Search results for ""Author Robert"

The acclaimed and accessible Hidden in Plain Sight series showcases the extraordinary contributions made by Aboriginal peoples to Canadian identity and culture. This collection features new accounts of Aboriginal peoples working hard to improve their lives and those of other Canadians, and serves as a powerful contrast to narratives that emphasize themes of victimhood, displacement, and cultural disruption. In this second volume of the series, leading scholars and other experts pay tribute to the enduring influence of Aboriginal peoples on Canadian economic and community development, environmental initiatives, education, politics, and arts and culture. Interspersed are profiles of many significant Aboriginal figures, including singer-songwriter and educator Buffy Sainte-Marie, politician Elijah Harper, entrepreneur Dave Tuccaro, and musician Robbie Robertson. Hidden in Plain Sight continues to enrich and broaden our understandings of Aboriginal and Canadian history, while providing inspiration for a new generation of leaders and luminaries.

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The acclaimed and accessible Hidden in Plain Sight series showcases the extraordinary contributions made by Aboriginal peoples to Canadian identity and culture. This collection features new accounts of Aboriginal peoples working hard to improve their lives and those of other Canadians, and serves as a powerful contrast to narratives that emphasize themes of victimhood, displacement, and cultural disruption. In this second volume of the series, leading scholars and other experts pay tribute to the enduring influence of Aboriginal peoples on Canadian economic and community development, environmental initiatives, education, politics, and arts and culture. Interspersed are profiles of many significant Aboriginal figures, including singer-songwriter and educator Buffy Sainte-Marie, politician Elijah Harper, entrepreneur Dave Tuccaro, and musician Robbie Robertson. Hidden in Plain Sight continues to enrich and broaden our understandings of Aboriginal and Canadian history, while providing inspiration for a new generation of leaders and luminaries.

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Anyone who involves himself with Roberta Wickham is asking for trouble, so naturally Bertie Wooster finds himself in just that situation when he goes to stay with his Aunt Dahlia at Brinkley Court. So much is obvious. Why celebrated loony-doctor Sir Roderick Glossop should be there too, masquerading as a butler, is less clear. As for Bertie’s former headmaster, the ghastly Aubrey Upjohn, the dreadful novelist, Mrs Homer Cream and her eccentric son Wilbert, their presence is entirely perplexing. Without Jeeves to help him solve these mysteries, Bertie nearly comes unstuck. It is only when that peerless manservant returns from his holiday that the resulting tangle of problems is sorted out to everyone’s satisfaction – except Bertie’s.

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Carlo Diano’s Form and Event has long been known in Europe as a major work not only for classical studies but even more for contemporary philosophy. Already available in Italian, French, Spanish, and Greek, it appears here in English for the first time, with a substantial Introduction by Jacques Lezra that situates the book in the genealogy of modern political philosophy. Form and Event reads the two classical categories of its title phenomenologically across Aristotle, the Stoics, and especially Homer. By aligning Achilles with form and Odysseus with event, Diano links event to embodied and situated subjective experience that simultaneously finds its expression in a form that objectifies that experience. Form and event do not exist other than as abstractions for Diano but they do come together in an intermingling that Diano refers to as the “eventic form.” On Diano’s reading, eventic forms interweave subjectively situated and embodied experiences, observable in all domains of human and nonhuman life. A stunning interpretation of Greek antiquity that continues to resonate since its publication in 1952, Form and Event anticipates the work of such French and Italian post-war thinkers as Gilles Deleuze, Alain Badiou, Roberto Esposito, and Giorgio Agamben.

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Inspired by the I Learnt About Flying from That' articles that first appeared in the RAF Flight Safety magazine Air Clues in the 1940s and continues to feature to this day. Men and women of every rank pilots, navigators, engineers, an RAF Regiment officer and airmen too reveal similar intriguing experiences in both war and peace.

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Scholars of postcolonial and LGBT studies examine the validity of the globalization of queer cultures Globalization has a taste for queer cultures. Whether in advertising, film, performance art, the internet, or in the political discourses of human rights in emerging democracies, queerness sells and the transnational circulation of peoples, identities and social movements that we call "globalization" can be liberating to the extent that it incorporates queer lives and cultures. From this perspective, globalization is seen as allowing the emergence of queer identities and cultures on a global scale. The essays in Queer Globalizations bring together scholars of postcolonial and lesbian and gay studies in order to examine from multiple perspectives the narratives that have sought to define globalization. In examining the tales that have been spun about globalization, these scholars have tried not only to assess the validity of the claims made for globalization, they have also attempted to identify the tactics and rhetorical strategies through which these claims and through which global circulation are constructed and operate. Contributors include Joseba Gabilondo, Gayatri Gopinath, Janet Ann Jakobsen, Miranda Joseph, Katie King, William Leap, Lawrence LaFountain-Stokes, Bill Maurer, Cindy Patton, Chela Sandoval, Ann Pellegrini, Silviano Santiago, and Roberto Strongman.

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High Praise for High Impact Philanthropy "Successful navigation through today's changing world of philanthropy requires greater understanding by nonprofits and donors. High Impact Philanthropy meets this need."-Roberta W. Gutman, Executive Director, Motorola Foundation "At a time when the terrain of American philanthropy is so rapidly shifting in new and unprecedented ways, this bright and focused analysis stands as a beacon of innovative thinking for donors and community organizers alike. By sketching in bold strokes the case for more effective collaborative giving, this book may well help transform our communities in the twenty-first century."-Peter deCourcy Hero,President, Community Foundation Silicon Valley "High Impact Philanthropy provides a thoughtful analysis of how venture philanthropy is changing the way nonprofits run and how philanthropists give. Important parallels are made to the business world, demonstrating how nonprofits and donors can both benefit from putting their business hats on and running their organizations and giving programs like businesses."-Jan D'Alessandro Wadsworth, Vice President, AOL Foundation "High Impact Philanthropy is an effective and articulate guide to planning a major gifts strategy, soliciting major gifts from individuals in a personable and efficient manner, and integrating this essential task into the very structure of a nonprofit organization."-Claude Rosenberg, Founder, New Tithing Group

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The Border Reader brings together canonical and cutting-edge humanities and social science scholarship on the US-Mexico border region. Spotlighting the vibrancy of border studies from the field’s emergence to its enduring significance, the essays mobilize feminist, queer, and critical ethnic studies perspectives to theorize the border as a site of epistemic rupture and knowledge production. The chapters speak to how borders exist as regions where people and nation-states negotiate power, citizenship, and questions of empire. Among other topics, these essays examine the lived experiences of the diverse undocumented people who move through and live in the border region; trace the gendered and sexualized experiences of the border; show how the US-Mexico border has become a site of illegality where immigrant bodies become racialized and excluded; and imagine anti- and post-border futures. Foregrounding the interplay of scholarly inquiry and political urgency stemming from the borderlands, The Border Reader presents a unique cross section of critical interventions on the region. Contributors. Leisy J. Abrego, Gloria E. Anzaldúa, Martha Balaguera, Lionel Cantú, Leo R. Chavez, Raúl Fernández, Rosa-Linda Fregoso, Roberto G. Gonzales, Gilbert G. González, Ramón Gutiérrez, Kelly Lytle Hernández, José E. Limón, Mireya Loza, Alejandro Lugo, Eithne Luibhéid, Martha Menchaca, Cecilia Menjívar, Natalia Molina, Fiamma Montezemolo, Américo Paredes, Néstor Rodríguez, Renato Rosaldo, Gilberto Rosas, María Josefina Saldaña-Portillo, Sonia Saldívar-Hull, Alicia Schmidt Camacho, Sayak Valencia Triana, Carlos G. Vélez-Ibáñez, Patricia Zavella

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An unprecedented look at the little-known paintings from Louise Bourgeois’s early years in New York that laid the groundwork for her sculptural practice “The catalog Louise Bourgeois: Paintings, and the revelatory exhibition, . . . were overseen by Clare Davies, who has commissioned an insightful essay from the art historian Briony Fer. But there’s another bonus: Beyond the paintings in the show, the catalog reproduces around 25 more, meaning that three-quarters of Bourgeois’s contribution to modern painting can now be seen in one place.”—Roberta Smith, New York Times, “Best Art Books of 2022” Louise Bourgeois (1911–2010) is celebrated today for her sculptures. Less known are the paintings she produced between her arrival in New York in 1938 and her turn to three-dimensional media in 1949. Crucial to her artistic practice, these early works—the focus of this groundbreaking publication—show how Bourgeois evolved her deeply personal artistic lexicon, and how the themes and motifs she explored in her paintings coalesced into symbols of her sculptural practice. Informed by new archival research and the artist’s extensive diaries, Louise Bourgeois: Paintings explores Bourgeois’s relationship to the New York art world of the 1940s and her development of a unique pictorial language, adding a key element to our understanding of this crucial artist’s career. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (April 11–August 7, 2022) New Orleans Museum of Art (September 8, 2022–January 8, 2023)

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The exploits of Alexander the Great were so remarkable that for centuries after his death the Macedonian ruler seemed a figure more of legend than of history. Thinkers of the European Enlightenment, searching for ancient models to understand contemporary affairs, were the first to critically interpret Alexander’s achievements. As Pierre Briant shows, in the minds of eighteenth-century intellectuals and philosophes, Alexander was the first European: a successful creator of empire who opened the door to new sources of trade and scientific knowledge, and an enlightened leader who brought the fruits of Western civilization to an oppressed and backward “Orient.”In France, Scotland, England, and Germany, Alexander the Great became an important point of reference in discourses from philosophy and history to political economy and geography. Voltaire, Montesquieu, and Robertson asked what lessons Alexander’s empire-building had to teach modern Europeans. They saw the ancient Macedonian as the embodiment of the rational and benevolent Western ruler, a historical model to be emulated as Western powers accelerated their colonial expansion into Asia, India, and the Middle East.For a Europe that had to contend with the formidable Ottoman Empire, Alexander provided an important precedent as the conqueror who had brought great tyrants of the “Orient” to heel. As The First European makes clear, in the minds of Europe’s leading thinkers, Alexander was not an aggressive militarist but a civilizing force whose conquests revitalized Asian lands that had lain stagnant for centuries under the lash of despotic rulers.

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It is increasingly implausible to speak of a purely domestic abortion law, as the legal debates around the world draw on precedents and influences of different national and regional contexts. While the United States and Western Europe may have been the vanguard of abortion law reform in the latter half of the twentieth century, Central and South America are proving to be laboratories of thought and innovation in the twenty-first century, as are particular countries in Africa and Asia. Abortion Law in Transnational Perspective offers a fresh look at significant transnational legal developments in recent years, examining key judicial decisions, constitutional texts, and regulatory reforms of abortion law in order to envision ways ahead. The chapters investigate issues of access, rights, and justice, as well as social constructions of women, sexuality, and pregnancy, through different legal procedures and regimes. They address the promises and risks of using legal procedure to achieve reproductive justice from different national, regional, and international vantage points; how public and courtroom debates are framed within medical, religious, and human rights arguments; the meaning of different narratives that recur in abortion litigation and language; and how respect for women and prenatal life is expressed in various legal regimes. By exploring how legal actors advocate, regulate, and adjudicate the issue of abortion, this timely volume seeks to build on existing developments to bring about change of a larger order. Contributors: Luis Roberto Barroso, Paola Bergallo, Rebecca J. Cook, Bernard M. Dickens, Joanna N. Erdman, Lisa M. Kelly, Adriana Lamačková, Julieta Lemaitre, Alejandro Madrazo, Charles G. Ngwena, Rachel Rebouché, Ruth Rubio-Marín, Sally Sheldon, Reva B. Siegel, Verónica Undurraga, Melissa Upreti.

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Wilfrid Sellars tackled the difficult problems of reconciling Pittsburgh school–style analytic thought, Husserlian phenomenology, and the Myth of the Given. This collection of essays brings into dialogue the analytic philosophy of Wilfrid Sellars—founder of the Pittsburgh school of thought—and phenomenology, with a special focus on the work of Edmund Husserl. The book’s wide-ranging discussions include the famous Myth of the Given but also more traditional problems in the philosophy of mind and phenomenology such as the status of perception and imagination nature of intentionality concept of motivation relationship between linguistic and nonlinguistic experiences relationship between conceptual and preconceptual experiences Moreover, the volume addresses the conflicts between Sellars’s manifest and scientific images of the world and Husserl’s ontology of the life-world. The volume takes as a point of departure Sellars’s criticism of the Myth of the Given, but only to show the many problems that label obscures. Contributors explain aspects of Sellars’s philosophy vis-à-vis Husserl’s phenomenology, articulating the central problems and solutions of each. The book is a must-read for scholars and students interested in learning more about Sellars and for those comparing Continental and analytic philosophical thought. Contributors Walter Hopp Wolfgang Huemer Roberta Lanfredini Danilo Manca Karl Mertens Antonio Nunziante Jacob Rump Daniele De Santis Michela Summa

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The History of Italian Cinema is the most comprehensive guide to Italian film ever published. Written by the foremost scholar of Italian cinema and presented here for the first time in English, this landmark book traces the complete history of filmmaking in Italy, from its origins in the silent era through its golden age in the 1940s, 1950s, and 1960s, and its subsequent decline to its resurgence today. Gian Piero Brunetta covers more than 1,500 films, discussing renowned masters including Roberto Rossellini and Federico Fellini, as well as directors lesser known outside Italy like Dino Risi and Ettore Scola. He examines overlooked Italian genre films such as horror movies, comedies, and Westerns, and he also devotes attention to neglected periods like the Fascist era. Brunetta illuminates the epic scope of Italian filmmaking, showing it to be a powerful cultural force in Italy and leaving no doubt about its enduring influence abroad. Encompassing the social, political, and technical aspects of the craft, he recreates the world of Italian cinema, giving readers rare insights into the actors, cinematographers, film critics, and producers that have made Italian cinema unique. Brunetta's passion as a true fan of Italian movies comes across on every page of this panoramic guide. A delight for film lovers everywhere, The History of Italian Cinema reveals the full artistry of Italian film.

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After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.

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Very Good Jeeves! (1930) is a collection of eleven short stories starring Bertie Wooster in eleven alarming predicaments from which he has to be rescued by his peerless gentleman's gentleman. Whether Bertie is tangling with a red-headed ball of fire such as Roberta Wickham, dealing with an irate headmistress, placating a rampaging aunt, puncturing the wrong hot water bottle, singing 'Sonny Boy', or simply trying to concentrate on his golf handicap, Jeeves is always there to help - though rarely in ways which his employer expects. These brilliantly plotted stories give the essence of Wodehousian comedy.

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Grinding monotony. A diary of panic. The life of the home. A unique collaboration between Creative Writing students at UEA and students of Translation Studies at the University de Alcalá, Unmasked Writings/Historias desconfinadas is a series of five chapbooks mapping the emotional angles of the pandemic and giving voice to the long moments of introspection we all cultivated during the hardest months of this crisis. Each text is presented both in the original English and the translated Spanish.This is volume two, No Date on the Calendar / Sin fecha en el calendario.Cartoons by Willa Froy, translated by Soledad Benavente CeballosUnprecedented by Aayra Khawaja, translated by Javier Romero CastañedaWeekly Routine by Ryan Lenney, translated by Roberto Matei

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Tomie dePaola's glorious paintings are as luminous as the farolitos that light up on the Plaza in Santa Fe for the procession of Las Posadas, the tradition in which Mary and Joseph go from door to door seeking shelter at the inn on Christmas Eve.This year Sister Angie, who is always in charge of the clebration, has to stay home with the flu, and Lupe and Roberto, who are to play Mary and Joseph, get caught in a snowstorm. But a man and a woman no one knows arrive in time to take their place in the procession and then mysteriously disappear at the end before they can be thanked.That night we witness a Christian miracle, for when Sister Angie goes to the cathedral and kneels before the statue of Mary and Jospeh, wet footprints from the snow lead up to the statue.

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The annual "Journal of the Scottish Mountaineering Club" has maintained a continuous record of mountain activities in Scotland since 1890 - 116 years of unbroken publication. This year's journal includes an article celebrating the centenary of the Ladies Scottish Climbing Club. Guy Robertson describes climbing Centurion on Ben Nevis in extraordinary winter conditions. John Mackenzie tells of winter pioneering in Glen Strathfarrar. Gordon Smith gives an account of his 'Dangerous Obsession' with a route on the Grandes Jorasses thirty years ago. Ole Eistrup describes climbing a new route on the Monch with Dougal Haston shortly before his untimely death. There is also a first hand account of what it is like to suffer from Lyme disease. And of course there are all the details of the latest new climbs north of the border.

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* 'A surefire hit' Jo Spain * 'Masterful' Karen Thompson Walker * 'I could not put it down' Eliza Robertson *THIS DAY NEVER HAPPENED.YOU HEAR ME?By a frozen lake, ten-year-old Jesse waits for his father.It's New Year's Day, and his dad promised a fresh start.But Jesse messed it all up. And that's when he meets the woman.In the months ahead, the woman's sudden disappearance sets off a chain of events in Whale Bay, spanning out like fracture lines into the lives of her husband, the detective trying to solve her case, and of Jesse and his family - a young boy cracking like ice under the weight of a terrible secret. How A Woman Becomes a Lake is a chilling literary mystery that asks what happens when we are failed by the ones we love.

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Women have always made video games, from the 1960s and the first-of-its-kind, projector-based Sumerian Game to the blockbuster Uncharted games that defined the early 2000s. Women have been behind the writing, design, scores, and engines that power one of the most influential industries out there. In Gamer Girls, now you can explore the stories of 25 of those women. Bursting with bold artwork, easy-to-read profiles, and real-life stories of the women working on games like Centipede, Final Fantasy, Halo, and more, this dynamic illustrated book shows what a huge role women have played-and will continue to play-in the creation of video games.With additional sidebars about other influential women in the industry, as well as a glossary and additional resources page, Gamer Girls offers a look into the work and lives of influential pixel queens such as: * Roberta Williams (one of the creators of the adventure genre)* Mabel Addis Mergardt (the first person to write a video game)* Muriel Tramis (the French "knight" of video games)* Keiko Erikawa (creator of the otome genre)* Yoko Shimomura (composer for Street Fighter, Final Fantasy, and Kingdom Hearts)* Rebecca Heineman (first national video game tournament champion)* Danielle Bunten Berry (creator of M.U.L.E. and early advocate for multiplayer games)* and more!Whether you're a gamer girl who plays video games, a gamer girl who makes video games, or a parent raising a gamer girl, this entertaining, inspiring book will have you itching to pick up a controller or create your own video games!

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How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide hands-on answers to such questions. Challenging and debating received research wisdom and exploring innovative procedures for rigorous enquiry via archives, technology, practice-as-research, scenography, performer training, applied theatre/performance, body in performance and more, they create a focussed compendium of future research options. Key Features * Created in association with TaPRA, the leading UK Theatre and Performance Research organisation, with chapters produced by specialist groupings. * Provides many detailed project case studies and examples - including successful practice-based PhDs - plus analysis of dynamic couplings between methods, methodologies and skill-sets. * Introduction interrogates crucial qualities of performing arts research that constitute theatre and performance as, variously, single-, multi-, inter-, and trans-disciplinary. * Contributors include: Maggie B. Gale (Chair of Drama, University of Manchester); Steve Dixon (Professor of Digital Performance, Brunel University); Joanne 'Bob' Whalley and Lee Miller (University Lecturers and founders Fictional Dogshelf Theatre Company); Simon Ellis and Rosemary Lee (independent performance/dance makers); Roberta Mock (Professor of Performance, University of Plymouth).

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This highly anticipated catalogue, accompanying Gerhard Richter’s first exhibition with David Zwirner, presents Richter’s last paintings along with his recent explorations in drawing, printing, and sculpture. ---------- “[His last paintings] can feel almost like exquisite texts to be read. . . . Their freshness and spontaneity feels like a new beginning.” — Roberta Smith, The New York Times ----------- Known for his abstract and realist paintings, Gerhard Richter has pursued a diverse and influential practice characterized by a decades-long commitment to the medium and its formal and conceptual possibilities. This remarkable book celebrates the breadth of Richter’s newest bodies of work and archives a historical moment in the artist’s career. Full-color plates and installation views showcase a selection of the artist’s final works on canvas—made just before he announced his retirement from oil painting in 2017—alongside an expansive suite of new drawings made with ink, graphite, and colored pencil on paper, a remarkable series of chromatic inkjet prints titled mood, and a stunning glass sculpture that debuted at the exhibition in New York. A newly commissioned essay by Dieter Schwarz, one of the foremost experts on Richter’s oeuvre, illustrates the artist’s path toward his newest bodies of work, revealing the creative process behind his iconic practice.

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The Griffoni Polyptych is regarded as one of the greatest masterpieces of the Italian Renaissance. Published for the exceptional reunification - after 300 years - of its constituent parts, this book offers the results of a new analysis carried out for this important occasion. Commissioned by Floriano Griffoni for the family chapel in the Basilica of San Petronio in Bologna, the polyptych was painted by Francesco del Cossa and Ercole de 'Roberti between 1470 and 1472. The Ferrarese artists created a fundamental work in the search for a modern feeling of space and volumes, proposing a 'compositional mosaic' which can be considered an alternative to the contemporary works of Piero della Francesca or Andrea Mantegna. Dismantled in 1725 by the new owner of the chapel, the polyptych was never again reunited: the paintings that formed it entered the antiques markets and 16 pieces arrived in the nine museums that still preserve them today. This volume is the most complete monograph on this masterpiece.

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An exploration of the relations between medical and religious discourse and practice in medieval culture, focussing on how they are affected by gender. Current preoccupations with the body have led to a growing interest in the intersections between religion, literature and the history of medicine, and, more specifically, how they converge within a given culture. This collection of essays explores the ways in which aspects of medieval culture were predicated upon an interaction between medical and religious discourses, particularly those inflected by contemporary gendered ideologies. The essays interrogatethis convergence broadly in a number of different ways: textually, conceptually, historically, socially and culturally. They argue for an inextricable relationship between the physical and spiritual in accounts of health, illness and disability, and demonstrate how medical, religious and gender discourses were integrated in medieval culture. Naoë Kukita Yoshikawa is Professor of English in the Faculty of Humanities and Social Sciences at Shizuoka University. Contributors: Louise M. Bishop, Elma Brenner, Joy Hawkins, Roberta Magnani, Takami Matsuda, Liz Herbert McAvoy, Irina Metzler, Denis Renevey, Patricia Skinner, Juliette Vuille, Diane Watt, Naoë Kukita Yoshikawa.

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Essential Papers on the Psychology of Aging contains the classic papers on the period of human development that begins with young adulthood and ends with old age and death. Including material on theory and methodology; basic psychological processes; personality and social psychology; and clinical, applied, and health psychology, the volume presents the best work published in the field, from classic papers to cutting-edge research. Contributors to the volume include P. B. Baltes, J. E. Birren, W. E. Henry, K. F. Riegel, K. W. Schaie, D. Arenberg, H. P. Bahrick, L. K. Hall, D. B. Bromley, D. M. Burke, L. L. Light, N. Charness, F. I. M. Craik, J. McDowd, J. C. Foster, G. A. Taylor, J. G. Gilbert, J. L. Horn, R. B. Cattrell, H. E. Jones, H. S. Conrad, H. C. Lehman, C. C. Miles, W. R. Miles, A. E. D. Schonfield, E. A. Robertson, K. Sward, A. T. Welford, P. T. Costa, R. R. McCrae, B. L. Frederickson, L. L. Carstensen, D. Gutmann, J. S. Jackson, L. M. Chattters, R. J. Taylor, R. Kastenbaum, N. Kogan, M. E. Lachman, G. Bavouvie-Vief, M. De Voe, D. Bulka, M. F. Lowenthal, C. Haven, R. Schulz, M. M. Baltes, S. Honn, E. M. Barton, M. Orzech, D. Lago, F. M. Carp, M. F. Elias, N. R. Schultz, M. A. Robbins, P. K. Elias, R. L. Kahn, S. H. Zarit, N. M. Hilbert, G. Niederehe, J. K. Kiecolt- Glaser, R. Glaser, E. C. Shuttleworth, C. S. Cyer, P. Ogrocki, C. E. Speicher, B. Simon, M. A. Lieberman, S. S. Tobin, V. N. Prock, G. M. McEvoy, W. F. Cascio, S. A. Murrell, S. Himmelbarb, B. L. Neugarten, R. J. Havighurst, C. D. Ryff, K. W. Schaie, S. L. Willis, F. Scogin, L. McElreth, and L. W. Thompson.

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In late 2012, Wayne Holloway-Smith decided to bring his favourite poets and artists into the public eye by offering them a new kind of stage: his living room.Wayne had moved into a new flat in a King’s Cross backstreet. It was secreted yet spacious. Little did he know at that stage how many friends and random members of the public – not to mention journalists and photographers – would descend on the place, sparking salacious rumours and ensuring these ‘salons’ a place in London’s literary folklore. Advertising the events with a hand-drawn map inviting people to ‘follow the trail of moths’, which lined the street from tube station to venue, and filling his kitchen with fine foods, Wayne gave his home over to performances from leading British poets, accompanied by savvy micro-lectures, music and art installations, spanning three nights from December to March. This book contains, in print form, a selection of the work read on those nights, as well as a complete story by writer Imogen Robertson. Unfortunately, we were unable to reproduce the banjo interludes.

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This encyclopedic study is the fruit of twenty years of collecting, research, and study of the most significant American costume jewelry from 1930-1950. It offers readers a meticulous, reliable instrument to knowing these gems, which are often true and proper little works of art. In the two volumes, over 966 photographs show hundreds of jewelry items in full color, with an additional 729 illustrations of patents, advertisements, and historic photos. Thirty-seven companies are included, with addtional chapters on "jelly belly" jewelry and patriotic jewelry in the second volume. In-depth research of the companies makes this the best source on the American costume jewelry industry. The first volume, A-M, covers the companies from Accessocraft to Mosell, and includes Boucher, Coro, Eisenberg, Miriam Haskell, Hobe and others. The second volume N-Z, continues with Norma Jewelry Corp., through Rebajes, Réja, Trifari, to Uncas Manufacturing, with chapters on jelly belly jewelry and American patriotic jewelry.

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WINNER OF THE RESEARCH CATEGORY IN SCOTLAND'S NATIONAL BOOK AWARDS 2023 This edition of The Old Red Sandstone is the first truly new one for a century. It comes in two volumes: Volume 2 reprints the original, and now rare, first edition in facsimile with notes and glossary. Volume 1 explores how Miller wrote his book and why it was so important. Ross-shire born polymath Hugh Miller (1802-56), self-taught stonemason, geologist and writer, was famous in his lifetime across the English-speaking world. On one level, The Old Red Sandstone is a description of the geology of Cromarty, Ross-shire, with diversions into its scenery, history and folklore, but it is also an autobiographical memoir and work of literature. It was enormously popular on its first publication in 1841. The editors have combined their expertise – in history, English literature, Celtic languages and culture (Ralph O’ Connor) and palaeontology, museums, history of geology (Michael A Taylor) – to annotate the text of this most idiosyncratic book for a new generation of readers, and to provide a critical study. In a pre-Darwinian era, Hugh Miller reconciled his geological knowledge with his religious beliefs and his reader-friendly writings encouraged in others an interest in fossils. His writings are, as novelist James Robertson says in the Foreword, still very readable and relevant today.

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The path of a doctoral student can feel challenging and isolating. This guide provides doctoral students with key ideas and support to kick-start a doctoral journey, inspire progress and complete their thesis or dissertation. Featuring observations from experienced supervisors, as well as the reflections of current and recent postgraduate researchers, this intimate and entertaining book offers vital insights into the critical moments in any doctoral experience. Bringing together the voices of doctoral supervisors and candidates past and present from around the globe, How to Keep your Doctorate on Track will be a trusted companion for any PhD, DBA or EdD student. Supervisors and those offering support and guidance to doctoral candidates will also glean valuable insight into fresh approaches and their own practice. Contributors include: A. Alecsandru, F. Archontoulis, C. Atkinson, A. Byrnes-Johnstone, J. Callahan, A. Casey, R. Cole, O.S. Crocco, M. Cseh, Z. Djebali, G. Dobson, J. Donaghey, D.C. Duke, U. Furnier, V.O. Gekara, T. Gray, T.W. Greer, A. Hallin, B. Harney, G. Henry, C. Hughes, P. Jordan, M. Knox, S.F. Lambert, A. Lee, Q.Y. Lee, A. Lobo, R. Markey, N.S. Mauthner, E. McDonald, L. McKerr, D. Nickson, K. Nimon, E. Partlow, H. Prescott, N. Reynolds, S. Riaz, A. Robertson, J. Robinson, K. Rosenbusch, G. Ryan, J.J. Saunders, M. Shirmohammadi, M.K. Tran, A. Trif, M. Valverde, P. Watson Black, V. Webster, R. Whiting, C.F. Wright

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Explores both constants and changes in representations of warlike and violent women in German culture over the past six centuries. Warlike women are a recurring phenomenon in German literature and culture since 1500. Amazons, terrorists, warrior women -- this volume of essays by leading scholars from the UK and Germany analyzes ideas and portrayals of these figures in the visual arts, society, media, and scholarship, always against the backdrop of Germany's development as a culture and as a nation. The contributors look for patterns in the historical portrayal of warlike women, askingthe questions: What cultural signals are sent when women are shown occupying men's spaces by dressing as warriors or in men's clothing? What can legitimize the woman who bears arms? From what is the erotic potential of images linking women and violence derived? Have recent feminist thought and political developments changed representations of warlike women? Contributors: Bettina Brandt, Sarah Colvin, Mererid Puw Davies, Peter Davies, ChristineEifler, Ute Frevert, Kathrin Hoffmann-Curtius, Ritchie Robertson, Daria Santini, Ruth Seifert, Helen Watanabe-O'Kelly. Sarah Colvin is Eudo C. Mason Chair of German at the University of Edinburgh. Helen Watanabe-O'Kellyis Professor of German at Oxford University and Fellow and Tutor of Exeter College, Oxford.

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A groundbreaking volume introduces the unique feminist thought of the longstanding Italian group known as Diotima Introducing Anglophone readers to a potent strain of Italian feminism known to French, Spanish, and German audiences but as yet unavailable in English, Another Mother argues that the question of the mother is essential to comprehend the matrix of contemporary culture and society and to pursue feminist political projects. Focusing on Diotima, a community of women philosophers deeply involved in feminist politics since the 1960s, this volume provides a multifaceted panorama of its engagement with currents of thought including structuralism, psychoanalysis, linguistics, and Marxism. Starting from the simple insight that the mother is the one who gives us both life and language, these thinkers develop concepts of the mother and sexual difference in contemporary society that differ in crucial ways from both French and U.S. feminisms. Arguing that Diotima anticipates many of the themes in contemporary philosophical discourses of biopolitics—exemplified by thinkers such as Giorgio Agamben, Antonio Negri, and Roberto Esposito—Another Mother opens an important space for reflections on the past history of feminism and on feminism’s future. Contributors: Anne Emmanuelle Berger, Paris 8 U–Vincennes Saint-Denis; Ida Dominijanni; Luisa Muraro; Diana Sartori, U of Verona; Chiara Zamboni, U of Verona.

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The contributors to Otherwise Worlds investigate the complex relationships between settler colonialism and anti-Blackness to explore the political possibilities that emerge from such inquiries. Pointing out that presumptions of solidarity, antagonism, or incommensurability between Black and Native communities are insufficient to understand the relationships between the groups, the volume's scholars, artists, and activists look to articulate new modes of living and organizing in the service of creating new futures. Among other topics, they examine the ontological status of Blackness and Indigeneity, possible forms of relationality between Black and Native communities, perspectives on Black and Indigenous sociality, and freeing the flesh from the constraints of violence and settler colonialism. Throughout the volume's essays, art, and interviews, the contributors carefully attend to alternative kinds of relationships between Black and Native communities that can lead toward liberation. In so doing, they critically point to the importance of Black and Indigenous conversations for formulating otherwise worlds. Contributors. Maile Arvin, Marcus Briggs-Cloud, J. Kameron Carter, Ashon Crawley, Denise Ferreira da Silva, Chris Finley, Hotvlkuce Harjo, Sandra Harvey, Chad B. Infante, Tiffany Lethabo King, Jenell Navarro, Lindsay Nixon, Kimberly Robertson, Jared Sexton, Andrea Smith, Cedric Sunray, Se’mana Thompson, Frank B. Wilderson

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Shortlisted for the Royal Society of Literature Ondaatje Prize 2017.A brilliantly distinctive debut set in China in the Second World War, IN A LAND OF PAPER GODS by Rebecca Mackenzie will appeal to readers who loved Oranges Are Not The Only Fruit or The Light Between Oceans.Jiangxi Province, China, 1941. Atop the fabled mountain of Lushan perches a boarding school for the children of British missionaries. While her parents pursue their calling, ten-year-old Henrietta S. Robertson discovers that she, too, has been singled out by the Lord.As Japanese invaders draw closer, Etta and her dorm mates retreat into a world where boundaries between make believe and reality become dangerously blurred. So begins a remarkable journey, through a mystical landscape and to the heart of a war.

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Discover the unique aesthetic of Tadao Ando, the only architect ever to have won the discipline’s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. This collection spans the breadth of Ando’s entire career, including such stunning new projects as the Shanghai Poly Grand Theater and the Roberto Garza Sada Center in Monterrey, Mexico. Each project is profiled through photographs and architectural drawings that explore Ando’s unprecedented use of concrete, wood, water, light, space, and natural forms. Featuring designs from award-winning private homes, churches, museums, and apartment complexes to cultural spaces throughout Japan, South Korea, France, Italy, Germany, Mexico, and the USA, this compact edition brings you up close and personal with a Modernist master.

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