Search results for ""author painters"

First English translation of Mörike's strikingly modern artist-novel of 1832. When one thinks of German artist-novels and Bildungsromane, works long available in translation come to mind--by Goethe, Novalis, Hoffmann, Stifter, Keller, or more recently by Mann, Kafka, Musil, or Grass. Yet Eduard Mörike's provocatively subtitled Maler Nolten: Novelle in zwei Teilen (Nolten the Painter: A Novella in Two Parts, 1832) has remained neglected and misunderstood, and until now has never been translated into English, despite itsobvious ties to other artist-novels and its striking modernity in playing with conventions of narrative authority and heroic identity. Witness the subtle irony of the opening sequence, in which the narrator is subverted by hintsat his own clumsiness and intimations about the dire truths that lurk behind the protagonist Nolten's relationships to his male friends and to the seductive yet somehow frightening women in his life. Or the interplay between the narrator's attempts to make sense of Nolten's complex inner motivations in his loves and art and the ludicrously pompous pathos with which Nolten persists in speaking and thinking, as he concocts a heroic persona caught up in passion, intrigue, and tragedy. Fascinating too is the mysterious trail of the "Grenzgänger," or border-line characters, with their hints at the dimension of "Gypsies, Tramps, and Thieves" that seems to threaten and at the same time tofoster the complex unfolding of the realities of life and art that defy Nolten's all-too-artful "mastery." Raleigh Whitinger is Professor in the Department of Germanic Languages at the University of Alberta.

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George Stubbs (1724-1806), now recognized as one of the greatest and most original artists of the eighteenth century, stands out from other practitioners in the field of animal painting. His most frequent commissions were for paintings of horses, dogs, and wild animals, and his images invariably arrest attention and frequently strike a deeply poetic note. Stubbs did not emerge as a painter until he was in his mid-thirties, but then his genius flowered astonishingly. He steadily celebrates English sporting and country life and reveals himself—in his “incidental” portraits of jockeys and grooms, for example—as a perceptive observer of different levels of social behavior. Among his many experiments with technique were his chemical experiments with painting in enamels, first on copper and later on earthenware “tablets,” manufactured for him in Wedgwood's potteries.This is the first full catalogue of Stubbs's paintings and drawings. Along with the full catalogue entries, the book offers a lengthy study of Stubbs's art and career. Published for the Paul Mellon Centre for Studies in British Art

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Transform your photographs into stunning works of art with this fully updated, authoritative guide to the all-new Painter 12. Whether you are new to Painter or a seasoned pro wanting to go further with your digital art, Painter 12 for Photographers will show you how to get the most of Corel's powerful painting software.Starting with the basics and moving on to cover brushes, textures, cloning, toning, and other effects, Martin Addison will help you master the techniques needed to transform photographs into beautiful painterly images. Packed with vivid images to illustrate what can be achieved with the right skills and know-how, Painter 12 for Photographers will inspire you to get creative with your photographs.

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Louis loves to watch birds. He takes care of injured birds and studies how they look and how they move. His father wants him to become an engineer, but Louis dreams of being a bird artist. To achieve this dream, he must practice, practice, practice. He learns from the art of John James Audubon. But as Louis grows up, he begins to draw and paint living, flying birds in their natural habitats. Louis Agassiz Fuertes (1874–1927) is now known as the father of modern bird art. He traveled with many scientific expeditions all over the world. His best-known works—paintings for habitat exhibits at the American Museum of Natural History in New York—are still beloved by visitors today. His art helped to encourage wildlife conservation, inspiring people to celebrate and protect the world of wings. Poems by Newbery Honor–winning author Margarita Engle and illustrations by Aliona Bereghici capture the life of Louis Fuertes and the deep sense of wonder that he felt when he painted the sky.

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Three essays by leading scholars in the field of Japanese art explore Sesson’s unique existence and unconventional painting style, as well as how scholarly perceptions of the artist have changed over time. Fifty-three entries highlight major works by Sesson as well as those by other artists before, during, and after his time. Sesson Shukei stands out as an anomaly in the history of Japanese art. Among the vast canon of Japanese ink painting, Sesson departed from convention. Inspired by the untamed landscape of the eastern regions of Japan, Sesson led a peripatetic existence caused by a lifetime of experiencing warfare and upheaval—yet he created some of the most visually striking images in the history of Japanese ink painting. This publication explores new ways of understanding and interpreting one of Japan’s greatest painters and the world that shaped him.

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Raphael arrived in Rome in 1508 and remained there until his death in 1520, working as painter and architect for popes Julius II and Leo X and for the most prestigious patrons. Here the artist changed his painting style several times, looking at the works of Michelangelo, Sebastiano del Piombo and the vast repertoire of ancient painting and sculpture. In the Eternal City Raphael practised architecture for the first time, designing buildings that reflected the models of Antiquity such as the Pantheon, the descriptions deriving from written sources such as Vitruvius' treaty on architecture, and the examples of modern architects like Donato Bramante. This guide supplies essential and up to date information on all the civil or religious buildings designed or built by Raphael in Rome, and the frescoes and paintings, housed in churches or museums, whether executed in the city or arrived there at a later stage.

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In this remarkable book, Henry Martin invites us to study in close detail van Gogh’s painting ‘The Good Samaritan’, and the famous parable told by Jesus of Nazareth. He asks what lessons we can learn from meditation upon the imagery and each of the characters portrayed. Questions for discussion and reflection on each chapter help us to relate the themes and challenges of the parable to our lives and the world we live in today. The book is also an engaging, personal study of van Gogh, the tragic genius of his life, and the struggles he faced which may have informed both his process and his spirituality. Martin has translated many of van Gogh’s letters, and, as an artist himself, brings a unique perspective to our understanding of both the painter and the parable.

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A lyrically told, exquisitely illustrated biography of influential Jewish artist and activist Ben Shahn “The first thing I can remember,” Ben said, “I drew.” As an observant child growing up in Lithuania, Ben Shahn yearns to draw everything he sees—and, after seeing his father banished by the Czar for demanding workers’ rights, he develops a keen sense of justice, too. So when Ben and the rest of his family make their way to America, Ben brings both his sharp artistic eye and his desire to fight for what’s right. As he grows, he speaks for justice through his art—by disarming classmates who bully him because he’s Jewish, by defying his teachers’ insistence that he paint beautiful landscapes rather than true stories, by urging the US government to pass Depression-era laws to help people find food and jobs. In this moving and timely portrait, award-winning author Cynthia Levinson and illustrator Evan Turk honor an artist, immigrant, and activist whose work still resonates today: a true painter for the people.

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The definitive introduction to the artist Mary Cassatt, placing her work in the wider context of 19th-century feminism and art theory. A close ally of Camille Pissarro, Berthe Morisot and Edgar Degas, Mary Cassatt was the only American painter at the heart of the Impressionist group in Paris. Highly respected on both sides of the Atlantic, Cassatt was a forthright advocate for women’s intellectual, creative and political emancipation. She brought her discerning gaze and compositional inventiveness across many media to the subtle social interactions of women in public and private spaces, such as at the theatre, and in moments of intimacy with children, where she was one of the most attentive and unsentimental analysts of the infant body and the child’s emerging personality. Tracing key moments in Cassatt’s long career, art historian Griselda Pollock highlights Cassatt’s extensive artistic training across Europe, analysing her profound study of Old Masters while revealing her intelligent understanding of both Manet and Courbet. Pollock also provides close readings of Cassatt’s paintings and her singular vision of women in modernity. Now revised with a new preface, updates to the bibliography and colour illustrations throughout, this book offers a rich perspective on the core concerns of a major Impressionist artist through the frames of class, gender, space and difference.

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Paul Cézanne – a solitary genius who overcame opposition from his family, friends and the official Salon – made painting the sole preoccupation of his life. He worked unceasingly to realize his vision of a 'harmony parallel to nature', investigating the logic of colours and re-creating space. Mocked by Parisian critics, he withdrew to Provence where he laboured quietly until a later generation hailed him as the father of a new art. Here is his story, told in his own words, in those of his friends, and in the accolades of great artists, philosophers and critics.

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The sixteen studies in this book include six specially translated from Greek and another two published here for the first time. They deal with the art of painting in Crete at a time when the island was under Venetian rule. The main emphasis is on the 15th century and especially on the painter Angelos. More than thirty icons with his signature survive, and at least twenty more can be reliably attributed to him. Angelos was the most significant artist of a particularly significant era. It was at this time that the centre of artistic production migrated from Constantinople, the capital of the Byzantine Empire to Candia, the capital of Venetian-occupied Crete. These studies try to reconstruct the personality of this late Byzantine painter, Angelos, not only through his icons but also through his will (1436), now in the State Archives in Venice. In this context they also explore the status of the Cretan painter in society. The large number of extant Cretan icons clearly indicates the striking increase in production from the 15th century onwards. Similarly, archival documents are used to examine the trade of icons in Crete and the way Cretan artists had to organize their workshops in order to meet the requirements of the market.

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The feel-good, hilarious and swoon-worthy new book from the author of MR WRONG NUMBER'I was obsessed with Hallie and Jack right from the start' 5* READER REVIEW'Lynn Painter never fails to make the best romcoms and this was no different! This had EVERYTHING - fake dating, only one bed, jealous love interest - I loved every SECOND!' 5* READER REVIEW'I already know this is going to be one of my favourites of the year . . . Just perfection. I want to read this book again already' 5* READER REVIEW__________After yet another disastrous date, Hallie Piper decides it's time to grow up.She gets a new apartment, a new haircut, and a new wardrobe. But when she logs into an app to find new love, she matches with none other than Jack: the guy the wrong kind of sparks had flown with just weeks earlier.Agreeing that they are absolutely not interested in each other, Jack and Hallie realise that they're each other's perfect wing-person - and join forces in their searches for The One. They even place a wager on who can find romance first.But when they agree to be fake dates for a wedding, all bets are off.Because as they pretend to be a couple, they struggle to remember why dating for real was a bad idea to begin with . . .__________Readers are head-over-heels for THE LOVE WAGER . . .'I had an absolute blast reading this book! I was consistently laughing out loud . . . This book is fun and entertaining and I didn't want to put it down' 5* READER REVIEW'I LOVED this book! Read this if you love: fake dating, bookish/Jane Austen inspired banter, heroes who fall first, flirty texts, dual POV' 5* READER REVIEW'There is something about Lynn Painters writing that is so addictive and you can't help but fly through her books because you just don't want to put the book down' 5* READER REVIEW'Beautifully written, it was heartfelt and a little bit emotional. The friends-to-lovers and fake dating was amazing. Hallie and Jack were hilarious, I was actually laughing out loud' 5* READER REVIEW'An adorable, perfect read that I would happily fall in love with again and again and again' 5* READER REVIEW'This was funny and sweet and such an absolute joy to read' 5* READER REVIEW'This book had me hooked from start to end' 5* READER REVIEWPraise for Lynn Painter'The most sidesplittingly funny, sexual tension-filled book I've read in a long, long time. I dare you not to fall in love!' ALI HAZELWOOD, author of THE LOVE HYPOTHESIS 'Smart, sexy, and downright hilarious. Mr Wrong Number is an absolutely pitch-perfect romantic comedy' CHRISTINA LAUREN, author of THE UNHONEYMOONERS

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This collection of six Level 3 Ready-to-Reads is filled with fascinating true stories of American History from the Colonial era to the Space Age!The action-packed Secrets of American History series teaches readers that history is full of surprises! Want to know what invisible ink has to do with the American Revolution? Or why inflatable army tanks were used in World War II? Did you know that Julia Child helped invent shark repellant for the US? Or why can’t you bring a sandwich to the moon? Find out in this fact-filled series of fascinating true tales, wild adventures, and spy missions, and discover the surprising side of American history! A special section at the back of each book includes bonus content on subjects like science, social studies, and math, activities like a recipe for invisible ink and a secret code, and more. There are even fun quizzes so readers can test themselves to see what they’ve learned! Learning about history has never been so much fun! This carry-along boxed set with a plastic handle and velcro closure includes: The Founding Fathers Were Spies! Secret Agents! Sharks! Ghost Armies! Heroes Who Risked Everything for Freedom Fearless Flyers, Dazzle Painters, and Code Talkers! You Can’t Bring a Sandwich to the Moon…and Other Stories About Space! Mount Rushmore’s Hidden Room and Other Monuments

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Bringing into relief the singularity of Barry's unswerving commitment to his vision for history painting despite adverse cultural, political and commercial currents, these essays on Barry and his contemporaries offer new perspectives on the painter's life and career. Contributors, including some of the best known experts in the field of British eighteenth-century studies, set Barry's works and writings into a rich political and social context, particularly in Britain. Among other notable achievements, the essays shed new light on the influence which Barry's radical ideology and his Catholicism had on his art; they explore his relationship with Reynolds and Blake, and discuss his aesthetics in the context of Burke and Wollstonecraft as well as Fuseli and Payne Knight. The volume is an indispensable resource for scholars of eighteenth-century British painting, patronage, aesthetics, and political history.

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No punches are pulled in this fascinating biography that covers the life and work of the prolific artist George Bellows. Having spent most of his adult life in New York City, Bellows left behind an extraordinary body of work that captures life in this dynamic city: bustling street scenes, ringside views of boxing matches, and boys diving and swimming in the East River. Art reproductions and photographs from his youth round out the book.

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It remains a stroke of fortune that in the turbulent times of the 17th century with its numerous cultural and military upheavals the artistic depiction of human life took a similarly rapid and proliferous development. Never before in history had society in all its squalor and splendor been presented in so many pictures of outstanding artistic quality. At the end of the 16th century the Golden Age of Painting began to evolve especially in the Low Countries. Many contemporary paintings also show events from the Eighty Years War, the United Provinces' struggle for independence from Spain. However, an entire generation of artists also chose to paint events from the great European conflict which erupted at the same time: the Thirty Years War. Born in Antwerp, Pieter Snayers was a fairly typical representative of this generation of painters. From a military historian's point of view, his works are considered particularly authentic. Many of his paintings showing sieges betray meticulous care in the depiction of the cities and fortresses concerned. Snayers' topographical and analytical approach remains unsurpassed. Even his paintings of major battles (which rarely occurred) defy any form of profound criticism. Snayers' rendering of the everyday life of the common people involved is straightforward, graphic and occasionally dramatic. We are thus able to gain insight into the events of his time unimpeded by cliches and historic myth. Pieter Snayers' works are on display in numerous collections worldwide. With the help of his paintings, many of which are very large in format, this lavishly illustrated book will seek to relate the history of the conflicts depicted. Author Roland Sennewald has compiled a collection of more than 100 of Snayers' works from all over the world, creating an impressive testimony of his creative talent and relating the story of both the Eighty and Thirty Years Wars, and the times before and after.

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A researched study on two of art's most fundamental themes, Colour and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of under appreciated masters who perfected the use of colour and light, the book examines how light reveals form, the properties of colour and pigments, and the wide variety of atmospheric effects. Gurney cuts through the confusing and contradictory dogma about colour, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensable tool for any artist. This book is the second in a series based on his blog, gurneyjourney.com. His first in the series, Imaginative Realism, was widely acclaimed in the fantastical art world, and was ranked no.1 bestseller on the Amazon list for art insturction.

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Offers an exhaustive account of this unique human, artistic and intellectual adventure through a comprehensive and up-to-date art historical analysis of Leonardo's work. Accompanied by spectacular illustrations. In the Quattrocento, an era when the representation of the human figure was dominated by timeless images based on Botticelli's example, Leonardo worked with light and colour to achieve a modelling that would restore three-dimensionality to the face and soften the rigours of perspective in a misty landscape, no longer a mere backdrop but a vivid pictorial transposition of careful scientific studies and refined psychological analyses. In Leonardo's pictures, it is the changing atmospheric conditions that complement and breathe life into the delicate rendering of the forms and the emotional experiences of the subjects. Thus the artist created powerfully expressive religious pictures and secular portraits that have a modern and disquieting quality in which the faces are true 'windows of the soul', highlighting a silent psychological dialogue between the painting's subject and the observer. Artistic innovations are sustained by a new sensitivity, as well as by study of the refraction of colour, to which much space is dedicated in the Florentine master's theoretical writings. The present book offers an exhaustive account of this unique human, artistic, and intellectual adventure through a comprehensive and up-to-date art historical analysis of Leonardo's work accompanied by spectacular illustrations.

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A contemporary and accessible foundation of color theory and advanced techniques for the oil painter at every skill level "In The Oil Painter's Color Handbook, Todd Casey presents priceless information that every art school should teach and every art student should learn. The book breaks down the subject of color into useful pieces of knowledge that painters can put into practice. He analyzes color in terms of light, value, pigment, mixing strategies, palette arrangements, and painting techniques. Each topic is clearly and succinctly explained in the text, illustrated with captions, charts, diagrams, and finished paintings. By the end of the book, the reader will have a clear understanding of how realist painters and illustrators have used color through history." - James Gurney, artist and author “This is the most impressive and complete book on color ever produced. It covers a wide range of color concepts, including some I'd never seen before. It digs deeply into color harmony, techniques, and has powerful examples to demonstrate every concept.” - Eric Rhoads, Publisher, Fine Art Connoisseur Magazine From Todd M. Casey, acclaimed artist and expert teacher, The Oil Painter’s Color Handbook: A Contemporary Guide to color Mixing, Pigments, Palettes, and Harmony provides everything the oil painter needs to understand all aspects of color and empowers the reader to paint with confidence. As Casey notes, every artist and artist-in-training must learn how to “master the main concepts of picture-making: drawing, light, shadow, value, form, composition, and color.” A follow-up to the bestselling The Art of Still Life: A Contemporary Guide to Classical Techniques, Composition, and Painting in Oil (Monacelli, 2020), The Oil Painter’s Color Handbook begins with an in-depth look at the use of color throughout art history. Casey then breaks down the process of understanding color into easily digestible lessons—each clearly explained and richly illustrated with both historic and contemporary paintings—so that the reader can learn progressively and layer more complex ideas as each skill is achieved. Through clear instruction, step-by-step demonstrations, and challenging exercises, readers will learn to apply these techniques and concepts to their own painting. Once educated with this fundamental knowledge, as an artist, one can begin to find the balance between the science and emotional intuition in creating art. This informative and visually dynamic book will be accessible and appealing to artists, art students, and art instructors, to serious amateurs and hobbyists.

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A provocative study of a freedman painter that recognizes the labor of enslaved artists and artisans in seventeenth-century Spain Diego Velázquez’s portrait of Juan de Pareja (ca. 1608–1670) has long been a landmark of European art, but this provocative study focuses on its subject: an enslaved man who went on to build his own successful career as an artist. This catalogue—the first scholarly monograph on Pareja— discusses the painter’s ties to the Madrid School of the 1660s and revises our understanding of artistic production during Spain’s Golden Age, with a focus on enslaved artists and artisans. The authors illuminate the highly skilled labor within Seville’s multiracial society; the role of Black saints and confraternities in the promotion of Catholicism among enslaved populations; and early twentieth-century scholar Arturo Schomburg’s project to recover Pareja’s legacy. The book also includes the first illustrated and annotated list of known works attributed to Pareja. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule:The Metropolitan Museum of Art, New York (April 3–July 16, 2023)

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In Portrait of a Young Painter, the distinguished historian Mary Kay Vaughan adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Her chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. In an analysis encompassing the mass media, schools, politics, family, sexuality, neighborhoods, and friendships, she subtly invokes theories of discourse, phenomenology, and affect to examine the formation of Zúñiga's persona in the decades leading up to 1968. By discussing the influences that shaped his worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.

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A BBC RADIO 4 BOOK OF THE WEEK 'A great, thrusting codpiece of a book. It is big, bombastic and richly brocaded... A jewel in its own right' The Times 'Evokes the painter and his world as vividly as a Holbein masterpiece. Beautifully written and illustrated, this book is a must for lovers of Tudor history' Tracy Borman Full of insight... This is a gorgeous book, to which I am sure I shall return again and again' Dan Jones Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realised portraiture, which includes representations of Henry VIII, Thomas More, Thomas Cromwell, Anne of Cleves, Jane Seymour and an array of the Tudor lords and ladies he encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the world of the Henrician court, Holbein was a protean and multi-faceted genius: a humanist, satirist, political propagandist, and contributor to the history of book design as well as a religious artist and court painter. The rich layers of symbolism and allusion that characterise his work have proved especially fascinating to scholars. Franny Moyle traces and analyses the life and work of an extraordinary artist against the backdrop of an era of political turbulence and cultural transformation, to which his art offers a subtle and endlessly refracting mirror.

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Scholars have traditionally focused on the subjects and meanings of Hieronymus Bosch's works, whereas issues of painting technique, workshop participation, and condition of extant pictures have received considerably less attention. Since 2010, the Bosch Research and Conservation Project has been studying these works using modern methods. The team has documented Bosch's extant paintings with infrared reflectography and ultra high-resolution digital macro photography, both in infrared and visible light. Together with microscopic study of the paintings, this has enabled the team to write extensive and critical research reports describing the techniques and condition of the works, published in this extraordinary volume for the first time.Distributed for Mercatorfonds

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Art critic Martin Gayford, author of The Yellow House, brings the Regency period to life in Constable in Love: Love, Landscape and the Making of a Great Painter his account of the life of English Romantic painter John Constable. Love, not landscape, was the making of Constable. . . John Constable and Maria Bicknell might have been in love but their marriage was a most unlikely prospect. Constable was a penniless painter who would not sacrifice his art for anything, while Maria's family frowned on such a penurious union. For seven long years the couple were forced to correspond and meet clandestinely. But it was during this period of longing that Constable developed as a painter. And by the time they'd overcome all obstacles to their marriage, he was on the verge of being recognised as a genius.Martin Gayford brings alive the time of Jane Austen in telling the tremendous story of Constable's formative years, as well as this love affair's tragic conclusion which haunted the artist's final paintings.'Delightful...a small drama of love, frustration and despair played itself out with massive repercussions for the history of painting' Financial Times'Gayford's nuanced narrative throws much-needed fresh light, as well as real understanding, on both Constable's painting and his love life' Sunday Telegraph'A scrupulously observed tragical-comical tale' Evening StandardMartin Gayford is a celebrated art critic and journalist who has written for the Spectator and the Sunday Telegraph and is the current Chief European Art Critic for Bloomberg. In his other book The Yellow House: Van Gogh, Gauguin and Nine Turbulent Weeks in Arles Gayford depicts the period in which artistic geniuses van Gogh and Gauguin shared a house in the small French town of Arles.

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In Portrait of a Young Painter, the distinguished historian Mary Kay Vaughan adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Her chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. In an analysis encompassing the mass media, schools, politics, family, sexuality, neighborhoods, and friendships, she subtly invokes theories of discourse, phenomenology, and affect to examine the formation of Zúñiga's persona in the decades leading up to 1968. By discussing the influences that shaped his worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.

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Each volume in this innovative series is devoted to a subject that every child already knows from personal experience. The works of art chosen for each book show the many different ways great artists have perceived and expressed that very subject. Author Colleen Carroll's engaging, conversational text is filled with thought-provoking questions and imaginative activities that spark children's natural curiosity both about the subject of the artwork and about the way it was created. This direct, interactive approach to art - and to the world - promotes self-exploration, self-discovery, and self-expression. As it introduces basic artistic concepts, styles, and techniques, it also provides loads of fun. For children who want to know more about the artists whose works appear in the book, biographies are provided at the end, along with suggestions for further reading and an international list of museums where each artist's works can be seen. As they begin to understand the multitude of ways that artists see, children will deepen their appreciation of art, the world around them, and, most importantly, their own unique visions.

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The Worlds of Jacob Eichholtz explores the life and times of an oft-overlooked figure in early American art. Jacob Eichholtz (1776–1842) began his career in the metal trades but with much practice, some encouragement from his friend Thomas Sully, and a few weeks instruction from America’s preeminent portraitist, Gilbert Stuart, he transformed himself into one of the nation’s most productive portrait painters. Eichholtz worked primarily in the Middle Atlantic region from his homes in Lancaster and Philadelphia. While Stuart and Sully concentrated on the elite of American society, Eichholtz captured the images of a rising middle class with its craftsmen, merchants, doctors, lawyers, and their families. From a lifetime that spanned the American Revolution to the Industrial Revolution, and a career that produced more than 800 paintings, Eichholtz offers a collective portrait of early American culture in the first half of the nineteenth century.The Worlds of Jacob Eichholtz begins with four insightful essays by Thomas Ryan, David Jaffee, Carol Faill, and Peter Seibert that examine Eichholtz’s life and work. The second part of the book—a visual essay—brings together for the first time more than 100 color reproductions of Eichholtz’s work. These images include over 60 oil-on-canvas portraits, more than 30 profiles on panel, and seven of the landscape, historical, or biblical paintings he produced. Also illustrated are artifacts associated with Eichholtz and his family, examples of the tinsmith’s and coppersmith’s trade, and the work of artists who influenced his career. The Worlds of Jacob Eichholtz promises to be the finest color catalog of Eichholtz’s oeuvre for years to come. This book, made possible by the Richard C. von Hess Foundation, accompanies a major three-part exhibition that will run concurrently at the Lancaster County Historical Society, the Heritage Center Museum of Lancaster County, and the Phillips Museum of Art at Franklin & Marshall College from April through December 2003.

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The topic of the workshop entitled 'Role and status of journeyman in artists' and craftmen's workshops in the Low Countries c. 1450 - c. 1650', held in Groningen, 23-24 May 2003, grew out of archival and material-technical research on workshop practices. As a result of this research it gradually became clear that more knowledge about the social and economic mechanisms of art production was required in order to study the painters' workshop. Such research frequently moves in two or more directions, and in this case the workshop proceeded on the basis of two questions: how can socially and economically oriented historical research help art historians, and what can art historical, and material and technical research add to corporate history of the painter's guild? Geographically, the case studies in this volume deal with southern Netherlandish towns, in particular Antwerp, Brussels, Mechelen, Ghent and Bruges. One essay focuses on the Dutch Republic. Chronologically, the contributions treat the late Middle Ages and early Modern Period (c. 1450 and c. 1650). From an artistic point of view, this era can be characterized as the long 'Golden Age' of Flemish painting. The epoch witnessed the apogee of the art of the Flemish Primitives and the rise of the successful genre of Antwerp Mannerism. It also witnessed the start of the influence of the Italian Renaissance on Flemish art, the rise of Antwerp over the course of the sixteenth century as the vanguard of new genres which were exported all over the world, and the international triumph of the Flemish Baroque after 1610.

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