Search results for ""author morris"

It has long been known that almost all elite athletes use imagery and that most sport psychologists apply imagery in working with athletes. But most material on the subject has been, to this point, relegated to single chapters in books, to journal articles, or to conference proceedings.Now Imagery in Sport addresses the breadth of what researchers and practitioners in sport psychology know about the topic, and it treats each issue in depth, considering current theories and research on imagery and its application in sport. The reference also addresses future directions in research and practice for imagery in sport. In doing so, Imagery in Sport provides the most comprehensive look at the state of imagery and its uses in sport today. The authors take readers step by step through understanding, investigating, applying, and advancing imagery in sport. The text includes the following:-Sample scripts, preperformance suggestions, and sport-specific and site-specific tips-Presentation and critical analysis of 10 well-known theoretical frameworks for understanding imagery-A full chapter devoted to understanding and successfully using the available measures of imagery in sport, including how to administer imagery-ability measuresImagery in Sport takes complex theories and presents them clearly, using examples from everyday sport contexts. The book helps readers become familiar with the current knowledge about the topic and learn to view it with a critical eye. And it provides practicing sport psychologists with guidelines and strategies for using imagery to help athletes improve their performances.

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Upgrade your mind to upgrade your life. What if you could accomplish your five-year plan in a matter of months? If that sounds impossible, you're not thinking bravely. Yet. In this transformational guide to changing your life for good, personal development expert and best-selling author Mary Morrissey shows you how to move from stasis to action-by changing the stories you tell yourself. Drawing from advancements in science, timeless principles from wisdom traditions, and her personal stories and insights, Morrissey gives you the tools to overcome "common-hour thinking"-the fact-based, linear way of processing reality that measures what is possible by what resources you believe are available to you-and replace it with the powerful alternative that is brave thinking. Where common-hour thinking is limiting and uncreative, brave thinking is expansive and imaginative, not limited by time or circumstance or even the past. Brave thinkers know that before something can exist in the real world, it must first exist in your mind. Then, it must be grounded in decisive action. If you want results in life that are different from the ones you currently have, you need a different operating system for your mind. It's time to install brave thinking, and start living the life you want.

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The Scots have a unique way of communicating their feelings. Their sayings are cheeky, to the point, rude and always funny. Scotland’s bestselling humour author is back with his latest collection of hilarious Scottish sayings.‘Away an’ bile yer heid an’ mak silly soup!’‘If you don’t behave ah’ll pawn ye an’ sell the ticket.’‘That wan’s in everything but the Co-operative windae!’‘If ah had your money ah wid burn ma ain.’‘Ye’ve goat a heid oan ye like a stair-heid.’‘The gemme’s a bogie.’‘Yer cruisin’ fur a bruisin’.’‘Ah’m that hungry ah could eat a scabbie-heided horse.’‘Castor oil cures everythin’ but a widden leg.’‘Wan minute yer a peacock an’ the next yer a feather duster.’‘Yer talkin’ mince withoot a tattie in sight.’‘Lang may yer lum reek, an’ may a wee moose never leave yer kitchen press wi’ a tear in its ee.’‘Yer herr’s mingin’, hingin’ an’ clingin’.’From the infallible wisdom of the Glesca Granny, to the hilarious patter of larger-than-life conductress Big Aggie MacDonald, Allan Morrison has a sharp eye and a silver tongue when it comes to observational humour.SCOTLAND ON SUNDAY on Haud Ma Chips, Ah’ve Drapped the Wean!

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In Catholicism and American Borders in the Gothic Literary Imagination, Farrell O'Gorman presents the first study of the recurrent role of Catholicism in a Gothic tradition that is essential to the literature of the United States. In this tradition, Catholicism is depicted as threatening to break down borders separating American citizens—or some representative American—from a larger world beyond. While earlier studies of Catholicism in the American literary imagination have tended to highlight the faith's historical association with Europe, O'Gorman stresses how that imagination often responds to a Catholicism associated with Latin America and the Caribbean. On a deeper level, O'Gorman demonstrates how the Gothic tradition he traces here builds on and ultimately transforms the persistent image in modern Anglophone literature of Catholicism as “a religion without a country; indeed, a religion inimical to nationhood.” O'Gorman focuses on the work of J. Hector St. John de Crèvecœur, Herman Melville, Kate Chopin, William Faulkner, Flannery O’Connor, Walker Percy, Cormac McCarthy, and selected contemporary writers including Toni Morrison. These authors, representing historical periods from the early republic to the present day, have distinct experiences of borders within and around their nation and hemisphere, itself an ever-emergent “America.” As O'Gorman carefully documents, they also have distinct experiences of Catholicism and distinct ways of imagining the faith, often shaped at least in part within the Church itself. In their narratives, Catholicism plays a complicated and profound role that ultimately challenges longstanding notions of American exceptionalism and individual autonomy. This analysis contributes not only to discourse regarding Gothic literature and nationalism but also to a broader ongoing dialogue regarding religion, secularism, and American literature.

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The gripping debut techno thriller from cybercrime specialist Daniel Scanlan. FBI Special Agent Ericka Blackwood chases a deadly online predator in a high-stakes hunt for the truth. Perfect for fans of Thomas Harris and Stieg Larsson. He's online. He's anonymous. He's deadly. When a video surfaces on the Dark Web showing a murder no one else could have witnessed, FBI Special Agent Ericka Blackwood starts tracking down the killer. But the case is even darker than Ericka thought. Hidden behind an avatar named Dantalion, a criminal mastermind is feeding his sadistic appetites by directing the crimes of others – and he may have been orchestrating his twisted schemes for years. As Ericka homes in on her target, the tables are suddenly turned. Dantalion has information that will help Ericka fulfil a deeply personal quest for revenge... but only if she risks her career, her life, and the fate of Dantalion's future victims. Does vengeance come at too high a price? Reviewers on The Hacker: 'Frighteningly plausible and deftly written, Daniel Scanlan’s debut is a thrilling roller coaster of twists and turns.' Boyd Morrison 'One of the most engaging and intelligent thrillers of the year.' Kashif Hussein, Best Thriller Books 'A thoroughly disturbing lightning-paced thriller. Dark, twisted and horribly captivating.' Ian Green 'Tense, gripping, brutal, scary – The Hacker has everything you'd want from a thriller.' P.R. Black 'Dark, brutal, scary – yet absolutely riveting.' Samantha Brick 'The author creates an atmosphere of high-tech terror... A modern, thrilling novel.' Promoting Crime Fiction

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In (Don’t) Stop Me If You’ve Heard This Before, Peter Turchi combines personal narrative and close reading of a wide range of stories and novels to reveal how writers create the fiction that matters to us. Building on his much-loved Maps of the Imagination: The Writer as Cartographer, Turchi leads readers and writers to an understanding of how the intricate mechanics of storytelling—including shifts in characters’ authority, the subtle manipulation of images, careful attention to point of view, the strategic release of information, and even digressing from the (apparent) story—can create powerful effects.Using examples from Dickens, Chekhov, and Salinger, and Twain to more contemporary writers including Toni Morrison, Alice Munro, E. L. Doctorow, Jenny Erpenbeck, Adam Johnson, Mohsin Hamid, Jai Chakrabarti, Yoko Ogawa, Richard Powers, Deborah Eisenberg, Olga Tokarczuk, Rachel Cusk, and Colson Whitehead, Turchi offers illuminating insights into the inner workings of fiction as well as practical advice for writers looking to explore their craft from a fresh angle beyond the fundamentals of character and setting, plot, and scene.While these essays draw from decades of teaching undergraduate and graduate students, they also speak to writers working on their own. In “Out of the Workshop, into the Laboratory,” Turchi discusses how anyone can make the most of discussions of stories or novels in progress, and in “Reading Like a Writer” he provides guidelines for learning from writing you admire. Perhaps best of all, these essays by a writer the Houston Chronicle has called “one of the country’s foremost thinkers on the art of writing” are as entertaining as they are edifying, always reminding us of the power and pleasure of storytelling.

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Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses.Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general.Contributors. Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

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The Emperor's Revenge is the new action-packed Oregon Files adventure from bestselling author Clive Cussler.A deadly bank heist, a narrow escape and a secret hidden in history that could cripple life as we know it.Juan Cabrillo and the crew of the Oregon face their toughest challenge yet when a violent bank heist during the Monaco Grand Prix decimates the Corporation's accounts. To get the money back, Juan joins forces with an old friend from his days in the CIA so they can track down a rogue hacker and a ruthless former Ukrainian naval officer.It is only after the hunt begins that the enormity of the plan comes into focus: the bank theft is just the first step in a plot that will result in the deaths of millions and bring the world's economies to a standstill. The catalyst for the scheme? A stunning document stolen during Napoleon's disastrous invasion of Russia.But two hundred years later, it may be the thing that brings Europe to its knees.'Cussler is hard to beat' Daily Mail'The Adventure King' Sunday Express'Nobody does it better... nobody!' Stephen Coonts'Just about the best storyteller in the business' New York Post

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“When you look over your own library, who do you see?” Since founding the beloved Well-Read Black Girl book club in 2015, Glory Edim has emerged as a literary tastemaker for a new generation. Continuing her life’s work to brighten and enrich American reading lives through the work of legendary Black authors, she now launches her Well-Read Black Girl Library Series with On Girlhood. This meticulously selected anthology features a wide range of unique voices, finally illuminating a distinctly robust sector of contemporary literature: groundbreaking short stories that explore the thin yet imperative line between Black girlhood and womanhood. Divided into four themes—Innocence, Belonging, Love, and Self-Discovery—the unforgettable young protagonists within contend with the trials of coming of age that shape who they are and what they will become. With this tradition in mind, Innocence opens with Jamaica Kincaid’s searing “Girl,” in which a mother offers fierce instructions to her impressionable daughter. This deceptively simple yet profound monologue is followed by Toni Morrison’s first and only published short story, the now-canonical “Recitatif,” about two neglected girls who come together in youth only to find themselves on opposite picket lines in adulthood. In Belonging, Toni Cade Bambara’s “The Lesson” follows rambunctious students on a field trip where they are exposed to a new world of luxury. In Love, Dana Johnson’s “Melvin in the Sixth Grade” captures the yearning of a lovesick teen smitten with the only boy who looks her way. And in Self-Discovery, Edwidge Danticat’s “Seeing Things Simply” charts the creative awakening of Princesse, a young woman with a hunger to be fully seen. These inspiring tales of world builders and rule breakers conclude with Zora Neale Hurston’s “How It Feels to Be Colored Me,” a personal essay brimming with wit and strength: “When covered by the waters, I am; and the ebb but reveals me again.” At times heartbreaking and at times hilarious, these stories boldly push past flat stereotypes and powerfully convey the beauty of Black girlhood. In bringing together an array of influential authors—past and present—whose work remains timeless, Glory Edim has created an indispensable compendium for every home library and a soul-stirring guide to coming of age. Featuring stories by Jamaica Kincaid, Toni Morrison, Dorothy West, Rita Dove, Camille Acker, Toni Cade Bambara, Amina Gautier, Alexia Arthurs, Dana Johnson, Alice Walker, Gwendolyn Brooks, Edwidge Danticat, Shay Youngblood, Paule Marshall, and Zora Neale Hurston.

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It is widely accepted that the canon of African American literature has racial realism at its core: African American protagonists, social settings, cultural symbols, and racial-political discourse. As a result, writings that are not preoccupied with race have long been invisible—unpublished, out of print, absent from libraries, rarely discussed among scholars, and omitted from anthologies. However, some of our most celebrated African American authors—from Zora Neale Hurston and Richard Wright to James Baldwin and Toni Morrison—have resisted this canonical rule, even at the cost of critical dismissal and commercial failure. African American Literature Beyond Race revives this remarkable literary corpus, presenting sixteen short stories, novelettes, and excerpts of novels-from the postbellum nineteenth century to the late twentieth century-that demonstrate this act of literary defiance. Each selection is paired with an original introduction by one of today's leading scholars of African American literature, including Hazel V. Carby, Gerald Early, Mae G. Henderson, George Hutchinson, Carla Peterson, Amritjit Singh, and Werner Sollors. By casting African Americans in minor roles and marking the protagonists as racially white, neutral, or ambiguous, these works of fiction explore the thematic complexities of human identity, relations, and culture. At the same time, they force us to confront the basic question, “What is African American literature?” Stories by: James Baldwin, Octavia E. Butler, Samuel R. Delany, Paul Laurence Dunbar, Frances Ellen Watkins Harper, Chester B. Himes, Zora Neale Hurston, Nella Larsen, Toni Morrison, Ann Petry, Wallace Thurman, Jean Toomer, Frank J. Webb, Richard Wright, and Frank Yerby. Critical Introductions by: Hazel V. Carby, John Charles, Gerald Early, Hazel Arnett Ervin, Matthew Guterl, Mae G. Henderson, George B. Hutchinson, Gene Jarrett, Carla L. Peterson, Amritjit Singh, Werner Sollors, and Jeffrey Allen Tucker.

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The Ultimate Guitar Tutor provides a comprehensive introduction to playing the guitar. Suitable for acoustic or electric guitar, the step-by-step approach means no prior knowledge of music is necessary. Whether you are a budding lead guitarist or simply want to strum along with your favourite songs, this book provides all you need and more! The Ultimate Guitar Tutor features an introduction to TAB and standard notation; essential guitar techniques including tuning, power chords, barre chords, hammer-ons, string bending, sliding and left-hand damping; classic songs from legendary artists Jimi Hendrix, The Kinks, Van Morrison, Eagles, Green Day, Nirvana, Elvis Presley, George Michael and R.E.M.; well-known folk and classical tunes and online audio of backing tracks. For more information, audio and page samples visit The Ultimate Guitar Tutor Website. Author Tom Fleming is a skilled and highly experienced guitarist, adept at a wide variety of styles including rock, jazz and folk. He is also an arranger and composer, and an examiner for Rockschool, the UK's only dedicated rock and pop exam board.

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Published to coincide with the 50th anniversary of his death, this book presents new articles by leading authorities on John Ireland and his music, together with transcriptions of his broadcast talks and of interviews with the composer. John Ireland [1879-1962] was one of the most distinctive and distinguished of a generation of exceptional British composers that included Vaughan Williams, Gustav Holst, Frank Bridge and Arnold Bax. They emerged in the decade before the First World War and, in the inter-war years, produced a remarkable body of music. In Ireland's case his was not only the most popular British Piano Concerto of its time, but he also composed a splendid repertoire of songs,piano music, chamber music and orchestral and choral scores. This richly illustrated Companion will be essential for all admirers of the composer. Not only for the performer - pianist, singer, conductor - but for thewider musical public, record collectors and music historians, academics and anyone interested in British music of the earlier twentieth century. Lewis Foreman has drawn on his extensive research into Ireland's life and letters over many years, and, in association with the John Ireland Charitable Trust, has not only commissioned a wide range of chapters from leading performers and writers of today, but has brought together in one convenient format Ireland's own writings on music, the memories of his friends and students (including Britten, Moeran and Arnell) and a selection of important earlier articles. The Companion also includes a complete list of works and themost comprehensive discography of Ireland ever compiled. The accompanying CD contains historical recordings featuring the voice of John Ireland, with two of his broadcast talks, as well as otherwise unobtainable performances of Ireland's music from the composer himself and from other well-known performers of the past. LEWIS FOREMAN is author of Bax: A Composer and His Time [Boydell, 2007] and London: a Musical Gazetteer [Yale 2005]. Contributors: FELIX APRAHAMIAN, RICHARD ARNELL, BENJAMIN BRITTEN, JOCELYN BROOKE, ALAN BUSH, GEOFFREY BUSH, GEORGE DANNATT, JULIE DELLER, JEREMY DIBBLE, EDWIN EVANS, LEWIS FOREMAN, NORAH KIRBY, FREDERICK LAMOND, PHILIP LANCASTER, STEPHEN LE PROVOST, STEPHEN LLOYD, CHARLES MARKES, ROBERT MATTHEW-WALKER, E.J. MOERAN, ANGUS MORRISON, ERIC PARKIN, BRUCE PHILLIPS, C. B. REES, FIONA RICHARDS, ALAN ROWLANDS, R. MURRAY SCHAFER, MARION SCOTT, COLIN SCOTT-SUTHERLAND, HUMPHREY SEARLE, FREDA SWAIN, KENNETH THOMPSON, RODERICK WILLIAMS, KENNETH A. WRIGHT

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Eat Your Heart Out! The best-selling series collecting The Law in order continues as Judge Dredd tests his wits against a grisly selection of Mega-City One’s most maniacal murderers! In the dystopian metropolis Mega-City One, crime lurks around every corner, whether it’s The Surgeon, who feeds on the still beating heart of his victims, the globetrotting blogging serial killer Global Psycho, or the deadly plots in Mega-City One's virtual gardening competitions! The only thing stopping the city from falling into depravity and chaos are the Judges, and toughest of them all is Judge Dredd - Judge, Jury and Executioner! Written by John Wagner (A History of Violence) with Gordon Rennie (Warhammer), Ian Edginton (The Establishment), and Robbie Morrison (The Authority) and boasting art by Henry Flint (Hawk the Slayer), Cam Kennedy (Star Wars: Dark Empire), Arthur Ranson (Anderson, Psi-Divison), Greg Staples (Magic: The Gathering), Ian Gibson (The Ballad of Halo Jones) and D'Israeli (Scarlet Traces), Case Files 42 is another blood pumping collection of taunt crime capers in the nightmarish Mega-City One!

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The Best American Magazine Writing 2022 presents a range of outstanding writing on timely topics, from in-depth reporting to incisive criticism: Kristin Canning calls for a change in how we talk about abortion (Women’s Health), and Ed Yong warns us about the next pandemic (The Atlantic). Matthieu Aikins provides a gripping eyewitness account of the Taliban’s seizure of Kabul (New York Times Magazine). Heidi Blake and Katie J. M. Baker’s “Beyond Britney” examines how people placed under legal guardianship are deprived of their autonomy (BuzzFeed News). Rachel Aviv profiles a psychologist who studies the fallibility of memory—and has testified for defendants including Harvey Weinstein and Bill Cosby (The New Yorker).The anthology includes dispatches from the frontiers of science, exploring why Venus turned out so hellishly unlike Earth (Popular Science) and detailing the potential of NASA’s James Webb Space Telescope (Quanta). It features celebrated writers, including Harper’s magazine pieces by Ann Patchett, whose “These Precious Days” is a powerful story of friendship during the pandemic, and Vivian Gornick, who offers “notes on humiliation.” Carina del Valle Schorske depicts the power of public dance after pandemic isolation (New York Times Magazine). And the NBA icon Kareem Abdul-Jabbar lauds the Black athletes who fought for social justice (AARP the Magazine). Amid the continuing reckoning with racism, authors reconsider tarnished figures. The Black ornithologist and birder J. Drew Lanham assesses the legacy of John James Audubon in the magazine that bears his name, and Jeremy Atherton Lin questions his youthful enthusiasm for Morrissey (Yale Review). Jennifer Senior writes about memory and the lingering grief felt for a friend killed on 9/11 (The Atlantic). The collection concludes with Nishanth Injam’s story of queer first love across religious boundaries, “Come with Me” (Georgia Review).

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This innovative volume, with contributions from well-established and newer authors in the field, offers important contemporary insights on various issues in trade and development. It comprises both updated reviews on classic issues in the field; important contributions on newer areas including informal cross border trade, agglomeration and trade facilitation; and insights from firm studies. One important theme explored here is the greater difficulty Sub-Saharan Africa has had in benefiting from trade compared to East Asia and Latin America.'- Andy McKay, University of Sussex, UKThis timely Handbook comprehensively explores the complex relationships between trade and economic performance in developing countries, illustrating that it is not trade per se that is important but the context, at the firm, country and regional level, in which trade occurs.The Handbook on Trade and Development provides a review of the current understanding of major trade issues facing developing countries through considering specific region or country case studies. Broad topics are covered including trade costs and facilitation; trade preferences; trade and firm performance; and child labor. Chapters on sub-Saharan Africa cover primary commodities, informal cross-border trade, agglomeration and regional integration. Chapters on Latin America include the role of imported technology; exchange rates; export diversification; FDI; and firm exporting. Chapters on East Asia cover the increasing importance of China in world trade and links between trade and environment, labor markets and FDI.This discerning work will be an indispensable reference point for academics, researchers and students of development economics. The broad range of topics covered will provide a useful insight for practitioners and policy makers into the nuances of the complex relationship between trade and the economy in developing regions.Contributors include: C. Ackah, M.R. Agosin, P-.C. Athukorala, L.D.C. Chancí Arango, X. Cirera, E. Cooke, A.M. Fernandes, E. Ferro, R. Garcia, S. Golub, G. Herath, I.T. Kandilov, A. Leblebicio lu, G. Leeves, V. Leyaro, R.A. López, P. McConaghy, J. Menon, A. Mold, O. Morrissey, M. Persson, A. Prizzon, K. Sharma, E. Siba, M. Söderbom, T.T.H. Tambunan, F.E. Turkson, A. Voy, A. Waldkirch, W. Wei, J.S. Wilson, J. Zhang, X. Zhang

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"Only skin deep," "getting under one's skin," "the naked truth": metaphors about the skin pervade the language even as physical embellishments and alterations-tattoos, piercings, skin-lifts, liposuction, tanning, and more-proliferate in Western culture. Yet outside dermatology textbooks, the topic of skin has been largely ignored. This important cultural study shows how our perception of skin has changed from the eighteenth century to the present. Claudia Benthien argues that despite medicine's having penetrated the bodily surface and exposed the interior of the body as never before, skin, paradoxically, has become a more and more unyielding symbol. She examines the changing significance of skin through brilliant analyses of literature, art, philosophy, and anatomical drawings and writings. Benthien discusses the semantic and psychic aspects of touching, feeling, and intellectual perception; the motifs of perforated, armored, or transparent skin; the phantasma of flaying; and much more through close readings of such authors as Kleist, Hawthorne, Balzac, Rilke, Kafka, Plath, Morrison, Wideman, and Ondaatje. Myriad images from the Renaissance, anatomy books, and contemporary visual and performance art enhance the text.

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A brilliant Murphy and Rossi police procedural from Luca Veste, called 'A writer to watch' by Mark Billingham. Social media stars Chloe Morrison and Joe Hooper seem to have it all - until their bodies are found following an anonymous phone call to their high-profile agent. Tied and bound to chairs facing each other, their violent deaths cause a media scrum to descend on Liverpool, with DI David Murphy and DS Laura Rossi assigned to the case. It quickly becomes clear that the killer believes secrets and lies within relationships should have deadly consequences... 'This is a twisty, psychological crime debut in a gritty setting: a new favourite for police procedural lovers' Clare Mackintosh, author of I Let You Go, on Dead Gone 'Top read for police-procedural aficionados looking for a fresh beat' The Times Crime Club ‘An utterly compelling story of murder and celebrity culture in the age of social media obsession’ Eva Dolan ‘Luca Veste is leading the new wave in British crime fiction, using mystery novels to explore social issues, armed with heart, insight, and anger’ Jay Stringer ‘A dark, thrilling ride’ Stav Sherez

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Looking for a missing girl, she finds something even darker…as New York Times bestselling author T.R. Ragan’s gripping series continues. When you search for the missing, there’s no telling what you’ll find. PI Jessie Cole learned that painful truth firsthand when her sister disappeared. Now a new case will test Jessie and Ben once again. Owen Shepard, the public face of one of the country’s biggest health insurance companies, has become the target of a vengeful father. The man blames Shepard for his child’s death and plans to make the CEO know what it’s like to live with a broken heart—and watch others die. After killing two employees, the desperate father kidnaps Shepard’s daughter. Tasked with finding her, Jessie and crime reporter Ben Morrison are running out of time to save her. Meanwhile, Ben is still seeking insight into the man he used to be before a car crash erased his memories. And each discovery is leading Jessie and him down a frightening road. What they find could scar both of them forever.

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'One of the best novels I've read in years: obsessive, intimate and very funny' Blake Morrison, Author of Two Sisters'Stunning . . . it almost feels transgressive' Anthony Cummins, Daily Mail'One of the most startling novels I've read this year' Frances Wilson, TLS'This book is brilliant - brave, truthful and intelligent' Wendy Cope'Funny, philosophical, sobering and wise, Crazy is crammed with insight and laced with great sentences' Claire Kilroy, Guardian'I will break him; he will break me, and when we are broken, we will be even, and then we can be put back together again'Jane has been accustomed to clever, undemonstrative men. So when, as a young woman, she meets Ardu, she is instantly bewitched by his intellect and detachment. What starts as a crush turns into something far darker, an all-consuming obsession, from which, years later, she is still reeling.Crazy is a work of autofiction, a startling story of obsessive love, addiction, motherhood and work. It is a reckoning with fiction and with truth: how these things play out on the body; what it takes for a woman to write out her own life.

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An inspiring collection of quotations from the beloved and bestselling author of I KNOW WHY THE CAGED BIRD SINGS. 'A brilliant writer, a fierce friend and a truly phenomenal woman' BARACK OBAMAInspired by the woman who has inspired us all, Rainbow in the Cloud offers nearly 300 of Maya Angelou's wonderful quotes, organised in themed sections (including art, love, spirituality, womanhood, and life in the American South) - from sage advice and beautiful stanzas to humorous quips and pointed observations - drawn from each of her published works and from her celebrated (and much shared) social media posts. This collection also features special words of wisdom she shared often with her family, chosen by her son, Guy Johnson. 'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY 'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISON

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"You might not be able to afford the top wines, but you can still read about them." — Decanter "It’s a book full of all the grand gestures – sweeping statements, effusive adoration, intense emotion, hyperbole and predictable clichés. Few authors have held back. But somehow, because it’s burgundy, it’s OK. Thank goodness for drunken wolves." — JancisRobinson.com "...a compilation that delivers on the title. Did you know there were once wolves in Burgundy?" — Bloomberg "Some anthologies preserve, some embalm; this one’s exuberantly alive, a divergent parliament, a busy talking place with no whispers." — World Of Fine Wine Burgundy is France's most prized and prestigious wine region today as well as being one of its oldest and most traded, if not always by the English. Its wines, to quote Jay McInerney who contributes, are "for lovers, lunatics and poets…" and are the textbook definition of what terroir is all about. Villages mere metres apart produce wines of startlingly different personalities, and it is one of the rare regions in Europe whose red and white wines are equally celebrated. For all of its precious history it is also a region at the forefront of vinous innovation, with many winemakers certified as biodynamic. It is home to some of the world's most famous wine estates, and its top wines are all made from just one red and one white grape, yet the range of wine styles across the region, from Chablis in the north to Beaujolais in the south is significant. On Burgundy explores all of these themes and ideas with contributions from many of the world's top wine writers, looking at the kings, popes, mavericks and pioneers who have made wine in this region for generations.

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Table of Contents Preface and Acknowledgments Abbreviations KEYNOTE ADDRESS - Yannis HAMILAKIS, Time, Performance, and the Production of a Mnemonic Record: From Feasting to an Archaeology of Eating and Drinking I. FEASTS FOR THE GODS: FEASTING PRACTICES AND RELIGIOUS ASPECTS - Jennifer WILSON, What Were the Women Doing While the Men Were Eating and Drinking? The Evidence of the Frescoes - Anna SIMANDIRAKI, The Minoan Body as a Feast - Bernice JONES, Anthropomorphic Vessels at the Feast: Evidence for Dress or Ornament? - Brent DAVIS, Libation and the Minoan Feast - David COLLARD, Possible Alternatives to Alcohol: The Contextual Analysis of Poppy-shaped Jugs from Cyprus and the Aegean - Dora CONSTANTINIDIS, From Fields to Feasts: Interpreting Aegean Architecture and Iconography in Relation to Feast Preparations - Janice L. CROWLEY, In Honour of the Gods ' But Which Gods? Identifying Deities in Aegean Glyptic - Helene WHITTAKER, The Role of Drinking in Religious Ritual in the Mycenaean Period - Elizabeth SHANK, Decorated Dining Halls - Gullog NORDQUIST, Feasting: Participation and Performance II. FEASTS FOR THE HUMANS: COOKING, FOOD AND WINE - Sarah P. MORRIS, Wine and Water in the Bronze Age: Fermenting, Mixing and Serving Vessels - Thomas M. BROGAN and Andrew J. KOH, Feasting at Mochlos? New Evidence for Wine Production, Storage and Consumption from a Bronze Age Harbor Town on Crete? - Rachel FOX, Tastes, Smells and Spaces: Sensory Perceptions and Mycenaean Palatial Feasting - Bartlomiej LIS, Cooked Food in the Mycenaean Feast ' Evidence from the Cooking Pots - Julie HRUBY, You Are How You Eat: Mycenaean Class and Cuisine IIIa. FEASTS IN THE AEGEAN LANDSCAPE: THE EVIDENCE FROM CRETE - Philip P. BETANCOURT, David S. REESE, Louise L. VERSTEGEN, and Susan C. FERRENCE, Feasts for the Dead: Evidence from the Ossuary at Hagios Charalambos - Luca GIRELLA, Feasts in 'transition'? An overview of feasting practices during MM III in Crete - Loeta TYREE, Athanasia KANTA and Harriet Lewis ROBINSON, Evidence for Ritual Eating and Drinking: A View from Skoteino Cave - Judith REID, Dinnertime at Kato Zakro - Jan DRIESSEN, Alexandre FARNOUX and Charlotte LANGOHR, Favissae. Feasting Pits in LM III - Quentin LETESSON and Jan DRIESSEN, From 'Party' to 'Ritual' to 'Ruin' in Minoan Crete: The Spatial Context of Feasting IIIb. FEASTS IN THE AEGEAN LANDSCAPE: THE EVIDENCE FROM THE MAINLAND - Jennifer O'NEILL, Utility and Metaphor: The Design of The House of Tiles at Lerna - Kim S. SHELTON, Drinking, Toasting, Consumption and Libation: Late Helladic IIIA Pottery and a Cup for Every Occasion - Salvatore VITALE, Ritual Drinking and Eating at LH IIIA2 Early Mitrou, East Lokris. Evidence for Mycenaean Feasting Activities? - Gisela WALBERG and David S. REESE, Feasting at Midea IV. IMAGES OF THE FEAST: ICONOGRAPHY - Ingo PINI, Are there any Representations of Feasting in the Aegean Bronze Age? - Fritz BLAKOLMER, Processions in Aegean Iconography II: Who are the Participants? - Susan C. FERRENCE, Is There Iconography of the Minoan Feast? - Marcia NUGENT, Picturing the Feast ' Recipes as Art. Botanic Motifs of the Late Bronze Age Cycladic Islands V. FEASTS ABROAD: COMPARATIVE EVIDENCE FROM THE EASTERN MEDITERRANEAN - Jennifer M. WEBB and David FRANKEL, Fine Ware Ceramics, Consumption and Commensality: Mechanisms of Horizontal and Vertical Integration in Early Bronze Age Cyprus - Kathryn O. ERIKSSON, Feasting as Part of the Multiculturalism of Late Bronze Age Cyprus - Alison SOUTH, Feasting in Cyprus: a View from Kalavasos - Louise A. HITCHCOCK, Architectures of Feasting - Karen Polinger FOSTER, A Taste for the Exotic - Ann E. KILLEBREW and Justin LEV-TOV, Early Iron Age Feasting and Cuisine: an Indicator of Philistine-Aegean Connectivity? - Aren M. MAEIR, Aegean Feasting and other Indo-European Elements in the Philistine Household -Assaf YASUR-LANDAU, Hard to Handle: Aspects of Organization in Aegean and Near Eastern Feasts VI. FEASTS IN THE TEXTS: THE WRITTEN RECORD - John G. YOUNGER, Food Rations and Portions in Cretan Hieroglyphic Documents - Ioannis FAPPAS, The Use of Perfumed Oils during Feasting Activities: A Comparison of Mycenaean and Near Eastern Written Sources - Stavroula NIKOLOUDIS, Bulls and Belonging: Another Look at PY Cn 3 - Thomas G. PALAIMA, The Significance of Mycenaean Words Relating to Meals, Meal Rituals, and Food - Vassilis P. PETRAKIS, E-ke-ra2-wo A wa-na-ka: The Implications of a Probable Non-Identification for Pylian Feasting and Politics - Cynthia W. SHELMERDINE, Host and Guest at a Mycenaean Feast - Jorg WEILHARTNER, Some Observations on the Commodities in the Linear B Tablets Referring to Sacrificial Banquets AFTERTHOUGHT - Thomas G. PALAIMA, A New Linear B Inscription from the Land Down Under: AUS HO(ME) Bo 2008

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A single treasured keepsake links one unforgettable family across continents in this enthralling saga by Mina Baites, the author of The Silver Music Box. London, 1963. I dream about my sister almost every night. Lilian Morrison has one memento of her beloved sister, Emma: a battered silver music box. A family heirloom that was passed down through two world wars, the box was the key to Lilian’s recent, joyous reunion with the surviving members of her birth family, whom she lost many years earlier when she and her sister fled Hitler’s Germany on the Kindertransport. Now Lilian is compelled to investigate Emma’s final days after the girls were shipped to separate foster families in Britain and the time before Emma was killed in the London Blitz. In London, as she searches for clues to retrace the past, Lilian finds that the anguish of war still reverberates after two decades. In Cape Town, her grandmother courageously protects innocent victims of violence, and in Dublin, a gifted woodworker creates a music box that is strangely similar to the one that Lilian owns. Separate lives will intertwine on a path of healing and hope as the hazy secrets of the past finally come to light.

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Winner, 2021 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association Winner, 2021 Harry Levin Prize, given by the American Comparative Literature Association Winner, 2021 Lambda Literary Award in LGBTQ Studies Argues that Blackness disrupts our essential ideas of race, gender, and, ultimately, the human Rewriting the pernicious, enduring relationship between Blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World breaks open the rancorous debate between Black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. In so doing, Becoming Human demonstrates that the history of racialized gender and maternity, specifically anti-Blackness, is indispensable to future thought on matter, materiality, animality, and posthumanism. Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of Blackness—the process of imagining the Black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of Blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human."

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A comprehensive analysis of the ways in which the black American experience has been depicted in film adaptations of popular literature. The cinematic representation of blacks, especially in silent and early film, was shaped not only by the sentimental racism of the culture but also by the popular literature that distorted black experience and restricted black characters to minor, stereotyped roles. By contrast, in the works of black writers from Oscar Micheaux to Toni Morrison, the black experience has been more fully, more accurately, and usually more sympathetically realized; and from the early days of film, select filmmakers have looked to that literature as the basis for their productions. This revised and expanded historical examination of the practice of such adaptation offers telling insights into the portrayal -- and progress -- of blacks in American movies and culture. This volume reveals that while blacks, on screen and behind the scenes, were often forced to re-create demeaning film stereotypes, they learned how to subvert and exploit the artificiality of their caricatures. It also reveals the ways that black filmmakers, beginning with Micheaux, Noble and George Johnson, and their less prominent colleagues like Emmett Scott, worked within the conventions of cinema and society yet managed to produce films that were, at their best, unconventional and pioneering. Lupack demonstrates that as far back as the 1920s and 1930s, black authors like Paul Laurence Dunbar and Langston Hughes already recognized the need for involvement with film production in order to create pictures that were more representative of black life. The book illustrates the fact that, in recent years, as more black voices found their way to the screen, among the strongest were the voices of women. And above all, it confirms that within the rich tradition of black literature of all genres lie many exciting cinematic possibilities for audiences of all colors. Barbara Tepa Lupack has written extensively on the topic of literary adaptations in cinema and is coauthor (with Alan Lupack) of Illustrating Camelot and King Arthur in America.

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Le livre étudie les connexions repérables et les comparaisons possibles entre les sociétés de l’Eurasie, autour de l’an 1000, afin de percevoir les caractères originaux de chacune au sein de solidarités planétaires. Les historiens spécialistes de domaines très différents: le Japon, les mondes chinois et steppique, indien et musulman, l’empire byzantin, l’Occident chrétien, réunis aux Treilles en 2018 ont observé que la tendance globale au développement de cette période s’accompagne d’une diversification remarquable des cultures. En une démarche de critique constructive de la World History ou Global History, ils ont pu envisager les facteurs communs ayant stimulé la croissance dans divers «mondes» de l’Eurasie (ainsi les changements climatiques) ou ne l’ayant pas autant entravé que ne le croyaient les historiens d’antan (invasions ou infiltrations de peuples guerriers, «barbares»), sans oublier les liens tissés à la fois par des échanges commerciaux et par des religions universalistes. This book considers documented connections and raises comparisons among Eurasian societies around the year 1000; using a global frame, it aims to sketch their distinctive characteristics. Scholars of Japan, China, the steppe regions, India, and the Islamic world, Byzantium, and Western Europe concur that a remarkable diversification of different cultures accompanied demographic and economic growth worldwide. Their sketches of various Eurasian “worlds” suggest a meaningful approach to both world and global History. Some factors, like climate change, fostered interaction; others, like the invasions of nomadic peoples, checked interaction less than previously believed. The authors also demonstrate how trade, exchange transactions, and universalist religions contributed to greater interaction.

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As an anthropology student studying with Franz Boas, Zora Neale Hurston recorded African American folklore in rural central Florida, studied hoodoo in New Orleans and voodoo in Haiti, talked with the last ex-slave to survive the Middle Passage, and collected music from Jamaica. Her ethnographic work would serve as the basis for her novels and other writings in which she shaped a vision of African American Southern rural folk culture articulated through an antiracist concept of culture championed by Boas: culture as plural, relative, and long-lived. Meanwhile, a very different antiracist model of culture learned from Robert Park's sociology allowed Richard Wright to imagine African American culture in terms of severed traditions, marginal consciousness, and generation gaps. In A Genealogy of Literary Multiculturalism, Christopher Douglas uncovers the largely unacknowledged role played by ideas from sociology and anthropology in nourishing the politics and forms of minority writers from diverse backgrounds. Douglas divides the history of multicultural writing in the United States into three periods. The first, which spans the 1920s and 1930s, features minority writers such as Hurston and D'Arcy McNickle, who were indebted to the work of Boas and his attempts to detach culture from race. The second period, from 1940 to the mid-1960s, was a time of assimilation and integration, as seen in the work of authors such as Richard Wright, Jade Snow Wong, John Okada, and Ralph Ellison, who were influenced by currents in sociological thought. The third period focuses on the writers we associate with contemporary literary multiculturalism, including Toni Morrison, N. Scott Momaday, Frank Chin, Ishmael Reed, and Gloria Anzaldúa. Douglas shows that these more recent writers advocated a literary nationalism that was based on a modified Boasian anthropology and that laid the pluralist grounds for our current conception of literary multiculturalism. Ultimately, Douglas's "unified field theory" of multicultural literature brings together divergent African American, Asian American, Mexican American, and Native American literary traditions into one story: of how we moved from thinking about groups as races to thinking about groups as cultures—and then back again.

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The Mongols carved out the largest land-based empire in world history, stretching from Korea to Russia in the north and from China to Syria in the south in the thirteenth century. Along with their leader Chinggis Khan they conjure up images of plunder and total destruction. Chinggis and his descendants introduced a level of violence that had perhaps never been seen in world history. Although this book does not ignore the devastation and killings wrought by the Mongols, it also reveals their contributions. Within two generations, they developed from conquerors and predators seeking booty to rulers who devised policies to foster the economies of the lands they had subjugated. Adopting political and economic institutions familiar to the conquered populations and recruiting native officials, they won over many of their non-Mongol subjects. Mongol nobles were ardent patrons of art and culture. They supported and influenced the production of Chinese porcelains and textiles, Iranian tiles and illustrated manuscripts, and Russian metalwork. Their most significant contribution was to foster the greatest contacts among diverse civilizations in world history. The Mongol peace they imposed on much of Asia and their promotion of trade resulted in considerable travel and relations among numerous merchants, scientists, artists, missionaries, and entertainers of different ethnic groups. It is no accident that Europeans, including Marco Polo, first reached China in this period. Eurasian and perhaps global history starts with the Mongol empire. Rossabi follows the Mongol empire through to collapse due to internal disunity. Struggles for succession and ill-planned and expensive military campaigns ultimately tore apart one of the most influential empires in world history. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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Winner of The Bloody Scotland Crime Debut of the Year 2021Shortlisted for the McIlvanney Prize for Scottish Crime Book of the Year 2021 and the CWA Historical Dagger 2022'A mesmerizing debut. Early gangland Glasgow with the gloss razored off' – Peter James'Peaky Blinders meets William McIlvanney in this rollocking riveting read' – Adrian McKinty, bestselling author of The ChainGlasgow, 1932. When the son-in-law of one of the city’s wealthiest shipbuilders is found floating in the River Clyde with his throat cut, it falls to Inspector Jimmy Dreghorn to lead the murder case – despite sharing a troubled history with the victim’s widow, Isla Lockhart.From the flying fists and flashing blades of Glasgow’s gangland underworld, to the backstabbing upper echelons of government and big business, Dreghorn and his partner ‘Bonnie’ Archie McDaid will have to dig deep into Glasgow society to find out who wanted the man dead and why.All the while, a sadistic murderer stalks the post-war city leaving a trail of dead bodies in their wake. As the case deepens, will Dreghorn find the killer – or lose his own life in the process?Edge of the Grave by Robbie Morrison is a dark historical crime novel set in Glasgow, 1932. A city still recovering from the Great War; split by religious division and swarming with razor gangs. For fans of William McIlvanney’s Laidlaw, Denise Mina and Philip Kerr.'A magnificent and enthralling portrait of a dark and dangerous city . . . Chilling and brutal, but also deeply moving and, most importantly, beautifully written' – Mark Billingham

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Few thirty-day periods in history have been more tumultuous than the fall of Saigon in April of 1975. Few thirty-day periods in history have been more tumultuous than the fall of Saigon in April of 1975. With US military now gone for two years, the North Vietnamese Army routed South Vietnam’s forces, resulting in thousands of refugees pouring into the former colonial capital. The world watched and waited for what many expected would be a bloodbath.Escape from Saigon follows various people trapped in the besieged city. Among them are a former GI attempting to rescue his Vietnamese wife’s terrified relatives; a Vietnamese-American television reporter whose conflicted heritage threatens her future; an American businessman risking his life to smuggle out his employees; and the last remaining US diplomatic personnel in Saigon, including the ambassador, military liaisons, and CIA operatives. The NVA onslaught is spearheaded by two officers—one intent on maintaining military restraint, the other bent on revenge and will sweep up families, friends, and comrades in this final chapter of a war that has already taken millions of lives.Escape from Saigon is a story of a city and its inhabitants struggling to survive in its most desperate hours—a tale that stays true to the historic record while recounting moments of human hardship, courage, and triumph.Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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"Literature and the Relational Self is a tribute to the rich complexity of human nature—as poets, novelists, and relational models of contemporary psychoanalysis mutually attest." —Psychoanalytic Psychologist While psychoanalytic relational perspectives have had a major impact on the clinical world, their value for the field of literary study has yet to be fully recognized. This important book offers a broad overview of relational concepts and theories, and it examines their implications for understanding literary and aesthetic experience as it reviews feminist applications of relational-model theories, and considers D. W. Winnicott's influential ideas about creativity and symbolic play. The eight incisive essays in this volume apply these concepts to a close reading of various nineteenth and twentieth-century literary texts: an essay on Wordsworth, for instance, explores the poet's writing on the imagination in light of Winnicott's ideas about transitional phenomena, while an essay on Woolf and Lawrence compares identity issues in their work from the perspective of feminist object relations theories. The cultural influences that have led to the development of the relational paradigm in the sciences at this particular historical moment have also affected contemporary art and literature. Essays on John Updike, Toni Morrison, Ann Beattie, and Alice Hoffman examine self-other relational dynamics in their texts that reflect larger cultural patterns characteristic of our time. The author reviews feminist applications of relational-model theories and applies these models to works by William Wordsworth, Virginia Woolf, John Updike, Toni Morrison, and others.

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This collection of essays focuses on sacrifice in the context of Jewish and Christian scripture and is inspired by the thought and writings of René Girard. The contributors engage in a dialogue with Girard in their search for answers to key questions about the relation between religion and violence. The book is divided into two parts. The first opens with a conversation in which René Girard and Sandor Goodhart explore the relation between imitation and violence throughout human history, especially in religious culture. It is followed by essays on the subject of sacrifice contributed by some of the most distinguished scholars in the field, including Bruce Chilton, Robert Daly, Louis Feldman, Michael Fishbane, Erich Gruen, and Alan Segal. The second part contains essays on specific scriptural texts (Abraham's sacrifice of Isaac in Genesis 22 and the book of Job in the Jewish tradition, the Gospel and Epistles in the Christian tradition). The authors explore new ways of applying Girardian analysis to episodes of sacrifice and scapegoating, demonstrating that fertile ground remains to further our understanding of violence in the Hebrew and Christian scriptures. Contributors: Sandor Goodhart, Ann W. Astell, René Girard, Thomas Ryba, Michael Fishbane, Bruce Chilton, Robert Daly, S.J., Alan F. Segal, Louis H. Feldman, Erich S. Gruen, Stuart D. Robertson, Matthew Pattillo, Stephen Stern, Chris Allen Carter, William Morrow, William Martin Aiken, Gérard Rossé, Christopher S. Morrissey, Poong-In Lee, Anthony Bartlett

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"Doctors reading this book will not only be convinced of the need for medical supervison (for all doctors - even pathologists and coroners); they will also be given a handy smorgasbord of different types of medical supervision from which to choose ... There may not be many ways of rekindling the spark of compassion and loving kindness that made us want to become health professionals at the start of our careers, but Owen and Shohet have demonstrated that empathic supervision, whether this is from fellow professionals or from peers, is certainly one way of achieving this."Brian Kaplan, MDWith a foreword by Iona Heath, President of the Royal College of General Practitioners.This book helps trainee and practicing doctors to develop a broader understanding of supervision. Written by doctors and other medical specialists experienced in clinical supervision it gives the reader the means to enable, structure and develop their reflective practice. It provides practical tools to engage positively with regulatory challenges, increase satisfaction at work and improve quality of care. Clinical Supervision in the Medical Profession considers the reasons for clinical supervision and how it can support doctors and even transform how they engage with challenging issues. The authors outline a range of ways that they have put clinical supervision into practice and how it has benefitted their work. Contributors Christine Dunkley, Helen Halpern, Anita Houghton, Sue Morrison, David Owen, Patricia Ridsdale, Paul Sackin, John Salinsky, Robin Shohet, Maggie Stanton, Guy Undrill and Sonya Wallbank.

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In his cogent and groundbreaking book, From Slave Ship to Supermax, Patrick Elliot Alexander argues that the disciplinary logic and violence of slavery haunt depictions of the contemporary U.S. prison in late twentieth-century Black fiction. Alexander links representations of prison life in James Baldwin’s novel If Beale Street Could Talk to his engagements with imprisoned intellectuals like George Jackson, who exposed historical continuities between slavery and mass incarceration. Likewise, Alexander reveals how Toni Morrison’s Beloved was informed by Angela Y. Davis’s jail writings on slavery-reminiscent practices in contemporary women’s facilities. Alexander also examines recurring associations between slave ships and prisons in Charles Johnson’s Middle Passage, and connects slavery’s logic of racialized premature death to scenes of death row imprisonment in Ernest Gaines’ A Lesson Before Dying. Alexander ultimately makes the case that contemporary Black novelists depict racial terror as a centuries-spanning social control practice that structured carceral life on slave ships and slave plantations—and that mass-produces prisoners and prisoner abuse in post–Civil Rights America. These authors expand free society’s view of torment confronted and combated in the prison industrial complex, where discriminatory laws and the institutionalization of secrecy have reinstated slavery’s system of dehumanization.

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In his cogent and groundbreaking book, From Slave Ship to Supermax, Patrick Elliot Alexander argues that the disciplinary logic and violence of slavery haunt depictions of the contemporary U.S. prison in late twentieth-century Black fiction. Alexander links representations of prison life in James Baldwin’s novel If Beale Street Could Talk to his engagements with imprisoned intellectuals like George Jackson, who exposed historical continuities between slavery and mass incarceration. Likewise, Alexander reveals how Toni Morrison’s Beloved was informed by Angela Y. Davis’s jail writings on slavery-reminiscent practices in contemporary women’s facilities. Alexander also examines recurring associations between slave ships and prisons in Charles Johnson’s Middle Passage, and connects slavery’s logic of racialized premature death to scenes of death row imprisonment in Ernest Gaines’ A Lesson Before Dying. Alexander ultimately makes the case that contemporary Black novelists depict racial terror as a centuries-spanning social control practice that structured carceral life on slave ships and slave plantations—and that mass-produces prisoners and prisoner abuse in post–Civil Rights America. These authors expand free society’s view of torment confronted and combated in the prison industrial complex, where discriminatory laws and the institutionalization of secrecy have reinstated slavery’s system of dehumanization.

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In this celebration of contemporary American fiction, Kathryn Hume explores how estrangement from America has shaped the fiction of a literary generation, which she calls the Generation of the Lost Dream. In breaking down the divisions among standard categories of race, religion, ethnicity, and gender, Hume identifies shared core concerns, values, and techniques among seemingly disparate and unconnected writers including T. Coraghessan Boyle, Ralph Ellison, Russell Banks, Gloria Naylor, Tim O'Brien, Maxine Hong Kingston, Walker Percy, N. Scott Momaday, John Updike, Toni Morrison, William Kennedy, Julia Alvarez, Thomas Pynchon, Leslie Marmon Silko, and Don DeLillo. Hume explores fictional treatments of the slippage in the immigrant experience between America's promise and its reality. She exposes the political link between contemporary stories of lost innocence and liberalism's inadequacies. She also invites us to look at the literary challenge to scientific materialism in various searches for a spiritual dimension in life. The expansive future promised by the American Dream has been replaced, Hume finds, by a sense of tarnished morality and a melancholy loss of faith in America's exceptionalism. American Dream, American Nightmare examines the differing critiques of America embedded in nearly a hundred novels and points to the source for recovery that appeals to many of the authors.

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‘Her intensity and intimacy are engaging’ Blake Morrison, Guardian ‘A lovely, urgent, serious book' Tessa Hadley ‘Refreshing and unexpected’ Daisy Hay, Financial Times Brilliantly interweaving literary criticism, biography and memoir, Look! We Have Come Through! is a captivating exhumation of an author and a compelling manifesto for exposing ourselves to difficult and dangerous views. Lara Feigel listens to birds outside her window – their circling, strident calls – and thinks of D. H. Lawrence. It is the spring of 2020 and, as the pandemic takes hold, she locks down in rural Oxfordshire with her partner, her two children, and that most explosive of writers. Proceeding month by month through the year, she sets out to start again with Lawrence: to find vital literary companionship; to use him as a guide to rural living and even, unexpectedly, to child-rearing; to find a way through his writing to excavate the modern world she feels he helped bring into being. Tracing the arc of Lawrence’s life and delving deep into his writings, she confronts his anger, his passion, his tumultuous vitality. In the process, she faces some of today’s most urgent dilemmas, from secular religion to the climate crisis, from sex and sexuality to feminism’s ideas about motherhood. And, as she watches the seasons change alongside Lawrence, Feigel finds the rhythms of her own life shifting in unexpected ways.

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From the beloved New York Times bestselling author of the Practical Magic series comes an enchanting novel about love, heartbreak, self-discovery and the enduring magic of books. Sixteen-year-old Ivy is pregnant and alone. Cast out by her family, she runs away and finds safety in the arms of Joel Davis. He offers a simpler life than the one she had in Boston, a quiet, rural life of rules, peace and community. Little does she realise, Joel is the charismatic leader of a cult known as the Community, and all is not quite as it seems. Daughter Mia has only known the claustrophobic life of the Community. While out serving the Community one weekend, she secretly commits a transgression – reading. Discovering a world beyond the edges of the Community’s property is intoxicating. But breaking rules carries serious consequences, and sends Mia on a path she could never have imagined. With two fiercely wonderful heroines, The Invisible Hour is a heart-breaking and hopeful novel of family, redemption and the power of love.Praise for Alice Hoffman ‘Beautiful, harrowing, a major contribution to twenty-first century literature’Toni Morrison ‘I am still reeling from The Dovekeepers – from the history Alice Hoffman illuminates, from the language she uses to bring these women to life. This novel is a testament to the human spirit and to love rising from the ashes of war. But most of all, this novel is one that will never be forgotten by a reader.’Jodi Picoult ‘In her remarkable new novel, Alice Hoffman holds a mirror to our ancient past as she explores the contemporary themes of sexual desire, women’s solidarity in the face of strife, and the magic that’s quietly present in our day-to-day living. Put The Dovekeepers at the pinnacle of Hoffman’s extraordinary body of work. I was blown away.’Wally Lamb ‘Alice Hoffman takes seemingly ordinary lives and lets us see and feel extraordinary things.’Amy Tan ‘Miss Hoffman heals wounds with the gentle touch of an angel’Joseph Heller 'Oh, what a book this is! Hoffman’s exploration of the world of good and evil, and the constant contest between them, is unflinching; and the humanity she brings to us – it is a glorious experience.'Elizabeth Strout

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Winner, 2020 Peter C Rollins Prize, given by the Northeast Popular & American Culture Association Enables a reckoning with the legacy of the Forgotten War through literary and cinematic works of cultural memory Though often considered “the forgotten war,” lost between the end of World War II and the start of the Cold War, the Korean War was, as Daniel Y. Kim argues, a watershed event that fundamentally reshaped both domestic conceptions of race and the interracial dimensions of the global empire that the United States would go on to establish. He uncovers a trail of cultural artefacts that speaks to the trauma experienced by civilians during the conflict but also evokes an expansive web of complicity in the suffering that they endured. Taking up a range of American popular media from the 1950s, Kim offers a portrait of the Korean War as it looked to Americans while they were experiencing it in real time. Kim expands this archive to read a robust host of fiction from US writers like Susan Choi, Rolando Hinojosa, Toni Morrison, and Chang-rae Lee, and the Korean author Hwang Sok-yong. The multiple and ongoing historical trajectories presented in these works testify to the resurgent afterlife of this event in US cultural memory, and of its lasting impact on multiple racialized populations, both within the US and in Korea. The Intimacies of Conflict offers a robust, multifaceted, and multidisciplinary analysis of the pivotal—but often unacknowledged—consequences of the Korean War in both domestic and transnational histories of race.

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"I regard this as a long overdue and highly relevant addition to the literature on dementia care. Its grounding in the reality of practice and realistic approach will make it a very valuable workbook for a wide range of car workers. The book will play a large part in helping to improve dementia care by presenting a vision and manual for 'best fit' realistic practice."Danny Walsh, University of Nottingham, UK"This is an excellent text for both undergraduate and postgraduate students. The strong emphasis on person centred approaches and relationships permeates throughout the book and the activities presented provide the reader with the opportunity to reflect upon their own practice and the best fit options identify interventions for consideration."Sandra Fleming, School of Nursing and Midwifery, Trinity College Dublin, Ireland"I thought this book was a very useful and detailed text exploring the world of the person with dementia and their carer."Dr Alisoun Milne, Reader in Social Gerontology, School for Social Policy, Sociology and Social Research, University of Kent, UK"Excellent text which provides a number of useful case studies which helps to demonstrate the application of evidence to practice. Well written, informative chapters."Val Howatson, Pathway Leader in Mental Health, Glasgow Caledonian University, UK This workbook builds upon the person-centred approach to dementia care, and gives students, practitioners and carers a new way of looking at dementia and the people who live with it. The authors reflect upon the reality of working within dementia care and the importance of working positively with others to achieve the best care possible. The workbook is full of exercises and activities to try, all designed to help you engage and connect with the person with dementia, empowering both them and their families/carers. Key topics explored by the workbook includes: Understanding how it feels to live with dementia. Recognising the issues and feelings involved for family carers or healthcare professionals when caring for individuals with dementia Questioning your own care approach and attitudes to encourage more compassionate person-centred care Throughout the workbook, vignettes featuring two fictional characters living with dementia, provide examples of good and realistic practice and encourage you to examine your own practice and explore ways in which the care you give can be enhanced.The Dementia Care Workbook is a valuable companion and learning tool for all those working with people with dementia

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What do Dr. Seuss, William Faulkner, Toni Morrison, Andrei Sakharov, and James Michener have in common? They were all published by Bob Bernstein during his twenty-five-year run as president of Random House, before he brought the dissidents Liu Binyan, Jacobo Timerman, Natan Sharansky, and Václav Havel to worldwide attention in his role as the father of modern human rights. Starting as an office boy at Simon & Schuster in 1946, Bernstein moved to Random House in 1956 and succeeded Bennett Cerf as president ten years later. The rest is publishing and human rights history. In a charming and self-effacing work, Bernstein reflects for the first time on his fairy tale publishing career, hobnobbing with Truman Capote and E.L. Doctorow; conspiring with Kay Thompson on the Eloise series; attending a rally for Random House author George McGovern with film star Claudette Colbert; and working with publishing luminaries including Dick Simon, Alfred Knopf, Robert Gottlieb, André Schiffrin, Peter Osnos, Susan Peterson, and Jason Epstein as Bernstein grew Random House from a $40 million to an $800 million–plus “money making juggernaut,” as Thomas Maier called it in his biography of Random House owner Si Newhouse. In a book sure to be savored by anyone who has worked in the publishing industry, fought for human rights, or wondered how Theodor Geisel became Dr. Seuss, Speaking Freely beautifully captures a bygone era in the book industry and the first crucial years of a worldwide movement to protect free speech and challenge tyranny around the globe.

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Today, when fifty percent of couples who marry eventually get divorced, it's clear that we have moved from a culture in which \u0022marriage is forever\u0022 to one in which \u0022marriage is contingent.\u0022 Author Karla Hackstaff looks at intact marriages to examine the impact of new expectations in a culture of divorce. Marriage in a Culture of Divorce examines the shifting meanings of divorce and gender for two generations of middle-class, married couples. Hackstaff finds that new social and economic conditions both support and undermine the efforts of spouses to redefine the meaning of marriage in a culture of divorce. The definitions of marriage, divorce, and gender have changed for all, but more for the young than the old, and more for women than for men. While some spouses in both generations believe that marriage is for life and that men should dominate in marriage, the younger generation of spouses increasingly construct marriage as contingent rather than forever. Hackstaff presents this evidence in archival case studies of couples married in the 1950s, which she then contrasts with her own case studies of people married during the 1970s, finding evidence of a significant shift in who does the emotional work of maintaining the relationship. It is primarily the woman in the '50s couples who \u0022monitors\u0022 the marriage, whereas in the '70s couples both husband and wife support a \u0022marital work ethic,\u0022 including couples therapy in some cases. The words and actions of the couples Hackstaff follows in depth - the '50s Stones, Dominicks, Hamptons, and McIntyres, and the '70s Turners, Clement-Leonettis, Greens, Kason-Morrises, and Nakatos -- reveal the changes and contradictory tendencies of married life in the U.S. There are traditional relationships characterized by male dominance, there are couples striving for gender equality, there are partners pulling together, and partners pulling apart. Those debating \u0022family values\u0022 should not forget, Hackstaff contends, that there are costs associated with marriage culture as well as divorce culture, and they should view divorce as a transitional means for defining marriage in an egalitarian direction. She convincingly illustrates her controversial position, that although divorce has its cost to society, the divorce culture empowers wives and challenges the legacy of male dominance that previously set the conditions for marriage endurance.

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Bestselling authors and cohosts of the TED podcast Fixable, Frances Frei and Anne Morriss reinvent the playbook for how to lead change—with a radical approach that moves fast, builds trust, and accelerates excellence.Speed has gotten a bad name in business, much of it deserved. When Facebook made "Move fast and break things" an informal company motto, it fueled a widely held belief that we can either make progress or take care of people, one or the other. A certain amount of wreckage is the price we have to pay for inventing the future.Leadership experts Frances Frei and Anne Morriss argue that this belief is deeply flawed—and that it keeps you from building a great company. Helping executives and entrepreneurs solve their toughest problems over the past decade, Frei and Morriss learned that the trade-off between speed and excellence is false. The best change leaders solve hard problems with fierce urgency while making their organizations—employees, customers, and shareholders—even stronger. They move fast and fix things.Based on their work with fast-moving companies such as Uber, Riot Games, and ServiceNow, Frei and Morriss reveal the five essential steps to moving fast and fixing things. You'll learn to: Identify the real problem holding you back Build and rebuild trust in your company Create a culture where everyone can thrive Communicate powerfully as a leader Go fast by empowering your team With a one-week plan to fix your problems on a fast cycle time of one step per "day," this book is your guide to maximizing impact and reinventing your approach to change. By the end of the week, you won't just have a road map for solving your company's toughest problems—you'll already be well on your way, improving your company at exhilarating speed.

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`Upon her neck and breast was blood, and upon her throat were the marks of teeth having opened the vein: - to this the men pointed, crying, simultaneously struck with horror, "a Vampyre, a Vampyre!"' John Polidori's classic tale of the vampyre was a product of the same ghost-story competition that produced Mary Shelley's Frankenstein. Set in Italy, Greece, and London, Polidori's tales is a reaction to the dominating presence of his employer Lord Byron, and transformed the figure of the vampire from the bestial ghoul of earlier mythologies into the glamorous aristocrat whose violence and sexual allure make him literally a 'lady-killer'. Polidori's tale introduced the vampire into English fiction, and launched a vampire craze that has never subsided. `The Vampyre' was first published in 1819 in the London New Monthly Magazine. The present volume selects thirteen other tales of the macabre first published in the leading London and Dublin magazines between 1819 and 1838, including Edward Bulwer's chilling account of the doppelganger, Letitia Landon's elegant reworking of the Gothic romance, William Carleton's terrifying description of an actual lynching, and James Hogg's ghoulish exploitation of the cholera epidemic of 1831-2. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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I am a believer in the concept of the entrepreneurial university, and think our institutions of higher learning must learn to think and act in more entrepreneurial ways. The kind of entrepreneurial culture which this book champions can transform student lives, invigorate university campuses, and make a fundamental difference in our communities.'- Burns Hargis, President, Oklahoma State University, US'At IU's Kelley School of Business, we believe in the power of entrepreneurial thinking, with a relentless pursuit of excellence in the research and teaching of entrepreneurship and innovation across our entire campus. This book on 'academic entrepreneurship' offers one of the most comprehensive approaches to understanding the framework and strategies for building effective entrepreneurship programs within universities today. I truly believe all universities, regardless of their current stage of development of their entrepreneurship programs, will materially benefit from the ideas in this book.'- Daniel C. Smith, former Dean, Kelley School of Business, Indiana University and current CEO, Indiana University Foundation, USAfter more than 30 years of impressive growth, what have we learned about building world-class entrepreneurship programs within universities?After tracing the evolution of entrepreneurship within institutions of higher learning, the authors explore the key elements that constitute a comprehensive entrepreneurship program. Best practices at leading universities and differing kinds of academic environments are highlighted. They examine multiple aspects of program management and infrastructure, including curriculum and degree program development, where entrepreneurship is administratively housed, how it is organized, and approaches to staffing and resource acquisition.The perspectives shared in the book enable university presidents, entrepreneurship students, provosts, deans, entrepreneurship program directors, faculty members, and others to better capitalize upon the empowering and transformative potential of entrepreneurship.Contents: Preface Part I: The Entrepreneurial Imperative within Universities 1. The Evolution of Entrepreneurship in Universities 2. Organizational Structures for Entrepreneurship Programs 3. Assessing Program Outcomes: Towards a Competency-based Approach Part II: Developing the Entrepreneurial Curriculum 4. Establishing the Core Curriculum 5. Designing Degree Programs 6. Experiential Learning in Entrepreneurship Part III: Co-Curricular Entrepreneurship Support Programs 7. Hatcheries, Accelerators and Incubators 8. Student-run Ventures 9. Business Plans, Business Models and Elevator Pitch Competitions 10. Mentoring Programs, Entrepreneurship Clubs and Learning Communities 11. Study-abroad Programs in Entrepreneurship Part IV: Outreach Programs in Entrepreneurship 12. Technology Commercialization and Entrepreneurship Programs 13. Best Practices in Community Engagement 14. University Seed Funding Programs Part V: Supporting Campus-wide Programs in Entrepreneurship 15. University-wide Entrepreneurship 16. Addressing Resource Needs Conclusion: The Ongoing Revolution Index

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Unholy murder is just the beginning of the ritual...When Donovan Graham, newly-graduated occult scholar, helps the NYPD investigate a man killed by scorpions in a midtown hotel, he learns the world is far stranger and deadlier than his studies ever suggested. Evidence forces his academic skepticism to give way to astonished belief that ancient evil exists, and the more he investigates, the higher it rises to overshadow the normality of his life. Can he save those he loves from its power? In a Central Park overrun with madness, a suave sociopath seeks to achieve his darkest desires by tearing apart the world. Battling him through death and beyond, Donovan risks his soul to learn reality is flexible, and even the impossible can be had if a high enough price is paid...Faustus Resurrectus. Evil Is Forever. Death Isn't.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

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“Anyone concerned with social justice will find this book makes him question his assumptions, rethink his premises, and think!" —Andrew P. Morriss, professor, Bush School of Government and Public Service, School of Law, Texas A&M UniversityWhat is social justice? In these pages, twenty-one accomplished academics seek to do justice to “social justice.” Inequality exists and it obviously causes rifts in societies. But it’s not obvious how the government should address those rifts, or if it should address them at all. Have we forgotten the perhaps more efficient power of personal choice—and the corollary obligation: to serve our neighbors—to make our society more humane? Beginning with the first political philosophers in ancient Athens, and continuing right through Marx into our post-modern era, men have wrestled with the question of justice; and the answers have been as earnest as they have been varied. Today, our “expert” class also claim to have answers—updated answers, more “equitable” answers, more technological answers ... in short, answers that are simply better suited to our times.But are those answers in any way correct? Do they work? Are they—just? In these elegant, nuanced essays, the authors use the wisdom of ancient and modern philosophers to shed light on these important questions—and the answers are revealing. Armed with ample evidence from real-world experiences, lessons from history, the wisdom of the classics, modern philosophers, and even the teachings of the world religions, the contributors of Is Social Justice Just? Illuminate the central role of the individual in achieving justice in all its aspects. Read Is Social Justice Just? And discover: how to do social justice wrong with the poison of resentment, envy, and ignorance; how to do social justice right with the insights of philosophers and theologians; how to respect people’s rights and liberties without sacrificing true equality; and how to reform flawed public policies that just make everything worse. In a world of partisanship, hysteria, maliciousness, and good intentions attached to hellish outcomes, this landmark book enters the public discourse at a critical time. With a foreword by Jordan B. Peterson, a preface by Nicholas Rescher, and a collection of essays by some of the best and brightest scholars of our time, Is Social Justice Just? is a timely and urgent work. Read it, and you will begin to think about “social justice,” and justice, in some surprising new ways.

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‘ An extraordinary history… The range of voices breathing new life into past events is vast’ **** Mojo ‘ The Morrissey and Marr recollections are particularly revealing’ The Word The Buzzcocks. Joy Division. The Fall. The Smiths. The Stone Roses. The Happy Mondays. Oasis. Manchester has proved to be an endlessly rich seam of pop-music talent over the last 30 years. Highly opinionated and usually controversial, stars such as Mark E. Smith, Morrissey, Ian Brown and the Gallagher brothers have always had plenty to say for themselves. Here, in John Robb’ s new compilation, Manchester’ s gobbiest musicians tell the story of the city’ s thriving music scene in their own words. When the Buzzcocks put on the Sex Pistols at Lester Free Hall in 1976, they kickstarted a musical revolution and a fervent punk scene exploded. In 1979 the legendary Tony Wilson founded Factory Records, the home of Joy Division/New Order and later the Happy Mondays. The Hacienda, the Factory nightclub, became notorious in the late 1980s as a centre of the influential Madchester scene, led by the Mondays and the Stone Roses, with a unique style and sound of its own. Then, from the ashes of Madchester rose ü ber-lads Oasis, the kings of Britpop and the biggest UK band of the 1990s. John Robb is a leading music journalist and the author of the bestselling biography of the Stone Roses. His other books include Punk: An Oral History, The Charlatans … We Are Rock and The Nineties: What the F**k Was That All About? He lives in Manchester.

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