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Edición en español y rimada del libro para primeros lectores de Dr. Seuss acerca de elegir una mascota ¡y lo difícil que es tomar una decisión! ¿Qué sucede cuando dos hermanos van a una tienda para comprar una mascota? Como es de esperar, ¡no saben por cuál decidirse! Con la participación de los mismos niños del cuento Un pez dos peces pez rojo pez azul, este libro para primeros lectores capta el típico momento en la vida de un niño en el que ha de elegir una mascota, a la vez que nos enseña una lección de vida: es difícil decidirte, ¡pero a veces tienes que hacerlo! Un magnífico regalo para los pequeños amantes de los animales y admiradores de Dr. Seuss, y a la vez ideal para leer en voz alta o para los niños que comienzan a leer ellos solos. Descubierto veintidós años después de la muerte de Dr. Seuss, el manuscrito original y los bocetos fueron anteriormente publicados en una edición de 48 páginas con sobrecubierta y 8 páginas con comentarios y datos. Esta nueva edición de Beginner Books, sin solapas, solo incluye la historia.Las ediciones rimadas, en español, de los clásicos de Dr. Seuss, publicadas por Random House, brindan la maravillosa oportunidad de disfrutar de sus historias a más de treinta y ocho millones de personas hispanohablantes en Estados Unidos. Los lectores podrán divertirse con las ediciones en español de The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez, dos peces, pez rojo, pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!); The Cat in the Hat Comes Back (El Gato Ensombrerado ha regresado); I Can Read With My Eyes Shut! (¡Yo puedo leer con los ojos cerrados!); Horton Hears a Who! (¡Horton escucha a Quién!); The 500 Hats of Bartholomew Cubbins (Los 500 sombreros de Bartolomé Cubbins); There's A Wocket in my Pocket! (¡Hay un Molillo en mi Bolsillo!); Mr. Brown Can Moo! Can You? (¡El Sr. Brown hace Muuu! ¿Podrías hacerlo tú?); Ten Apples on Top! (¡Diez manzanas en la cabeza!); What Pet Should I Get? (¿Cómo podré decidir qué mascota elegir?); y Yertle the Turtle and Other Stories (Yoruga la Tortuga y otros cuentos). A rhymed Spanish edition of Dr. Seuss's Beginner Book about chosing a pet—and the difficulty of making decisions!What happens when a brother an sister visit a pet store to pick a pet? Naturally, they can't pick just one! Featuring the kids from One Fish Two Fish Red Fish Blue Fish, this beginning reader takes a classic childhood moment—choosing a pet—and uses it to illuminate a life lesson: that it's hard to make up your mind, but sometimes you just have to do it! A great gift for young Dr. Seuss fans and animal lovers, it's perfect for reading aloud or children learning to read by themselves. Discovered 22 years after Dr. Seuss's death, the unpublished manuscript and sketches for What Pet Should I Get?were previously published as a 48-page jacketed hardcover with 8 pages of commentary. This unjacketed Beginner Book edition features the story only.Random House's rhymed, Spanish-language editions of classic Dr. Seuss books make the joyful experience of reading Dr. Seuss books available for the more than 38 million people in the United States who speak Spanish. Readers can enjoy The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez, dos peces, pez rojo, pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!); The Cat in the Hat Comes Back (El Gato Ensombrerado ha regresado); I Can Read With My Eyes Shut! (¡Yo puedo leer con los ojos cerrados!); Horton Hears a Who! (¡Horton escucha a Quién!); The 500 Hats of Bartholomew Cubbins (Los 500 sombreros de Bartolomé Cubbins); There's A Wocket in my Pocket! (¡Hay un Molillo en mi Bolsillo!); Mr. Brown Can Moo! Can You? (¡El Sr. Brown hace Muuu! ¿Podrías hacerlo tú?); Ten Apples on Top! (¡Diez manzanas en la cabeza!); What Pet Should I Get? (¿Cómo podré decidir qué mascota elegir?); and Yertle the Turtle and Other Stories (Yoruga la Tortuga y otros cuentos).

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Know thyself. It's always good to know who you are, but sometimes that's a little difficult. Kenhodan has no last name, because he has no past . . . or not one he remembers, anyway. What he does have are a lot of scars and a lot of skills, some exhilarating and some terrifying, and a purpose. Now if he only knew where he'd gotten them and what that purpose was . . . Wencit of Rum, the most powerful wizard in the world, knows the answers to Kenhodan's questions, but he can't or won't share them with him. Except to inform him that he's a critical part of Wencit's millennium-long battle to protect Norfressa from conquest by dark sorcery. Bahzell Bahnakson, champion of Tomanak, doesn't know those answers and the War God isn't sharing them with him. Except to inform Bahzell that the final confrontation with the Dark Lords of fallen Kontovar is about to begin, and that somehow Kenhodan is one of the keys to its final outcome. Wulfra of Torfo doesn't know those answers, either, but she does know Wencit of Rum is her implacable foe and that Kenhodan is one of the weapons he intends to use against her . . . assuming she can't kill both of them first. But in the far northern port city of Belhadan, an eleven-year-old girl knows the answers to all of Kenhodan's questions. . . and dares not share them with anyone, even the ancient wild wizard who loves her more dearly than life itself. It's not easy to face the future when you can't even remember your own past, but if saving an entire world from evil sorcerers, demons, devils, and dark gods was easy, anyone could do it. About The Sword of the South: "Weber returns to his epic fantasy world last depicted in War Maid’s Choice . . . With the full pantheon of gods, wizards, elves, dwarves, and dark sorcery, this title is guaranteed to win the favor of Robert Jordan and Michael Sullivan enthusiasts. Designed as an entry point for first-time readers, it also is a great option for teens and adults."—Library Journal About David Weber's War Bahzell Bahnak series: "Irresistibly entertaining."– Publishers Weekly "Fun adventure full of noble steeds, fierce female fighters, dark sorcerers, serious swordplay, and plenty of tongue-in-cheek humor."– Locus About David Weber and the Honor Harrington series: “Weber combines realistic, engaging characters with intelligent technological projection and a deep understanding of military bureaucracy in this long-awaited Honor Harrington novel…Fans of this venerable space opera will rejoice to see Honor back in action.”–Publishers Weekly “. . .everything you could want in a heroine …. Excellent … plenty of action.”–Science Fiction Age “Brilliant! Brilliant! Brilliant!”–Anne McCaffrey “Compelling combat combined with engaging characters for a great space opera adventure.”–Locus

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Sexo, mentiras e historia científica convergen en La Habana en el año 1993."Era como si hubiéramos alcanzado el punto crítico mínimo de una curva matemática. ¿Tiene presente una parábola? El cero de abajo, el hueco, el abismo. Hasta ahí llegamos."Corre el año 1993. Cuba está en lo más álgido del Período Especial, un profunda crisis económica tras el colapso del bloque soviético.Para Julia, una profesora de matemática que detesta enseñar, La Habana está en su año cero: el punto más bajo, camino a ninguna parte. Desesperada por tomar las riendas de su vida, Julia se une a Euclides, su colega y ex amante, para emprender la búsqueda del documento que compruebe que el teléfono fue inventado por Antonio Meucci, en La Habana. Creen que esta es la respuesta para proteger su reputación y darle a Cuba un nuevo propósito.A partir de este punto cero, Julia da inicio a una investigación que la acercará a dos hombres que prometen guiarla hasta el documento, y que la verá involucrada en un enredado misterio de pasión, legados familiares y las complejidades de cómo la gente encuentra maneras de sobrevivir en un país que vive la más terrible de sus crisis. "It was as if we’d reached the minimum critical point of a mathematical curve. Imagine a parabola. Zero point down, at the bottom of an abyss. That’s how low we sank."The year is 1993. Cuba is at the height of the Special Period, a widespread economic crisis following the collapse of the Soviet bloc.For Julia, a mathematics lecturer who hates teaching, Havana is at Year Zero: the lowest possible point, going nowhere. Desperate to seize control of her life, Julia teams up with her colleague and former lover, Euclid, to seek out a document that proves the telephone was invented by Antonio Meucci in Havana, convinced it is the answer to secure their reputations and give Cuba a purpose once more.From this point zero, Julia sets out on an investigation to befriend two men who could help lead to the document’s whereabouts, and must pick apart a tangled mystery of sex, family legacies and the intricacies of how people find ways to survive in a country at its lowest ebb.Sex, lies, and scientific history collide in 1993 Havana.It was as if we’d reached the minimum critical point of a mathematical curve. Imagine a parabola. Zero point down, at the bottom of an abyss. That’s how low we sank.The year is 1993. Cuba is at the height of the Special Period, a widespread economic crisis following the collapse of the Soviet bloc.For Julia, a mathematics lecturer who hates teaching, this is Year Zero: the lowest possible point. But a way out appears: the search for a missing document that will prove the telephone was invented in Havana, secure her reputation, and give Cuba a purpose once more. What begins as an investigation into scientific history becomes a tangle of sex, friendship, family legacies, and the intricacies of how people find ways to survive in a country at its lowest ebb.

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Discover the secrets of the Spider-Verse in this visually stunning collection of more than 500 pieces of artwork from the Oscar-winning, groundbreaking animated feature film! Fans can go behind the scenes with the creators of Spider-Man: Into the Spider-Verse and get a look at concept art, final designs, and artist commentary, plus previously unseen storyboards. Phil Lord and Christopher Miller, the creative minds behind The Lego Movie and 21 Jump Street, bring their unique talents to a fresh vision of a different Spider-Man universe. Spider-Man: Into the Spider-Verse introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse where more than one wears the mask. This luxurious oversized art book unmasks the artistry behind the dazzling and thoroughly original movie with a unique visual style that’s the first of its kind. Here you’ll find fascinating insights into the filmmakers’ creative process: • Exclusive commentary from creators Phil Lord and Christopher Miller on their inspirations for their unique new take on Spider-Man, rooted in his comics origins and the idea of a post-modern Spider-Man in an environment that has multiple spider-people from all of the comics, and giving the film an even stronger visual identity by leaning into the comic book language. • Concept art and sketches of every featured character and location in the film. Meet Miles Morales, the Peter Parkers, Spider-Gwen/Ghost-Spider, Spider-Ham, Peni and SP//dr and Spider-Man Noir—as well as villains Green Goblin, Scorpion, Tombstone, the Prowler, Doctor Octavius and Kingpin. Explore New York City and State, from Miles’s Brooklyn home to Manhattan, the Hudson Valley Forest, Spider-Man’s hideout and Wilson Fisk’s particle collider. • Unseen storyboards and paintings of key scenes—including Miles meeting the older Peter Parker for the first time; Miles swinging through the city, exploring the subway, and swinging through the forest; the fight at Aunt May’s; and Uncle Aaron’s death. • 2 gatefolds feature the film’s complete color script by Dave Bleitch and artwork by Justin K. Thompson, Wendell Dalit, Alberto Mielgo and Yuhki Demers depicting Miles Morales/Spider-Man; storyboards by Ryan Savas of Miles exploring his powers for the first time; and lighting keys by Wendell Dalit of the same sequence. • A foreword written by Brian Michael Bendis, Miles Morales’ co-creator and executive producer of the film. Go into the Spider-Verse any time you want with this special compilation of art from the film that belongs on every fan’s coffee table! “The visual look of Spider-Man: Into the Spider-Verse is a marvel. Seeing how they came to the design choices they did is... worth the price of this book and then some - Vespe's Holiday Gift Guide

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Joseph Bonaparte, King of Naples and Spain, claimed that he had never wanted the overpowering roles thrust upon him by his illustrious younger brother Napoleon. Left to his own devices, he would probably have been a lawyer in his native Corsica, a country gentleman with leisure to read the great literature he treasured and oversee the maintenance of his property. When Napoleon's downfall forced Joseph into exile, he was able to become that country gentleman at last, but in a place he could scarcely have imagined. It comes as a surprise to most people that Joseph spent seventeen years in the United States following Napoleon's defeat at Waterloo. In The Man Who Had Been King, Patricia Tyson Stroud has written a rich account—drawing on unpublished Bonaparte family letters—of this American exile, much of it passed in regal splendor high above the banks of the Delaware River in New Jersey. Upon his escape from France in 1815, Joseph arrived in the new land with a fortune in hand and shortly embarked upon building and fitting out the magnificent New Jersey estate he called Point Breeze. The palatial house was filled with paintings and sculpture by such luminaries as David, Canova, Rubens, and Titian. The surrounding park extended to 1,800 acres of luxuriously landscaped gardens, with twelve miles of carriage roads, an artificial lake, and a network of subterranean tunnels that aroused much local speculation. Stroud recounts how Joseph became friend and host to many of the nation's wealthiest and most cultivated citizens, and how his art collection played a crucial role in transmitting high European taste to America. He never ceased longing for his homeland, however. Despite his republican airs, he never stopped styling himself as "the Count de Survilliers," a noble title he fabricated on his first flight from France in 1814, when Napoleon was exiled to Elba, nor did he ever learn more than rudimentary English. Although he would repeatedly plead with his wife to join him, he was not a faithful husband, and Stroud narrates his affairs with an American and a Frenchwoman, both of whom bore him children. Yet he continued to feel the separation from his two legitimate daughters keenly and never stopped plotting to ensure the dynastic survival of the Bonapartes. In the end, the man who had been king returned to Europe, where he was eventually interred next to the tomb of his brother in Les Invalides. But the legacy of Joseph Bonaparte in America remains, and it is this that Patricia Tyson Stroud has masterfully uncovered in a book that is sure to appeal to lovers of art and gardens and European and American history.

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Process Engineering, the science and art of transforming raw materials and energy into a vast array of commercial materials, was conceived at the end of the 19th Century. Its history in the role of the Process Industries has been quite honorable, and techniques and products have contributed to improve health, welfare and quality of life. Today, industrial enterprises, which are still a major source of wealth, have to deal with new challenges in a global world. They need to reconsider their strategy taking into account environmental constraints, social requirements, profit, competition, and resource depletion. “Systems thinking” is a prerequisite from process development at the lab level to good project management. New manufacturing concepts have to be considered, taking into account LCA, supply chain management, recycling, plant flexibility, continuous development, process intensification and innovation. This book combines experience from academia and industry in the field of industrialization, i.e. in all processes involved in the conversion of research into successful operations. Enterprises are facing major challenges in a world of fierce competition and globalization. Process engineering techniques provide Process Industries with the necessary tools to cope with these issues. The chapters of this book give a new approach to the management of technology, projects and manufacturing. Contents Part 1: The Company as of Today 1. The Industrial Company: its Purpose, History, Context, and its Tomorrow?, Jean-Pierre Dal Pont. 2. The Two Modes of Operation of the Company – Operational and Entrepreneurial, Jean-Pierre Dal Pont. 3. The Strategic Management of the Company: Industrial Aspects, Jean-Pierre Dal Pont. Part 2: Process Development and Industrialization 4. Chemical Engineering and Process Engineering, Jean-Pierre Dal Pont. 5. Foundations of Process Industrialization, Jean-François Joly. 6. The Industrialization Process: Preliminary Projects, Jean-Pierre Dal Pont and Michel Royer. 7. Lifecycle Analysis and Eco-Design: Innovation Tools for Sustainable Industrial Chemistry, Sylvain Caillol. 8. Methods for Design and Evaluation of Sustainable Processes and Industrial Systems, Catherine Azzaro-Pantel. 9. Project Management Techniques: Engineering, Jean-Pierre Dal Pont. Part 3: The Necessary Adaptation of the Company for the Future 10. Japanese Methods, Jean-Pierre Dal Pont. 11. Innovation in Chemical Engineering Industries, Oliver Potier and Mauricio Camargo. 12. The Place of Intensified Processes in the Plant of the Future, Laurent Falk. 13. Change Management, Jean-Pierre Dal Pont. 14. The Plant of the Future, Jean-Pierre Dal Pont.

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Una nueva edición, en español y rimada, del clásico para primeros lectores de Dr. Seuss. Una continuación de El Gato Ensombrerado. El Gato ha regresado junto con veintisiete diminutos gatitos que viven dentro de su sombrero (alias Gatitos A-Z) en esta nueva edición en español del clásico de Dr. Seuss tan querido por sus lectores. Dick y Sally tienen montañas de nieve que palear, y no hay tiempo para jugar. Cuando el Gato viene de visita, entra a la casa y toma un baño en la bañera. Ningún problema, ¿cierto? ¡Se equivocan! La mancha rosada que deja en la bañera crea un GRAN problema cuando pasa a formar parte del vestido blanco de mamá, de los zapatos de papá, del piso, de las paredes y, por último, ¡de la nieve que invade el patio! ¿Podrán DE UNA VEZ limpiar esas manchas rosadas? Este cuento clásico es ideal para lectores principiantes y para leer en voz alta. Creada por Dr. Seuss, la serie de libros para primeros lectores (Beginner Books) anima a los niños a leer ellos solos con palabras sencillas y divertidos dibujos que dan sentido a la lectura.Las ediciones rimadas, en español, de los clásicos de Dr. Seuss, publicadas por Random House, brindan la maravillosa oportunidad de disfrutar de sus historias a más de treinta y ocho millones de personas hispanohablantes en Estados Unidos. Los lectores podrán divertirse con las ediciones en español de The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez, dos peces, pez rojo, pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!); The Cat in the Hat Comes Back (El Gato Ensombrerado ha regresado); I Can Read With My Eyes Shut! (¡Yo puedo leer con los ojos cerrados!); Horton Hears a Who! (¡Horton escucha a Quién!); And to Think That I Saw It on Mulberry Street (Y pensar que lo vi por la calle Porvenir); The 500 Hats of Bartholomew Cubbins (Los 500 sombreros de Bartolomé Cubbins); There's A Wocket in my Pocket! (¡Hay un Molillo en mi Bolsillo!); Mr. Brown Can Moo! Can You? (¡El Sr. Brown hace Muuu! ¿Podrías hacerlo tú?); Ten Apples on Top! (¡Diez manzanas en la cabeza!); What Pet Should I Get? (¿Cómo podré decidir qué mascota elegir?); y Yertle the Turtle and Other Stories (Yoruga la Tortuga y otros cuentos). Además, se publicarán nuevas ediciones en español ¡todos los años!A rhymed Spanish edition of the classic Beginner Book by Dr. Seuss—a sequel to The Cat in the Hat. The Cat is back—along with 27 miniature cats who live inside his hat (AKA Little Cats A-Z)—in this Spanish edition of the beloved Beginner Book by Dr. Seuss! Dick and Sally have mountains of snow to shovel and no time to play. So when the Cat comes to visit, he goes inside their house to take a bath. No problem, right? Wrong! The pink ring he leaves in the tub creates a very BIG problem when he transfers the stubborn stain onto Mother's white dress, Dad's shoes, the floors, the walls, and ultimately, the entire yard full of snow! Will the kids EVER clean up the pink mess? This classic story is the perfect choice for beginning readers and read-alouds! Originally created by Dr. Seuss, Beginner Books encourage children to read all by themselves, with simple words and illustrations that give clues to their meaning.Random House's rhymed, Spanish-language editions of classic Dr. Seuss books make the joyful experience of reading Dr. Seuss books available for the more than 38 million people in the United States who speak Spanish. Readers can enjoy The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez, dos peces, pez rojo, pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!); The Cat in the Hat Comes Back (El Gato Ensombrerado ha regresado); I Can Read With My Eyes Shut! (¡Yo puedo leer con los ojos cerrados!); Horton Hears a Who! (¡Horton escucha a Quién!); And to Think That I Saw It on Mulberry Street (Y pensar que lo vi por la calle Porvenir); The 500 Hats of Bartholomew Cubbins (Los 500 sombreros de Bartolomé Cubbins); There's A Wocket in my Pocket! (¡Hay un Molillo en mi Bolsillo!); Mr. Brown Can Moo! Can You? (¡El Sr. Brown hace Muuu! ¿Podrías hacerlo tú?); Ten Apples on Top! (¡Diez manzanas en la cabeza!); What Pet Should I Get? (¿Cómo podré decidir qué mascota elegir?); and Yertle the Turtle and Other Stories (Yoruga la Tortuga y otros cuentos). Expect new translations to be made available every year!

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The Books We Love in 2016 - The New Yorker Best Poetry Collections of 2015 - The Washington Post Best Books 2015: Poetry - Library Journal Best Books of 2015 - NPR Books 16 Best Poetry Books of 2015 - BuzzFeed Books Juan Felipe Herrera, the first Latino Poet Laureate of the United States and son of Mexican immigrants, grew up in the migrant fields of California. Exuberant and socially engaged, reflective and healing, this collection of new work from the nation's first Latino Poet Laureate is brimming with the wide-open vision and hard-won wisdom of a poet whose life and creative arc have spanned chasms of culture in an endless crossing, dreaming and back again. "[This year] Juan Felipe Herrera's Notes on the Assemblage has been a ladder of hope ..."--Ada Limon, The New Yorker "Juan Felipe Herrera's family has gone from migrant worker to poet laureate of the United States in one generation. One generation. I am an adamant objector to the Horatio Alger myth of pulling oneself up by the bootstraps, but Herrera's story is one of epic American proportions. The heads carved into my own Mount Rushmas would be Cesar Chavez, Dolores Huerta, Frida Kahlo, El Chapulin Colorado, Selena, and Juan Felipe Herrera. Notes from the Assemblage further carves out Herrera's place in American letters."--David Tomas Martinez "At home with field workers, wage slaves, the homeless, little children, old folks, artists, traditionalists, the avant-garde, students, scholars and prisoners, the bilingual Juan Felipe Herrera is the real thing: a populist treasure. He will fulfill his appointment as U.S. Poet Laureate with the same high energy, savvy, passion, compassion, commitment and playfulness that his art and life's have always embodied. Bravo! Bravo!"--Al Young "While reporters can give you the what, when, and where of a war, a poet with the enormous gifts of Juan Herrera can give you its soul."--Ishmael Reed "I am proud that Juan Felipe Herrera has been appointed U.S. Poet Laureate, bringing his truthful, beautiful voice to all of us universally. As the first Chicano Laureate, he will empower all diverse cultures."--Janice Mirikitani "Herrera is ...a sometimes hermetic, wildly inventive, always unpredictable poet, whose work commands attention for its style alone . ..Many poets since the 1960s have dreamed of a new hybrid art, part oral, part written, part English, part something else: an art grounded in ethnic identity, fueled by collective pride, yet irreducibly individual too. Many poets have tried to create such an art: Herrera is one of the first to succeed."--The New York Times "Herrera has the unusual capacity to write convincing political poems that are as personally felt as poems can be."--National Public Radio

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2021 Golden Poppy Award Winner for Poetry - Chosen by the California Independent Booksellers Alliance2022 California Book Award FinalistPolitically astute, filled with wisdom and great humanity, this is poetry meant to conjure a healing and provoke a confrontation, an invitation to a journey through Black America."Words are not the revolution itself, Eisen-Martin seems to say, and yet this book disturbed me more than any other I read this year. It reminds me that poetry can rewire our thinking—can actually change our minds—by using nothing like the rote language we’re so used to hearing in speech and in prose. It can jolt us out of patterns, back into intelligence."—The New York Times, "The Best Poetry of 2021"A rhapsodic follow-up to Tongo Eisen-Martin's Heaven is All Goodbyes, this collection further explores themes of love and loss, family and faith, refracted through the lens of Black experience. These poems honor intellectual tradition and ancestral knowledge while blazing an entirely new path, recording and replaying the poet's sensory travels through America, from its packed metropolises to desolate anytowns. Radical, outraged, knowing, wry, and deeply humane, these are poems of survival that soar with a vision of collective liberation.Praise for Blood on the Fog:"Continuing the lofty tradition of Langston Hughes, June Jordan, and Amiri Baraka, Tongo Eisen-Martin has emerged on center stage as today's premier revolutionary poet. A master craftsman and a sensitive artist, he reserves his sledgehammer words for the cruelty of imperialism. He should not only be read—he should be studied."—Gerald Horne"In Blood on the Fog, find a poetry of 'swinging type body language' where the swinging swings like Ellington and Ali combined, knocking you out inside and out, and turning you around in this extraordinary book."—Terrance Hayes"Black poetry has got to get its head around the deranged way language and the world expect us to be and live again. Tongo has figured this out, is feeling out how to vein the poem with his own life, and that's why I love his work."—Simone White"This is no precious, immortal-aspirational monologue; no autocrat stone of finality; no poor folks as thought experiments. More fugue than state. More disturbance as the groove. If poems are for anything, I feel like it must be this."—Justin Phillip Reed"Blood on the Fog is the illest artifact of time travel I've ever experienced. Tongo Eisen-Martin takes us to a tomorrow and yesterday where we stand—contorted and mangled—but oh so beautiful, faithful and free."—Kiese Laymon"Whether speaking rhyme in slant, calling forward Medgar Evers, or the spirituality of an oppressed people, Eisen-Martin offers stanza after stanza as a sunrise. Each poem leads us towards our liberation. This means these poems are heavy in their desire to free our current state of stoic apathy. This means Tongo Eisen-Martin's poetic legacy will live forever."—Mahogany L. Browne

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Jerusalem had a turbulent history and an urban evolution, which we find described by the historians of Antiquity. For 130 years attempts have been made to trace the lines of the ramparts, understand the sieges, reconstruct the great buildings and reveal the underlying planning. Crusader eyes first discerned the great monuments, long since vanished: Herod’s Temple, Hadrian’s Capitoline temple and Justinian’s long Christian basilica. All they had in front of them was the wall of the Temple, Constantine’s Holy Sepulchre and the Dome of the Rock. They scrutinized Jerusalem tirelessly, with a skill and a passion that still demand respect, and they felt they knew the city. Jerusalem has become a subject that arouses curiosity around the world. The ever-increasing quantity of interdisciplinary research is bringing new documents to light every day. Old maps, the potential of pre-1914 photographs found tucked away in drawers, and the availability of new technologies like satellite photography and computer data-processing are radically changing the methods of investigation. Dominique-Marie Cabaret tackles the whole complexity of the city head-on. Respectfully taking the current state of knowledge on board he conducts his investigation with the analytical skill of an engineer. His alternative approach has opened up new insights for him. Living on the spot, and familiar with the city from years of walking the streets and alleys, secret places, squares and courtyards, he has sought to test his intuitions armed with a pencil, a ten-metre tape-measure and a calculator. He found himself able to discern the geometry of the great works in the districts of the Hasmonean princes, then those of Herod and the whole area of Hadrian’s Aelia Capitolina, transformed by the ravages of time but with their organisational principles still intact. The intersections of the city’s main thoroughfares bear the marks of their ideologies. The sites of the great buildings have left the imprint of their policies or their competing propaganda. Cabaret radically changes our view of ancient Jerusalem. His watchmaker skills are put to excellent use as he describes the city planning grids and places them in relation to each other. Our curiosity builds as we follow along in his text. The city’s quarters were founded by the Hasmonean kings in thesecond century BC and the Damascus Gate square opens into an agora. To the north of the Temple, Herod prepared a quarter for a theatre and its quadriporticus. The Ecce Homo Arch comes back to life as a Herodian gate set in the city’s Second Wall. His ambitious grandson Herod Agrippa extended the city to the north, and this is where the Tomb of the Kings has its place. Everything changed following the destruction of the Temple to accommodate the Tenth Legio Fretensis inside the city walls. Jerusalem was embellished by Hadrian, who made it a Roman colony where he himself and Jupiter were to be worshipped, on the site of the Holy Sepulchre, and the equestrian statue of Hadrian was given pride of place on a sacred platform of the former Jewish Temple. The bold thesis of this work will breathe new life into what promises to become a fruitful debate.

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Organized around real patient scenarios, Clinical Review of Oral and Maxillofacial Surgery: A Case-based Approach, 2nd Edition, covers all the material you need to know for the board, in-service, and certification exams, while also preparing you to handle common patient situations in professional practice. Over 100 teaching cases are brought to life with an overview of the most common clinical presentations, physical examination findings, diagnostic tools, complications, treatments, and discussions of possible issues. This text covers the full scope of modern oral and maxillofacial surgery, while helping you focus on the conditions and disorders which are the most common, or have significant implications for modern clinical practice. "I found this book expressly informative...I would most definitely recommend this book" Reviewed by British Dental Journal, Dec 2014 Case-based approach incorporates teaching around real patient scenarios to actively engage and raise your interest and retention of the information. 103 cases, many of which are new, represent the full scope of modern oral and maxillofacial surgery practice to encompass the most common and significant implications for modern clinical practice, including content emphasized on OMS boards and training exams. Detailed illustrations including one or more radiographs, full-color clinical photographs, or drawings for the majority of cases provide a visual guide to conditions, techniques, diagnoses, and key concepts that will further enhance your understanding and retention of all content. Content that's perfect for all levels of study or practice covers both concepts and techniques that residents and pre-doctoral students can apply in the clinical setting, and the preparation tools necessary for oral and maxillofacial surgery boards and training/certification examinations. NEW! Full-color illustrations and photos give you a better pictures of common surgical techniques and pathology. NEW! Chapter 6: Dental Implant Surgery discusses the contemporary issues related to dental implants - specifically the routine placement of maxillary and mandibular implants, sinus augmentation, zygoma implants, treatment of edentulism, guided implant surgery, extraction socket preservation, and implantology for the esthetic zone. NEW! Section on cone beam computed tomography (CBCT) highlights the role of imaging from diagnosis to image guidance for many surgical procedures. NEW! Section on the advantages of computer assisted surgery highlights virtual surgical planning for a patient who presents for combined surgical and orthodontic correction of his facial asymmetry and apertognathia. NEW! Section on trigeminal neuralgia (TN) walks you through the diagnosis and possible treatments for a patient suffering from trigeminal neuralgia, the signs and symptoms that uniquely define the disorder, and the clinician's ability to recognize the specific diagnostic pattern. NEW! Section on neck dissection, an important aspect of head and neck cancer treatment, provides a case that involves a patient in which right selective neck dissection (I-III) was conducted on the right neck and a selective left neck dissection (I-V) was completed on the left side. NEW! Section on dentoalveolar trauma presents a new case that takes you through diagnosing and treating a patient who presents with anterior maxillary alveolar segment fractures involving teeth #7-9, with lateral luxation and Ellis class III fracture tooth of #9, and an intraoral laceration of the upper lip. NEW! Section on nasal septoplasty addresses a patient with a severely deviated nasal septum to the left, involving the quadrangular cartilage and the bony septum and how septoplasty can make a dramatic change in the patient's quality of life, by facilitating nasal airflow, allowing for better spontaneous drainage of the paranasal sinuses, possibly reducing mouth breathing, and reducing or eliminating the symptoms of snoring, and perhaps lessening the severity of the obstructive sleep apnea syndrome.

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ONE FAMILY’S REVOLT AGAINST EVERYDAY POLLUTION When a beanbag sent thousands of polystyrene balls flying through her garden, Kate Hughes decided to make a break with the throwaway society. She and her husband transformed the lives of their ordinary family of four. They ditched plastic, shunned supermarkets, cooked all meals from scratch, bought only second-hand clothes, and made their own cleaning agents. Then they went deeper – greening every aspect of their home life, from their gas and electricity to their car, from their money to their IT. The Hugheses have achieved the ‘zero waste’ goal of sending nothing to landfill. Now they are going even further… Told with refreshing humility and humour, this eye-opening story shows that a well-lived life doesn’t have to come wrapped in plastic. Packed with handy tips, it reveals much about what makes a fulfilling modern family – and how readers can empower themselves to preserve the climate, forests and seas. And, heart-warmingly, how that can lead to a more relaxing life. Extract Cooking our own meals Wrestling out of the firm grip of the supermarkets has had other, unexpected benefits, too. It’s undoubtedly cheaper to cook from scratch, especially if you can batch cook and fill every available space in your oven to reduce energy costs. The need to become the more organised, list-writing type of shoppers has also helped dramatically cut our food waste. We’re lucky that we can and do buy our raw ingredients from small, independent retailers that source from nearby suppliers and growers and pass on our questions about sustainability, sometimes even with enthusiasm. But what we hadn’t anticipated were the indirect effects of a brand vacuum. If you ever pop round to ours and start randomly opening our kitchen cupboards, fridge or freezer they would probably remind you of a blind taste test or an episode of the BBC’s Eat Well for Less. There’s definitely food in there, but it’s all in label-less jars, paper bags or sometimes even sacks for bulk items like bread flour and oats. At first, visitors find the lack of familiar packaging quite unsettling. We get a lot of questions that start: ‘Is this proper/real/like…?’ as guests hold jars up to the light with badly disguised scepticism. On the plus side, our children now have zero pester power. We don’t need to navigate the snack shuffle at the supermarket checkout because they have no hope of deploying the ‘It’s not the one I like’ argument at mealtimes. Nor, for that matter, have the adults. ... But we were starting to realise that making the journey was leading to more questions than answers, more grey areas, misinformation and conflicts of interest than we ever imagined – and that was just about food. We hadn’t even got started on anything else that came into our home yet. Take a single, uncontroversial ingredient, let’s say peppers. Should we buy them grown in a UK hothouse or ones trucked in from Spain? What if the Spanish ones are organic? Or the only UK option is wrapped in plastic? Which is better for the environment? Or at least less harmful? If we ever want to eat peppers again without negatively impacting the planet in some way are we going to have to grow our own? Because self-sufficiency wasn’t really part of the plan.... All we could do was dive in and hope we didn’t drown in the detail as we swam around looking for food that worked for us and the planet. We started with the problem of transport because food mileage was a well established measure that meant we could actually make some decisions based on numbers for once. Or, at least, we thought we could. Three quarters of all the fruit and veg now eaten in the UK is imported. Almost all the fruit we eat has been grown overseas, and soft fruit in particular is flown in. It turns out that the UK only produces half of all the food that is consumed on these shores – which is somewhat patriotically disconcerting as well as practically unsustainable. Global sourcing is not a new approach to feeding a nation. One of our family stories is the recollection of the first banana my great uncle ever tasted after the Second World War, shipped from the other side of the world and unloaded onto the Liverpool docks. We were very aware that bananas came from overseas. But the fact that such a vast proportion of the apples eaten in Britain are imported from South Africa, or at best France, when the fruit grows very well in the miles of orchards you can see from the motorway near our house seemed to be absurd. The obvious solution appeared to be only to buy food produced not just in the UK but as close to our immediate vicinity as possible. That immediately threw up two questions. The first we were becoming increasingly familiar with. Were we really prepared to give up things we took great pleasure in for the sake of an unquantifiable, but undoubtedly minuscule effect? Or even just to settle for not adding to the runaway levels of damage that our disconnected food shop was causing each and every day? We are children of the 90s. We grew up safe in the knowledge that the world’s produce was at our fingertips at any time of the year. When we were kids, cuisine was regularly valued on the exoticism of its ingredients. Even if your palate was resolutely British, a Sunday roast at an ageing auntie’s always included the smug mention that the family was consuming lamb imported from the other side of the world. Even in our twenties, the craze for exotic bottled water shipped, plastic encased, in vast quantities from tropical islands thousands of miles away, packed a serious economic punch. And then there’s the avocado – a native of Mexico and now all but a dictionary definition of the British Millennial. We had come of age and then brought our children into the world on the assumption that it was normal to buy exotic food cheaply all year round. Things were clearly going to have to change, starting with my obsession with avocado on toast. But the second question was whether a straightforward food mile approach was even a worthwhile aim. When I put the question of food miles to Riverford Organic Farmers, the sustainably produced veg box people, they told me that for most of the year our carbon impact would be smaller if we bought organic tomatoes trucked in from Spain than those heated thanks to fossil fuels in a UK hothouse. That means the answer has to be to eat food grown in the UK at the time of year it is traditionally produced. We finally arrived at a robust solution – seasonal, native eating. Buy the book to find out how they tackled this!

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The Encyclopedia of Medical Robotics combines contributions in four distinct areas of Medical robotics, namely: Minimally Invasive Surgical Robotics, Micro and Nano Robotics in Medicine, Image-guided Surgical Procedures and Interventions, and Rehabilitation Robotics. The volume on Minimally Invasive Surgical Robotics focuses on robotic technologies geared towards challenges and opportunities in minimally invasive surgery and the research, design, implementation and clinical use of minimally invasive robotic systems. The volume on Micro and Nano robotics in Medicine is dedicated to research activities in an area of emerging interdisciplinary technology that is raising new scientific challenges and promising revolutionary advancement in applications such as medicine and biology. The size and range of these systems are at or below the micrometer scale and comprise assemblies of micro and nanoscale components. The volume on Image-guided Surgical Procedures and Interventions focuses primarily on the use of image guidance during surgical procedures and the challenges posed by various imaging environments and how they related to the design and development of robotic systems as well as their clinical applications. This volume also has significant contributions from the clinical viewpoint on some of the challenges in the domain of image-guided interventions. Finally, the volume on Rehabilitation Robotics is dedicated to the state-of-the-art of an emerging interdisciplinary field where robotics, sensors, and feedback are used in novel ways to re-learn, improve, or restore functional movements in humans.Volume 1, Minimally Invasive Surgical Robotics, focuses on an area of robotic applications that was established in the late 1990s, after the first robotics-assisted minimally invasive surgical procedure. This area has since received significant attention from industry and researchers. The teleoperated and ergonomic features of these robotic systems for minimally invasive surgery (MIS) have been able to reduce or eliminate most of the drawbacks of conventional (laparoscopic) MIS. Robotics-assisted MIS procedures have been conducted on over 3 million patients to date — primarily in the areas of urology, gynecology and general surgery using the FDA approved da Vinci® surgical system. The significant commercial and clinical success of the da Vinci® system has resulted in substantial research activity in recent years to reduce invasiveness, increase dexterity, provide additional features such as image guidance and haptic feedback, reduce size and cost, increase portability, and address specific clinical procedures. The area of robotic MIS is therefore in a state of rapid growth fueled by new developments in technologies such as continuum robotics, smart materials, sensing and actuation, and haptics and teleoperation. An important need arising from the incorporation of robotic technology for surgery is that of training in the appropriate use of the technology, and in the assessment of acquired skills. This volume covers the topics mentioned above in four sections. The first section gives an overview of the evolution and current state the da Vinci® system and clinical perspectives from three groups who use it on a regular basis. The second focuses on the research, and describes a number of new developments in surgical robotics that are likely to be the basis for the next generation of robotic MIS systems. The third deals with two important aspects of surgical robotic systems — teleoperation and haptics (the sense of touch). Technology for implementing the latter in a clinical setting is still very much at the research stage. The fourth section focuses on surgical training and skills assessment necessitated by the novelty and complexity of the technologies involved and the need to provide reliable and efficient training and objective assessment in the use of robotic MIS systems.In Volume 2, Micro and Nano Robotics in Medicine, a brief historical overview of the field of medical nanorobotics as well as the state-of-the-art in the field is presented in the introductory chapter. It covers the various types of nanorobotic systems, their applications and future directions in this field. The volume is divided into three themes related to medical applications. The first theme describes the main challenges of microrobotic design for propulsion in vascular media. Such nanoscale robotic agents are envisioned to revolutionize medicine by enabling minimally invasive diagnostic and therapeutic procedures. To be useful, nanorobots must be operated in complex biological fluids and tissues, which are often difficult to penetrate. In this section, a collection of four papers review the potential medical applications of motile nanorobots, catalytic-based propelling agents, biologically-inspired microrobots and nanoscale bacteria-enabled autonomous drug delivery systems. The second theme relates to the use of micro and nanorobots inside the body for drug-delivery and surgical applications. A collection of six chapters is presented in this segment. The first chapter reviews the different robot structures for three different types of surgery, namely laparoscopy, catheterization, and ophthalmic surgery. It highlights the progress of surgical microrobotics toward intracorporeally navigated mechanisms for ultra-minimally invasive interventions. Then, the design of different magnetic actuation platforms used in micro and nanorobotics are described. An overview of magnetic actuation-based control methods for microrobots, with eventually biomedical applications, is also covered in this segment. The third theme discusses the various nanomanipulation strategies that are currently used in biomedicine for cell characterization, injection, fusion and engineering. In-vitro (3D) cell culture has received increasing attention since it has been discovered to provide a better simulation environment of in-vivo cell growth. Nowadays, the rapid progress of robotic technology paves a new path for the highly controllable and flexible 3D cell assembly. One chapter in this segment discusses the applications of micro-nano robotic techniques for 3D cell culture using engineering approaches. Because cell fusion is important in numerous biological events and applications, such as tissue regeneration and cell reprogramming, a chapter on robotic-tweezers cell manipulation system to achieve precise laser-induced cell fusion using optical trapping has been included in this volume. Finally, the segment ends with a chapter on the use of novel MEMS-based characterization of micro-scale tissues instead of mechanical characterization for cell lines studies.Volume 3, Image-guided Surgical Procedures and Interventions, focuses on several aspects ranging from understanding the challenges and opportunities in this domain, to imaging technologies, to image-guided robotic systems for clinical applications. The volume includes several contributions in the area of imaging in the areas of X-Ray fluoroscopy, CT, PET, MR Imaging, Ultrasound imaging, and optical coherence tomography. Ultrasound-based diagnostics and therapeutics as well as ultrasound-guided planning and navigation are also included in this volume in addition to multi-modal imaging techniques and its applications to surgery and various interventions. The application of multi-modal imaging and fusion in the area of prostate biopsy is also covered. Imaging modality compatible robotic systems, sensors and actuator technologies for use in the MRI environment are also included in this work., as is the development of the framework incorporating image-guided modeling for surgery and intervention. Finally, there are several chapters in the clinical applications domain covering cochlear implant surgery, neurosurgery, breast biopsy, prostate cancer treatment, endovascular interventions, neurovascular interventions, robotic capsule endoscopy, and MRI-guided neurosurgical procedures and interventions.Volume 4, Rehabilitation Robotics, is dedicated to the state-of-the-art of an emerging interdisciplinary field where robotics, sensors, and feedback are used in novel ways to relearn, improve, or restore functional movements in humans. This volume attempts to cover a number of topics relevant to the field. The first section addresses an important activity in our daily lives: walking, where the neuromuscular system orchestrates the gait, posture, and balance. Conditions such as stroke, vestibular deficits, or old age impair this important activity. Three chapters on robotic training, gait rehabilitation, and cooperative orthoses describe the current works in the field to address this issue. The second section covers the significant advances in and novel designs of soft actuators and wearable systems that have emerged in the area of prosthetic lower limbs and ankles in recent years, which offer potential for both rehabilitation and human augmentation. These are described in two chapters. The next section addresses an important emphasis in the field of medicine today that strives to bring rehabilitation out from the clinic into the home environment, so that these medical aids are more readily available to users. The current state-of-the-art in this field is described in a chapter. The last section focuses on rehab devices for the pediatric population. Their impairments are life-long and rehabilitation robotics can have an even bigger impact during their lifespan. In recent years, a number of new developments have been made to promote mobility, socialization, and rehabilitation among the very young: the infants and toddlers. These aspects are summarized in two chapters of this volume.

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