Search results for ""Le Th"

A search party of hunters heads off to the White Wolf’s Den on Krai Andrey’s orders. What they find there is a terrifyingly ominous monster—the likes of which they’ve never seen before! Meanwhile, a restless Krai gets a visit from an old friend (and fellow member of the Grieving Souls): Sitri Smart. The master alchemist returns home at last...

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This casebook offers law professors and students a doctrinally comprehensive, theoretically ambitious, and up-to-date exploration of the treatment of sexuality and gender in American public law. The Fourth Edition extends the historically grounded first chapter from the Third Edition – establishing the three primary doctrinal strands of liberty, equality, and expression – through the end of the twentieth century. The second chapter focuses on the turning points that now define the field: The post-Roe "undue burden" standard as it has evolved from Planned Parenthood v. Casey to Whole Woman's Health v. Hellerstadt; The elimination of criminal laws against sexual conduct based on morality in Lawrence v. Texas and queries as to the reach of that principle; and The legalization of same-sex marriage in Obergefell v. Hodges. Discrimination against women and against trans- and non-binary persons is highlighted throughout the book, from the historical chapter through the most contemporary disputes in workplace and family law. The book's distinctive chapter on the theoretical debates that underlay the field contains more coverage of intersectional and trans-influenced thinking, and a new chapter focuses on the conflict between equality and religious liberty claims, which increasingly dominate in both LGBT and reproductive rights cases. With Professor Courtney Joslin of UC-Davis Law School joining as a new co-author, Sexuality, Gender, and the Law continues to provide both the most comprehensive and deepest coverage of this dynamic field.

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Goliarda Sapienza's The Art of Joy was written over a nine year span, from 1967 to 1976. At the time of her death in 1996, Sapienza had published nothing in a decade, having been unable to find a publisher for what was to become her most celebrated work, due to its perceived immorality. One publisher's rejection letter exclaimed: 'It's a pile of iniquity.' The manuscript lay for decades in a chest finally being proclaimed a "forgotten masterpiece" when it was eventually published in 2005. This epic Sicilian novel, which begins in the year 1900 and follows its main character, Modesta, through nearly the entire span of the 20th century, is at once a coming-of-age novel, a tale of sexual adventure and discovery, a fictional autobiography, and a sketch of Italy's moral, political and social past. Born in a small Sicilian village and orphaned at age nine, Modesta spends her childhood in a convent raised by nuns.Through sheer cunning, she manages to escape, and eventually becomes a princess. Sensual, proud, and determined, Modesta wants to discover the infinite richness of life and sets about destroying all social barriers that impede her quest for the fulfilment of her desires. She seduces both men and women, and even murder becomes acceptable as a means of removing an obstacle to happiness and self-discovery.Goliarda Sapienza (1924-1996) was born in Catania, Sicily in 1924, in an anarchist socialist family. At sixteen, she entered the Academy of Dramatic Arts in Rome and worked under the direction of Luchino Visconti, Alessandro Blasetti and Francesco Maselli. She is the author of several novels published during her lifetime: Lettera Aperta (1967), Il Filo Di Mezzogiorno (1969), Università di Rebibbia (1983), Le Certezze Del Dubbio (1987). L'Arte Della Gioia is considered her masterpiece.Anne Milano Appel, Ph.D., a former library director and language teacher, has been translating professionally for nearly twenty years, and is a member of ALTA, ATA, NCTA and PEN. Her translation of Giovanni Arpino's Scent of a Woman (Penguin, 2011) was named the winner of The John Florio Prize for Italian Translation (2013).

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A walk. A chance meeting. A stunning wordless book that will inspire the imagination of children to create their own story in their own words.There may be nothing more fun for our dog than playing and spending time with us. Going for a walk in the park, running freely and jumping excitedly when we are about to throw a stick at him are the happiest moments for him. However, there are times when joy can be found in the most unexpected fleeting moments. Our protagonist, after his master tossed a stick at him, runs to look for his treasure. He searches, sniffs, jumps, plays, until he finds —what a great surprise!— that a little bird has perched on his pole and seems to be interested in him.A wordless picture book, printed on stone paper, that invites you to walk, discover, connect and unite. To savor every moment, to explore, to stimulate creativity and imagination.Un paseo. Un encuentro inesperado. Un cuento para disfrutar de una historia donde las palabras sobran.Puede que para nuestro perro no haya nada más divertido que jugar y pasar tiempo con nosotros. Salir a pasear por el parque, correr en libertad y saltar emocionado al ver que estamos a punto de lanzarle un palo son los momentos más felices para él. Sin embargo, hay veces que la diversión se encuentra en los momentos fugaces más inesperados. Nuestro protagonista, después de que su amo le lance con gran fuerza un palo, corre a buscar su tesoro. Busca, olfatea, salta, juega, hasta encontrar —¡qué gran sorpresa!— que un pajarito se ha posado encima de su palo y parece estar interesado en él.Un álbum ilustrado sin palabras, impreso en papel de piedra, que invita a pasear, descubrir, conectar y unir. A saborear cada instante, a explorar, a estimular la creatividad y la imaginación.

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'Lyrical and engrossing . . . bursting with humour' - Entertainment WeeklyThe thing is, the letters don't always tell me truths about myself. Sometimes they tell me truths about other people. And Reid Sutherland is - was - one of those people. In the last year, Meg Mackworth's beautiful hand-lettering skills have seen her rocket to social media fame, and now she has a booming business crafting stationery for the stars. But she has a secret: sometimes, she just can't resist hiding messages in her work. Slightly unprofessional, maybe - but harmless. Right? Analyst Reid Sutherland and his gorgeous fiancée had their future mapped out. Until he noticed a pattern in his wedding invitation that made him think twice.When Meg looks up from her desk one day and sees Reid standing in front of her with no wedding ring, holding the invitation she created, she thinks that her career is over.But her life may be about to begin . . .Escape into a beautiful world of craft and romance that will grab hold of your heart and never let go.Praise for Kate Clayborn'Clayborn is a thoughtful, very talented writer' - BookPage'Hilarious and moving and sexy' - Buzzfeed'A warm and lively romance' - New York Times'Clayborn's characters are bright and nuanced, her dialogue quick and clever, and the world she builds warm and welcoming' - Washington Post'A layered and memorable love story . . . smart, sexy and sublime' - USA Today

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Through a collection of works from key thinkers in natural philosophy, the second edition of The Scientific Background to Modern Philosophy illuminates the central role scientific writing played in developing modern philosophical thought. This revised and expanded edition includes many new translations and incorporates works by foundational eighteenth- and nineteenth-century thinkers not in the first edition, including selections from works by Jean-Baptiste, le Rond d’Alembert, Denis Diderot, Émilie Du Châtelet, Jean-Jacques Rousseau, Joseph Priestley, Immanuel Kant, Carl Linnaeus, William Paley, and Charles Robert Darwin. These new additions provide students with a more comprehensive understanding of the scientific context in which the major philosophical works of the modern era were written and complement the selections from works by Nicolaus Copernicus, Francis Bacon, Galileo Galilei, René Descartes, Robert Boyle, Christiaan Huygens, and Isaac Newton that are retained from the first edition.

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This selection of twenty-seven stories shows Maupassant at his comic, cruel, and brilliant best. In addition to the poignant title story, it includes one of the most famous tales ever written, The Necklace , and Le Horla, an account of a disintegrating personality that chillingly parallels the author's own decline into madness. All the stories demonstrate his genius for invention and his ability to write unblinkingly about the absurdity of the human condition, supporting Henry James' claim that in the annals of story-telling, Maupassant stands `like a lion in the path'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Duine de shárscéalaithe na Gaeilge In Eanáir 1952, sé bliana sula bhfuair Peig Sayers bás, thionscain Coimisiún Béaloideasa Éireann agallaimh léi agus í in ospidéal Naomh Anna, Baile Átha Cliath. Bhí Peig thar a bheith sásta labhairt lena cuairteoirí a raibh Gaeilge Chiarraí ar a dtoil acu agus seanaithne aici orthu. Foilsítear den chéad uair in Níl Deireadh Ráite na hagallaimh sin mar aon le réamhrá tathagach, tráchtaireacht agus aistriúchán Béarla ar an iomlán. Cuireann Peig i láthair anseo seanscéalta idirnáisiúnta, scéal Fiannaíochta, finscéalta taistealacha, seanchas stairiúil agus sísheanchas, roinnt paidreacha, agus tá cúpla léaráid óna mac, Mícheál Ó Gaoithín, mar anlann leo. Léiríonn na taifeadtaí a bua mar scéalaí oilte, a hacmhainn grinn, a móreolas ar scéalta traidisiúnta agus a cumas máistriúil á gcur i láthair trí shúile mná. Buanaíonn an saothar seo ionad Pheig mar dhuine de shárscéalaithe na Gaeilge agus cinntíonn sé go bhfuil a cuid scéalaíochta le háireamh ar scoth na healaíne béil sa tír seo. Among the first rank of Irish storytellers In January 1952, six years before she died, Peig Sayers was interviewed by a team from the Irish Folklore Commission in St Anne’s Hospital, Dublin. She was more than happy to be recorded, and pleased to be visited by old friends, all of whom spoke fluent Kerry Irish. In Not the Final Word these interviews are published for the first time, in both Irish and English, along with a substantial introduction and detailed annotation. Here Peig tells her versions of international folktales, a Fenian tale, some prayers, migratory legends and historical and supernatural lore, illustrated in paintings by her son, Mícheál Ó Gaoithín. She emerges as a warm and authentic storyteller, with a ready sense of humour, a deep knowledge of traditional narrative and highly skilled in its presentation. This collection reaffirms Peig Sayers’s position in the first rank of Irish storytellers and firmly establishes her tales in the canon of Irish oral literature.

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Examines how images of accumulation help open up the climate to political mobilization The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help open up the climate to cultural inquiry and political mobilization and have formed a cultural infrastructure focused on the relationships between humans, other species, and their environments.The essays in Accumulation address this cultural infrastructure and the methodological challenges of its analysis. They offer a response to the relative invisibility of the climate now seen as material manifestations of social behavior. Contributors outline opportunities and ambitions of visual scholarship as a means to encounter the challenges emergent in the current moment: how can climate become visible, culturally and politically? Knowledge of climatic instability can change collective behavior and offer other trajectories, counteraccumulations that draw the present into a different, more livable, future.Contributors: Emily Apter, New York U; Hans Baumann; Amanda Boeztkes, U of Guelph; Dominic Boyer, Rice U; Lindsay Bremner, U of Westminster; Nerea Calvillo, U of Warwick; Beth Cullen, U of Westminster; T. J. Demos, U of California, Santa Cruz; Jeff Diamanti, U of Amsterdam; Jennifer Ferng, U of Sydney; Jennifer Gabrys, U of Cambridge; Ian Gray, U of California, Los Angeles; Gökçe Günel, Rice U; Orit Halpern, Concordia U; Gabrielle Hecht, Stanford U; Cymene Howe, Rice U; Wendy Hui Kyong Chun, Simon Fraser U; Robin Kelsey, Harvard U; Bruno Latour, Sciences Po, Paris; Hannah le Roux, U of the Witwatersrand, Johannesburg; Stephanie LeMenager, U of Oregon; Nashin Mahtani; Kiel Moe, McGill U; Karen Pinkus, Cornell U; Stephanie Wakefield, Life U; McKenzie Wark, The New School; Kathryn Yusoff, Queen Mary U of London.

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A self-made millionaire shows you how to make millions while living life on your own terms At just eighteen years old, Matt Morris founded his first marketing business. At twenty, he dropped out of college to pursue business full-time. At twenty-one, he was homeless and deeply in debt, living out of his car. It was then that he made a life-changing decision to re-invent himself and his career. By twenty-nine, Matt was a self-made millionaire. How did he do it? In The Unemployed Millionaire, Morris reveals how he turned his life around and shatters the myth that it takes money to make money. Thanks to the Internet explosion and the ease of global trade, it is possible for anyone to start a business and market their products worldwide to millions of customers. Here, Morris unlocks the secrets and provides you with the specific moneymaking formula he used to turn his ideas into a fortune. Equips you with a step-by-step formula for turning your great idea into a million-dollar business in as little as twelve months Proves you don’t have to be smart, lucky, or rich to make millions Gives you the specific success principles all millionaires follow Author Matt Morris is an internationally recognized speaker who selectively mentors other entrepreneurs, traveling the world, working very little, and earning millions in the process With a foreword by Les Brown, motivational speaker, bestselling author, and television personality If you're serious about earning millions without working your fingers to the bone, The Unemployed Millionaire gives you the powerful strategies needed to turn your dreams into a reality.

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Rodin & Dance: The Essence of Movement is the first serious study of Rodin’s late sculptural series known as the Dance Movements. Exploring the artist’s fascination with dance and bodies in extreme acrobatic poses, the exhibition and accompanying catalogue give an account of Rodin’s passion for new forms of dance – from south-asian dances to the music hall and the avant garde – which began appearing on the French stage around 1900. Rodin made hundreds of drawings and watercolours of dancers. From about 1911 he also gave sculptural expression to this fascination with dancers’ bodies and movements in creating the Dance Movements, a series of small clay figure studies (each approx. 30 cm in height) that stretch and twist in unsettling ways. These leaping, turning figures in terracotta and plaster were found in the artist’s studio after his death and were not exhibited during Rodin’s lifetime or known beyond his close circle. Presented alongside the associated drawings and photographs of some of the dancers, they show a new side to Rodin’s art, in which he pushed the boundaries of sculpture, expressing themes of flight and gravity. This exhibition catalogue aims to become the authoritative reference for Rodin’s Dance Movements, comprising essays from leading scholars in the field of sculpture. It includes an introductory essay on the history of the bronze casting of the Dance Movements and the critical fortune of the series, an essay on the dancers Rodin admired, and an extensive technical essay. The Catalogue will comprise detailed entries on the works in the exhibition and new technical information on the drawings. Contributors include Alexandra Gerstein, Curator of Sculpture and Decorative Arts, The Courtauld Institute of Art; Antoinette Le Normand-Romain, Director, Institut National d’Histoire de l’Art, Paris; Juliet Bellow, Associate Professor of Art History, American University in Washington, DC and currently Resident Fellow, the Center for Ballet and the Arts, New York University; François Blanchetière, Curator of Sculpture at the Musée Rodin; Agnès Cascio and Juliette Lévy, distinguished sculpture conservators; Sophie Biass-Fabiani, Curator of Works on Paper at the Musée Rodin; and Kate Edmonson, Conservator of Works on Paper at The Courtauld Gallery.

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In 1965 Elizabeth David opened a shop in Pimlico, London, where she sold Le Creuset pans and other hard-to-get-hold-of kitchen utensils. The store, with its marvellous window displays, was as influential as her books would eventually be, pioneering a new generation of shops devoted exclusively to kitchenware. Rosi Hanson, who worked in David's shop for two years says, 'She was good fun, and the shop was magical. She rather loved being a shopkeeper, perhaps because it gave her a rest from writing. If someone wanted some very specific piece of equipment, I often heard her say: ;If you could come back, I think I may have one at home. On evenings when we stayed late to do the windows, she would make a picnic for us all to eat: terrine, things in jelly.' While she was still involved with the shop which bore her name, Elizabeth David Ltd, she produced a series of four little booklets: The Baking of an English Loaf, Dried Herbs, Aromatics and Condiments, English Potted Meats and Fish Pastes and Syllabubs and Fruit Fools which were sold exclusively in the shop. They were simple black and white productions which have now become rare, highly sought-after and very expensive collector's items. So Grub Street is delighted to have acquired the rights to these booklets from the David Estate and we are redesigning them as four hardback books in a slip case with specially commissioned beautiful artwork making them the perfect gift item. So for the first time in over 50 years these charming works will be available once again. Elizabeth David's books are all still in print today and they keep selling in quantities to each new generation of cooks who discover her and fall under her spell. And you can see her influence in the cooking of chefs such as Jeremy Lee, Shaun Hill and Rowley Leigh.

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A comprehensive , ambitious, and demanding critique of eighteenth-century English and French fiction, Story and History rereads the major works of the period as components in a systematic exploration of how the ordering of experience by individuals might relate to larger orders of authority. Interpreting the evolving thematic pattern of fiction in both countries as a plot in its own right, William Ray argues that the novel's rise in the eighteenth century coincided with a growing conviction - which the genre both reflected and fostered - that selfhood, social identity, public authority, and ultimately even historical truth and cultural values, all hinge on narrative representation. From the early novels of individualism, which emphasize the relating of personal experience as a means of altering social hierarchies and securing privileges for the exceptional individual, to the later metanovels, whose complex dialectical models of history both invite and exclude manipulation of the shared record, Story and History traces not only the relationship of individual story to collective history, but also finction's evolving grasp of its own cultural authority. Presented as an evolving story whose episodes are furnished by the successive works in treats, the sutdy seeks its model of the eighteenth century's understanding of narration and social reality within the stories of narrative manipulation contained in the most influential fiction of the period. Novels examined include: La Princesse de Cleves, Robinson Crusoe, Moll Flanders, Poxana, La Vie de Martanne, Le paysan parvenu, Manon Lescout, Pamela, Clarissa, Joseph Andrews, Tom Jones, Julie, ou la nouvelle Heloise, Tristam Shandy, Jacques le fataliste, and Les Liaisons dangereuses.

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On Sacred Ground explores the literature of the Northwest, the area that extends from the Pacific Ocean to the Rocky Mountains, and from the forty-ninth parallel to the Siskiyou Mountains. The Northwest exhibits astonishing geographical diversity and yet the entire bioregion shares a similarity of climate, flora, and fauna. For Nicholas O’Connell, the effects of nature on everyday Northwest life carry over to the region's literature. Although Northwest writers address a number of subjects, the relationship between people and place proves the dominant one, and that has been true since the first tribes settled the region and began telling stories about it, thousands of years ago. Indeed, it is the common thread linking Chief Seattle to Theodore Roethke, Narscissa Whitman to Ursula K. Le Guin, Joaquin Miller to Ivan Doig, Marilynne Robinson to Jack London, Betty MacDonald to Gary Snyder. Tracing the history of Pacific Northwest literary works--from Native American myths to the accounts of explorers and settlers, the effusions of the romantics, the sharply etched stories of the realists, the mystic visions of Northwest poets, and the contemporary explosion of Northwest poetry and prose--O’Connell shows how the most important contribution of Northwest writers to American literature is their articulation of a more spiritual human relationship with landscape. Pacific Northwest writers and storytellers see the Northwest not just as a source of material wealth but as a spiritual homeland, a place to lead a rich and fulfilling life within the whole context of creation. And just as the relationship between people and place serves as the unifying feature of Northwest literature, so also does literature itself possess a perhaps unique ability to transform a landscape into a sacred place.

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The contributors to Cocaine analyze the contemporary production, transit, and consumption of cocaine throughout the Americas and the illicit economy's entanglement with local communities. Based on in-depth interviews and archival research, these essays examine how government agents, acting both within and outside the law, and criminal actors seek to manage the flow of illicit drugs to both maintain order and earn profits. Whether discussing the moral economy of coca cultivation in Bolivia, criminal organizations and drug traffickers in Mexico, or the routes cocaine takes as it travels into and through Guatemala, the contributors demonstrate how entire ways of life are built around cocaine commodification. They consider how the authority of state actors is coupled with the self-regulating practices of drug producers, traffickers, and dealers, complicating notions of governance and of the relationships between economic and moral economies. The collection also outlines a more progressive drug policy that acknowledges the important role drugs play in the lives of those at the urban and rural margins. Contributors. Enrique Desmond Arias, Lilian Bobea, Philippe Bourgois, Anthony W. Fontes, Robert Gay, Paul Gootenberg, Romain Le Cour Grandmaison, Thomas Grisaffi, Laurie Kain Hart, Annette Idler, George Karandinos, Fernando Montero, Dennis Rodgers, Taniele Rui, Cyrus Veeser, Autumn Zellers-León

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Examines how images of accumulation help open up the climate to political mobilization The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help open up the climate to cultural inquiry and political mobilization and have formed a cultural infrastructure focused on the relationships between humans, other species, and their environments.The essays in Accumulation address this cultural infrastructure and the methodological challenges of its analysis. They offer a response to the relative invisibility of the climate now seen as material manifestations of social behavior. Contributors outline opportunities and ambitions of visual scholarship as a means to encounter the challenges emergent in the current moment: how can climate become visible, culturally and politically? Knowledge of climatic instability can change collective behavior and offer other trajectories, counteraccumulations that draw the present into a different, more livable, future.Contributors: Emily Apter, New York U; Hans Baumann; Amanda Boeztkes, U of Guelph; Dominic Boyer, Rice U; Lindsay Bremner, U of Westminster; Nerea Calvillo, U of Warwick; Beth Cullen, U of Westminster; T. J. Demos, U of California, Santa Cruz; Jeff Diamanti, U of Amsterdam; Jennifer Ferng, U of Sydney; Jennifer Gabrys, U of Cambridge; Ian Gray, U of California, Los Angeles; Gökçe Günel, Rice U; Orit Halpern, Concordia U; Gabrielle Hecht, Stanford U; Cymene Howe, Rice U; Wendy Hui Kyong Chun, Simon Fraser U; Robin Kelsey, Harvard U; Bruno Latour, Sciences Po, Paris; Hannah le Roux, U of the Witwatersrand, Johannesburg; Stephanie LeMenager, U of Oregon; Nashin Mahtani; Kiel Moe, McGill U; Karen Pinkus, Cornell U; Stephanie Wakefield, Life U; McKenzie Wark, The New School; Kathryn Yusoff, Queen Mary U of London.

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The Tragedy of Pious Antigone (1580) is the first English-language translation of Robert Garnier’s Antigone, ou la Pieté. Written by France’s earliest career tragedian, who also worked in the Paris Parliament and as a counselor at a judicial tribunal in the town of Le Mans, the play draws on various classical sources (especially Seneca, Statius, and Sophocles) to retell the well-known story of a family torn apart by war: as brothers Eteocles and Polynices fight to the death, their sister Antigone and mother Jocasta make repeated calls for peace. Originally published at the height of the French Wars of Religion (1562–1598) that pitted Catholics and Protestants against each other, the five acts of Garnier’s play would have had immediate resonance. Neither extolling nor defending one side or the other, this humanist tragedy, which also anticipates the style of Corneille and Racine, could have been appreciated not only by members of one religious community or the other, but by both as a seemingly non-partisan and earnest lamentation about, and reflection upon, troubled times. This famous story, re-imagined by countless authors including Bertolt Brecht, Jean Anouilh, Griselda Gambaro, Athol Fugard, and many others, is here re-told to emphasize empowered female voices in times of political division.

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A lavishly illustrated collector's edition containing all the supernatural tales ever written by M.R. James, the undisputed father of the modern ghost story.'James is clearly the best that's ever been' MARK GATISSM.R. James is one of the finest authors of supernatural fiction in the English language and revered as the father of the modern English ghost story. Many of his stories were originally written as Christmas entertainments and were read aloud by the author to selected gatherings of friends.'There are all sorts of writers of all sorts of nightmares, but M.R. James wrote the best ghost stories. He may well have created the ghost story in its current form. Nobody can do what he did as well as he could' NEIL GAIMANAuthorised by the writer's estate, Curious Warnings: The Complete Ghost Stories is the only volume that collects together all of James' much-loved supernatural tales - including the classics, 'Oh, Whistle, and I'll Come to You, My Lad', 'A Warning to the Curious' and 'Canon Alberic's Scrapbook' - together with his novel The Five Jars, story fragments, essays and poetry. Illustrated by award-winning artist Les Edwards and featuring an extensive historical Afterword by editor Stephen Jones, this is the ultimate collection for fans of M.R. James and the classic British ghost story.

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An intelligent, atmospheric police procedural series for fans of John Le Carré and Mick Heron"The most important thing that's happened in Mexican literature in the last thirty years" Gaby Wood, Sunday Telegraph.Detective Lefty Mendieta makes a deal with the devil in a gripping new novel from the Godfather of Narco Lit Short of leads on the execution-style murder of a fortune-teller, Detective Lefty Mendieta turns to his contacts in the drug underworld. They oblige, but there is a quid pro quo: Help Samantha Valdés, head of the Pacific Cartel, slip through the net of Mexican army and federal police encircling the hospital where she is recovering after an attempt on her life. Grudgingly he agrees, but then gets caught on camera during the escape and becomes headline news.Fired from the force and on the run from the Feds, Lefty again seeks Samantha's help when he learns that his son Jason has been kidnapped in Los Angeles. There, he must come to terms with the woman who broke his heart, while contending with a thicket of conspiracies, feints and double-crosses that further blur the distinction between crime and the law. Betrayal is certain. To save his son, who will Lefty sell out?Translated from the Spanish by Mark Fried

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In 2020, for the first time in centuries, heavy red curtains swept closed on stages across the West End; all theatres were closed. Two actors, keenly feeling the loss of their theatre homes, turned to a form of art that could still thrive over the following months, and set about photographing the stage doors of the deserted city. An extraordinary collaborative project almost two years in the making, Exeunt - The Stage Door Project collects together these moving images, alongside anecdotes from some of the world's leading luminaries who have trodden the boards of the pictured theatres. A tribute to the magical nature of the stage door and the tales lurking behind it, Exeunt is a celebration of the legendary theatres of the city, the extraordinary figures behind the curtain - and the faithful audiences who have flocked back after the storm. Proceeds from sales of this book go to the Actors' Benevolent Fund, ArtsMinds and Theatre Artists Fund Featuring the words of Dame Judi Dench, Emma Rice, Ned Seago, Simon Callow, John McCrea, Diane Page, Reece Shearsmith, Anita Dobson, Macy Nyman, David Bedella, Kwong Loke, Luke Giles, Stephanie Street, Dame Harriet Walter, Rebecca Frecknall, David Jonsson, Jackie Clune, Ben Cracknell, Richard Sutton, Adeyinka Akinrinade, Le Gateau Chocolat, Paule Constable, Lucian Msamati, Adrian Scarborough, David Acton, Natalie Law, Gordon Millar, Leanne Robinson, Thomas Aldridge, Katrina Lindsay, Eben Figueiredo, Andy Taylor, Aimie Atkinson, Jack Holden, Laura Donnelly, Laurie Kynaston, Abraham Popoola, Oengus MacNamara, Louis Maskell, Valda Aviks, Garry Cooper, Mark Dugdale, Lyn Paul, James Graham, Emma Sheppard, Paul Bazely, Preston Nyman, Lauren Ward, Jessica Hung Han Yun, Natalie McQueen, Gavin Spokes, Niamh Cusack, Paterson Joseph, Anna Fleischle, Daniel Monks, Michael Sheen, Lia Williams, Ruthie Henshall, Simon Lipkin, Tom Brooke, Ian Rickson, Rufus Hound, Zoe Tapper, Patsy Ferran, Joshua McGuire, Sharon D Clarke, Mark Gatiss, Taz Skylar, Marianne Benedict, Ferdinand Kingsley, Lez Brotherston, Tamsin Withers, Hadley Fraser, Karl Queensborough, Neil Salvage, Jessie Hart, Kathy Peacock, Howard Hudson, Jonathan Andrew Hume, Andy Nyman, Andrew McDonald, Claire Roberts, Michael Jibson, Jason Pennycooke, Christopher Tendai, Laura Baldwin, Matt Henry, Robert Lindsay, Simon Evans, Fisayo Akinade, Irvine Iqbal and Zoe Wanamaker.

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***THE SUNDAY TIMES BESTSELLER 'A heroic outsider - a pleasure to read.' - The Guardian'A fulsome evocation of football before the Premier League.' - The i'Such a good storyteller...joyous.' - Financial Times'Honest, raw, revealing and very funny. How to live a life and career to the full. Insightful book about the most successful outsider inside football ever...' - Henry Winter, Chief Football Writer, The Times'Pat is a wonderful one-off...and this is the story of why that is.' - John Murray, Chief Sports Correspondent, BBC Radio 5 Live'Unusually vibrant and elegant with heroic doses of humour, insight and self-effacement, this is an absolute must-read for the football connoisseur.' - Omid Djalili 'The biggest influence of my professional career both on and off the pitch.' - Graeme Le Saux'I grew up captivated by Pat Nevin the player. As a man he taught me even more about the beauty of the game. One of football's great mavericks, and Chelsea's greatest players. And he can spin a mean tune too.' - Sam Matterface 'I used to walk miles to see Pat Nevin play football and I'd do the same now to read his thoughts. Always challenging, always entertaining.' - Lord Sebastian Coe'A refreshingly honest and thought-provoking autobiography. As deftly delivered as some of Pat's ball skills in his 1980's heyday.' - ToffeeWeb Pat Nevin never wanted to be a professional footballer.His future was clear, he'd become a teacher like his brothers. There was only one problem with this - Pat was far too good to avoid attention. Raised in Glasgow's East End, Pat loved the game, playing for hours and obsessively following Celtic. But as he grew up, he also loved Joy Division, wearing his Indie 'gloom boom' coat and going on marches - hardly typical footballer behaviour!Placed firmly in the 80s and 90s, before the advent of the Premier League, and often with racism and violence present, Pat Nevin writes with honesty, insight and wry humour. We are transported vividly to Chelsea and Everton, and colourfully diverted by John Peel, Morrissey and nights out at the Hacienda.The Accidental Footballer is a different kind of football memoir. Capturing all the joys of professional football as well as its contradictions and conflicts, it's about being defined by your actions, not your job, and is the perfect reminder of how life can throw you the most extraordinary surprises, when you least expect it.

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These books are being reissued as they appeared in the first Dolmen Press editions in one composite volume, with an invaluable, contextual introduction by eighteenth-century Swift scholar Andrew Carpenter. He assesses the reaction of Swift’s serious biographers and commentators to the original publications: ‘… two remarkable books, driven by sympathetic and intuitive enquiry, which made an important contribution to Swift studies when they appeared in the 1960s and which still remain significant for all those interested in Swift’s life and works’. Cadenus is primarily concerned with the relationship between Swift and Vanessa (Esther Van Homrigh), Swift’s Most Valuable Friend with that between Swift and Stella (Esther Johnson). Both help to determine the precise nature of this triangle, and the impact it had on his writing and career.

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Knit beautiful, bespoke blankets that reflect your favourite landscapes with this original pattern collection. Designer, Anne Le Brocq, has created a collection of 50 knitting pattern designs for different kinds of landscape and weather features so whether you live near the mountains or by the sea, you can knit your own landscape blanket. The 50 pattern swatches include wet sand, pebbles, footprints, rain, clouds, different kinds of tree foliage, mountains, sand dunes and more. There are written instructions and numbered charts for each of the landscape swatches, as well as stunning photography showing the inspiration for each of the designs. These swatches are the perfect 'on-the-move' project because you can knit one square at a time and join them together to make a blanket, perfect for taking with you in your project bag. However, if you prefer to knit a blanket in one rather than joining the individual swatches at the end, there are also instructions for how to use the swatch patterns as vertical and horizontal repeats. As well as the pattern swatch library there are seven finished blankets to illustrate how the pattern swatches can be used. All of the blankets have instructions for making them using the swatches as well as how to knit them in one so you can choose your preferred method. The author uses a wide range of different yarns - including gradient yarns - to show how colour and fibre can change the effect of the finished blanket. The solid colour changes emphasize the different landscape features whereas the gradient yarns create a more subtle effect. Author, knitting designer and geographer, Anne Le Brocq, is uniquely qualified to create this collection of knitting patterns inspired by the natural world. Anne has combined her two passions in The Art of Landscape Knitting to create a very special collection of designs. This unique concept will inspire you to knit your own favourite landscapes and create beautiful, bespoke blankets that evoke the world around us.

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How The Golden Legend shaped the medieval imaginationIt is impossible to understand the Middle Ages without grasping the importance of The Golden Legend, the most popular medieval collection of saints' lives. Assembled in the thirteenth century by Genoese archbishop Jacobus de Voragine, the book became the medieval equivalent of a bestseller. In Search of Sacred Time is the first comprehensive history and interpretation of this crucial book. Jacques Le Goff, who was one of the world's most renowned medievalists, provides a lucid and compelling account that shows how The Golden Legend Christianized time itself, reconciling human and divine temporality. Authoritative, eloquent, and original, In Search of Sacred Time is a major reinterpretation of a book that is central to comprehending the medieval imagination.

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Purposefully imitating Voltaire's classic Candide, another dark comedy which derives its humour from life's tragedies, Habiby's The Secret of Saeed the Pessoptimist is a classic of Arab literature. The story of Saeed, a Palestinian who becomes a citizen of Israel, is a story of fact and fantasy, tragedy and comedy. At once a comic hero and luckless fool, his life is full of terror, aggression, resistence and heroism. As an informer for the Zionist state, Saeed's stupidity, candour and cowardice make him more the victim than a villain; but in a series of tragicomic episodes, blundering from disaster to disaster, he is slowly transformed from gullible collaborator into a Palestinian intent on survival. The novel, informed by the author's own experience in Israeli politics, is both biting and funny. The Secret Life of Saeed the Pessoptimist was named in the top ten novels set in the Arab world by The Guardian in 2010, won the Al-Quds Prize in Palestine in 1992 and The Israel Prize for Literature, awarded by the State of Israel. It is the only novel to have the top literary award in both countries.

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An engaging and beautifully illustrated overview of one of the finest Impressionist and Post-Impressionist collections in the United States Featuring 90 highlights from the Philadelphia Museum of Art’s stellar collection of Impressionist and Post-Impressionist art, this handsome volume includes iconic works such as Paul Cézanne’s Large Bathers, Vincent van Gogh’s Sunflowers, Edgar Degas’s Interior, Édouard Manet’s Le Bon Bock, Toulouse-Lautrec’s At the Moulin Rouge, and Pierre-Auguste Renoir’s Great Bathers.Providing a rich and encompassing view of the artists and the innovative works they created, the entries consider both the experimental techniques employed in the paintings, sculptures, prints, and drawings, as well as how these objects functioned within the contexts of the art market, social history, and politics. An introductory essay examines the circumstances and individuals—including Mary Cassatt’s brother, the Philadelphia railroad executive Alexander J. Cassatt—that led to the formation of one of the most distinguished Impressionist and Post-Impressionist collections in the United States.Published in association with the Philadelphia Museum of ArtExhibition Schedule:Philadelphia Museum of Art (04/16/19–08/18/19)

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Following the 1960s, that decade's focus on consciousness-raising transformed into an array of intellectual projects far afield of movement politics. The mind's powers came to preoccupy a range of thinkers and writers: ethicists pursuing contractual theories of justice, radical ecologists interested in the paleolithic brain, seventies cultists, and the devout of both evangelical and New Age persuasions. In Ideal Minds, Michael Trask presents a boldly revisionist argument about the revival of subjectivity in postmodern American culture, connecting familiar figures within the seventies intellectual landscape who share a commitment to what he calls "neo-idealism" as a weapon in the struggle against discredited materialist and behaviorist worldviews. In a heterodox intellectual and literary history of the 1970s, Ideal Minds mixes ideas from cognitive science, philosophy of mind, moral philosophy, deep ecology, political theory, science fiction, neoclassical economics, and the sociology of religion. Trask also delves into the decade's more esoteric branches of learning, including Scientology, anarchist theory, rapture prophesies, psychic channeling, and neo-Malthusianism. Through this investigation, Trask argues that a dramatic inflation in the value of consciousness and autonomy beginning in the 1970s accompanied a growing argument about the state's inability to safeguard such values. Ultimately, the thinkers Trask analyzes—John Rawls, Arne Naess, L. Ron Hubbard, Hal Lindsey, Philip Dick, Ursula Le Guin, Edward Abbey, William Burroughs, John Irving, and James Merrill—found alternatives to statism in conditions that would lend intellectual support to the consolidation of these concepts in the radical free market ideologies of the 1980s.

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Winner, Evelyn Richardson Award for Non-Fiction and Democracy 250 Atlantic Book Award for Historical WritingFinalist, Dartmouth Book Award for Non-Fiction, and the Margaret and John Savage Award for Best First Book (Non-fiction)A Hill Times' 100 Best Books in 2020 SelectionOn Canada's History Bestseller ListGrowing up on the south shore of Nova Scotia, Tyler LeBlanc wasn’t fully aware of his family’s Acadian roots — until a chance encounter with an Acadian historian prompted him to delve into his family history. LeBlanc’s discovery that he could trace his family all the way to the time of the Acadian Expulsion and beyond forms the basis of this compelling account of Le Grand Dérangement.Piecing together his family history through archival documents, Tyler LeBlanc tells the story of Joseph LeBlanc (his great-great-great-great-great-great-great-great grandfather), Joseph’s ten siblings, and their families. With descendants scattered across modern-day Nova Scotia and Prince Edward Island, the LeBlancs provide a window into the diverse fates that awaited the Acadians when they were expelled from their homeland. Some escaped the deportation and were able to retreat into the wilderness. Others found their way back to Acadie. But many were exiled to Britain, France, or the future United States, where they faced suspicion and prejudice and struggled to settle into new lives.A unique biographical approach to the history of the Expulsion, Acadian Driftwood is a vivid insight into one family’s experience of this traumatic event.

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Winner of the H.R.F. Keating Award for best biographical/critical book related to crime fiction, and nominated for the Edgar Allen Poe and Macavity Awards for Best Critical/Biographical book. Ninety crime writers from the world’s oldest and most famous crime writing network give tips and insights into successful crime and thriller fiction. Howdunit offers a fresh perspective on the craft of crime writing from leading exponents of the genre, past and present. The book offers invaluable advice to people interested in writing crime fiction, but it also provides a fascinating picture of the way that the best crime writers have honed their skills over the years. Its unique construction and content mean that it will appeal not only to would-be writers but also to a very wide readership of crime fans. The principal contributors are current members of the legendary Detection Club, including Ian Rankin, Val McDermid, Peter James, Peter Robinson, Ann Cleeves, Andrew Taylor, Elly Griffiths, Sophie Hannah, Stella Duffy, Alexander McCall Smith, John Le Carré and many more. Interwoven with their contributions are shorter pieces by past Detection Club members ranging from G.K. Chesterton, Dorothy L. Sayers, Agatha Christie and John Dickson Carr to Desmond Bagley and H.R.F. Keating. The book is dedicated to Len Deighton, who is celebrating 50 years as a Detection Club member and has also penned an essay for the book. The contributions are linked by short sections written by Martin Edwards, the current President of the Club and author of the award-winning The Golden Age of Murder.

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The first major piece of unpublished work by Leo Strauss to appear in more than 30 years, this volume offers the public the unprecedented experience of encountering this renowned scholar as his students did. Given as a course in autumn 1959 under the title "Plato's Political Philosophy" these provocative lectures - until now, never published, but instead passed down from one generation of students to the next - show Strauss at his subtle and insightful best.

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** South African Number One Bestseller **A comprehensive work based on personal interviews and insider knowledge - bound to become a classic.The past three decades have seen a remarkable rise of Afrikaners in business. With Koos Bekker at its helm, media group Naspers began dominating the Johannesburg Stock Exchange and was turned into a global consumer internet group. Johann Rupert strongly extended Richemont's share internationally in the upper-end market of luxury goods, while Christo Wiese and Whitey Basson at Pepkor and Shoprite became Africa's largest clothing and food retailers.Fortunes describes how these and other business leaders, such as Jannie Mouton, Michiel le Roux, Douw Steyn, Roelof Botha, Hendrik du Toit and a number of commercial farmers, built their empires. It looks at their life and business philosophies and what makes them such successful entrepreneurs.Recent years have also seen the sensational collapse of Steinhoff International, the furniture retailer led by Markus Jooste that destroyed some of these fortunes. While Jooste is the topic of one of the chapters, another looks at the philanthropic projects most of these tycoons are involved in.

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The 49% Architect, 51% Entrepreneur: A Blueprint for Entrepreneurship in Architecture will inspire architects and aspiring architects with its insights into the visionaries of the past and a look to the future of architecture—and sustainability, the planet, and an urgent call to global stewardship of our fragile world.The 49% Architect, 51% Entrepreneur: A Blueprint for Entrepreneurship in Architecture explores architectural history and the inspirations of the visionaries of the field including: • Ludwig Mies ven der Rohe • Le Corbusier • Frank Lloyd Wright • Gustave Eiffel • Zaha Hadid • Carme Pigem • And many Pritzker winners who have designed the greatest buildings in the worldIn addition, the author examines the most pressing issues of architecture and society today, from global warming to the pressures and problems of city planning, from urban sprawl to a lack of commitment to the principles of urbanism. He shares his vision of cities of the future—with ground-breaking, original ideas of what buildings and cities and communities in the next century could be.Architects must be both artists—and businesspeople and entrepreneurs capable of steering projects, partnerships, and companies forward, with a view toward creating sustainable structures and cities. By looking through the lens of the past, Edgard Rios helps readers imagine the future. He urges the citizens of the world to live in harmony with the landscape and world around it. By presenting cutting-edge concepts, The 49% Architect, 51% Entrepreneur presents a look at what the world could be, along with a clarion call to embrace environmental stewardship and sustainable practices.Warm, inspiring, provocative, and thought-provoking, Edgard Rios aims to both challenge and applaud today’s architects, as well as inspire the next generation. He shares his insights gained from decades collaborating, creating, and envisioning transformative projects.

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A Black Cat Abroad is the untold WWII story of a 'Terrier' nicknamed 'Oscar': R.E.H. Hadingham (1915-2004), CBE, MC & Bar TD, better known as 'Buzzer', who was later chairman of Slazenger's and then the All England Lawn Tennis Club, Wimbledon. Beginning with his work in London and Territorial Army training, it describes life in Wimbledon under the cloud of impending war. On 29th July 1939, Buzzer was commissioned into 167 Brigade, 67th (East Surrey) Anti-Tank Regiment R.A. T.A., the 'Black Cats'. Three years later he embarked from Liverpool, carrying a sun-helmet, destination unknown. Momentous challenges followed, not least a 3-year separation from his family. Here are fresh aspects of an epic 3,000-mile journey from Iraq to action in North Africa, before conflicts in Italy: Salerno, Anzio, and the lesser-known 'Monte Cassino of the Adriatic': Gemmano. Leading toward the 80th Anniversary of the Italian Campaign (1943-1945), relevant historic anecdotes and key operational recollections reveal a young, energetic 303 Anti-Tank Battery Commander's personal perspectives, and the first officer in his Territorial Regiment to receive a batt le honour. This remarkable, first-hand account by the 'poet of Wimbledon' is intended as a special tribute to all brave men who served in the 'Black Cats' - and as a commemoration of the fallen.

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This is a meticulously detailed history of the Triumph Bonneville: its antecedents, how it came about, and year-by-year production changes, with detailed technical specifications and contemporary road test reports showing how the Bonneville compared with its rivals. However, the history of the bike cannot be separated from the turbulent story of the company that built it. Triumph went from huge successes in the 1960s, when the Bonneville conquered North America, to troubled times in the early 1970s, leading to the formation of the workers co-operative that heroically kept the Bonneville alive for a further nine years. All this is covered here, plus details on how Triumph spares producer Les Harris took over production into the late ‘80s. Unlike other Bonneville books, this one also tells you how to buy one of these iconic bikes secondhand – all the pitfalls, what to look for, and what they are really like to live with. Whichever one you choose, it should be fast, agile and good looking ... on a twisty country road, there's nothing like a Bonnie, and with information on clubs, websites, spares, and the latest modifications and upgrades, this book will help you get the one you deserve. Featuring comprehensive appendices of facts, figures, contacts, technical specifiations (including correct colours for each year), engine/frame numbers, and road test performance figures, this is the definitive book of a bike that truly deserves the term ‘practical classic.'

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June 1940. In just weeks, General Erwin Rommel’s 7th Panzer Division – dubbed the ‘Ghost Division’ — had driven headlong through Allied forces in Belgium and France to reach the English Channel. Pushing south along the Channel coast past Le Harve, Rommel’s spectacular victory at Saint-Valéry-en-Caux was crowned by the capture of Cherbourg. Following the Franco-German Armistice and a victory parade in Bordeaux, cameras rolled as Rommel re-enacted crossing the Somme for the Nazi propaganda documentary Sieg im Westen (Victory in the West).

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Today's dog training market is filled with fads and quick fixes, and most dog owners are so desperate for solutions that they spend princely sums to rehabilitate their dogs. Many modern training techniques fail both people and dogs, though, and throwing money, discipline, or pills at dog behavioral problems can't fix a bond between a dog and its owner that was broken in the first place.But in a world where many people don't have the ability to spend as much time with their beloved canines as they'd like, how do you nurture a whole and sustaining connection with your dog?Building on the approach set forth in their two enduring bestsellers, The Monks of New Skete unveil a new mindset that realizes a life with your dog that once seemed unimaginable. They guide the reader on how to use the time they already spend with their dogs more wisely, and give them specific goals to meet the dog's needs. This book will show you how to live with your canine companion in an intentional, purposeful, and deeply rewarding way.Transformative for canine companion and human alike, THE ART OF LIVING WITH YOUR DOG will be an essential addition to any serious dog owner's bookshelf.

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A MAIL ON SUNDAY AND WASHINGTON POST BOOK OF THE YEAR. The little-known true story of the woman who headed the largest spy network in Vichy France during World War II. In 1941, a thirty-one-year-old Frenchwoman, a young mother born to privilege and known for her beauty and glamour, became the leader of Alliance, a vast Resistance organisation — the only woman to hold such a role. Brave, independent, and a lifelong rebel against her country’s conservative, patriarchal society, Marie-Madeleine Fourcade was temperamentally made for the job. No other French spy network lasted as long or supplied as much crucial intelligence as Alliance — and as a result, the Gestapo pursued its members relentlessly, capturing, torturing, and executing hundreds of its three thousand agents, including Fourcade’s own lover and many of her key spies. Fourcade herself lived on the run and was captured twice by the Nazis. Both times she managed to escape. Though so many of her agents died defending their country, Fourcade survived the occupation to become active in post-war French politics. Now, in a dramatic account of the war that split France in two and forced its people to live side by side with their hated German occupiers, Lynne Olson tells the fascinating story of a woman who stood up for her nation, her fellow citizens, and herself.

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Our national leaders have drifted into treating the pandemic as though it were an unavoidable natural catastrophe, repeating a depressing cycle of panic followed by neglect. So a remarkable group of practitioners and scholars from many backgrounds came together determined to discover and learn lessons from this latest world war. Lessons from the Covid War is plain-spoken and clear sighted. It cuts through the enormous jumble of information to make some sense of it all and answer: What just happened to us, and why? And crucially, how, next time, could we do better? Because there will be a next time.The Covid war showed Americans that their wondrous scientific knowledge had run far ahead of their organized ability to apply it in practice. Improvising to fight this war, many Americans displayed ingenuity and dedication. But they struggled with systems that made success difficult and failure easy. This book shows how Americans can come together, learn hard truths, build on what worked, and prepare for global emergencies to come.A joint effort from:Danielle Allen John M. Barry John Bridgeland Michael Callahan Nicholas A. Christakis Doug Criscitello Charity Dean Victor Dzau Gary Edson Ezekiel Emanuel Ruth Faden Baruch Fischhoff Margaret "Peggy" Hamburg Melissa Harvey Richard Hatchett David Heymann Kendall Hoyt Andrew Kilianski James Lawler Alexander J. Lazar James Le Duc Marc Lipsitch Anup Malani Monique K. Mansoura Mark McClellan Carter Mecher Michael Osterholm David A. Relman Robert Rodriguez Carl Schramm Emily Silverman Kristin Urquiza Rajeev Venkayya Philip Zelikow

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The ground-breaking and monumental encyclopedia of philosophical terms read through the history of their translation, Vocabulaire Européen des philosophies: Dictionnaire des Intraduisibles, ed. Barbara Cassin (Paris: Robert/Le Seuil, 2004), finally appeared in English translation in 2014 with Princeton University Press as the Dictionary of Untranslatables: A Philosophical Lexicon, eds. Barbara Cassin, Emily Apter, Jacques Lezra, Michael Wood. Translations of the Vocabulaire are now under way in several other major languages, including Arabic, Farsi, Romanian, Italian, Ukrainian and Russian. This special issue of Paragraph will be the first sustained critical reflection following the publication of the Dictionary of Untranslatables, and includes contributions by those who were most closely involved in the editing of this volume, by two of the translators (Mehlman, Syrotinski), as well as others whose work has been significantly inflected or influenced by the questions raised by the Dictionary.

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The Forest: Politics, Poetics, and Practice focuses on the forest as a theme in contemporary art. The full-color catalog accompanies one of the inaugural exhibitions at the new Nasher Museum of Art at Duke University, on view from October 2, 2005, through January 29, 2006. The show features contemporary works of art by more than thirty artists from North and South America, Europe, Asia, Africa, and Australia. It includes drawings, prints, sculpture, photography, film, video, digital imagery, and sound art. Starting with “politics”—the first of its three organizing themes—the exhibition examines works that take a political approach to the forest and nature. Germany’s Joseph Beuys’s lithograph Save the Woods (1972) anchors a contemporary collection of works—by An-My Le (Vietnam), Rosemary Laing (Australia) and Collier Schorr (U.S.), and Zwelethu Mthethwa (South Africa), among others—that look at issues of war, nuclear threat, colonialism, industrialization, and deforestation.“Poetics” investigates the psychological, mythical, spiritual, and literary aspects of the forest, inspired by the Grimms’ fairy tales, Celtic mythology, and European ghost stories. Among the artists showcased are Kiki Smith (U.S.), Wim Wenders (Germany), Yang FuDong (China), Petah Coyne (U.S.), and Paloma Varga Weisz (Germany). “Practice” focuses on artists who are actively engaged with issues of ecology. The exhibition marks the premiere of a webcam project by pioneering media artist Wolfgang Staehle. Other artists include Simon Starling (U.K.), Alan Sonfist (U.S.), and Carsten Holler (Germany).The Forest is cosponsored by the Nicholas School of the Environment and Earth Sciences at Duke University.

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Located at the junction of North America and the Caribbean, the vast territory of colonial Louisiana provides a paradigmatic case study for an Atlantic studies approach. One of the largest North American colonies and one of the last to be founded, Louisiana was governed by a succession of sovereignties, with parts ruled at various times by France, Spain, Britain, and finally the United States. But just as these shifting imperial connections shaped the territory's culture, Louisiana's peculiar geography and history also yielded a distinctive colonization pattern that reflected a synthesis of continent and island societies. Louisiana: Crossroads of the Atlantic World offers an exceptional collaboration among American, Canadian, and European historians who explore colonial and antebellum Louisiana's relations with the rest of the Atlantic world. Studying the legacy of each period of Louisiana history over the longue durée, the essays create a larger picture of the ways early settlements influenced Louisiana society and how the changes in sovereignty and other circulations gave rise to a multiethnic society. Contributors examine the workings of empire through the examples of slave laws, administrative careers or on-the-ground political negotiations, cultural exchanges among landowners, slave holders, and slaves, and the construction of race through sexuality, marriage, and household formation. As a whole, the volume makes the compelling argument that one cannot write Louisiana history without adopting an Atlantic perspective, or Atlantic history without referring to Louisiana. Contributors: Guillaume Aubert, Emily Clark, Alexandre Dubé, Sylvia R. Frey, Sylvia L. Hilton, Jean-Pierre Le Glaunec, Cécile Vidal, Sophie White, Mary Williams.

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This book examines the impact of the royal politics of amnesia on tragedy and national historiography in France, 1560-1630. This study argues that the political and legislative process of forgetting internal differences, undertaken in France after the civil wars of the 16th century, leads to subtle yet fundamental shifts in the broader conception of the relationship between readers or spectators on the one hand, and the matter of history, on the other. These shifts, occasioned by the desire for communal reconciliation and generally associated with an increasingly modern sensibility, will nonetheless prove useful to the ideologies of cultural and political absolutism. By juxtaposing representations of the French civil war past as they appear (and frequently overlap) in historiography and tragedy from 1550 1630, Adrea Frisch tracks changes in the ways in which history and tragedy sought to 'move' readers throughout the period of the wars and in their wake. The book shows that a shift from a politically (and martially) active reading of the past to a primarily affective one follows the imperative, so clear and urgent at the turn of the seventeenth century, to put an end to violent conflict. The emotions that neoclassical tragedy and absolutist historiography sought to elicit were intended above all to be shared, and thus a medium via which political differences could be downplayed or forgotten. The book aims to illuminate some of the ways in which the experience of the wars of religion, as registered in tragedy and historiography, contributed to a restructuring of the ever vital relationship between emotion and politics, and thereby to historicize the very concept of 'esmouvoir'. Confronts historiography and tragedy in the era of the French Wars of Religion; it provides both close readings and a broad argument about the impact of the monarchical politics of reconciliation on conceptions of how history and tragedy should 'move' their audiences and offers a broad coverage of French authors and texts including 5 theatrical tragedies: Francois de Chantelouve's Tragedie de Coligny; Pierre Matthieu's Guisiade; Simon Belyard's Guysien; Claude Billard de Courgenai's La mort de Henri IV; and the anonymous Tragedie des rebelles, ou les noms sont feints.

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