Search results for ""author thomas"

Thomas Hardy celebrated the glorious county of Dorset through his writings. Today our vision of Dorset is very much that fixed by Hardy in novels ranging from Far From the Madding Crowd and The Mayor of Casterbridge to Tess of the d'Urbervilles and Jude the Obscure. Hurriedly produced in instalments for magazines, they were then reworked by Hardy with care and finesse, and turned into world classics. Steve Wallis revisits the Dorset heartland of Hardy's Wessex, and illustrates the changes that have taken place using old and new images. He charts Thomas Hardy's life and work through the places he knew and the locations he immortalised, from his birthplace at Stinsford, to his old age at Max Gate, with Swanage, Sturminster Newton, Weymouth and Wimborne in between. Join the author on this unique and nostalgic tour through time.

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Thomas Cromwell was King Henry VIII's most faithful servant, the only man the king ever openly regretted executing. But Thomas Cromwell came to royal prominence late in life, and had 45 years of family, friends and experiences behind him before catching Henry's eye. Born a common boy at a time of significant change in England in 1485, Cromwell grew up in a happy, close-knit family, before heading to Europe for dramatic adventures. Returning to England a decade later, Cromwell emerged with the skills of a lawyer and merchant, with the European language skills and connections to match. Marriage, children, friends, family and manor homes all furnished Cromwell's life, a man happy and settled in London. But more beckoned for the Italian-Englishman, when a special friendship with Cardinal Thomas Wolsey grew, along with the attention of the king. Tragic personal loss affected Cromwell, hidden behind the more-recorded professional accolades. But friendships remained throughout time, changes in allegiance and even religion. Men who had met the young Cromwell stuck close to him through the years, and Cromwell never forgot a single loyal friend. Cromwell's desire to support his son saw Gregory become brother-in-law to the king himself, only for more tragedy to harm the ever-growing Cromwell family. Far from the seemingly dour, black-clad, serious man, Cromwell lavished those around him with gifts, parties, extravagant games, entertainments, animals and outfits. But the glamour and beauty of Cromwell's life would come to a sudden end, leaving a trail of devastated men and women, and an extraordinary manor home, Austin Friars, scattered to the wind. Using a wide variety of primary material, this exciting biography weaves a new narrative on the indefatigable Thomas Cromwell, illustrating him more vividly than we've known him before.

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The study places the work of a major religious poet of the late twentieth century in a number of striking new perspectives that allow him to be viewed for the first time as an 'alternative' war poet, a conscience-stricken pacifist, a jealously opportunistic student of art, and an experimental biographer of the modern soul. Published to mark the centenary of the ‘ogre of Wales’, this volume deals with the idées fixes that serially possessed the fiercely intense imagination of R. S. Thomas: Iago Prytherch, Wales, his family and, of course, a vexingly elusive deity. Here, these familiar obsessions are set in several unusual contexts that bring Thomas’s poetry into startling new relief. The war poetry is considered alongside the poet’s early relationship to the English topographical tradition; comparisons with Borges and Levertov underline the international dimensions of the poetry’s concerns; the intriguing ‘secret code’ of some of Thomas’s Welsh-language references is cracked; and his painting-poems (including several hitherto unpublished) are brought centre-stage from the peripheries to which they have been routinely relegated.

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Wordsworth's lines on Thomas Chatterton (1752-1770) contributed to a legend that became better known than Chatterton's work itself. His story is moving: a sensitive, unhappy boy, he fell in love with the medieval world and escaped into it from miserable schooling and the drudgery of apprenticeship. He read and then wrote "medieval" poetry which he passed off as genuine. When the poems he wrote in his own name brought him some success, he went to London to seek his fortune as a writer. After six months' struggle, too proud to admit defeat, starving and alone, he killed himself in his attic room. He was seventeen. There is more to Chatterton than the romantic archetype. His poetry was admired by Keats, Shelley, Coleridge and Wordsworth; as Grevel Lindop says in his introduction, "Chatterton's work contains in essence the whole of Romanticism". This selection, with its detailed notes, shows the historical significance and unexpected range of Chatterton's poetry, and also enables the reader to enjoy it for its rich resonance and wonderfully memorable rhythms.

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'In Stockwin's hands the sea story will continue to entrance readers across the world' - GuardianCaptain Sir Thomas Kydd's part in Britain's doomed occupation of Buenos Aires has put him on the wrong side of some powerful men at the Admiralty. He is given a poisoned commission that some hope will destroy his career: a recently mutinied ship.But enemies aboard and on the high seas are just the start of the problem. Soon he will have to take his untested and untrustworthy crew into the Baltic where they will get entangled with Napoleon's invasion of Prussia. With the stakes desperate, the task seemingly impossible and the French implacable, Kydd could return home once more a hero - or find himself facing a court martial.**************What readers are saying about TYGER'A delightful seafaring story' - 5 stars'TYGER is ablaze with brilliant, inventive and authentic storytelling . . . Stockwin's best' - 5 stars'My favourite of the series' - 5 stars'Julian Stockwin - long may you continue writing!' - 5 stars'Another top-notch story' - 5 stars

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'Paints a vivid picture of life aboard the mighty ship-of-the-line' - Daily ExpressThomas Paine Kydd is in Halifax enjoying the recognition and favour of his fellow officers when Tenacious is summoned to join Horatio Nelson's taskforce on an urgent reconnaissance mission. Intelligence suggests the French Revolution is about to set the Mediterranean ablaze, but Bonaparte's fleet is nowhere to be found. Nelson and his 'Band of Brothers' begin a desperate search for him.Kydd's newfound ambition fuels his desire to be at the forefront of the hunt. But with power comes responsibility; with responsibility, accountability. Kydd will face his greatest challenge ever amidst bloodstained seas. And defeat will mean humiliation - or death.*******************What readers are saying about TENACIOUS'Stockwin's best effort yet' - 5 stars'Another fabulous story . . . Brilliantly written and totally engrossing' - 5 stars'A really good read, up to now the best in the series' - 5 stars'A very good insight into naval history . . . The best Kydd so far' - 5 stars'This book is great' - 5 stars

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'In Stockwin's hands the sea story will continue to entrance readers across the world' - GuardianMore than a decade ago, Thomas Kydd and Nicholas Renzi were in the Caribbean as sailors before the mast in the old Trajan. Now Kydd, a storied hero of Trafalgar, holds the glory of being post-captain of the 32-gun frigate, L'Aurore. After unremitting war a Caribbean posting seems a welcome respite. But Kydd and Renzi soon find themselves facing a familiar threat as the French imperil Britain's vital sugar trade.When merchantmen begin vanishing from the sea, Kydd and Renzi must embark on a dangerous game of espionage, seamanship and breath-taking action in order to destroy a new and terrible danger to the Empire.*********************What readers are saying about CARIBBEE'A proper swashbuckling affair' - 5 stars'Totally amazing!' - 5 stars'Loved this book' - 5 stars'A real find' - 5 stars'A gripping read' - 5 stars

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This volume in the 21st-Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of Thomas De Quincey (1785-1859). The edition presents De Quincey's work in all of its rich variety, and offers the most thorough and accurate annotation of De Quincey's major works ever compiled. Thomas De Quincey: 21st-Century Oxford Authors is the most comprehensive selection of De Quincey's writings published in decades, and includes all the essays that made him a major figure in his own age, and that give him a burgeoning relevance in ours. The volume features complete versions of his three most famous works of impassioned autobiography—Confessions of an English Opium-Eater (1821), Suspiria de Profundis (1845), and 'The English Mail-Coach' (1849)—as well as a great deal of manuscript material related to these works, and an extensive selection from his revised version of the Confessions (1856). It contains all three of his essays 'On Murder Considered as One of the Fine Arts' (1827, 1839, and 1854), the first two instalments of which are brilliant exercises in satirical high jinks, and the final instalment of which is a graphic account of the notorious Radcliffe Highway killings of 1811. It features lengthy excerpts from De Quincey's biographical recollections of 'Samuel Taylor Coleridge' (1834) and 'William Wordsworth' (1839), both of whom De Quincey admired intensely, though his personal relationship with both poets eventually collapsed into bitterness and self-justification. It features De Quincey's finest pieces of literary criticism, including 'On the Knocking at the Gate in Macbeth' (1823) and his two searching examinations of 'The Literature Knowledge and the Literature of Power' (1823 and (1848). The edition includes an Introduction to the life and works of De Quincey, and a Chronology, which enhance the study, understanding, and enjoyment of these works.

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Peep! Peep! All aboard with Thomas & Friends in this All Engines Go magnetic adventure! All Engines Go! Toddlers can take a journey across the Island of Sodor and meet all the trains in this fun, magnetic book with 5 great scenes. Start the day at the Engine Sheds, visit the Farm and race down Lookout Mountain. Then create adventures of your own with the magnetic characters of Thomas, Percy, Kana, Nia, Diesel, Bruno, Sandy and Carly. Each of the 8 engines is a magnetic play piece that can be used again and again. The illustration on the front cover shows the magnets that are stored inside the book. This removes the need for a plastic holder on the front cover. There are hours of fun to be had and this is the perfect way to encourage children aged 3 and up to use their imagination and build a life-long love of books. Thomas has been teaching children lessons about life and friendship for over 75 years. He ranks alongside other beloved character such as Paddington Bear, Winnie-the-Pooh and Peter Rabbit as an essential part of our literary heritage and appeals to young fans of Paw Patrol, Fireman Sam and Peppa Pig.

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This is an in-depth study of every major aspect of Thomas Aquinas’ theology. Contributors offer fresh and compelling readings of Aquinas on the Trinity, creation theology, theory of analogy, anthropology, predestination and human freedom, evil and original sin, Christology and grace, soteriology, eschatology, sacramentology, ecclesiology, moral theology, the relation between theology and philosophy, and scriptural exegesis. Contributors to The Theology of Thomas Aquinas come from seven different countries and a variety of specialties within the discipline of theology. Their diverse perspectives add considerable merit to the depth and breadth of this project. Contributors both outline the thought of Aquinas in its own right and bring it into dialogue with present theological concerns. The high quality of these essays make this volume an invaluable reference tool. This book will establish itself as the best scholarly introduction to the theology of Thomas Aquinas. It belongs on the bookshelf of every theologian and Thomistic scholar, and it will be read with appreciation by students and scholars alike.

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This edition is the first to establish a reliable text of the poems of Thomas Parnell (1679-1718). Based on a study of all the available manuscripts, including an extensive collection in the poet's family, and authoritative editions, it more than doubles the number of poems known to be Parnell's and represents the first publication of some of his works.

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What is the place of painted pictures? What is their relevance? And what is their reality? Thomas Huber is an internationally acknowledged painter whose cool picture constructions, mostly devoid of humans, circle around these questions. In meticulously composed, surreal-looking scenarios he creates a world of paradox combinations and reflections that challenge reality. Thomas Huber (*1955) mostly creates pictorial spaces with an architectural character. In them he has been sounding out the various forms of appearance and effect for more than thirty years. This volume presents mainly recently created works by the artist, who was born in Zurich and now lives in Berlin. They refer to the horizon as a constant of all pictures constructed using perspective and as a metaphor for a boundary between the visibility of the motif and the invisibility of the associated dialogue. Texts by and a conversation with Thomas Huber demonstrate the systematic pictorial theories of the artist.

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‘Thomas the Baker baked the bread, on which the royal household fed… until one fateful summer’s night, when Thomas left the fire alight…’ This book tells the story of the Great Fire of London in 1666 in a fun and engaging way, and is the perfect addition to any primary school classroom.

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Thomas the Tank Engine is here to help engage children and inspire them to read with confidence. This book includes two stories. One about about Thomas’ tall friend Kevin the crane and the other about the shiny red engine who runs the Sodor Steamworks, Victor. With colourful pictures, short sentences and simple, phonetic-based vocabulary, children will love learning to read with Thomas. Level 1 Reading Ladder titles are perfect for new readers who are beginning to read simple stories with help. Thomas has been teaching children lessons about life and friendship for over 70 years. He ranks alongside other beloved character such as Paddington Bear, Winnie-the-Pooh and Peter Rabbit as an essential part of our literary heritage.

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Thomas Annan (1829-1887) was the preeminent photographer of Glasgow in the mid-nineteenth century, a period when the rise in industry and population dramatically altered the landscape of the "second city" of the British Empire. Often working in conjunction with civic projects, Annan produced numerous series that underscore the transformation of the city and its environs, though he remains best known for one series in particular: a group of enigmatic photographs of central Glasgow alleys, or "closes," on the verge of demolition. These haunting images, made between 1868 and 1871, and sometimes regarded as precursors of the documentary tradition in photography, represent the notion of progress that underpins much of Annan's oeuvre. Annan's publication history serves as the organizing principle for this book, which considers both the breadth of his body of work as well as the multiple formats in which his photographs appeared and circulated. Featured here are seven examplesincluding private albums and commercial booksthat focus on subjects as varied as the city's streets and closes, the Loch Katrine aqueduct, Glasgow College, the cathedral, and the country estates of the landed gentry, and highlight Annan's extensive engagement with the city of Glasgow. Plates from each of these works are faithfully reproduced in full color, and an introductory essay by the leading authority on Annan surveys the life and career of this little-known but influential photographer.

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The work of a pioneering artist, whose explorations of mass culture, consumerism, and politics remain highly relevant today This richly illustrated monograph brings together Bayrle's paintings, sculptures, drawings, wallpapers, installations, and prints from the past years to showcase his lasting influence and continued relevance. Bayrle, along with Gerhard Richter and Sigmar Polke, is considered a pivotal figure of the German Pop movement, and his early adoption of computer-aided art production anticipated today's digital aesthetics. This remarkable book highlights the full breadth and complexity of Bayrle's career to date.

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Born in Cloughjordan in Co. Tipperary, MacDonagh was a poet and playwright, an educator and political activist. Appointed to the IRB Military Council he became a member of the Provisional Government of the Irish Republic and was a signatory of the 1916 Easter proclamation. During the Rising MacDonagh was commandant of the 2nd Battalion of the Dublin Brigade of the Irish Volunteers and occupied the Jacobs Biscuit factory garrison. Following an inspiring speech at his Court Marshal he was executed on 3 May 1916 at Kilmainham Gaol, Dublin. In this meticulously researched biography Shane Kenna places this remarkable man within the great pantheon of Irish Republican heroes. He provides a riveting reconstruction of the life of a man whose death played such a key part in the shaping of modern Ireland. 'an epic new series of books' - RTE Guide on 16Lives

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Inspired by space exploration and the earthly delights of gardens and music, Alma Thomas created brilliant abstractions that place her among the most innovative American painters of the 20th century. Breaking from realism in the 1950s, she moved through abstraction and into expressionism before finding a niche in a mosaic compositional style and reveling in color theory. With vibrant works such as Starry Night and the Astronauts and Color Etude (or Spring Bouquet), Thomas improvised with light, color, rhythm, and an aerial perspective that interpreted her world in a new way. After over 40 years in education, Thomas retired and focused on her art, eventually becoming the first African American woman to have a solo exhibition at the Whitney Museum of American Art. With dazzling paintings like the 12 collected in this calendar, Thomas left her mark upon the history of Modern art.

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First study of the role of architecture in the work of Thomas Cole, founder of the Hudson River School of American painting. At the height of his career as the leader of the Hudson River School of American landscape painting, Thomas Cole listed himself in the New York City Directory as an architect. Why would this renowned painter, who had never before designed a building, advertise himself as such? The importance of Cole’s paintings and the significance of his essays, poems, and philosophy are well established, yet an analysis of his architectural endeavors and their impact on his painting has not been undertaken - until now. In celebration of the recreation of the artist’s self-designed Italianate studio at Cedar Grove in Catskill, New York, now the Thomas Cole National Historic Site, this book focuses on Cole’s architectural interests through architectural elements found in his paintings and drawings as well as in his realized and visionary projects, expanding our understanding of the breadth of his talents and interests. An essay by noted art historian Annette Blaugrund and a contribution by Franklin Kelly, illustrated with Cole’s famous works, sketches, and architectural renderings, reveal an unexplored, yet fascinating, aspect of the career of this beloved artist—and thus, a crucial moment in the development of the Hudson River School and American art. Published to coincide with the exhibition “Thomas Cole: The Artist as Architect” at the Thomas Cole National Historic Site and travelling to the Columbus Art Museum, the book adds a new dimension to scholarship on the artist.

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Thomas can travel with you wherever you go with this mini pocket library containing six little books! The Thomas Little Learners Pocket Library is the perfect way to introduce toddlers to early learning concepts. Young Thomas fans will love learning with Thomas & Friends from the All Engine Go TV show. This little slipcase contains six sturdy board books each based on a different early learning theme: ColoursWordsNumbersEmotionsShapesOpposites With colourful pictures of Thomas and friends and simple text,young children will enjoy holding the books, turning the pages and pointing to the pictures. The small size of the slipcase and board books means it’s perfect for carrying in a bag or buggy, so it can be enjoyed by children wherever they go. The books also make the perfect party bag fillers! There’s also a fun extra – children can arrange the back covers of the books to put together a big picture of Thomas and his friends. The Thomas and Friends Pocket Library is a great collection for young children to enjoy again and again. It’s a must-have for every child! The Thomas & Friends Pocket Library is now more eco-friendly too: the plastic shrinkwrap has been removed and instead the slipcase has a cardboard flap around the books and a small sticker to hold it closed.

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Thomas Sankara, often called the African Che Guevara, was president of Burkina Faso, one of the poorest countries in Africa, until his assassination during the military coup that brought down his government. Although his tenure in office was relatively short, Sankara left an indelible mark on his country’s history and development. An avowed Marxist, he outspokenly asserted his country’s independence from France and other Western powers while at the same time seeking to build a genuine pan-African unity. Ernest Harsch traces Sankara’s life from his student days to his recruitment into the military, early political awakening, and increasing dismay with his country’s extreme poverty and political corruption. As he rose to higher leadership positions, he used those offices to mobilize people for change and to counter the influence of the old, corrupt elites. Sankara and his colleagues initiated economic and social policies that shifted away from dependence on foreign aid and toward a greater use of the country’s own resources to build schools, health clinics, and public works. Although Sankara’s sweeping vision and practical reforms won him admirers both in Burkina Faso and across Africa, a combination of domestic opposition groups and factions within his own government and the army finally led to his assassination in 1987. This is the first English-language book to tell the story of Sankara’s life and struggles, drawing on the author’s extensive firsthand research and reporting on Burkina Faso, including interviews with the late leader. Decades after his death, Sankara remains an inspiration to young people throughout Africa for his integrity, idealism, and dedication to independence and self-determination.

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Part historical narrative, part modern fiction, the book consists of two interlinked stories: the first focuses on the 18th century painter Thomas Girtin and his relationship with his friend and rival J.M.W. Turner; the second tells the tale of three amateur artists in the present day, united by a shared interest in Girtin’s art. Using this dual narrative to draw parallels between two eras of rapid technological advancement and socio-political turbulence, Oscar Zarate’s long awaited new graphic novel restores to modern eyes this unjustly forgotten figure, whose work has been almost entirely ignored despite his huge influence in British painting. At the time of death, aged just 27, Girtin had already established himself as a pioneer and a master: his expressionist approach was a significant turning point in the British watercolour tradition. But the brevity of his career, coupled with his chosen medium (compared to oils, watercolours were a humbler and less easily exhibited form) meant that his work came to be overshadowed by that of Turner. As Turner himself famously remarked, “If Tom had lived, I should have starved.”

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Join Thomas and his friends for a sticker adventure on the Island of Sodor! Complete the sticker scenes with your fun stickers as the engines play on the farm, race around Knapford Station, puff down to the Docks and lots more! Join Thomas, Percy, Nia and Diesel as well as their new friend Kana as they learn and play around Sodor. Including over 75 stickers, this fun book is sure to keep little engineers entertained. Thomas has been teaching children lessons about life and friendship for over 75 years. He ranks alongside other beloved character such as Paddington Bear, Winnie-the-Pooh and Peter Rabbit as an essential part of our literary heritage.

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Thomas Middleton is one of the major English Renaissance dramatists alongside Marlowe, Shakespeare and Jonson. Middleton continues to fascinate audiences and readers with his black humour, his wry and witty treatment of sexuality, morality, and politics. He is a consummate professional dramatist, experimenting with stagecraft in a manner that combines the visual and the verbal to startling effect. This book brings together these aspects of Middleton's craft through a detailed study of his major plays. Middleton experimented with, and helped to shape, a range of dramatic genres: city comedy, tragicomedy, romance, and revenge tragedy. This new guide analyses in detail how the plays work in terms of the early modern theatre and dramatic genres, as well as elucidating the broader cultural issues shaping the plays. It provides an introduction to critical readings of Middleton's works as well as modern performances, demonstrating how modern critics, producers, dramatists and film makers see Middleton's dark, playful and challenging plays as speaking to our times. Key Features *Ideal student guide with its wide ranging introduction to Middleton's city comedies, tragedies, and collaborative plays and its readings of key texts such as The Roaring Girl, Chaste Maid in Cheapside, Revenger's Tragedy, Women Beware Women, and The Changeling *Uses the most recent edition available, the Oxford Middleton (2007) *Provides background contexts guiding readers through criticism of the plays as well as recent work on early modern theatre and culture *Emphasis on Middleton's stagecraft and its assessment of modern adaptations and film versions of his plays

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The classic ghost story from Penelope Lively, one of the modern greats of British fiction for adults and children alike. James is fed up. His family has moved to a new cottage – with grounds that are great for excavations, and trees that are perfect for climbing – and stuff is happening. Stuff that is normally the kind of thing he does. But it's not him who's writing strange things on shopping lists and fences. It's not him who smashes bottles and pours tea in the Vicar's lap. It's a ghost – honestly. Thomas Kempe the 17th century apothecary has returned and he wants James to be his apprentice. No one else believes in ghosts. It's up to James to get rid of him. Or he'll have no pocket money or pudding ever again. An iconic ghost story for children, The Ghost of Thomas Kempe is adored by generations of readers.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, favourite characters, modern stories and non-fiction. Written by experts, it uses proven methods to help children learn English and grasp key grammar and vocabulary points. Perfect for learning English in school or at home Develops reading, writing, speaking, listening and critical thinking skills Features much-loved characters and authors such as Peter Rabbit, Peppa Pig, Roald Dahl and Eric Carle Eight levels follow the Common European Framework of Reference for language learning (CEFR) Language activities in every book provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests Features free online resources including audio, answer keys, lesson plans and tips for parents Thomas and the Giant Pandas, a Beginner level Reader, helps children to learn and practice their first words in English. It introduces everyday phrases and focuses on vocabulary that young children can use in daily life. Simple text and repetition support understanding, and speaking and listening activities develop confidence.Thomas is in China. What animals does he see? Is there a Giant Panda?Visit the Ladybird Education website for more information.

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Scholars have often been quick to acknowledge Thomas Aquinas's distinctive retrieval of Aristotle's Greek philosophical heritage. Often lagging, however, has been a proper appreciation of both his originality and indebtedness in appropriating the great theological insights of the Greek Fathers of the Church. In a similar way to his integration of the Aristotelian philosophical corpus, Aquinas successfully interwove the often newly received and translated Greek patristic sources into a thirteenth-century theological framework, one dominated by the Latin Fathers. His use of the Greek Fathers definitively shaped his exposition of sacra doctrina in the fundamental areas of God and creation, Trinitarian theology, the moral life, and Christ and the Sacraments.For the sake of filling this lacuna and of piquing scholarly interest in Aquinas's relation to the Fathers of the Christian East, the Aquinas Center for Theological Renewal at Ave Maria University and the Thomistic Institute of the Pontifical Faculty of the Immaculate Conception at the Dominican House of Studies co-sponsored an international gathering of scholars that took place at Ave Maria University under the title Thomas Aquinas and the Greek Fathers. Sensitive to the commonalities and the differences between Aquinas and the Greek Fathers, the essays in this volume have sprung from the theme of this conference and offer a harvest of some of the conference's fruits. At long last, scholars have a rich volume of diverse, penetrating essays that both underscore Aquinas's unique standing among the Latin scholastics in relationship to the Greek Fathers and point the way toward avenues of further study.

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Thomas Berry (1914–2009) was one of the twentieth century’s most prescient and profound thinkers. As a cultural historian, he sought a broader perspective on humanity’s relationship to the earth in order to respond to the ecological and social challenges of our times. This first biography of Berry illuminates his remarkable vision and its continuing relevance for achieving transformative social change and environmental renewal.Berry began his studies in Western history and religions and then expanded to include Asian and indigenous religions, which he taught at Fordham University, Barnard College, and Columbia University. Drawing on his explorations of history, he came to see the evolutionary process as a story that could help restore the continuity of humans with the natural world. Berry urged humans to recognize their place on a planet with complex ecosystems in a vast, evolving universe. He sought to replace the modern alienation from nature with a sense of intimacy and responsibility. Berry called for new forms of ecological education, law, and spirituality, as well as the creation of resilient agricultural systems, bioregions, and ecocities. At a time of growing environmental crisis, this biography shows the ongoing significance of Berry’s conception of human interdependence with the earth as part of the unfolding journey of the universe.

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Inspire the wanderer in you. Experience memorable destinations across the United States and Europe with this immersive coloring book by Thomas Kinkade Studios. From inviting cafes to alluring seascapes, and iconic landmarks, color your way through a breathtaking tour of sights, near and far.Allow Thomas Kinkade Studios to draw you into the streets of Paris, the romance of Savannah, and the sheer splendor of Yosemite. This unique coloring book features fifty beautiful scenes presented in color alongside line art of the same image ready for your creative touch. Find yourself transported as you create your own renditions of captivating artwork from Thomas Kinkade Studios. Includes an ultimate bucket list of sights from favorite places like Amsterdam, Chicago, Las Vegas, London, Los Angeles, Munich, New England, San Francisco, Spain, Venice, and much more.

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The perfect first introduction to everyone's favourite engine – Thomas! Meet Sodor's number 1 engine and read about his jobs, his adventures and his friends. With a young rhyming text and bright colourful pages this is the perfect first Thomas book. Thomas has been teaching children lessons about life and friendship for 75 years. He ranks alongside other beloved characters such as Paddington Bear, Winnie-the-Pooh and Peter Rabbit as an essential part of our literary heritage.

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A comprehensive, up-to-date overview of the work of one of the foremost Native North American writers and his reception and influence. Thomas King is one of North America's foremost Native writers, best known for his novels, including Green Grass, Running Water, for the DreadfulWater mysteries, and for collections of short stories such as One Good Story, That One and A Short History of Indians in Canada. But King is also a poet, a literary and cultural critic, and a noted filmmaker, photographer, and scriptwriter and performer for radio. His career and oeuvre have been validated by literary awards and by the inclusion of his writing in college and university curricula. Critical responses to King's work have been abundant, yet most of this criticism consists of journal articles, and to date only one book-length study of his work exists. Thomas King: Works and Impact fills this gap by providing an up-to-date, comprehensive overview of all major aspects of King's oeuvre as well as its reception and influence. It brings together expert scholars to discuss King's role in and impact on Native literature and to offer in-depth analyses of his multifaceted body of work. The volume will be of interest to students and scholars of literature,English, and Native American studies, and to King aficionados. Contributors: Jesse Rae Archibald-Barber, Julia Breitbach, Stuart Christie, James H. Cox, Marta Dvorak, Floyd Favel, Kathleen Flaherty, Aloys Fleischmann, MarleneGoldman, Eva Gruber, Helen Hoy, Renée Hulan and Linda Warley, Carter Meland, Reingard M. Nischik, Robin Ridington, Suzanne Rintoul, Katja Sarkowsky, Blanca Schorcht, Mark Shackleton, Martin Kuester and Marco Ulm, Doris Wolf. Eva Gruber is Assistant Professor in the Department of American Studies at the University of Konstanz, Germany.

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This first major study of Thomas Jefferson's reputation in nearly fifty years is concerned with Jefferson and history--both as something Jefferson made and something that he sought to shape. Jefferson was acutely aware that he would be judged by posterity and he deliberately sought to influence history's judgment of him. He did so, it argues, in order to promote his vision of a global republican future. It begins by situating Jefferson's ideas about history within the context of eighteenth-century historical thought, and then considers the efforts Jefferson made to shape the way the history of his life and times would be written: through the careful preservation of his personal and public papers and his home, Monticello, near Charlottesville, Virginia. The second half of the book considers the results of Jefferson's efforts to shape historical writing by examining the evolution of his reputation since the Second World War. Recent scholarship has examined Jefferson's attitudes and actions with regard to Native Americans, African slaves, women and civil liberties and found him wanting. Jefferson has continued to be a controversial figure; DNA testing proving that he fathered children by his slave Sally Hemings being the most recent example, perhaps encapsulating this best of all. This is the first major study to examine the impact of the Hemings controversy on Jefferson's reputation. Key Features *The first study of Jefferson's reputation to be published since 1960 *Considers the impact of slavery on Jefferson's reputation and Jefferson's relationship with slavery *Explores the history of the Sally Hemings controversy

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Thomas Sully (1783–1872) painted some of the most dynamic personalities of the 19th century, including Queen Victoria, Thomas Jefferson, and the Marquis de Lafayette. Although he created more than two thousand portraits and subject paintings, his full production has never before been examined in depth. The child of actors, Sully’s lifelong connection to the theater informed his imagination. His portraits of 19th-century actors, celebrities, royalty, and politicians established his reputation, and would mark all his works, particularly his “fancy pictures,” portraits evoking scenes from literature, fairy tales, Shakespeare, or of his own devising. This essential introduction demonstrates how the artist interpreted the nature of painting as performance, manifested in his dazzling productions. Three essays, 160 color reproductions, and an illustrated chronology survey and elucidate his career.Distributed for the Milwaukee Art MuseumExhibition Schedule:Milwaukee Art Museum(10/11/13–01/05/14) San Antonio Museum of Art (02/07/14–05/11/14)

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When Clarence Thomas joined the Supreme Court in 1991, he found with dismay that it was interpreting a very different Constitution from the one the framers had written—the one that had established a federal government manned by the people’s own elected representatives, charged with protecting citizens’ inborn rights while leaving them free to work out their individual happiness themselves, in their families, communities, and states. He found that his predecessors on the Court were complicit in the first step of this transformation, when in the 1870s they defanged the Civil War amendments intended to give full citizenship to his fellow black Americans. In the next generation, Woodrow Wilson, dismissing the framers and their work as obsolete, set out to replace laws made by the people’s representatives with rules made by highly educated, modern, supposedly nonpartisan “experts,” an idea Franklin Roosevelt supersized in the New Deal agencies that he acknowledged had no constitutional warrant. Then, under Chief Justice Earl Warren in the 1950s and 1960s, the Nine set about realizing Wilson’s dream of a Supreme Court sitting as a permanent constitutional convention, conjuring up laws out of smoke and mirrors and justifying them as expressions of the spirit of the age. But Thomas, who joined the Court after eight years running one of the myriad administrative agencies that the Great Society had piled on top of FDR’s batch, had deep misgivings about the new governmental order. He shared the framers’ vision of free, self-governing citizens forging their own fate. And from his own experience growing up in segregated Savannah, flirting with and rejecting black radicalism at college, and running an agency that supposedly advanced equality, he doubted that unelected experts and justices really did understand the moral arc of the universe better than the people themselves, or that the rules and rulings they issued made lives better rather than worse. So in the hundreds of opinions he has written in more than a quarter century on the Court—the most important of them explained in these pages in clear, non-lawyerly language—he has questioned the constitutional underpinnings of the new order and tried to restore the limited, self-governing original one, as more legitimate, more just, and more free than the one that grew up in its stead. The Court now seems set to move down the trail he blazed. A free, self-governing nation needs independent-minded, self-reliant citizens, and Thomas’s biography, vividly recounted here, produced just the kind of character that the founders assumed would always mark Americans. America’s future depends on the power of its culture and institutions to form ever more citizens of this stamp.

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Now available in paperback to coincide with the 50th anniversary of his death, this biography corrects many of the myths surrounding the often controversial Thomas Beecham. Thomas Beecham was one of Britain's greatest conductors of orchestral music and opera as well as an entrepreneur and impresario of exceptional energy and brilliant wit. This acclaimed biography places him - musically, politicallyand socially - in the troubled times in which he lived and corrects the stories and myths, many of them Beecham's own making, that have grown up around this uniquely gifted and controversial figure. Drawing upon extensive research, Lucas presents new material on his early years, his complicated private life, his father's catastrophic attempt to buy a large part of Covent Garden - which brought the family to its knees financially - and the orchestras andopera companies that Beecham founded. New light is shed on his visits to Nazi Germany and his view of its leaders, as well as the much misunderstood and previously unchronicled years of the Second World War, which he spent in Australia and America. Thomas Beecham: An Obsession with Music will remain the standard biography for years to come. JOHN LUCAS was on the staff of the Observer for 25 years, completed Peter Heyworth's monumentalbiography of Otto Klemperer, wrote Genius of Valhalla, the biography of Reginald Goodall, and is responsible for the current entries on Beecham and Klemperer in the New Grove .

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