Search results for ""author albert"

The Moravians, or Bohemian Brethren, early Protestants who settled in Pennsylvania and North Carolina in the eighteenth century, brought a musical repertoire that included hymns, sacred vocal works accompanied by chamber orchestra, and instrumental music by the best-known European composers of the day. Moravian composers -- mostly pastors and teachers trained in the styles and genres of the Haydn-Mozart era -- crafted thousands of compositions for worship,and copied and collected thousands of instrumental works for recreation and instruction. The book's chapters examine sacred and secular works, both for instruments -- including piano solo -- and for voices. The Musicof the Moravian Church demonstrates the varied roles that music played in one of America's most distinctive ethno-cultural populations, and presents many distinctive pieces that performers and audiences continue to find rewarding. Contributors: Alice M. Caldwell, C. Daniel Crews, Lou Carol Fix, Pauline M. Fox, Albert H. Frank, Nola Reed Knouse, Laurence Libin, Paul M. Peucker, and Jewel A. Smith. Nola Reed Knouse, director of theMoravian Music Foundation since 1994, is active as a flautist, composer, and arranger. She is the editor of The Collected Wind Music of David Moritz Michael.

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This volume celebrates 100 years of Harvard Studies in Classical Philology. It contains essays by Harvard faculty, emeriti, currently enrolled graduate students, and most recent Ph.D.s. It displays the range and diversity of the study of the Classics at Harvard at the beginning of the twenty-first century.Volume 100 includes: E. Badian, “Darius III”; D. R. Shackleton Bailey, “On Statius’ Thebaid”; Brian W. Breed, “Silenus and the Imago Vocis in Eclogue 6”; Wendell Clausen, “Propertius 2.32.35–36”; Kathleen Coleman, “Missio at Halicarnassus”; Stamatia Dova, “Who Is μακάρτατος in the Odyssey?”; Casey Dué, “Tragic History and Barbarian Speech in Sallust’s Jugurtha”; John Duffy and Dimiter Angelov, “Observations on a Byzantine Manuscript in Harvard College Library”; Mary Ebbott, “The List of the War Dead in Aeschylus’ Persians”; Gloria Ferrari, “The Ilioupersis in Athens”; José González, “Musai Hypophetores: Apollonius of Rhodes on Inspiration and Interpretation”; Albert Henrichs, “Drama and Dromena: Bloodshed, Violence, and Sacrificial Metaphor in Euripides”; Alexander Hollmann, “Epos as Authoritative Speech in Herodotos’ Histories”; Thomas E. Jenkins, “The Writing in (and of) Ovid’s Byblis Episode”; Christopher Jones, “Nero Speaking”; Prudence Jones, “Juvenal, the Niphates, and Trajan’s Column (Satire 6.407–412)”; Leah J. Kronenberg, “The Poet’s Fiction: Virgil’s Praise of the Farmer, Philosopher, and Poet at the End of Georgics 2”; Olga Levaniouk, “Aithôn, Aithon, and Odysseus”; Nino Luraghi, “Author and Audience in Thucydides’ Archaeology. Some Reflections”; Gregory Nagy, “‘Dream of a Shade’: Refractions of Epic Vision in Pindar’s Pythian 8 and Aeschylus’ Seven against Thebes”; Corinne Ondine Pache, “War Games: Odysseus at Troy”; David Petrain, “Hylas and Silva: Etymological Wordplay in Propertius 1.20”; Timothy Power, “The Parthenoi of Bacchylides 13”; Eric Robinson, “Democracy in Syracuse, 466–412 B.C.”; Charles Segal, “The Oracles of Sophocles’ Trachiniae: Convergence or Confusion?”; Zeph Stewart, “Plautus’ Amphitruo: Three Problems”; Sarolta A. Takàcs, “Politics and Religion in the Bacchanalian Affair of 186 B.C.E.”; R. J. Tarrant, “The Soldier in the Garden and Other Intruders in Ovid’s Metamorphoses”; Richard F. Thomas, “A Trope by Any Other Name: ‘Polysemy,’ Ambiguity, and Significatio in Virgil”; Michael A. Tueller, “Well-Read Heroes Quoting the Aetia in Aeneid 8”; and Calvert Watkins, “A Distant Anatolian Echo in Pindar: The Origin of the Aegis Again.”

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The Complete Guide to Nutrition in Primary Care Edited by Darwin Deen, MD, MS Lisa Hark, PhD, RD Clinicians and patients agree that primary care office visits should include routine nutrition assessment and counseling. But how do you fit it into an already crowded consultation? And what is the most up-to-date advice? With The Complete Guide to Nutrition in Primary Care, Drs. Deen and Hark provide the necessary tools. This comprehensive overview of nutrition answers your questions on: • Nutrition as Preventive Medicine • Nutrition through the Lifecycle • Improving Health by Changing Diet and Lifestyle Behaviors • Vitamins, Minerals, Dietary Supplements, and the Alternative • Successful Changes to the Environment This timely paperback contains everything the primary care clinician needs to counsel patients on diet and lifestyle issues. Keep it close at hand for the frequent consultation it is sure to receive. Dr. Darwin Deen is one of the nation’s foremost authorities on nutrition. Currently Professor of Clinical, Family and Social Medicine and Director of Medical Student Education at the Albert Einstein College of Medicine in New York, he has trained a generation of physicians on the connection between nutrition and health. He has played a leading role in revising medical school curricula to incorporate nutrition training. An award-winning teacher and noted author, he serves as Chair of the Task Force on Medical Nutrition Education of the American College of Nutrition and co-chairs the Group on Nutrition of the Society of Teachers of Family Medicine. His years of experience as a family physician make him perfectly suited to advise clinicians on counseling their patients on diet and lifestyle. Dr. Lisa Hark is a renowned family nutrition expert, with more than 20 years of experience in nutrition counseling and promoting the benefits of healthy eating in children and adults. As Director of the Nutrition Education Program at the University of Pennsylvania School of Medicine in Philadelphia, she developed a model medical school curriculum and textbook, Medical Nutrition and Disease, which has become one of the most widely used texts in nutrition education. She was given the Excellence in Medical/Dental Nutrition Education award from the American Society for Nutrition. Dr. Hark was also the host of the TV show, “Honey, We’re Killing the Kids,” which airs on TLC, and is a widely sought after speaker who communicates nutrition concepts effectively to health professionals, patients, and the media. www.blackwellmedicine.com

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Acclaimed popular-science writer Brian Clegg and popular TV and radio astronomer Rhodri Evans give us a Top Ten list of physicists as the central theme to build an exploration of the most exciting breakthroughs in physics, looking not just at the science, but also the fascinating lives of the scientists themselves. The Top Ten are: 1.Isaac Newton (1642-1727)2.Niels Bohr (1885-1962)3.Galileo Galilei (1564-1642)4.Albert Einstein (1879-1955)5.James Clerk Maxwell (1831-1879)6.Michael Faraday (1791-1867)7.Marie Curie (1867-1934)8.Richard Feynman (1918-1988)9.Ernest Rutherford (1871-1937)10.Paul Dirac (1902-1984)Each of these figures has made a huge contribution to physics. Some are household names, others more of a mystery, but in each case there is an opportunity to combine a better understanding of the way that each of them has advanced our knowledge of the universe with an exploration of their often unusual, always interesting lives. Whether we are with Curie, patiently sorting through tons of pitchblende to isolate radium or feeling Bohr's frustration as once again Einstein attempts to undermine quantum theory, the combination of science and biography humanizes these great figures of history and makes the Physics itself more accessible.In exploring the way the list has been built the authors also put physics in its place amongst the sciences and show how it combines an exploration of the deepest and most profound questions about life and the universe with practical applications that have transformed our lives. The book is structured chronologically, allowing readers to follow the development of scientific knowledge over more than 400 years, showing clearly how this key group of individuals has fundamentally altered our understanding of the world around us.

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A formidable collection of studies on religious conversion and converts in Jewish history Theodor Dunkelgrün and Pawel Maciejko observe that the term "conversion" is profoundly polysemous. It can refer to Jews who turn to religions other than Judaism and non-Jews who tie their fates to that of Jewish people. It can be used to talk about Christians becoming Muslim (or vice versa), Christians "born again," or premodern efforts to Christianize (or Islamize) indigenous populations of Asia, Africa, and the Americas. It can even describe how modern, secular people discover spiritual creeds and join religious communities. Viewing Jewish history from the perspective of conversion across a broad chronological and conceptual frame, Bastards and Believers highlights how the concepts of the convert and of conversion have histories of their own. The volume begins with Sara Japhet's study of conversion in the Hebrew Bible and ends with Netanel Fisher's essay on conversion to Judaism in contemporary Israel. In between, Andrew S. Jacobs writes about the allure of becoming an "other" in late Antiquity; Ephraim Kanarfogel considers Rabbinic attitudes and approaches toward conversion to Judaism in the Middles Ages; and Paola Tartakoff ponders the relationship between conversion and poverty in medieval Iberia. Three case studies, by Javier Castaño, Claude Stuczynski, and Anne Oravetz Albert, focus on different aspects of the experience of Spanish-Portuguese conversos. Michela Andreatta and Sarah Gracombe discuss conversion narratives; and Elliott Horowitz and Ellie Shainker analyze Eastern European converts' encounters with missionaries of different persuasions. Despite the differences between periods, contexts, and sources, two fundamental and mutually exclusive notions of human life thread the essays together: the conviction that one can choose one's destiny and the conviction that one cannot escapes one's past. The history of converts presented by Bastards and Believers speaks to the possibility, or impossibility, of changing one's life. Contributors: Michela Andreatta, Javier Castaño, Theodor Dunkelgrün, Netanel Fisher, Sarah Gracombe, Elliott Horowitz, Andrew S. Jacobs, Sara Japhet, Ephraim Kanarfogel, Pawel Maciejko, Anne Oravetz Albert, Ellie Shainker, Claude Stuczynski, Paola Tartakoff.

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The Leeds United Collection takes you on a fascinating multi-coloured journey through the club's history from 1919 to the present day. With stunning photos of unique match-worn Leeds shirts and other paraphernalia, the book tells the Whites' story alongside anecdotes, interviews and quotes from many big names. See home and away shirts worn by Leeds legends from various eras including Billy Bremner and Albert Johanneson, David Batty, Gary Speed, Peter Lorimer, Paul Madeley, Paul Reaney, Norman Hunter, Mick Jones, Allan Clarke, Frank and Eddie Gray, Terry Yorath, John Sheridan, Ian Baird, Fabian Delph, Kalvin Phillips, Pablo Hernandez and many more. These superb images are brought to life with commentary on title- and trophy-winning seasons, plus promotion-winning campaigns. There are also interviews with Eddie Gray, Howard Wilkinson, Pablo Hernandez, Allan Clarke, Tony Currie, Jermaine Beckford, Aidan Butterworth, Simon Grayson, Brian Deane, Rod Wallace, Dominic Matteo and many more. This is a book no true Whites fan should be without.

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The Grimaldis of Monaco tells in full the remarkable history of the world’s oldest reigning dynasty. For nearly eight hundred years, from the elegant Genoese Rainier I to the current Prince Albert II, the Grimaldis—“an ambitious, hot-blooded, unscrupulous race, swift to revenge and furious in battle”—have ruled Monaco. Against all odds, they have proved themselves masterful survivors, still in possession of their lands and titles despite the upheavals of the French Revolution and the First and Second World Wars, when royal heads rolled and most small countries met their demise. With insufficient weaponry and military forces far too small to go into combat against their more powerful neighbors, France and Italy, the Grimaldis endured by their cunning and their shrewd choice of brides—rich women and high connections in the most influential courts of Europe, and often, strong sexual appetites. The French nobleman’s daughter who married Louis I later became the mistress of France Louis XIV. Her son, Antoine I was wed to an aristocratic wife who outdid her mother-in-law by having so many lovers her husband took to hanging them in effigy. The seafaring adventurer Prince Albert I was unfortunate enough to have two wives, one British, one American, who ran off with their lovers. His second wife, the American Alice Heine, a fabulously rich heiress from New Orleans and the widowed Duchesse de Richelieu, was the model for Proust’s Princess of Luxembourg. Heine used her own wealth to bring grandeur, culture, and sophistication to the palatial center of Monte Carlo; and with the introduction of gambling, an internationally celebrated resort was born, initially for the privileged few and later for raffish café society, The last section of the book is devoted to the most recent generations of the Grimaldis. Here, a new image of Rainier III emerges as both man and monarch, beginning with his blighted childhood as the son of divorced parents and of a mother scorned as illegitimate. And preceding the drama of his marriage to Grace Kelly, there is an account of his intense love affair with a French film start and reasons behind his sister’s lifelong malice and envy of him. The final note is necessarily tragic, detailing in full the deaths of both Princess Grace and Princess Caroline’s husband in sudden and shocking accidents

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Souffles-Anfas: A Critical Anthology from the Moroccan Journal of Culture and Politics introduces and makes available, for the first time in English, an incandescent corpus of experimental leftist writing from North Africa. Founded in 1966 by Abdellatif Laâbi and a small group of avant-garde Moroccan poets and artists and banned in 1972, Souffles-Anfas was one of the most influential literary, cultural, and political reviews to emerge in postcolonial North Africa. An early forum for tricontinental postcolonial thought and writing, the journal published texts ranging from experimental poems, literary manifestos, and abstract art to political tracts, open letters, and interviews by contributors from the Maghreb, the Middle East, Africa, Europe, and the Americas. The essays, poems, and artwork included in this anthology—by the likes of Abdelkebir Khatibi, Tahar Ben Jelloun, Albert Memmi, Etel Adnan, Sembene Ousmane, René Depestre, and Mohamed Melehi—offer a unique window into the political and artistic imaginaries of writers and intellectuals from the Global South, and resonate with particular acuity in the wake of the Arab Spring. A critical introduction and section headnotes make this collection the perfect companion for courses in postcolonial theory, world literature, and poetry in translation.

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"One of the most adorable, big-hearted, charming books in existence." --Becky Albertalli, #1 New York Times bestselling author of Simon vs. the Homo Sapiens AgendaWhat If It's Us meets To All the Boys I've Loved Before in this upbeat and heartfelt boy-meets-boy romance that feels like a modern twist on a '90s rom-com!Everyone knows about the dare: Each week, Bryson Keller must date someone new--the first person to ask him out on Monday morning. Few think Bryson can do it. He may be the king of Fairvale Academy, but he's never really dated before.Until a boy asks him out, and everything changes.Kai Sheridan didn't expect Bryson to say yes. So when Bryson agrees to secretly go out with him, Kai is thrown for a loop. But as the days go by, he discovers there's more to Bryson beneath the surface, and dating him begins to feel less like an act and more like the real thing. Kai knows how the story of a gay boy liking someone straight ends. With his heart on the line, he's awkwardly trying to navigate senior year at school, at home, and in the closet, all while grappling with the fact that this "relationship" will last only five days. After all, Bryson Keller is popular, good-looking, and straight . . . right?Drawing on his own experiences, Kevin van Whye delivers an uplifting and poignant coming-out love story inspired by classics like Venio Tachibana and Rihito Takarai's manga Seven Days: Monday-Sunday and the '90s rom-com She's All That. Readers will root for Kai and Bryson to share their hearts with the world--and with each other.

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Warrior, prince, lover and rogue: there is much to be said for the Essex man. Henry VIII, Daniel Defoe and Wat Tyler are all covered along with many more in this exciting exploration of Essex Boys. Pepys and Dickens captured Essex in words, while the heads of great Essex families administered its laws and kept the county in order. Men of Essex have battled Viking marauders, defied Norman warlords, sailed with ‘hearts of oak’ against the Spanish Armada and vanquished Napoleon on both land and sea. A man of music, science and literature, the Essex Boy will always be a man of many guises. Strong and loyal, passionate and ruthless – he is here in the pages of this book. Augustine Courtauld, Byrhtnoth, Charles Dickens, The Coggeshall Gang, Colchester Jack, Daniel Defoe, Daniel London, Daniel Mendoza, Dick Turpin, Eudo Dapifer, The Lords Rich, Henry VII, Henry VIII, Humphry Repton, The Ingrave Scribes, John Ardley, John Pell, Captain Oates, Myles Graye, Philip Sainty, Prince Albert Edward, Richard Parker, Sir John Hawkwood, Nathaniel Hedge, William Hunter

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'Wild and wonderful ... I doubt anyone will ever match Strandings for its sheer bravura, its wry insight, and its absolute, engulfing, and brilliantly enlivening whaleheadedness' PHILIP HOARE, ALBERT AND THE WHALE 'Addictive and scandalously fascinating' Caught by the River When Peter Riley was thirteen, a woman with blue hair and a comet tattoo asked him to help load the jaw of a sperm whale into the back of a Volvo 245. The encounter set Riley on a decades-long quest to make sense of what had happened. Enter the secretive world of whale scavengers. When a whale washes up on one of Britain's coasts, a fugitive community descends to claim trophies from the carcass. Some are driven by magical beliefs. Some are motivated by profit: there is a black market for everything from ambergris to whaletooth sex toys. But for others, the need goes much deeper. Join Riley on a tour of a stranded kingdom's weird outer reaches, where nothing is as it seems. Meet witches, pedlars, fetishists, conspiracy theorists and fallen aristocrats. And prepare for a final revelation, as the mystery of the comet woman tangles with the enigmatic symbol of Leviathan itself, beached on Britain's fatal shore.

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In her fourth collection, acclaimed poet Sandra Beasley interrogates the landscapes of her life in decisive, fearless and precise poems that fuse intimacy and intensity. She probes memories of growing up in Virginia, in Thomas Jefferson’s shadow, where liberal affluence obscured and perpetuated racist aggressions but where the poet was simultaneously steeped in the cultural traditions of the American South. Her home in Washington, DC inspires prose poems documenting and critiquing the United States’ capital’s institutions and monuments. In these poems, Ruth Bader Ginsberg shows up at the Folger Shakespeare Theatre’s show of Kiss Me Kate; Albert Einstein is memorialised on Constitution Avenue, yet was denied clearance for the Manhattan Project; as temperatures cool, a rain of spiders drops from the dome of the Jefferson Memorial. A stirring suite explores Beasley’s affiliation with the disability community and her frustration with the ways society codes disability as inferiority. Quintessentially American and painfully timely, these poems examine legacies of racism and whiteness, the shadow of monuments to a world we are unmaking and the privileges the poet is working to untangle. Made to Explode boldly reckons with Beasley’s roots and seeks out resonance in society writ large.

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A harrowing account of the profoundly consequential decisions American universities made about refugee scholars from Nazi-dominated Europe--a finalist for a 2020 National Jewish Book Award The United States’ role in saving Europe’s intellectual elite from the Nazis is often told as a tale of triumph, which in many ways it was. America welcomed Albert Einstein and Enrico Fermi, Hannah Arendt and Herbert Marcuse, Rudolf Carnap and Richard Courant, among hundreds of other physicists, philosophers, mathematicians, historians, chemists, and linguists who transformed the American academy. Yet for every scholar who survived and thrived, many, many more did not. To be hired by an American university, a refugee scholar had to be world-class and well connected, not too old and not too young, not too right and not too left, and, most important, not too Jewish. Those who were unable to flee were left to face the horrors of the Holocaust. In this rigorously researched book, Laurel Leff rescues from obscurity scholars who were deemed “not worth saving” and tells the riveting, full story of the hiring decisions universities made during the Nazi era.

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A beautifully presented survey of design and the applied arts, explored not by use, material, form or date – but by colourThe V&A Book of Colour in Design is attractively simple: a celebration and exploration of colour, as revealed through objects in the world-class collections of the Victoria and Albert Museum in London. Structured by colour, it offers fascinating insights into the choices made by designers and makers from across the world and throughout history. Each chapter begins with a brief introduction that considers the history, symbolism, and use of an individual colour. Objects – from items of jewelry, textiles, glassware and ceramics to furniture and more – are reproduced in a visual selection that explores the varied hues of every colour. However different objects within each section may be in their detail and meaning, they are united by their common colour, revealing surprising connections between them. Throughout, narrative captions bring together disparate items from across the V&A’s collection to explore the universal significance of colour in art and design. Beautifully designed, this highly visual, colour-led survey of design and the applied arts is a compelling sourcebook with broad appeal for anyone interested or involved in all aspects of visual culture.

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Alexsi Smirnoff - a Russian orphan - was trained as an agent by the Russian Secret Service and inserted into Nazi Germany, where he rose to a position in German intelligence services. As the war grinds on, trapped between two brutal dictatorships, Alexsi betrays both sides in a desperate ploy that succeeds...and fails. His false identities burned, his life at risk, Alexsi attempts to disappear in the hills - but is caught by the British. Recruited by the SIS, and by 'C' himself, Alexsi is once again a double agent. Initially betrayed by a Soviet agent inside the SIS (Kim Philby), Alexsi is sent beyond the reach of the Soviets, into Italy with a new identity as a sargent in the German army. Settled into the headquarters of Field Marshall Albert Kesselring, Alexsi finds himself at the nexus at a critical point in world war ii, balancing between the various forces vying for control in the Vatican, the Italian resistance, and the brutal German Army determined to maintain control of Northern Italy. And Alexsi, finally forced to choose sides over his own survivial. Sequel to the well-regarded A Single Spy, The Double Agent is a fast-paced, compelling novel of espionage in the most momentous and dangerous of times.

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A rigorous account of the European origins of American art museums American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London's South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.

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This deluxe, oversized monograph offers the most comprehensive collection of Richard Learoyd’s color studio images to date—mostly portraits, but also including a handful of exquisite still lifes. The color images are made with one of the most antiquarian of photographic processes: the camera obscura, literally translated from Latin as “dark room.” Learoyd has created a room-sized camera in which the Cibachrome photographic paper is exposed. The subject is in the adjacent room, separated by a lens. Light falling on the subject is directly focused onto the photographic paper without an interposing film negative. The result is an entirely grainless image. The overall sense of these larger-than-life images redefines the photographic illusion. Learoyd’s subjects, composed simply and directly, are described with the thinnest plane of focus, recreating and exaggerating the way that the human eye perceives— not without a small acknowledgment to the paintings of the Dutch Masters. The 150 images in this volume have been reproduced with utmost care to capture the luminosity of the original materials. Includes an artist statement by Learoyd and curatorial statement by Martin Barnes, who is organizing the first solo exhibition of the artist’s work at the Victoria and Albert Museum, London.

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A landmark compendium - the first authoritative publication to cover in its entirety one of the most significant holdings of Matisse in the world. Here is a vibrant celebration - slipcased and beautifully produced - of the Barnes's extraordinary Matisse collection. Composed of fifty-nine works from every stage of the artist's career, it is among the most important in the world. At its heart are Matisse's most historically significant paintings, Le Bonheur de vivre, also called The Joy of Life, and The Dance, the monumental mural that Albert C. Barnes commissioned to fill the lunettes of the Foundation's main gallery, transforming both the space and the artist's career. An essay by Yve-Alain Bois addresses the evolution of The Dance and its role in Matisse's career; Karen Butler looks at what Barnes thought of Matisse; and Claudine Grammont's considers how and why he collected his work. The artworks themselves, sumptuously reproduced, are the subjects of interpretive analyses that tell the stories of their acquisition and address their critical reception. The book includes major contributions by Barbara Buckley and Jennifer Mass on the artist’s technique and a report on the latest findings on the pigments used in Le Bonheur de vivre.

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Charlotte Ribeyrol presents a fascinating (book)case study exploring the story of an extraordinary object, William Burges’s (1827–1881) Great Bookcase. No fewer than 13 major artists, including Edward Burne-Jones, Edward Poynter, and Albert Moore, took part in the painting of this unique piece of furniture, which has now returned to the Ashmolean Museum after an absence of over 80 years. Ribeyrol throws new light on the chromophilia of the “Pre-Raphaelite” architect William Burges and his key role in shaping aesthetic debates about color in the 1860s. This crucial decade, which saw the advent of the first synthetic dyes, transformed the experience of color for many painters and poets in Burges’s circle. Interweaving art, literature, and chemistry, Ribeyrol reads the eight painted panels of the Great Bookcase in the context of this ‘color revolution’, which brought to the fore new approaches to color while simultaneously triggering a revival of the polychromy of the Pagan and Christian past. Drawing on pioneering interdisciplinary research and featuring new photography throughout, this book provides a definitive account of one of Burges’s most cherished and complex artworks.

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It is an accepted truism that the Great Depression did more for the development of modern economics than any other single event. Some of the greatest economists of the twentieth century were inspired to go into the field as a direct result of their experiences during this period.This book explores the most prominent economic explanations of the Great Depression and how it affected the lives, experiences, and subsequent thinking of economists who lived through that era. Presented in interview format, this collection of conversations with Moses Abramovitz, Morris Adelman, Milton Friedman, Albert Hart, Charles Kindleberger, Wassily Leontief, Paul Samuelson, Anna Schwartz, James Tobin, Herbert Stein and Victor Zarnowitz provides a record of their reflections on the economics of the Great Depression and on the major events which occurred during those critical years. This volume is also another chapter in the legacy of the interwar generation of economists and is intended as a token of gratitude for the contributions they have made to the economics profession. Randall Parker has given us a window into the lives of these gifted scholars and an important glimpse into the world that shaped them.Any student or scholar of economics will find this homage to and record of the brightest voices to come out of this critical time to be indispensable.

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A new short story collection from Luis Alberto Urrea, bestselling author of The Hummingbird's Daughter and The Devil's Highway.

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Souffles-Anfas: A Critical Anthology from the Moroccan Journal of Culture and Politics introduces and makes available, for the first time in English, an incandescent corpus of experimental leftist writing from North Africa. Founded in 1966 by Abdellatif Laâbi and a small group of avant-garde Moroccan poets and artists and banned in 1972, Souffles-Anfas was one of the most influential literary, cultural, and political reviews to emerge in postcolonial North Africa. An early forum for tricontinental postcolonial thought and writing, the journal published texts ranging from experimental poems, literary manifestos, and abstract art to political tracts, open letters, and interviews by contributors from the Maghreb, the Middle East, Africa, Europe, and the Americas. The essays, poems, and artwork included in this anthology—by the likes of Abdelkebir Khatibi, Tahar Ben Jelloun, Albert Memmi, Etel Adnan, Sembene Ousmane, René Depestre, and Mohamed Melehi—offer a unique window into the political and artistic imaginaries of writers and intellectuals from the Global South, and resonate with particular acuity in the wake of the Arab Spring. A critical introduction and section headnotes make this collection the perfect companion for courses in postcolonial theory, world literature, and poetry in translation.

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