Search results for ""the university press of kentucky""

The author of over eighty novels, plays, and volumes of poetry, Eliza Haywood is one of the most prolific and high-profile female authors of the eighteenth century. Her last novel, The History of Jemmy and Jenny Jessamy, is original for its unsentimental realism in its depiction of marriage and courtship among the leisure classes of the mid-eighteenth century. In his new introduction, editor John Richetti examines how Haywood's amusing and engaging prose explores the subtleties of eighteenth-century courtship. Out of print since the early nineteenth century, The History of Jemmy and Jenny Jessamy is now available in an edited and fully annotated modern edition.

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The ultimate guide to the quintessential Derby drink! A simple concoction -- bourbon, mint, sugar, and water -- the mint julep is legendary. Few people know its history and even fewer know how to properly mix this classic cocktail. Lighthearted, entertaining, and informative, The Kentucky Mint Julep explores the lore and legend of the Kentucky Derby's traditional tipple. Joe Nickell looks at the origins of the julep, offers a brief history of American whiskey and Kentucky bourbon, and shares some classic julep tales. Information on julep cups, tips on garnishing and serving, and reminiscences from the likes of Charles Dickens, Washington Irving, and General John Hunt Morgan give a fun, historic look at Kentucky's favorite drink. The book includes numerous recipes -- for classic juleps, modern variations, non-alcoholic versions, and the author's own thoroughly researched "perfect" mint julep. This delightful book is illustrated with historic photographs, a map of the Kentucky Bourbon Trail, and more.

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" For years fiddlers and folklorists have prized the old-time fiddle tunes from Kentucky. Many of the most outstanding country music artists hail from the state, including Bill Monroe, widely regarded as the founder of bluegrass music. Even Aaron Copland lifted, note-for-note, a Kentucky fiddler's performance of "Bonaparte's Retreat" for the "Hoedown" section of his ballet Rodeo. That tune and nearly 200 others are transcribed here, most for the first time. They are taken from recordings of Kentucky fiddlers, many of whom were born before 1900, practitioners of a style of playing now extremely rare. Jeff Todd Titon places the tunes in their historical context, provides biographical sketches of the performers, and offers suggestions for contemporary fiddlers who want to use the book for performance. A compact disc of recordings is also included.

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The History of Sir George Ellison (1766) is an important novel, both utopian and dystopian. Sir George, a man of benevolence, follows the pattern of the female utopia set forth in Scott's first novel, A Description of Millenium Hall (1762). In this sequel, Scott addresses issues of slavery, marriage, education, law and social justice, class pretensions, and the position of women in society, consistently emphasizing the importance, for both genders and all classes and ages, of devoting one's life to meaningful work. Although she adopted a gradualist approach to reform, Scott's uncompromising revelation of the corruption of English society in her day is clear-sighted, arresting, and hard-hitting.

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" An easy-to-use guide to transforming your yard into an oasis for urban wildlife. Which birdseed attracts the most species of birds? What type of feeder is best to use? How do you deter squirrels? Barnes answers all these questions and more. He includes a plant encyclopedia of trees and shrubs native to the Upper South that attract a variety of birds, butterflies, and mammals. Barnes's plans and plant lists can also be used to create a woodland, a prairie, or a water garden. Also included are tips for birdwatchers of all levels and suggestions for deterring common garden pests.

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When the popular musical Hamilton showcased the celebrated duel between Alexander Hamilton and Aaron Burr, it reminded twenty-first-century Americans that some prominent, honor-bound citizens once used negotiated, formal fights as a way to settle differences. During the Civil War, two prominent Kentuckians - one a Union colonel and the other a pro-Confederate civilian—continued this legacy by dueling. At a time when thousands of soldiers were slaughtering one another on battlefields, Colonel Leonidas Metcalfe and William T. Casto transformed the bank of the Ohio River into their own personal battleground. On May 8, 1862, these two men, both of whom were steeped in southern honor culture, fought a formal duel with rifles at sixty yards. And, like the fight between Hamilton and Burr, only one man walked away.Anatomy of a Duel: Secession, Civil War, and the Evolution of Kentucky Violence examines why white male Kentuckians engaged in the "honor culture" of duels and provides fascinating narratives that trace the lives of duelists and opponents. Stuart W. Sanders explores why, during a time when Americans were killing one another in open, brutal warfare, Casto and Metcalfe engaged in the process of negotiating and fighting a duel. In deconstructing the event, Sanders details why these prominent Kentuckians found themselves on the dueling ground during the nation's bloodiest conflict, how society and the Civil War pushed them to fight, why duels continued to be fought in Kentucky even after this violent confrontation, and how Kentuckians applied violence after the Civil War. Anatomy of a Duel is a comprehensive and compelling look at how the seccession crisis sparked the Casto-Metcalfe duel - a confrontation that impacted the evolution of violence in Kentucky.

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In 1976 the Supreme Court of the United States affirmed the legality of capital punishment in their ruling on Gregg v. Georgia. In the 46 years since the decision was handed down, 1,551 convicted prisoners have been executed. The United States is the only Western nation - and one of four advanced democracies - that regularly applies the death penalty. While the death penalty is legal in 27 states, only 21 have the means to carry out death sentences. Of those states, Texas has executed the most prisoners in recent history, condemning 578 people to death since the 1976 ruling, beginning with the death of Charlie Brooks in 1982. Texas retains the third-largest death row population behind California and Florida. In the summer of 2020, the Trump administration broke a nearly 17-year stay during which the federal government did not sanction any executions when it put 13 inmates to death over six months. Seventeen of the 45 current federal death row inmates, the highest proportion of any state, are currently incarcerated in Texas.Final Words is a project that addresses the death penalty in the United States as a violation of human rights. Consisting of a collection of government documents relating to the 578 executed Texas inmates, each set of pages reveals a portrait of a life bookended by violence in which final moments are often spent expressing words of love for family and friends, sorrow for victims, and gratitude for life lived. The compilation stands as a stark indictment of a system built by institutions rampant with racism, classism, and sexism. Each entry, each story, each utterance will challenge readers to answer the question: is there room for humanity in the American justice complex?

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"I've lived a completely ordinary life, so much that I don't know how to write a transgender or queer or Appalachian story, because I don't feel like I've lived one... Though, in searching for ways to write myself in my stories, maybe I can find power in this ordinariness."Raised in southeast Ohio, Stacy Jane Grover would not describe her upbringing as "Appalachian." Appalachia existed farther afield—more rural, more country than the landscape of her hometown.Grover returned to the places of her childhood to reconcile her identity and experience with the culture and the people who had raised her. She began to reflect on her memories and discovered that group identities like Appalachian and transgender are linked by more than just the stinging brand of social otherness.In Tar Hollow Trans, Grover explores her transgender experience through common Appalachian cultural traditions. In "Dead Furrows," a death vigil and funeral leads to an investigation of Appalachian funerary rituals and their failure to help Grover cope with the grief of being denied her transness. "Homeplace" threads family interactions with farm animals and Grover's coming out journey, illuminating the disturbing parallels between the American Veterinary Association's guidelines for ethical euthanasia and the World Professional Association for Transgender Health's guidelines for transgender care.Together, her essays write transgender experience into broader cultural narratives beyond transition and interrogate the failures of concepts such as memory, metaphor, heritage, and tradition. Tar Hollow Trans investigates the ways the labels of transgender and Appalachian have been created and understood and reckons with the ways the ever-becoming transgender self, like a stigmatized region, can find new spaces of growth.

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Although much has been written about the Western Front in World War I, little attention has been given to developments in the east, especially during the crucial period of 1914--1915. Not only did these events have a significant impact on the fighting and outcome of the battles in the west, but all the major combatants in the east ultimately suffered collapses of their political systems with enormous consequences for the future events. Available for the first time in English, this seminal study features contributions from established and rising scholars from eight countries who argue German, central, and eastern European perspectives. Together, they illuminate diverse aspects of the Great War's Eastern Theater, including military strategy and combat, issues of national identity formation, perceptions of the enemy, and links to World War II. They also explore the experiences of POWs and the representation of the Eastern Front in museums, memorials, and the modern media.The scholarship on the First World War is dominated by the trauma of the modern, technologized war in the west, causing the significant political events and battles on the Eastern Front to shift to the background. The Forgotten Front illuminates overlooked but vital aspects of the conflict, and will be an essential resource for students and scholars seeking to better understand the war and its legacy.

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Like wine lovers who dream of traveling to Bordeaux or beer enthusiasts with visions of the breweries of Belgium, bourbon lovers plan their pilgrimages to Kentucky. Some of the most famous distilleries are tucked away in the scenic Bluegrass region, which is home to nearly seventy distilleries and responsible for 95 percent of all of America's bourbon production. Locals and tourists alike continue to seek out the world's finest whiskeys in Kentucky as interest in America's only native spirit continues to grow.In Kentucky Bourbon Country, now in its third edition, Susan Reigler offers updated, essential information and practical advice to anyone considering a trip to the state's distilleries (including the state's booming craft distillery sector) or the restaurants and bars on the Urban Bourbon Trail. Featuring more than two hundred full-color photographs and a bourbon glossary, the book is organized by region and provides valuable details about the Bluegrass - including attractions near each distillery and notes on restaurants, lodging, shopping, and seasonal events in Kentucky's beautiful historic towns.In addition to providing knowledge about each point of interest, Kentucky Bourbon Country weaves in little-known facts about the region's best-kept secrets, such as the historic distillery used as a set in the movie Stripes and the fates of used bourbon barrels. Whether you're interested in visiting the place where your favorite bourbon is made or hoping to discover exciting new varieties, this handy and practical guide is the key to enjoying the best of bourbon.

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When the air raid alarm sounded around 7:55 a.m. on December 7, 1941, Gunner's Mate Second Class James Allard Vessels of Paducah was preparing to participate in morning colors aboard the USS Arizona. In the scramble for battle stations, Vessels quickly climbed to a machine gun platform high atop the mainmast as others descended below decks to help pass ammunition up to gunners. At 8:06, a bomb exploded and the Arizona sank. Vessels's lofty perch saved his life, but most of his shipmates were not so lucky.In Kentuckians and Pearl Harbor, Berry Craig employs an impressive array of newspapers, unpublished memoirs, oral histories, and official military records to offer a ground-up look at the day that Franklin D. Roosevelt said would "live in infamy," and its aftermath in the Bluegrass State. In a series of vignettes, Craig uncovers the untold, forgotten, or little-known stories of ordinary people - military and civilian - on the most extraordinary day of their lives. Craig concludes by exploring the home front reaction to this pivotal event in American history.Japan's surprise attack on Pearl Harbor swept away any illusions Kentuckians had about being able to stay out of World War II. From Paducah to Pikeville, people sprang to action. Their voices emerge and come back to life in this engaging and timely history.

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Aside from a small plaque at Hawks Nest State Park, which inaccurately admits to only 109 victims, there is little to mark the site of the worst industrial accident to date in the United States. In Appalachian Ghost: A Photographic Reimagining of the Hawks Nest Tunnel Disaster, author Raymond Thompson Jr.

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Post-World War II America has often been mythologized by successive generations as an exceptional period of prosperity and comfort. At a time when the Cold War was understood to be a battle of ideas as much as military prowess, the entertainment business relied heavily on subtle psychological marketing to promote the idea of the American Dream. The media of the 1950s and 1960s promoted an idealized version of American life sustained by the nuclear family and bolstered by a booming consumer economy. The seemingly wholesome and simple lifestyles portrayed on television screens, however, belied a torrent of social, economic, and political struggles occurring at the time. By the late 1950s, television writers were increasingly constrained to distract audiences from confronting counternarratives to the Dream. Among the programs that railed against this trend was Rod Serling's television masterpiece The Twilight Zone. Now considered an enduring classic, the allegorical nature of the show provides a window into the many overlooked issues that plagued Cold War America.In Monsters on Maple Street: The Twilight Zone and the Postwar American Dream, David J. Brokaw describes how the TV show reframed popular portrayals of white American wish fulfillments as nightmares, rather than dreams. Brokaw's close reading of the show's sociopolitical dimensions examines how the series' creators successfully utilized science fiction, horror, and fantasy to challenge conventional thinking – and avoid having their work censored - around topics such as sexuality, technology, war, labor and the workplace, and white supremacy. In doing so, Brokaw helps us understand how the series exposed the underbelly of the American Dream and left indelible impressions in the minds of its viewers for decades to come.

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In the summer of 1960, director C. Douglas Ramey took his Carriage House Players theater company down the street from their Old Louisville venue to Central Park, where the actors performed scenes from the Shakespeare classic Much Ado about Nothing. Buoyed by the enthusiastic audience response, Ramey's company returned to the park the next year for the first full season of the Kentucky Shakespeare Festival. More than sixty years later, Kentucky Shakespeare is now the oldest free, non-ticketed Shakespeare in the Park festival in the country. To commemorate the sixtieth anniversary of the festival, in spring 2020 Kentucky Shakespeare cooperated with students in the University of Louisville's Department of History to record twenty entertaining and enlightening oral interviews with longtime members of the company.In Under the Greenwood Tree, author Tracy K'Meyer captures the history of Kentucky Shakespeare in a series of carefully selected and edited transcripts of these interviews. In these pages, past and present cast and crew share their memories of the company's history, performances in the park, and the positive impact of its many outreach programs, from its inception in the 1960s, to its slump in the early 2000s, and on to its recent renaissance. An illuminating record of the collaborative artistry that brings Shakespeare's works to life, Under the Greenwood Tree offers readers a peek behind the curtain at the group's steadfast stewardship of the most important literature in the English language.

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From the anti-segregation sit-ins of the 1960s to the protests in response to the killing of Breonna Taylor, the rest of the nation - and often the world - has watched as Kentuckians boldly fought against instances of injustice. In Resistance in the Bluegrass, Farrah Alexander outlines the ways in which Kentucky's citizens have been models in the fight against intersectional issues of racial injustice, economic inequality, education, climate change, immigration, political representation, LGBTQ+ rights, and women's rights, while exploring and celebrating decades of Kentucky's contributions to social justice movements and the names behind them.Resistance in the Bluegrass gives engaged citizens-or those wishing to become more engaged-both inspiration and guidance on how they too can make a difference across the commonwealth. Together with interviews and issue-by-issue action items, Alexander reminds her readers that at the heart of all social change are everyday citizens who step up to make a difference. Optimistic and accessible, this people's history and guide calls Kentuckians of all backgrounds to action.

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Post-World War II America has often been mythologized by successive generations as an exceptional period of prosperity and comfort. At a time when the Cold War was understood to be a battle of ideas as much as military prowess, the entertainment business relied heavily on subtle psychological marketing to promote the idea of the American Dream. The media of the 1950s and 1960s promoted an idealized version of American life sustained by the nuclear family and bolstered by a booming consumer economy. The seemingly wholesome and simple lifestyles portrayed on television screens, however, belied a torrent of social, economic, and political struggles occurring at the time. By the late 1950s, television writers were increasingly constrained to distract audiences from confronting counternarratives to the Dream. Among the programs that railed against this trend was Rod Serling's television masterpiece The Twilight Zone. Now considered an enduring classic, the allegorical nature of the show provides a window into the many overlooked issues that plagued Cold War America.In Monsters on Maple Street: The Twilight Zone and the Postwar American Dream, David J. Brokaw describes how the TV show reframed popular portrayals of white American wish fulfillments as nightmares, rather than dreams. Brokaw's close reading of the show's sociopolitical dimensions examines how the series' creators successfully utilized science fiction, horror, and fantasy to challenge conventional thinking – and avoid having their work censored - around topics such as sexuality, technology, war, labor and the workplace, and white supremacy. In doing so, Brokaw helps us understand how the series exposed the underbelly of the American Dream and left indelible impressions in the minds of its viewers for decades to come.

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Saving seeds to plant for next year's crop has been key to survival around the globe for millennia. However, the 20th-century witnessed a grand takeover of seed producers by multinational companies aiming to select varieties ideal for mechanical harvest, long-distance transportation, and long shelf life. With the rise of the Slow Food and farm-to-table movements in recent years, the farmers and home gardeners who have been quietly persisting in the age-old habit of conserving heirloom plants are finally receiving credit for their vital role in preserving both good taste and the world's rich food heritage.Kentucky Heirloom Seeds: Growing, Eating, Saving is an evocative exploration of the seed saver's art and the practice of sustainable agriculture. Bill Best and Dobree Adams begin by tracing the roots of the tradition in the state to a 700-year-old Native American farming village in north central Kentucky. Although Best shares tips for planting and growing beans and describes his family's favorite varieties for the table, the heart of the book are the incredible interviews with seed savers, predominately from Eastern Kentucky and from generations of gardeners who saved seeds to feed their families. These people have worked tirelessly to preserve and share heirloom varieties. This book vividly documents the social relevance and historical significance of the rituals of sowing, cultivating, eating, saving, and sharing.

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"Grape is the sweetest betrayal. There is no removing the stain Of it say moms everywhere & Even if kids choose it last; They choose it, as loyal To its sugar as any."When authorities converged on the Peoples Temple Agricultural Project, known as Jonestown, in Guyana on November 18, 1978, more than 900 members were found dead, the result of murder-suicide. The massacre, led by cult leader James "Jim" Jones, was the largest mass loss of American lives before September 11, 2001. Yet this event is largely absent in American history. When the mass suicides are remembered, it is usually comically or instructively: "Don't drink the Kool-Aid," as the majority of those who died that day drank or were injected with grape flavored Flavor-Aid.Much has been documented about this tragic day and how the congregants were killed, yet little is written about the individuals and their lived experiences. In this profound and provocative poetry collection, darlene anita scott corrects that which has been disremembered and honors the people who perished. She elevates and gives voice to the children, teenagers, and adults whose hopes, dreams, and lives were just as hopeful and mundane as any others yet have been overlooked and overshadowed by the other focuses of history. The distinct, haunting, and unforgettable poems in Marrow cut to the bone while also acknowledging and giving tribute to those who died on that fateful day.

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When the Declaration of Independence was signed by a group of wealthy white men in 1776, poor white men, African Americans, and women quickly discovered that the unalienable rights it promised were not truly for all. The Nineteenth Amendment eventually gave women the right to vote in 1920, but the change was not welcomed by people of both genders in politically and religiously conservative Kentucky. As a result, the suffrage movement in the Commonwealth involved a tangled web of stakeholders, entrenched interest groups, unyielding constitutional barriers, and activists with competing strategies.In A Simple Justice, Melanie Beals Goan offers a new and deeper understanding of the women's suffrage movement in Kentucky by following the people who labored long and hard to see the battle won. Women's suffrage was not simply a question of whether women could and should vote; it carried more serious implications for white supremacy and for the balance of federal and state powers -- especially in a border state. Shocking racial hostility surfaced even as activists were working to make America more equitable.Goan looks beyond iconic suffragette figures such as Susan B. Anthony and Elizabeth Cady Stanton to reveal figures whose names have been lost to history. Laura Clay and Madeline McDowell Breckinridge led the Kentucky movement, but they did not do it alone. This timely study introduces readers to individuals across the Bluegrass State who did their part to move the nation closer to achieving its founding ideals.

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What does a writer do when he's got a family that includes a blacklisted member of the Hollywood Ten, the brains behind Tony the Tiger and the Marlboro Man, a trio of gay puppeteers, the world's leading birdwatcher, sixties hippies, a Dutch stowaway who served in an all-black regiment during the American Civil War, a mother of unusual compassion and understanding, and a convicted murderer? He tells their stories and secrets, illuminating 150 years of American life along the way.Dan Bessie begins the journey through his family history with his great-grandfather in the cargo hold of a ship bound for New York on the storm-tossed Atlantic. What follows are stories of his grandfather's various entrepreneurial schemes (including a folding butter box business), a grandmother who was voted "New York's Prettiest Shop Girl" (and who resisted the recruitment efforts of various city madams), and his uncle Harry's Turnabout Theater in Los Angeles (a renowned puppet theater drawing patrons as diverse as Shirley Temple, Ray Bradbury, and Albert Einstein).Through inherited journals and literary effects, Bessie comes to a new understanding of his father, Alvah. An actor and writer, he fought in the Lincoln Brigade during the Spanish Civil War. When he returned to the States, he headed to the Warner back lots to begin a screenwriting career. But as congress began investigating radicals in the film industry, Alvah was blacklisted for his Communist sympathies and was soon sent to jail as one of the Hollywood Ten.His grandmother's cousin, Sidney Lenz, wrote Lenz on Bridge, a classic guide to the game of contract bridge. Bessie describes what was billed as the Bridge Battle of the Century, a 1931 match between Lenz and an upstart opponent that was covered by journalists from all over the world. Bessie's brother-in-law Wes Wilson designed rock and roll posters for the Fillmore Auditorium in San Francisco during the 1960s, living a counterculture existence vastly different from the bridge-mad Depression Era.Cousin Michael was heir to the compulsive storytelling characterizing many of the Bessies. He found his niche in publishing, co-founding the Atheneum Press and shaping books by people such as Anwar Sadat, Edward Albee, and Aldous Huxley. With an equally impressive career, Uncle Leo built the country's fifth largest advertising agency. A passion of a different sort led cousin Phoebe Snetsinger to travel from Webster Groves, Missouri, to the far corners of Africa and Asia. The world's leading birder, she sighted 8,400 different birds-nearly 85 percent of the species known to exist.An extraordinary strain of creativity runs through the Bessie and Burnett clans, and Rare Birds celebrates the colorful diversity of a remarkable and accomplished family. While their choices and professions run the gamut of the American experience in the twentieth century, the history of the nation can be traced in these people's lives. Bessie's passionate birds of a feather gather to sing their unique song across decades and generations. Dan Bessie has been a film writer, director, producer, and animator since apprenticing on Tom and Jerry cartoons at MGM in 1956.

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In Integrated, James W. Miller explores an often ignored aspect of America's struggle for racial equality. He relates the story of the Lincoln Institute - an all-black high school in Shelby County, Kentucky, where students prospered both in the classroom and on the court. In 1960, the Lincoln Tigers men's basketball team defeated three all-white schools to win the regional tournament and advance to one of Kentucky's most popular events, the state high school basketball tournament. This proud tradition of African American schools - a celebration of their athletic achievements - was ironically destroyed by integration.This evocative book is enriched by tales of individual courage from men who defied comfort and custom. Miller describes how one coach at a white high school convinced his administrators and fans that playing the black schools was not only the right thing to do, but that it was also necessary. He discusses John Norman "Slam Bam" Cunningham, the former Lincoln Institute standout who became an Armed Forces All-Star and later impressed University of Kentucky Coach Adolph Rupp on the Wildcats' home floor. Miller also tells the story of a young tennis prodigy whose dreams were denied because he could not play at the white country club, but who became the first African American to start for an integrated Kentucky high school basketball championship team.Featuring accounts from former Lincoln Institute players, students, and teachers, Integrated not only documents the story of a fractured sports tradition but also addresses the far-reaching impact of the civil rights movement in the South.

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Frances Peter was one of the eleven children of Dr. Robert Peter, a surgeon for the Union army. The Peter family lived on Gratz Park near downtown Lexington, where nineteen-year-old Frances began recording her impressions of the Civil War. Because of illness, she did not often venture outside her home but was able to gather a remarkable amount of information from friends, neighbors, and newspapers.Peter's candid diary chronicles Kentucky's invasion by Confederates under Gen. Braxton Bragg in 1862, Lexington's month-long occupation by Gen. Edmund Kirby Smith, and changes in attitude among the slave population following the Emancipation Proclamation. As troops from both North and South took turns holding the city, she repeatedly emphasized the rightness of the Union cause and minced no words in expressing her disdain for the hated "secesh."Her writings articulate many concerns common to Kentucky Unionists. Though she was an ardent supporter of the war against the Confederacy, Peter also worried that Lincoln's use of authority exceeded his constitutional rights. Her own attitudes towards blacks were ambiguous, as was the case with many people in that time. Peter's descriptions of daily events in an occupied city provide valuable insights and a unique feminine perspective on an underappreciated aspect of the war.Until her death by epileptic seizure in August 1864, Peter conscientiously recorded the position and deportment of both Union and Confederate soldiers, incidents at the military hospitals, and stories from the countryside. Her account of a torn and divided region is a window to the war through the gaze of a young woman of intelligence and substance.

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On March 28, 1966, Peace Corps personnel in Tanzania received word that volunteer Peppy Kinsey had fallen to her death while rock climbing during a picnic. Local authorities arrested Kinsey's husband, Bill, and charged him with murder as witnesses came forward claiming to have seen the pair engaged in a struggle. The incident had the potential to be disastrous for both the Peace Corps and the newly independent nation of Tanzania. Because of the high stakes surrounding the trial, questions remain as to whether there was more behind the final "not guilty" verdict than was apparent on the surface.Peter H. Reid, who served as a Peace Corps volunteer in Tanzania at the time of the Kinsey murder trial, draws on his considerable legal experience to expose inconsistencies and biases in the case. He carefully scrutinizes the evidence and the investigation records, providing insight into the motives and actions of both the Peace Corps representatives and the Tanzanian government officials involved. Reid does not attempt to prove the verdict wrong but critically examines the events of Kinsey's death, her husband's trial, and the aftermath through a variety of cultural and political perspectives.This compelling account sheds new light on a notable yet overlooked international incident involving non-state actors in the Cold War era. Meticulously researched and replete with intricate detail, Every Hill a Burial Place explores the possibility that the course of justice was compromised and offers a commentary on the delicacy of cross-national and cross-cultural diplomacy.

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Dr. Frances Sage Bradley (1862-1949) was a mediating force between the urban world of her own education and experience, and that of rural Americans. As a widow with four young children, Bradley trained as a doctor and became one of the first women to graduate from Cornell University Medical School. During the height of the Progressive Era, she left her private practice to do significant field work for the newly-created Children's Bureau, working mainly in the Appalachian South.In this timely biography, Barbara Barksdale Clowse details the story of this physician, reformer, and writer, and her efforts to extend access to healthcare to rural communities. Clowse describes Bradley's important innovations in the field of public health, including physical exams or "conferences" for children and infants which simultaneously educated parents and local medical practitioners, and her advocacy for improved nutrition and modern medicine in rural areas. Finally, Clowse illustrates how Bradley's work regarding maternal mortality and morbidity in America was instrumental in demonstrating the need for what became the Sheppard-Towner Act of 1921, also known as the Maternity and Infancy Protection Act.A century has passed since Bradley lived out her commitment to social justice in healthcare, yet many of the issues that she faced still plague the United States today. A Doctor for Rural America presents a balanced portrait of an overlooked pioneer and her work to establish healthcare as an obligation that the government owed to its citizens.

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In 1972, Reggie Warford was a sinewy, lightning-fast, sharp-shooting leftie who was in high demand by such renowned coaches as Bobby Knight at Indiana and Digger Phelps at Notre Drame. When the prolific player was signed by Joe B. Hall at the University Kentucky, he would ultimately become an inspirational scoring force on the team and the first Black basketball player to graduate from the universityinstrumental in helping to break the color barriers for generations of students who followed. Scott Brown tells the remarkable story of this trailblazing player and the barriers he broke at Kentucky. Despite a heart condition and health issues that plagued him and eventually claimed his life, his body and spirit exuded a commitment to the game he loved: basketball. From growing up during the Civil Rights era, relating his courage in remaining seated during the singing of My Old Kentucky Home (a protest that led to the eventual rewrite of the lyrics), recollections of his seminal games, in

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The hills of the Appalachia region hold secretsdark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and hillfolk for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentuckytales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or haints, strange creatures or boogers, haunted locations or stained earth, uncanny happenings or high strangeness, and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the st

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An emotive soprano, heartrending melodies about unrequited love, and a draped-over-the-piano persona made Helen Morgan (19021941) the original torch singer, but she was so much more. The versatile actress appeared on Broadway, in film, and on radio. In a number of stage revues, she danced, sang, and excelled in sketch comedy. She played Julie in Kern and Hammerstein''s Broadway musical Show Boat (1927) and also starred in the duo''s Sweet Adeline in 1929. That same year, Morgan appeared in Rouben Mamoulian''s classic film Applause. When the Great Depression made theater roles scarce, she headed the CBS radio program Broadway Melodies and worked in the emerging medium of television. Yet Morgan''s life was one of extremes. She earned a million dollars throughout her career but remained in constant debt. She was one of the most universally beloved people in her profession, but a stable romantic relationship eluded her until the very end of her life. She was a protofeminist who aided women

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During the chaotic evacuation of the United States from Afghanistan in 2021, a group of Congress members who were also military veterans of the War on Terror leapt into action to assist vulnerable people in Afghanistan who had aided the American war effort. This cohort of legislators and their staffs on Capitol Hill created hotlines and worked 24-hour shifts in an intense effort to save lives, often coordinating between government agencies, informal networks of veterans'' groups, and contacts on the ground in Kabul. In the process, many veteran lawmakers also became vocal critics of presidential management of the crisis and said they felt a moral obligation to act. In Staying in the Fight: How War on Terror Veterans in Congress Are Shaping U.S. Defense Policy, author Jeffrey S. Lantis shines a spotlight on this cohort of legislators and their unique position in the American government. By using exclusive interview data, archival sources, statistics, process -tracing, and comparative ca

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Once called the most gifted character actor of our time by Broadway theater producer Arthur Hopkins, Lionel Barrymore (18781954) was part of the illustrious Barrymore acting dynasty. Although he garnered success on stage and screen and was a talented actor, writer, director, visual artist, and composer, he never quite escaped the shadow of his family membersincluding his brother, John, famous for his leading roles. Barrymore won the Academy Award for Best Actor in A Free Soul (1931) and was nominated for Best Director for Madame X (1930). However, he is best known for his role as Mr. Potter in It''s a Wonderful Life (1946) and as the voice of Ebenezer Scrooge in radio broadcasts of A Christmas Carol from 1934 to 1953. He spent the last two decades of his career playing versions of his signature characterthe curmudgeonly but lovable gentlemanin a variety of films from You Can''t Take It With You (1938) to Key Largo (1948). Barrymore worked alongside some of Hollywood''s most recognizabl

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From her idyllic childhood in the American Midwest to her Oscarnominated performance in Sunset Boulevard (1950) and the social circles of New York and Los Angeles, actress Nancy Olson Livingston has lived abundantly. In her memoir, A Front Row Seat, Livingston treats readers to an intimate, charming chronicle of her life as an actress, wife, and mother, and her memories of many of the most notable figures and moments of her time.Livingston shares reminiscences of her marriages to lyricist and librettist Alan Jay Lerner, creator of award-winning musicals Paint Your Wagon, Gigi, and My Fair Lady (which was dedicated to her), and to Alan Wendell Livingston, former president of Capitol Records, who created Bozo the Clown and worked with legendary musical artists, including Nat King Cole, Frank Sinatra, Judy Garland, the Beach Boys, the Beatles, the Band, and Don McLean. One of the last living actors of the Golden Age of Hollywood, Livingston shares memorable encounters with countless celeb

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Two events tie together the nine stories in Monic Ductan's gorgeous debut: the 1920s lynching of Ida Pearl Crawley and the 1980s drowning of a high school basketball player, Lucy Boudreaux. Both forever shape the people and the place of Muscadine, Georgia, in the foothills of Appalachia.The daughters of Muscadine are Black Southern women who are, at times, outcasts due to their race and also estranged from those they love. A remorseful woman tries to connect with the child she gave up for adoption; another, immersed in loneliness, attempts to connect with a violent felon. Two sisters love each other deeply even when they cannot understand one another. A little girl witnessing her father's slow death realizes her own power and lack thereof. A single woman weathers the excitement - and rigors - of online dating.Covering the last one hundred years, these are stories of people whose voices have been suppressed and erased for too long: Black women, rural women, Appalachian women, and working-class women. Ductan presents the extraordinary nature of everyday lives in the tradition of Alice Walker, Deesha Philyaw, James McBride, and Dorothy Allison in an engaging, engrossing, and exciting new voice.

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The flood came at night, forcefully and quickly, destroying so many lives in its wake. Unfortunately, I''m afraid it will happen again and again. Carter SickelsIn late July 2022, a catastrophic flash flood claimed the lives of more than forty people and devastated homes and communities in Central Appalachia. The forty-fifth annual Appalachian Writers'' Workshop at Hindman Settlement School in eastern Kentucky was in progress when surging floodwater forced the participants and staff to rush to higher ground. The school lost classrooms, housing, and gathering areas, as well as valuable equipment, and irreplaceable artifacts such as historical books and documents, photographs, and handmade musical instruments from the school archives were damaged. As the floodwaters receded throughout the region, countless lives were forever changed.In this visceral and powerful anthology, well-known and emerging Appalachian writers create an authentic space for processing and healing as they document an

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The Safety of Small Things meditates on mortality from a revealing perspective. Images of stark examination rooms, the ravages of chemotherapy, biopsies, and gel-soaked towels entwine with remembrance to reveal grace and even beauty where they are least expected. Jane Hicks captures contemporary Appalachia in all of its complexities: the world she presents constantly demonstrates how the past and the present (and even the future) mingle unexpectedly. The poems in this powerful collection juxtapose the splendor and revelation of nature and science, the circle of life, how family and memory give honor to those we've lost, and how they can all fit together. This lyrical and contemplative yet provocative collection sings a song of lucidity, redemption, and celebration.

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In Girl Singer, poet Marianne Worthington often blurs the lines between the historical and the romantic, much like the artists to whose songs and stories she pays careful attention and homage. Locals or country music fans will recognize the names and histories documented here, but even those unfamiliar with these references will understand the intricacy and intimacy with which they are woven together. From Tom Dula to The Carters to Patsy Cline, Girl Singer not only documents this wealth of stories with care and accuracy, but it also dares to venture into the subjects' innermost thoughts.The speaker places her personal life on the same level of importance as the subjects of local stories, elevating the collection from a simple report of facts into a work of art. Her own family history dances among those of celebrities. The collection is as invested in the poet's own life as it is in Appalachia as a whole. With poems about birds and the moon, the collection also harbors an abundance of natural imagery that highlights the dramatic details of the speaker's daily life, even within the mundane. Skillfully divided into three distinct yet harmonious parts, cantillating local, familial, and personal histories, Girl Singer is a collection of lyrical and descriptive poems that offer unique insight on famous and infamous Appalachian tales from this life and the next.

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"They had been told their sacrifice was for the public good. They were never told how much they would miss it, or for how long."Drowned Town explores the multigenerational impact caused by the loss of home and illuminates the joys and sorrows of a group of people bound by western Kentucky's Land Between the Lakes and the lakes that lie on either side of it. The linked stories are rooted in a landscape forever altered by the impoundment of the Tennessee and Cumberland rivers and the taking of property under the power of eminent domain to create the national recreation area on a narrow strip of land running between the lakes. The massive federal land and water projects that came in quick succession were designed to serve the public interest by providing hydroelectric power, flood control, and economic progress for the region, but at great sacrifice for those who gave up their homes, livelihoods, towns and history in the process.The narrative follows two women characters whose lives are shaped by their friendship and connection to the place, and goes back and forth in time to show how the creation of the lakes both healed and hurt the people connected to them. In the process, the stories focus on the importance of sisterhood and family, both blood and created, and how we cannot separate ourselves from our places in the world.

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Nineteen-year-old Cowney Sequoyah yearns to escape his hometown of Cherokee, North Carolina, in the heart of the Smoky Mountains. When a summer job at Asheville's luxurious Grove Park Inn and Resort brings him one step closer to escaping the hills that both cradle and suffocate him, he sees it as an opportunity. With World War II raging in Europe, the inn is the temporary home of Axis diplomats and their families, who are being held as prisoners of war. Soon, Cowney's refuge becomes a cage when the daughter of one of the residents goes missing and he finds himself accused of abduction and murder. Even As We Breathe invokes the elements of bone, blood, and flesh as Cowney navigates difficult social, cultural, and ethnic divides. After leaving the seclusion of the Cherokee reservation, he is able to explore a future free from the consequences of his family's choices and to construct a new worldview, for a time. However, prejudice and persecution in the white world of the resort eventually compel Cowney to free himself from larger forces that hold him back as he struggles to unearth evidence of his innocence and clear his name.

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Deviant Hollers: Queering Appalachian Ecologies for a Sustainable Future uses the lens of queer ecologies to explore environmental destruction in Appalachia while mapping out alternative futures that follow from critical queer perspectives on the United States' exploitation of the land. With essays by Lis Regula, Jessica Cory, Chet Pancake, Tijah Bumgarner, MJ Eckhouse, and other essential thinkers, this collection brings to light both emergent and long-standing marginalized perspectives that give renewed energy to the struggle for a sustainable future. A new and valuable contribution to the field of Appalachian studies, rural queer studies, Indigenous studies, and ethnographic studies of the United States, Deviant Hollers presents a much-needed objection to the status quo of academic work, as well as to the American exceptionalism and white supremacy pervading US politics and the broader geopolitical climate. By focusing on queer critiques and acknowledging the status of Appalachia as a settler colony, Deviant Hollers offers new possibilities for a reimagined way of life.

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At the conclusion of WWII, no part of the world experienced a more dramatic transformation than East Asia. The region''s political stability throughout the postwar period prompted exponential economic growth that ultimately established South Korea, Japan, and China as East Asia''s most important powers. While many citizens of these nations now live in a time of unprecedented prosperity, the arrangement that supported this region''s transformation is fragile. With the second largest economy and a burgeoning military sector, China is widely acknowledged as the preeminent rising world power. The onus of maintaining balance in the region now rests primarily with South Korea and Japan in partnership with the United States. However, because of long-standing weaknesses in South KoreaJapan relations and an inconsistent US commitment to the region, the possibility that China could usher in a more uncertain era of revisionism has never been more likely.In Strengthening South Korea-Japan Relation

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The fall of the Iron Curtain in the early 1990s ushered in a new tide of European immigrants to the United States. These populations, which hailed primarily from Eastern Europe and the former Soviet Union, were largely adrift in America's cultural melting pot. Laden with their belongings and informed by their experiences, these immigrants became citizens of a new diaspora searching for space to exist in their adopted home.In Between a Bird Cage and a Bird House, author Katerina Stoykova follows that which "calls / the roaming mind / looking for land" with the shell of her homeland at her back. Through themes of domestic abuse, the death of a parent, the loss of a friend, and the search for cultural identity, the poems in this collection transcend the borders of language and nation-states. As a Bulgarian immigrant, Stoykova weighs the differences between safety and captivity, exploring how one can feel sheltered yet still not feel at home.Through a series of addresses to her new domestic partner, America, the speaker in this collection expresses gratitude while simultaneously interrogating the landscape that has come to "home" her. With every line of verse, Stoykova's unique grasp on the turns of the English language brings a fresh perspective to immigrant identity and lays bare the terrifying and thrilling duality of living between two cultures.

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The fall of the Iron Curtain in the early 1990s ushered in a new tide of European immigrants to the United States. These populations, which hailed primarily from Eastern Europe and the former Soviet Union, were largely adrift in America's cultural melting pot. Laden with their belongings and informed by their experiences, these immigrants became citizens of a new diaspora searching for space to exist in their adopted home.In Between a Bird Cage and a Bird House, author Katerina Stoykova follows that which "calls / the roaming mind / looking for land" with the shell of her homeland at her back. Through themes of domestic abuse, the death of a parent, the loss of a friend, and the search for cultural identity, the poems in this collection transcend the borders of language and nation-states. As a Bulgarian immigrant, Stoykova weighs the differences between safety and captivity, exploring how one can feel sheltered yet still not feel at home.Through a series of addresses to her new domestic partner, America, the speaker in this collection expresses gratitude while simultaneously interrogating the landscape that has come to "home" her. With every line of verse, Stoykova's unique grasp on the turns of the English language brings a fresh perspective to immigrant identity and lays bare the terrifying and thrilling duality of living between two cultures.

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In poems at once profound and accessible, Nadia Colburn finds splendor and astonishment in a natural world - and a human world - that is deeply troubled yet still majestically beautiful. Both elegy and celebration, I Say the Sky addresses some of the most challenging aspects of human existence, from childhood trauma to environmental devastation, and discovers, in unexpected and clear-sighted ways, wisdom, wonder, and peace.Colburn's brilliant second book charts a journey to meet the self. From girlhood to parenthood, loss to discovery, in poems that sing, the book explores how meaning is made. Claiming the female voice from silence, the poems find their grounding in the body and achieve rootedness and hope.I Say the Sky is a meditative and ultimately inspiring book that will be savored by seasoned readers as well as those new to poetry.

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On August 17, 1942, twelve Boeing B-17 Flying Fortresses of the United States Eighth Air Force carried out the first American raid over occupied Europe, striking the rail yards at Rouen, France. Soon after, hundreds of American B-17s and Consolidated B-24 Liberators filled the skies above Europe. Despite frequent attacks against Germany and its allies by four different air forces, American commanders failed to stage a successful air offensive against Germany in the summer and fall of 1943. When victory in the air war against the Axis powers appeared bleak at the threshold of 1944, a change in command accompanied by top-down organizational restructuring allowed the American leaders to snatch victory from the jaws of defeat for the first time.Uniting Against the Reich: The American Air War in Europe addresses how the United States swiftly reversed its air war against the Axis powers by reevaluating both individual agency and the structural elements that impeded the US from taking the lead in the European Theater. Luke W. Truxal argues that the appointment of General Dwight D. Eisenhower as the Supreme Allied Commander incorporated various air commands under a single authority, which allowed them to unify their efforts against a specific strategic objective. In this narrative, victory in Europe hinged on restructuring the air force under one command system in order to wage a series of sustained and targeted bombings against German infrastructure and industry. Truxal's provocative reinterpretation of personality, material, and command organization helps to explain the success of the American war effort in Europe leading up to and after February 1944, when Germany lost 355 fighters during an operation that lasted only five days. This comprehensive and well-written account offers a compelling new assessment of the development of the American war in Europe and emphasizes the importance of developing an "air-mindedness" when evaluating and strategizing large-scale operations.

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Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez—one of the first successful Latin-American Hollywood stars, who swept past the xenophobia of Old Hollywood to pave the way for future icons from around the world. Her career began in the silent era when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than such legends as Greta Garbo, Katharine Hepburn, and Gloria Swanson. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934). In the 1940s, Velez's popularity peaked after appearing as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's well-documented fiery personality.Nicknamed "the Mexican Spitfire" by the media, Velez's personal life was as colorful as her screen persona. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with such figures as Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy.In Strictly Dynamite: The Sensational Life of Lupe Velez, author Eve Golden uses extensive research to parse fact from fiction and offer a thorough, riveting, and comprehensive examination of the real woman underneath the gossip columns' caricature. Through astute analysis of the actress's iconic filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when her distinctive accent was an obstacle, yet very few published books have focused entirely on Velez's life and career. Written with even-handedness, humor, and empathy, Golden has finally given the remarkable Mexican actress the uniquely nuanced portrait she deserves.

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When considering the best dancers in Hollywood's history, some obvious names come to mind - Fred Astaire, Gene Kelly, and Bill Robinson. Yet often overlooked is one of the most gifted and creative dancers of all time, Eleanor Powell. Powell's effervescent style, unmatched technical prowess in tap, and free-flowing musicality led MGM to build top-rate musicals around her unique talents, including Born to Dance (1936) with James Stewart and Broadway Melody of 1940 (1940) with Fred Astaire, in which she became known as the only female tap dancer capable of challenging him. In a male-dominated industry, her fierce drive for perfection, sometimes to her detriment, earned her a place as one of the most accomplished performers in vaudeville, Broadway, and film. Powell's grace, precision, and power established her as one of the greatest American dancers. In 1943, she married actor Glenn Ford and largely stepped away from the spotlight for the duration of their tumultuous marriage. After their divorce, Powell made a courageous comeback, successfully performing in Las Vegas and on the nightclub circuit. Cancer claimed her life at the age of sixty-nine.Eleanor Powell: Born to Dance by Paula Broussard and Lisa Royère is an all-encompassing work following the American dance legend from her premature birth into a single-parent home in Springfield, Massachusetts, to her first Broadway performance at age fifteen, through her days as a blazing icon in the world of Hollywood, and finally, to her inspiring comeback. With access to rare documents, letters, and production files, as well as drawing on the authors' intimate personal relationships with Powell, this is a thoroughly researched, comprehensive, and fascinating look at an incredibly talented and unforgettable woman.

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In 1948 the United Nations launched the United Nations Truce Supervision Organization following the conflict that erupted between Israel and its Arab neighbors, who profoundly opposed the creation of a Jewish state. UNTSO quickly found itself overseeing the ceasefire lines between combatant parties. In the ensuing decades, as countries along the eastern Mediterranean engaged in a series of escalating military conflicts, UNTSO was continually challenged in its peacekeeping mission, often having to alter its configuration. Matters came to a head in 1982, when Israel invaded Lebanon for a second time, calling into question the efficacy of UN peacekeeping operations and US support for them.In Yanks in Blue Berets: American UN Peacekeepers in the Middle East, retired US Army colonel and former UN military observer L. Scott Lingamfelter chronicles the role of the US military in UN Middle East peacekeeping operations. Framed by his personal experiences, the book examines the difficulties faced by UN forces wedged between warring sides with limited trust in their authority as well as the challenging dichotomy of a soldier trained for combat yet immersed in unarmed peacekeeping. Yanks in Blue Berets is a "boots on the ground" perspective of the building Arab-Israeli tensions and geopolitics preceding the 1982 invasion of Lebanon.

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In the earliest days of the United States as settlers made their way west and into what would eventually become Kentucky, they were faced with many challenges in the task of surveying and claiming new and unknown land.Among the highest priorities for new residents was to determine if their chosen homestead could provide the fertile soil and fresh water they needed to sustain life and service their agricultural needs. Kentucky, with its underlying base of predominantly limestone rock - perfectly suited to the natural formation of caves, sinking streams, and springs of cool water - proved the ideal location on which to build their new lives.In Bluegrass Paradise: Royal Spring and the Birth of Georgetown, Kentucky, author Gary A. O'Dell tells the story of the Royal Spring, the largest spring in central Kentucky. Practical and essential to the creation of a successful settlement, the spring and its location became the primary reason pioneers would eventually congregate here and found the city of Georgetown as one of the earliest Kentucky communities. In the ensuing 250 years, the Royal Spring has faithfully served the water needs of the community and the locale remains a cherished cultural and historical asset that provides greenspace within a rapidly growing city.

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On January 16, 1944, the submarine rescue vessel USS Macaw (ASR-11) ran aground at Midway Atoll while attempting to get a towing line to the stranded submarine USS Flier (SS-250). The Flier was pulled free six days later, but another three weeks of salvage efforts, plagued by rough seas and equipment problems, failed to dislodge the Macaw. Then on Saturday, February 12, amid an episode of freakishly enormous waves, the sea accomplished that task, nudging the ship from her perch backward into deeper water.As night fell and the ship slowly sank, the 22 men on board face=Calibri>– Lt. Cmdr. Paul W. Burton, USN, the captain, his executive officer and twenty enlisted men—sought refuge in the pilot house. By about 0230 Sunday, that compartment having flooded almost entirely, Burton gave the order to open the portside door and make for the foremast. Three men got to it and climbed it. Most of the rest were swept overboard. Five of the men, including Burton himself, died, as did three sailors from the base at Midway in a pair of unauthorized and effectively suicidal rescue attempts that morning.Drawing on contemporaneous written statements by survivors of that night and interviews conducted over a span of thirty years, this book traces the lives of the Macaw and her enigmatic captain, from birth on San Francisco Bay to death at Midway. It tells a war story short on combat but not on drama, a wartime tragedy in which the conflict is more interpersonal, and perhaps intrapersonal, than international. Ultimately, for Paul Burton and the Macaw the real enemy was the sea, and in a deadly denouement told here in riveting detail, the sea won. Highlighting the underreported role auxiliary vessels played in the war, A Strange Whim of the Sea: The Wreck of the USS Macaw should engage the military historian and lay reader alike with the previously untold story it tells of struggle, sacrifice, death and survival in the Pacific in World War II.

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