Search results for ""silvana""
Silvana Armando Testa
Ca' Pesaro opens the new 2024 exhibition season with a major exhibition dedicated to Armando Testa (1917-1992). Already present since December 2022 in the Venetian civic collections with 17 works, the creative genius from Piedmont will be the focus of a monographic exhibition that will allow people to discover and rediscover previously unseen aspects of his production.From his Turin beginnings at the Vigliardi Paravia Typographic School and with the teaching of Ezio D'Errico, the exhibition aims to reconstruct the artistic path of a protagonist of visual culture contemporary, creator of famous icons that have entered our collective imagination for years.His masterpieces are the offspring of a plurality of expressive languages, experimented during his more than 30-year career, whose modernity is today a source of inspiration for contemporary artists and which has led aesthetics scholar Gillo Dorfles to call him a global visualiser.Texts by Gemma Testa, Tim Marlow
£31.50
Silvana Biennale Art 2024
The 60th International Art Exhibition, curated by Adriano Pedrosa, which will be held from April 20th to November 24th 2024 in Venice, is titled Foreigners Everywhere. The exhibition takes its name from a series of artworks made in 2004 by the Claire Fontaine collective, and will be, as the Curator himself explained, a celebration of the foreign, the distant, the outsider, the queer, as well as the indigenous. It will focus on artists who are themselves foreigners, immigrants, expatriates, diasporic, émigrés, exiled, and refugees especially those who have moved between the Global South and the Global North (Adriano Pedrosa). The catalogue, published by Edizioni La Biennale di Venezia, is as always printed in two volumes, and follows the exhibition route to accompany visitors and art lovers through the exhibition spaces of the Giardini and the Arsenale. It also presents the other projects on display in various locations around the city of Venice and
£72.00
Silvana Alexandra Pirici
Alexandra Pirici's new, expansive work Attune explores the ways in which we and our more-than-human counterparts resemble, influence, and attune to one another to bring forth complex structures.Transforming the vast historic hall of Hamburger Bahnhof into a vibrant imaginary landscape, Pirici interweaves active sculptural elements with live performance and musical pieces of her own choreography and composition. In this immersive, at once archaic and futuristic environment, in which chemical reactions, mineral formations, and physical phenomena perform alongside living bodies, the wonder of self-structuring matter comes to the fore.This is the fifth in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof Nationalgalerie der Gegenwart. It comprises a curatorial essay by Catherine Nichols, an interview with the artist by Raluca Voinea, and a contribution by Cecilia Alemani that situates Alexandra
£12.00
Silvana Mario Nigro: Opere | Works 1947-1992
This volume accompanies a major anthological exhibition that celebrates and pays tribute to Mario Nigro (1917-1992), a painter who left a lasting impression on the artistic panorama of our time. Mario Nigro’s art has deep roots in the principal artistic currents of the 20th century and is of the most astonishing originality. This has made him hugely appreciated internationally, as we can see in the presence of his works in the most prestigious museums and exhibitions in Italy and abroad. This volume contains an essay by Antonella Soldaini, an interview by Elena Tettamanti with Tommaso Trini on the work and figure of Mario Nigro, an essay by Francesca Pola dedicated to the work on paper, a detailed chronology and an updated bio-bibliographic apparatus. “At a certain point I need to sing, I need to paint, I need to do something; it is the reflection of a need for love, irrespective of any manifest tragedy or drama.” Mario Nigro Text in English and Italian.
£36.00
Silvana A Difficult Heritage: Fascist-Era Art and Architecture Out of its Time
Many urban projects realised during the Ventennio remain part of the Italian landscape and, together with architectural monuments and works of art, create a constellation of surviving images of Fascist visual culture in contemporary Italy. As part of the national cultural heritage these artefacts are protected by preservation laws. However, in the ambiguous process whereby Italy confronts its Fascist and colonial past, they have also become a nexus of critical debate and political struggle. The volume focuses on the material history of Fascist-era works of art, monuments and architecture in Italy, and examines their afterlife and reception in the longue durée. Probing the theoretical concept of ‘difficult heritage’ in relation to the peculiarities of the Italian case, and in a comparative perspective with other nations, the volume addresses issues of restoration, display, and critical preservation of Fascist-era artefacts located in public and institutional spaces. Texts by: Mia Fuller, Giuliana Pieri, Hannah Malone, Joshua Arthurs, Dell Upton, Liza Candidi and Davide Grasso, Franco Baldasso, Adachiara Zevi, Rosalia Vittorini, Lucy Maulsby, Pippo Ciorra, Luca Acquarelli, Alessandro Gallicchio.
£38.70
Silvana Photography Bound: Reimagining Photobooks and Self-publishing
Photography Bound. Reimagining Photobooks and Self-publishing is essentially a portable library, where each book – selected by the most eclectic and vibrant voices working in the field today – is declared an urgent addition. The result is a multi-part manifesto that radically and intimately engages with photography and publishing. The book unfurls from a three-day conference organised by Antonio Cataldo and Adrià Julià in 2020 at the Faculty of Fine Art, Music and Design at the University of Bergen and Fotogalleriet, Oslo. The conference found common but fragile ground amid a global health crisis. From there, it managed to catapult discussion and explore in depth the need to print and publish photobooks. Each contribution discloses a unique relationship to photobooks and publishing. Together, they are a trigger for social, political and cultural demands. This book makes a collective call to action – or actions – and asks each reader to reimagine where photography is bound to go. Contributors: Terje Abusdal / Heidi Bale Amundsen / Delphine Bedel / Paul Gangloff / Erik Gant / Hans Gremmen / Cosmo Großbach / Abdul Halik Azeez / Michele Horrigan / Sohrab Hura / Kay Jun / Aglaia Konrad / Moritz Küng / Silja Leifsdottir / Hailey Loman / Catalina Lozano / Sean Lynch / Niclas Östlind / Vijai Patchineelam / Anna-Kaisa Rastenberger / Mette Sandbye / Ursula Schulz-Dornburg / Ahlam Shibli / Æsa Sigurjónsdóttir / Reyes Sisternas / Bonaventure Soh Bejeng Ndikung / Ina Steiner / Anne-Lise Stenseth / Stanley Wolukau-Wanambwa / Antonio Zúñiga.
£26.10
Silvana Enzo Mari: Drawings
Enzo Mari was an inventor of languages, a constructor of grammars - intended as methods or sets of rules -, deeming these instruments necessary to “communicate knowledge with improved quality and efficiency”.It is impossible to define his discipline or his profession: he is an artist, an industrial designer, a graphic designer, an architect, but also a theorist, a pedagogue, an intellectual, possibly a philosopher, certainly a utopian who knew how to programme quiet revolutions which are, even today, often misunderstood when not totally unknown; these are some of the many facets of a complex and revolutionary personality. The root of his design methodology, which characterises the process of all the studies he later conducted, originates in his initial research into the field of visual arts, i.e. the research into the perceptual ambiguity of three-dimensional space that he undertook in the early 1950s, when he was still a scenography student at the Brera Academy of Fine Arts. What characterises Mari’s design process is a “scientific” method made up of codes, theorems, theses, the construction of tools and instruments, tests, the comparison of models and the transcription of results deriving from his observations. This volume intend to return to the public a mnemonic atlas, a mapping system that can be used to explore and understand the complex nuances of the research conducted by Mari. Semantic research and verifications that have resulted in the programming of art, and which constitute the basis of the method that defines a process common to all the research, disciplines and utopias he pursued. Text in English and Italian.
£28.80
Silvana Cybèle Varela: Trajectories | Trajetórias
Cybèle Varela (born in Petrópolis, 1943) is one of the key figures of the New Figuration in Brazil. The essays and interview included in this volume shed new light on Varela’s emergence in the 1960s Brazilian and 1970s French art scenes. They examine her unique approach to the exploration of Pop Art visuality by considering the role played by mass culture, social and political issues, as well as transnational experiences in the making of the artist’s early production. The volume also explores Varela’s contribution to international artistic discourses, including Pop Art, Narrative Figuration, Photography and Video Art.
£27.00
Silvana Edward Steichen: The Luxembourg Bequest
In March 1985, the National Museum of Luxembourg unexpectedly received a generous bequest from the estate of Edward Steichen, the Luxembourg-born and world-renowned American photographer. The bequest comprises a total of 178 prints, including 175 photographs by Steichen himself that cover almost all aspects of his photographic oeuvre — from the pictorialist images of his early years to portraiture, fashion, advertising, landscapes, and family photographs. For the first time, this extraordinary collection is presented in a comprehensive scholarly manner, with full-page illustrations of all 178 photographs. In addition, the publication includes six new essays by five authors that deal with questions of identification, techniques, and dating of the prints as well as their conservation and preservation. They examine the provenance and impact history of the collection and compare the significance of the Luxembourg donation with other bequests made at the same time to institutions in the United States and overseas. The significance of the astonishingly large number of family photographs in the Luxembourg bequest and Steichen’s special role as a mediator of Modernism between Europe and the New World are also explored. Texts by: Kerstin Bartels Gerd Hurm, Julia Niewind, Malgorzata Nowara, Michel Polfer, Françoise Poos, Gilles Zeimet
£52.20
Silvana Pietro Consagra
The book retraces the inventive richness of Pietro Consagra (Mazara del Vallo, 1920 – Milan, 2005), one of the most seminal figures on the international art scene of the 20th century. It proposes a comparison between different moments in the artist’s creative path, thus making it possible to emphasise both the elements of continuity in his work, but also and above all the specificities of the individual periods, offering a varied panorama of his continuous reinventions of forms and his experimentation with materials. Francesca Pola identifies Consagra’s path not in a purely chronological sense, but rather according to a reading key highlighting the importance of the relationship between sculpture, space and observer: a specific focus on the “location” of the plastic presence in relation to the observer, the fulcrum of the characteristic “frontal sculpture” codified by Consagra starting from his famous Colloqui of the early 1950s and contextually theorised as early as his book Necessità della scultura (1952). Text in English and Italian.
£32.40
Silvana Marco Tirelli
The volume offers a historical-critical study on the entire career of Marco Tirelli (Rome,1956). His production - surprising and enigmatic - includes works on paper, works on canvas or wood, sculptures, installations, whose subjects always appear poised between recognisability and abstraction: the figures and scenes represented are made up of a densification of microscopic particles of colours that from a distance seem well defined, but which, when viewed from a short distance, break down. A subtle, intellectual painting, therefore, the result of an introspective investigation carried out with dedication. The same tension between illusion and reality, between light and shadow, also characterises the sculptures and installations, as documented in these pages. The volume includes a historical-critical essay by Antonella Soldaini, a conversation with the artist, a biographical note and a documentary summary. Text in English and Italian.
£43.20
Silvana Campigli and the Etruscans: A Pagan Happiness
“A pagan happiness entered my paintings in the spirit of both my subjects and work, which became freer and more lyrical”. These are the words used by Massimo Campigli himself to describe his visit to the Museum of Villa Giulia in Rome in 1928. He attributed to this event a fundamental value for the development of the mature phase of his artistic production. This catalogue compares a specific selection of Campigli’s works with Etruscan finds, with which they naturally share atmospheres, signs and colours. This innovative and learned analysis brings about the opportunity to present for the first time to the public valuable archaeological items, mostly unpublished and to date preserved in the deposits of the Soprintendenza Archeologia, Belle Arti e Paesaggio per la provincia di Viterbo e per l’Etruria Meridionale. Text in English and Italian.
£31.50
Silvana Paolo Canevari: Self-Portrait
Self-Portrait explores 30 years of artistic research by Paolo Canevari (Rome, 1963), proposing a series of sculptures, drawings and installations ranging from the first creations in the wake of Arte Povera, to those made of rubber from the 1990s, up to the more recent series Monuments of the Memory: Landscape and Constellations. The works tell of Canevari’s vision of art-making, which moves from a classical training combined with a profound conceptual research, while also animated by a strong political character. Through the use of different media and materials – with a predilection for the rubber of inner tubes and tyres – Canevari adopts a language that is sometimes brutal, often ambiguous, certainly evocative, to bring light into the dark territories of man, understood both as an individual and as humanity. His radical and subversive approach aims to stimulate a reaction in the observer, with the intention, on the one hand, of breaking prejudices and clichés, on the other of investigating personal, intimate and inner aspects in relation to the work of art and its universal meaning. The volume includes a critical text by Robert Storr, two interviews with the artist collected respectively by Robert Storr and Francesca Pietropaolo and by Shirin Neshat, and a tribute to Canevari written by late Sicilian novelist Andrea Camilleri. Text in English and Italian.
£36.00
Silvana Walter Niedermayr: Transformations
This book covers the last 20 years of artistic research by one of the leading contemporary Italian photographers: Walter Niedermayr. Through the recurring themes of his work such as Alpine landscapes, architecture and the relationship between public and private spaces, the artist’s interest in investigating places not only from a geographical but also from a social point of view is highlighted. Although in continuity with the legacy of the Italian photographic tradition, which views the landscape as the key to interpreting society, Niedermayr’s visual research is significant in terms of its ability to reinterpret this subject and renew it from both a conceptual and a formal point of view. For the South Tyrolean photographer, physical space today cannot be approached with an exclusively documentary intention, but as the pivot of a transformative relationship between ecology, architecture and society. In some of the works in the Alpine Landschaften (Alpine Landscapes) series, for example, the presence of man in the depiction of the landscape is interpreted as a parameter for measuring the proportions of Alpine panoramas, and at the same time as a political yardstick for his intervention in the metamorphosis of the natural equilibrium. This topic is also underlined in works such as Portraits, where the snow cannons filmed during the summer season – and thus inactive – become ambiguous presences residing in the landscape. Text in English and Italian.
£31.50
Silvana True Fictions: Visionary Photography from the 70s to the Present
This volume is dedicated to the phenomenon of staged photography, the trend that has revolutionised the photographic language since the 1980s. Through over 100 works, the catalogue tells how photography was able to reach the heights of fantasy and invention between the end of the 20th and the beginning of the 21st-century, previously almost exclusively entrusted to cinema and painting. Goldfish invading bedrooms, icefalls in the desert, imaginary cities, Marilyn Monroe and Lady D shopping together: all of this can happen thanks to veritable stages set up in order to build a parallel reality, or thanks to new technologies and, in particular, through the increasingly sophisticated use of Photoshop, released in 1990. Photography, the realm of documentation and (presumed) objectivity becomes the realm of fantasy, invention and subjectivity, completing the last decisive evolution of its history. Works by: Jeff Wall, Cindy Sherman, James Casebere, Sandy Skoglund, Yasumasa Morimura, Laurie Simmons, David Lachapelle, Bernard Faucon, Eileen Cowin, Bruce Charlesworth, David Levinthal, Paolo Ventura, Lori Nix, Miwa Yanagi, Alison Jackson, Julia Fullerton Batten, Jung Yeondoo, Jiang Pengyi. Text in English and Italian.
£20.70
Silvana Renaissance Impressions: Sixteenth-Century Master Prints from the Kirk Edward Long Collection
This volume presents a rich survey of the first Golden Age of European printmaking and reveals important artistic and cultural innovations spurred by the proliferation of etchings, engravings, and woodcuts. Featuring many of the era’s most extraordinary and influential prints, Renaissance Impressions includes examples in all graphic media from Europe’s major printmaking centres, which disseminated images by the period’s greatest artists, among them, Michelangelo, Raphael, and Titian. Through absorbing thematic essays and lively entries on more than 80 prints by master printmakers including Albrecht Dürer, Marcantonio Raimondi, and Hendrick Goltzius, this lushly illustrated catalogue explores the pivotal role that prints played in shaping visual culture throughout Europe during the Renaissance. Essays by Arthur J. Di Furia, Jamie Gabbarelli, Sharon Gregory.
£40.50
Silvana Alfonso Leoni: Rebel Genius. 1941-1980
This exhaustive monograph, published on the occasion of the first anthological exhibition dedicated to him, retraces the intensely lived, brief artistic career of Alfonso Leoni (Faenza, 1941-1980). An extraordinary talent, he was the protagonist of a research constantly against the mainstream, to set ceramics free from the mere technical and functional aspects and elevate it to sculptural matter. His activity - recognised with numerous prizes in the main national and international events dedicated to ceramics, such as the competitions in Faenza (first prize in 1976), Gualdo Tadino, Cervia, Gubbio, Rimini, Castellamonte, Vallauris, Nagoya-Kanazawa - was a continuous search for new stimuli and experimentation with different languages: Leoni wrote, argued, drew, painted, reused materials, designed jewels, moulded sculptures, created installations, undertook performances, worked for the ceramic industry. The text draws the figure of a “rebellious genius”, son of his time, a time of protest and avant-garde movements of the Sixties and Seventies. The result is the portrait of a worried soul, always aiming at going beyond stereotypes. Text in English and Italian.
£26.96
Silvana Islamic Metalwork from the Aron Collection
The art of metalworking has been practiced continuously ll over the world. In this, the Islamic world is no exception. But if we look at the objects unearthed at archaeological digs or in the museums and private collections that have patiently collected them over the centuries, one cannot help but be surprised by the almost infinite quantity of materials, shapes and decorations created both by renowned artists and anonymous craftsmen. Metalworking is a highly important and characteristic sector of Islamic art, and the diffusion of these works in contexts other than where they originated is highly significant evidence of this fact. There can be no doubt that these artefacts were produced by a highly-advanced and structured society whose boundaries and remarkable technical expertise we are still unable to place in wider contexts, most notably historical and social. Prof. Giovanni Curatola took the objects in the Aron Collection as a cue for a meticulous comparative study of medieval Islamic metalwork, making this book a fundamental addition to the literature on the subject.
£35.96
Silvana Paolo Ventura: Photographs and Drawings
The first extensive monograph dedicated to the work of Paolo Ventura (Milan, 1968). Ventura has established himself in the field of artistic photography, offering a singular and absolutely original interpretation of staged photography, an art form in which photography is the final product of a creative process which, in his case, involves the preparation of scenarios and mannequins: the latter, together with real characters among which the artist himself often appears, are the protagonists of his stories. In these three-dimensional settings Ventura recreates, and then fixes through photography, a mental space that refers to the atmosphere of “magical realism” and to the fairytale flavour of childhood, generating a deliberately surreal contrast with the depth of some topics involved (such as war, abandonment, memory, identity). The volume offers an overall look at the artist’s 15 years of activity, showcasing 21 series from 2005 to the present time, highlighting the evolution of his language which, in addition to photography, is also expressed through drawings. The monograph includes critical texts by Walter Guadagnini and Francine Prose, an interview with Ventura by Monica Poggi and biographical notes. Text in English and Italian.
£38.70
Silvana Gustave Courbet: The School of Nature
This book deals with the theme of landscape in a transversal way, by presenting a set of important works by Gustave Courbet (mainly from the collections of the Gustave Institute and the Courbet d’Ornans Museum) and other 19th century artists – collaborators or friends of Courbet – who have fully embraced nature and the landscape, putting them at the heart of their artistic approaches. Among other things, will be revealed the involvement of Saint-Claude’s George Besson (1882- 1971), who worked for the acquisition of Courbet’s birthplace – which would later house the museum – then that of Guy Bardone (1927-2015), donor of the collection preserved by the Abbey Museum, who would then be General Secretary of the Courbet Institute for nearly 15 years. Text in English and French.
£22.46
Silvana Formless\Form: The Non-objective Phase of Italian Photography 1935-1958
Formless\Form offers one of the first in-depth investigations on the birth of Italian experimental photography from the mid 1930s to the mid Fifties of the Twentieth century. This catalogue presents a selection of about 50 vintage and little-known original prints by 7 outstanding Italian photographers belonging to major Italian photo archives and prestigious international art collections, as well as a choice of rare photography books. The volume includes an annotated chronology of the main exhibition publications and photographic events from the mid Thirties to the end of the Fifties, an essay, as well as biographical notes on the photographers displayed in the exhibition. Photographers include: Piergiorgio Branzi (1928), Giuseppe Cavalli (1904-1961), Pasquale De Antonis (1908-2001), Franco Grignani (1908-1999), Nino Migliori (1926), Paolo Monti (1908-1982), Luigi Veronesi (1908- 1998). Texts by Antonella Russo, Silvia Paoli Text in English and Italian.
£19.80
Silvana Beyond the Ghetto: Inside & Out
Beginning with the establishment of the first ghetto in Venice in 1516, then followed by that of Rome and other cities, the Jews had to measure themselves against this circumscribed and ambivalent place, which included them in the urban perimeter and at the same time isolated them. For almost three centuries this was the space in which the Jews cultivated their identity, on the one hand preserving the characteristics of a millenary culture, while on the other drawing from the world that opened up beyond that border: the constant relationship between the “inside” and the “outside” of the ghetto walls marks the life of the Jews on the long road to emancipation. The volume is dedicated to this complex and articulated reality, availing itself of a very rich critical apparatus in dealing from every angle - historical, artistic, sociological - with a highly current problem: the concepts of resilience, integration, comparison between cultures, aspiration to being the same while remaining different.
£25.20
Silvana WoMan Ray: Seductive Photography
Man Ray, surrealist master and exponent of the Dada movement, managed to reinvent not only the photographic language, but also the representation of the body and face, as well as the genres of the nude and the portrait themselves. This book brings together around 200 photographs produced from the 1920s right up to his death in 1976, all featuring female subjects.Through rayographs, solarisations and double exposures, the female body undergoes a continual metamorphosis of forms and meanings, becoming an abstract form, an object of seduction, classical memory or realistic portrait, in endless playful and refined variations. Among the protagonists of his shots are Lee Miller, Berenice Abbott, Dora Maar and Juliet, a lifelong companion, to whom is dedicated the amazing The Fifty Faces of Juliet portfolio (1943-1944). But these women were, in turn, great artists: as evidence is presented here a corpus of works dating back to the time - between the 1930s and '40s - of their most direct association with Man Ray and with the environment of the Dada avant-garde and Parisian surrealism. This volume offers a wide survey of one of the most exuberant periods of the 20th century, with authentic masterpieces of photographic art such as the Electricité portfolios (1931) and the very rare Les mannequins. Résurrection des mannequins (1938). Text in English and Italian.
£23.85
Silvana Lisa Mara Batacchi: The Time of Discretion
The Time of Discretion is an intimate, slow and relational time. It is also an artistic project. Besides Italy, it has been developed in the remote areas on the southeast border of the Gobi Desert and in the Guizhou Province (South China), in search of rituals, ancient textile practices or together as one. The research documented here crosses experience and representation, dramatically compares East and West, advancing a dense theoretical scenario in relation to globalisation processes.
£23.85
Silvana Francesco Radino: Photographs 1968-2018
Francesco Radino (Bagno a Ripoli, Florence, 1947) is one of the masters of contemporary Italian photography. Participating in the developments of research photography on the contemporary landscape, over the course of fifty years he developed an intimate way of exploring reality in its profound economic, historical, social and cultural transformations. The volume contains the most significant works of his rich production, accompanied by numerous critical interventions and writings by Radino himself. Contributions by: Roberta Valtorta, Giovanni Arpino, Giovanna Calvenzi, Paolo Cognetti, Eleonora Fiorani, Antonella Pelizzari, Urs Stahel, Fabrizio Trisoglio, Mauro Zanchi, Francesco Radino. Text in English and Italian.
£38.70
Silvana Picasso: The Challenge of Ceramics
This book explores the great interest that Pablo Picasso had in ceramics, which he certainly didn't consider a minor art, but a means of artistic expression in its own right, like sculpture, painting and graphics. In Vallauris, at the Madoura ceramic laboratories, Picasso dedicated himself to working clay for a period of 25 years, from 1946 to 1971, producing thousands of unique pieces. This volume retraces this exceptional chapter of the Picasso's art, through 50 ceramics from the Picasso of the Musée National Picasso in Paris - a core of inestimable value, which represents almost half of the museum's large collection - placed in a fertile and unprecedented dialogue with the direct sources of his inspiration: classic ceramics with red and black figures, the Etruscan buccheri, Spanish and Italian popular ceramics, 15th century Italian graffiti, and examples of the Mediterranean area with iconographies of fish, fantastic animals, owls and birds, as well as terracottas from Mesoamerican cultures. A chapter is dedicated to the relationship between Picasso and Faenza through unpublished documents from the historical archive of the MIC, and to the historical video by Luciano Emmer of 1954 (Picasso a Vallauris). Text in English and Italian.
£22.46
Silvana The Dark Side: Who's Afraid of the Dark?
The Dark Side is a project that solicits the public on the 'dark side' that is in each of us, which manifests itself in ancestral fears such as the fear of the dark ( to which this first volume is dedicated), the fear of loneliness, the fear of time. These fears require a pause, a reflection: they destabilise, but at the same time ignite new possibilities, new thoughts, new perspectives. This volume Who's Afraid of the Dark? investigates the theme of physical and metaphorical darkness, and consequently the relationship with its opposite, light. It includes works ranging from installations, multi-sensory experiences, mixed media and large scale-works from 13 of the most important international artists such as Gregor Schneider, Robert Longo, Hermann Nitsch, Tony Oursler, Christian Boltanski, James Lee Byars up to the new protagonists of the contemporary art scene such as Monster Chetwind, Sheela Gowda, Shiota Chiharu and, among Italian artists, Gino De Dominicis, Gianni Dessì, Flavio Favelli, Monica Bonvicini. The artistic perspective is countered with the interventions by theologian Gianfranco Ravasi, physicist-theorist Mario Rasetti, psychiatrist Eugenio Borgna and philosopher Federico Vercellone, who offer a polyphonic look of great intellectual interest on this theme. The Dark Side project inaugurates Musja, a new museum in the city of Rome, which is proposed as a reference for the most innovative trends in the contemporary art scene. Text in English and Italian.
£22.46
Silvana Bernardo Bellotto 1740: A Journey to Tuscany
This volume is dedicated to Bernardo Bellotto (1722-1780), grandson of Canaletto and protagonist of 18th century landscape painting. It explores the less investigated period of the Venetian painter's life, the one preceding the successful career undertaken in the European courts starting from 1747, the year in which he moved to Dresden. In the age of the Grand Tour, the eighteen year old Bellotto visited the great Italian art cities, leaving us with exceptional views that already reveal the peculiar characteristics and modernity of his painting. This book contains precious and rare works, among which are the ones related to the itinerary followed by the painter in Tuscany in 1740, and the series dedicated to the city of Lucca, coming from the British Library in London and the York Art Gallery, along with the views of Florence and Livorno. Edited by Bozena Anna Kowalczyk, one of the greatest scholars of Canaletto and Bellotto, the volume is divided into sections introduced by texts resulting from new and unpublished historical and archival research, and is completed by a documentary appendix, bibliography and indicies. Text in English and Italian.
£22.46
Silvana Walking Through Walls
The thematic exhibition Walking Through Walls presents a contemporary panorama of the artistic responses made to the detrimental effects of human-made barriers, divisions and walls, showcasing works by Jose Dávila, Mona Hatoum, Nadia Kaabi-Linke, Christian Odzuck, Anri Sala, Regina Silveira, alongside many others. Acknowledging the location of the Gropius Bau alongside the former Berlin Wall, the exhibition offers a global perspective on the physical and psychological repercussions of coexisting in divided societies. On the occasion of the 30th anniversary of the fall of the Wall, the exhibition is a timely exploration of how barriers can articulate feelings of vulnerability and anxiety, and represent individual and collective identities. Artists: Jose Dávila, Mona Hatoum, Nadia Kaabi-Linke, Christian Odzuck, Anri Sala, Regina Silveira and others. Text in German.
£27.00
Silvana Flatform: Films and Works 2008-2019
Based on the moving image and with an important profile in the international scene, the collective artist Flatform's expressive language defies simple categorisation, naturally thriving in the exchange of multidisciplinary language. This book includes a long interview and a series of short essays covering ten years of Flatform's innovative practice, in which landscape is seen as a paradigm of contemporary complexity, outlining its original activity at the intersection between art and cinema. Text in English and Italian.
£20.70
Silvana Nino Migliori: Shapes of Reality
Nino Migliori (1926) is the most authoritative and eclectic Italian artist in the field of experimental photography: an art he has been practicing uninterruptedly since 1948, when, in his early twenties, he approached the Circolo Fotografico of Bologna - the city he was born and has always lived in - going on to become almost immediately a professional. To this day he is considered one of the masters of contemporary photography. To a production close to the so-called Italian Neorealism, he always coupled a conceptual research within the most advanced side of the European Informal. The passion for reality and the thirst for new horizons allowed the photographer to offer us images that go beyond the news photographs and, as explained by the curator Corrado Benigni, have rather the strength of icons. Text in English and Italian.
£19.80
Silvana Andy Warhol: The Alchemist of the Sixties
Painters and alchemists alike strive to transform reality into its highest expression. Thus Andy Warhol can truly be seen as a modern alchemist - capable, by means of his art, of transforming matter into shape as it meets colour and surface, only to merge with light and supreme beauty. This volume retraces the creative universe of the Father of Pop Art through 140 works of art: masterpieces ranging from his most famous icons - Jackie and John F. Kennedy, Marilyn Monroe - to a critical observation of contemporary society via the serial reproduction of consumer products and the analysis of other aspects of daily life such as music or the sexual revolution. Text in English and Italian.
£26.96
Silvana Italian Olive Oil Tins: Guatelli Collection
The Guatelli Collection is the most important collection of tin boxes for olive oil, from those for export to the ones destined for the domestic market, produced between the end of the nineteenth century and the end of the Second World War. The prestige of the collection lies in the fact that it features the first cliches that served as a reference for the print of the entire production: they are a clear testimony of how, in the late nineteenth and twentieth centuries, in Liguria and particularly in the city of Imperia, as a result of the increase in the production of olive oil, establishments were set up to provide lithographed tinplate packagings for the Italian exporting industry. So began the happy marriage between technological and industrial progress and artistic research that led to excellent results, not only from the commercial point of view but also as a means of transmitting the taste and the new languages of art, which were allowed to reach an ever wider audience. Text in English and Italian.
£30.60
Silvana Murray and Isabella Rayburn Foundation
Considering the activity of the numerous foundations that contributed in spreading new expressive languages, today appears to be a fundamental operation in view of an interpretative widening of art history.Starting from this consideration, this publication - in two volumes - traces the path of the Murray and Isabella Rayburn Foundation, established in New York in 1982 with the aim of promoting Italian art in the United States.
£47.70
Silvana Dancing Peasants at a St. Sebastian's Kermis: A Rediscovered Painting by Pieter Bruegel the Elder
After it first surfaced in public, Dancing Peasants at a St. Sebastian's Kermis was recognised as a work by Pieter Bruegel the Elder, among others by Max Friedländer, the great connoisseur of Flemish painting. However, after it entered the collection of Baroness Bentinck-Thyssen-Bornemisza, the scholarly interest in the painting diminished. When it reappeared many decades later on the art market in a heavily restored condition, its artistic qualities could no longer be appreciated. Only after a recent judicious conservation treatment, a scientific examination of its materials and a new evaluation of its painting technique and style, the painting can be returned to one of the greatest masters of Western art history, Pieter Bruegel the Elder.
£22.46
Silvana The Haukohl Family Collection: Beyond the Medici
The Haukohl Family stands in the wake of a lasting tradition of European and American collecting practices for the benefit of future generations. Published to accompany an exhibition at the Luxembourg National Museum of Art, October 2018 to February 2019. For six generations the Haukohls have collected art, rare books, drawings, sculpture and textiles. It has been the fulfilling result of a Milwaukee-based American Midwestern family who has had equal determination and always with an eye towards acquiring fine art for the benefit of the future generations. This book presents masterworks of Italian painting and sculpture from the 16th through 18th centuries drawn from the largest private American collection of Florentine Baroque painting, featuring works by key artists such as Cesare Dandini, Jacopo da Empoli, and Francesco Furini.
£31.50
Silvana Syria Matters
A look on the multifaceted layers of Syria's architectural and cultural history from its pre-Islamic past onward. For more than seven years, Syria has been undergoing one of the worst human tragedies worldwide. This once proud and splendid country, with its fabled cities of Damascus and Aleppo, has been largely destroyed. Great parts of its population have been forced to leave, which has led to one of the major refugee migrations of recent history. Syria's fate affects everyone, especially its neighbours in the Middle East. It is for this reason that the Museum of Islamic Art in Doha has chosen to draw attention to Syria's unique cultural heritage, illuminating its key role in artistic and intellectual world history and, at the same time, seeking to safeguard the irreplaceable legacy that is in such danger.
£35.96
Silvana Maurizio Galimberti: Around Enrico Coveri
Polaroid photographer Maurizio Galimberti ventured into the archives of fashion maison Enrico Coveri, where he found the buried traces of a genius. Enrico Coveri was to Andy Warhol what Francesco Martini Coveri is to Maurizio Galimberti. Complicity with a very high rate of creativity. Unlike Warhol, Maurizio Galimberti never had a chance to meet Enrico. But, he's meeting him today, thanks to Francesco's powerful intuition, in a remake of the creative universe through that unmistakable language, which propelled Galimberti to reach the world's top in photography. Text in English and Italian.
£31.50
Silvana Pino Pinelli: Painting Beyond the Limit
Pinelli's painting offers the image of an energy source that seems to arise spontaneously from the spirit of the place. Considered today as work that moves in real space with the lightness of a gesture that suddenly takes shape, depositing itself on the walls of places in which it happens to be, Pino Pinelli's painting offers the image of an energy source that seems to arise spontaneously from the spirit of the place, displaying its infinite possibilities of being, breathing, imagining, and generating new solutions; the fruit, as Pinelli's friend, the poet Carlo Invernizzi, said in one of his first interventions dedicated to the artist at the end of the 1980s, "of an irrepressible yearning to be de-localised, so as to be a wandering centre on the margins and beyond the boundaries in a prefiguration of the world that is created as a possibility of the boundlessness." In this, Pinelli's painting never fails to go beyond the sensory perception one can have of space, of material-colour, even beyond the idea of painting itself. Text in English and Italian.
£26.96
Silvana Italian Tin Signs: 1890-1950
The volume traces the history of tin signs in Italy from their birth to their diffusion, from 1890 to 1950, using a selection of almost one thousand works. novel and exciting journey that will allow the reader to grasp the essential difference between a tin sign and an advert on paper: what varies is not only the support, in reality, but also its function as an advertising instrument and its various fields of application. Alongside an army of anonymous designers and illustrators and other sometimes better-known painters, we find the names of the great poster artists of the era - Cappiello, Dudovich, Mauzan, Sepo - who sign off these little big masterpieces in tin, using vivacious and brilliant colours. Text in English and Italian.
£31.50
Silvana Frightening Faun!: Images of the Faun, from Antiquity to Picasso
Between myths and representations, this book explores the different sides of this mysterious creature: hybrid, mischievous, erotic -in creating a dialogue between works of different centuries and techniques. The exhibition shows the extent to which the subject has always fascinated and inspired artists. Presenting 170 works - paintings, sculptures, sketches, etchings and ceramics - dating from the 5th century BC to the 20th century, the volume includes playful, tender or childlike representations of the faun created by Picasso, which he began during his stay in Antibes in 1946. Text in English and French.
£31.50
Silvana Maurizio Galimberti: San Nicola reMade
San Nicola reMade: nine thousand Polaroid films by Maurizio Galimberti that recreate the mystical splendour of the Cappellone di San Nicola in Tolentino through a contemporary mosaic. A one-of-a-kind work in the history of photography, for its technique and difficulty, begun in 2010 and continued even after the earthquake of 2016. Text in English, Italian and French.
£27.00
Silvana Marino Marini. Visual Passions: Encounters with Masterworks of Sculpture from the Etruscans to Henry Moore
This catalogue examines the sculpture of Marino Marini (1901-1980) with the methods of art historical enquiry for the first time. The myths that have gathered around Marini (the artist-potter, the reborn Etruscan, the Tuscan primitive, modern despite himself) have distorted our reading of his work and segregated him from history. Marini is here returned to the context of twentieth-century European sculpture, against which he continually measured himself. His work is also viewed in the light of the ancient sculpture which was for him a constant object of meditation and source of inspiration. Three essays evaluate major historiographic questions that surround Marini: his place in Italy's art system in the 1930s and 1940s; the critical art writing that shaped the Marini myth in his lifetime; his archaeological sources. The second part of the catalogue, in eight chapters, looks at specific aspects and periods, from the early work to the 1960s, tracing the development of style and content in Marini's sculpture. The catalogue closes with the first exhaustive compilation of Marini's own statements and interviews on the poetics of his work, from 1935 to 1973.
£26.96
Silvana Giosetta Fioroni: The 60s in Rome
The volume describes the life, encounters and artworks of a great season in Italian art through the creative path of Giosetta Fioroni During the 1960s in Rome, the artist Giosetta Fioroni discovered her language of expression by combining her passion for literature with her passion for painting. She merged the perturbations of Informal Art with notions of emerging Pop Art - becoming one of its prominent figures. Silver is the colour characterising Giosetta Fioroni's paintings from that decade. And indeed it represents the artist's unmistakable 'trademark' - to the point of overshadowing the linguistic and emotional apprehensions populating her works and the events in her life before and after those happy and acknowledged times. This book, edited by Marco Meneguzzo and Piero Mascitti, portrays the complexity of an artist within the expressive abundance of a time and a city. A time and a city so stratified at a cultural level as to have more than one surprise in store for historical and critical analysis.
£35.96
Silvana Magnum: La première fois
François Hébel, who then was the Director of Rencontres photographiques d'Arles, requested Magnum photographers to recall their 'first time' - namely that delicate moment of transition that 'distinguished' them and that marked an actual turning-point in their artistic careers. The Magnum: La première fois volume has been inspired by the turning points identified, and recalls - thanks to the series of photographs by Abbas, Christopher Anderson, Olivia Arthur, Bruno Barbey, Cornell Capa, Robert Capa, Chien-Chi Chang, Bruce Gilden, Harry Gruyaert, David Alan Harvey, Thomas Hoepker, Richard Kalvar, Peter Marlow, Susan Meiselas, Paolo Pellegrin, Gueorgui Pinkhassov, Eli Reed, Jacob Aue Sobol, Larry Towell and Alex Webb - the particular moment in which artists distance themselves from their teachers and come up with a language, an aesthetic form and a grammar that are theirs and theirs alone. The moment in which their concept of photography, together with their commitment, acquire meaning and individuality for the first time. Text in English and Italian.
£22.46
Silvana Mario Dondero
Altidona is a small town in the province of Fermo, nestled among the hills of the Marche region. Here, in a room on the first floor of a mid-twentieth century building, is preserved the archive of Mario Dondero. It is a common belief that Mario Dondero, this poet and photographer, this dreamy, homeless globetrotter, did not care about the fate of his photographs. Once their informative function was exhausted in the newspapers, he left them in newsrooms or at a friend's house, already out to recount other slices of life, never prone to the sedentary work of image cataloging. Yet there is an archive, as rich as a sixty-years long career implies. A wealth of documents - thousands of slides, prints, negatives, contact sheets - that the photographic library of Altidona is patiently collecting, and of which a small anthology is offered in this book. Bright and beautiful images that tell of Italy and other countries, intellectuals, actors and especially the ordinary people, reflecting the sensitivity and poetry of a man who was an irreducible interpreter of the moral tension that marked the creative thought of the late twentieth century. Text in English and Italian.
£26.96
Silvana Architects Atlas
The third volume of the 'Quaderni' presents the reflections of the architect-professors who comprise the Faculty Board of the Mendrisio Academy of Architecture-Universita della Svizzera italiana.
£33.30
Silvana Alechinsky: Marginalia: Plume et pinceau
Legendary Belgian artist Pierre Alechinsky (born 1927), originally trained in printing and etching, is best known for his work as a painter, associated with European Tachisme and the Cobra group. Pierre Alechinsky: Marginalia highlights an aspect of the artist's work that is perhaps less familiar: his long-standing interest in the illustrated book. This fascination has fed Alechinsky's collaborative projects with writers and his incorporation of 'marginal remarks' into his own monumental paintings over many years. Maintaining a deep engagement with the written word in literary and painting contexts, Alechinsky has worked with writers such as André Breton, Eugene Ionesco, Christian Dotremont, Roger Caillois, Hélène Cixous, Joyce Mansour, Michel Butor, Hugo Claus, E.M. Cioran, Marcel Moreau, Pierre-Andre Benoit and Roland Topor. Pierre Alechinsky: Marginalia presents Alechinsky in three characteristic modes - as reader, illustrator and artist. Text in English and French.
£31.97