Search results for ""louisiana""

The mother as motif in art and literature, from prehistoric fertility goddesses to the Madonna and Child and beyond Ushering us into the world, our mother is our physical and cultural wellspring. Even if she is lost or absent, we are all sons and daughters. Throughout history and across cultures, the role of the mother has shifted, expanding at times and narrowing at others, as traditional family structures are by turns questioned and reinforced. This volume of art and literature on the many representations of the mother figure in art history ranges across religion, music, film and medicine. Excerpts, essays and poems by Marcel Proust, Maggie Nelson, Rachel Cusk, Lydia Davis, Gustave Flaubert, Sylvia Plath and Hans Christian Andersen meditate on motherhood alongside a wealth of visual material. Although the volume’s main focus is on 20th-century and 21st-century art, Mother! Origin of Life reaches back through history to trace artistic motifs from the prehistoric era to Ancient Greece to the Renaissance, noting how contemporary artists continue to tap into such universal themes. Between more than 150 artworks, expert texts and a short anthology of motherhood in literature, this publication reveals how depictions of motherhood in the arts have been linked to broader cultural perceptions. Artists include: Sophie Calle, Mary Cassatt, Rineke Dijkstra, Laure Prouvost, Frida Orubapo, Tracey Emin, Alberto Giacometti, Mary Kelly, René Magritte, Alice Neel and Pablo Picasso.

Read more less

A sweeping journey through the roaring art and culture of the Weimar Republic At the center of this volume are the Neue Sachlichkeit (New Objectivity) artists—Otto Dix, George Grosz and Albert Renger-Patzsch—and the groundbreaking photographer August Sander, in particular his famed series People of the 20th Century, which portrayed both prominent and anonymous Germans from all parts of society in a simple and matter-of-fact pictorial style. Sander and the Neue Sachlichkeit artists both pursued an anti-Expressionist aesthetic, embracing social engagement and a rejection of romantic idealism. The Cold Gaze also looks at the extraordinary writers associated with the Weimar Republic, such as Vicki Baum, Bertolt Brecht, Alfred Döblin, Hans Fallada, Erich Kästner and Christopher Isherwood. Further points of focus by a range of contributing writers include Germany’s Americanization during this period; Marcel Breuer’s innovations in furniture design; the invention and ascent of the Futura font; the Weimar cult of technology; and much more. This richly illustrated catalog unfolds a period that was at once euphoric and harsh, an extraordinary moment in modernity birthed in the shadows between two world wars.

Read more less

Adventures in bronze from acclaimed Danish artist Per Kirkeby Danish multimedia artist Per Kirkeby (1938-2018) combines nature and the human body in his bronze sculptures. The Louisiana Museum of Art presents Bronze, the first book to focus entirely on Kirkeby’s bronze sculptures and his inspirations—including works by Rodin, ancient myths and the female body.

Read more less

An ingenious and collectible book-as-poster documenting Prince’s half-century of image appropriation For aficionados of Richard Prince (born 1949) and of the possibilities of the book form, this unique exhibition catalog is an exclusive three-in-one kind of publication. Designed in the dimensions of a 12-by-12-inch LP record and housed in a plastic sleeve, when unfolded it transforms into a two-sided (one English, one Danish) poster with a richly illustrated collage of works by Prince from across his career (including his famous "rephotographs"), plus two in-depth texts on Prince’s oeuvre by the curators Nancy Spector and Anders Kold. A defining figure of the Pictures Generation, Prince is famed for his radical acts of appropriation, which have taken many turns across the course of his five-decade career. His visual world, encapsulated in this innovatively designed volume, offers a remarkably consistent portrait of late 20th-century America.

Read more less

Chronicling the truncated career of a pioneering 20th-century Danish painter and sculptor Jens Adolf Jerichau (1890–1916), best known for his large figurative compositions inspired by the Bible and art history, left a distinct imprint on Danish art with his brief but influential career. This catalog is the biggest presentation of Jerichau’s work to date.

Read more less

The eerily prescient work of a near-forgotten Japanese artist, whose 1960s and ’70s sculptures anticipate contemporary ecological anxieties Contemplating Japanese artist Tetsumi Kudo’s (1935-90) work in the 21st century provokes a sense of the uncanny on multiple levels: grotesquely beautiful on their own, his abject sculptures seem to foretell today’s environmental concerns with their depictions of ecological decay. Born in Osaka, Kudo’s life was greatly impacted by the aftermath of the atomic bomb in 1945; this trauma compounded by the Vietnam War’s ever-present atmosphere of destruction led to a consistent focus on dystopia and decomposition in his work. Kudo’s fluorescent birdcages and blacklight terrariums are furnished with an assortment of sculptures and found objects: melted plastic flowers, colorful phallic chrysalises and dismembered resin body parts come together to convey a distinctly modern anxiety in regard to our ailing world. Kudo’s work does not intend to provide comfort in the midst of crisis; rather, his pieces urge viewers to reflect on how we may or may not continue to survive in a world that we ourselves have ruined through pollution and consumerism. As the artist’s work reaches a peak of topicality, this volume presents a focused selection of Kudo’s pieces from the 1960s and 1970s that demonstrate a postwar awareness of the atomic bomb’s effect on reproduction and the environment.

Read more less

Black light: a concise introduction to the beloved modernist and fabled painter Georgia’s most famous artist, Niko Pirosmani (1862–1918) is a fabled figure in the story of early modernism. The painter, self-taught and penniless during his lifetime, was heralded posthumously for his "naive" style. Pirosmani’s paintings are simple—blunt, colorful depictions of rustic scenes gleaming against black canvas backgrounds, extraordinary icons of glowing intensity. This exhibition catalog showcases around 50 rarely seen Pirosmani masterpieces alongside a historical text on the artist written in 1926 by Kirill Zdanevich (who "discovered" Pirosmani); a fictional (but historically accurate) essay discussing Tbilisi as the Paris of Pirosmani’s age by the Danish art historian and writer, Kaspar Thormod; an interview with the Georgian art historian Nana Kipiani and her artist husband Levan Chogoshvili by Swiss curator Daniel Baumann; and reflections on the artist by contemporary artists Thea Djordjadze, Mamma Andersson and Tal R.

Read more less

With a vast selection of works from the last two decades and Polaroids of the artist's studio, this mid-career catalog provides unique perspective on Schutz's oeuvre and methods Dana Schutz is one of the great figurative painters of our time—an eminent storyteller who depicts people in complex and often gigantic compositions. For two decades now, Schutz has distinguished herself with her tremendous narrative power, vigorous sense of color and ability to merge the gruesome, grotesque, absurd and comic. This richly illustrated catalog presents paintings, drawings, prints and sculpture, providing an overview of Schutz's entire career to date. Alongside a thorough analysis of Schutz's work by curator Anaël Pigeat, it presents a studio visit described in detail by art critic (and friend of the artist) Jarrett Earnest, whose text is accompanied by Polaroids of the studio that unfold Schutz’s working methods. Also featured is a conversation between curator Anders Kold and the artist, and a poetic essay by award-winning author Lauren Groff. Dana Schutz was born in 1976 in Livonia, Michigan, and received her BFA from the Cleveland Institute of Art, Ohio, and her MFA from Columbia University, New York. She lives and works in Brooklyn, New York. Recent solo museum exhibitions include Dana Schutz: Eating Atom Bombs held at the Transformer Station, Cleveland, Ohio (2018), which debuted a series of paintings by the artist; an exhibition of new work at the Institute of Contemporary Art, Boston (2017); a career survey at the Musée d’art contemporain de Montréal (2015); and a solo exhibition at the Hepworth Wakefield, England (2013), which traveled to the kestnergesellschaft, Hanover, Germany (2014).

Read more less

For over four decades, John Coykendall's passion has been preserving the farm heritage of a small community in rural southeastern Louisiana. A Tennessee native and longtime master gardener at Blackberry Farm, Coykendall has become a celebrity in a growing movement that places a premium on farm-to-table cuisine with locally sourced, organic, and heirloom foods and flavors. While his work takes him around the world searching for seeds and the cultural knowledge of how to grow them, what inspires him most is his annual pilgrimage to Louisiana. Drawn to the Washington Parish area as a college student, Coykendall forged long-lasting friendships with local farmers and gardeners. Over the decades, he has recorded oral histories, recipes, tall tales, agricultural knowledge, and wisdom from generations past in more than eighty illustrated and handwritten journals. At the same time, he has unearthed and safeguarded rare varieties of food crops once grown in the area, then handed them back to the community. In Preserving Our Roots: My Journey to Save Seeds and Stories, Coykendall shares a wealth of materials collected in his journals, ensuring they are passed on to future generations. organised by season, the book offers a narrative chronicle of Coykendall's visits to Washington Parish since 1973. He highlights staple crops, agricultural practices, and favourite recipes from the families and friends who have hosted him. Accompanied by a rich selection of drawings, journal pages, and photographs, along with over forty recipes, Preserving Our Roots chronicles Coykendall's passion for recording foods and narratives that capture the rhythms of daily life on farms, in kitchens, and across generations.

Read more less

A sweeping historiographical collection, Reinterpreting Southern Histories updates and expands upon the iconic volumes Writing Southern History and Interpreting Southern History, both published by Louisiana State University Press. With nineteen original essays co-written by some of the most prominent historians working in southern history today, this volume boldly explores the current state, methods, innovations, and prospects of the richly diverse and transforming field of southern history. Two scholars at different stages of their careers coauthor each essay, working collaboratively to provide broad knowledge of the most recent historiography and an expansive vision for historiographical contexts. This innovative approach provides an intellectual connection with the earlier volumes while reflecting cutting-edge scholarship in the field. Underlying each essay is the cultural turn of the 1980s and 1990s, which introduced the use of language and cultural symbols and the influence of gender studies, postcolonial studies, and memory studies. The essays also rely less on framing the South as a distinct region and more on contextualizing it within national and global conversations. Reinterpreting Southern Histories, like the two classic volumes that preceded it, serves as both a comprehensive analysis of the current historiography of the South and a reinterpretation of that history, reaching new conclusions for enduring questions and establishing the parameters of future debates.

Read more less

The name ""Suzanne Perron"" is synonymous with exquisite detail. Her expertly tailored gowns -- worn at the elaborate balls of Mardi Gras and down the aisle at New Orleans weddings -- draw from the legacy of couture design. After years working alongside Vera Wang, Carolina Herrera, Anna Sui, and Ralph Rucci in New York, Louisiana native Perron returned home in 2005 to open her own custom design business, specializing in once-in-a-lifetime gowns for brides, debutantes, and Mardi Gras royalty. Designing in Ivory and White captures the rise of this talented designer, from her first Singer sewing machine to her success on Seventh Avenue to her post-Katrina move to a city in need of ""something beautiful,"" as well as her design technique and meticulous craft. In addition to her personal story, Perron shares her process from the inside out, including: methods for creating crinolines and foundations; using draping and pattern making to transform a sketch into a three-dimensional form; manipulating fabric into pleats, pintucks, and folds; and hand sewing intricate beading, lace, embroidery, and flawless hems.Her techniques and breathtaking artistry are realized through a showcase of sixteen Suzanne Perron designs. Full-length and detail shots illustrate Perron's gorgeous silhouettes and masterful handwork. Each gown also has a story that illuminates the client experience from the first sketch to the final fitting.Designing in Ivory and White serves as a testament to the ambition and skill required to design unique dresses, and will provide inspiration for independent designers, sewing hobbyists, and all who admire couture fashion.

Read more less

In the early years of the nineteenth century, the burgeoning cultural pride of white Creoles in New Orleans intersected with America's golden age of print, to explosive effect. Imagining the Creole City reveals the profusion of literary output -- histories and novels, poetry and plays -- that white Creoles used to imagine themselves as a unified community of writers and readers.Rien Fertel argues that Charles Gayarré's English-language histories of Louisiana, which emphasized the state's dual connection to America and to France, provided the foundation of a white Creole print culture predicated on Louisiana's exceptionalism. The writings of authors like Grace King, Adrien Rouquette, and Alfred Mercier consciously fostered an image of Louisiana as a particular social space, and of themselves as the true inheritors of its history and culture. In turn, the forging of this white Creole identity created a close-knit community of cosmopolitan Creole elites, who reviewed each other's books, attended the same salons, crusaded against the popular fiction of George Washington Cable, and worked together to preserve the French language in local and state governmental institutions. Together they reimagined the definition of ""Creole"" and used it as a marker of status and power.By the end of this group's era of cultural prominence, Creole exceptionalism had become a cornerstone in the myth of Louisiana in general and of New Orleans in particular. In defining themselves, the authors in the white Creole print community also fashioned a literary identity that resonates even today.

Read more less

New Roads and Old Rivers captures the natural and cultural vitality of Pointe Coupee Parish, Louisiana, as seen in the stunning photographs of Richard Sexton, with text by Randy Harelson and Brian Costello. Pointe Coupee is one of the oldest settlements in the Mississippi Valley, dating to the 1720s. French for ""a place cut off,"" the name refers to the area's three oxbow lakes, separated from the Mississippi over centuries. Edged by the Mississippi and Atchafalaya rivers, Pointe Coupee remains a land rich in Creole heritage, distinct in geographical beauty, and abounding in historic homes and farms. In 200 color images, Sexton artistically portrays the region's sights: Native American mounds, bayous and lakes, productive agricultural fields and industries, slave cabins and plantation homes, small towns, and family and civic celebrations. Photographs include most of Pointe Coupee's seventy surviving antebellum structures, along with some of its sixty-two massive trees listed on the Live Oak Society register. A timeline of key events situates the parish's history within the wider world. From the Pointe Coupee Coast -- where in the early 1700s explorers, soldiers, missionaries, colonists, and enslaved and free people of color began settling the banks of the Mississippi River- to the Acadiana Trail- US-190, the only four-lane highway in the parish- New Roads and Old Rivers illuminates the history and cultural foundations of the entire state. This arresting portrait of Old Louisiana honors Pointe Coupee generations, past and present.

Read more less

Finalist for the Lincoln Prize!Traditional histories of the Civil War describe the conflict as a war between North and South. Kenneth W. Noe suggests it should instead be understood as a war between the North, the South, and the weather. In The Howling Storm, Noe retells the history of the conflagration with a focus on the ways in which weather and climate shaped the outcomes of battles and campaigns. He further contends that events such as floods and droughts affecting the Confederate home front constricted soldiers' food supply, lowered morale, and undercut the government's efforts to boost nationalist sentiment. By contrast, the superior equipment and open supply lines enjoyed by Union soldiers enabled them to cope successfully with the South's extreme conditions and, ultimately, secure victory in 1865. Climate conditions during the war proved unusual, as irregular phenomena such as El Niño, La Niña, and similar oscillations in the Atlantic Ocean disrupted weather patterns across southern states. Taking into account these meteorological events, Noe rethinks conventional explanations of battlefield victories and losses, compelling historians to reconsider long-held conclusions about the war. Unlike past studies that fault inflation, taxation, and logistical problems for the Confederate defeat, his work considers how soldiers and civilians dealt with floods and droughts that beset areas of the South in 1862, 1863, and 1864. In doing so, he addresses the foundational causes that forced Richmond to make difficult and sometimes disastrous decisions when prioritizing the feeding of the home front or the front lines. The Howling Storm stands as the first comprehensive examination of weather and climate during the Civil War. Its approach, coverage, and conclusions are certain to reshape the field of Civil War studies.

Read more less

Help Me, Information is propelled by the speed and motion of the poems that define earlier acclaimed books by David Kirby, poems that move the way the mind does on a good day, puddle-jumping from one topic to another and then coming in for a nice soft landing. Colloquial in tone, balancing narrative breadth with precise detail, Kirby's poetry displays his voracious curiosity about history, science, literature, and popular culture. Yet here he also reinvents himself with poems that recall the compactness of Jack Gilbert, the sweep of Allen Ginsberg, and the introspection of Frank O'Hara.Help Me, Information presents a fresh Kirby, familiar yet new.

Read more less

After D-Day is one of a small but growing body of works that examine the Allied liberators of France. This study focuses on both the French experience of the U.S. Army and the American soldiers' reaction to the French during the liberation and its immediate aftermath. Drawing on French and American archival materials, as well as dozens of memoirs, diaries, letters, and newspapers, Robert Lynn Fuller follows French and American interactions, starting in the skies over France in 1942 and ending with the liberation of Alsace in 1945. Fuller pays special attention to French life in the war zones, where living under constant shelling offered a miserable experience for those forced to endure it. The French stoically withstood those travails-sometimes inflicted by the Americans-when they saw their sacrifices as the price of liberation and victory over Germany. As Fuller shows, when the French did not believe afflictions brought by the Americans advanced the cause of success, their tolerance waned, sometimes dramatically. Fuller maintains that the Allied bombing of France was an important yet often overlooked chapter of World War II, one that inflicted more death and destruction than the ground war still to come. Yet the ground campaign, which began with the Allied invasion of Normandy, unleashed enormous violence that killed, injured, or rendered homeless tens of thousands of French civilians. Fuller examines French and American records of the fate of civilians in the principal battle zones, Normandy and Lorraine, as well as in overlooked liberated regions, such as Orl?®anais and Champagne, that largely escaped widespread damage and casualties. Despite French gratitude toward the Americans for the liberation of their country, relations began to cool in the fall and winter of 1944 as progress on the battlefield slowed and then appeared to reverse with the German offensive in the Ardennes. Revealing in stark detail the experiences of French civilians with the American military, After D-Day presents a compelling coda to our understanding of the Allied conquest of German-occupied France.

Read more less

Gregory S. Taylor's Central Prison: A History of North Carolina's State Penitentiary is the first scholarly study to explore the prison's entire history, from its origins in the 1870s to its status in the first decades of the twenty-first century. Taylor addresses numerous features of the state's vast prison system, including chain gangs, convict leasing, executions, and the nearby Women's Prison, to describe better the vagaries of living behind bars in the state's largest penitentiary. He incorporates vital elements of the state's history into his analysis to draw clear parallels between the changes occurring in free society and those affecting Central Prison. Throughout, Taylor illustrates that the prison, like the state itself, struggled with issues of race, gender, sectionalism, political infighting, finances, and progressive reform. Finally, Taylor also explores the evolution of penal reform, focusing on the politicians who set prison policy, the officials who administered it, and the untold number of African American inmates who endured incarceration in a state notorious for racial strife and injustice. Central Prison approaches the development of the penal system in North Carolina from a myriad of perspectives, offering a range of insights into the workings of the state penitentiary. It will appeal not only to scholars of criminal justice but also to historians searching for new ways to understand the history of the Tar Heel State and general readers wanting to know more about one of North Carolina's most influential-and infamous-institutions.

Read more less

This Tilted World Is Where I Live gathers one hundred poems by Henry Taylor, drawing on over fifty years of published work by this witty, adept, and vital literary voice. Seventy-five poems appear from his previous books, spanning from The Horse Show at Midnight (1966) through The Flying Change (1985), which won the Pulitzer Prize in Poetry, to his latest volume, Crooked Run (2006). The book opens with twenty-five recent poems collected for the first time.From the beginning, Taylor has worked in both traditional and more open forms, avoiding rigid allegiance to either mode as he has responded to the world around him, from the horse farm in Virginia where he grew up, to the deserts around Santa Fe, New Mexico, where he and his wife Mooshe have lived for the past several years. In tones and moods ranging between grief and explosive hilarity, these poems confront a consistent set of themes. Taylor has long been drawn to considerations of what we mean by loving one another, how violence can intrude without warning into innocent lives, and how the things we have always seen can change with the passage of time. Gwendolyn Brooks once wrote that he ""is a truly important poet. Familiar and strange."" This Tilted World Is Where I Live offers an invaluable encapsulation of Taylor's knack for crafting poems that are not only fun but also instructive in the art of paying attention- of which he is a master.

Read more less

Drawing on over fifty years of research and study, archaeologist Jon L. Gibson comes to well-founded yet bold conclusions about the Archaic mounds in the Lower Mississippi Valley and the peoples who made them. Examining topics ranging from the architectural incorporation of cosmic cycles and standard measures to traditional native myths and magical beliefs, Archaic Earthworks of the Lower Mississippi Valley is the definitive study of the history and ethos of a much-debated era.

Read more less

Challenges prevailing ways of thinking about the impact of the Civil War on the American South. Above all, Gaines Foster's work encourages Americans to confront the new divisions within their society even as they wrestle with old national - not just southern - failings.

Read more less

dark // thing is a multifaceted work that explores the darkness/otherness by which the world sees Black people. Ashley M. Jones stares directly into the face of the racism that allows people to be seen as dark things, as objects that can be killed/enslaved/oppressed/devalued. This work, full as it is of slashes of all kinds, ultimately separates darkness from thingness, affirming and celebrating humanity.

Read more less

More Than This, like David Kirby's previous acclaimed collections, is shot through with the roadhouse fervor of early rock 'n' roll. Yet these rollicking poems also contain an oceanic feeling more akin to the great symphonies of Europe than the two-minute singles of Little Richard and other rock pioneers, as Kirby seeks to startle, to please, to unwind the knots that we get ourselves into and make it possible to being anew. Little goes unnoticed in these poems: death is present, along with love, friendship, food, religious ardor and philosophical skepticism, nights on the town and quiet evenings at home. With More Than This, his twelfth collection, Kirby takes readers back in time and out in space, offering quiet wisdom and a sense of the endless possibilities that art and life give us all.

Read more less

White, black, and Native American women in the early South often viewed motherhood as a composite of roles, ranging from teacher and nurse to farmer and politician. Within a multicultural landscape, mothers drew advice and consolation from female networks, broader intellec-tual currents, and an understanding of their own multifaceted identities to devise their own standards for child rearing. In this way, by con-structing, interpreting, and defending their roles as parents, women in the South maintained a certain degree of control over their own and their children's lives. Focusing on Virginia and the Carolinas from 1750 to 1835, Katy Simpson Smith's widely praised study examines these maternal practices to reveal the ways in which diverse groups of women struggled to create empowered identities in the early South.We Have Raised All of You contributes to a wide variety of historical conversations by affirming the necessity of multicultural- not simply bi-racial- studies of the American South. Its equally weighted analysis of white, black, and Native American women sets it distinctly apart from other work. Smith shows that while women from different backgrounds shared similar experiences within the trajectory of motherhood, no universal model holds up under scrutiny. Most importantly, this book suggests that parenthood provided women with some power within their often-circumscribed lives. Alternately restricted, oppressed, belittled, and enslaved, women sought to embrace an identity that would give them some sense of self-respect and self-worth. The rich and varied roles that mothers inherited, Smith shows, afforded women this empowering identity.This paperback edition includes a new preface by Smith that examines the power of storytelling, and the ways in which we think and talk about the past. No one, she suggests, is better suited to tell our collective story than our mothers.

Read more less

Hybrid Creatures, Matthew Baker's sharp and innovative collection, follows four very different protagonists as they search for, and struggle with, connection: an amateur hacker attempts to track down his vanished mentor; a math prodigy, the child of divorced parents, struggles with being torn between his two families; a composer takes a spontaneous trip to Nashville while mourning his husband's death and gets trapped on a hotel rooftop with a hipster; and a wayward philosopher accepts a job working for an industrial farming corporation. Through-out, Baker explores the inner dialogue of failed, floundering, and successful bonds between strangers, among family and friends, and even within a person. Pairing the emotional pursuit of connection with multiple forms of communication, Baker weaves the languages of HTML, mathematics, mu-sical notations, and propositional logic into his storytelling in order to unveil nuances of experiences and emotions. This poignant formal invention articulates loneliness, grief, doubt, and comfort in ways that are inaccessible through traditional language alone.In both form and content, Baker captures the complexities of breaking and forming connections with other people, and the various lan-guages we use to navigate this inescapable human need, resulting in a moving exploration of interpersonal bonds.

Read more less

Over sixty years after his death, Wallace Stevens remains one of the major figures of American modernist poetry, celebrated for his masterful style, formal rigor, and aesthetic investigations of the natural, political, and metaphysical worlds. In Making the Poem, noted Stevens scholar George S. Lensing explores the poet's progress in the creation of his body of work, considering its development, composition, and reception.Drawing on little-known sources and nuanced readings of Stevens' texts, Lensing expands the customary view of the poet's creative approaches. This wide-ranging study extends from the origins and overlapping themes of well-known poems through the social and political backgrounds that marked Stevens' work to the prosodic and musical elements central to his style. Making the Poem features a dynamic new reading of the important early poem ""Sea Surface Full of Clouds""- viewing it alongside his wife Elsie's journal describing the sea voyage that inspired the poem- and an extensive, multiperspective treatment of the widely anthologized ""The Idea of Order at Key West,"" as well as a careful excavation of the poem ""Mozart, 1935"" in the context of the U.S. Great Depression. Lensing concludes with a discussion of the gradual (and sometimes reluctant) recognition Stevens' work received from poets and critics in Great Britain and Ireland. Stemming from decades of research and writing, Making the Poem: Stevens' Approaches presents a holistic view of his creative achievements and a wealth of new material for readers to draw upon in their future encounters with the poetry of Wallace Stevens.

Read more less

Throughout the Civil War, irregular warfare, including the use of hit-and-run assaults, ambushes, and raiding tactics, thrived in localized guerrilla fights within the Border States and the Confederate South. The Guerrilla Hunters offers a comprehensive overview of the tactics, motives, and actors in these conflicts, from the Confederate-authorised Partisan Rangers, a military force directed to spy on, harass, and steal from Union forces, to men like John Gatewood, who deserted the Confederate army in favour of targeting Tennessee civilians believed to be in sympathy with the Union.With a foreword by Kenneth W. Noe and an afterword by Daniel E. Sutherland, this collection represents an impressive array of the foremost experts on guerrilla fighting in the Civil War. Providing new interpretations of this long-misconstrued aspect of warfare, these scholars go beyond the conventional battlefield to examine the stories of irregular combatants across all theaters of the Civil War, bringing geographic breadth to what is often treated as local and regional history. The Guerrilla Hunters shows that instances of unorthodox combat, once thought isolated and infrequent, were numerous, and many clashes defy easy categorisation. Novel methodological approaches and a staggering diversity of research and topics allow this volume to support multiple areas for debate and discovery within this growing field of Civil War scholarship.

Read more less

The successful realisation of diversity, resilience, usefulness, profitability, or beauty in landscape design requires a firm understanding of the stakeholders' values. This collection, which incorporates a wide variety of geographic locations and cultural perspectives, reinforces the necessity for clear and articulate comprehension of the many factors that guide the design process.As the contributors to this collection reveal, dominant and emerging social, political, philosophical, and economic concerns perpetually assert themselves in designed landscapes, from manifestations of class consciousness in Napa Valley vineyards to recurring themes and conflicts in American commemorative culture as seen in designs for national memorials. One essay demonstrates the lasting impact of the doctrine of Manifest Destiny on the culture and spaces of the Midwest, while another considers the shifting historical narratives that led to the de-domestication and subsequent re-wilding of the Oostvaardersplassen in the Netherlands. These eleven essays help foster the ability to conduct a balanced analysis of various value systems and produce a lucid visualization of the necessary tradeoffs. Offering an array of case studies and theoretical arguments, Values in Landscape Architecture and Environmental Design encourages professionals and educators to bring self-awareness, precision, and accountability to their consideration of landscape designs.

Read more less

In the inter war era, the rise of the largest political movement in modern French history, the powerful Croix de Feu (1927- 1936), and its successor, the Parti Social Français, or PSF (1936- 1945), led to a sharp rightward turn in France's political culture. Political Belief in France, 1927- 1945 traces the central role of women in this shift, arguing that they transformed the Croix de Feu/PSF from a paramilitary league for veterans into a social reform movement that sought to remake the politics, society, and culture of the French Republic.Following the creation of a Women's Section in 1934, the women of the Croix de Feu/PSF developed a wide array of social programs, including welfare services, youth development, and health-care initiatives. At a time of economic depression and high unemployment, these popular programs tempered the organization's fearsome reputation as a violent paramilitary group. While the efforts of the Women's Section had the veneer of moderation, they accentuated the long-standing conservative image of France as a deeply Christian society and sought to assimilate people of different ethnoreligious backgrounds into the dominant national community. Croix de Feu/PSF women promoted their socialagenda as a religious and patriotic duty, a reflection of the individual's responsibility to make personal sacrifices on behalf of their vision for France's Christian civilization.The Croix de Feu/PSF's ethnoreligious nationalism circulated throughout the French imperial nation-state, making the movement the premier defender of an empire at the height of its power. But women in North African branches faced substantial marginalization, and the movement remained dangerously sectarian in the Maghreb, driving indigenous activists from reformism to anticolonialism.The Croix de Feu/PSF thus set the stage for both the authoritarian, anti-Semitic Vichy regime and the decolonization that followed the war. The first book on women of the French far right in the age of fascism, Political Belief in France, 1927- 1945 contributes to the fields of French history, gender studies, the history of fascism, and the history of empire.

Read more less

During the Civil War, southerners produced a vast body of writing about their northern foes, painting a picture of a money-grubbing, puritanical, and infidel enemy. Damn Yankees! explores the proliferation of this rhetoric and demonstrates how the perpetual vilification of northerners became a weapon during the war, fostering hatred and resistance among the people of the Confederacy.Drawing from speeches, cartoons, editorials, letters, and diaries, Damn Yankees! examines common themes in southern excoriation of the enemy. In sharp contrast to the presumed southern ideals of chivalry and honor, Confederates claimed that Yankees were rootless vagabonds who placed profit ahead of fidelity to religious and social traditions. Pervasive criticism of northerners created a framework for understanding their behavior during the war. When the Confederacy prevailed on the field of battle, it confirmed the Yankees' reputed physical and moral weakness. When the Yankees achieved military success, reports of depravity against vanquished foes abounded, stiffening the resolve of Confederate soldiers and civilians alike to protect their homeland and the sanctity of their women from Union degeneracy.From award-winning Civil War historian George C. Rable, Damn Yankees! is the first comprehensive study of anti-Union speech and writing, the ways these words shaped perceptions of and events in the war, and the rhetoric's enduring legacy in the South after the conflict had ended.

Read more less

In the autumn of 1871, Alexis Romanov, the fourth son of Tsar Alexander II of Russia, set sail from his homeland for an extended journey through the United States and Canada. A major milestone in U.S.-Russia relations, the tour also served Duke Alexis's family by helping to extricate him from an unsuitable romantic entanglement with the daughter of a poet. Alexis in America recounts the duke's progress through the major American cities, detailing his meetings with celebrated figures such as Samuel Morse and Henry Wadsworth Longfellow and describing the national self-reflection that his presence spurred in the American people. The first Russian royal ever to visit the United States, Alexis received a tour through post-Civil War America that emphasized the nation's cultural unity. While the enthusiastic American media breathlessly reported every detail of his itinerary and entourage, Alexis visited Niagara Falls, participated in a bison hunt with Buffalo Bill Cody, and attended the Krewe of Rex's first Mardi Gras parade in New Orleans. As word of the royal visitor spread, the public flocked to train depots and events across the nation to catch a glimpse of the grand duke. Some speculated that Russia and America were considering a formal alliance, while others surmised that he had come to the United States to find a bride. The tour was not without incident: many city officials balked at spending public funds on Alexis's reception, and there were rumors of an assassination plot by Polish nationals in New York City. More broadly, the visit highlighted problems on the national level, such as political corruption and persistent racism, as well as the emerging cultural and political power of ethnic minorities and the continuing sectionalism between the North and the South. Lee Farrow joins her examination of these cultural underpinnings to a lively narrative of the grand duke's tour, creating an engaging record of a unique moment in international relations.

Read more less

In Eldest Daughter, Ava Leavell Haymon displays her mastery of the craft and engages us with the poetic gifts we have come to expect from her. As in previous collections, she combines the sensory and the spiritual in wild verbal fireworks. Concrete descriptions of a woman's life in the mid-twentieth-century American South mix with wider concerns about family lies and truths, and a culture that supports or forbids clear speech.In a passage from The Holy Ghost Attends Vacation Bible School, the physical world of children interplays with the divine: ""The least likely place the Holy Ghost ever descended was in east Mississippi. Red clay hills and church politics soured on years of inbreeding. Every deacon drove a pickup. At Bible School, the kids played red rover and rolled down the sharp slope behind the Baptist church. He recognized the dizziness at the bottom and the fear of having your name called, but the grass stains, the torn blouses, and sprained wrists -- these were beyond Him.""Haymon's poems encourage us to revel in the natural world and enjoy its delights, as well as to confront the difficult realities that keep us from doing so.

Read more less

In this expansive study, Bryan Giemza recovers a neglected subculture and retrieves a missing chapter of Irish Catholic heritage by canvassing the literature of American Irish writers from the U.S. South. Giemza offers a defining new view of Irish American authors and their interrelationships within both transatlantic and ethnic regional contexts. From the first Irish American novel, published in Winchester, Virginia, in 1817, Giemza investigates a cast of nineteenth-century writers contending with the turbulence of their time, writers influenced by both American and Irish revolutions. Additionally, he considers dramatists and propagandists of the Civil War and Lost Cause memoirists who emerged in its wake. Some familiar names reemerge in an Irish context, including Joel Chandler Harris, Lafcadio Hearn, and Kate (O'Flaherty) Chopin. Giemza also examines the works of twentieth-century southern Irish writers, such as Margaret Mitchell, John Kennedy Toole, Flannery O'Connor, Pat Conroy, Anne Rice, Valerie Sayers, and Cormac McCarthy. For each author, Giemza traces the influences of Catholicism as it shaped both faith and ethnic identity, pointing to shared sensibilities and contradictions. Flannery O'Connor, for example, resisted identification as an Irish American, while Cormac McCarthy, described by some as ""anti-Catholic,"" continues a dialogue with the Church from which he distanced himself. Giemza draws on many never-before-seen documents, including authorized material from the correspondence of Cormac McCarthy, interviews from the Irish community of Flannery O'Connor's native Savannah, Georgia, and Giemza's own correspondence with writers such as Valerie Sayers and Anne Rice. This lively literary history prompts a new understanding of how the Irish in the region helped invent a regional mythos, an enduring literature, and a national image.

Read more less

Though remembered largely by history as Andrew Jackson's nephew, Andrew Jackson Donelson was himself a significant figure in nineteenth-century America: a politician, planter, diplomat, newspaper editor, and vice-presidential candidate. His relationship with his uncle and mentor defined his life, as he struggled to find the political and personal success that he wanted and his uncle thought he deserved. In Old Hickory's Nephew, the first definitive biography of this enigmatic man, Mark R. Cheathem explores both Donelson's political contributions and his complex, tumultuous, and often-overlooked relationship with Andrew Jackson. Born in Sumner County, Tennessee, in 1799, Donelson lost his father only five years later. Andrew Jackson soon became a force in his nephew's life, seeing in his namesake his political protégé. Jackson went so far as to predict that Donelson would one day become president. After attending West Point, Donelson helped establish the Jacksonian wing of the Democratic party and edited a national Democratic newspaper. As a diplomat, he helped bring about the annexation of Texas and, following in his uncle's footsteps, he became the owner of several plantations. On the surface, Donelson was a political and personal success.But few lives are so straightforward. The strong relationship between the uncle and nephew - defined by the concept of honor that suffused the southern society in which they lived - quickly frayed when Donelson and his wife defied his uncle during the infamous Peggy Eaton sex scandal of Jackson's first presidential administration. This resulted, Cheathem shows, in a tense relationship, full of distrust and suspicion, between Donelson and Jackson that lasted until the ""Hero of New Orleans"" died in 1845. Donelson later left the Democratic party in a tiff and joined the American, or Know Nothing, party, which selected him as Millard Fillmore's running mate in 1856. Though Donelson tried to establish himself as his uncle's political successor and legator, his friends and foes alike accused him of trading on his uncle's name to gain political and financial success.The life of Andrew Jackson Donelson illuminates the expectations placed upon young southern men of prominent families as well as the complexities and contradictions in their lives. In this biography, Cheathem awakens interest in a nearly forgotten but nonetheless intriguing figure in American history.

Read more less

In William Faulkner, William James, and the American Pragmatic Tradition, David H. Evans pairs the writings of America's most intellectually challenging modern novelist, William Faulkner, and the ideas of America's most revolutionary modern philosopher, William James. Though Faulkner was dubbed an idealist after World War II, Evans demonstrates that Faulkner's writing is deeply connected to the emergence of pragmatism as an intellectual doctrine and cultural force in the early twentieth century. Tracing pragmatism to its very roots, Evans examines the nineteenth-century confidence man of antebellum literature as the original practitioner of the pragmatic principle that a belief can give rise to its own objects. He casts this figure as the missing link between Faulkner and James, giving him new prominence in the prehistory of pragmatism. Moving on to Jamesian pragmatism, Evans contends that James's central innovation was his ability to define truth in narrative terms - just as the confidence man did - as something subjective and personal that continually shapes reality, rather than a set of static, unchanging facts.In subsequent chapters Evans offers detailed interpretations of three of Faulkner's most important novels, Absalom, Absalom!, Go Down, Moses, and The Hamlet, revealing that Faulkner, too, saw truth as fluid. By avoiding conclusion and finality, these three novels embody the pragmatic belief that life and the world are unstable and constantly evolving. Absalom, Absalom! stages a conflict of historical discourses that - much like the pragmatic concept of truth - can never be ultimately resolved. Evans shows us how Faulkner explores the conventional and arbitrary status of racial identity in Go Down, Moses, in a way that is strikingly similar to James's criticism of the concept of identity in general. Finally, Evans reads The Hamlet, a work that is often used to support the idea that Faulkner is opposed to modernity, as a depiction of a distinctly pragmatic and modern world.With its creative coupling of James's philosophy and Faulkner's art, Evans's lively, engaging book makes a bold contribution to Faulkner studies and studies of southern literature.

Read more less

Drummer, record producer, bandleader, jazz researcher, and cigar-chomping raconteur Barry Martyn is a New Orleans original who happens to have been born in England. Implausible though this may seem, it makes perfect sense to members of the New Orleans traditional jazz community, who view themselves as an extended family based on merit as much as nativity. For more than forty years, Martyn has been a fixture in the Crescent City's jazz scene, laying down the beat for generations of celebrated musicians and avidly promoting the city's unique musical heritage around the world. In Walking with Legends -- based on over forty hours of interviews with Martyn by fellow British jazz enthusiast and author Mick Burns -- Martyn reflects upon his life in jazz and offers a window into a musical world that few have understood, let alone witnessed from the inside. At the age of nineteen, jazz fanatic Martyn found his way to the Crescent City and began working as a professional drummer in clubs and studios. The first white man in the United States to join a black musician's union, he eventually started his own record label and recorded hundreds of jam sessions that today are regarded as classics in Europe. In 1972, he formed the Legends of Jazz, an old-style New Orleans jazz band that toured the world and took New Orleans jazz into the American showbiz mainstream.Martyn's life story provides unique intimate glimpses of a vanished generation of New Orleans musicians, including Louis Armstrong, Kid Sheik Cola, Harold Dejan, Joe Watkins, Albert Nicholas, Kid Thomas, Andrew Blakeney, and many others. Throughout his chronicle, Martyn highlights the continual clash of cultures that arose from an avid British pupil learning lessons of life and music from elderly African American strangers who take him under their wing both out of curiosity and self-interest. Together, they find a way to connect through music, even if the road gets a little bumpy at times. A standard-bearer for New Orleans's jazz drumming tradition, Martyn remains one of the city's busiest musicians and most avid promoters of New Orleans music. In Walking with Legends, he honors the legacies of the African American musicians who taught and inspired him and affirms the importance of the human relationships that make the music possible.

Read more less

David King Gleason provides a grand tour of Virginia's distinctive plantation homes. As the architectural historian Calder Loth states in his prefatory note, ""Gleason's elegant photographs provide a seductive image of life in 'Old Virginia.' He presents one inviting house after another, complete with handsome interiors, and spacious grounds dotted with boxwoods and venerable trees.""Unlike those in the Deep South, most of Virginia's plantation homes were built before the antebellum period and mainly reflect colonial, English Georgian, and Jeffersonian styles of architecture. Gleason has photographed the homes in all seasons, framing some in the pink blossoms of springtime dogwoods, showing others surrounded by the golden hues of autumn, and presenting still others blanketed in January snows. Many of the photographs provide aerial perspectives that encompass not only the homes themselves but outbuildings and dependencies, great lawns and terraced gardens.The book begins with homes in the Tidewater region, where Bacon's Castle, built in 1665 on the south bank of the James River, still stands. It is the oldest surviving house not only in Virginia but in all of English-settled North America. Other houses from the Tidewater region include Westover, considered one of the most beautiful Georgian residences in the United States; Brandon, at one time the home of Benjamin Harrison; Appomattox Manor, where Ulysses S. Grant headquartered for a period during the Civil War; and Carter's Grove, near Williamsburg. In northern Virginia and the Shenandoah valley are Gunston Hall, near Alexandria; Woodlawn, in Fairfax County; Washington's Mount Vernon; and Melrose, a castellated manor inspired by the romantic literature of Sir Walter Scott. In the Piedmont, Gleason photographed such houses as Ash Lawn, the home of James Monroe; Edgemont, an exquisitely proportioned house showing Thomas Jefferson's influence; and Estouteville, whose great center hall opens onto identical Tuscan porticos framing magnificent views of the Virginia countryside. Gleason's photographs of a mist-shrouded Monticello are among the most beautiful in the book. In all, Gleason has photographed more than eighty of Virginia's finest plantation homes. Extensive captions provide concise histories of each house, including its original builder and subsequent owners, and its occupants, either friendly or hostile, during the Revolutionary or Civil wars.

Read more less

George Bourne was one of the early American republic's first immediate abolitionists, an influential figure who paved the way for the campaign against slavery in the antebellum period. His approach to reform was shaped by a conservative Protestant outlook that became increasingly hostile to Catholicism. In To Preach Deliverance to the Captives, Ryan C. McIlhenny examines the interplay of Bourne's pioneering efforts in abolitionism and his intensely anti-Catholic views. McIlhenny portrays Bourne as both a radical and a conservative, a reformer who desired to get back to the roots of Christianity for the purpose of completely dismantling slavery. Bourne's commentary on a variety of controversial topics, slavery, race, and citizenship; the role of women; Christianity and republicanism; the importance of the Bible; and the place of the church in civil society, put him at the center of many debates. He remains a complex figure: a polymath situated within the political, social, and cultural possibilities of an early republic that he was eager to play a part in shaping. Bourne's religious radicalism gave rise to his hope for an emerging post-revolutionary republic that would focus mainly on its religious foundations. The strength of the American nation, in Bourne's mind, rested not only on institutions indicative of a republican form of government but also on a pure Christianity, exemplified best in historical Protestantism. To Bourne, the future of the fledgling nation depended not only on principles and institutions but also on the activism of Protestant leaders like himself.

Read more less

In this subtle and candid collection, Lisa Ampleman mixes contemporary elements and historical materials as she speaks back to the literary tradition of courtly love. Instead of bachelor knights bemoaning their allegedly cruel beloveds, Romances emphasizes the voices of female troubadours, along with those of historical figures such as Dante's wife, Petrarch's Laura, and Anne Boleyn. Ampleman also incorporates the work of the Italian Renaissance poet Gaspara Stampa, mentioned in Rilke's Duino Elegies, through a series of adaptations of her verse. Elsewhere, a contemporary sonnet sequence dedicated to Courtney Love shows the 1990s grunge rocker as subject, object, performer, and mother. As her poems reflect on popular romantic ideas about the past, the means by which elegies romanticize the dead, or the conventional romance of a happy marriage, Ampleman addresses a range of romantic entanglements: courtly and commonplace, sentimental and prosaic, toxic and mutual.

Read more less