Search results for ""Author Robert"

The patch is a customized emblem designed specifically for a particular organization. An emblem is often displayed on patches, decals, plaques, and other memorabilia. Pride and comraderie in the crew is a direct result of the patch as a daily reminder that a specific unit is the best in the Navy. This volume covers over 1,900 patches of US Navy rotary wing aircraft in full color, covering the patches of individual helicopters, schools, organizations, air wings and detachments for all the squadron types HAL, HC, HCS, HCT, HM, HS, HSC, HSL, HSM, HT, HU, HUQ and HX.

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Cunning, monstrous, virtuous. Rediscover the overlooked women of Greek myth.Goddesses and mortals, warriors and muses, women are at the heart of ancient Greek folklore, but their stories have long been eclipsed by those of men. Heroines of Olympus tells the tales of fifty of these enthralling women, including majestic Athena, goddess of war; vengeful Nemesis, goddess of retribution; and gladiatorial Hippolyta, queen of the Amazon.With beautifully written retellings of Greek myths and a fascinating dive into their place in history, alongside exquisite illustrations, celebrate the dazzling and diverse heroines of ancient Greece.

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In the fall of 2008, the world watched in horror as the U.S. housing finance system shattered, triggering a global financial panic and ultimately the Great Recession. Now, nearly a decade later, the long and slow housing recovery has reached a critical moment. Though the housing finance system has stabilized, it remains in the hands of the federal government, leaving taxpayers exposed to the credit risk while private funding remains mostly on the sidelines. Principles of Housing Finance Reform identifies the changes necessary to modernize the housing finance system, identifying guiding principles that should underlie a rebuilt system. Contributors to the volume set out a wealth of innovative solutions that are possible within this framework, presenting proposals for long-term structural reforms that would infuse new life into the U.S. housing finance system while enhancing long-term stability. Nearly a decade after the inception of the Great Recession, reform proposals have arisen across the political spectrum. This is a moment of opportunity for rebuilding a key sector of the U.S. economy. The research in this volume represents the best thinking of policy researchers and economic experts on the challenges that lie ahead and provides a roadmap for reforms to create a system characterized by liquidity, stability, access, and sustainability. Contributors: W. Scott Frame, Meghan Grant, John Griffith, Diana Hancock, Stephanie Heller, Akash Kanojia, Patricia C. Mosser, Kevin A. Park, Wayne Passmore, Roberto G. Quercia, David Scharfstein, Phillip Swagel, Joseph Tracy, Susan M. Wachter, Dale A. Whitman, Mark A. Willis, Joshua Wright.

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In Television as Digital Media, scholars from Australia, the United Kingdom, and the United States combine television studies with new media studies to analyze digital TV as part of digital culture. Taking into account technologies, industries, economies, aesthetics, and various production, user, and audience practices, the contributors develop a new critical paradigm for thinking about television, and the future of television studies, in the digital era. The collection brings together established and emerging scholars, producing an intergenerational dialogue that will be useful for anyone seeking to understand the relationship between television and digital media.Introducing the collection, James Bennett explains how television as digital media is a non-site-specific, hybrid cultural and technological form that spreads across platforms such as mobile phones, games consoles, iPods, and online video services, including YouTube, Hulu and the BBC’s iPlayer. Television as digital media threatens to upset assumptions about television as a mass medium that has helped define the social collective experience, the organization of everyday life, and forms of sociality. As often as we are promised the convenience of the television experience “anytime, anywhere,” we are invited to participate in communities, share television moments, and watch events live. The essays in this collection demonstrate the historical, production, aesthetic, and audience changes and continuities that underpin the emerging meaning of television as digital media.Contributors. James Bennett, William Boddy, Jean Burgess, John Caldwell, Daniel Chamberlain, Max Dawson, Jason Jacobs, Karen Lury, Roberta Pearson, Jeanette Steemers, Niki Strange, Julian Thomas, Graeme Turner

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Leading scholars address the myriad ways in which America’s attitudes about race informed the production of Hollywood films from the 1920s through the 1960s. From the predominantly white star system to segregated mise-en-scènes, Hollywood films reinforced institutionalized racism. The contributors to this volume examine how assumptions about white superiority and colored inferiority and the politics of segregation and assimilation affected Hollywood’s classic period.Contributors: Eric Avila, UCLA; Aaron Baker, Arizona State U; Karla Rae Fuller, Columbia College; Andrew Gordon, U of Florida; Allison Graham, U of Memphis; Joanne Hershfield, U of North Carolina; Cindy Hing-Yuk Wond, College of Staten Island, CUNY; Arthur Knight, William and Mary; Sarah Madsen Hardy, Bryn Mawr; Gina Marchetti, U of Maryland; Gary W. McDonogh; Chandra Mukerji, UC, San Diego; Martin F. Norden, U of Massachusetts; Brian O'Neil, U of Southern Mississippi; Roberta E. Pearson, Cardiff U; Marguerite H. Rippy, Marymount U; Nicholas Sammond; Beretta E. Smith-Shomade, U of Arizona; Peter Stanfield, Southampton Institute; Kelly Thomas; Hernan Vera, U of Florida; Karen Wallace, U of Wisconsin, Oshkosh; Thomas E. Wartenberg, Mount Holyoke; Geoffrey M. White, U of Hawai’i; and Jane Yi.

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The first-ever complete study of the Aldwych farce films (1924-1954) and the plays they were based on. The thirteen Aldwych farces were phenomenally successful in the West End between 1922 and 1933. The stars - Ralph Lynn, Tom Walls and Robertson Hare transferred their work to the screen equally successfully in the early 1930s. With humour that relied more on characterisation and clever wordplay than slapstick, they became top stars of the new sound films, 'talkies'. Also covered in the book are the screen originals written for the team by Ben Travers, the 1930s solo vehicles for both Lynn and Walls, and the later plays and films in which Hare appeared with Alfred Drayton. Each of the forty-eight films featured in the book is described in full, with its cast, credits, plot, history, availability and reviews. Ninety short profiles of the personnel involved (stars, leading ladies, supporting actors, playwrights, screenwriters, producers and directors) are included, as well as 200 rare illustrations.

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Girls are just as clever as boys, and don't you forget it!'When their father is taken away from them one evening, Roberta, Peter and Phyllis's lives change drastically.

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Victorian England is home to the Great Detective, Madame Vastra, her resourceful spouse, Jenny Flint, and their loyal valet, Strax. Solving conundrums, fighting injustice and capturing criminals are all in a day’s work for the Gang – but the most dangerous threat is one that takes up residence undetected. There are trespassers in London, and they are coming to Paternoster Row. Contains three new adventures: 1.1 The Ghost and the Potato Man by Barnaby Kay. When a criminal gang pulls off a series of impossible heists, Inspector Cotton calls upon the talents of the Great Detective to crack the case. Tipped off by Ellie Higson, the Paternoster Gang uncover a link to a baffling music hall act. While Jenny and Vastra chase down leads in London’s dangerous underworld, Strax finds a career on the stage is beckoning… 1.2 Symmetry of Death by Dan Starkey. Cases are mounting for the Paternoster Gang. Three mysteries call for immediate attention: a murder, a locked room conundrum, and some acts of random vandalism. But is there a connection? As Jenny goes undercover and Strax stakes out the suspects, Vastra finds an echo of the distant past which could be the key to the solution. 1.3 Till Death Us Do Part by Lisa McMullin. Jenny has decided she wants a wedding – a real wedding with Vastra, before their family and friends. But the viewing of a dress leads to misunderstandings and confusions, becoming ever more serious. The owner of the dress claims to have been jilted years before by a man both familiar and unfamiliar… the Doctor! As tempers flare, alien forces are at work – and what’s more, there could be a trespasser in Paternoster Row. CAST: Neve McIntosh (Madame Vastra), Catrin Stewart (Jenny Flint), Dan Starkey (Strax / Vauxhall Vinnie / Korgon), Lisa Bowerman (Ellie / Ghosts), Finlay Robertson (Ambrose / Inspector Cotton), Lillie Flynn (Little Annie Lee / Vauxhall Vonnie), David Hall (Reg Adams / Chairman), Thom Petty (Gabriel J Nachtnabel/James Hawke), David Holt (Thomas Crabbe / Butler), Holly Jackson-Walters (Imogen Beauchamp/Mrs Cudd/Chaak & Klaar), Issy van Randwyck (Ma Scarrity / Maid), Harry Myers (Pa Scarrity / Psychiatrist), Beth Chalmers (Miss Faversham), Paul McGann (The Doctor). Other parts played by members of the cast).

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For ten years James Robertson walked the twenty-one-mile round-trip from his Detroit home to his factory job; when his story went viral, it brought him an outpouring of attention and support. But what of Robertson’s Detroit neighbors, likewise stuck in a blighted city without services as basic as a bus line? What they’re left with, after decades of disinvestment and decline, is DIY urbanism—sweeping their own streets, maintaining public parks, planting community gardens, boarding up empty buildings, even acting as real estate agents and landlords for abandoned homes.DIY Detroit describes a phenomenon that, in our times of austerity measures and market-based governance, has become woefully routine as inhabitants of deteriorating cities “domesticate” public services in order to get by. The voices that animate this book humanize Detroit’s troubles—from a middle-class African American civic activist drawn back by a crisis of conscience; to a young Latina stay-at-home mom who has never left the city and whose husband works in construction; to a European woman with a mixed-race adopted family and a passion for social reform, who introduces a chicken coop, goat shed, and market garden into the neighborhood. These people show firsthand how living with disinvestment means getting organized to manage public works on a neighborhood scale, helping friends and family members solve logistical problems, and promoting creativity, compassion, and self-direction as an alternative to broken dreams and passive lifestyles.Kimberley Kinder reveals how the efforts of these Detroiters and others like them create new urban logics and transform the expectations residents have about their environments. At the same time she cautions against romanticizing such acts, which are, after all, short-term solutions to a deep and spreading social injustice that demands comprehensive change.

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Addressing the heterogeneity of and interplay between important concepts guiding modern regional economic development, this volume presents a rich variety of state-of-the-art empirical research. Focusing simultaneously on the meso- and micro-level implications of globalization, drawing attention to incumbent new market seeking in entrepreneurship, and highlighting the various forms innovation can take, the chapters contribute to our understanding of geography as a facilitator of regional dynamics. The comprehensive approach to agglomeration economies, the life-cycle development of industries, proximities and policy responses comes recommended.'- Frank van Oort, Erasmus University Rotterdam and Utrecht University, the Netherlands'I would encourage all researchers interested in entrepreneurship and innovation to read this volume. It provides a new conceptual approach to the link between global economic trends and entrepreneurship, through the role of local space as an important source for innovation. Readers can find old and new issues on the formation of entrepreneurship elegantly linked together, so as to provide new insights into this important field of research.'- Roberta Capello, Politecnico di Milano, ItalyWe have, in recent decades, been able to witness a veritable revolution in the world economy, known as 'globalization'. Generally, the term is connected to the rapid increase of the free movement of goods, capital, people, ideas, information and knowledge around the globe. This book contributes to the meso- and micro-economic literature on innovation and entrepreneurship in the global economy.Extending our understanding of the many different ways that innovation and entrepreneurship contribute to economic development and growth in a globalized economy, the expert contributors highlight that the current wave of globalization has been a period of exceptional entrepreneurship both among large multinational firms and among independent entrepreneurs. They demonstrate that location matters for creativity, innovation and entrepreneurship, and clarify that public policy in a globalized economy must stress knowledge and ideas as the source of competitiveness and economic growth.Both graduates and post graduates, along with university researchers, will find this book to be useful in their studies, particularly those with an interest in innovation and entrepreneurship research, regional economics, economic geography and international economics.Contributors: M.J.Abellán Madrid, J. Abrahamsson, M. Andersson, S. Anokhin, R. Antonietti, D.B. Audretsch, M. Belitski, H. Boter, A. Broström, M.R. Ferrante, A. García-Tabuenca, N.M.George, U. Gråsjö, K.E. Haynes, V. Jienwatcharamongkhol, C. Karlsson, B. Kianian, T.C. Larsson, R. Leoncini, C.Y. Liu, M. McKelvey, G. Painter, J. Parajuli, V. Parida, C. Suárez Gálvez, M.G.A. Svensson, S. Tavassoli, V. Vanyushyn, Q. Wang, K.I. Westeren, J. Wincent, S. Wixe

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In Fragments of Bone, thirteen essayists discuss African religions as forms of resistance and survival in the face of Western cultural hegemony and imperialism. The collection presents scholars working outside of the Western tradition with backgrounds in a variety of disciplines, genders, and nationalities. These experts draw on research, fieldwork, personal interviews, and spiritual introspection to support a provocative thesis: that fragments of ancestral traditions are fluidly interwoven into New World African religions as creolized rituals, symbolic systems, and cultural identities. Contributors: Osei-Mensah Aborampah, Niyi Afolabi, Patrick Bellegarde-Smith, Randy P. Conner, T. J. Desch-Obi, Ina Johanna Fandrich, Kean Gibson, Marilyn Houlberg, Nancy B. Mikelsons, Roberto Nodal, Rafael Ocasio, Miguel "Willie" Ramos, and Denise Ferreira da Silva

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Into the Mèlée probes the mercurial relationship between culture and politics through versatile critical writing on Conrad, Orwell, Sartre, Raymond Williams and Roberto Schwarz, among others. The ‘mèlée’ that Romain Rolland wrote to deplore was the Great War of 1914. The phrase gained general currency as a call to cultural service beyond the pressures of everyday political and social strife, a vocation ‘above the fray’. Francis Mulhern writes in the contrary belief that there is no social location corresponding to this desire, strong and appealing though it may be. Into the Mèlée opens with questions of nationality, from F. R. Leavis’s efforts to assert an English literary subject to Tom Nairn’s political vision of England and Scotland ‘after Britain’. Other essays concern intellectuals and, in one way or another, the politics of revolution and counterrevolution, from Burke to the present. The

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* SPECIFICATIONS: This memory game includes 25 matched pairs of full-color cards (2 1/2 X 3 1/2 inches, 50 cards total, 25 portrait cards and 25 phrase cards) and an illustrated booklet in a two-piece, shrink-wrapped box. * FULL-COLOR ILLUSTRATED PACKAGE: Gift-worthy package is printed in full-color (box, cards, booklet) and features beautiful portraits by artist Gloria Félix.* BOOK INCLUDED: This set includes a fully illustrated 32-page, paperback booklet (3 1/4 X 4 3/4 inches) that highlights inspiring quotes and contributions from 25 Latinas/os throughout U.S. history, as well as game play instructions.* BILINGUAL GAME: All game text, including rules, quotations, and profiles, is presented in both English and Spanish. * FEATURES 25 NOTABLE FIGURES: Sylvia Acevedo, Luis Walter Álvarez, Pura Belpré, Julia de Burgos, César Chávez, Sandra Cisneros, Roberto Clemente, Celia Cruz, Olga Custodio, Jaime Escalante, Emma González, Laurie Hernández, Juan Felip

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In his dark and fetid prison cell, serial killer Daniele de Robertis plans his retribution. The betrayals he has suffered haunt his dreams until, one night, he escapes. In a small, beautiful village in the Tuscan countryside a prominent lawyer and his wife are murdered. As the police inspect the scene they find nine terrifying photographs: nine women, slaughtered. It is Florentine Police Chief Michele Ferrara's worst nightmare: a case involving the untouchable men and women at the top of Italian society, a dark and powerful cult which knows no bounds, and mounting victims. Amongst a web of obsession, manipulation and violence, Ferrara must face his demons. Death Under a Tuscan Sun is an incredibly gripping and atmospheric work of detective fiction, written with incomparable authenticity by former Florentine police chief Michele Giuttari. Originally published in Italian as Il Cuore Oscuro di Firenze.

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By the early months of 2012, it was clear that the appointment of Andre Villas-Boas as head coach at Chelsea wasn't delivering the required success. Instead, the club was spiralling towards its worst season of the Roman Abramovich era. On 4 March, Villas-Boas was dismissed, with his former assistant Roberto Di Matteo made interim head coach until the end of the season. Struggling in the league and with their place in the Champions League in peril, it was an appointment designed to make the best of things until a permanent replacement could be sought in the summer. Instead, under Di Matteo's guidance, Chelsea embarked on a run of performances that not only led to an FA Cup triumph, but resurrected their European hopes with improbable victories over Napoli, Benfica and Guardiola's all-conquering Barcelona before, against all odds, winning the Champions League by defeating Bayern Munich in their own stadium. This is the story of a triumph that came out of the blue.

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Nineteenth-century philologist and Biblical critic William Robertson Smith famously concluded that the sacred status of holy places derives not from their intrinsic nature, but from their social character. Building upon this insight, "Mecca and Eden" uses Islamic exegetical and legal texts to analyze the rituals and objects associated with the sanctuary at Mecca. Integrating Islamic examples into the comparative study of religion, Brannon Wheeler shows how the treatment of rituals, relics, and territory is related to the more general mythological depiction of the origins of Islamic civilization. Along the way, Wheeler considers the contrast between Mecca and Eden in Muslim rituals, the dispersal and collection of relics of the prophet Muhammad, their relationship to the sanctuary at Mecca, and long tombs associated with the gigantic size of certain prophets mentioned in the Quran. "Mecca and Eden" succeeds, as few books have done, in making Islamic sources available to the broader study of religion.

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'Gripping and gritty, this book will keep you hooked from the first page to the last' Roberta Kray'The Leeds setting is every bit as gritty as Kray's East End . . . hard as nails!' Peterborough TelegraphFour months have passed since the shocking death of Frankie Greenwood, but Liberty Greenwood has managed to keep the rest of her family safe and expand their criminal empire.But when Liberty and Jay set out to teach a protection racketeer a lesson things get out of hand and the Greenwoods soon find themselves under attack: the Black Cherry is fire bombed and Crystal is arrested.Liberty must hold her nerve, make alliances with old enemies and discover exactly who is trying to destroy her. But that's easier said than done with Sol back on the scene, Crystal's baby to care for and DI Angel holding enough information on Liberty to put her away for good. Is Liberty Greenwood hard enough?

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Italian philosophy constitutes one of the most vibrant and fruitful areas in contemporary thought, bringing extraordinary novelty to some of the oldest tropes, from human nature to the relation between political power and life, the thinking of actuality and potential, and the nature of work and labour. This reader includes texts by the most renowned thinkers, from Dante and Machiavelli to Giorgio Agamben, Antonio Negri, and Roberto Esposito, all of which are introduced by an expert on the particular thinker, and situated within the context of their work as a whole. The Bloomsbury Italian Philosophy Reader provides a unique resource for students and scholars alike, covering the history of Italian thought to the present day.

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Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini's government that took as their subjects or settings Italy's African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.

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More than 350 beautiful color photographs and a descriptive text depict 18th to mid-20th century Mexican devotional art including danced masks, devils and angels, santos, milagritos, retablos, and ex-votos. These religious items were used in ceremonies both at home and church, and include wood carvings, as well as clay, stone, metal, and paper items. Seven essays include a major new work by historian and scholar Gloria Fraser Giffords, who, along with Tom Pirazzini, edited the essays. Other essays are by Philip Wrench, Roberto G. Cruz Floriano, Janet Brady Esser, Martha J. Egan, and Joanna Stuhr cover ing the history, symbolism, and uses of Mexican devotional art, as well as the methods of manufacture. For historians, folk art connoiseurs, and those who have an interest in Mexican culture, this is an essential and welcome new volume.

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Monograph on Raymond Jungles, a contemporary landscape architect based in Miami known for innovative but timeless design and a commitment to ethical stewardship of the land. For almost 40 years, Raymond Jungles has generated design solutions that respond to surrounding natural systems while restoring nature's balance and harmony on a micro-scale. His completed gardens personify timelessness and beauty, with verdant spaces that entice participation and soothe the psyche. This monograph, the fourth to focus on his work, will present 21 completed projects, along with a section of work in progress featuring sketches, renderings, and site plans of 12 current projects of varying typologies including an 18-acre Phipps Ocean Park in the Town of Palm Beach, Florida. Among the featured works are major landscapes surrounding luxury residential complexes as well as lush private gardens from the mountains in Mexico to volcanic craters in Panama, Caribbean beachfronts, the Florida Keys, and densely populated cities like Manhattan and Miami. Highlights include the restoration of the famed interior garden by the revered landscape architect Dan Kiley at the Ford Foundation Center for Social Justice in New York; a landscape to evoke the work of legendary Brazilian designer Roberto Burle Marx at the New York Botanical Garden, and two new gardens at the the Naples Botanical Garden. Founded in 1985 by Raymond Jungles, the firm’s design priorities are generated by the scale and functionality of a space. Simple, clean, and well-detailed hardscape elements are the quintessential bones of a garden. Planting volumes vary and bold colors and textures are used with intent. The firm is guided by Raymond’s personal and design principles: integrity, relevance, and nature’s honor. Their informed designs tread lightly on the land, provide habitat, and incorporate elements of surprise.

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Fat, unlovely Roberta Teys is found beside her father's headless corpse, wearing her best dress and with an axe in her lap. Her first words are: 'I did it. And I am not sorry' and she refuses to say more.Inspector Thomas Lynley and DS Barbara Havers are sent by Scotland Yard to solve this particularly gruesome murder. And as they navigate their way around a dark labyrinth of secret scandals and appalling crimes, they uncover a series of shocking revelations that shatter the façade of the peaceful Yorkshire village.

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As David Hoffer, 44, rides his Harley Davidson Heritage Softail south on the Laurentian Autoroute to a memorial for a friend who has died of prostate cancer, he worries that he may soon join his pal on the other side. His back is killing him, and he's got a pain in the rear end that just won't go away. Hoffer's pain in the butt may be non-medical. To finance new equipment for his music video production company, he has sold land adjoining his studio to the Children of the Sun, but he has learned that their religious activites don't consist of nude sunbathing. His affair with Roberta, half his age, is complicated by his attachment to his previous lover. His inner child (more dopehead adolescent than squalling infant) is annoyed with him; so is his ex-wife; so is his business partner. So are some other people who don't like his style. Set in 1994 in the Laurentians where the Solar Temple cult was planning its apocalypse, Badass on a Softail is a culture-jamming fugue on what happens when the Age of Aquarius stares into the mirror and sees the Age of Acquisition staring back.

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The lives of 40 men and women behind some of the world’s most exciting gardens. Throughout history great gardeners have risen from all walks of life. Some have been aristocratic amateur gardeners, others professional designers with an international practice. Some have come to garden-making from sister arts such as sculpture or painting; others have been hands-on nurserymen or botanists. What they all have in common is the ability to take an idea and develop it in a new manner relevant to their times. The book contains four sections. ‘Gardens of Ideas’ moves from the politically allusive gardens of 18th-century England made by men such as William Kent, to Charles Jencks’s Scottish garden inspired by 21st-century cosmography. ‘Gardens of Straight Lines’ explores the lives of the great formalist gardeners, from Le Nôtre at Versailles to the rational English minimalism of contemporary designer Christopher Bradley-Hole. ‘Gardens of Curves’ begins with that great exponent of the English landscape garden, ‘Capability’ Brown, and leads to the extraordinary Brazilian designer Roberto Burle Marx. Finally, ‘Gardens of Plantsmanship’ moves from the father of naturalistic planting, William Robinson, to the sweeping prairies of New York’s favourite Dutch designer, Piet Oudolf.

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There are few football clubs in the world that attract as much interest in the modern game as Chelsea. Whether it is the latest observations from former coach Maurizio Sarri, his successor Frank Lampard, big-money transfer targets, the style of play or results in Europe, everybody thinks they know what's happening – or at least has an opinion on it. The arrival in 2003 of Russian billionaire tycoon Roman Abramovich as owner turned a glamorous club with a long history of under-achievement, into an international powerhouse. After one championship in 99 years, the Blues have, in a dozen years, won five Premier League titles, plus the UEFA Champions League, two UEFA Europa League titles, five FA Cups and three Football League Cups. The club always was a magnet for well-known names – vaudeville legend George Robey played for the Pensioners in the club's earliest days – and, in the modern era, Stamford Bridge has become home to a dazzling array of world stars. From Ron 'Chopper' Harris and Ken Bates through Ruud Gullit, Roberto Di Matteo and Glenn Hoddle to Jose Mourinho, John Terry, Zola, Diego Costa and Eden Hazard, there is no lack of characters to draw on for quotes.

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This volume celebrates one of the best known and most loved Italian directors in the world, one of the great masters of tension and horror: Dario Argento. Over the years his cinema has established itself - among cinephiles but not only - for its visionary power, for the search for an aesthetic dimension which is reached through excess. And this excess is not so much what materialises in the virtuosity of the staging of murder and death, as in treating such a brutal and disturbing material in such a way that it becomes something abstract, almost a baroque stylisation. The volume, full of critical essays that investigate the poetics and imagination of Dario Argento, retraces the director’s complete filmography. It also welcomes the testimonies of collaborators and the statements of great directors and actors who shared his long career. Biographies complete the volume. With texts by: Mick Garris, Domenico De Gaetano, Marcello Garofalo, Stefano Della Casa, Piera Detassis, Roberto Pugliese, Alan Jones, Domenico Monetti; testimonianze di: Stefania Casini, Franco Bellomo, Luigi Cozzi, Claudio Simonetti, Sergio Stivaletti, Luciano Tovoli, Antonello Geleng, Pupi Oggiano; fotogrammi tematici: Grazia Paganelli, Matteo Pollone, and Fabio Pezzetti Tonion. Text in English and Italian.

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This volume collects over 350 works created by Francesco Jodice – artist, photographer and filmmaker – over 25 years of his career. His entire production is accompanied by texts by 65 critics, curators and artists. Photographs, films, maps and installations bring about a kaleidoscopic fresco of our time. Texts by: Cecilia Andersson, Gabriele Basilico, Marcella Beccaria, Stefano Boeri, Ilaria Bonacossa, Annelie Bortolotti, Silvia Camporesi, Raúl Cárdenas Osuna, Luca Cerizza, Laura Cherubini, Antonella Crippa, Denis Curti, Catherine David, Anna Dethridge, Giacinto Di Pietrantonio, Sergio Edelsztein, Emiliano Gandolfi, Walter Guadagnini, Anna Maria Guash, Rafael Doctor Roncero, Patrick Henry, Horacio Hernandez, Mimmo Jodice, Filippo Maggia, Rem Koolhaas, Bruno Latour, Amparo Lozano, Gianfranco Maraniello, Thomas Mayr, Massimo Melotti, Marco Meneguzzo, Francesca Alfano Miglietti, Juan José Millás, Luca Molinari, Roberto Murgia, Nobuo Nakamura, Franziska Nori, Rosa Olivares, Costanza Paissan, Cristiana Perrella, Saverio Pesapane, Sandro Petraglia, Christopher Phillips, Rafael Pinilla, Andrea Pinkets, Carlo Artuto Quintavalle, Letizia Ragaglia, Cathy Rémy, Eleonora Roaro, Carlo Sala, Francesco Sala, Gabriele Sassone, Gabi Scardi, Thomas Seelig, Marta Sesé, Angela tecce, The Cool Couple, Roberta Valtorta, Lea vergine, Eugenio Viola, Paul Virilio, Arianna Visani, Francesco Zanot, and Miguel Zugaza.

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Music historian Craig Harris explores more than five hundred years of Indigenous history, religion, and cultural evolution in Rise Up! Indigenous Music in North America. More than powwow drums and wooden flutes, Indigenous music intersects with rock, blues, jazz, folk music, reggae, hip-hop, classical music, and more. Combining deep research with personal stories by nearly four dozen award-winning Indigenous musicians, Harris offers an eye-opening look at the growth of Indigenous music. Among a host of North America’s most vital Indigenous musicians, the biographical narratives include new and well-established figures such as Mildred Bailey, Louis W. Ballard, Cody Blackbird, Donna Coane (Spirit of Thunderheart), Theresa “Bear” Fox, Robbie Robertson, Buffy Sainte-Marie, Joanne Shenandoah, DJ Shub (Dan General), Maria Tallchief, John Trudell, and Fawn Wood.

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One of the most original and prolific economists of the twentieth century, Joan Robinson (1903–83) is widely regarded as the most important woman in the history of economic thought. Robinson studied economics at Cambridge University, where she made a career that lasted some fifty years. She was an unlikely candidate for success at Cambridge. A young woman in 1930 in a university dominated by men, she succeeded despite not having a remarkable academic record, a college fellowship, significant publications, or a powerful patron. In The Provocative Joan Robinson, Nahid Aslanbeigui and Guy Oakes trace the strategies and tactics Robinson used to create her professional identity as a Cambridge economist in the 1930s, examining how she recruited mentors and advocates, carefully defined her objectives, and deftly pursued and exploited opportunities.Aslanbeigui and Oakes demonstrate that Robinson’s professional identity was thoroughly embedded in a local scientific culture in which the Cambridge economists A. C. Pigou, John Maynard Keynes, Dennis Robertson, Piero Sraffa, Richard Kahn (Robinson’s closest friend on the Cambridge faculty), and her husband Austin Robinson were important figures. Although the economists Joan Robinson most admired—Pigou, Keynes, and their mentor Alfred Marshall—had discovered ideas of singular greatness, she was convinced that each had failed to grasp the essential theoretical significance of his own work. She made it her mission to recast their work both to illuminate their major contributions and to redefine a Cambridge tradition of economic thought. Based on the extensive correspondence of Robinson and her colleagues, The Provocative Joan Robinson is the story of a remarkable woman, the intellectual and social world of a legendary group of economists, and the interplay between ideas, ambitions, and disciplinary communities.

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Liverpool FC: Minute by Minute takes you on a fantastic journey through the Reds' matchday history. Relive all the breathtaking goals, heroic penalty saves, sending offs and other memorable moments in this unique by-the-clock guide. From the Reds' early successes to the glory years of domestic and European dominance, the book covers everything from the Bill Shankly era to the heavy-metal swashbuckling football of Jurgen Klopp's thrilling side. Revisit Liverpool's most spectacular modern feats and learn things you didn't know about the club's glorious past. From goals scored in the opening seconds to those last-gasp extra-time winners that have thrilled generations of fans at Anfield and around the world, Liverpool FC: Minute by Minute is packed with memorable moments. From Keegan to Salah, from Neal to Robertson, from European and Champions League finals to bruising Merseyside derbies, battles with the Manchester giants and incredible goals - the book is filled with thrilling memories from kick-off through to the final whistle.

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Celebrated plantsman Roy Lancaster’s birth on 5th December 1937 was the start of something big for plants and horticulture. His chance find of a Mexican tobacco plant in a local allotment brought him fame as a Bolton schoolboy and sowed the seeds of his future career. This book is the story of his adventures as he sees tropical plants for the first time in the jungles of Malaya, meets Roberto Burle Marx at his garden near Rio de Janeiro, and hunts for pitcher plants in North America. Well-known for his encylopedic botanical knowledge and for introducing many popular garden plants, Roy is also a consummate story-teller and wise philosopher. His acute sense of life’s comic moments, spirited sense of adventure and respect for the natural world make this a remarkable read.

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Paul Huxley RA (b.1938) has enjoyed a distinguished career both as a painter and a teacher. Huxley's fascinating artistic life, expertly surveyed by Jeremy Lewison, is at last given the attention that it deserves in this, the first monograph on the artist. Huxley's early interest in abstraction chimed with the dynamism that pulsed through London's art scene in the 1960s. Recognised as a new talent by pioneering curator Bryan Robertson, Huxley enjoyed early success in exhibitions including The New Generation, which opened at the Whitechapel Art Gallery in 1964. Building from this positive critical reception, and immersing himself in the vibrant artistic communities of London and New York, Huxley built a career characterised by an instinct to push boundaries and find new ways to advance the language of abstract painting. Constantly evolving, the artist's rich body of work, highlights of which are presented here, stands as testament to a life committed to tirelessly investigating and c

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By 1920, Buenos Aires was the largest and most cosmopolitan city of Latin America due to mass immigration from Europe. Unbridled urban expansion had drastic effects on the social and cultural topography of the Argentine capital, raising ideological and aesthetic issues that shaped the modernist landscape of the country. Artists across disciplines responded to these changes with conflicting depictions of urban space. Centering these conflicts as a cognitive map of modernity’s new realities in the city and in understandings of the city itself, Buenos Aires and the Arts looks at the interaction between modernity and modernism in literature, photography, film, and painting during the interwar period. This was a time of profound change and heightened cultural activity in Argentina. Eleni Kefala analyzes works by Jorge Luis Borges, Oliverio Girondo, José Ferreyra, Xul Solar, Roberto Arlt, and Horacio Coppola, with a focus on the city of Buenos Aires as a playground of modernity.

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''A vivid, involving and beautifully written story.'' JOSEPH O''CONNOR''A book that draws you in and holds you till the very end'' ANNE GRIFFIN''Sensitive and accurate . . . A page turner'' JAMES ROBERTSON''An eloquent novel . . . I was captivated'' MARGOT LIVESEYFor fans of Ann Patchett, Maggie O''Farrell and Louise Kennedy comes And Now the Light is Everywhere: a breath-taking mystery and a soaring, beautifully written examination of love in all its guises.******Where does a story end and the truth begin?Argyll, 1998.Stories run deep in the MacArthur family, passed from generation to generation. Tales not just of selkies and changelings, but of the lives and deaths of the family themselves. Anna MacArthur has heard how her beautiful grandmother Netta boarded a ship for Canada after the war, leaving behind her young son Donnie, and was never seen

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David Hume, the eighteenth century philosopher, famously declared that ‘the crusades engrossed the attention of Europe and have ever since engaged the curiosity of man kind’. This is the first book length study of how succeeding generations from the First Crusade in 1099 to the present day have understood, refashioned, moulded and manipulated accounts of these medieval wars of religion to suit changing contemporary circumstances and interests. The crusades have attracted some of the leading historical writers, scholars and controversialists from John Foxe (of Book of Martyrs fame), to the philosophers G.W. Leibniz, Voltaire and David Hume, to historians such as William Robertson, Edward Gibbon and Leopold Ranke. Accessibly written, a history of histories and historians, the book will be of interest to students and researchers of crusading history from sixth form to postgraduate level and beyond and to cultural historians of the use of the past and of medievalism.

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LivingThingsfollows four recent graduates Munir, G,Ernesto and Álex who travel from Madrid to the southof France to work the grape harvest. Except things don'tgo as planned: they end up working on an industrialchicken farm and living on a campsite, where a generalsense of menace takes hold. What follows is a compellingand incisive examination of precarious employment,capitalism, immigration and the mass production oflivingthings, all interwoven with the protagonist's thoughts onliterature and the nature of storytelling.A genre-bendingand dystopian eco-thriller,LivingThingsis a punk-likeblend of Roberto Bolaño'sThe Savage DetectivesandSamanta Schweblin'sFever Dream, heralding an excitingnew voice in international fiction.

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Neoliberalism has been a buzzword in literary studies for well over a decade, but its meaning remains ambiguous and its salience contentious. In Neoliberalism and Contemporary Literary Culture, Mitchum Huehls and Rachel Greenwald Smith offer a wide-ranging exploration of contemporary literature through the lens of neoliberalism's economic, social, and cultural ascendance. Bringing together accessible and provocative essays from top literary scholars, this innovative collection examines neoliberalism's influence on literary theory and methodology, literary form, literary representation, and literary institutions. A four-phase approach to the historical emergence of neoliberalism from the early 1970s to the present helps to clarify the complexity of the relationship between neoliberalism and literary culture. Layering that history over the diverse changes in a US-Anglo literary field that has moved away from postmodern forms and sensibilities, the book argues that many literary developments-including the return to realism, the rise of the memoir, the embrace of New Materialist theory, and the pursuit of aesthetic autonomy-make more coherent sense when viewed in light of neoliberalism's ever-increasing expansion into the cultural sphere. The essays gathered here engage a diverse range of theorists, including Michel Foucault, Wendy Brown, Giorgio Agamben, Bruno Latour, Maurice Merleau-Ponty, Gary Becker, and Eve Sedgwick to address the reciprocal relationship between neoliberalism and conceptual fields such as biopolitics, affect, phenomenology, ecology, and new materialist ontology. These theoretical perspectives are complemented by innovative readings of contemporary works of literature by writers such as Jennifer Egan, Ben Lerner, Gillian Flynn, Teju Cole, Jonathan Franzen, Chimamanda Ngozi Adichie, Salvador Plascencia, E. L. James, Lisa Robertson, Kenneth Goldsmith, and many others. Neoliberalism and Contemporary Literary Culture is essential reading for anyone invested in the ever-changing state of literary culture.

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The moving image has become a key marketing tool for luxury fashion, central in enabling brands to shape their visual codes and extend their brand awareness. Fashion Film is the first detailed study of the shifting shape of fashion imagery in the digital age, investigating the role of the moving image in the promotion, communication and spectacle of contemporary fashion. Combining interdisciplinary analysis of cinema and digital culture, this ground-breaking book traces the emergence of fashion film in the 21st century through its historical roots in pre-digital forms of photography, experimental cinema, mass-media advertising and documentary film-making, right up to today’s visual spread of contemporary fashion on video blogs, online magazines and live-streamed catwalk shows. Examining collaborations between fashion designers and pioneering image-makers such as Guy Bourdin, Jean-Paul Goode, William Klein and Nick Knight, the book highlights the critical tension between the fashion film conceived as a creative endeavour and as commercial enterprise. Fashion Film also includes a parallel focus on factual representations of fashion through the recent rise of documentary fashion film that goes behind the scenes to follow the processes and personalities involved in making fashion. Accessible and well-illustrated, Fashion Film will appeal to students and scholars of fashion, film, media, photography, celebrity, sociology and cultural studies.

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The Border Reader brings together canonical and cutting-edge humanities and social science scholarship on the US-Mexico border region. Spotlighting the vibrancy of border studies from the field’s emergence to its enduring significance, the essays mobilize feminist, queer, and critical ethnic studies perspectives to theorize the border as a site of epistemic rupture and knowledge production. The chapters speak to how borders exist as regions where people and nation-states negotiate power, citizenship, and questions of empire. Among other topics, these essays examine the lived experiences of the diverse undocumented people who move through and live in the border region; trace the gendered and sexualized experiences of the border; show how the US-Mexico border has become a site of illegality where immigrant bodies become racialized and excluded; and imagine anti- and post-border futures. Foregrounding the interplay of scholarly inquiry and political urgency stemming from the borderlands, The Border Reader presents a unique cross section of critical interventions on the region. Contributors. Leisy J. Abrego, Gloria E. Anzaldúa, Martha Balaguera, Lionel Cantú, Leo R. Chavez, Raúl Fernández, Rosa-Linda Fregoso, Roberto G. Gonzales, Gilbert G. González, Ramón Gutiérrez, Kelly Lytle Hernández, José E. Limón, Mireya Loza, Alejandro Lugo, Eithne Luibhéid, Martha Menchaca, Cecilia Menjívar, Natalia Molina, Fiamma Montezemolo, Américo Paredes, Néstor Rodríguez, Renato Rosaldo, Gilberto Rosas, María Josefina Saldaña-Portillo, Sonia Saldívar-Hull, Alicia Schmidt Camacho, Sayak Valencia Triana, Carlos G. Vélez-Ibáñez, Patricia Zavella

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Straight from the heart of the music industry, a book that answers a question that has nagged music fans across the nation. What are the best Canadian albums of all time? A unique panel of those who live and breathe Canadian music was assembled. Musicians, broadcasters, club owners, retailers, roadies, and more -- literally hundreds of people across the country cast their votes in this unprecedented poll. Rush's Neil Peart, Ron Sexsmith, Ed Robertson of Barenaked Ladies, Holly Cole, Kim Stockwood, Sass Jordon, Alan Doyle of Great Big Sea, Saturday Night Blues host Holger Peterson, and The Vinyl Café's Stuart McLean are just a few of the people who voted for their favourite albums. Who will make the top 10? Neil or Joni? Rush or The Hip? Leonard or Gordon? The Band or Arcade Fire? The countdown in on! A groundbreaking book, The Top 100 Canadian Albums features cover reproductions and descriptions for each of the albums that make it onto the list, as well as documentary photographs, in-depth interviews, fascinating facts, and musician-contributed sidebars.

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If a billionaire falls out of the sky and dies...who gives a damn?! A wealthy man plummets from the sky and is gruesomely skewered on a church spire. Bizarrely, angel wings are attached to his back. More such deaths follow until, hallelujah, it s raining businessmen. Detective Aisha Bukhari is stumped by this strange phenomenon, until she s visited by her childhood friend, occult investigator John Constantine, who discovers a link between the falling elite and a shocking moment in his and Aisha s misspent youth. How are these killings tied to the first death on John s hands? How does this involve heaven and hell? Even if this is kind of John s fault, will Constantine be happy to let a few more rich bastards fall from the sky, like a vindictive Robin Hood? DC Black Label presents Hellblazer: Rise and Fall an occult mystery from the all-star team of writer Tom Taylor (DCeased) and artist Darick Robertson (The Boys)! Collects all three installments of the degenerate and debauched miniseries along with a variant cover gallery and behind-the-scenes artwork.

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Covering the lives and achievements of five English intelligence officers involved in wars at home and abroad between 1870 and 1918, this exceptionally researched book offers an insight into spying in the age of Victoria. Including material from little-known sources such as memoirs, old biographies and information from M15 and the police history archives, this book is a more detailed sequel to Wade's earlier work, Spies in the Empire. The book examines the social and political context of Victorian spying and the role of intelligence in the Anglo-Boer wars as well as case studies on five intriguing characters: William Melville, Sir John Ardagh, Reginald Wingate and Rudolf Slatin, and William Robertson. Responding to a dearth of books covering this topic, Wade both presents fascinating biographies of some of the most significant figures in the history of intelligence as well as a snapshot of a time in which the experts and amateurs who would eventually become M15 struggled against bias, denigration and confusion.

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