Search results for ""author paperblanks""

A brilliant 16th-century Cairo workshop is responsible for this journal cover design. Though the name of that atelier has been lost to history, the detailed pattern and fine materials used show why books from the workshop were so highly prized. Today the original binding can be found in the collection of the Museum Kunstpalast in Düsseldorf, Germany.

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Reproducing an original work by Pierre Legrain, this design brings a sense of movement to the heavy geometric elements of its Art Deco influence. Legrain was a key figure in early 20th-century French bookbinding and was commissioned by Jacques Doucet to create unique bindings for Doucet’s impressive library.

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Photographer Gérard Degeorge has travelled the world, capturing grand pieces of architectural design through the scope of his lens. This cover design comes from his vast collection of photography and is reminiscent of the Alhambra in Granada, Spain. Now a UNESCO World Heritage site, the Alhambra is adorned in tile mosaics set around a theme of “paradise on earth.”Through the centuries, Islamic artists have led the way in inlay artistry, creating intricate and memorable pieces like the one reproduced here. The geometric pattern, floral design and arabesque setting are all suggestive of the art and architecture styles found in the western Islamic world.

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Ancient spiritual practices meet modern digital art in the work of Android Jones. His art asks the viewer to focus on the potential for awakening, the power of the third eye and the early reverberations of the time that lies before us. With colours both psychedelic and hyper-modern, and imagery combining Eastern iconography with a science fiction aesthetic, Jones is an artist who draws on old traditions and those yet to be born.

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Ancient spiritual practices meet modern digital art in the work of Android Jones. His art asks the viewer to focus on the potential for awakening, the power of the third eye and the early reverberations of the time that lies before us. With colours both psychedelic and hyper-modern, and imagery combining Eastern iconography with a science fiction aesthetic, Jones is an artist who draws on old traditions and those yet to be born.

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Ancient spiritual practices meet modern digital art in the work of Android Jones. His art asks the viewer to focus on the potential for awakening, the power of the third eye and the early reverberations of the time that lies before us. With colours both psychedelic and hyper-modern, and imagery combining Eastern iconography with a science fiction aesthetic, Jones is an artist who draws on old traditions and those yet to be born.

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Ancient spiritual practices meet modern digital art in this kaleidoscopic journal cover featuring the work of Android Jones. His art asks the viewer to focus on the potential for awakening, the power of the ancient third eye and the early reverberations of the time that lies before us.With colours at once psychedelic and hyper-modern, and imagery that combines Eastern iconography and a cutting-edge science fiction aesthetic, Jones is an artist who draws on old traditions and those yet to be born. Jones calls himself a digital painter and is renowned for his multidimensional, spiritually driven art and performances and the expanded states of consciousness they evoke. Whether one fancies him a shaman of pop art or a practitioner of electro-mineralism, at the centre of his art is a sense of untapped potential and limitless imagination.With this journal, we invite to you to push the boundaries of perception and awaken to the possibilities of your own third eye.

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Paperblanks Nocturnelle Flexi softcover notebook, a reproduction of an antique French binding, is based on a cover designed in 1829 by publishers A. & W. Galignani for The Poetical Works of Thomas Moore. This notebook cover suggests the fine Moroccan leather, structural sturdiness, careful finishing and ridged spine preferred for bindings of that era.

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This Hishi Dot-Grid Planner will help you achieve your goals and develop your creative ideas in style. Featuring a customizable index, page numbers, three ribbon markers, design stencil and, of course, a dot-grid interior, this Paperblanks Flexis softcover journal will inspire you to harness the organizational power of bullet journalling.

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During the Tang Dynasty (618–907), the Emperor Taizong founded an opera school called Liyuan (Pear Garden). Chinese opera reached its pinnacle under the Qing court (1644–1911), giving birth to what is known as Peking Opera. Reproduced for this colourful hardcover journal is a piece of beautifully embroidered opera skirt from that era.

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During the Tang Dynasty (618–907), the Emperor Taizong founded an opera school called Liyuan (Pear Garden). Chinese opera reached its pinnacle under the Qing court (1644–1911), giving birth to what is known as Peking Opera. Reproduced for this colourful hardcover journal is a piece of beautifully embroidered opera skirt from that era.

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New York City’s Chanin Building was built by Irwin S. Chanin in the late 1920s. Representing some of the finest Art Deco in the city, the lobby was styled around a “City of Opportunity” concept. With a geometric design symbolizing human thought and emotion, a bronze ventilator grille from the building is reproduced for this black and gold journal cover.

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Before Dutch still life painting developed, artists illuminated handwritten manuscripts to add emotional power to a written work. A celebrated practitioner of this style was Joris Hoefnagel. Reproduced for our Flemish Rose journal cover is a page he illuminated for the Mira calligraphiae monumenta, a mid-16th-century manuscript by Georg Bocskay.

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Inspired by a 17th-century Italian book binding, our Viola journal showcases a floral pattern and rosette motif. Book bindings from this period are characterized by the ornamental richness of the cover’s central area. Featuring sweeping tendrils in a centralized diamond shape, this cover is a classic example of the era’s bookbinding style.

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Frederick Douglass was a former slave who became a leading abolitionist and social reformer. When too ill to continue his speaking engagements, he wrote letters of support for the anti-lynching activist Ida B. Wells to take his place. With this journal cover, we celebrate the legacies of two of the most revered leaders in African American history.

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William Morris (1834–1896), one of the most celebrated practitioners of the Arts and Crafts movement, created woven and printed textile designs using the ancient technique of hand woodblock printing. As seen on this Paperblanks Morris Windrush softcover Flexi notebook, his evocations of the natural world, with their depth of tone and magical gradation of tints, have become design classics.

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Paperblanks Nocturnelle Flexi softcover notebook, a reproduction of an antique French binding, is based on a cover designed in 1829 by publishers A. & W. Galignani for The Poetical Works of Thomas Moore. This notebook cover suggests the fine Moroccan leather, structural sturdiness, careful finishing and ridged spine preferred for bindings of that era.

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Our Agra journal cover is named for Agra, India, where the Taj Mahal is located. It reproduces a photograph by Gérard Degeorge of one of the Taj Mahal’s iconic marble flowers. To carve into marble is to commit to perfection. Any mistake meant the whole slab had to be discarded. Each of these marbled flowers is its own masterwork.

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Our Blue Velvet journal design is inspired by a piece of a 15th-century velvet dalmatic. It is decorated in brocaded gilt metal thread with a seven-lobed shield, an artichoke-like botanical shape and tiny floral patterns. Creating a velvet design such as this would have been a painstaking procedure, making this a luxury fabric during the Renaissance.

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Our Golden Trefoil design is inspired by a 16th-century French binding that originally housed a printing of the Opera Omnia of Giovanni Pontano (1426–1503). The design, thought to be created by Claude de Picques, features a classic trefoil (clover) motif, popularly found in some of the world’s most iconic logos, crests, insignias and flags.

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Atop the lionfish rides the regal queen of the sea in this artwork by artist James C. Christensen (1942–2017). Our Sea Fantasies journal shows why Christensen’s art, inspired by myth, legend and fantasy, so dazzled his legions of fans. He was renowned not just for his pure imagination, but also for his embrace of curiosity and bravery.

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Olena Skytsiuk is one of the foremost practitioners of Ukrainian Petrykivka painting, a technique in which brushes crafted from cat hairs are used to create a visual effect unlike any other. In each design, like that reproduced on this Moonlight softcover Flexi notebook, thousands of small brush strokes combine to create miniature landscapes and floral scenes.

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Capturing the flavour of Renaissance-style bound books, Paperblanks Old Leather Flint journal pays homage to the craft of delicate gold tooling. For this cover design, we have incorporated a textured white design reminiscent of chalk, flint or limestone, adding an edginess to the look of finely wrought leather.

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Capturing the flavour of Renaissance-style bound books, Paperblanks Old Leather Flint journal pays homage to the craft of delicate gold tooling. For this cover design, we have incorporated a textured white design reminiscent of chalk, flint or limestone, adding an edginess to the look of finely wrought leather.

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Brilliant fireworks are conjured up by this magnificent journal cover which reproduces the binding La Déclamation Théâtrale (1766), a didactic poem by Claude J. Dorat. Scorned by critics, Dorat persisted in writing an explosion of works. Though his legacy is not that of a major master, one cannot help but admire his incandescent desire to create.

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Our Kuro journal cover showcases a reproduction of an original piece of katagami art. It reproduces a stencil crafted from mulberry bark and persimmon juice. Such stencils are found throughout Japanese culture. The word Kuro means “dark” or “black” in Japanese and it’s the perfect title for this hauntingly shadowed design.

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Capturing the flavour of Renaissance-style bound books, Paperblanks Old Leather Flint journal pays homage to the craft of delicate gold tooling. For this cover design, we have incorporated a textured white design reminiscent of chalk, flint or limestone, adding an edginess to the look of finely wrought leather.

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Our Paperblanks Mystique soft cover notebook is inspired by a cover said to have been designed by Le Gascon, a legendary but little-known 17th-century bookbinder. The original cover that inspired this Flexi journal was made of red Moroccan leather embossed and gilded with rosettes, spirals and dotted lines.

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The design reproduced on this Paperblanks Flexis Poetry in Bloom soft cover notebook, originally crafted by Riviere and Son, centres around a sensitive plant surrounded by other richly hued flowers, foliage and butterflies. The binding was used for The Sensitive Plant and Early Poems by Percy Bysshe Shelley and is a celebration of the creative spirit.

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Paperblanks Black Moroccan Bold soft cover notebook captures the flavour of finely wrought Renaissance-style leather bindings. The timeless beauty of an antique leather book is brought into the present on the cover of this intricately embellished, rich brown Flexi journal.

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Artistic, religious and cultural traditions unite in this design. The handwoven fabric reproduced on this journal is an authentic expression of the weaver’s cultural heritage. In Buddhist tradition, the term “mandala” refers to a spiritual symbol representing the universe, specifically when in a geometric pattern as seen here.

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The design reproduced on this journal cover, originally crafted by Riviere and Son, centres around a sensitive plant surrounded by other richly hued flowers, foliage and butterflies. The binding was used for The Sensitive Plant and Early Poems by Percy Bysshe Shelley and is a celebration of the creative spirit.

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A Venetian morning is alight with marvels. We have captured some of the splendid daybreak palette of the city with this Verde journal cover. The design dates back to the early 1600s and was originally crafted from red morocco leather with gold borders, checkers of green, red, blue and brown in the midfield, lace fillets and marbled endpapers.

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We honour the genius of William Butler Yeats (1865–1939) and his masterful and devastating poem “Easter, 1916,” in this Paperblanks journal emblazoned with his handwriting. “Easter, 1916” is a powerful expression of the artist coming to terms with the tragic events of the Easter Rising rebellion staged in Ireland in 1916.

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Plaid has always been a pattern that crosses lines. Closely associated with Scottish clan tartans, plaid material has been unearthed in Central Asian tombs from as far back as 1500 BC. The plaid shown on our Davenport journal cover was collected in France in the 1800s, but looks as though it could have come from last year’s runway collection. So goes the cheeky versatility of plaid!

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Laurel Burch was a self-taught artist who relied on her intuition and passion, speaking from the heart with an unmistakable style that was the manifestation of her love of life and strong imaginative nature. Based on Laurel Burch’s original “Imagine” butterflies image, Paperblanks Flutterbyes journal is the perfect notebook to match any joyful lifestyle.

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The Lindau Gospels’ bindings were designed to inspire awe when the book was carried in processions or displayed on an altar. Paperblanks Lindau journal depicts the back cover of this bookmaking masterwork, created near Salzburg between 750 and 800 AD. It was tooled in gilt, silver and enamel and adorned with jewels, making for a powerful manifestation of art as a vehicle for belief.

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Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes. In this design, her original characters, foliage and other details have been adapted by a Japanese artisan to create a new watercolour painting.

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Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes. In this design, her original characters, foliage and other details have been adapted by a Japanese artisan to create a new watercolour painting.

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Associated with the Islamic Golden Age, Persian Safavid-style designs represented a high point in the art of the book. Symmetry is the hallmark of these bindings which feature medallions, a pentagonal envelope flap closure and elaborately decorated doublures (interior covers), exquisite creations in cut-out leather and gilding. Our cover portrays a remarkable leather filigree pattern incorporating handtooled motifs that retain an elegance and style even in our modern context.

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Photographer Gérard Degeorge has travelled the world, capturing grand pieces of architectural design through the scope of his lens. This cover design comes from his vast collection of photography and is reminiscent of the Alhambra in Granada, Spain. The geometric pattern, floral design and arabesque setting are all suggestive of the art and architecture styles found in the western Islamic world.

Read more less

Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes. In this design, her original characters, foliage and other details have been adapted by a Japanese artisan to create a new watercolour painting.

Read more less

French artist Claude Monet (1840–1926) was one of the founders of the Impressionist movement. Monet was particularly fascinated with portraying the beauty of nature as the light, shadows and colours changed with each passing moment, day or season. The 1897 painting reproduced on our cover portrays a vibrant bed of colourful chrysanthemums captured in Monet’s distinctive heavy brushstrokes, which beautifully highlight the magnificence of nature.

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William Morris (1834–1896), one of the most celebrated practitioners of the Arts and Crafts Movement, created woven and printed textile designs using the ancient technique of hand woodblock printing. As seen on this pencil case, his evocations of the natural world have become design classics.

Read more less

For the celestially minded and lovers of dark light, we present Nova Stella. This book cover, with its central star shape, exerts an emotional pull like the North Star for nighttime wayfarers. Our Nova Stella cover comes from the 1789 binding of Missale Sacri Ordinis Praedicatorum, printed during the Settecento period by Octavio Puccinelli publishers. During this time bookbinding became at once simpler and yet more complex. The sewing was done on recessed cords to give the spines a smooth appearance and so, while the structure of books was uncomplicated, decoration became increasingly elaborate.

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This Baroque-inspired cover comes from a 1725 binding of The Decameron of Giovanni Boccaccio, a masterpiece of Italian literature. Giovanni Boccaccio (1313–1375) was an Italian writer and poet who helped lay the foundations of Renaissance humanism. With its scope from humour to tragedy and its vivid narrative structure, The Decameron – his defining work – remains an affirmation of humanity and moral values even when read today.

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This striking Art Deco design comes from the celebrated British bookbinder Sybil Pye (1879–1959). It was crafted to hold a collection of William Wordsworth’s poems illustrated by Pye’s lifelong friend Thomas Sturge Moore. One of the youngest pre–First World War women binders, Pye was the only binder in England who specialized in inlaid leather bindings. With this series, we pay tribute to a pioneering woman in the art of book design.

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A brilliant 16th-century Cairo workshop is responsible for this journal cover design. Though the name of that atelier has been lost to history, the detailed pattern and fine materials used show why books from the workshop were so highly prized. Today the original binding can be found in the collection of the Museum Kunstpalast in Düsseldorf, Germany.

Read more less