Search results for ""university of nebraska press""

From the California gold rush through the mid–twentieth century, a special breed of women played an integral and heretofore unrecognized part in some of the most stirring adventures of the pioneer experience: the saintly Nellie Cashman; the copper queen Ferminia Sarras, known for her grand sprees; the former rodeo champion turned prospector; the ex-actress who snowshoed her way to Nome; and many more. Chosen as one of the top ten books of all time by the Mining History Association, A Mine of Her Own tells the definitive story of America's women prospectors for the first time.

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When Vicksburg fell to Union forces under General Grant in July 1863, the balance turned against the Confederacy in the trans-Appalachian theater. The Federal success along the river opened the way for advances into central and eastern Tennessee, which culminated in the bloody battle of Chickamauga and then a struggle for Chattanooga. Chickamauga is usually counted as a Confederate victory, albeit a costly one. That battle—indeed the entire campaign—is marked by muddle and blunders occasionally relieved by strokes of brilliant generalship and high courage. The campaign ended significant Confederate presence in Tennessee and left the Union poised to advance upon Atlanta and the Confederacy on the brink of defeat in the western theater.Purchase the audio edition.

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As agency physician on the Pine Ridge Reservation from 1896 to 1914, Dr. James R. Walker recorded a wealth of information on the traditional lifeways of the Oglala Sioux. Lakota Society presents the primary accounts of Walker's informants and his syntheses dealing with the organization of camps and bands, kinship systems, beliefs, ceremonies, hunting, warfare, and methods of measuring time.

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The United States Tennis Association is an in-depth look at the history of the United States Tennis Association (USTA) and how this sports organization has helped cultivate and organize tennis in the United States over the past 135 years. Starting as a group of elite white men from country clubs in the Northeast, the organization has become the largest tennis association in the world, with women in top leadership positions and an annual revenue of well over $300 million. The USTA was key in establishing the Open Era in tennis in 1968, when professionals began competing with amateurs in Grand Slam events; for expanding the game in the United States during the 1970s tennis boom; and for establishing the U.S. Open as one of the most prestigious and largest-attended sports events in the world. Unique among sports-governing bodies, the USTA is a mostly volunteer-run organization that, along with a paid professional staff, manages and governs tennis at the local level across the United States and owns and operates the U.S. Open. The association participates directly in the International Tennis Federation, manages U.S. participation in international tennis competitions (Fed Cup and Davis Cup), and interacts with professional tennis within the United States. The story of how tennis is managed by the nation’s largest cadre of volunteers in any sport is one of sports’ best untold stories. With access to the private records of the USTA, Warren F. Kimball tells an engaging and rich history of how tennis has been managed and governed in the United States.

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James T. Farrell and Baseball is a social history of baseball on Chicago’s South Side, drawing on the writings of novelist James T. Farrell along with historical sources. Charles DeMotte shows how baseball in the early decades of the twentieth century developed on all levels and in all areas of Chicago, America’s second largest city at the time, and how that growth intertwined with Farrell’s development as a fan and a writer who used baseball as one of the major themes of his work. DeMotte goes beyond Farrell’s literary focus to tell a larger story about baseball on Chicago’s South Side during this time—when Charles Comiskey’s White Sox won two World Series and were part of a rich baseball culture that was widely played at the amateur, semipro, and black ball levels. DeMotte highlights the 1919–20 Black Sox fix and scandal, which traumatized not only Farrell and Chicago but also baseball and the broader culture. By tying Farrell’s fictional and nonfictional works to Chicago’s vibrant baseball history, this book fills an important gap in the history of baseball during the Deadball Era.

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Molly McClain tells the remarkable story of Ellen Browning Scripps (1836–1932), an American newspaperwoman, feminist, suffragist, abolitionist, and social reformer. She used her fortune to support women’s education, the labor movement, and public access to science, the arts, and education. Born in London, Scripps grew up in rural poverty on the Illinois prairie. She went from rags to riches, living out that cherished American story in which people pull themselves up by their bootstraps with audacity, hard work, and luck. She and her brother, E. W. Scripps, built America’s largest chain of newspapers, linking midwestern industrial cities with booming towns in the West. Less well known today than the papers started by Joseph Pulitzer and William Randolph Hearst, Scripps newspapers transformed their owners into millionaires almost overnight. By the 1920s Scripps was worth an estimated $30 million, most of which she gave away. She established the Scripps Institution of Oceanography in La Jolla, California, and appeared on the cover of Time magazine after founding Scripps College in Claremont, California. She also provided major financial support to organizations worldwide that promised to advance democratic principles and public education. In Ellen Browning Scripps, McClain brings to life an extraordinary woman who played a vital role in the history of women, California, and the American West.

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Sports fandom—often more than religious, political, or regional affiliation—determines how millions of Americans define themselves. In We Average Unbeautiful Watchers, Noah Cohan examines contemporary sports culture to show how mass-mediated athletics are in fact richly textured narrative entertainments rather than merely competitive displays. While it may seem that sports narratives are “written” by athletes and journalists, Cohan demonstrates that fans are not passive consumers but rather function as readers and writers who appropriate those narratives and generate their own stories in building their sense of identity. Critically reading stories of sports fans’ self-definition across genres, from the novel and the memoir to the film and the blog post, We Average Unbeautiful Watchers recovers sports games as sites where fan-authors theorize interpretation, historicity, and narrative itself. Fan stories demonstrate how unscripted sporting entertainments function as identity-building narratives—which, in turn, enhances our understanding of the way we incorporate a broad range of texts into our own life stories. Building on the work of sports historians, theorists of fan behavior, and critics of American literature, Cohan shows that humanistic methods are urgently needed for developing nuanced critical conversations about athletics. Sports take shape as stories, and it is scholars in the humanities who can best identify how they do so—and why that matters for American culture more broadly.

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Charles Redd Center Phi Alpha Theta Book Award for the Best Book on the American West 2018 Francis Armstrong Madsen Best Book Award from the Utah State Historical Society 2018 Best First Book Award from the Mormon History Association Newly created territories in antebellum America were designed to be extensions of national sovereignty and jurisdiction. Utah Territory, however, was a deeply contested space in which a cohesive settler group—the Mormons—sought to establish their own “popular sovereignty,” raising the question of who possessed and could exercise governing, legal, social, and even cultural power in a newly acquired territory. In Unpopular Sovereignty, Brent M. Rogers invokes the case of popular sovereignty in Utah as an important contrast to the better-known slavery question in Kansas. Rogers examines the complex relationship between sovereignty and territory along three main lines of inquiry: the implementation of a republican form of government, the administration of Indian policy and Native American affairs, and gender and familial relations—all of which played an important role in the national perception of the Mormons’ ability to self-govern. Utah’s status as a federal territory drew it into larger conversations about popular sovereignty and the expansion of federal power in the West. Ultimately, Rogers argues, managing sovereignty in Utah proved to have explosive and far-reaching consequences for the nation as a whole as it teetered on the brink of disunion and civil war.

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Custer and the Great Controversy was the first book to focus on the origins of what has come to be called the Custer myth. The Battle of the Little Bighorn has always been wrapped in mystery and controversy because none of Custer’s men survived to tell what happened, because press accounts circulated much misinformation and editors politicized the event, because popular writers repeated the errors of journalists, because a court of inquiry issued in bitter debate, and because Indian testimony was hard to gauge. This book, originally published in 1962, helps the reader understand the sources of the confusion and controversy surrounding the Custer fight and the beginning of the legend. Custer and the Great Controversy was Robert M. Utley’s debut, coming after six years of service as a ranger-historian at the Little Bighorn National Monument. His distinguished career as a historian has produced many books, including Frontiersmen in Blue: The United States Army and the Indian, 1848–1865 and Frontier Regulars: The United States Army and the Indian, 1866–1891, both available as Bison Books.

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In Frontier Regulars Robert M. Utley combines scholarship and drama to produce an impressive history of the final, massive drive by the Regular Army to subdue and control the American Indians and open the West during the twenty-five years following the Civil War. Here are incisive accounts of the campaign directed by Major General William Tecumseh Sherman—from the first skirmishes with the Sioux over the Bozeman Trail defenses in 1866 to the final defeat and subjugation of the Northern Plains Indians in 1890. Utley's brilliant descriptions of military maneuvers and flaming battles are juxtaposed with a careful analysis of Sherman's army: its mode of operation, equipment, and recruitment; its lifestyle and relations with Congress and civilians.Proud of the United States Army and often sympathetic toward the Indians, Utley presents a balanced overview of the long struggle. He concludes that the frontier army was not "the heroic vanguard of civilization" as sometimes claimed and still less "the barbaric band of butchers depicted in the humanitarian literature of the nineteenth century and the atonement literature of the twentieth." Rather, it was a group of ordinary (and sometimes extraordinary) men doing the best they could.

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Frontiersmen in Blue is a comprehensive history of the achievements and failures of the United States Regular and Volunteer Armies that confronted the Indian tribes of the West in the two decades between the Mexican War and the close of the Civil War. Between 1848 and 1865 the men in blue fought nearly all of the western tribes. Robert Utley describes many of these skirmishes in consummate detail, including descriptions of garrison life that was sometimes agonizingly isolated, sometimes caught in the lightning moments of desperate battle.

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Coming Full Circle is an interdisciplinary exploration of the relationships between spirituality and health among Coast Salish and Chinook communities in western Washington from 1805 to 2005. Suzanne Crawford O’Brien examines how these communities define what it means to be healthy and how recent tribal community–based health programs have applied this understanding to their missions and activities. She also explores how contemporary definitions, goals, and activities relating to health and healing are informed by Coast Salish history and also by indigenous spiritual views of the body. These views, she argues, are based on an understanding of the relationship between self, ecology, and community. Coming Full Circle draws on a historical framework in reflecting on contemporary tribal health-care efforts and the ways in which they engage indigenous healing traditions alongside twenty-first-century biomedicine. The book makes a strong case for the current shift toward tribally controlled care, arguing that local, culturally distinct ways of healing and understanding illness must be a part of Native health care. Combining in-depth archival research, extensive ethnographic participant-based field work, and skillful scholarship on theories of religion and embodiment, Crawford O’Brien offers an original and masterful analysis of Coast Salish and Chinook traditions and worldviews, and the intersection of religion and healing.

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Mysteries of the Jaguar Shamans of the Northwest Amazon tells the life story of Mandu da Silva, the last living jaguar shaman among the Baniwa people in the Northwest Amazon. In this original and engaging work, Robin M. Wright, who has known and worked with Silva for more than thirty years, weaves the story of Silva’s life together with the Baniwas’ broader society, history, mythology, cosmology, and jaguar shaman traditions. The jaguar shamans are key players in what Wright calls “a nexus of religious power and knowledge” in which healers, sorcerers, priestly chanters, and dance leaders exercise complementary functions that link living specialists with the deities and great spirits of the cosmos. Exploring in depth the apprenticeship of the shaman, Wright shows how jaguar shamans seek the knowledge and power of the deities through several stages of instruction and practice. This volume, the first study to map the sacred geography (“mythscape”) of the northern Arawak-speaking people of the Northwest Amazon, demonstrates the direct connections between petroglyphs and other inscriptions and Baniwa sacred narratives as a whole. In eloquent and inviting analytic prose, Wright links biographic and ethnographic elements in elevating anthropological writing to a new standard of theoretically aware storytelling and analytic power.

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In the first decade of the twenty-first century, France underwent a particularly turbulent period during which urban riots in 2005 and labor protests in 2006 galvanized people across the country and brought the question of youth unemployment among its poorer, multiethnic outer cities into the national spotlight. Drawing on more than a year of ethnographic field research in the housing projects of the French city of Limoges, Yearning to Labor chronicles the everyday struggles of a group of young people as they confront unemployment at more than triple the national rate—and the crushing despair it engenders. Against the background of this ethnographic context, John P. Murphy illuminates how the global spread of neoliberal ideologies and practices is experienced firsthand by contemporary urban youths in the process of constructing their identities. An original investigation of the social ties that produce this community, Yearning to Labor explores the ways these young men and women respond to the challenges of economic liberalization, deindustrialization, and social exclusion. At its heart, Yearning to Labor asks if the French republican model of social integration, assimilation, and equality before the law remains viable in a context marked by severe economic exclusion in communities of ethnic and religious diversity. Yearning to Labor is both an ethnographic account of a certain group of French youths as they navigate a suffocating job market and an analysis of the mechanisms underlying the shifting economic inequalities at the beginning of the twenty-first century.

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The perspective of 15 years, painstaking research, thousands of interviews, extensive analysis and evaluation, and the creative talent of John Toland [paint] the epic struggle on an immense canvas. . . . Toland writes with the authority of a man who was there. . . . He tastes the bitterness of defeat of those who surrendered and writes as if he had the benefit of the eyes and ears of soldiers and generals on the other side of the line. . . . If you could read only one book to understand generals and GIs and what their different wars were like this is the book.—Chicago Sunday Tribune The author has devoted years to studying memoirs, interviewing veterans and consulting military documents, both German and American. He also has revisited the old battlefields in Belgium and Luxembourg. . . . Toland has told the whole story with dramatic realism. . . . It is a story of panic, terror and of high-hearted courage.—New York Times Book Review For the first time in the growing literature of World War II, the inspiring story of the stubborn, lonely, dogged battle of the Americans locked in this tragic salient is told. . . . gripping . . . You cannot put it down once you start it.—San Francisco Chronicle

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For too long the main narratives of motherhood have been oppressive and exclusionary, frequently ignoring issues of female identity—especially regarding those not conforming to traditional female stereotypes. Horrible Mothers offers a variety of perspectives for analyzing representations of the mother in francophone literature and film at the turn of the twenty-first century in North America, including Québec, Ontario, New England, and California. Contributors reexamine the “horrible mother” paradigm within a broad range of sociocultural contexts from different locations to broaden the understanding of mothering beyond traditional ideology. The selections draw from long-established scholarship in women’s studies as well as from new developments in queer studies to make sense of and articulate strategies of representation; to show how contemporary family models are constantly evolving, reshaping, and moving away from heteronormative expectations; and to reposition mothers as subjects occupying the center of their own narrative, rather than as objects. The contributors engage narratives of mothering from myriad perspectives, referencing the works of writers or filmmakers such as Marguerite Andersen, Nelly Arcan, Grégoire Chabot, Xavier Dolan, Nancy Huston, and Lucie Joubert.

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In War and the Ivory Tower, David L. Schalk explores the public role of the intellectual in times of national crisis. He compares American responses to the Vietnam War with French responses to the Algerian War, finding many similarities in the way intellectuals voiced their outrage at the policies of their governments. At a time when national crises abound but protest is out of fashion, and intellectuals are possibly a dying species, this book presents a needed reexamination of what it means for intellectuals to speak out on issues of international importance.

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In 1966 twelve-year-old Fan Shen, a newly minted Red Guard, plunged happily into China’s Cultural Revolution. Disillusion soon followed, then turned to disgust and fear when Shen discovered that his compatriots had tortured and murdered a doctor whose house he’d helped raid and whose beautiful daughter he secretly adored. A story of coming of age in the midst of monumental historical upheaval, Shen’s Gang of One is more than a memoir of one young man’s harrowing experience during a time of terror. It is also, in spite of circumstances of remarkable grimness and injustice, an unlikely picaresque tale of adventure full of courage, cunning, wit, tenacity, resourcefulness, and sheer luck—the story of how Shen managed to scheme his way through a hugely oppressive system and emerge triumphant. Gang of One recounts how Shen escaped, again and again, from his appointed fate, as when he somehow found himself a doctor at sixteen and even, miraculously, saved a few lives. In such volatile times, however, good luck could quickly turn to misfortune: a transfer to the East Wind Aircraft Factory got him out of the countryside and into another terrible trap, where many people were driven to suicide; his secret self-education took him from the factory to college, where friendship with an American teacher earned him the wrath of the secret police. Following a path strewn with perils and pitfalls, twists and surprises worthy of Dickens, Shen’s story is ultimately an exuberant human comedy unlike any other.Purchase the audio edition.

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Luther Standing Bear, a Lakota Sioux born in the 1860s, heard these legends in his youth, when his people were being moved to reservations. In haunting mood and imagery, they celebrate the old nomadic life of the Sioux, when buffalo were plentiful and all nature fed the spirit. The twenty stories honor not only the buffalo but also the dog, the horse, the eagle, and the wolf as workaday helpers and agents of divine intervention; the wisdom of the medicine man; and the heroism and resourcefulness of individual men and women.

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Although the traditional Sioux nation was in its last days when Luther Standing Bear was born in the 1860s, he was raised in the ancestral manner to be a successful hunter and warrior and a respectful and productive member of Sioux society. Known as Plenty Kill, young Standing Bear belonged to the Western Sioux tribe that inhabited present-day North and South Dakota. In My Indian Boyhood he describes the home life and education of Indian children. Like other boys, he played with toy bows and arrows in the tipi before learning to make and use them and became schooled in the ways of animals and in the properties of plants and herbs. His life would be very different from that of his ancestors, but he was not denied the excitement of killing his first buffalo before leaving to attend the Carlisle Indian School in Pennsylvania.

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Weaving together a wide array of historical sources with oral accounts gathered from fieldwork, this classic study provides a valuable overview of traditional Creek (Muskogee) religion and medicine. John R. Swanton visited the Creek Nation in the early twentieth century and learned about many important aspects of Creek religious life and medicine. Subjects covered in this book include Creek conceptions of the cosmos; religious stories; death and the afterlife; spiritual forces and beings; various rituals, including the Busk ceremony; prohibitions; the power and skills of different religious practitioners; the cultural force of witchcraft; and herbal and spiritual remedies. Many of these beliefs and practices have been present throughout Creek history and persist today. Creek Religion and Medicine showcases the vibrant culture of an enduring southeastern Native people.

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Pulitzer Prize-winning author Wallace Stegner tells about a thousand-mile migration marked by hardship and sudden death—but unique in American history for its purpose, discipline, and solidarity. Other Bison Books by Wallace Stegner include Mormon Country, Recapitulation, Second Growth, and Women on the Wall.

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In the watershed year of 1962, events and people came together to reshape baseball like never before. The season saw five no-hitters, a rare National League playoff between the Giants and the Dodgers, and a thrilling seven-game World Series where the Yankees, led by Mickey Mantle, won their twentieth title, beating the San Francisco Giants, led by Willie Mays, in their first appearance since leaving New York. Baseball was expanding with the Houston Colt .45s and the New York Mets, who tried to fill the National League void in New York but finished with 120 losses and the worst winning percentage since 1900. Despite their record, the ’62 Mets revived National League baseball in a city thirsty for an alternative to the Yankees. As the team struggled through a disastrous first year, manager Casey Stengel famously asked, “Can’t anybody here play this game?” Earlier that year in Los Angeles, Dodgers owner Walter O’Malley launched Dodger Stadium, a state-of-the-art ballpark in Chavez Ravine and a new icon for the city. For the Dodgers, Sandy Koufax pitched his first of four career no-hitters, Maury Wills set a record for stolen bases in a season, and Don Drysdale won twenty-five games. Beyond baseball, 1962 was also a momentous year in American history: Mary Early became the first Black graduate of the University of Georgia, First Lady Jackie Kennedy revealed the secrets of the White House in a television special, John Glenn became the first astronaut to orbit Earth, and JFK stared down Russia during the Cuban Missile Crisis. Weaving the 1962 baseball season within the social fabric of this era, David Krell delivers a fascinating book as epochal as its subject.

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Poised to become a significant player in the new world order, the United States truly came of age during and after World War I. Yet many Americans think of the Great War simply as a precursor to World War II. Americans, including veterans, hastened to put experiences and memories of the war years behind them, reflecting a general apathy about the war that had developed during the 1920s and 1930s and never abated. In Remembering World War I in America Kimberly J. Lamay Licursi explores the American public’s collective memory and common perception of World War I by analyzing the extent to which it was expressed through the production of cultural artifacts related to the war. Through the analysis of four vectors of memory—war histories, memoirs, fiction, and film—Lamay Licursi shows that no consistent image or message about the war ever arose that resonated with a significant segment of the American population. Not many war histories materialized, war memoirs did not capture the public’s attention, and war novels and films presented a fictional war that either bore little resemblance to the doughboys’ experience or offered discordant views about what the war meant. In the end Americans emerged from the interwar years with limited pockets of public memory about the war that never found compromise in a dominant myth.

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The Art of Football is a singular look at early college football art and illustrations. This collection contains more than two hundred images, many rare or previously unpublished, from a variety of sources, including artists Winslow Homer, Edward Penfield, J. C. Leyendecker, Frederic Remington, Charles Dana Gibson, George Bellows, and many others. Along with the rich art that captured the essence of football during its early period, Michael Oriard provides a historical context for the images and for football during this period, showing that from the beginning it was perceived more as a test of courage and training in manliness than simply an athletic endeavor. Oriard’s analysis shows how these early artists had to work out for themselves—and for readers—what in the new game should be highlighted and how it should appear on the page or canvas. The Art of Football takes modern readers back to the day when players themselves were new to the sport, and illustrators had to show the public what the new game of football was. Oriard demonstrates how artists focused on football’s dual nature as a grueling sport to be played and as a social event and spectacle to be watched. Through its illustrations and words The Art of Football gives readers an engaging look at the earliest depictions of the game and the origins of the United States as a football nation.

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In Settler Aesthetics, an analysis of renowned director Terrence Malick’s 2005 film, The New World, Mishuana Goeman examines the continuity of imperialist exceptionalism and settler-colonial aesthetics. The story of Pocahontas has thrived for centuries as a cover for settler-colonial erasure, destruction, and violence against Native peoples, and Native women in particular. Since the romanticized story of the encounter and relationship between Pocahontas and Captain John Smith was first published, it has imprinted a whitewashed historical memory into the minds of Americans. As one of the most enduring tropes of imperialist nostalgia in world history, Renaissance European invasions of Indigenous lands by settlers trades in a falsified “civilizational discourse” that has been a focus in literature for centuries and in films since their inception. Ironically, Malick himself was a symbol of the New Hollywood in his early career, but with The New World he created a film that serves as a buttress for racial capitalism in the Americas. Focusing on settler structures, the setup of regimes of power, sexual violence and the gendering of colonialism, and the sustainability of colonialism and empires, Goeman masterfully peels away the visual layers of settler logics in The New World, creating a language in Native American and Indigenous studies for interpreting visual media.

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American poet and writer John G. Neihardt (1881–1973) possessed an inquiring and spiritual mind. Those qualities came to the fore in Black Elk Speaks, the story of the Lakota holy man Black Elk, for which he is best remembered. Over the course of thirty years he also wrote a five-volume epic poem, A Cycle of the West, which told the story of the settlement of the American West. Despite Neihardt’s widespread name recognition, the success of Black Elk Speaks, and a list of critically acclaimed books and poems, Lonesome Dreamer is the first biography of Neihardt in nearly forty years. Timothy G. Anderson describes Neihardt’s life from his humble beginnings in Illinois to being named poet laureate of Nebraska in 1921 and to his appearance on the Dick Cavett Show at the age of ninety. Anderson also delves into Neihardt’s success as a poet far from the East Coast literary establishment, his resistance to modernist movements in poetry, and his wish to understand and describe the experience of the Plains Indians. Offering insight into both his personal and his literary life, this biography reaffirms Neihardt’s place in American literary history, his successes and failures, and his unbreakable spirit.

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Since the Pikes Peak gold rush in the mid–nineteenth century, women have gone into the mountains of Colorado to hike, climb, ski, homestead, botanize, act as guides, practice medicine, and meet a variety of other challenges, whether for sport or for livelihood. Janet Robertson recounts their exploits in a lively, well-illustrated book that measures up to its title, The Magnificent Mountain Women. Arlene Blum provides a new introduction to this edition.

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In the heavily forested foothills of the Andes Mountains in Ecuador, a Shuar healer named Alejandro Tsakimp leads many lives. He is a peasant who sells cattle and lumber, a member of the Shuar Federation, a son and a brother, a husband and a father, a student and a worker, and, finally, a troubled shaman. Being a healer has long been both a burden and a resource, for the power to cure is also the power to kill, and shamans like Tsakimp are frequently in danger from accusations of witchcraft. But the situation of the Shuar today is especially perilous, and Tsakimp must constantly negotiate relations of power not only with rival shamans and his patients, but with the better-educated and richer officials of the Shuar Federation and his own siblings as well. In his own words, Alejandro Tsakimp tells of his lives and relationships, the practice of shamanism, and the many challenges and triumphs he has encountered since childhood. He was born at the time when Shuar were first confronting the impact of Ecuadorian colonialism, which had triggered devastating intertribal conflict over the production and trade of shrunken heads and intratribal feuding fueled by accusations of witchcraft. Tsakimp was first exposed to healing practices when he was cured in the womb by a shaman. Later he actively pursued this knowledge in the hopes of curing his father, another shaman, who was ill from witchcraft. His father's death in 1990 created conflict among his heirs, who were the first generation of Shuar to inherit property. Tsakimp's family fiercely competed for the property and eventually accused one another of witchcraft and parricide.Anthropologist Steven Rubenstein, who began working with Tsakimp in 1989, has skillfully edited Tsakimp's stories and provides essential background information. Ruben-stein argues that although these stories reveal tensions between individual and collective autonomy on the colonial frontier, they also resist simplistic dichotomies such as state versus indigene and modern versus traditional.Alejandro Tsakimp provides a revealing look at the relationship between anthropologist and shaman and an insightful glimpse into the complicated lives of South American Indians today.

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Bead on an Anthill is the story of a Lakota girl’s experiences growing up in Nebraska and on the Pine Ridge Reservation in the 1960s and 1970s. Raised in a home without books, Delphine Red Shirt relied on family and friends as her "books" and wove their stories into her own. Like her ancestors, she felt a powerful connection to the openness of the Plains. She participated in coming-of-age ceremonies and learned the special rules for stringing beads together and the messages conveyed by hairstyles. At the same time, Red Shirt became increasingly aware of the distance between her world and that of her ancestors. Ringing with insight and honesty, this memoir gives voice to an emerging generation of Lakota women who attempt to navigate the difficult paths of a bicultural world.

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Suspending the distinction between headline news and high theory, Avital Ronell examines the diverse figures of finitude in our modernity: war, guerrilla video, trauma TV, AIDS, music, divorce, sadism, electronic tagging, rumor. Her essays address such questions as, How do rumors kill? How has video become the conscience of TV? How have the police come to be everywhere, even where they are not? Is peace possible? “[W]riting to the community of those who have no community—to those who have known the infiniteness of abandonment,” her work explores the possibility, one possibility among many, that “this time we have gone too far”: “One last word. It is possible that we have gone too far. This possibility has to be considered if we, as a species, as a history, are going to get anywhere at all.”

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The Huichols (or Wixárika) of western Mexico are among the most resilient and iconic indigenous groups in Mexico today. In the Lands of Fire and Sun examines the Huichol Indians as they have struggled to maintain their independence over two centuries. From the days of the Aztec Empire, the history of west-central Mesoamerica has been one of isolation and a fiercely independent spirit, and one group that maintained its autonomy into the days of Spanish colonization was the Huichol tribe. Rather than assimilating into the Hispanic fold, as did so many other indigenous peoples, the Huichols sustained their distinct identity even as the Spanish Crown sought to integrate them. In confronting first the Spanish colonial government, then the Mexican state, the Huichols displayed resilience and cunning as they selectively adapted their culture, land, and society to the challenges of multiple new eras. By incorporating elements of archaeology, anthropology, cultural geography, and history, Michele McArdle Stephens fills the gaps in the historical documentation, teasing out the indigenous voices from travel accounts, Spanish legal sources, and European ethnographic reports. The result is a thorough examination of one of the most vibrant, visible societies in Latin America.

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2021 Publication Award in Biography from the Wyoming State Historical Society Westerners International Co-Founders Book Award, second place George W. T. Beck, an influential rancher and entrepreneur in the American West, collaborated with William F. “Buffalo Bill” Cody to establish the town of Cody, Wyoming, in the 1890s. He advanced his financial investments in Wyoming through his numerous personal and professional contacts with various eastern investors and politicians in Washington DC. Beck’s family—his father a Kentucky senator and his mother a grandniece of George Washington—and his adventures in the American West resulted in personal associates who ranged from western legends Buffalo Bill, Jesse James, and Calamity Jane to wealthy American elites such as George and Phoebe Hearst and Theodore Roosevelt. This definitive edition of Beck’s memoir provides a glimpse of early life in Wyoming, offering readers a rare perspective on how community boosters cooperated with political leaders and wealthy financiers. Beck’s memoir, introduced and annotated by Lynn J. Houze and Jeremy M. Johnston, offers a unique and sometimes amusing view of financial dealings in eastern boardrooms, as well as stories of Beck’s adventures with Buffalo Bill in Wyoming. Beck’s memoir demonstrates not only his interest in developing the West but also his humor and his willingness to collaborate with a variety of people.

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Kenneth M. Pollack, formerly a Persian Gulf military analyst at the CIA and Director for Persian Gulf Affairs at the National Security Council, describes and analyzes the military history of the six key Arab states—Egypt, Iraq, Jordan, Libya, Saudi Arabia, and Syria—during the post–World War II era. He shows in detail how each Arab military grew and learned from its own experiences in response to the specific objectives set for it and within often constrained political, economic, and social circumstances. This first-ever overview of the modern Arab approach to warfare provides a better understanding of the capabilities and limitations of the Arab militaries, some of which are the United States’ most likely adversaries, and some of which are our most important allies.

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The rich religious beliefs and ceremonials of the Pueblo Indians of Arizona and New Mexico were first synthesized and compared by ethnologist Elsie Clews Parsons. Prodigious research and a quarter-century of fieldwork went into her 1939 encyclopedic two-volume work, Pueblo Indian Religion. The author gives an integrated picture of the complex religious and social life in the pueblos, including Zuni, Acoma, Laguna, Taos, Isleta, Sandia, Jemez, cochiti, Santa Clara, San Felipe, Santa Domingo, San Juan, and the Hopi villages.Volume 2 presents an extensive body of solstice, installation, initiation, war, weather, curing, kachina, and planting and harvesting ceremonies as well as games, animal dances, and offerings to the dead. A review of Pueblo ceremonies from town to town considers variations and borrowings. Today, a half century after its original publication, Pueblo Indian Religion remains central to studies of Pueblo religious life.

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The rich religious beliefs and ceremonials of the Pueblo Indians of Arizona and New Mexico were first synthesized and compared by ethnologist Elsie Clews Parsons. Prodigious research and a quarter-century of fieldwork went into her 1939 encyclopedic two-volume work, Pueblo Indian Religion. The author gives an integrated picture of the complex religious and social life in the pueblos, including Zuni, Acoma, Laguna, Taos, Isleta, Sandia, Jemez, Cochiti, Santa Clara, San Felipe, Santa Domingo, San Juan, and the Hopi villages. In volume I she discusses shelter, social structure, land tenure, customs, and popular beliefs. Parsons also describes spirits, cosmic notions, and a wide range of rituals.The cohesion of spiritual and material aspects of Pueblo culture is also apparent in volume II, which presents an extensive body of solstice, installation, initiation, war, weather, curing, kachina, and planting and harvesting ceremonies, as well as games, animal dances, and offerings to the dead. A review of Pueblo ceremonies from town to town considers variations and borrowings. Today, a half century after its original publication, Pueblo Indian Religion remains central to studies of Pueblo religious life.

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Gabriel Okara, a prize-winning author whose literary career spans six decades, is rightly hailed as the elder statesman of Nigerian literature. The first Modernist poet of anglophone Africa, he is best known for The Fisherman’s Invocation (1978), The Dreamer, His Vision (2005), and for his early experimental novel, The Voice (1964). Arranged in six sections, Gabriel Okara: Collected Poems includes the poet’s earliest lyric verse along with poems written in response to Nigeria’s war years; literary tributes and elegies to fellow poets, activists, and loved ones long dead; and recent dramatic and narrative poems. The introduction by Brenda Marie Osbey contextualizes Okara’s work in the history of Nigerian, African, and English language literatures. Gabriel Okara: Collected Poems is at once a treasure for those long in search of a single authoritative edition and a revelation and timely introduction for readers new to the work of one of Africa’s most revered poets.

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In 1957 Horace Stoneham took his Giants of New York baseball team and headed west, starting a gold rush with bats and balls rather than pans and mines. But San Francisco already had a team, the Seals of the Pacific Coast League, and West Coast fans had to learn to embrace the newcomers. Starting with the franchise’s earliest days and following the team up to recent World Series glory, Home Team chronicles the story of the Giants and their often topsy-turvy relationship with the city of San Francisco. Robert F. Garratt shines light on those who worked behind the scenes in the story of West Coast baseball: the politicians, businessmen, and owners who were instrumental in the club’s history.Home Team presents Stoneham, often left in the shadow of Dodgers owner Walter O’Malley, as a true baseball pioneer in his willingness to sign black and Latino players and his recruitment of the first Japanese player in the Major Leagues, making the Giants one of the most integrated teams in baseball in the early 1960s. Garratt also records the turbulent times, poor results, declining attendance, two near-moves away from California, and the role of post-Stoneham owners Bob Lurie and Peter Magowan in the Giants’ eventual reemergence as a baseball powerhouse. Garratt’s superb history of this great ball club makes the Giants’ story one of the most compelling of all Major League franchises.

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“Neither the highly commercialized nature of professional sports today nor the more casual attitude prevailing in amateur activities captures the essence of Indian sport,” writes Joseph B. Oxendine. Through sport, Indians sought blessings from a higher spirit. Sport that evolved from religious rites retained a spiritual dimension, as seen in the attitude and manner of preparing and participating. In American Indian Sports Heritage, Oxendine discusses the history and importance in everyday life of ball games (especially lacrosse), running, archery, swimming, snow snake, hoop-and-pole, and games of chance. Indians gained nationwide visibility as athletes in baseball and football; the teams at boarding schools such as the Carlisle Indian Industrial School in Pennsylvania and the Haskell Institute in Kansas were especially famous. Oxendine describes the apex of Indian sports during the first three decades of the twentieth century and chronicles the decline since. He looks at the career of the legendary Jim Thorpe and provides brief biographies of other Indian athletes before and after 1930.

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Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation The rich storytelling traditions of the Alto Perené Arawaks of eastern Peru are showcased in this bilingual collection of traditional narratives, ethnographic accounts, women’s autobiographical stories, songs, chants, and ritual speeches. The Alto Perené speakers are located in the colonization frontier at the foot of the eastern Andes and the western fringe of the Amazonian jungle. Unfortunately, their language has a slim chance of surviving because only about three hundred fluent speakers remain. This volume collects and preserves the power and vitality of Alto Perené oral and linguistic traditions, as told by thirty members of the Native community.Upper Perené Arawak Narratives of History, Landscape, and Ritual covers a range of themes in the Alto Perené oral tradition, through genres such as myths, folk tales, autobiographical accounts, and ethnographic texts about customs and rituals, as well as songs, chants, and oratory. Transcribed and translated by Elena Mihas, a specialist in Northern Kampa language varieties, and grounded in the actual performances of Alto Perené speakers, this collection makes these stories available in English for the first time. Each original text in Alto Perené is accompanied by an English translation, and each theme is introduced with an essay providing biographical, cultural, and linguistic information. This collection of oral literature is masterful and authoritative as well as entertaining and provocative, testifying to the power of Alto Perené storytelling.

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To Come to a Better Understanding analyzes the cultural encounters of the medicine men and clergy meetings held on Rosebud Reservation in St. Francis, South Dakota, from 1973 through 1978. Organized by Father Stolzman, a Catholic priest studying Lakota religious practice, the meetings fit the goal of the recently formed Medicine Men’s Association to share its members’ knowledge about Lakota thought and ritual. Both groups stated that the purpose of the historic theological discussions was “to come to a better understanding.” Though the groups ended their formal discussions after eighty-four meetings, Sandra L. Garner shows how this cultural exchange reflects a rich Native intellectual tradition and articulates the multiple meanings of “understanding” that necessarily characterize intercultural encounters. Garner examines the exchanges of these two very different cultures, which share a history of inequitable power relationships, to explore questions of cultural ownership and activism. These meetings were another form of activism, a “quiet side” without the militancy of the American Indian Movement. Based on ethnographic fieldwork and archival analysis, this volume focuses on the medicine men participants—who served as translators, interpreters, and cultural mediators—to explore how modern political, social, and religious issues were negotiated from an indigenous perspective that valued experience as critical to understanding.

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Winner of the Sillerman First Book Prize for African Poets, Ethiopian American Mahtem Shiferraw’s Fuchsia examines conceptions of the displaced, disassembled, and nomadic self. Embedded in her poems are colors, elements, and sensations that evoke painful memories related to deep-seated remnants of trauma, war, and diaspora. Yet rooted in these losses and dangers also lie opportunities for mending and reflecting, evoking a distinct sense of hope. Elegant and traditional, the poems in Fuchsia examine what it means to both recall the past and continue onward with a richer understanding.

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A Choice Outstanding Academic Title 2020 Center for the Study of the American West (CSAW) Award for Outstanding Western Book Finalist The Dust Bowl of the 1930s was the worst ecological disaster in American history. When the rains stopped and the land dried up, farmers and agricultural laborers on the southeastern Colorado plains were forced to adapt to new realities. The severity of the drought coupled with the economic devastation of the Great Depression compelled farmers and government officials to combine their efforts to achieve one primary goal: keep farmers farming on the Colorado plains. In Legacies of Dust Douglas Sheflin offers an innovative and provocative look at how a natural disaster can dramatically influence every facet of human life. Focusing on the period from 1929 to 1962, Sheflin presents the disaster in a new light by evaluating its impact on both agricultural production and the people who fueled it, demonstrating how the Dust Bowl fractured Colorado’s established system of agricultural labor. Federal support, combined with local initiative, instituted a broad conservation regime that facilitated production and helped thousands of farmers sustain themselves during the difficult 1930s and again during the drought of the 1950s. Drawing from western, environmental, transnational, and labor history, Sheflin investigates how the catastrophe of the Dust Bowl and its complex consequences transformed the southeastern Colorado agricultural economy.

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America’s Digital Army is an ethnographic study of the link between interactive entertainment and military power, drawing on Robertson Allen’s fieldwork observing video game developers, military strategists, U.S. Army marketing agencies, and an array of defense contracting companies that worked to produce the official U.S. Army video game, America’s Army. Allen uncovers the methods by which gaming technologies such as America’s Army, with military funding and themes, engage in a militarization of American society that constructs everyone, even nonplayers of games, as virtual soldiers available for deployment.America’s Digital Army examines the army’s desire for “talented” soldiers capable of high-tech work; beliefs about America’s enemies as reflected in the game’s virtual combatants; tensions over best practices in military recruiting; and the sometimes overlapping cultures of gamers, game developers, and soldiers. Allen reveals how binary categorizations such as soldier versus civilian, war versus game, work versus play, and virtual versus real become blurred—if not broken down entirely—through games and interactive media that reflect the U.S. military’s ludic imagination of future wars, enemies, and soldiers.

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When pregnant Rosie Carpe, her fatherless five-year-old son in tow, arrives in Guadeloupe looking for her elusive brother, Lazare, the world already seems a plenty confusing place. Could the man who comes to meet her, an elegant black man calling himself Lagrand, actually be her disheveled white brother? Are her parents, who abandoned her in Paris, rediscovering themselves in an outrageous second youth of outlandish affairs, or have they simply lost their minds? And does Rosie have a hope of slipping the sticky grasp of her former employer and seducer, who moonlights as a video pornographer? If it seems unlikely that the feckless Lazare, missing for five years as he followed his own twisted path, might help, or that carnivalesque Guadeloupe, where murder and mayhem are the natural outcomes of “business ventures,” might be the place for Rosie to find peace, then Marie NDiaye may have a few surprises in store for her reader. Amid the blurring boundaries and shifting values, the indistinct realities and confusing certainties of Rosie Carpe, a love story unfolds, and all that is ambiguous and tenuous–in short, all of Rosie’s world–is underpinned with a measure of tenderness.

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Henry Wells (1805–78) and William Fargo (1818–81) first worked together when they broke the Post Office monopoly on mail service along the Erie Canal in the 1840s. In 1852 they incorporated Wells, Fargo & Company and went into the express business in California, carrying gold, letters, packages, and freight between the mining regions and the financial centers of the East. They registered the miners to receive deliveries, guarded the gold-dust shipments, apprehended stage robbers, recovered stolen gold and silver, and established a reliable, conservative banking house in the world’s wickedest city, San Francisco. They survived the collapse of the mining industry, the great California panic of 1855, the depredations of bandits such as Rattlesnake Dick and Black Bart, the dominance of the railroads, and the San Francisco earthquake and fire. Acclaimed Western writer Ralph Moody tells the exciting story of Henry Wells and his drivers, messengers, and riders; his accountants, managers, and detectives; and how they built a lasting empire in a business most entrepreneurs thought too risky to try. Moody, author of more than a dozen books on Western subjects, gives an action-packed account that readers young and old will enjoy.

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Prior to the Civil War, the fastest mail between the West Coast and the East took almost thirty days by stagecoach along a southern route through Texas. Some Californians feared their state would not remain in the Union, separated so far from the free states. Then businessman William Russell invested in a way to deliver mail between San Francisco and the farthest western railroad, in Saint Joseph, Missouri—across two thousand miles of mountains, deserts, and plains—guaranteed in ten days or less.Russell hired eighty of the best and bravest riders, bought four hundred of the fastest and hardiest horses, and built relay stations along a central route--through modern-day Kansas, Nebraska, Colorado, Wyoming, Utah, and Nevada, to California. Informed by his intimate knowledge of horses and Western geography, Ralph Moody's exciting account of the eighteen critical months that the Pony Express operated between April 1860 and October 1861 pays tribute to the true grit and determination of the riders and horses of the Pony Express.

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Kokopelli the flute player is one of the most popular icons that American culture has adopted from the Native peoples of North America. The Kokopelli name and image are everywhere, adorning everything from jewelry, welcome mats, T-shirts, and money clips to motels, freeway underpasses, nature trails, nightclubs, and string quartets. Kokopelli evokes mystery and wonder, ancient ceremonies and spirituality, Mother Earth and the purity of nature. But what exactly is Kokopelli? Just how Native American is this ubiquitous flute player? In this fascinating book, the distinguished scholar of Hopi culture and history Ekkehart Malotki describes the development of the Kokopelli phenomenon in American mass culture from its beginning to Kokopelli’s present status as pan-Southwestern icon. He explores the figure’s connections with the Hopi kachina god Kookopölö and Maahu, the cicada, and discusses how this rock-art image has been appropriated and misunderstood. Kokopelli sheds light on a little-understood aspect of Hopi culture and testifies to the continuing power of Native cultures to spark the popular imagination and interest of outsiders.

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