builder in Ballyvoloon by Finbarr O’Reilly The Speed of Belief by Robert Reed Death on Mars by Madeline Ashby An Evening with Severyn Grimes by Rich Larson ZeroS by Peter Watts The Secret Life of Bots by Suzanne Palmer Zen and the Art of Starship Maintenance by Tobias S. BuckellPermissionsRecommended Reading

Read more less

'If you want to see what that future might look like, Duncan's book is a fun place to start'NPR'Intensely readable, downright terrifying, and surprisingly uplifting' Vanity Fair '5 books not to miss . . . A fascinating work of imaginative futurology'USA TodayOne of Time magazine's '32 Books You Need to Read This Summer' - 'a riveting read' One of David Baldacci and Elizabeth Acevedo's best summer reads, on USA Today's Today programme 'A refreshing variation on the will-intelligent-robots-bring-Armageddon genre . . . this colourful mixture of expert futurology and quirky speculation does not disappoint' Kirkus ReviewsWhat robot and AI systems are being built and imagined right now? What do they say about us, their creators? Will they usher in a fantastic new future, or destroy us? What do some of our greatest thinkers, from physicist Brian Greene and futurist Kevin Kelly to inventor Dean Kamen, geneticist George Church, and filmmaker Tiffany Shlain, anticipate about our human-robot future? For even as robots and AI intrigue us and make us anxious about the future, our fascination with robots has always been about more than the potential of the technology - it's also about what robots tell us about being human.From present-day Facebook and Amazon bots to near-future 'intimacy' bots and 'the robot that swiped my job' bots, bestselling American popular science writer David Ewing Duncan's Talking to Robots is a wonderfully entertaining and insightful guide to possible future scenarios about robots, both real and imagined.Featured bots include robot drivers; doc bots; politician bots; warrior bots; sex bots; synthetic bio bots; dystopic bots that are hopefully just bad dreams; and ultimately, God Bot (as described by physicist Brian Greene).These scenarios are informed by discussions with well-known thinkers, engineers, scientists, artists, philosophers and others, who share with us their ideas, hopes and fears about robots. David spoke with, among others, Kevin Kelly, David Baldacci, Brian Greene, Dean Kamen, Craig Venter, Stephanie Mehta, David Eagleman, George Poste, George Church, General R. H. Latiff, Robert Seigel, Emily Morse, David Sinclair, Ken Goldberg, Sunny Bates, Adam Gazzaley, Tim O'Reilly, Tiffany Shlain, Eric Topol and Juan Enriquez.These discussions, along with some reporting on bot-tech, bot-history and real-time societal and ethical issues with robots, are the launch pads for unfurling possible bot futures that are informed by how people and societies have handled new technologies in the past.The book describes how robots work, but its primary focus is on what our fixation with bots and AI says about us as humans: about our hopes and anxieties; our myths, stories, beliefs and ideas about beings both real and artificial; and our attempts to attain perfection.We are at a pivotal moment when our ancient infatuation with human-like beings with certain attributes or superpowers - in mythology, religion and storytelling - is coinciding with our ability to actually build some of these entities.

Read more less

One of Time magazine's '32 Books You Need to Read This Summer' -- 'a riveting read'.'Intensely readable, downright terrifying, and surprisingly uplifting.'Vanity Fair'A fascinating work of imaginative futurology, a science journalist takes a look at our current technologies and anticipates the human-robot future that could await us - one full of warrior bots, politician bots, doctor bots and sex bots.'One of Barbara VanDenburgh's '5 Books Not to Miss', USA TodayOne of the best summer reads of 2019, according to top authors David Baldacci and Elizabeth Acevedo on USA Today's Today programme. 'A refreshing variation on the will-intelligent-robots-bring-Armageddon genre . . . this colorful mixture of expert futurology and quirky speculation does not disappoint' Kirkus ReviewsWhat robot and AI systems are being built and imagined right now? What do they say about us, their creators? Will they usher in a fantastic new future, or destroy us? What do some of our greatest thinkers, from physicist Brian Greene and futurist Kevin Kelly to inventor Dean Kamen, geneticist George Church and filmmaker Tiffany Shlain, anticipate for our human-robot future? For even as robots and AI intrigue us and make us anxious about the future, our fascination with robots has always been about more than the potential of the technology - it also concerns what robots tell us about being human.From present-day Facebook and Amazon bots to near-future 'intimacy' bots and 'the robot that swiped my job' bots, bestselling American popular science writer David Ewing Duncan's Talking to Robots is a wonderfully entertaining and insightful guide to possible future scenarios about robots, both real and imagined.Featured bots include robot drivers; doc bots; politician bots; warrior bots; sex bots; syntheticbio bots; dystopic bots that are hopefully just bad dreams; and ultimately, God Bot (asdescribed by physicist Brian Greene). These scenarios are informed by discussions with well-known thinkers, engineers, scientists, artists, philosophers and others, who share with us their ideas, hopes and fears about robots. David spoke with, among others, Kevin Kelly, David Baldacci, Brian Greene, Dean Kamen, Craig Venter, Stephanie Mehta, David Eagleman, George Poste, George Church, General R. H. Latiff, Robert Seigel, Emily Morse, David Sinclair, Ken Goldberg, Sunny Bates, Adam Gazzaley, Tim O'Reilly, Tiffany Shlain, Eric Topol and Juan Enriquez.These discussions, along with some reporting on bot-tech, bot-history and real-time societal andethical issues with robots, are the launch pads for unfurling possible bot futures that are informed by how people and societies have handled new technologies in the past.The book describes how robots work, but its primary focus is on what our fixation with botsand AI says about us as humans: about our hopes and anxieties; our myths, stories, beliefs andideas about beings both real and artificial; and our attempts to attain perfection.We are at a pivotal moment when our ancient infatuation with human-like beings with certainattributes or superpowers - in mythology, religion and storytelling - is coinciding with ourability to actually build some of these entities.

Read more less

Anne’s diagnosis of terminal cancer shines a spotlight onto fractured relationships with her daughter and granddaughter, with surprising, heartwarming results. A moving, elegant and warmly funny novel by the Norwegian Anne Tyler. ‘Helga Flatland writes with such astuteness … Her portrayal of a fractured family trying to cope through emotional personal circumstances was perfect. I devoured this in two sittings and was overwhelmed with feelings for the characters’ Nina Pottell, Prima ‘Sometimes you simply don’t have words to express the beauty and experience of a book – this is one of them’ Louise Beech _______________ Anne’s life is rushing to an unexpected and untimely end. But her diagnosis of terminal cancer isn’t just a shock for her – and for her daughter Sigrid and granddaughter Mia – it shines a spotlight onto their fractured and uncomfortable relationships. On a spur-of-the moment trip to France the three generations of women reveal harboured secrets, long-held frustrations and suppressed desires, and learn humbling and heart-warming lessons about how life should be lived when death is so close. With all of Helga Flatland’s trademark humour, razor-sharp wit and deep empathy, One Last Time examines the great dramas that can be found in ordinary lives, asks the questions that matter to us all – and ultimately celebrates the resilience of the human spirit, in an exquisite, enchantingly beautiful novel that urges us to treasure and rethink … everything. For fans of Elena Ferrante, Maggie O’Farrell, Mike Gayle, Joanna Cannon, Sally Rooney and Carol Shields. _______________ ‘The most beautiful, elegant writing I’ve read in a long time. If you love Anne Tyler, you will ADORE this’ Joanna Cannon ‘Flatland is hailed as “the Norwegian Anne Tyler”, but, for me, she writes like Flatland, which is more than good enough’ Saga ‘A poignant and beautifully written story ... intimate, evocative and moving’ Kristin Gleeson ‘Helga Flatland possesses a pen made from fluent wisdom, subtle humour and elegance’ Carol Lovekin ‘Absolutely loved its quiet, insightful generosity’ Claire King 'So perceptive and clever' Rónán Hession ‘A thoughtful and reflective novel about parents, siblings and the complex – and often challenging – ties that bind them’ Hannah Beckerman, Observer ‘This is a super exploration of families that I’d urge you to read for the subtle prose, with well defined characters and a strong storyline’ Sheila O’Reilly ‘Love the sophistication, directness and tenderness of this book’ Claire Dyer ‘The most clear-eyed, honest, yet sympathetic examination of relationships that I have ever read’ Sara Taylor ‘The author has been dubbed the Norwegian Anne Tyler and for good reason … If you love books about dysfunctional families, you’ll love this’ Good Housekeeping ‘In quiet prose, Helga Flatland writes with elegance and subtle humour to produce a shrewd and insightful examination of the psychology of family and of loss’ Daily Express

Read more less

A family holiday creates unexpected drama when Liv, Ellen and Håkon’s elderly parents announce their decision to divorce. The Norwegian Anne Tyler makes her English debut in a beautiful, insightful and perceptive novel. ***Winner of the Norwegian Booksellers’ Prize*** ___________________ ‘The most beautiful, elegant writing I’ve read in a long time. If you love Anne Tyler, you will ADORE this’ Joanna Cannon ‘A thoughtful and reflective novel about parents, siblings and the complex – and often challenging – ties that bind them’ Hannah Beckerman, Observer ‘I absolutely loved its quiet, insightful generosity’ Claire King ___________________ When Liv, Ellen and Håkon, along with their partners and children, arrive in Rome to celebrate their father’s seventieth birthday, a quiet earthquake occurs: their parents have decided to divorce. Shocked and disbelieving, the siblings try to come to terms with their parents’ decision as it echoes through the homes they have built for themselves, and forces them to reconstruct the shared narrative of their childhood and family history. A bittersweet novel of regret, relationships and rare insights, A Modern Family encourages us to look at the people closest to us a little more carefully, and ultimately reveals that it’s never too late for change… ___________________ ‘The author has been dubbed the Norwegian Anne Tyler and for good reason. Three generations of a family head on a holiday to Italy to celebrate patriarch Sverre’s 70th birthday – but he and his wife have life-changing news to share. If you love books about dysfunctional families, you’ll love this’ Good Housekeeping ‘As they rebuild their childhood memories, it’s telling that their perceptions of themselves and their family relationships are so dramatically different. In quiet prose, Helga Flatland writes with elegance and subtle humour to produce a shrewd and insightful examination of the psychology of family and of loss’ Daily Express ‘I love the sophistication, directness and tenderness of this book’ Claire Dyer ‘So perceptive and clever’ Rónán Hession ‘This is a super exploration of families that I’d urge you to read for the subtle prose, with well defined characters and a strong storyline’ Sheila O’Reilly ‘It is the most satisfying book that I’ve read in a long time, and the most clear-eyed, honest, yet sympathetic examination of relationships that I have ever read. The subtlety with which she portrays the inconsistencies between how the characters see each other versus how they see themselves is masterful’ Sara Taylor ‘Reading Helga Flatland’s A Modern Family is like watching the sun rise on a cloudy horizon; light whispers and dances and breaks over the clouds. Layers of deliciously cumulative insight – a moving and exquisite read’ Shelan Rodger ‘A beautifully written novel, bittersweet, moving and poignant … a wise novel of great insight’ New Books Magazine ‘Flatland has the gift that I most often covert in the work of other writers: the ability to make everyday events compelling … an utterly compelling and satisfying read. It reminds us how full and rich life is, how the quietest existence can brim with urgency and drama’ Ann Morgan ‘A novel that prods and provokes … fascinating, incredibly profound, yet somehow tender, this really does encourage an exploration of a modern family’ LoveReading

Read more less

Kate O’Reilly loves a stroll down memory lane.Nowadays she’s a mother to Declan and Phoebe, has the semi-detached in suburbia and the dependable husband, Seamus – but when faced with a never-ending pile of laundry and new chin hairs sprouting overnight, no wonder she daydreams about the past.A time when the music was better (Girl Power forever!), her social circle was wider, Cool Britannia reigned supreme and only a penalty shootout stood between England reaching the finals of Euro ’96.So, when a freak electrical storm takes her back in time to 1996, Kate’s elated – this is her chance to discover what might have happened if she’d only done things a little bit differently in the Nineties.But as she relives her youth again, will Kate realise some things really are best left in the past? And will she ever be able to get back to the family she misses so much? Even if none of them know how to load the sodding dishwasher…A laugh-out-loud, relatable read for anyone who wishes they could take a holiday from adulting… fans of Why Mummy Drinks and Jane Fallon will love this!Previously published as A Mother Dimension, this has been extensively edited and rewritten.Readers are loving The Glory Years:‘A quick, easy and fun read that I adored…I couldn't put it down. I loved the characters and it made me laugh.’ ⭐⭐⭐⭐⭐ Reader ReviewWow!...It completely exceeded all my expectations… a lot of twists and turns throughout the book which keeps you captivated’ ⭐⭐⭐⭐⭐ Reader Review‘I think pretty much everyone can relate to this book… I laughed out loud several times!’ Reader Review'This book had me turning pages without even realizing. It was so good!' ⭐⭐⭐⭐⭐ Reader Review‘Kate was such a fun relatable character…Very nostalgic and cute! I remember so much of the blasts from the past which was fun!’ ⭐⭐⭐⭐⭐ Reader Review‘Adorable, heartwarming and inspiring.’ Reader Review‘It’s such a jovial, humorous and light-hearted book… Overall a fantastic read.’ Reader ReviewPraise for Mink Elliott:‘Nothing short of a delight… I would recommend this book if you are looking for a lighthearted and feel good read’ Reader Review‘So fun to read. It reminded me of Bridget Jones’ Diary (for 50 year olds!)…Highly recommend!’ Reader Review‘This book had me laughing because it is so relatable and down to earth…Within the first few pages, I found myself chuckling…Highly recommend this read.’ Reader Review‘Lighthearted and full of comedy…the story was relatable and enjoyable.’ Reader Review‘A really easy, feel good read which is particularly relatable for those of us of a certain age!!!’ Reader Review‘A brilliant, enjoyable and entertaining book that made me smile and laugh… I loved the humour and the likeable cast of characters. Highly recommended.’ Reader Review‘This book was hilarious…a great way to escape for a few hours.’ Reader Review

Read more less

Hamburg State Prosecutor Chastity Riley and her friends are held hostage in a hotel bar by twelve armed men set on revenge, in a searing, breathtakingly original, and unexpectedly moving new thriller from the ‘Queen of Krimi’ ***WINNER of the CWA Crime in Translation Dagger 2022******WINNER of the German Crime Book of the Year Award*** ‘Simone Buchholz writes with real authority and a pungent, noir-ish sense of time and space … a palpable hit’ Independent ‘Reading Buchholz is like walking on firecrackers … a truly unique voice in crime fiction’ Graeme Macrae Burnet ‘[A] nerve-racking narrative … [with] a cunning climax that is shocking and deeply romantic’ The Times ____________________ Twenty floors above the shimmering lights of the Hamburg docks, Public Prosecutor Chastity Riley is celebrating a birthday with friends in a hotel bar when twelve heavily armed men pull out guns, and take everyone hostage. Among the hostages is Konrad Hoogsmart, the hotel owner, who is being targeted by a young man whose life and family have been destroyed by Hoogsmart’s actions. With the police looking on from outside their colleagues’ lives at stake and Chastity on the inside, increasingly ill from an unexpected case of sepsis, the stage is set for a dramatic confrontation and a devastating outcome for the team all live streamed in a terrifying bid for revenge. Crackling with energy and populated by a cast of unforgettable characters, Hotel Cartagena is a searing, relevant thriller that will leave you breathless. _____________________ Praise for the Chastity Riley series 'Combines nail-biting tension with off-beat humor ... Elmore Leonard fans will be enthralled' Publishers Weekly 'Buchholz doles out delicious black humor ... interwoven in a manner that ramps up the intrigue and tension' Foreword Reviews ‘Modern noir, with taut storytelling, a hard-bitten heroine, and underlying melancholy peppered with wry humour … there’s a fizz, a poetry and a sense of coolness’ New Zealand Listener ‘The coolest character in crime fiction … Darkly funny and written with a huge heart’ Big Issue ‘Fierce enough to stab the heart’ Spectator ‘A stylish, whip-smart thriller’ Herald Scotland ‘Combines slick storytelling with substance … like a straight shot of top-shelf liquor: smooth yet fiery, packing a punch with no extraneous ingredients watering things down’ Mystery Scene ‘Caustic, incisive prose. A street-smart, gutsy heroine. A timely and staggeringly stylish thriller’ Will Carver ‘With plenty of dry humour and a good old dash of despair, Simone Buchholz is an unconventional, refreshing new voice’ Crime Fiction Lover ‘With brief, pacy chapters and fizzling dialogue, this almost feels like American procedural noir and not a translation’ Maxim Jakubowski ‘There is a fantastic pace to the story which keeps you hooked from the first sentence all the way to the end a unique voice that delivers a stylish story’ NB Magazine ‘A smart and witty book that shines a probing spotlight on society’ CultureFly ‘Fans of Brookmyre could do worse than checking out Simone Buchholz, a star of the German crime lit scene who has been deftly translated into English by Rachel Ward’ Goethe Institute ‘By turns lyrical and pithy, this adventure set in the melting pot of contemporary Hamburg has a plot and a sensibility that both owe something to mind-altering substances. Lots of fun’ Sunday Times ‘Great sparkling energy, humour and stylistic verve and the story itself is gripping and pacey’ Rosie Goldsmith ‘A must-read, stylish and highly original take on the detective novel, written with great skill and popping with great characters’ Judith O’Reilly ‘Constantly surprising an original, firecracker of a read’ LoveReading

Read more less

SHORTLISTED FOR THE PEN HESSELL-TILTMAN PRIZE*****'There have been many books written about the events of Bloody Sunday, however, none has wrenched the reader as violently back to those CS gas-choked streets, dumping them right in the heart of the screaming, running, shooting and crying, as Julieann Campbell's On Bloody Sunday. A powerful chronicle of one of the darkest episodes of modern times.' - Sunday Times'Powerful and moving ... The strength of this important new book lies in the artistry the author brings to the tasks of portraying both the community upon which the massacre was perpetrated, and the individuals within it.' - Irish Times'Meticulous.... On Bloody Sunday possesses a veracity and cumulative power that sets it apart from previous accounts' - Observer'A momentous chronicle, timely and vital, which highlights that the burden of change rests, as always, upon the shoulders of those who suffered and yet, have nurtured the desire that lessons be learned.' - Michael Mansfield QC, who represented a number of families during the Bloody Sunday Inquiry.'It is a vital record of the time, the city, and its people, and more impressive still it does so almost entirely in their own words, their heartbreak, their anger, their resilience, their humour. Julieann Campbell has given their voices, so long silenced, the dignity they deserve. It is a staggering achievement.' - Séamas O'Reilly'It's a wonderful book. The technique used - multiple voices speaking directly to us - is very simple but it has a profound effect. It puts us into the middle of the chaos of Bloody Sunday and keeps us there throughout the grief and anger that follow. A wonderful, wonderful book.' - Jimmy McGovern, BAFTA winning screenwriter, creator of 'Sunday' (2002)In January 1972, a peaceful civil rights march in Northern Ireland ended in bloodshed. Troops from Britain's 1st Battalion Parachute Regiment opened fire on marchers, leaving 13 dead and 15 wounded. Seven of those killed were teenage boys. The day became known as 'Bloody Sunday'.The events occurred in broad daylight and in the full glare of the press. Within hours, the British military informed the world that they had won an 'IRA gun battle'. This became the official narrative for decades until a family-led campaign instigated one of the most complex inquiries in history. In 2010, the victims of Bloody Sunday were fully exonerated when Lord Saville found that the majority of the victims were either shot in the back as they ran away or were helping someone in need. The report made headlines all over the world. While many buried the trauma of that day, historian and campaigner Juliann Campbell - whose teenage uncle was the first to be killed that day - felt the need to keep recording these interviews, and collecting rare and unpublished accounts, aware of just how precious they were. Fifty years on, in this book, survivors, relatives, eyewitnesses and politicians, shine a light on the events of Bloody Sunday, together, for the first time.As they tell their stories, the tension, confusion and anger build with an awful power. ON BLOODY SUNDAY unfolds before us an extraordinary human drama, as we experience one of the darkest moments in modern history - and witness the true human cost of conflict.

Read more less

Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social and political categories: not theatre, not dance, not visual art... and often wilfully anti-mainstream and anti-establishment. But as it has become an increasingly prevalent category in international festivals, major art galleries, diverse publications and higher education streams, it is time for a reassessment. This collection of essays, conversations, provocations and archival images takes the twentieth anniversary of the founding of one of the sector’s most committed champions, the Live Art Development Agency (LADA) in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Rather than defining the practices in oppositional terms – what they might be seeking to critique, reject or disrupt – this collection reframes these practices in terms of the relations and commitments they might be used to model or advocate. What kinds of care and recovery do they enable? What do they connect as well as reject? What do they make possible as they test the impossible? What ideas of success do they stand for as they risk failure? In this way, the central theme of the collection, and to which all contributors were invited to respond, is the idea of agency: the capacity for new kinds of thoughts, actions and energies as enacted by individual artists and groups. It seems appropriate that this question would be considered in relation to the history of one particular ‘agency’: LADA itself. These questions are explored in a unique conversational format, bringing together a diverse range of emerging and established practitioners, curators and leading figures in the field, each paired with another practitioner for a live conversation that has been sensitively edited for the page. Curated within a structure of five overlapping themes – Bodies, Spaces, Institutions, Communities and Actions – this format produces unexpected insights and accounts of the development of the field. Each theme also contains two provocative essays by leading scholars, thinkers and makers, exploring the conceptual frames in more detail. The result is a collection that is as heterogeneous, ambitious, contradictory and inspiring as the field of Live Art itself. Contributors: Aaron Williamson, Adrian Heathfield, Alan Read, Alastair MacLennan, Alexandrina Hemsley, Amelia Jones, Andrew Mottershead, Andy Field, Anne Bean, Barby Asante, Bryan Biggs, Cassils, Catherine Wood, David A. Bailey, Dominic Johnson, Gary Anderson, George Chakravarthi, Guillermo Gómez-Peña, Hayley Newman, Heike Roms, Helen Paris, James Leadbitter, Jamila Johnson-Small, Jane Trowell, Jen Harvie, Johanna Tuukkanen, John Jordan, John McGrath, Jordan McKenzie, Joshua Sofaer, Katherine Araniello, Kira O'Reilly, Lena Šimić, Leslie Hill, Lois Keidan, Lois Weaver, Manuel Vason, Martin O'Brien, Mary Paterson, Rajni Shah, Rebecca French, Richard Dedomenici, Ron Athey, RoseLee Goldberg, Selina Thompson, Simon Casson and Tim Etchells. Co-published with Live Art Development Agency. Winner of the 2021 TaPRA Edited Collection Prize

Read more less

The estranged grandson of a wealthy collector of human curiosities becomes fascinated with teenaged twin sisters, leading them into a web of dark obsessions. A dazzlingly dark gothic novel from the bestselling author of The Somnambulist. 'Makes skilful use of the tropes of Victorian gothic fiction… a story of society’s outsiders seeking acceptance and redemption' Sunday Times Book of the Month ‘Mysterious, sometimes shocking, full of surprises and twists … brimming with Victorian wonders!’ Sean Lusk ‘A magical, macabre masterpiece’ A.J. West ‘Fascinating and immersive’ Anna Mazzola ________________________________Victorian England. A world of rural fairgrounds and glamorous London theatres. A world of dark secrets and deadly obsessions… Twin sisters Keziah and Tilly Lovell are identical in every way, except that Tilly hasn't grown a single inch since she was five. Coerced into promoting their father's quack elixir as they tour the country fairgrounds, at the age of fifteen the girls are sold to a mysterious Italian known as ‘Captain’. Theo is an orphan, raised by his grandfather, Lord Seabrook, a man who has a dark interest in anatomical freaks and other curiosities … particularly the human kind. Resenting his grandson for his mother’s death in childbirth, when Seabrook remarries and a new heir is produced, Theo is forced to leave home without a penny to his name. Theo finds employment in Dr Summerwell’s Museum of Anatomy in London, and here he meets Captain and his theatrical ‘family’ of performers, freaks and outcasts. But it is Theo’s fascination with Tilly and Keziah that will lead all of them into a web of deceits, exposing the darkest secrets and threatening everything they know… Exploring universal themes of love and loss, the power of redemption and what it means to be unique, The Fascination is an evocative, glittering and bewitching gothic novel that brings alive Victorian London – and darkness and deception that lies beneath… ________________________________ ‘Essie Fox follows in the footsteps of Angela Carter and AS Byatt with an adult fairy tale that delves into the darkest compulsions of human nature … an opium trance of a novel, a vivid fantasmagoria’ Noel O’Reilly ‘Deliciously dark, full of twists and surprises’ Liz Hyder ‘Filled with gothic darkness and glorious hope’ Liz Fenwick ‘Rich, dark and heady … a glorious gothic carnival’ Kate Griffin ‘Truly unexpected and original’ Kate Forsyth ‘Beautifully researched, full of horrors and delights … a chilling, thrilling slice of Victorian gothic’ Bridget Walsh ‘A cast of characters Dickens would be proud of’ Frances Quinn ‘A dizzying potion of a novel’ Polly Crosby ‘A twisty, gothic treat … wild and wonderful cast of characters’ Rebecca John ‘Rich in peril, tempered with strange, theatrical beauty’ Kate Mascarenhas ‘A wonderful, captivating carnival’ Elizabeth Fremantle ‘Haunting and emotive’ Gill Paul ‘A gorgeously gothic slice of Victoriana’ Katherine Clements ‘Beautifully controlled … exceptional storytelling, exquisitely told’ Nydia Hetherington ‘A beautiful, haunting tale peopled by a thrilling set of living, breathing characters … very fine historical fiction’ Emma Carroll ‘So inventive and surprising … beautiful writing, unforgettable characters’ Juliet West ‘A sumptuous, gothic treat that will reel you in and not let you go until the final page. Bravo!’ Caroline Green ‘Essie Fox is the mistress of gothic Victoriana … utterly beguiling and rendered in exquisite detail … a wonderful, captivating carnival of a novel’ Elizabeth Fremantle ‘Wonderfully vivid and touching … extraordinary’ Adele Geras ‘I loved this story of a group of wonderful “others” fighting to find their place and purpose in a glittering, but unforgiving, Victorian England’ Marika Cobbold ‘Atmospheric, gripping and ultimately uplifting’ Karen Coles ‘Richly detailed, beautifully written … a fascinating read’ Michael J Malone ‘The very best kind of gothic’ Lianne Dillsworth ‘Masterful’ Louise Swanson ‘A kaleidoscopic, twisting, devilish novel guaranteed to dazzle and delight. I was utterly beguiled’ Dan Bassett, Bookseller

Read more less

Volker Rabens answers the question of how, according to the apostle Paul, the Holy Spirit enables religious-ethical life. In the first part of the book, the author discusses the established view that the Spirit is a material substance which transforms people ontologically by virtue of its physical nature. In order to assess this "Stoic" reading of Paul, the author examines all the passages from the Hebrew Bible, early Judaism, Hellenism and Paul that have been put forward in support of this concept of ethical enabling. He concludes that there is no textual evidence in early Judaism or Paul that the Spirit was conceived as a material substance. Furthermore, none of these or any of the Graeco-Roman writings show that ethical living derives from the transformation of the "substance" of the person that is imbued with a physical Spirit. The second part of the study offers a fresh approach to the ethical work of the Spirit which is based on a relational concept of Paul's theology. Rabens argues that it is primarily through initiating and sustaining an intimate relationship with God the Father, Jesus Christ, and with the community of faith that the Spirit transforms and empowers people for ethical living. The author establishes this thesis on the basis of an exegetical study of a variety of passages from the Pauline corpus. In addition, he demonstrates that Paul lived in a context in which this dynamic of ethical empowering was part of the religious framework of various Jewish groups.Reviews of the first edition:"Rabens's book is a model of thorough research, lucid argument, and careful exegesis."Peter Orr in Themelios 35 (2010), pp. 452-455"Overall Rabens has provided us with a fascinating and convincing account of how the process of 'walking in the Spirit' takes place."Gary W. Burnett in Journal for the Study of the New Testament 33.5 (2011), p. 84"To conclude, I recommend this monograph for three reasons. One, it is truly a 'model' thesis in that it accomplishes its aims with clarity and simplicity. Secondly, it provides an excellent survey of Pauline pneumatology and ethics. Lastly, another benefit of this monograph is the intentional bridging of continental and English NT scholarship."Carsten Lotz in LST - InSight Spring 2011, p. 17"This is a beautifully written book, detailed, stimulating and fresh. Its central thesis is strongly argued and makes an important contribution to understanding Paul's ethics, theology and pneumatology."Jane Heath in The Expository Times 123 (2011), p. 138"R.'s study is remarkably comprehensive and well-informed."Gitte Buch-Hansen in Theologische Revue 108 (2012), pp. 118-119"Rabens's relational approach is carefully argued and will be of particular use to specialists in Pauline pneumatology and ethics, although the implications [...] will cause this study to be of interest to other specializations within Pauline studies in particular and biblical studies in general (e.g., cosmology, anthropology, soteriology)."Matthew P. O'Reilly in Religious Studies Review 38 (2012), pp. 20-21"And here is the strength Rabens' work offers us. Not only is The Holy Spirit and Ethics in Paul the work of a competent Neutestamentler who is able to realistically place Paul in both his traditional and contemporary context, but it is also a model of what effective biblical theology can offer the Church in a wider conversation."Mark Saucy in Journal of Biblical and Pneumatological Research 4 (2012), pp. 109-122"Overall, R. provides a fascinating and convincing account of the work of the Spirit in the ethical transformation of the individual."Archie T. Wright in Journal for the Study of Judaism 44 (2013), pp. 117-118"Systematisch klar, begrifflich hochpräzise und mit einem Interesse weckenden Spannungsbogen im Aufbau seiner Arbeit nähert sich Rabens einem 'Glaubensthema' und beschreitet dabei den Weg von der Frage zu den Texten. […] Von der Gründlichkeit des Autors zeugt schließlich ein über 50-seitiger Appendix, der die Forschungsgeschichte der letzten 140 Jahre zum Thema 'Paulus und Ethik' aufarbeitet." Hildegard Scherer in Biblische Zeitschrift 56 (2012), S. 306"In der Paulus-Forschung wird die Beziehungs-Dimension in jüngerer Zeit zu Recht stärker wahrgenommen. In diesem Rahmen bietet Rabens' Arbeit eine wichtige und meines Erachtens notwendige Auseinandersetzung mit einem Paradigma der Paulus-Forschung, die zu Korrekturen nötigt."Stefan Schreiber in Biblische Notizen 152 (2012), S. 141

Read more less