Search results for ""zeitgeist""

From the acclaimed author of Immigrant, Montana comes a one-of-a-kind novel about memory, politics, a world of lies, and the ways in which truth can be not only stranger than fiction, but a fiction of its own.'A shimmering assault on the Zeitgeist.' – The New YorkerWhen Satya attends a prestigious artists’ retreat, he finds the pressures of the outside world won’t let up: the US president rages online; a dangerous virus envelops the globe; and the twenty-four-hour news cycle throws fuel on every fire. These Orwellian interruptions begin to crystallize into an idea for his new novel about the lies we tell ourselves and each other. Satya scours his life for moments where truth bends toward the imagined, and misinformation is mistaken as fact.As he sifts through newspaper clippings, the President’s tweets, childhood memories from India, and experiences as an immigrant, a husband, father, and teacher, Amitava Kumar’s A Time Outside This Time captures our feverish political moment with a precisely observant intelligence and an eye for the uncanny.A brilliant meditation on life in a post-truth era, this piercing novel captures the sentiment on all our minds, of how impossible it can feel to remember, or to imagine, a time outside of this one.

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Winner, MPCA/ACA Book Award, Midwest Popular Culture Association / Midwest American Culture Association, 2020From classical Hollywood film comedies to sitcoms, recent political satire, and the developing world of online comedy culture, comedy has been a mainstay of the American media landscape for decades. Recognizing that scholars and students need an authoritative collection of comedy studies that gathers both foundational and cutting-edge work, Nick Marx and Matt Sienkiewicz have assembled The Comedy Studies Reader.This anthology brings together classic articles, more recent works, and original essays that consider a variety of themes and approaches for studying comedic media—the carnivalesque, comedy mechanics and absurdity, psychoanalysis, irony, genre, race and ethnicity, gender and sexuality, and nation and globalization. The authors range from iconic theorists, such as Mikhail Bakhtin, Sigmund Freud, and Linda Hutcheon, to the leading senior and emerging scholars of today. As a whole, the volume traces two parallel trends in the evolution of the field—first, comedy’s development into myriad subgenres, formats, and discourses, a tendency that has led many popular commentators to characterize the present as a “comedy zeitgeist”; and second, comedy studies’ new focus on the ways in which comedy increasingly circulates in “serious” discursive realms, including politics, economics, race, gender, and cultural power.

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The first comprehensive study of the lifework of Guo Moruo (1892–1978) in English, this book explores the dynamics of translation, revolution, and historical imagination in twentieth-century Chinese culture. Guo was a romantic writer who eventually became Mao Zedong’s last poetic interlocutor; a Marxist historian who evolved into the inaugural president of China’s Academy of Sciences; and a leftist politician who devoted almost three decades to translating Goethe’s Faust. His career, embedded in China’s revolutionary century, has generated more controversy than admiration. Recent scholarship has scarcely treated his oeuvre as a whole, much less touched upon his role as a translator.Leaping between different genres of Guo’s works, and engaging many other writers’ texts, The Translatability of Revolution confronts two issues of revolutionary cultural politics: translation and historical interpretation. Part 1 focuses on the translingual making of China’s revolutionary culture, especially Guo’s translation of Faust as a “development of Zeitgeist.” Part 2 deals with Guo’s rewritings of antiquity in lyrical, dramatic, and historiographical-paleographical forms, including his vernacular translation of classical Chinese poetry. Interrogating the relationship between translation and historical imagination—within revolutionary cultural practice—this book finds a transcoding of different historical conjunctures into “now-time,” saturated with possibilities and tensions.

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Emergence is one of the most exciting new fields in architecture today, gaining interest from not only academics and students but also leading professionals, with directors from Fosters, Arup and Bentley Systems all attending the most recent symposium on the subject at the Architects Association, London. As a concept, Emergence has captured the zeitgeist, embodying the pervasive cultural interest in genetics and biological sciences. In the sciences, Emergence is an explanation of how natural systems have evolved and maintained themselves, and it has also been applied to artificial intelligence, information systems, economics and climate studies. The potential of the mathematics of Emergence that underlie the complex systems of nature is now being realised by engineers and architects for the production of complex architectural forms and effects, in advanced manufacturing of ‘smart’ materials and processes, and in the innovative designs of active structures and responsive environments. The first book to provide a detailed exploration of the architectural and engineering consequences of this paradigm, and a detailed analysis of geometries, processes and systems to be incorporated into new methods of working. Sets out a new model of ‘Metabolism’ that uses natural systems and processes as a model far beyond the minimising environmental strategies of ‘sustainability’. www.architectureofemergence.om

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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life.Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers.An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.

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‘This book is fantastic! Jonathan Daniel Pryce has raised the bar for international street style photography.’ — Sir Paul Smith Delve into New York, London, Milan and Paris with close to 300 street-style images by the award-winning photographer Jonathan Daniel Pryce. From impeccable tailoring to vintage finds, these evocative images capture the myriad ways men in the fashion capitals express themselves sartorially. Featuring a foreword by Paul Smith and interviews with a selection of each city’s most stylish men, Garçon Style is a stunning showcase of menswear today. Praise for Jonathan Daniel Pryce ‘There is energy in Jonathan’s work. He understands how to capture the zeitgeist without making a big fuss about it. Jonathan is a great photographer.’ — Dylan Jones, Editor, British GQ ‘Jonathan has managed to create a unique form of photography that melds something lyrical with something journalist, blurring the line between reportage and poetry’ — Nick Wooster, Creative Consultant ‘Jonathan manages to capture those impossible moments where easy candour and the perfect light source seem to meet. His images have a stillness I find really beautiful.’ — Jo Ellison, Fashion Editor, Financial Times ‘Jonathan’s subjects are refreshingly varied; his pictures give you much more than cues on who’s wearing what this week.’ — Nick Sullivan, Fashion Director, Esquire

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The architecture of the 20th century is distinguished by an astonishing diversity. Just as the clash of aesthetic and commercial ambitions nevertheless produced many a happy symbiosis, so the purist and the expressive, the monumental and the picturesque came face to face. From lofty “starchitects” to lesser-known names around the world, this chronological overview takes you to the heart of the ideas, trends, and transitions that defined the 1900s. From Frank Lloyd Wright to Antoni Gaudí, Frank O. Gehry to Shigeru Ban and all the best stuff in-between, it’s all here. Organized chronologically, the 31 chapters put it all into perspective, illustrated by hundreds of large-format photos as well as a plenitude of drawings and floor plans. The biographical appendix covers all of the century’s greatest architects while celebrating today’s new talents, and the lavish illustrations include some of the best architectural photography in the modern era. For anyone interested in the zeitgeist and building design of the 20th century, this is your be-all-end-all reference work. The collection covers not only the architects but also the groups, the movements, and the styles that defined an era of construction. A must for all lovers of architecture!

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* BBC RADIO 4 BOOK OF THE WEEK * 'A joyously life-enhancing book [that] shatters the myths about ageing' Daily Mail Carl Honoré captured the zeitgeist with his international sensation, In Praise of Slow. In Bolder, he introduces us to another rising movement: a revolution in our approach to ageing. Ageing is inevitable. In this time of longer lifespans, however, we have the potential to age better than ever before. Having travelled the globe to meet the pioneers who are redefining ageing, Carl Honoré explores the cultural, medical and technological trends that will help us make the most of our longer lives. He shows us that the time has come to cast off prejudices and blur the lines of what is possible at every age. We can tear up the old script that locks us into learning in early life, working in the middle years and pursuing leisure with whatever time is left at the end. Instead, we can learn, work, rest, care for others, volunteer, create and have fun all the way through our lives. Bolder is a radical re-think of our approach to everything from education, healthcare and work, to design, relationships and politics. An essential and inspiring read to help all of us make ageing a bonus rather than a burden.

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The Dutch bestseller Nominated for Le Prix Nicolas Bouvier 'A masterclass in storytelling, exploring who we are and where we came from' Danielle Clode 'Gripping and brilliantly told, We Hominids deftly blends personal experience with a journalist's eye for a remarkable story' Mark McKenna WHO ARE WE? WHY ARE WE DIFFERENT FROM ANIMALS? WHAT MAKES US HUMAN? In this charming, thought-provoking book, one of Holland's greatest non-fiction writers hunts down answers to humanity's most fundamental questions: Who are we? What makes us different from animals? With an ancient skull as his starting point, he travels the globe, tracing the search for the first human being: the missing link between humans and apes. Westerman introduces us to the world of skull hunters – leading experts in our fossil ancestry – whose lives are just as fascinating as those of their primeval discoveries. He astutely reconsiders the work of illustrious paleoanthropologists in the light of new DNA technology, postcolonialism, and the rise of women in this male-dominated field. Westerman discovers a plethora of origin hypotheses and shows how any theory of who we are and where we come from is coloured by the zeitgeist. We, Hominids is a compelling mixture of reportage, travelogue and essay – reminiscent of Bruce Chatwin or Ryszard Kapuscinski – written by a brilliant storyteller and thinker.

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This timely book examines far-right politics in Hungary -- but its relevance points much beyond Hungary. With its two main players, the radical right Jobbik and populist right Fidesz, it is an essentially Eastern European, European, and global phenomenon. Jobbik and Fidesz, political parties with a populist, nativist, authoritarian approach, Eastern and pro-Russian orientation, and strong anti-Western stance, are on the one hand products of the problematic transformation period that is typical for post-communist countries. But they are products of a populist Zeitgeist in the West as well, with declining trust in representative democratic and supranational institutions, politicians, experts, and the mainstream media. The rise of politicians such as Nigel Farage in the UK, Marine Le Pen in France, Norbert Hofer in Austria, and, most notably, Donald Trump in the US are clear indications of this trend. In this book, the story of Jobbik (and Fidesz), contemporary players of the Hungarian radical right scene, are not treated as separate case studies, but as representatives of broader international political trends. Far-right parties such as Jobbik (and increasingly Fidesz) are not pathologic and extraordinary, but exaggerated, seemingly pathological manifestations of normal, mainstream politics. The radical right is not the opposite and denial of the mainstream, but the sharp caricature of the changing national, and often international mainstream.

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Neville Chamberlain has gone down in history as the architect of appeasement, the Prime Minister who by sacrificing Czechoslovakia at Munich in September 1938 put Britain on an inevitable path to war. In this radical new appraisal of the most vilified politician of the twentieth century, historian Nicholas Milton claims that by placating Hitler, Chamberlain not only reflected public opinion but also embraced the zeitgeist of the time. Chamberlain also bought Britain vital time to rearm when Hitler's military machine was at its zenith. It is with the hindsight of history that we understand Chamberlain's failure to ultimately prevent a war from happening. Yet by placing him within the context of his time, this fascinating new history provides a unique perspective in to the lives and mind-set of the people of Britain during the lead up to the Second World War. Never before have Chamberlain's letters been accessed to tell the story of his life and work. They shed new light on his complex character and enable us to consider Chamberlain the man, not just the statesman. His role as a pioneer of conservation is revealed, alongside his work in improving midwifery and championing the introduction of widows pensions. It is a reminder that there is often more to political figures, even Tory Prime Ministers, than many a quick judgment allows.

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This introductory text provides a clear, readable description of critical theory research and how to use it in educational settings. Critical theory has evolved since the early days of the Frankfurt School. It no longer addresses only issues of capitalism, culture, class, and ideology, but also challenges issues of race, sexual orientation, gender, ability, ethnicity, and more. In the zeitgeist of today, these issues are on the debate stage. This timely guide is divided into three main sections: Background of Critical Research in Education, Intersectional and Identity-Based Critical Research in Education, and Additional Types of Critical Research in Education. For each critical approach, the authors provide background, important terminology and concepts, notable researchers and theories, as well as how to design and conduct a study using examples of published articles. Doing Critical Research in Education is a must-have for anyone who wants to engage in critical research to assist them in understanding and addressing some of the most pressing issues in education today, as well as all areas in which there is oppression or marginalization of students and their communities.Book Features: Offers a thorough yet accessible overview on how to employ critical theory in research. Provides a rich explanation of difficult foundational knowledge with examples of how to apply the concepts in education settings. Includes a user-friendly format appropriate for students, professors, researchers, and practitioners.

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Filled with space-saving storage and decorative details, these unique homes under 1,200 square feet prove that bigger is not always better. In recent years, many have turned our backs on the trend for oversized houses and embraced small-space living. Cosy, compact dwellings have so much to offer; they bring families closer together and make it easier than ever to express personal style. In Small Spaces, Big Appeal, Fifi O'Neill captures the zeitgeist by showcasing homes across a spectrum of styles and locations, and stories of contented homeowners who have created unique, imaginative spaces. Living in a small home doesn’t preclude having an elegant aesthetic. In fact, it allows you to focus on the elements you truly appreciate and the spaces you will use the most. Whether classically furnished or boasting a happy informality, the little gems featured in this book are more infused with a spirit than put together according to a set of rules. Rooms are airy yet intimate, with nooks and alcoves that offer daydreaming spots and built-in storage in spite of their modest footprints. Whatever your preferred look – nostalgic, romantic, modern, country, coastal, urban, minimalist or maximalist – living small has big advantages. It encourage us to live more simply and, best of all, to create spaces with style, grace and versatility that rival homes of many times their size.

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A provocative case for historical ambiguity in architecture by one of the field's leading theoristsConceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or "spirit of the age," an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be "of the times"—lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment.Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, Lateness demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis.

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Peter Coker: Mind and Matter is a fully-illustrated catalogue presenting a selection of exceptional works by Peter Coker (1926-2004), bringing together pieces spanning the early 1950s through to the mid-1980s. The first publication focusing on Coker’s works in over a decade, the catalogue will seek to reassess Coker’s contribution to post-war figurative British art. Situating Coker within his contemporary British zeitgeist, Peter Coker: Mind and Matter will also focus on the significance of international artists to Coker’s work, particularly Gustave Courbet and Nicolas de Staël. Undertaking modern day pilgrimages across France, Coker toured the sites favoured by the artists he revered, filtering their influence through the specificity of place. Coker was too talented an artist to mimic, but with acute sensitivity and perception, his vision of the world was constantly altered by the art that touched him. Correspondingly, his mode of depiction was subject to an ever-persistent evolution but with the materiality of paint and the primacy of process always at the heart of his practice. In Coker’s words: “I think when you see exhibitions…you challenge your own thoughts, you refurbish the mind and eye, you are remoulded.” The publication includes an introductory essay, a catalogue of carefully selected works with accompanying descriptions, a chronology, a bibliography, and numerous colour illustrations.

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As beef and cattle production progressed in nineteenth-century America, the cow emerged as the nation’s representative food animal and earned a culturally prominent role in the literature of the day. In Cattle Country Kathryn Cornell Dolan examines the role cattle played in narratives throughout the century to show how the struggles within U.S. food culture mapped onto society’s broader struggles with colonization, environmentalism, U.S. identity, ethnicity, and industrialization. Dolan examines diverse texts from Native American, African American, Mexican American, and white authors that showcase the zeitgeist of anxiety surrounding U.S. identity as cattle gradually became an industrialized food source, altering the country’s culture while exacting a high cost to humans, animals, and the land. From Henry David Thoreau’s descriptions of indigenous cuisines as a challenge to the rising monoculture, to Washington Irving’s travel narratives that foreshadow cattle replacing American bison in the West, to María Amparo Ruiz de Burton’s use of cattle to connect race and imperialism in her work, authors’ preoccupations with cattle underscored their concern for resource depletion, habitat destruction, and the wasteful overproduction of a single breed of livestock.Cattle Country offers a window into the ways authors worked to negotiate the consequences of the development of this food culture and, by excavating the history of U.S. settler colonialism through the figure of cattle, sheds new ecocritical light on nineteenth-century literature.

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Personal genome testing, gene editing for life-threatening diseases, synthetic life: once the stuff of science fiction, twentieth- and twenty-first-century advancements blur the lines between scientific narrative and scientific fact. This examination of bioengineering in popular and literary culture shows that the influence of science on science fiction is more reciprocal than we might expect.Looking closely at the work of Margaret Atwood, Richard Powers, and other authors, as well as at film, comics, and serial television such as Orphan Black, Everett Hamner shows how the genome age is transforming both the most commercial and the most sophisticated stories we tell about the core of human personhood. As sublime technologies garner public awareness beyond the genre fiction shelves, they inspire new literary categories like “slipstream” and shape new definitions of the human, the animal, the natural, and the artificial. In turn, what we learn of bioengineering via popular and literary culture prepares the way for its official adoption or restriction—and for additional representations. By imagining the connections between emergent gene testing and editing capacities and long-standing conversations about freedom and determinism, these stories help build a cultural zeitgeist with a sharper, more balanced vision of predisposed agency.A compelling exploration of the interrelationships among science, popular culture, and self, Editing the Soul sheds vital light on what the genome age means to us, and what’s to come.

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**GET READY FOR COME AND GET IT - THE EXPLOSIVE NEW NOVEL FROM KILEY REID, AVAILABLE NOW** _______________ ‘Essential. This year’s hit debut' - Guardian ‘A biting tale of race and class’ - Sunday Times 'I couldn't put this down' - Jojo Moyes _______________ The instant Sunday Times and New York Times bestseller Longlisted for the Booker Prize A Times, Guardian, Sunday Times, Telegraph, Mail on Sunday, Red, Good Housekeeping and Cosmopolitan Book of the Year _______________ When Emira is apprehended at a supermarket for ‘kidnapping’ the white child she’s actually babysitting, it sets off an explosive chain of events. Her employer Alix, a feminist blogger with the best of intentions, resolves to make things right. But Emira herself is aimless, broke and wary of Alix’s desire to help. When a surprising connection emerges between the two women, it sends them on a crash course that will upend everything they think they know – about themselves, each other, and the messy dynamics of privilege. _______________ 'Bites into the zeitgeist then spits it out with gusto. You really should read it, ASAP’ - Stylist ‘About power dynamics, race, social commentary, and also why and how we are the woman we are’ - Pandora Sykes 'An extraordinarily deft debut, written with wisdom, kindness and sharp humour' - Daily Mail 'A beautiful tale of how we live now' - Elizabeth Day _______________ A Reese Witherspoon and Zoella Book Club Pick

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Personal genome testing, gene editing for life-threatening diseases, synthetic life: once the stuff of science fiction, twentieth- and twenty-first-century advancements blur the lines between scientific narrative and scientific fact. This examination of bioengineering in popular and literary culture shows that the influence of science on science fiction is more reciprocal than we might expect.Looking closely at the work of Margaret Atwood, Richard Powers, and other authors, as well as at film, comics, and serial television such as Orphan Black, Everett Hamner shows how the genome age is transforming both the most commercial and the most sophisticated stories we tell about the core of human personhood. As sublime technologies garner public awareness beyond the genre fiction shelves, they inspire new literary categories like “slipstream” and shape new definitions of the human, the animal, the natural, and the artificial. In turn, what we learn of bioengineering via popular and literary culture prepares the way for its official adoption or restriction—and for additional representations. By imagining the connections between emergent gene testing and editing capacities and long-standing conversations about freedom and determinism, these stories help build a cultural zeitgeist with a sharper, more balanced vision of predisposed agency.A compelling exploration of the interrelationships among science, popular culture, and self, Editing the Soul sheds vital light on what the genome age means to us, and what’s to come.

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This is a book about nature and culture, Eric T. Freyfogle writes, "about our place and plight on earth, and the nagging challenges we face in living on it in ways that might endure." Challenges, he says, we are clearly failing to meet. Harking back to a key phrase from the essays of eminent American conservationist Aldo Leopold, Our Oldest Task spins together lessons from history and philosophy, the life sciences and politics, economics and cultural studies in a personal, erudite quest to understand how we might live on and in accord with the land. Passionate and pragmatic, extraordinarily well-read and eloquent, Freyfogle details a host of forces that have produced our self-defeating ethos of human exceptionalism. It is this outlook, he argues, not a lack of scientific knowledge or inadequate technology, that is the primary cause of our ecological predicament. Seeking to comprehend both the multifaceted complexity of contemporary environmental problems and the zeitgeist as it unfolds, Freyfogle explores such diverse topics as morality, the nature of reality (and the reality of nature), animal welfare, social justice movements, and market politics. The result is a learned and inspiring rallying cry to achieve balance, a call to use our knowledge to more accurately identify the dividing line between living in and on the world and destruction. "To use nature," Freyfogle writes, "but not to abuse it."

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Founded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design. This fresh reprint of domus’ coverage of the 1940s brings together the most important features from a decade of destruction and reconstruction. Even amid the bombing raids inflicted on Milan, domus continued to publish through much of the war, charting the design zeitgeist, while managing a successive turnover of editors and editors-in-chief during Ponti’s “interregnum” between 1941 and 1948. The pages from this period record reports and features on modern industrial design and furniture, new prefabricated houses, American academic architecture, the building projects of Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni, as well as the postwar flowering of Organic Design. domus distilled Seven volumes spanning 1928 to 1999 Over 4,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context Introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers’ and manufacturers’ names

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“What is merely beautiful has always bored me. I’m interested in what is powerful and real.” —Peter Lindbergh With such credits as shooting the first American Vogue cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the ’90s supermodels, and numerous solo exhibitions at world-renowned institutions including the Pushkin Museum in Moscow, the Ullens Center for Contemporary Art in Beijing, and the Gagosian in London, Peter Lindbergh is a master of his craft who has made his mark in the halls of photography history. The industry quickly became enamored with his almost anti-fashion photography, capturing the zeitgeist and the spirit of his subjects rather than pursuing today’s search for perfection, which he considers inhuman. Handpicked from 37,000 unreleased photos from his groundbreaking 2017 Pirelli calendar shoot, Lindbergh offers an intimate insight into a pool of extraordinary talent: Nicole Kidman, Julianne Moore, Alicia Vikander, Charlotte Rampling, Dame Helen Mirren, Jessica Chastain, Kate Winslet, Léa Seydoux, Lupita Nyong’o, Penélope Cruz, Robin Wright, Rooney Mara, Uma Thurman, and Zhang Ziyi. His message is simple. These intimate images represent a different kind of beauty, far away from society’s obsession with youth and perfection; one which is concerned with individuality, the courage to be yourself, and your very own sensibility.

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The northern word for hometown, ‘toon’, flickers in meaning between ‘tune’ and ‘cartoon’. In Bill Herbert’s big bumper book, the title toon is Troy: the first lost home. Exiled to a lighthouse on the River Tyne, the wily Scots maestro has written a book in love with lost and difficult things. Sometimes reflective, sometimes subversively mischievous, he registers or rails against displacement and resettlement, lamenting the passing of relatives, cities, furniture, and the odd lemur. Plugged in to the poetry zeitgeist as ever, Herbert has revived a medieval publishing craze: the Troybook. Painstaking excavation of old comics establishes that the original site of Troytoon is Dundee. Or Madrid. Or possibly St Petersburg. The search for traces of Troy leads to Donegal, Crete, and, at the heart of his grand tour, a vivid verse journal set in post-perestroika Moscow. Dust off your highest brow and fasten your seatbelt, we’re flying Economy to Byzantium. The Big Bumper Book of Troy is driven by sudden shifts of register – English to Scots, free verse to antique stanza, page to performance, narrative to lyric. Everything has become a dialect, yet – cheekily borrowing the Russian composer Schnittke’s term – Herbert aims at a disrespectful polystylist unity. It is his most unorthodox rebellion yet against the dictatorship of the slim volume. A riot of colourful humour, a revolution in poetic taste.

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'Superb.' Oliver Burkeman'An incredibly propulsive read. It will absolutely challenge you, in the best way possible, to change the way you think about work.' Anne Helen Petersen'A sharp analysis of modern work culture.' Vauhini VaraThe Good Enough Job reminds us that the biggest goal of all is to live a life we are happy with, and in which work is but one of the multitude of facets that make us who we are. An antidote to the toxic #hustle movement convincing us all we need to find fulfilment in the office, it denounces the dangers of burnout linked to those of us who cannot answer the question: beyond work, what's left?Conversations of burnout have bubbled to the top of the cultural zeitgeist as the line between work and not-work continues to blur. Burnout and workaholism are symptoms of a deeper root cause: a lack of separation between who we are and what we do. This book is not a credo against looking to work for fulfilment, nor is it in favour of treating work as a necessary evil. It is a guide to developing a healthier relationship to work through the stories of people who have successfully done so. These are stories that invite us to re-evaluate what makes us happy, and how we can work to live, rather than the other way round.

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“This is . . . real literature, pure and honest.”—Vladimir Nabokov"The scintillating English-language debut from Felsen . . . [is] a fittingly volatile record of ruinous desire. —Publishers WeeklyOnce considered the 'Russian Proust', Yuri Felsen tells the story of an obsessive love affair set in interwar Europe in Deceit, an experimental novel in the form of a diary that is an as-yet-undiscovered landmark of Russian émigré literature.We meet our unnamed narrator in Paris in the 20s, where he finds himself an expat after the Russian Revolution. At a friend’s request he meets the beautiful, clever socialite Lyolya, also a recent exile from Russia. What begins as casual friendship quickly turns into fascination and obsession, as Lyolya gives mixed signals and pursues other men. Our narrator, emerging from a depression, is soon overwhelmed by the very idea of her, which begins to contour all of his observations, thoughts, and feelings. While Lyolya continues to live a life unencumbered by the forces of social convention, and history, our narrator’s revelations, written in diary form, grow increasingly painful, familiar, and rich with psychological introspection.Quite unlike any other writer in the Russian canon, Felsen evokes in poetic and idiosyncratic prose not only the Zeitgeist of interwar Europe and his émigré milieu, but also the existential crisis of the age.

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A visual and comprehensive guide to a hugely popular graphic style. The distinctive aesthetic of mid-century design captured the post-war zeitgeist of energy and progress, and remains hugely popular today. In Mid-Century Modern Graphic Design Theo Inglis takes an in-depth look at the innovative graphics of the period, writing about the work of artists and designers from all over the world. From book covers, record covers and posters to advertising, typography and illustration, the designs feature eye-popping colour palettes, experimental type and prints that buzz with kinetic energy. The book features artworks from a wide selection of international designers and illustrators whose work continues to inspire and influence today, including Ray Eames, Paul Rand, Alex Steinweiss, Joseph Low, Alvin Lustig, Elaine Lustig Cohen, Leo Lionni, Rudolph de Harak, Abram Games, Tom Eckersley, Ivan Chermayeff, Josef Albers, Corita Kent, Jim Flora, Ben Shahn, Herbert Bayer and Helen Borten. Theo draws from a broad range of sources including advertising, magazine covers, record sleeves, travel posters and children’s book illustration to show the development of the design style globally, and how this continues to influence design today. The book is packed with hundreds of colour illustrations, including classic designs, such as Saul Bass’ film posters and Miroslav Šašek’s children’s books, alongside lesser-known gems.

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Evangelical Christianity is known for its defence of traditional Christian teachings and resistance to liberalizing trends. Many Western evangelicals themselves do not yet realize how their faith is being reshaped by the modern zeitgeist. Caught in the Current explores how and why Western evangelicals are changing. Church attendance is declining, conservative moral positions are unpopular, and young people are drifting away from the faith. Evangelism is avoided, so few are joining congregations. Yet these surface changes are only symptoms of a more profound shift that church leaders have not fully apprehended. Drawing upon 125 interviews with British and Canadian clergy and active laity, Sam Reimer argues that evangelicals have been deeply influenced by a post-Christian culture that has rejected institutional religious authority and embraced self-spirituality. As individual evangelicals struggle to navigate these waters, and to distance themselves from politicized evangelicalism in the United States, they are caught between conformity and resistance, between faithfulness to church moral teachings and accommodation of secular values. Many are responding by turning inward to define their Christian beliefs for themselves. The ironic result is that the decline of institutional religious authority is not happening just in Western culture, but within evangelical churches as well. Caught in the Current is an insightful and nuanced assessment of how British and Canadian evangelicals are navigating a post-Christian culture, often in ways that are distinct from how their counterparts in the United States approach it.

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Written by a pioneer of modern fashion knitwear, Classic Knits of the 1980s describes the principal fundamentals of knitwear design and features original, colourful, textural and fun knitting patterns that capture the fashion zeitgeist of the 1980s designer knitwear boom. As well as selling ready-made knitwear to stores, several designers made their patterns available as home knitting kits. Classic Knits of the 1980s features a range of innovative designs from Sandy Black knitting kits, many published here for the first time. The patterns are suitable for a broad range of knitting skills, from those with good basic knowledge of knitting to the more experienced knitter. Made up of two parts: Part 1 establishes the fashion and knitwear context of the period and its influence on the development of the designs, examining the entire creative process from inspiration to final pattern. Lavishly illustrated with photographs, diagrams and charts, special features include patchwork (modular) designs and intarsia or colour-block knitting, with techniques and tips for pattern calculations, working from charts and handling several colours. Part 2 then offers twenty-one original patterns and designs, grouped into themes of textural, graphic, heraldic and ornamental, plus the unique Siamese cat, leopard and tiger accessories. Contemporary photography, together with original images from the 1980s, illustrates the designs' timeless appeal, with close-up images of intricate pattern details and suggested design variations to aid creative knitters inspired by this pivotal decade.

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Mixing cultural criticism, literary history, biography, and memoir in an exploration of Alice Walker’s critically acclaimed and controversial novel, The Color Purple Alice Walker made history in 1982 when she became the first black woman to win the Pulitzer Prize and the National Book Award, both for The Color Purple. Published in the Reagan Era amid a severe backlash to civil rights, the jazz age novel tells the story of an African-American woman haunted by domestic and sexual violence. Prominent academic and activist Salamishah Tillet combines cultural criticism, history, and memoir to explore Walker’s epistolary novel, and shows how it has influenced and been informed by the zeitgeist of the time. The Color Purple received both praise and criticism upon publication, and the conversation it sparked around race and gender still continues today. It has been adapted for an Oscar-nominated film and a hit Broadway musical. Through interviews with Walker, Oprah Winfrey, Quincy Jones, and others, as well as archival research, Tillet studies Walker’s life and the origins of her subjects, including violence, sexuality, gender, and politics. Reading The Color Purple at age 15 was a groundbreaking experience for Tillet. It continues to resonate with her—as a sexual violence survivor, as a teacher of the novel, and as an accomplished academic. Provocative and personal, In Search of the Color Purple is a bold work from an important public intellectual.

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Feminist philosophers have made important strides in altering the overwhelmingly male-centric discipline of philosophy. Yet, in Nancy Bauer’s view, most are still content to work within theoretical frameworks that are fundamentally false to human beings’ everyday experiences. This is particularly intolerable for a species of philosophy whose central aspiration is to make the world a less sexist place. How to Do Things with Pornography models a new way to write philosophically about pornography, women’s self-objectification, hook-up culture, and other contemporary phenomena. Unafraid to ask what philosophy contributes to our lives, Bauer argues that the profession’s lack of interest in this question threatens to make its enterprise irrelevant.Bauer criticizes two paradigmatic models of Western philosophizing: the Great Man model, according to which philosophy is the product of rare genius; and the scientistic model, according to which a community of researchers works together to discover once-and-for-all truths. The philosopher’s job is neither to perpetuate the inevitably sexist trope of the philosopher-genius nor to “get things right.” Rather, it is to compete with the Zeitgeist and attract people to the endeavor of reflecting on their settled ways of perceiving and understanding the world.How to Do Things with Pornography boldly enlists J. L. Austin’s How to Do Things with Words, showing that it should be read not as a theory of speech acts but as a revolutionary conception of what philosophers can do in the world with their words.

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A tortured genius and one of most influential designers of the twentieth century, Yves Saint Laurent was responsible for revolutionising the way women dressed and viewed themselves.During a wildly creative career stretching from 1958 to 2002 Saint Laurent established a reputation for accessible, flawlessly cut clothes. He became an overnight sensation in 1958, aged 21, when he showed his 'Trapeze' collection, his first for the House of Christian Dior, following the master's death.Four years later, Saint Laurent opened his own couture house and within a few seasons was hailed by Vogue's Diana Vreeland as 'the pied piper of fashion'. Viewed as a master colourist and admired for his choice of sultry fabrics, his great gift was creating lasting styles - described by Vogue as 'stockpiles of essentials in times of famine' - that flattered all shapes and sizes. As well as designing wardrobe classics like the 'Le Smoking' tuxedo for women, the Safari jacket, the trench and the pea coat, and introducing trousers into haute couture, he also dressed international style icons such as Catherine Deneuve, Marella Agnelli and Lauren Bacall.With his nose for the zeitgeist, Saint Laurent recognised the global power of street fashion and launched Rive Gauche, his ready-to-wear boutique line in 1966. Christened 'The Saint' by Vogue, every element of his fashion empire, which included exhilarating couture collections, exquisite accessories and sought-after perfumes, was captured by Vogue's writers and leading photographers like Richard Avedon, David Bailey and Norman Parkinson.

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Although musical tributes play a significant role within contemporary culture and despite their relative longevity as a form of entertainment, little serious research has been published on the subject. This book makes an important contribution to the understanding of the phenomenon of the tribute band by linking it to other types of imitative entertainment such as 'ghost', cover and parody bands. It also demonstrates the impact of a changing cultural Zeitgeist on the evolution of popular music tributes, showing how music tributes can be related to other examples of retrospection. These influences are linked to the impact of new technology in making the art of paying tribute possible, showing how certain developments have created the musical equipment and apparatus for self-promotion, marketing and communication with fans. Whilst critical opinion on this type of entertainment remains divided, the author challenges negative responses through an interrogation of critiques of imitative cultural practices within a broader historical and cultural framework. The diversity of the homage industry is highlighted and the book avoids concentrating solely on well-known tributes, looking too, at the work of those operating in the 'alternative' tribute scene. The book explores the working life of musicians involved in the 'bargain basement' end of the live music industry, using interviews and first hand observations to show the trials and tribulations of paying homage. Finally, through an examination of the audience at tribute events, fandom and associated social and psychological aspects of participation are explored.

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“A fascinating inside look at the trailblazing series” (Entertainment Tonight)—discover the behind-the-scenes stories and lasting impact of the trailblazing sketch comedy show that upended television, launched the careers of some of our biggest stars, and changed the way we talk, think, and laugh about race: In Living Color.Few television shows revolutionized comedy as profoundly or have had such an enormous and continued impact on our culture as In Living Color. Inspired by Richard Pryor, Carol Burnett, and Eddie Murphy, Keenen Ivory Wayans created a television series unlike any that had come before it. Along the way, he introduced the world to Jamie Foxx, Jim Carrey, David Alan Grier, Rosie Perez, and Jennifer Lopez, not to mention his own brothers Damon, Marlon, and Shawn Wayans. In Living Color shaped American culture in ways both seen and unseen, and was part of a sea change that moved black comedy and hip-hop culture from the shadows into the spotlight. Now, the “in-depth, well-researched” (Library Journal, starred review) Homey Don’t Play That reveals the complete, captivating story of how In Living Color overcame enormous odds to become a major, zeitgeist-seizing hit. Through exclusive interviews with the cast, writers, producers, and network executives, this insightful and entertaining chronicle follows the show’s ups and downs, friendships and feuds, tragedies and triumphs, sketches and scandals, the famous and the infamous, unveiling a vital piece of history in the evolution of comedy, television, and black culture.

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The first posthumous survey of Ojibwe artist Jim Denomie’s paintings, which invite further conversation about American history, memory, and place A prolific artist, Jim Denomie (La Courte Oreilles Band, Ojibwe, 1955–2022) did not begin his art career until the age of 35. Over the course of three decades, his award-winning work has been featured in national and international exhibitions and found in notable private and public collections. The Lyrical Artwork of Jim Denomie explores themes in the artist’s work, such as the legacies of colonization, reconsideration of American history, and what he saw as the absurdity of our current zeitgeist. His paintings are satirical and surreal, displaying a vibrant palette, along with dark humor and pointed references to historical and contemporary issues and injustices. Denomie drew upon lived experiences, pop culture, Ojibwe beliefs and traditions, and American history to tell stories with universal lessons. Alongside his satirical, history paintings, Denomie created a deeply personal body of work that depicts his spirituality, memories, and relationship to place. In addition to its incisive essays, the book includes forewords by Denomie’s friend and gallerist, Todd Bockley, and the artist’s wife, the author Diane Wilson, as well as a transcript of one of his final interviews. In its totality, this catalogue begins the conversation around the lasting impact of Denomie’s work and life. Distributed for the Minneapolis Institute of Art Exhibition Schedule: Minneapolis Institute of Art (July 8, 2023–March 24, 2024)

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Although musical tributes play a significant role within contemporary culture and despite their relative longevity as a form of entertainment, little serious research has been published on the subject. This book makes an important contribution to the understanding of the phenomenon of the tribute band by linking it to other types of imitative entertainment such as 'ghost', cover and parody bands. It also demonstrates the impact of a changing cultural Zeitgeist on the evolution of popular music tributes, showing how music tributes can be related to other examples of retrospection. These influences are linked to the impact of new technology in making the art of paying tribute possible, showing how certain developments have created the musical equipment and apparatus for self-promotion, marketing and communication with fans. Whilst critical opinion on this type of entertainment remains divided, the author challenges negative responses through an interrogation of critiques of imitative cultural practices within a broader historical and cultural framework. The diversity of the homage industry is highlighted and the book avoids concentrating solely on well-known tributes, looking too, at the work of those operating in the 'alternative' tribute scene. The book explores the working life of musicians involved in the 'bargain basement' end of the live music industry, using interviews and first hand observations to show the trials and tribulations of paying homage. Finally, through an examination of the audience at tribute events, fandom and associated social and psychological aspects of participation are explored.

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"It's Time To Party," the first track off of I Get Wet, opens with a rapid-fire guitar line — nothing fancy, just a couple crunchy power chords to acclimate the ears — repeated twice before a booming bass drum joins in to provide a quarter-note countdown. A faint, swirling effect intensifies with each bass kick and, by the eighth one, the ears have prepped themselves for the metal mayhem they are about to receive. When it all drops, and the joyous onslaught of a hundred guitars is finally realized, you'll have to forgive your ears for being duped into a false sense of security, because it's that second intensified drop a few seconds later — the one where yet more guitars manifest and Andrew W.K. slam-plants his vocal flag by screaming the song's titular line — that really floods the brain with endorphins, serotonin, dopamine, and whatever else formulates invincibility. Polished to a bright overdubbed-to-oblivion sheen, the party-preaching I Get Wet didn't capture the zeitgeist of rock at the turn of the century; it captured the timelessness of youth, as energized, awesome, and unapologetically stupid as ever. With insights from friends and unprecedented help from the mythological maniac himself — whose sermon and pop sensibilities continue to polarize — this book chronicles the sound's evolution, uncovers the relevance of Steev Mike, and examines how Andrew W.K.'s inviting, inclusive lyrics create the ultimate shared experience between artist and audience.

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Why did the Protestant culture of remembrance discover the clergyman Karl Friedrich Stellbrink, who was executed by the National Socialists, for itself only in the 1980s? Why are church leaders like the Bavarian regional bishop Hans Meiser, who have long been venerated as opponents of National Socialism, recently regarded as no longer worth remembering? And why has Elisabeth Schmitz's 1935 text, which described the "situation of German non-Aryans" with great clairvoyance and called on the Protestant Church to consistently stand up for the Jews, only recently enjoyed national and international attention in research and remembrance culture? The authors of this anthology address many other questions. The contributions show that the Protestant history of remembrance also has an active and functional relationship to its present and says far more about the power of current economic cycles in culture and politics than about the historical truth of what is remembered. Christian actors and groups actively pursued moral and political goals and formed their own identities through the memory of Christian resistance. It shows what committed promoters of remembrance can achieve when their goals are carried by cultural and political trends. Not least at the interface between personal commitment and zeitgeist it is decided why certain personalities, texts or places receive a place in the memory of Christian resistance, while others are forgotten or have to vacate their place in the culture of remembrance.

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'An engrossing story of audacious entrepreneurism' -- Charles Duhigg'Captures the remarkable journey of Airbnb exceedingly well' -- Reid Hoffman'fast paced, fun dive into one of the seminal firms of our time' -- Rana Foroohar In 2008, two broke art school graduates and their coder-whiz friend set up a platform that – in less than a decade – became one of the largest provider of accommodations in the world. Now valued at $31 billion, Airbnb is in the very top tier of Silicon Valley’s ‘unicorn’ startups.Yet the company has not been without controversy – disrupting a $500 billion hotel industry makes you a few enemies. This is also a story of regulators who want to shut it down, hotel industry leaders who want it to disappear and neighbourhoods that struggle with private homes open for public rental. But beyond the headlines and the horror stories, Airbnb has changed the terms of travel for a whole generation – where a sense of belonging has built trust between hosts and guests seeking a more original travel experience that hotels have struggled to replicate.This is the first, definitive book to tell the remarkable story behind Airbnb in all its forms – cultural zeitgeist, hotel disruptor, enemy to regulators – and the first in-depth character study of its leader Brian Chesky, the company’s curious co-founder and CEO. It reveals what got Airbnb where it is today, why they are nothing like Uber, and where they are going next.

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A story of friendship, possibilities and hope that maybe tomorrow will be brighter than today . . . Jamie Matson had once enjoyed a wonderful life working alongside her best friend, organising adventures for single-parent families, and her son Bo’s artistic flair a source of pride rather than concern. She hadn’t been prepared to lose her business, her home and her friend. Not all in one dreadful year. Jamie certainly hadn’t expected to find such hope and camaraderie in the queue at her local food bank. Thrown together with an unlikely and colourful group of people, their friendships flourish and, finding it easier to be objective about each other than about themselves, they decide that – when you’re all out of options – it’s okay to bend the rules a little and create your own.What a difference a year could make . . . ‘Tender and at times shocking, this shows what can be done to change things when people unite’ Katie Fforde ‘Penny captures the zeitgeist of austerity with the lightest of touches and her trademark wit and wisdom. Her characters tackle difficult and gritty problems like exploitative landlords, special needs and food banks with courage and determination in a story of hope, resilience and optimism. A tale of our times about the importance of friendship and never giving up. Meaningful and heartfelt’ Veronica Henry ‘Gorgeously written, uplifting and moving – it's a must read this summer’ Sarah J Harris

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“The work of the sculptor Rachel Harrison is both the zeitgeist and the least digestible in contemporary art. It may also be the most important, owing to an originality that breaks a prevalent spell in an art world of recycled genres, styles, and ideas.”—Peter Schjeldahl, The New Yorker In her sculptures, room-sized installations, drawings, photographs, and artist’s books, Rachel Harrison (b. 1966) delves into themes of celebrity culture, pop psychology, history, and politics. This publication, created in close collaboration with the artist, explores twenty-five years of her practice and is the first comprehensive monograph on Harrison in nearly a decade. Its centerpiece is an in-depth plate section, which doubles as a chronology of Harrison’s major works, series, and exhibitions. Objects are illustrated with multiple views and details, and accompanied by short texts. This thorough approach elucidates Harrison’s complicated, eclectic oeuvre—in which she integrates found materials with handmade sculptural elements, upends traditions of museum display, and injects quotidian objects with a sense of strangeness. Six accompanying essays cover Harrison’s earliest works to her most recent output. The book also includes a handful of photo-collages that the artist created specifically for this project. Published here for the first time, these pieces superimpose found images with reproductions of Harrison’s own past work.Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art, New York (October 25, 2019–January 12, 2020)

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Evangelical Christianity is known for its defence of traditional Christian teachings and resistance to liberalizing trends. Many Western evangelicals themselves do not yet realize how their faith is being reshaped by the modern zeitgeist. Caught in the Current explores how and why Western evangelicals are changing. Church attendance is declining, conservative moral positions are unpopular, and young people are drifting away from the faith. Evangelism is avoided, so few are joining congregations. Yet these surface changes are only symptoms of a more profound shift that church leaders have not fully apprehended. Drawing upon 125 interviews with British and Canadian clergy and active laity, Sam Reimer argues that evangelicals have been deeply influenced by a post-Christian culture that has rejected institutional religious authority and embraced self-spirituality. As individual evangelicals struggle to navigate these waters, and to distance themselves from politicized evangelicalism in the United States, they are caught between conformity and resistance, between faithfulness to church moral teachings and accommodation of secular values. Many are responding by turning inward to define their Christian beliefs for themselves. The ironic result is that the decline of institutional religious authority is not happening just in Western culture, but within evangelical churches as well. Caught in the Current is an insightful and nuanced assessment of how British and Canadian evangelicals are navigating a post-Christian culture, often in ways that are distinct from how their counterparts in the United States approach it.

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Early paintings and ephemera by Tabboo!, full of 1980s New York punk glamour This clothbound volume appraises the formative years, from 1982 to 1988, of legendary performer, painter, designer, puppeteer and muse Tabboo!’s career. The book displays historical ephemera—including homemade flyers for performances at iconic clubs—along with the artist’s paintings. Additionally, an essay on the “Glamorous Life” by Jarrett Earnest explicates the thematic concerns of the catalog. In a 1995 interview with Linda Simpson about his early work, Tabboo! observed: “the subject matter was drag, glamour, ladies’ shoes, lingerie, hairdos, vinyl—same as now.” Tabboo!: 1982–88 underscores the joy of creating and living, exuberantly. Tabboo! (Stephen Tashjian, born 1959) moved to New York City’s East Village in 1982 and quickly established himself as a fixture in its drag scene. In the style of fellow Boston School artists Nan Goldin, Jack Pierson and Mark Morrisroe, he chronicled the zeitgeist with a raw, diaristic approach. In his work, dizzying visuals of nightlife and its cast of characters accompany affectionate portraits of his friends; seedy glamour and high camp meet in a jubilant fusion of collage, paintings and photography. Not one to be an aloof observer, Tabboo! was often photographed himself—by Goldin, Morrisroe, Pierson, Steven Meisel, Steven Klein, David Armstrong and Philip-Lorca diCorcia. Both creator and muse, chronicler and participant, he emblematizes the open experimentation central to the mythology of glamorous underground culture.

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After nearly a decade of dutifully climbing the corporate ladder to become a partner in a headhunting firm, Lucy Leonelli was feeling restless in a life that was seemingly mapped out for her, and she could not shake the sense that she was missing out on something… something out there.Realising that the answer was right in front of her – in a country so full of clandestine communities and colourful, eccentric characters – Lucy made the daring decision to hit the pause button on her career and hang up her suit in favour of a year exploring twenty-six wildly different subcultures.Over the next twelve months, she lived with battle re-enactors, circus performers, hill baggers, Morris dancers, naturists, trainspotters, yogis, zeitgeist political activists and more, experiencing first-hand their social rituals and customs in the hope that, somewhere along the way, she might just uncover the most authentic version of herself. A Year in the Life charts Lucy’s adventure as she sang naked karaoke with naturists, jumped from one very high place to another with parkour daredevils, partied in tight latex with self-proclaimed vampires and fought the undead in an epic LARP battle. It tells of the importance of community in an increasingly isolating society; of the unquenchable human thirst for a sense of belonging; of how misguided our own prejudices can be; and of how when we open the door to others, we might just learn something about ourselves.

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“For too long the Left has tried to silence the Right through a war on words. Understanding their tactics and what we can do about it is crucial. Sam Sorbo lays it all out.” — Sean Spicer, Host of Spicer&Co In Words for Warriors, with her trademark wit and intelligence, Sam Sorbo shows exactly how radical left-wingers have manipulated language to fit their own socialistic and anti-freedom agenda. Sam Sorbo is on a mission to reclaim today’s hot button/culture war words for all freedom-loving Americans. After hearing all the hatred spewing from ideologues, mainstream media, social justice warriors, and political hacks, Sam Sorbo was fed up: “I’m tired of their games, so I’m calling BS on them. It’s time to set the record straight, especially for the folks who are just trying to enjoy the lives the Lord gave them and want a few things explained in easy-to-understand prose.” Arranged in an accessible “A-Z” glossary style, readers can dip in to discover the real meanings behind the acronyms, words, and phrases that the toxic liberal left loves to force on the rest of us. From Ad hominem, antifa, and anarchy… To woke, wonk, and zeitgeist Mixed with the newly-coined concepts like covidiot, pizzagate, and TERF… Words for Warriors is a treasure trove of linguistic gymnastics the Democrats and other toxic lefties employ to further their anti-American agenda. Arm yourself with Words for Warriors, and fight back against political correctness that squashes real debate, free speech, and prosperity.

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From the bestselling author of Anatomy of a Scandal, now a major Netflix series… Reputation: it takes a lifetime to build and just one moment to destroy.‘Sarah Vaughan has done it again. Superb’ Shari Lapena Emma Webster is a respectable MP. Emma Webster is a devoted mother. Emma Webster is innocent of the murder of a tabloid journalist. Emma Webster is a liar. #Reputation: The story you tell about yourself. And the lies others choose to believe… 'Uncannily timely… As dark and gripping as you’d expect from the author of Anatomy of a Scandal’ ObserverYour favourite authors love Reputation: ‘A terrifically entertaining legal drama and an unsettling cautionary tale for any woman considering entering politics’ Louise Candlish ‘Perceptive, elegant, thrilling and addictive’ Chris Whitaker ‘Tense. Gripping. And bang up to date. This is a rollercoaster of a book’ Imran Mahmood ‘Wonderfully written, tense, taut and timely. I loved it!’ Claire Douglas ‘A stylish, challenging thriller. Do yourself a favour and read this book’ Fiona Cummins ‘Sarah Vaughan has distilled the zeitgeist into a pulse-racing thriller. Gripping all the way’ Erin Kelly ‘I read Reputation in one sitting, which is my highest possible praise’ Bella Mackie ‘Sarah Vaughan has another smash hit on her hands. Reputation is nuanced, complex, and thought-provoking, while still being a gripping, fast-paced read’ Louise O’Neill ‘Sarah Vaughan does it again. Another taut, gripping thriller that also shines a light on some of the most important issues of the day' Bryony Gordon

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What makes a person liberal or conservative? Why does the Democratic Party scare off so many possible supporters? When does our "injustice trigger" get pulled, and how can fairness overcome our human need to look for a zero-sum outcome to our political battles? Tapping into a pop culture zeitgeist linking Bugs Bunny, Taylor Swift, and John Belushi; through popular science and the human brain; to our political predilections, arguments, and distrusts, Daniel Meegan suggests that fairness and equality are key elements missing in today's society. Having crossed the border to take up residency in Canada, Meegan, an American citizen, has seen first-hand how people enjoy as rights what Americans view as privileges. Fascinated with this tension, he suggests in America the Fair that American liberals are just missing the point. If progressives want to win the vote, they need to change strategy completely and champion government benefits for everyone, not just those of lower income. If everyone has access to inexpensive quality health care, open and extensive parental leave, and free postsecondary education, then everyone will be happier and society will be fair. The Left will also overcome an argument of the Right that successfully, though incongruously, appeals to the middle- and upper-middle classes: that policies that help the economically disadvantaged are inherently bad for others. Making society fair and equal, Meegan argues, would strengthen the moral and political position of the Democratic Party and place it in a position to revive American civic life. Fairness, he writes, should be selfishly enjoyed by everyone.

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From the bestselling author of Anatomy of a Scandal, now a major Netflix series… Reputation: it takes a lifetime to build and just one moment to destroy.‘Sarah Vaughan has done it again. Superb’ Shari Lapena Emma Webster is a respectable MP. Emma Webster is a devoted mother. Emma Webster is innocent of the murder of a tabloid journalist. Emma Webster is a liar. #Reputation: The story you tell about yourself. And the lies others choose to believe… 'Uncannily timely… As dark and gripping as you’d expect from the author of Anatomy of a Scandal’ ObserverYour favourite authors love Reputation: ‘A terrifically entertaining legal drama and an unsettling cautionary tale for any woman considering entering politics’ Louise Candlish ‘Perceptive, elegant, thrilling and addictive’ Chris Whitaker ‘Tense. Gripping. And bang up to date. This is a rollercoaster of a book’ Imran Mahmood ‘Wonderfully written, tense, taut and timely. I loved it!’ Claire Douglas ‘A stylish, challenging thriller. Do yourself a favour and read this book’ Fiona Cummins ‘Sarah Vaughan has distilled the zeitgeist into a pulse-racing thriller. Gripping all the way’ Erin Kelly ‘I read Reputation in one sitting, which is my highest possible praise’ Bella Mackie ‘Sarah Vaughan has another smash hit on her hands. Reputation is nuanced, complex, and thought-provoking, while still being a gripping, fast-paced read’ Louise O’Neill ‘Sarah Vaughan does it again. Another taut, gripping thriller that also shines a light on some of the most important issues of the day' Bryony Gordon

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From ‘one of the greatest writers of our time’ (Toni Morrison) – the author of Their Eyes Were Watching God and Barracoon – a collection of remarkable short stories from the Harlem Renaissance With a foreword by Tayari Jones, author of An American Marriage ‘Genius’ Alice Walker ‘Rigorous, convincing, dazzling’ Zadie Smith on Their Eyes Were Watching God In 1925, college student Zora Neale Hurston – the sole black student at Barnard College, New York – was living in the city, ‘desperately striving for a toe-hold on the world.’ During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognised as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s ‘lost’ Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humour, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.

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