Search results for ""europa editions (uk) ltd.""

THE TRANSFIXING TRUE STORY OF A WOMAN WHO DEFIED ALL ODDS TO CHOOSE HER OWN DESTINY "This life of the astonishing Belle Greene, the director of the Morgan Library who took the decision to "pass" as white in New York's Gilded Age, is a breathtaking and poignant work of social history."–Rebecca Fraser, author of Charlotte Brontë “Erudite, sharp, and worldly, she hid an incredible secret... The story told with panache by Alexandra Lapierre of one of the first women of the 20th century to have had the madness, and above all the courage, to choose her own destiny.”–ELLE New York in the 1900s. A young girl, fascinated by rare books, defies the odds and climbs all the ranks. She becomes the director of the fabulous library of the magnate J. P. Morgan and the darling of the international aristocracy, under the false name of Belle da Costa Greene. Belle Greene to close friends. But the flamboyant collector who turns heads and reigns over the world of bibliophiles hides a terrible secret for the violently racist America of her time. Although she looks white, she is actually African American and, moreover, the daughter of a famous black activist who sees her desire to hide her origins as a betrayal. It is this drama of a being torn between history and a woman’s choice to belong to the society which oppresses her people that Alexandra Lapierre recounts. The fruit of three years of investigation, this novel retraces the victories and heartbreaks of a woman full of life, as free as she is determined, whose astonishing daring echoes today's battles.

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For fans of Truman Capote and Emmanuel Carrere "Psychogeography at its most perceptive."—Financial Times In March 2016, in an apartment on the outskirts of Rome, two “ordinary” young men brutally tortured and murdered twenty-two-year-old Luca Varani. News of the seemingly inexplicable crime sent shockwaves across Rome and beyond. After the crime comes to light, Lagioia begins investigating the crime by meeting with the victim’s family and corresponding with one of the killers. It soon becomes clear, however, that to investigate this crime means to descend into the darkest corners of Rome and of the human psyche. Lagioia leads us through a maze of betrayed expectations, sexual confusion, economic grievances and identity crises to locate the breaking point, the point after which anything is possible. Sharp, hypnotic, devastating, The City of The Living is not just the story of a crime, but of human nature itself: the tension between responsibility and guilt, between the drive to oppress and the desire to be free, between who we are and who we can become.

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***LONGLISTED: THE HWA GOLD CROWN 2021*** ***A Sunday Times BOOK OF THE YEAR 2021: "An ambitious, epic debut."*** ***A NEW YORK TIMES BEST BOOK OF THE YEAR 2021*** A Times BOOK OF THE MONTH: "Beautifully written and profoundly insightful." “A memorable tapestry of politics, religion and conflicting human desires.” —The Sunday Times “Cathedral is a masterpiece, one of the best historical novels I’ve read in a long time. Spellbinding and so evocative of place and time. A triumph.”—Dan Jones "Fascinating, fun, and gripping to the very end."—Roddy Doyle A sweeping story about obsession, mysticism, art, and earthly desire. At the centre of this story, is the Cathedral. Its design and construction in the 12th and 13th centuries in the fictional town of Hagenburg unites a vast array of unforgettable characters whose fortunes are inseparable from the shifting political factions and economic interests vying for supremacy. From the bishop to his treasurer to local merchants and lowly stonecutters, everyone, even the town’s Jewish denizens, is implicated and affected by the slow rise of Hagenburg’s Cathedral, which in no way enforces morality or charity. Around this narrative core, Ben Hopkins has constructed his own monumental edifice, a choral novel that is rich with the vicissitudes of mercantilism, politics, religion, and human enterprise. Ambitious, immersive, a remarkable feat of imagination, Cathedral deftly combines historical fiction, the literary novel of ideas, and a tale of adventure and intrigue. Fans of authors like Umberto Eco, Elif Shafak, Hilary Mantel, Ken Follett and Jose Saramago will delight at the atmosphere, the beautiful prose, and the vivid characters of Ben Hopkins’s Cathedral.

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The Gospel according to Amélie Jesus is perhaps the most universally known figure in the Western world, yet he remains one of the most obscure. In her reinterpretation of the story of the Passion and crucifixion, Nothomb gives voice to a transgressive Messiah, the son of God portrayed as deeply human. Not so much because of his broken chastity vows, rather because of his inability to forgive himself for the pointless and sadistic mise-en-scène that is the Passion. It all starts with the farcical trial at the court of Pontius Pilate. When the witnesses for the prosecution stand up one by one, they turn out to be, paradoxically, the very ones who were healed by Jesus’ miracles, from the disgruntled beggar no longer able to solicit alms, to the man who, freed from satanic possession, now finds his life fatally boring. As the familiar, harrowing tale unfolds in all its dramatic intensity, Nothomb veers from the tragic to the comic, from deep compassion to cold mercilessness. She distils the essence of life down to its basic components – love, death and thirst – revealing that real human strength resides in the body, not in the spirit.

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"Black gay American friends explore Ghana’s queer underground while a killer commits a grisly string of murders in this thrilling read." —Guardian 2019, The Year of Return. It has been exactly 400 years since the first slave ships left Ghana for America. Ghana has now opened its doors to Black diasporans, encouraging them to return and get to know the land of their ancestors. Elton, Vincent, and Scott arrive from America to visit preserved sites from the transatlantic slave route, and to explore the country's underground queer scene. Their activities are narrated by their two combative guides: Kobby, their way into Accra's privileged circles; and Nana, the voice of tradition and religious principle. The pair's tense relationship sets the tone for what becomes a shocking and unsettling tale of murder that is at times funny, at times erotic, yet always outspoken and iconoclastic. WHAT READERS ARE SAYING: "The kind of book people study. It’s dark, frank, sharp-witted, and reflective. It immediately struck me as a classic and will undoubtedly linger in my thoughts for a while to come." —Hannah on Netgalley "What a marvellous debut for Ghanaian author Kobby Ben Ben. I devoured this book with gusto!" —Caleb on Netgalley "Wow. Such a rollercoaster... One of the most powerful and intense books I read in a long time." —Dmitri on Netgalley "This is an epic and experimental book." —Siobhan on Netgalley

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“Fresh and diverting, informative and topical without being slight or ephemeral. This supremely well-edited combination of current affairs, journalism, commentary, and fun facts is perfect for our pause-button moment.” —Australian Financial Review, Best Books of the Year Fully illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world. IN THIS VOLUME: Growing Uncertainty in California’s Central Valley by Anna Wiener • What Does It Mean to Be a Solution? by Vanessa Hua • Shadows in the Valley by Francisco Cantú. Plus: direct democracy and unsustainable development, the rise of the Land Back movement, LA’s cultural renaissance in the face of rampant gentrification, visions of the future, the death of the Californian Dream, the burning of Paradise and much more . . . “Wildfire season had already begun, and, as the car pitched along the road through Kings Canyon, I tried to tamp down a feeling like dread. In California, where the effects of global warming are pervasive and unsubtle, spending time in the forest always makes me feel unspeakably lucky and dizzy with remorse. Families in masks stomped through the Giant Forest to pose for photographs in front of General Sherman, a 275-foot-tall tree. Children licked ice-cream bars by the visitor center. In the parking lot, some of the oldest living trees in the world shaded eight-seat SUVs: Kia Tellurides, Chevy Tahoes, Toyota Sequoias.” —From “Growing Uncertainty in California’s Central Valley” by Anna Wiener

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