Search results for ""alma""

The tenth Nikki Heat novel, set in the universe of the Castle TV series. New York police captain Nikki Heat is accustomed to dealing with murders, even those with no leads and no motives. However, when a coed is murdered on campus, Heat's husband is a suspect, making this case the most personal one yet. Marriage. It's a double-edged sword, or at least it is for Nikki Heat. Her husband, Pulitzer Prize-winning journalist Jameson Rook, infuriates her in a way no one else in her entire life has ever done. He also takes her to heights of pleasure she has never experienced. But most of all, she loves the man with all her heart and she'd do anything to protect him -which is just what she had done not so long ago. It almost cost them everything. Now Rook is given the honor to be a visiting professor at his alma mater, and he can't pass up the opportunity to mentor burgeoning writers at his award-winning college newspaper. But shortly after his arrival on campus, a female reporter for the paper is found dead . . . naked . . .in Rook's bed. Dealing with betrayal from any man is not Nikki's style. She and Jameson have had plenty of conflicts during their complicated relationship, but none like this. Is her husband keeping secrets, or can she really trust him? In order to find out, Nikki gives Jameson the benefit of the doubt and digs into his theory of a secret society within a secret society. What she finds puts her investigative skills, and her marriage, to the test.

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From the author of the “genuinely funny” and “delightful” Loathe at First Sight (NPR) and “cinematic, charming” So We Meet Again (Emily Henry), a fun rom-com about a young Korean-American woman having to return to college after discovering she’s a few credits shy of completing her degree—only to find one of her TAs is her old college boyfriend.Bestselling author Lily Lee is on a short deadline to deliver her new career guide How to Land the Perfect Job, and she’s been interviewing at all the top companies around town. But when she’s offered a coveted position at her dream company, the employer’s background check reveals she never actually finished her college degree. Unbelievably, her worst nightmare has come true.Lily returns to her alma mater to relive her senior year of college, after walking across the stage at graduation a decade earlier. Just as she starts getting used to the idea of being a student again, things get even more weird and chaotic when she discovers her computer science TA is her old college boyfriend, Jake Cho. As Lily and Jake reconnect, she sees that her late-blooming ex has done well for himself: the handsome, charming grad student appears to have his life together, while Lily’s on the brink of losing her reputation and her book deal. Told in present day with glimpses of the past, The Do-Over is a delightfully warm and hopeful story about second chances in life and love, and how the future might not be a straight line, but we still end up exactly where we’re supposed to be.

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Náufragos, origami, posesión y ciencia: estos cuentos encarnan el punto de encuentro entre los horrores contemporáneos y los terrores antiguos.Seis relatos de una belleza oscura que laten con temáticas perturbadoras: la legitimidad de la venganza, el incesto como medio de supervivencia, brujería indígena versus tradición japonesa, el cuerpo como la víctima fatal que habitamos. Los cuentos de Rivero perforan al lector como una herida, ofreciendo también posibilidades de amor, justicia y esperanza. Narrados con un lirismo frágil y feroz, los cuentos de Tierra fresca de su tumba punzan los abismos del alma humana, y a la vez reforman los límites del gótico para incorporar ritos precolombinos, leyendas, ciencia ficción y erotismo.Shipwrecks, dive bars, possession, and science—this is where contemporary horrors and ancient terrors meet.In Fresh Dirt from the Grave , a hillside is “an emerald saddle teeming with evil and beauty.” It is this collision of harshness and tenderness that animates Giovanna Rivero’s short stories, where no degree of darkness (buried bodies, lost children, wild paroxysms of violence) can take away from the gentleness she shows all violated creatures. A mad aunt haunts her family, two Bolivian children are left on the outskirts of a Metis reservation outside Winnipeg, a widow teaches origami in a women’s prison and murders, housefires, and poisonings abound, but so does the persistent bravery of people trying to forge ahead in the face of the world. They are offered cruelty, often, indifference at best, and yet they keep going. Rivero has reworked the boundaries of the gothic to engage with pre-Columbian ritual, folk tales, sci-fi and eroticism, and found in the wound their humanity and the possibility of hope.

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"Queer, dirty, insightful, and so funny" (Andrea Lawlor), this coyly revolutionary debut story collection imagines new origins and futures for its cast of unforgettable protagonists-almost all of whom are named Sarah.NAMED A MOST ANTICIPATED BOOK OF 2021 BY THE MILLIONS * OPRAH MAGAZINE * LAMBDA LITERARY * ELECTRIC LITERATURE * REFINERY29 * COSMO * THE ADVOCATE * ALMA * PAPERBACK PARIS * WRITE OR DIE TRIBE * READS RAINBOWIn Sarahland, Sam Cohen brilliantly and often hilariously explores the ways in which traditional stories have failed us, both demanding and thrillingly providing for its cast of Sarahs new origin stories, new ways to love the planet and those inhabiting it, and new possibilities for life itself. In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure-and a new set of problems-by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction to work through romantic obsession. As the collection progresses, Cohen explodes this search for self, insisting that we have more to resist and repair than our own personal narratives. Readers witness as the ever-evolving "Sarah" gets recast: as a bible-era trans woman, an aging lesbian literally growing roots, a being who transcends the earth as we know it. While Cohen presents a world that will clearly someday end, "Sarah" will continue.In each Sarah's refusal to adhere to a single narrative, she potentially builds a better home for us all, a place to live that demands no fixity of self, no plague of consumerism, no bodily compromise, a place called Sarahland.

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Robert D. Denham has collected in these volumes the 266 letters, cards, and telegrams that Helen Kemp and Northrop Frye wrote to each other during the six periods when they were apart, from the winter of 1931-32 until the summer of 1939. The letters form a compelling narrative of their early relationship. They tell of a romance in which two people fall in love, want to get married, and are confronted with obstacles blocking their path, including lack of money and the education they both need to advance their careers. But the story is much more than a romance. The letters reveal Frye's early talent as a writer, illustrating that both the matter and the manner of his criticism had begun to take shape when he was only nineteen. Helen Kemp's expressiveness and intelligence come through clearly in her letters, which were only discovered in 1992. Kemp and Frye share their thoughts on literature, music, religion, politics, education, and a host of other topics. They discuss their alma mater, Victoria College; artists and musicians of Toronto; southwestern Saskatchewan, where Frye spent a summer as a pastor on a United Church circuit; Frye's hometown, Moncton, New Brunswick; and Kemp's neighbourhood on Fulton Avenue in Toronto. We travel with them around the world, from Ottawa to Rome. We see through their eyes the early years of the Co-operative Commonwealth Federation, the struggles of the United Church of Canada, the activities of the Student Christian Movement, the appeal of Communism, the rise of fascism, and the beginnings of art education in the galleries of Canada.

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Technical services departments are increasingly expected to do more with less, which means that finding a balance between meeting service demands and developing staff knowledge and skills is more challenging than ever. Today's next gen catalogs, changing cataloging rules, and diverse formats and delivery models demand that technical services professionals and paraprofessionals keep up with evolving best practices for the work they do. Fortunately, libraries can adopt methods such as Training Within Industry (TWI), lean management, and instructional design methodologies to develop a learning culture that continuously improves service delivery. Using case studies, this collection showcases a variety of creative and practical training development and organizational strategies that libraries and consortia have used to tackle issues related to skills gaps, remote work, student worker turnover, reorganizations, technology migrations, and more. You will learn about techniques for establishing a positive training and learning culture; project management tools and business methodologies such as a Deming approach and just-in-time training for continuous improvement and staff skill development; reactive and proactive approaches in the training program for the University of Nevada, Las Vegas Acquisitions Unit; how the University of Toronto Libraries (UTL) harnessed the power of remote work to undertake a library services platform migration during the pandemic; applying concepts from information literacy instruction to e-resources training; reinventing student worker training; collaborative initiatives such as cross-organizational learning through Community of Practice (CoP); assessing metadata competencies by transforming records for a multi-system migration in an academic library at a R1 research university; and how staff training and documentation eased a library system’s transition from Voyager to Alma.

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"...here’s eye candy on every page of the book." — Natural Diamonds This sumptuous book showcases the work of women jewellers in the 20th century. Beginning with Arts & Crafts jewellers in Britain, Europe and North America, the author then examines the key figures and movements of the pre-war period including Coco Chanel's legendary 'Bijoux de Diamants' exhibition of 1932, the designs of Suzanne Belperron and the roles of Jeanne Toussaint at Cartier and Renée Puissant at Van Cleef & Arpels. From the 1950s to the present day, a wide range of international designers are examined in detail with many examples of their work clearly illustrated. The author focuses on themes associated with jewellery, including colour, light, proportion, nature and legends. Among the many names included are Vivianna Torun Bülow-Hübe (designer for Georg Jensen), Margaret De Patta, Wendy Ramshaw, Angela Cummings, Paloma Picasso, Marina B, Lydia Courteille and Michelle Ong. Jewellery firms include: Boivin, Cartier, Van Cleef & Arpels, Bulgari, Jensen, Tiffany & Co. Designers featured: Alma Pihl, Coco Chanel, Suzanne Belperron, Juliette Moutard, Olga Tritt, Elisabeth Treskow, Margaret de Patta, Jeanne Toussaint, Line Vautrin, Margret Craver, Vivianna Torun Bülow-Hübe, Nanna Ditzel, Marianne Ostier, Barbara Anton, Gerda Flöckinger, Astrid Fog, Cornelia Roethel, Catherine Noll, Angela Cummings, Elsa Peretti, Wendy Ramshaw, Marina B, Marie-Caroline de Brosses, Marilyn Cooperman, Paloma Picasso, Victoire de Castellane, Alexandra Mor, Ornella Iannuzzi, Neha Dani, Paula Crevoshay, Nathalie Castro, Claire Choisne, Bina Goenka, Carla Amorim, Monique Péan, Michelle Ong - Carnet, Kara Ross, Lydia Courteille, Suzanne Syz, Sylvie Corbelin, Kaoru Kay Akihara - Gimel, Katey Brunini, Luz Camino, Cindy Chao, Aida Bergsen, Anna Hu, Barbara Heinrich, Jacqueline Cullen, Cynthia Bach.

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Fifteen years after the release of the first Mediator novel, #1 New York Times bestselling author Meg Cabot returns with a deliciously sexy new entry to a fan-favorite series. Suze Simon-all grown up and engaged to her once-ghostly soulmate-faces a vengeful spirit and an old enemy bent on ending Suze's wedded bliss before it begins. You can take the boy out of the darkness. But you can't take the darkness out of the boy. All Susannah Simon wants is to make a good impression at her first job since graduating from college (and since becoming engaged to Dr. Jesse de Silva). But when she's hired as a guidance counselor at her alma mater, she stumbles across a decade-old murder, and soon ancient history isn't all that's coming back to haunt her. Old ghosts as well as new ones are coming out of the woodwork, some to test her, some to vex her, and it isn't only because she's a mediator, gifted with second sight. From a sophomore haunted by the murderous specter of a child, to ghosts of a very different kind-including Paul Slater, Suze's ex, who shows up to make a bargain Suze is certain must have come from the Devil himself-Suze isn't sure she'll make it through the semester, let alone to her wedding night. Suze is used to striking first and asking questions later. But what happens when ghosts from her past-including one she found nearly impossible to resist-strike first? What happens when old ghosts come back to haunt you? If you're a mediator, you might have to kick a little ass.

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Shortlisted for the Orange Prize for Fiction 2006 and winner of the 2006 Prix du Meilleur Livre Étranger, The History of Love by bestselling author Nicole Krauss explores the lasting power of the written word and the lasting power of love. 'When I was born my mother named me after every girl in a book my father gave her called The History of Love. . . 'Fourteen-year-old Alma Singer is trying to find a cure for her mother's loneliness. Believing she might discover it in an old book her mother is lovingly translating, she sets out in search of its author.Across New York an old man called Leo Gursky is trying to survive a little bit longer. He spends his days dreaming of the love lost that sixty years ago in Poland inspired him to write a book. And although he doesn't know it yet, that book also survived: crossing oceans and generations, and changing lives. . . 'Wonderfully affecting...brilliant, touching and remarkably poised' Sunday Telegraph'A tender tribute to human valiance. Who could be unmoved by a cast of characters whose daily battles are etched on out mind in such diamond-cut prose?' Independent on Sunday'Devastating...one of the most passionate vindications of the written word in recent fiction. It takes one's breath away' Spectator Nicole Krauss is an American bestselling author who has received international critical acclaim for her first three novels: Great House (shortlisted for the Orange Prize for Fiction 2011), The History of Love and Man Walks into a Room (shortlisted for the LA Times Book Award), all of which are available in Penguin paperback.

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How Franz Schubert and his compositions were viewed in nineteenth-century European criticism, literature, and the visual arts, from Schumann to George Eliot to Whistler. In Schubert in the European Imagination, Volume 1: The Romantic and Victorian Eras, Scott Messing examines the historical reception of Franz Schubert as conveyed through the gendered imagery and language of nineteenth- and early twentieth-century European culture. The concept of Schubert as a feminine type vaulted into prominence in 1838 when Robert Schumann described the composer's Mädchencharakter ("girlish" character), by contrast to the purportedly more masculine, more heroic Beethoven. What attracted Schumann to Schubert's music and marked it as feminine is evident in some of Schumann's own works that echo those of Schubert's in intriguing ways. Schubert's supposedly feminine quality acted upon the popular consciousness also through the writers and artists -- in German-speaking Europe but also in France and England -- whose fictional characters perform and hear Schubert'smusic. The figures discussed include Musset, Sand, Nerval, Maupassant, George Eliot, Henry James, Beardsley, Whistler, Storm, Fontane, and Heinrich and Thomas Mann. Over time, Schubert's stature became inextricably entwinedwith concepts of the distinct social roles of men and women, especially in domestic settings. For a composer whose reputation was principally founded upon musical genres that both the public and professionals construed as most suitable for private performance, the lure to locate Schubert within domestic spaces and to attach to him the attributes of its female occupants must have been irresistible. The story told is not without its complications, as this book reveals in an analysis of the response to Schubert in England, where the composer's eminence was questioned by critics whose arguments sometimes hinged on the more problematic aspects of gender in Victorian culture. Scott Messing is Charles A. Dana Professor of Music at Alma College, and author of Neoclassicism in Music (University of Rochester Press, 1996).

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In Alma Lopez’s digital print Lupe & Sirena in Love (1999), two icons—the Virgin of Guadalupe and the mermaid Sirena, who often appears on Mexican lottery cards—embrace one another, symbolically claiming a place for same-sex desire within Mexican and Chicano/a religious and popular cultures. Ester Hernandez’s 1976 etching Libertad/Liberty depicts a female artist chiseling away at the Statue of Liberty, freeing from within it a regal Mayan woman and, in the process, creating a culturally composite Lady Liberty descended from indigenous and mixed bloodlines. In her painting Coyolxauhqui Last Seen in East Oakland (1993), Irene Perez reimagines as whole the body of the Aztec warrior goddess dismembered in myth. These pieces are part of the dynamic body of work presented in this pioneering, lavishly illustrated study, the first book primarily focused on Chicana visual arts.Creating an invaluable archive, Laura E. Pérez examines the work of more than forty Chicana artists across a variety of media including painting, printmaking, sculpture, performance, photography, film and video, comics, sound recording, interactive CD-ROM, altars and other installation forms, and fiction, poetry, and plays. While key works from the 1960s and 1970s are discussed, most of the pieces considered were produced between 1985 and 2001. Providing a rich interpretive framework, Pérez describes how Chicana artists invoke a culturally hybrid spirituality to challenge racism, bigotry, patriarchy, and homophobia. They make use of, and often radically rework, pre-Columbian Mesoamerican and other non-Western notions of art and art-making, and they struggle to create liberating versions of familiar iconography such as the Virgin of Guadalupe and the Sacred Heart. Filled with representations of spirituality and allusions to non-Western visual and cultural traditions, the work of these Chicana artists is a vital contribution to a more inclusive canon of American arts.

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The untold story of the founding father’s likely Jewish birth and upbringing—and its revolutionary consequences for understanding him and the nation he fought to create In The Jewish World of Alexander Hamilton, Andrew Porwancher debunks a string of myths about the origins of this founding father to arrive at a startling conclusion: Hamilton, in all likelihood, was born and raised Jewish. For more than two centuries, his youth in the Caribbean has remained shrouded in mystery. Hamilton himself wanted it that way, and most biographers have simply assumed he had a Christian boyhood. With a detective’s persistence and a historian’s rigor, Porwancher upends that assumption and revolutionizes our understanding of an American icon.This radical reassessment of Hamilton’s religious upbringing gives us a fresh perspective on both his adult years and the country he helped forge. Although he didn’t identify as a Jew in America, Hamilton cultivated a relationship with the Jewish community that made him unique among the founders. As a lawyer, he advocated for Jewish citizens in court. As a financial visionary, he invigorated sectors of the economy that gave Jews their greatest opportunities. As an alumnus of Columbia, he made his alma mater more welcoming to Jewish people. And his efforts are all the more striking given the pernicious antisemitism of the era. In a new nation torn between democratic promises and discriminatory practices, Hamilton fought for a republic in which Jew and Gentile would stand as equals.By setting Hamilton in the context of his Jewish world for the first time, this fascinating book challenges us to rethink the life and legend of America's most enigmatic founder.

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This beautifully illustrated and inspiring atlas for fashion designers and fashionistas reveals the structure, characteristics and materials of contemporary garments for women and men. A handbook for clothing designers, stylists and fashionistas, this dashing publication uses beautiful illustrations and drawings to highlight the design and key details of various forms of contemporary clothing, such as coats, jackets, shirts, tops, blouses, dresses, trousers, shorts and skirts. Traditional and contemporary materials, colours and textures for different styles are also listed. This atlas will help designers in their work, no matter which creative method of costume design they choose: inversion, analogy, empathy, fantasy, creating new combinations and problem-solving. It is meant to be a source of inspiration and a useful tool for artists and designers working with clothing, and will be of interest to anyone who is passionate about fashion and style. AUTHOR: Marina Madzhugina graduated from the Institute of Design and Technology at Omsk State Technical University (Russia) with a degree in costume design. She has worked at her alma mater since 2013, teaching students who want to become stylists and image-makers. She is the winner of the Fashion Formula Competition (Omsk), the Local Style Competition for Young Fashion Designers (Voronezh) and the Russian Silhouette Contest (Sochi, Moscow). Over her career, she has developed a unique method to compile a basic assortment of clothing, which became the basis for this atlas. SELLING POINTS: . A captivatingly-illustrated handbook which playfully reveals the structure and characteristics of contemporary clothing . A useful tool for fashion illustrators, fashion lovers, and designers working with clothing . An essential guide to the most distinguishable features of each piece of contemporary clothing 300 colour illustrations

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Cómo trabajar con los centros de los chakras para sanar heridas psíquicas no resueltas• Revela cómo las heridas psíquicas se alojan en el cuerpo energético• Relaciona las etapas clave de desarrollo con un chakra principal• Proporciona una guía detallada para sanar y limpiar las tensiones que se alojan en cada chakraEl sistema de chakras identifica ocho centros en la psicoanatomía de los seres humanos, cada uno asociado con una parte diferente del cuerpo físico o energético. Susan J. Wright, una chamana activa y psicoterapeuta Gestalt, utiliza su propio viaje por la vida para mostrar que cada chakra también está ligado a una etapa diferente del desarrollo emocional y espiritual. En Chakras en la práctica chamánica, ella identifica ocho etapas claves de desarrollo de la vida, del nacimiento hasta la vejez/muerte. Cada una de estas etapas de la vida tiene varios retos de desarrollo y potenciales eventos traumáticos que pueden ocurrir dentro de nuestra cultura y afectar la salud y bienestar del individuo. Wright explica que los traumas de la vida experimentados en etapas particulares de desarrollo llegan a estar clavados dentro del cuerpo energético cuando se aferran a su chakra correspondiente. Al identificar y trabajar con el chakra involucrado, se puede abrir un portal a un mundo de imágenes transformadoras, permitiendo que técnicas chamánicas poderosas curen estas heridas psíquicas. Además de ejercicios físicos y meditaciones guiadas que utilizan las técnicas de la recuperación del alma, trabajo con animales de poder y formas de trascender el trauma, Wright ofrece a los practicantes una manera de recoger y nutrir las partes fragmentadas de su cuerpo energético y de guiarse hacia el bienestar físico, emocional y espiritual.

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Become the applicant Google can't turn down Cracking the Tech Career is the job seeker's guide to landing a coveted position at one of the top tech firms. A follow-up to The Google Resume, this book provides new information on what these companies want, and how to show them you have what it takes to succeed in the role. Early planners will learn what to study, and established professionals will discover how to make their skillset and experience set them apart from the crowd. Author Gayle Laakmann McDowell worked in engineering at Google, and interviewed over 120 candidates as a member of the hiring committee – in this book, she shares her perspectives on what works and what doesn't, what makes you desirable, and what gets your resume saved or deleted. Apple, Microsoft, and Google are the coveted companies in the current job market. They field hundreds of resumes every day, and have their pick of the cream of the crop when it comes to selecting new hires. If you think the right alma mater is all it takes, you need to update your thinking. Top companies, especially in the tech sector, are looking for more. This book is the complete guide to becoming the candidate they just cannot turn away. Discover the career paths that run through the top tech firms Learn how to craft the prefect resume and prepare for the interview Find ways to make yourself stand out from the hordes of other applicants Understand what the top companies are looking for, and how to demonstrate that you're it These companies need certain skillsets, but they also want a great culture fit. Grades aren't everything, experience matters, and a certain type of applicant tends to succeed. Cracking the Tech Career reveals what the hiring committee wants, and shows you how to get it.

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'With The Fetishist, Min has left the world something original and highly potent' INDEPENDENT'Savage, horrible and very funny' i-D MAGAZINE'Katherine Min is a singular, wildly talented voice and this is a trailblazing novel' Sharlene Teo'The Fetishist is a wild, darkly funny ride' THE I'Fiercely intelligent, perfectly crafted, and brimming with wit' Lisa KoA provocative, hilariously savage, and poignant novel by acclaimed author Katherine Min, to be published posthumously, about a daughter's revenge on the man whom she believes drove her mother to her death . . . and nothing goes as planned. The rain has made everything cold and damp, and it's the perfect evening for Kyoko to exact her revenge. After years of rage and grief over her mother's death, Kyoko has decided who is to blame: a man named Daniel, a fellow violinist who had wooed her mother, Emi, during their time together in an orchestra, and then dropped her - driving her to her death. Kyoko follows the unsuspecting Daniel home and manages to get her rash kidnapping plot off the ground . . . and really, what could go wrong? The Fetishist is the story of three people - Kyoko, a young singer in a punk band who cannot find enough ways to channel her angry sorrow; Daniel, a seemingly hapless man who finally faces the wreckage of his past; and Alma, the love of Daniel's life, long adored for her beauty and talent, but who spends her final days examining if she was ever, truly, loved. It's a beautiful, piercing and timely story that confronts race, ideals of femininity, complicity and visibility. Written and completed before the celebrated author's death in 2019, it's startlingly relevant and prescient, as wise and powerful as it is utterly moving.

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'Prepare to be dazzled' Alma Katsu, author of The Hunger'Fresh and original' Louisa Morgan, author of A Secret History of Witches Four lives, one woman, a star-crossed love . . .In 1895, sixteen-year-old Juliet begins a passionate, doomed romance with a married artist.In 1932, aspiring actress Nora escapes New York for the bright lights of Hollywood and a new chance at love.In 1970, Californian musician Sandra's secret love affair threatens to tear her band apart.And in 2012, Helen is starting to remember the tragic details of lives that never belonged to her.Bound to her lover in 1895, and trapped by his side ever since, Helen has lived through multiple lifetimes, under different names, never escaping her tragic endings. Only this time, she might finally have the power to break the cycle . . .Absorbing, magical and hard to put down, A Witch in Time is a heartbreakingly beautiful story about a death-defying love, a time trapping curse and the power of destiny. Perfect for fans of The Invisible Life of Addie LaRue and A Secret History of Witches.'[I] loved A Witch in Time by Constance Sayers! Perfect combo of historic locales (Paris to Los Angeles), artists (painters to 1970s rockers), and cool witchery to tie them together' Jay Asher, No. 1 New York Times bestselling author'A captivating tapestry of a tale' Gwendolyn Womack, bestselling author of The Fortune Teller'Sayers weaves a spell of love, lust and magic to create a page-turner like no other' Steph Post, author of Miraculum'Fans of Deborah Harkness will devour this page-turning tale of love, reincarnation, and dark magic. A highly unique and enjoyable read!' Hester Fox, author of The Witch of Willow Hall

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Normal0falsefalsefalseEN-USX-NONEX-NONEEL PÁNICO SE APODERÓ DE BRIAN JOHNSON cuando Él estaba afuera con su hijo, y se aferrÓ a Él en su frenÉtico camino a casa. SintiÉndose fuera de sÍ mismo, su familia llamÓ al 911. Brian estaba dando vueltas en la oscuridad. Él reuniÓ a su familia a su alrededor, le pidiÓ a sus hijos que oraran por Él, y luego dijo: “Ahora es cuando Dios se vuelve real”. En su primer libro, Brian comparte cÓmo en su vida temprana el pÁnico y la ansiedad venÍan a atormentarlo. DespuÉs de experimentar debilitantes ataques de ansiedad, Brian aprendiÓ a utilizar la alabanza y la adoraciÓn para introducir la presencia de Dios y pelear contra el pÁnico. A mediados de sus treintas, Brian habÍa construido, junto con su esposa una marca musical exitosa y habÍa escrito canciones y Álbumes ganadores de premios. Él se encontraba en la cima del Éxito, y desde todas las apariencias, las cosas estaban mejor que nunca. Sin embargo, en medio de todo ese Éxito, la ansiedad volviÓ y jalÓ a Brian dentro de una espiral decadente de caos y oscuridad. Al aÑo siguiente, Brian llegÓ a experimentar la libertad insuperable que sucede cuando Dios se vuelve real en nuestras vidas. Sea que hayamos luchado o no, contra el pÁnico y la ansiedad, hemos experimentado una temporada oscura del alma. Como Brian, nos hemos encontrado atrapados en nuestro propio dolor, y en nuestra desesperaciÓn le hemos rogado a Dios por alivio. Pero, ¿cÓmo encontramos ese alivio y encontramos a Dios? En Cuando Dios se Vuelve Real, Brian comparte su historia vulnerable de superar el pÁnico y la ansiedad. Descubre cÓmo tÚ tambiÉn puedes encontrar a Dios incluso en tu hora mÁs oscura.Normal0falsefalsefalseEN-USX-NONEX-NONE

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Essays on teaching comedy in literature, writing, theater, and cultural studies courses.From Shakespeare to The Simpsons, comedy has long provided both entertainment and social commentary. It may critique cultural values, undermine authority, satirize sacred beliefs, and make room for the marginalized to approach the center. Comedy can be challenging to teach, but in the classroom it can help students connect with one another, develop critical thinking skills, and engage with important issues.The essays in this volume address a rich variety of texts spanning film, television, stand-up, cartoons, and memes as well as conventional literary works from different places and times. Contributors offer theoretical foundations and practical methods for a broad range of courses, including guidance on contextualizing the humor of historical works and navigating the ways that comedy can both subvert and reinforce stereotypes. Finally, the volume argues for the value of comedy in difficult times, as a way to create community and meaning.This volume contains discussion of fiction, poetry, plays, and essays by Maya Angelou, Jane Austen, Aphra Behn, Hugh Henry Brackenridge, Frances Burney, Charles W. Chesnutt, Roddy Doyle, Maria Edgeworth, Ben Jonson, Anita Loos, Emtithal Mahmoud, Thomas Middleton, Okot p'Bitek, William Shakespeare, Laurence Sterne, Jonathan Swift, Alma Villanueva, Paula Vogel, Oscar Wilde, John Wilmot, and William Wycherley; TV shows and films including Crazy Ex-Girlfriend, The Gold Rush, Life Is Beautiful, The Marvelous Mrs. Maisel, The Office, Office Space, Rick and Morty, and South Park; works and stand-up performances by Aziz Ansari, Samantha Bee, Dave Chappelle, Louis C.K., Tina Fey, Moms Mabley, Hasan Minhaj, Eddie Murphy, Trevor Noah, Richard Pryor, Issa Rae, and Wanda Sykes; and visual works and other media including Aaron McGruder's The Boondocks, Bill Watterson's Calvin and Hobbes, Nick Sousanis's Unflattening, Marvel's Hawkeye, The Onion, YouTube videos, advertisements, and memes.

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Was ist unter narrativer Therapie und weitergehend narrativer Praxis zu verstehen? Welche konzeptionellen und methodischen Weiter- und Neuentwicklungen hat sie in den letzten Jahren erfahren? Wie kann in verschiedensten Kontexten und Settings narrativ gearbeitet werden, welche Impulse für schulenübergreifendes, beraterisches und therapeutisches Tun ergeben sich daraus? Dieses umfassende Handbuch informiert fundiert und facettenreich über Begrifflichkeiten und theoretische Hintergründe, vor allem aber über die Praxis narrativen Vorgehens in psychosozialen und organisationsbezogenen Arbeitsfeldern. Aus der narrativen Therapie von White und Epston, der Philosophie von Deleuze und Braidotti und aus anderen Quellen gespeist steuern mehr als 45 Autorinnen und Autoren von nationalem und internationalem Rang eine große Bandbreite an neuen kreativen Arbeitsansätzen bei, untermauern narratives Verständnis mit theoretischen Grundlagentexten, präsentieren aktuelle Ergebnisse narrativer Forschung und geben sozialkritischen Perspektiven Raum. Dieses Handbuch eröffnet therapeutisch, beraterisch und wissenschaftlich Tätigen in Zeiten des ständigen gesellschaftspolitischen Wandels eine Vielfalt neuer Denk- und Handlungsmöglichkeiten. Mit Beiträgen von: Chimamanda Ngozi Adichie, Brigitte Boothe, Maria Borcsa, Britta Boyd, Rudi Dallos, Dan Dulberger, Sol D’Urso, David Epston, Simon Forstmeier, Thomas Friedrich-Hett, Katarzyma Gdowska, Alma R. Galván-Durán, Deliana Garcia, Julia Hille, Peter Jakob, Milena Kansy, Mathias Klasen, Thomas Klatetzki, Heiko Kleve, Tobias Köllner, Tom Levold, Gabriele Lucius-Hoene, Elisabeth Christa Markert, Afiya Mangum Mbilishaka, Jan Müller, Michael Müller, Jan Olthof, Meinolf Peters, Peter Rober, Tom Rüsen, Carl Eduard Scheidt, Thomas Schollas, Jasmina Sermijn, Monica Sesma, Claudia Schiffmann, Heidrun Schulze, Sally St. George, Jürgen Straub, Arist von Schlippe, Sabine Trautmann-Voigt, Arlene Vetere, Gerhard Walter, Kaethe Weingarten, Dietmar J. Wetzel, Jim Wilson, Dan Wulff. Die Beiträge von David Epston, Jan Olthof und Peter Jakob, Dan Wulff et al., Peter Rober, Jim Wilson (Wie man Bilder für therapeutische Geschichten mit Kindern findet), Rudi Dallos und Arlene Vetere, Kaethe Weingarten et al. sowie Afiya Mangum Mbilishaka wurden von Astrid Hildenbrand aus dem Englischen übersetzt.

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What if the goddess Athena, who sprang fully-grown from Zeus's head and denied she had a mother, became aware of the compelling existence of her other parent? What if she discovered that her mother, Metis-first wife of Zeus and "wiser than all gods and mortal men," according to Hesiod-was swallowed by her father and continued to impart her wisdom to him from inside his belly? Recent Spanish novels by women parallel this hypothetical situation based on Greek myth by featuring female protagonists who obsessively re-examine the lives of their mothers, seeking to know and understand them. In Mother and Myth in Spanish Novels, Sandra J. Schumm examines six narratives by Spanish authors published since 2000 that focus on a daughter's search to know more about her matriarchal heritage: Carme Riera's La mitad del alma, Lucía Etxebarria's Un milagro en equilibrio, Rosa Montero's El corazón del tártaro, Cristina Cerezales's De oca a oca, María de la Pau Janer's Las mujeres que hay en mí, and Soledad Purtolas's Historia de un abrigo. In each of these novels, the protagonist realizes that failure to integrate the loss of her mother into her life results in the inability to define her self. Without valorization of the maternal subject, the legacy of the daughter is at risk-she is also objectified and swallowed-and the whole society suffers. The daughters' attention to their mothers in these novels is as if Athena had finally recognized that her mother, Metis, had been ingested by Zeus. The myth of Metis and Athena becomes a metaphor of the daughter's quest toward wholeness and individuation in these works; she begins to understand that her maternal legacy is a source of wisdom that has been obscured. These novels by Spanish women strengthen the mother's voice, rescue her from anonymity, and rewrite the matriarchal archetype.

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JACK LARK: SOLDIER, LEADER, IMPOSTER.The second book in the enthralling military adventure series for fans of Bernard Cornwell, Anthony Riches and Matthew Harffy. 'Brilliant' Bernard Cornwell 'Jack Lark is an unforgettable new hero' Anthony Riches 'Page-turning adventure, a hero with issues yet who's likable, and antagonists you will love to hate... It was hard to put down and a real pleasure to read' Historical Novel SocietyJack Lark barely survived the Battle of the Alma. As the brutal fight raged, he discovered the true duty that came with the officer's commission he'd taken. In hospital, wounded, and with his stolen life left lying on the battlefield, he grasps a chance to prove himself a leader once more. Poor Captain Danbury is dead, but Jack will travel to his new regiment in India, under his name. Jack soon finds more enemies, but this time they're on his own side. Exposed as a fraud, he's rescued by the chaplain's beautiful daughter, who has her own reasons to escape. They seek desperate refuge with the Maharajah of Sawadh, the charismatic leader whom the British Army must subdue. He sees Jack as a curiosity, but recognises a fellow military mind. In return for his safety, Jack must train the very army the British may soon have to fight...THE MAHARAJAH'S GENERAL: JACK LARK BOOK 2 ⭐⭐⭐⭐⭐ READERS CAN'T GET ENOUGH OF JACK LARK: 'Quite simply do yourself a favour and read these books' 'Everything you need in an historical military novel. Intrigue, deception, the horror of combat, revenge...' 'Jack Lark is a hero I'll happily follow' 'Filled with twists and memorable, larger than life characters' 'A delicately balanced formula that is mixed to perfection'

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The acclaimed overview of Black abstract art, now in an expanded edition with nearly 100 additional color plates The Joyner/Giuffrida Collection of Abstract Art is widely recognized as one of the most significant collections of modern and contemporary work by artists of the African diaspora and from the continent of Africa itself. Four Generations: The Joyner/Giuffrida Collection of Abstract Art draws upon the collection's unparalleled holdings to explore the critical contributions made by Black artists to the evolution of visual art in the 20th and 21st centuries. This revised and expanded edition updates Four Generations with several new texts and nearly 100 images of works that have been added to the collection since the initial publication of this influential and widely praised book. Lavishly illustrated and featuring important contributions by leading art historians, critics, and curators, Four Generations gives an essential overview of some of the most notable Black artists and movements of the past century, and their approaches to abstraction in its various forms. Filled with countless insights and visual treasures, Four Generations is a journey through the momentous legacy of postwar art of the African diaspora. Artists include: Firelei Báez, Romare Bearden, Kevin Beasley, Zander Blom, Mark Bradford, Leonardo Drew, Sam Gilliam, David Hammons, Isaac Julien, Jacob Lawrence, Norman Lewis, Glenn Ligon, Julie Mehretu, Oscar Murillo, Christina Quarles, Robin Rhode, Lorna Simpson, Shinique Smith, Alma Thomas, Kara Walker, Jack Whitten, Lynette Yiadom-Boakye and many others. Rarely is a monograph on a private collection as revelatory as this—what an extraordinary, rich body of work is packed into these pages. The achievements of the artists, as well as their conceptual and formal daring, leave no doubt that a new page on American art is about to be opened." –Okwui Enwezor

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In spring 2014 Peggy Kokernot Kaplan, a former Trinity University athlete and cofounder of the women’s track team, emailed her alma mater’s athletic department asking the school to post statistics from the team’s 1975 season. It’s no surprise that they couldn’t fulfill her request, for Trinity had sparse records from the 1970s—not just for track and field but for most performances by female athletes before 1991, when the school joined a NCAA Division III conference. What started as a humble email request nearly a decade ago has culminated in From the Sidelines to the Headlines: The Legacy of Women's Sports at Trinity University, an expansive book aimed at filling in the gaps in coverage of half a century of women’s intercollegiate sports. Former Trinity athlete Betsy Gerhardt Pasley and historian Doug Brackenridge, along with other members of the Trinity community, have collected hundreds of long-forgotten documents and conducted dozens of interviews with former students, coaches, and administrators to tell the fascinating, multifaceted story of women’s sports at this liberal arts school in San Antonio, Texas.While the book focuses primarily on the post–Title IX years between 1972 and 1999, its scope extends to Trinity’s founding in 1869, illuminating the century-long evolution of women in competitive sports, at Trinity and elsewhere, before Title IX. The story, told alongside the cultural shifts that formed the social and athletic context for female athletes of the day, also documents the decision Trinity and other institutions of higher learning faced after Title IX: Should they adhere to a commercial model, in which a focus on athletics often overshadowed academics, or strive for a more balanced student-athlete, nonscholarship model? Trinity chose the latter and has decades of national championships and academic accolades to show for it.

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Finalist for the Nero Award!“He's one of my very favorites: a novelist whose champagne-fizzy mysteries—as winning as the madcap adventures of Carl Hiaasen, as hilarious as Janet Evanovich's Stephanie Plum series—tickle the brain, heart, and funny bone in equal measure.” –A.J. Finn, New York Times bestselling author of Woman in the WindowIn the next novel in David Handler’s Edgar award-winning series, Stewart “Hoagy” Hoag and his beloved basset hound, Lulu, investigate a murder in a fabled Connecticut summer playhouse.Hollywood ghostwriter Stewart “Hoagy” Hoag has chronicled the rise, fall, and triumphant return of many a celebrity. At last he’s enjoying his own, very welcome second act. After hitting a creative slump following the success of his debut novel, Hoagy has found inspiration again. Ensconced with his faithful but cowardly basset hound, Lulu, on a Connecticut farm belonging to his ex-wife, Oscar-winning actress Merilee Nash, he’s busy working on a new novel. He’s even holding out hope that he and Merilee might get together again. Life is simple and fulfilling—which of course means it’s time for complications to set in….When the police call to ask if he knows the whereabouts of a man named R.J. Romero, Hoagy learns of a dark secret from his ex-wife’s past. It’s already a stressful time for Merilee, who’s directing a gala benefit production of Private Lives to rescue the famed but dilapidated Sherbourne Playhouse, where the likes of Katherine Hepburn, Marlon Brando and Merilee herself made their professional stage debuts. Her reputation, as well as the playhouse’s future, is at stake. The cast features three of Merilee’s equally famous Oscar-winning classmates from the Yale School of Drama. But it turns out that there’s more linking them to each other—and to their fellow Yale alum, R.J.—than their alma mater. When one of the cast is found murdered, it will take Hoagy’s sleuthing skills and Lulu’s infallible nose to sniff out the truth…before someone else faces the final curtain call.

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A colossal, panoramic, much-needed appraisal of the visual cultures of Afro-Atlantic territories across six centuries Named one of the best books of 2021 by Artforum Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories—their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories and cultures. The plural and polyphonic quality of “histórias” is also of note; unlike the English “histories,” the word in Portuguese carries a double meaning that encompasses both fiction and nonfiction, personal, political, economic and cultural, as well as mythological narratives. The book features more than 400 works from Africa, the Americas and the Caribbean, as well as Europe, from the 16th to the 21st century. These are organized in eight thematic groupings: Maps and Margins; Emancipations; Everyday Lives; Rites and Rhythms; Routes and Trances; Portraits; Afro Atlantic Modernisms; Resistances and Activism. Artists include: Nina Chanel Abney, Emma Amos, Benny Andrews, Emanoel Araujo, Maria Auxiliadora, Romare Bearden, John Biggers, Paul Cézanne, Victoria Santa Cruz, Beauford Delaney, Aaron Douglas, Melvin Edwards, Ibrahim El-Salahi, Ben Enwonwu, Ellen Gallagher, Theodore Géricault, Barkley Hendricks, William Henry Jones, Loïs Mailou Jones, Titus Kaphar, Wifredo Lam, Norman Lewis, Ibrahim Mahama, Edna Manley, Archibald Motley, Abdias Nascimento, Gilberto de la Nuez, Toyin Ojih Odutola, Dalton Paula, Rosana Paulino, Howardena Pindell, Heitor dos Prazeres, Joshua Reynolds, Faith Ringgold, Gerard Sekoto, Alma Thomas, Hank Willis Thomas, Rubem Valentim, Kara Walker and Lynette Yiadom-Boakye.

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In this provocative examination of collective identity in Jordan, Linda Layne challenges long-held Western assumptions that Arabs belong to easily recognizable corporate social groups. Who is a "true" Jordanian? Who is a "true" Bedouin? These questions, according to Layne, are examples of a kind of pigeonholing that has distorted the reality of Jordanian national politics. In developing an alternate approach, she shows that the fluid social identities of Jordan emerge from an ongoing dialogue among tribespeople, members of the intelligentsia Hashemite rulers, and Western social scientists.Many commentators on social identity in the Middle East limit their studies to the village level, but Layne's goal is to discover how the identity-building processes of the locality and of the nation condition each other. She finds that the tribes creates their own cultural "homes" through a dialogue with official nationalist rhetoric and Jordanian urbanites, while King Hussein, in turn, maintains the idea of the "homeland" in many ways that are powerfully influenced by the tribespeople. The identities so formed resemble the shifting, irregular shapes of postmodernist landscapes—but Hussein and the Jordanian people are also beginning to use a classically modernist linear narrative to describe themselves. Layne maintains, however, that even with this change Jordanian identities will remain resistant to all-or-nothing descriptions.Linda L. Layne is Alma and H. Erwin Hale Teaching Professor of Humanities and Social Sciences in the Department of Science and Technology Studies at Rensselaer Polytechnic Institute.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The Lindsays of Balcarres began with the rediscovery of some dusty photograph albums at the home of the author’s late father in Fife. The wealth of images within, unexplored for over eighty years, provided the perfect way to present the fascinating untold stories of the people who had been brought up at Balcarres. The Lindsay family, which traces its roots back to the time of Charlemagne, almost lost everything after siding with the Stuarts for two hundred years, but fortunate marriages, colonial endeavours and the industrial revolution enabled them to create a new fortune and in 1848 successfully reclaim their position as the Premier Earls of Scotland. This renewal coincided with the birth of photography in the 1840s, which encouraged the family to capture moments of their leisure pursuits and other enthusiasms and the part they played in the events of their time. The collection also serves as a social history, recording the rapidly changing industries they were involved in and the relationships with their staff on which their way of life depended. The reader will encounter a gallery of colourful characters, including Elizabeth Lindsay, who married the 3rd Earl of Hardwicke in 1782 and became Vicereine of Ireland; her great-nephew, Robert, who joined the Guards at the outbreak of the Crimean War and carried the Queen’s Colours to the heights of Alma, earning him the first of two citations for the Victoria Cross; and his brother-in-law, Alexander, the 25th Earl of Crawford and his polymath son Ludovic, who together rebuilt the family library, Bibliotheca Lindesiana, into one of the world’s finest. Some of the earliest daguerreotypes in the family archive point to the enduring affinity that would develop between photography and the country house. It was the perfect medium for a family so deeply involved in both fine art and the latest technology. Ludovic Lindsay’s painstaking restoration of these remarkable family photographs and archival research mean that a chronicle of his forebears’ lives, told through over three hundred hitherto unpublished images, is for the first time possible.

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In this provocative examination of collective identity in Jordan, Linda Layne challenges long-held Western assumptions that Arabs belong to easily recognizable corporate social groups. Who is a "true" Jordanian? Who is a "true" Bedouin? These questions, according to Layne, are examples of a kind of pigeonholing that has distorted the reality of Jordanian national politics. In developing an alternate approach, she shows that the fluid social identities of Jordan emerge from an ongoing dialogue among tribespeople, members of the intelligentsia Hashemite rulers, and Western social scientists.Many commentators on social identity in the Middle East limit their studies to the village level, but Layne's goal is to discover how the identity-building processes of the locality and of the nation condition each other. She finds that the tribes creates their own cultural "homes" through a dialogue with official nationalist rhetoric and Jordanian urbanites, while King Hussein, in turn, maintains the idea of the "homeland" in many ways that are powerfully influenced by the tribespeople. The identities so formed resemble the shifting, irregular shapes of postmodernist landscapes—but Hussein and the Jordanian people are also beginning to use a classically modernist linear narrative to describe themselves. Layne maintains, however, that even with this change Jordanian identities will remain resistant to all-or-nothing descriptions.Linda L. Layne is Alma and H. Erwin Hale Teaching Professor of Humanities and Social Sciences in the Department of Science and Technology Studies at Rensselaer Polytechnic Institute.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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When the excavations at Pompeii were first placed on a scholarly archaeological footing in the 19th century, brothers Fausto and Felice Niccolini were close at hand and ready to respond. Making use of the newly introduced technique of color lithography, they documented the buildings, frescos, statues, as well as the most ordinary everyday objects, of the city buried in just 24 hours by the catastrophic eruption of Vesuvius and preserved for over 1,600 years under a mantle of volcanic ash. The Niccolinis’ goal was to illustrate all aspects of life in the antique city. Their publication, Le case ed i monumenti di Pompei (“The Houses and Monuments of Pompeii”), which was issued in installments between 1854 and 1896 in Naples, presented over 400 color plates providing not only views, maps, and groundplans of the city and its public buildings, but also offered unprecedented access to Pompeii’s private residences. They revealed the astonishing painted wall decorations that adorned these long-buried abodes, their intricate works of art, and the practical utensils of everyday use, conjuring up a vivid picture of each house as a real domestic space. In total, the plates illustrated more than 1,000 items, each extensively specified and located for the first time, making the publication a major reference in Pompeii research. In addition, “animated” representations visualized daily life in Pompeii’s workshops, taverns, and shops, on its public squares, and in its temples, theaters, and baths. This meticulous facsimile revives the Niccolinis’ extraordinary achievement with all color plates and two introductory essays setting the project in its contemporary context and presenting the historical protagonists of the Vesuvian excavations. In addition, we explore the remarkable influence exerted by Pompeian art—and by the haunting plaster casts made of victims of the eruption—on the visual arts. Across painting, sculpture, and interior design, we trace the Pompeii legacy in the work of Robert Adam, Anton Raphael Mengs, Angelika Kaufmann, Jean-Auguste-Dominique Ingres, Lawrence Alma-Tadema, Pablo Picasso, and Giorgio de Chirico, right through to recent masters Duane Hanson and George Segal.

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The literature on modernist and postmodernist urban development is abundant, yet few researchers have taken up the challenge of studying the areas hi which marginalized people live as sources of resistance to continued modernization. In Marginal Spaces, Michael Smith has assembled case studies combining structural and historical analyses of the moves of powerful social interests to dominate social space, and the tactics and strategies various marginalized social groups employ to reclaim dominated space for their own use. The marginal spaces embodied in the title of this fifth volume of the Comparative Urban and Community Research series include five sites of domination and resistance. A squatters' movement in Ann Arbor, Michigan, resists the adverse consequences of four decades of urban development. A homeless encampment in Chicago engages hi "guerilla architecture" and other moves designed to reconstitute prevailing social constructions of the problem of "homelessness." An antigentrification movement hi the East Village of New York engages hi an ongoing struggle to resist efforts by developers to market their neighborhood as space for luxury condominium development. There is a Public Housing Council organized by African American women hi New Orleans that is resisting both the material regulation of their daily lives and the dominant social construction of public housing as a racially gendered space suitable only for "dependent" women and children of color. Finally, there is a subordinate labor market niche hi California agriculture where indigenous Mixtec peasants from Oaxaca are displacing the more traditional mestizo farm workers, but who are also politically organizing as a transnational grassroots movement, pursuing a binational strategy to alleviate then- economic, political, and cultural marginality. Contributions and contributors include: "House People, Not Cars!" by Corey Dolgon, Michael Kline, and Laura Dresser; "Tranquillity City" by Tahnadge Wright; "Private Redevelopment and the Changing Forms of Displacement hi the East Village of New York" by Christopher Mele; "Resisting Racially Gendered Space" by Alma Young and Jyaphia Christos-Rodgers; and "Mixtecs and Mestizos hi California Agriculture" by Carol Zabin. This volume will be of interest to urban planners, sociologists, and political scientists, especially those with strong interests hi local ethnography and concrete policy.

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A dazzling new spy thriller about a female CIA agent whose extraordinary powers lead her into the dangerous heart of the collapsing Soviet Union – and the path of a killer that shouldn't exist. Minsk, 1990. The Soviet Union is crumbling. The scavengers and predators are gathering, eager to pick the meat off the bones of a dying empire. THE SPY: Melvina Donleavy is part of a US trade delegation... and on her first undercover mission with the CIA. Mel has a secret skill: she is a 'super recognizer', someone who never forgets a face. She is the CIA's early warning system, on watch for hostile agents trying to extract fissionable materials from the moribund USSR. THE SERIAL KILLER: On the streets of Minsk, women are being strangled. Many more have disappeared. The Soviet Union is not a gentle place for women and too many men are capable of such violence, but the truth is worse: just one man is responsible. Worse still, the authorities will never admit to his existence – serial killers, after all, are a symptom of capitalist decadence. And now he has a new target... THE SPY HUNTER: Chairman of the BSSR's KGB, recipient of the Hero of the Soviet Union medal, the Order of Lenin, the Medal for Valour, the Order of the Patriotic War and the Order of the Red Star. They say you never hear his footsteps until he's carrying your coffin. And now he has a new target... The Cold War may be coming to a close, but Mel is in danger of being obliterated by its fallout. Whichever way she turns, the wolves are gathering. Reviews for Black Wolf: 'Kathleen Kent slays it with Black Wolf, a propulsive page-turner chock full of juicy spy game goodies. Simply masterful.' Lisa Barr 'Black Wolf is a superlative read, rich in atmospherics and authenticity. Kathleen Kent knows the territory firsthand, and deftly guides us across the harrowing terrain.' Dan Fesperman 'A razor-sharp, whip-smart, beautifully written thriller. Combines the plotting of Frederick Forsyth with the chills of Thomas Harris. Highly recommended.' Christopher Reich 'A gritty depiction of the spy game during the dissolution of the Soviet Union. Perfect for fans of The Americans.' Alma Katsu

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Grandes ideas, explicaciones sencillasCon un lenguaje claro, El libro del arte desbroza la jerga de la historia y la teoría del arte y ofrece imágenes de las mayores obras de arte del mundo, además de ingeniosos diagramas que explican las ideas subyacentes. De las figurillas de fertilidad prehistóricas a las videoinstalaciones, este es el manual perfecto para iniciarse en el conocimiento del arte. ¿Qué convierte a algo en una obra de arte? ¿Cómo dieron forma los antiguos griegos a la belleza ideal? ¿Ejerce el color una influencia directa en el alma? Este libro de arte analiza estas y otras muchas cuestiones revisando los movimientos, estilos y temas artísticos claves a través de más de 200 obras de muy diversos géneros. La historia del arte explicada de forma sencillaEl arte es una de las piedras angulares de la civilización y, por ello, ninguna cultura o sociedad ha florecido sin él. Descubre cómo, a lo largo de la historia, las obras de arte han adoptado muchas formas con diversos fines y han evolucionado de manera constante. A veces estos cambios se han producido tan despacio que apenas eran perceptibles, pero en ocasiones, en especial a principios del siglo XX, se ha producido una explosión de diversidad artística e innovación.Este libro de arte pretende adentrarse bajo la superficie de estos cambios para identificar las fuerzas ideológicas, sociales, políticas y tecnológicas que han forjado el desarrollo del arte y generado una panoplia expresiva tan vasta. Tanto el estudiante de arte como el ávido visitante de museos y galerías hallarán en este libro en español para adultos, jóvenes y niños, sugerentes ideas sobre joyas artísticas de todas las épocas y procedencias a través de los siguientes capítulos: • Arte prehistórico y antiguo. • El mundo Medieval. • Renacimiento y Manierismo. • Del Barroco al Neoclasicismo. • Del Romanticismo al Simbolismo. • Arte Contemporáneo. El libro del arte, pertenece a la galardonada serie Grandes Ideas que, en su versión de libros en español, explica temas complejos de un modo fácil de entender mediante explicaciones claras y alejándose del academicismo tradicional. Su creativo diseño y los gráficos innovadores que acompañan al texto hacen de esta serie una introducción perfecta a una gran diversidad de materias para toda la familia.

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In a world that requires knowledge and wisdom to address developing crises around us, The Gatherings shows how Indigenous and non-Indigenous peoples can come together to create meaningful and lasting relationships. Thirty years ago, in Wabanaki territory – a region encompassing the state of Maine and the Canadian Maritimes – a group of Indigenous and non-Indigenous individuals came together to explore some of the most pressing questions at the heart of Truth and Healing efforts in the United States and Canada. Meeting over several years in long-weekend gatherings, in a Wabanaki-led traditional Council format, assumptions were challenged, perspectives upended, and stereotypes shattered. Alliances and friendships were formed that endure to this day. The Gatherings tells the moving story of these meetings in the words of both Indigenous and non-Indigenous participants. Reuniting to reflect on how their lives were changed by their experiences and how they continue to be impacted by them, the participants share the valuable lessons they learned. The many voices represented in The Gatherings offer insights and strategies that can inform change at the individual, group, and systems levels. These voices affirm that authentic relationships between Indigenous and non-Indigenous peoples – with their attendant anxieties, guilt, anger, embarrassments, and, with time, even laughter and mutual affection – are key to our shared futures here in North America. Now, more than ever, it is critical that we come together to reimagine Indigenous-settler relations. Mawopiyane: Gwen Bear Shirley Bowen Alma H. Brooks gkisedtanamoogk JoAnn Hughes Debbie Leighton Barb Martin Miigam’agan T. Dana Mitchell Wayne A. Newell Betty Peterson Marilyn Keyes Roper Wesley Rothermel Afterword by Dr. Frances Hancock To reflect the collaborative nature of this project, the word Mawopiyane is used to describe the full group of co-authors. Mawopiyane, in Passamaquoddy, literally means "let us sit together," but the deeper meaning is of a group coming together, as in the longhouse, to struggle with a sensitive or divisive issue – but one with a very desirable outcome. It is a healing word and one that is recognizable in all Wabanaki languages.

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More than 600 women and girls have been murdered and more than 1,000 have disappeared in the Mexican state of Chihuahua since 1993. Violence against women has increased throughout Mexico and in other countries, including Argentina, Costa Rica, Guatemala, and Peru. Law enforcement officials have often failed or refused to undertake investigations and prosecutions, creating a climate of impunity for perpetrators and denying truth and justice to survivors of violence and victims’ relatives. Terrorizing Women is an impassioned yet rigorously analytical response to the escalation in violence against women in Latin America during the past two decades. It is part of a feminist effort to categorize violence rooted in gendered power structures as a violation of human rights. The analytical framework of feminicide is crucial to that effort, as the editors explain in their introduction. They define feminicide as gender-based violence that implicates both the state (directly or indirectly) and individual perpetrators. It is structural violence rooted in social, political, economic, and cultural inequalities. Terrorizing Women brings together essays by feminist and human rights activists, attorneys, and scholars from Latin America and the United States, as well as testimonios by relatives of women who were disappeared or murdered. In addition to investigating egregious violations of women’s human rights, the contributors consider feminicide in relation to neoliberal economic policies, the violent legacies of military regimes, and the sexual fetishization of women’s bodies. They suggest strategies for confronting feminicide; propose legal, political, and social routes for redressing injustices; and track alternative remedies generated by the communities affected by gender-based violence. In a photo essay portraying the justice movement in Chihuahua, relatives of disappeared and murdered women bear witness to feminicide and demand accountability. Contributors: Pascha Bueno-Hansen, Adriana Carmona López, Ana Carcedo Cabañas, Jennifer Casey, Lucha Castro Rodríguez , Angélica Cházaro, Rebecca Coplan, Héctor Domínguez-Ruvalcaba, Marta Fontenla, Alma Gomez Caballero, Christina Iturralde, Marcela Lagarde y de los Ríos, Julia Estela Monárrez Fragoso, Hilda Morales Trujillo, Mercedes Olivera, Patricia Ravelo Blancas, Katherine Ruhl, Montserrat Sagot, Rita Laura Segato, Alicia Schmidt Camacho, William Paul Simmons, Deborah M. Weissman, Melissa W. Wright

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One of the most remarkable education leaders of the late nineteenth century and the creator of the modern American research university finally gets his due.Daniel Coit Gilman, a Yale-trained geographer who first worked as librarian at his alma mater, led a truly remarkable life. He was selected as the third president of the University of California; was elected as the first president of Johns Hopkins University, where he served for twenty-five years; served as one of the original founders of the Association of American Universities; and—at an age when most retired—was hand-picked by Andrew Carnegie to head up his eponymous institution in Washington, DC.In Daniel Coit Gilman and the Birth of the American Research University, Michael T. Benson argues that Gilman's enduring legacy will always be as the father of the modern research university—a uniquely American invention that remains the envy of the entire world. In the past half-century, nothing has been written about Gilman that takes into account his detailed journals, reviews his prodigious correspondence, or considers his broad external board service. This book fills an enormous void in the history of the birth of the "new" American system of higher education, especially as it relates to graduate education. The late 1800s, Benson points out, is one of the most pivotal periods in the development of the American university model; this book reveals that there is no more important figure in shaping that model than Daniel Coit Gilman.Benson focuses on Gilman's time deliberating on, discussing, developing, refining, and eventually implementing the plan that brought the modern research university to life in 1876. He also explains how many university elements that we take for granted—the graduate fellowships, the emphasis on primary investigations and discovery, the funding of the best laboratory and research spaces, the scholarly journals, the university presses, the sprawling health sciences complexes with teaching hospitals—were put in place by Gilman at Johns Hopkins University. Ultimately, the book shows, Gilman and his colleagues forced all institutions to reexamine their own model and to make the requisite changes to adapt, survive, thrive, compete, and contribute.

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More than 600 women and girls have been murdered and more than 1,000 have disappeared in the Mexican state of Chihuahua since 1993. Violence against women has increased throughout Mexico and in other countries, including Argentina, Costa Rica, Guatemala, and Peru. Law enforcement officials have often failed or refused to undertake investigations and prosecutions, creating a climate of impunity for perpetrators and denying truth and justice to survivors of violence and victims’ relatives. Terrorizing Women is an impassioned yet rigorously analytical response to the escalation in violence against women in Latin America during the past two decades. It is part of a feminist effort to categorize violence rooted in gendered power structures as a violation of human rights. The analytical framework of feminicide is crucial to that effort, as the editors explain in their introduction. They define feminicide as gender-based violence that implicates both the state (directly or indirectly) and individual perpetrators. It is structural violence rooted in social, political, economic, and cultural inequalities. Terrorizing Women brings together essays by feminist and human rights activists, attorneys, and scholars from Latin America and the United States, as well as testimonios by relatives of women who were disappeared or murdered. In addition to investigating egregious violations of women’s human rights, the contributors consider feminicide in relation to neoliberal economic policies, the violent legacies of military regimes, and the sexual fetishization of women’s bodies. They suggest strategies for confronting feminicide; propose legal, political, and social routes for redressing injustices; and track alternative remedies generated by the communities affected by gender-based violence. In a photo essay portraying the justice movement in Chihuahua, relatives of disappeared and murdered women bear witness to feminicide and demand accountability. Contributors: Pascha Bueno-Hansen, Adriana Carmona López, Ana Carcedo Cabañas, Jennifer Casey, Lucha Castro Rodríguez , Angélica Cházaro, Rebecca Coplan, Héctor Domínguez-Ruvalcaba, Marta Fontenla, Alma Gomez Caballero, Christina Iturralde, Marcela Lagarde y de los Ríos, Julia Estela Monárrez Fragoso, Hilda Morales Trujillo, Mercedes Olivera, Patricia Ravelo Blancas, Katherine Ruhl, Montserrat Sagot, Rita Laura Segato, Alicia Schmidt Camacho, William Paul Simmons, Deborah M. Weissman, Melissa W. Wright

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Tales from the Cincinnati Bearcats Locker Room covers 10 coaching eras, from former National Football League standout John “Socko” Wiethe (1946-52) to Mick Cronin, the Cincinnati native who returned to his alma mater in 2006 and resurrected the program. Former Cincinnati Enquirer sports editor Michael Perry, a former UC basketball beat reporter, interviewed more than 85 former players, coaches, recruits, and basketball staff members to deliver a comprehensive look inside the Bearcat basketball program.The book takes readers into locker rooms, practices, and game huddles as it recounts memorable moments and unforgettable games, including the Bearcats’ record-setting seven-overtime victory over Bradley in 1981; UC's controversial 24-11 loss to Kentucky in 1983; and that fateful day, March 9, 2000, when National Player of the Year Kenyon Martin lay crumpled on the basketball court in Memphis, Tennessee.Fans will also read about Hall of Famer Jack Twyman registering for classes at Duquesne University in Pittsburgh in 1951 before deciding to attend Cincinnati; former coach Ed Badger hitchhiking in the snow to see a recruit in Pennsylvania; and Tony Yates finding a first-team All-Metro Conference player in a former marching band member in Macon, Mississippi. This reissue, which also provides insight into the Bob Huggins era, makes for a rollicking trip down memory lane, and, for those who did not start following the team until more recently, a fun history lesson.Skyhorse Publishing, as well as our Sports Publishing imprint, are proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team.Whether you are a New York Yankees fan or hail from Red Sox nation; whether you are a die-hard Green Bay Packers or Dallas Cowboys fan; whether you root for the Kentucky Wildcats, Louisville Cardinals, UCLA Bruins, or Kansas Jayhawks; whether you route for the Boston Bruins, Toronto Maple Leafs, Montreal Canadiens, or Los Angeles Kings; we have a book for you. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.

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El Dr. David Jeremiah brinda palabras oportunas y alentadoras para comenzar una nueva experiencia de la gracia de Dios.Hasta que uno se ha roto más de lo que se puede creer y necesita un milagro para su alma. Hasta que ha traicionado a un ser querido y no puede hacer que vuelva. Hasta que toda oscuridad lo ha envuelto y está desesperado por la luz.Siguiendo la dramática historia de John Newton, el autor del himno Sublime Gracia, y el propio encuentro del apóstol Pablo con el Dios de la gracia, el pastor y profesor Dr. David Jeremiah ayuda a los lectores a comprender el poder liberador del perdón y la misericordia permanentes.Cautivados por la gracia contiene historias dramáticas y reflexiones bíblicas que ponen de relieve los efectos muy personales de la gracia y cómo la gracia: atraviesa maravillosamente todas nuestras diferencias nos rescata de nuestro extravío nos ayuda a superar nuestras debilidades nos lleva de víctimas a vencedores Encontrarse con la gracia de Dios cambia la vida para siempre. Deje que el doctor David Jeremiah le muestre cómo la misericordia transformadora que cautivó al compositor John Newton y al apóstol Pablo puede despertar en usted una experiencia nueva del Dios que lo ama intrépidamente y lo busca con desenfreno.Captured by GraceUntil you have been broken beyond belief and need a miracle for your soul. Until you have betrayed a loved one and cannot bring him back. Until you have befriended every darkness and are desperate for the light.By following the dramatic story of John Newton, the Amazing Grace hymn writer, and the apostle Paul's own encounter with the God of grace, pastor and teacher Dr. David Jeremiah helps readers understand the freeing power of permanent forgiveness and mercy.Captured by Grace contains dramatic stories and biblical insights that highlight the very personal effects of grace and how grace: wondrously spans all our differences rescues us from our lostness helps us overcome our weaknesses, takes us from victims to victors Encountering God’s grace changes lives forever. Let Dr. David Jeremiah show you how the transforming mercy that captured songwriter John Newton and the apostle Paul can awaken within you a fresh experience of the God who loves you fearlessly and pursues you with abandon.

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“A haunted work, full of voices old and new. It is about a family’s reckoning with loss and injustice, and it is about a people trying for the same. The journey of this family’s way home is full—in equal measure—of melancholy and love.” —Tommy Orange, author of There ThereA RECOMMENDED BOOK FROMUSA Today * O, the Oprah Magazine * Entertainment Weekly * TIME * Harper's Bazaar * Buzzfeed * Washington Post * Elle * Parade * San Francisco Chronicle * Good Housekeeping * Vulture * Refinery29 * AARP * Kirkus * PopSugar * Alma * Woman's Day * Chicago Review of Books * The Millions * Biblio Lifestyle * Library Journal * Publishers Weekly * LitHub Steeped in Cherokee myths and history, a novel about a fractured family reckoning with the tragic death of their son long ago—from National Book Award finalist Brandon HobsonIn the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer’s in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation.With the family’s annual bonfire approaching—an occasion marking both the Cherokee National Holiday and Ray-Ray’s death, and a rare moment in which they openly talk about his memory—Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world. Maria and Ernest take in a foster child who seems to almost miraculously keep Ernest’s mental fog at bay. Sonja becomes dangerously fixated on a man named Vin, despite—or perhaps because of—his ties to tragedy in her lifetime and lifetimes before. And in the wake of a suicide attempt, Edgar finds himself in the mysterious Darkening Land: a place between the living and the dead, where old atrocities echo.Drawing deeply on Cherokee folklore, The Removed seamlessly blends the real and spiritual to excavate the deep reverberations of trauma—a meditation on family, grief, home, and the power of stories on both a personal and ancestral level.“The Removed is a marvel. With a few sly gestures, a humble array of piercingly real characters and an apparently effortless swing into the dire dreamlife, Brandon Hobson delivers an act of regeneration and solace. You won’t forget it.” —Jonathan Lethem, author of The Feral Detective

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“A haunted work, full of voices old and new. It is about a family’s reckoning with loss and injustice, and it is about a people trying for the same. The journey of this family’s way home is full—in equal measure—of melancholy and love.” —Tommy Orange, author of There ThereA RECOMMENDED BOOK FROMUSA Today * O, the Oprah Magazine * Entertainment Weekly * TIME * Harper's Bazaar * Buzzfeed * Washington Post * Elle * Parade * San Francisco Chronicle * Good Housekeeping * Vulture * Refinery29 * AARP * Kirkus * PopSugar * Alma * Woman's Day * Chicago Review of Books * The Millions * Biblio Lifestyle * Library Journal * Publishers Weekly * LitHub Steeped in Cherokee myths and history, a novel about a fractured family reckoning with the tragic death of their son long ago—from National Book Award finalist Brandon HobsonIn the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer’s in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation.With the family’s annual bonfire approaching—an occasion marking both the Cherokee National Holiday and Ray-Ray’s death, and a rare moment in which they openly talk about his memory—Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world. Maria and Ernest take in a foster child who seems to almost miraculously keep Ernest’s mental fog at bay. Sonja becomes dangerously fixated on a man named Vin, despite—or perhaps because of—his ties to tragedy in her lifetime and lifetimes before. And in the wake of a suicide attempt, Edgar finds himself in the mysterious Darkening Land: a place between the living and the dead, where old atrocities echo.Drawing deeply on Cherokee folklore, The Removed seamlessly blends the real and spiritual to excavate the deep reverberations of trauma—a meditation on family, grief, home, and the power of stories on both a personal and ancestral level.“The Removed is a marvel. With a few sly gestures, a humble array of piercingly real characters and an apparently effortless swing into the dire dreamlife, Brandon Hobson delivers an act of regeneration and solace. You won’t forget it.” —Jonathan Lethem, author of The Feral Detective

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NATIONAL JEWISH BOOK AWARD FINALIST"Raw, vibrant, and full of love" --Kirkus Reviews"A moving work that encourages solidarity . . . reflect(s)on race, gender, family, religious practice, and culture" --The Jewish Book CouncilIn 78 vibrant works by 62 gifted contributors, Jewish girls, young women, and nonbinary teens voice their celebrations and challenges, their anger and their eagerness in essays, poetry, and visual art. And their themes are universal, touching on childhood, spirituality, sexuality, race, family, friends, and the world around us.We are writers, editors, photographers, and artists. We are multiethnic, multiracial, and multifaceted. We are nourished by the sweet honey and harsh salt of our lives. Although we are often misunderstood, we find strength within ourselves and our communities. This book elevates our stories as we honor the past, explore the present, and look toward the future. Through poetry, fiction, essays, and art, we make our voices heard. "Within these pages is a representation of the Jewish community at its best: a diversity of voices and experiences; a rigorous commitment to challenging the status quo; creativity; humor and heartbreak; suffering and joy. That such an invigorating and affirming work was produced by the teens of jGirls Magazine is proof that they've learned a very important lesson early in life: nobody can tell your story but you." --Molly Tolsky, from the Foreword to Salt & Honey.The award-winning Salt & Honey and was created by a team of writers and artists brought together as part of jGirls Magazine, including editors Elizabeth Mandel, Emanuelle Sippy, Maya Savin Miller, and Michele Lent Hirsch. Includes works by: Aliza Abusch-Magder; Lauren Alexander; Gertie Angel; Yael Beer; Alex Berman; Alyx Bernstein; Leah Bogatie; Isabella Brown; Aydia Caplan; Whitney Cohen; Emilia Cooper; Tesaneyah Dan; Denae; Alexa Druyanoff; Emily Duckworth; Elena Eisenstadt; Tali Feen; Abigail Fisher; Leah Fleischer; Lily Gardner; Abigael Good; Sequoia Hack; Madison Hahamy; Samara Haynes; Ahava Helfenbaum; Dalia Heller; Sascha Hochman; Audrey Honig; Alexa Hulse; Liel Huppert; Noa Kalfus; Alma Kastan; Rachel Kaufman; Maya Keren; Naomi Kitchen; Gavi Klein; Jamie Klinger; Emily Knopf; Aidyn Levin; Sonja Lippmann; Shoshana Maniscalco; Liora Meyer; Maya Savin Miller; Becca Norman; Juliet Norman; Dina Ocken; Zoe Oppenheimer; Lily Pazner; Annie Poole; Ofek Preis; Maya Rabinowitz; Emma Rosman; Artie Ross; Sydney Schulman; Eliana Shapere; Emanuelle Sippy; Michal Spanjer; Frankie Vega; Molly Voit; Abigail Winograd; Sarah Young; Makeda Zabot-Hall.The included Reader's Guide by teen educator and award-winning author Michelle Shapiro Abraham, RJE makes this an outstanding resource for book groups and for teen programming in a variety of contexts.

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'The terror's exquisite. Fracassi's got his hand on the chisel going into your chest' Stephen Graham Jones, author of The Only Good Indians'THE MOST FRIGHTENING NOVEL OF THE YEAR' EsquireThe Exorcist meets Lord of the Flies, by way of Midnight Mass, Boys in the Valley is a chilling folk horror set in a remote orphanage in turn of the century Pennsylvania.St. Vincent's Orphanage for Boys. Turn of the century, in a remote valley in Pennsylvania. Here, under the watchful eyes of several priests, thirty boys work, learn, and worship. Peter Barlow, orphaned as a child by a gruesome murder, has made a new life here. As he approaches adulthood, he has friends, a future. . . a family. Then, late one stormy night, a group of men arrive at their door, one of whom is badly wounded, occult symbols carved into his flesh. His death releases an ancient evil that spreads like sickness, infecting St. Vincent's and the children within. Soon, boys begin acting differently, forming groups. Taking sides. Others turn up dead. Now Peter and those dear to him must choose sides of their own, each of them knowing their lives - and perhaps their eternal souls - are at risk.Praise for Boys in the Valley:'Fracassi makes terror read so damn beautifully' Victor LaValle, author of The Changeling'An unrelenting and highly entertaining show of horrors' Thomas Olde Heuvelt, author of Hex'A smart and deftly-written tale instilled with the kind of creeping, claustrophobic horror I enjoy' Nick Cutter, author of The Troop'As poignant as it is chilling, with a fast-paced, unflinching ending' Alma Katsu, author of The Hunger'The most unsettling novel I have read all year. Cold dread clings to every page' Ronald Malfi, author of Black Mouth'Harrowing and claustrophobic' Christopher Golden, author of Road of Bones'Fracassi. . . builds his horrific tales slowly and carefully...he's especially skilful at creating, and sustaining, suspense' The New York Times'Gut-wrenching, heart breaking, and terrifying' Andy Davidson, author of The Boatman's Daughter'Horror readers will be hooked' Publishers Weekly'A riveting, and horrifying, tale of survival set against a punishing and vivid backdrop.' Victor LaValle'Fracassi. . . brings a depth of understanding to his monsters, human and otherwise' Guardian'Fracassi's storytelling is. . . horror with a big, broken heart' Esquire'His range, prolific output, and fast-paced prose are all set to put him on the shelf next to names such as King, Straub, and Thomas Harris' Signal Horizon

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In this important collection, eighteen renowned writers, including David Remnick, Zadie Smith, Rebecca Skloot, Rory Stewart, and Adam Gopnik evoke the spirit and history of some of the world's most recognized and significant city squares, accompanied by illustrations from equally distinguished photographers. Over half of the world's citizens now live in cities, and this number is rapidly growing. At the heart of these municipalities is the square-the defining urban public space since the dawn of democracy in Ancient Greece. Each square stands for a larger theme in history: cultural, geopolitical, anthropological, or architectural, and each of the eighteen luminary writers has contributed his or her own innate talent, prodigious research, and local knowledge. Divided into three parts: Culture, Geopolitics, History, headlined by Michael Kimmelman, David Remnick, and George Packer, this significant anthology shows the city square in new light. Jehane Noujaim, award-winning filmmaker, takes the reader through her return to Tahrir Square during the 2011 protest; Rory Stewart, diplomat and author, chronicles a square in Kabul which has come and gone several times over five centuries; Ari Shavit describes the dramatic changes of central Tel Aviv's Rabin Square; Rick Stengel, editor, author, and journalist, recounts the power of Mandela's choice of the Grand Parade, Cape Town, a huge market square to speak to the world right after his release from twenty-seven years in prison; while award-winning journalist Gillian Tett explores the concept of the virtual square in the age of social media. This collection is an important lesson in history, a portrait of the world we live in today, as well as an exercise in thinking about the future. Evocative and compelling, City Squares will change the way you walk through a city. Contributors include: David Adjaye on Jemma e-Fnna, Marrakech * Anne Applebaum on Red Square, Moscow and Grand Market Square, Krakow * Chrystia Freeland on Euromaiden, Kiev * Adam Gopnik on Place des Vosges, Paris * Alma Guillermoprieto on Zocalo, Mexico City * Jehane Noujaim on Tahrir Square, Cairo * Evan Osnos on Tiananmen Square, Beijing * Andrew Roberts on Residential Squares, London * Elif Shafak on Taksim Square, Istanbul * Rebecca Skloot on American Town Squares * Ari Shavit on Rabin Square, Tel Aviv * Zadie Smith on the grand piazzas of Rome and Venice * Richard Stengel on Market Square, Grand Parade, Cape Town * Rory Stewart on Murad Khane, Kabul * Plus contributions by Gillian Tett, George Packer, David Remnick, and Michael Kimmelman; illustrations and photographs from renowned photographers, including: Thomas Struth, Philip Lorca di Corcia, and Josef Koudelka

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On the evening of May 16, 1958, architecture alumni of the University of Washington converged on Seattle from all over the country. The event was a banquet to celebrate the founding of their alma mater's new College of Architecture and Urban Planning. One by one, the dean introduced the college's faculty members. At the name of Lionel “Spike” Pries, one alumnus recalled, “there was a special charge in the air. . . . Everyone rose and cheered and clapped; it appeared to go on forever.” But within six months, Lionel Pries was abruptly and mysteriously gone from the university. After thirty years of service, he lost his job, his major source of income, and, just four years short of retirement, his pension. The official explanation was illness; friends “sensed a large injustice,” in what they believed was a dismissal based on Pries's sexual orientation. With Lionel H. Pries, Architect, Artist, Educator: From Arts and Crafts to Modern Architecture, Jeffrey Karl Ochsner redresses that injustice. Pries (1897-1968) was one of the most influential teachers of architecture and design at the University of Washington. Minoru Yamasaki, A. Q. Jones, Fred Bassetti, Wendell Lovett, Victor Steinbrueck, and many other prominent twentieth-century architects were trained by Pries, whose highly artistic style of design helped shape the development of American Modernism in architecture. Ochsner offers an erudite celebration of Pries's professional legacy, tracing his evolution as a designer, architect, teacher, and artist. He shows how Pries absorbed and synthesized disparate influences and movements in design--the California Arts and Crafts and Mission Revival movements, the Ecole des Beaux-Arts tradition, Art Nouveau and Art Deco, Mexican and Japanese motifs, and the International Style and other permutations of the Modern movement. Ochsner paints a vivid portrait of Pries as a teacher and mentor: an unapologetic elitist, one who challenged weak students by openly fostering stronger ones; a classroom autocrat who would fling one student's radio out a second-story window but offer rent-free lodging to another in need. This is a nuanced character study that offers a clear but sympathetic view of a major talent who sometimes clashed with his colleagues and was often in conflict with himself. For some readers, it will be an introduction to Lionel Pries. For others, it will be an occasion to remember him with warmth and gratitude. This comprehensive, lavishly illustrated work will appeal not only to architects and architectural historians, but also to those interested in American studies, the decorative arts, and Northwest history and culture. Its depth of research broadens our understanding of twentieth-century Modernism and of the history of architectural education.

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This is the story of the destruction of a talented Jewish family, and of the survival against all the odds of two young sisters. It is one of the most moving stories to emerge from the Second World War. Anita and her elder sister Renate defied death at the hands of the Gestapo and the SS over a period of two and a half years when they were sucked into the whirlpool of Nazi mass extermination, being first imprisoned as 'criminals' and then being transferred, separately, to Auschwitz, and finally to Belsen when the Russians approached. They were saved by their exceptional courage, determination and ingenuity, and by several improbable strokes of luck. At Auschwitz, Anita escaped annihilation through her talents as a cellist when she was co-opted into the camp orchestra directed by Alma Rose, niece of Gustav Mahler. Her book is especially remarkable because of the many documents she has managed to preserve, most of them now lodged in the archives of the Imperial War Museum in London. In a sequence of family letters to her sister Marianne, who was marooned in England, from just before the war to 1942 when her parents were deported and liquidated, an atmosphere of happy normality gradually gives way to latent terror and foreboding. The appalling predicament of the Lasker family, and of Anita and Renate in particular when the rest of their relations had been deported and they were left totally alone in Breslau, could not be more poignantly conveyed. They were caught by the Gestapo trying to flee to Paris, and sent to prison: another piece of 'luck', as it turned out, since they were spared the worse horrors of Auschwitz for a crucial year. After the liberation of Belsen in April 1945, the correspondence with Marianne in England resumed. Anita was seconded to the British Army, and she quotes first-hand material about the early days of the occupation, including a transcript of part of the Luneburg trial in late 1945 when she gave evidence about Nazi atrocities at Auschwitz and Belsen, and was confronted in court by her tormentors. In 1946 she and Renate were both finally permitted to emigrate to England. Three years later, Anita became a founder member of the English Chamber Orchestra, in which she continued to play the cello until recently. Anita's book featured in BBC Radio 4's 'Desert Island Discs' programme on 25th August 1996. She had also told her story in a series of five BBC Radio 4 programmes in 1994; and a BBC 2 TV film about her experiences, Playing to Survive, was screened in October 1996.

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College sports fans around the nation know it as the University of Missouri, the home of the Tigers. But for the legions of fans from St. Louis to Columbia, it’s simply Mizzou, and there is no better place to be on a crisp fall afternoon than Faurot Field at Memorial Stadium. Don Faurot himself, as a graduate student, helped lay the football sod in 1926, and the playing surface was named after the legendary coach in 1972. It’s where Norris Stevenson broke the color barrier in the 1950s, where Dan Devine built a national powerhouse in the 1960s, and where Al Onofrio pulled some unlikely upsets in the 1970s. Phil Bradley, Kellen Winslow, and Eric Wright—household names in college and in the pros—continued to build on that foundation in the early 1980s. Hard-working players such as Corby Jones and Brock Olivo gave the football program a new spark in the 1990s.The Tigers had little tradition in basketball until Norm Stewart returned to coach his alma mater in 1967. Big men Al Eberhard and John Brown first put the program on the map in the early 1970s; then Willie Smith electrified crowds at the Hearnes Center with his prolific scoring. Highly regarded recruits Steve Stipanovich and Jon Sundvold were the pillars of a team that won four straight Big Eight championships. Players such as Doug Smith, Anthony Peeler, and Derrick Chievous took the Tigers to the top of the national rankings while rewriting the school record books.From the football field to the basketball court and beyond, Tales from the Missouri Tigers is perfect for the avid Mizzou fan!Skyhorse Publishing, as well as our Sports Publishing imprint, are proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team.Whether you are a New York Yankees fan or hail from Red Sox nation; whether you are a die-hard Green Bay Packers or Dallas Cowboys fan; whether you root for the Kentucky Wildcats, Louisville Cardinals, UCLA Bruins, or Kansas Jayhawks; whether you route for the Boston Bruins, Toronto Maple Leafs, Montreal Canadiens, or Los Angeles Kings; we have a book for you. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.

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It’s hardly a secret that mobility has always been limited, if not impossible, for African Americans. Before the Civil War, masters confined their slaves to their property, while free black people found themselves regularly stopped, questioned, and even kidnapped. Restrictions on movement before Emancipation carried over, in different forms, into Reconstruction and beyond; for most of the 20th century, many white Americans felt blithely comfortable denying their black countrymen the right to travel freely on trains and buses. Yet it became more difficult to shackle someone who was cruising along a highway at 45 miles per hour. In Driving While Black, the acclaimed historian Gretchen Sorin reveals how the car—the ultimate symbol of independence and possibility—has always held particular importance for African Americans, allowing black families to evade the many dangers presented by an entrenched racist society and to enjoy, in some measure, the freedom of the open road. She recounts the creation of a parallel, unseen world of black motorists, who relied on travel guides, black only businesses, and informal communications networks to keep them safe. From coast to coast, mom and pop guest houses and tourist homes, beauty parlors, and even large hotels—including New York’s Hotel Theresa, the Hampton House in Miami, or the Dunbar Hotel in Los Angeles—as well as night clubs and restaurants like New Orleans’ Dooky Chase and Atlanta’s Paschal’s, fed travelers and provided places to stay the night. At the heart of Sorin’s story is Victor and Alma Green’s famous Green Book, a travel guide begun in 1936, which helped grant black Americans that most basic American rite, the family vacation. As Sorin demonstrates, black travel guides and black-only businesses encouraged a new way of resisting oppression. Black Americans could be confident of finding welcoming establishments as they traveled for vacation or for business. Civil Rights workers learned where to stay and where to eat in the South between marches and protests. As Driving While Black reminds us, the Civil Rights Movement was just that—a movement of black people and their allies in defiance of local law and custom. At the same time, she shows that the car, despite the freedoms it offered, brought black people up against new challenges, from segregated ambulance services to unwarranted traffic stops, and the racist violence that too often followed. Interwoven with Sorin’s own family history and enhanced by dozens of little known images, Driving While Black charts how the automobile fundamentally reshaped African American life, and opens up an entirely new view onto one of the most important issues of our time.

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