Search results for ""author mark twain""

Mark Twain’s Hawaii: A Humorous Romp through Paradise, combines Twain’s own writings on Hawaii with personal reminiscences by others who met him at that time, and traces Twain’s journey through the region just as he experienced it in 1866. The heavily illustrated book highlights Twain’s humor, travel in the 19th century, history, social commentary, and the exotic locale. Mark Twain’s wit and wisdom is timeless—his observations on Hawaii, some of which formed part of the classic Roughing It are collected here in an authoritative and entertaining volume for Twain fans and Hawaii enthusiasts.

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Little treasures, the FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning, gift edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader. One of the most beloved and influential books in American literature, Mark Twain’s The Adventures of Huckleberry Finn is a comic yet incisive portrait of 19th century America. Told from the perspective of Huck Finn, a good-hearted if wayward thirteen-year-old, it vividly recounts his adventures as he escapes his abusive home and embarks on a journey down the Mississippi River along with Jim, a runaway slave. Through the eyes of Huck, and particularly his relationship with Jim, Twain confronts the hypocrisy of a society that clings to slavery and entrenched racial prejudice while claiming to be the land of the free. The FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library.

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You don't know about me, without you have read a book by the name of "The Adventures of Tom Sawyer", but that ain't no matter. So begins, in characteristic fashion, one of the greatest American novels. Narrated by a poor, illiterate white boy living in America's deep South before the Civil War, Adventures of Huckleberry Finn is the story of Huck's escape from his brutal father and the relationship that grows between him and Jim, the slave who is fleeing from an even more brutal oppression. As they journey down the Mississippi their adventures address some of the most profound human conundrums: the prejudices of class, age, and colour are pitted against the qualities of hope, courage, and moral character. Enormously influential in the development of American literature, Huckleberry Finn remains a controversial novel at the centre of impassioned critical debate. This edition discusses all the current issues and the evolution of Mark Twain's penetrating genius. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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"The most consistent of all series in terms of language control, length, and quality of story." David R. Hill, Director of the Edinburgh Project on Extensive Reading.

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A fascinating picture of the American frontier emerges from Twain's fictionalized recollections of his experiences prospecting for gold, speculating in timber, and writing for a succession of small Western newspapers during the 1860s.

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"A Connecticut Yankee" is Mark Twain's most ambitious work, a tour de force with a science-fiction plot told in the racy slang of a Hartford workingman, sparkling with literary hijinks as well as social and political satire. Mark Twain characterized his novel as "one vast sardonic laugh at the trivialities, the servilities of our poor human race". The Yankee, suddenly transported from his native nineteenth-century America to the sleepy sixth-century Britain of King Arthur and the Round Table, vows brashly to "boss the whole country inside of three weeks". And so he does. Emerging as "The Boss", he embarks on an ambitious plan to modernize Camelot - with unexpected results.

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"All modern American literature comes from one book by Mark Twain called Huckleberry Finn," Ernest Hemingway once declared. First published in 1885, the book has delighted millions of readers, while simultaneously riling contemporary sensibilities, and is still banned in many schools and libraries. Now, Michael Patrick Hearn, author of the best-selling The Annotated Wizard of Oz, thoroughly reexamines the 116-year heritage of that archetypal American boy, Huck Finn, and follows his adventures along every bend of the mighty Mississippi River. Hearn's copious annotations draw on primary sources including the original manuscript, Twain's revisions and letters, and period accounts. Reproducing the original E. W. Kemble illustrations from the first edition, as well as countless archival photographs and drawings, some of them previously unpublished, The Annotated Huckleberry Finn is a book no family's library can do without; it may well prove to be the classic edition of the great American novel.

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Mark Twain's brilliant 19th-century novel has long been recognised as one of the finest examples of American literature. Rich in authentic dialect, folksy humour and sharp social commentary, Twain's classic tale follows Huckleberry Finn and Jim the runaway slave on an exciting journey down the Mississippi. Each beautiful book is unabridged and features extraordinary art, a ribbon marker and the highest quality paper. A series of insightful questions appear at the end of each volume to encourage discussion and a deeper understanding of these enduring works.

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In a very small town, on the banks of the Mississippi, with his aunt Polly, his cousin Mary, and his half-brother Sid, lives the naughtiest, wildest, unruliest… good boy in America: Tom Sawyer.

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The year 2010 marked the 100th anniversary of Mark Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press published "Autobiography of Mark Twain, Volume 1", the first of a projected three-volume edition of the complete, uncensored autobiography. The book became an immediate bestseller and was hailed as the capstone of the life's work of America's favorite author. This Reader's Edition, a portable paperback in larger type, republishes the text of the hardcover "Autobiography" in a form that is convenient for the general reader, without the editorial explanatory notes. It includes a brief introduction describing the evolution of Mark Twain's ideas about writing his autobiography, as well as a chronology of his life, brief family biographies, and an excerpt from the forthcoming "Autobiography of Mark Twain, Volume 2" - a controversial but characteristically humorous attack on Christian doctrine.

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'You ought to see Livy & me, now-a-days - you never saw such a serenely satisfied couple of doves in all your life. I spent Jan 1, 2, 3 & 5 there & left at 8 last night. With my vile temper & variable moods, it seems an incomprehensible miracle that we two have been right together in the same house half the time for a year & a half, & yet have never had a cross word, or a lover's 'tiff,' or a pouting spell, or a misunderstanding, or the faintest shadow of a jealous suspicion. Now isn't that absolutely wonderful? Could I have had such an experience with any other girl on earth? I am perfectly certain I could not...We are to be married on Feb. 2d'. So begins Volume 4 of the letters, with Samuel Clemens anticipating his wedding to Olivia L. Langdon. The 338 letters in this volume document the first two years of a loving marriage that would last more than thirty years. They recount, in Clemens' own inimitable voice, a tumultuous time: a growing international fame, the birth of a sickly first child, and the near-fatal illness of his wife. At the beginning of 1870, fresh from the success of "The Innocents Abroad", Clemens is on 'the long agony' of a lecture tour and planning to settle in Buffalo as editor of the "Express". By the end of 1871, he has moved to Hartford and is again on tour, anticipating the publication of "Roughing It" and the birth of his second child. The intervening letters show Clemens bursting with literary ideas, business schemes, and inventions, and they show him erupting with frustration, anger, and grief, but more often with dazzling humor and surprising self-revelation. In addition to "Roughing It", Clemens wrote some enduringly popular short pieces during this period, but he saved some of his best writing for private letters, many of which are published here for the first time.

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Following Sterlings spectacularly successful launch of its childrens classic novels (240,000 books in print to date),comes a dazzling new series: Classic Starts. The stories are abridged; the quality is complete. Classic Starts treats the worlds beloved tales (and children) with the respect they deserve--all at an incomparable price."Tom Sawyer liked adventures, which means he was always getting in trouble." Searching for treasure, witnessing a murder, getting caught in a bat cave, tricking others into doing his work, running away with Huckleberry Finn--Tom Sawyers antics and mischief-making are sheer, child-pleasing delight. Every boy and girl should experience the joy and fun of this classic tale.

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This 125th Anniversary edition of "Adventures of Huckleberry Finn" is expanded with thoroughly updated notes and references, and a selection of original documents - letters, advertisements, and playbills - some never before published, from Twain's first book tour.

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One night, innocent games of pirates and Robin Hood turn serious when the boys witness a murder in the graveyard. The murderer will kill them if they tell the truth. What should they do? The boys decide to search for the murderer’s treasure. What risks will they take? Who else will they endanger? Will they have the courage and quick thinking to escape from dark caverns, cross the mighty Mississippi, and outwit the criminals? Will they find what they are looking for?

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From the Mark Twain Project comes a freshly informed look at Twain’s controversial Civil War story “The Private History of a Campaign That Failed.” Twenty years after Appomattox, Twain published a highly fictionalized account of his two-week stint in the Confederate Army. Ostensibly this told what he did (or, in his own words, why he “didn’t do anything”) in the war; but the article was criticized as disingenuous, and it did little to address a growing curiosity about the nature of his brief military service. The complex political situation in Missouri during the early months of the war and Twain’s genius for transforming life into fiction have tended to obstruct historical understanding of “The Private History”; interpretations of Samuel Clemens’s enthusiastic enlistment, sedulous avoidance of combat, and abandonment of the rebellion have ranged from condemnation to celebration. Aided by Twain’s notes and correspondence— transcribed and published here for the first time—Benjamin Griffin of UC Berkeley’s Mark Twain Project offers a new and cogent analysis, particularly of Clemens’s multiple revisions of his own war experience. A necessity for any Twain bookshelf, Mark Twain’s Civil War sheds light on a great writer’s changeable and challenging position on the deadliest of American conflicts.

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A beautiful hardcover repackaging of this timeless classic from the publishers of the Autobiography of Mark Twain and in partnership with the Mark Twain Project. This definitive edition of The Adventures of Tom Sawyer, one of the world’s best-loved books, was the first version since the original publication to be based directly on the author’s manuscript. It includes all of the “200 rattling pictures” Mark Twain commissioned from one of his favorite illustrators, True W. Williams. Prepared by the Mark Twain Papers, the official archive of Sam Clemens’s papers at the University of California, Berkeley, this volume also contains a wealth of helpful explanatory notes, along with a selection of original documents by Mark Twain, including several letters in his inimitable voice about writing Tom Sawyer and about its original publication—everything the discerning reader needs to enjoy this classic of American literature again and again.

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Irreverent, charming, eminently quotable, this handbook--an eccentric etiquette guide for the human race--contains sixty-nine aphorisms, anecdotes, whimsical suggestions, maxims, and cautionary tales from Mark Twain's private and published writings. It dispenses advice and reflections on family life and public manners; opinions on topics such as dress, health, food, and childrearing and safety; and more specialized tips, such as those for dealing with annoying salesmen and burglars. Culled from Twain's personal letters, autobiographical writings, speeches, novels, and sketches, these pieces are delightfully fresh, witty, startlingly relevant, and bursting with Twain's characteristic ebullience for life. They also remind us exactly how Mark Twain came to be the most distinctive and well-known American literary voice in the world. These texts, some of them new or out of print for decades, have been selected and meticulously prepared by the editors at the Mark Twain Project.

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Mark Twain's complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author's death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain's career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions. The eagerly-awaited Volume 2 delves deeper into Mark Twain's life, uncovering the many roles he played in his private and public worlds. Filled with his characteristic blend of humor and ire, the narrative ranges effortlessly across the contemporary scene. He shares his views on writing and speaking, his preoccupation with money, and his contempt for the politics and politicians of his day. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Editors: Benjamin Griffin and Harriet E. Smith Associate Editors: Victor Fischer, Michael B. Frank, Sharon K. Goetz and Leslie Diane Myrick

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Twain's account of travelling in Europe, A TRAMP ABROAD (1880), sparkles with the author's shrewd observations and highly opinionated comments on Old World culture, and showcases his unparalleled ability to integrate humorous sketches, autobiographical tidbits, and historical anecdotes in a consistently entertaining narrative. Cast in the form of a walking tour through Germany, Switzerland, France and Italy, A TRAMP ABROAD includes among its adventures a voyage by raft down the Neckar and an ascent of Mount Blanc by telescope, as well as the author's attempts to study art - a wholly imagined activity Twain 'authenticated' with his own wonderfully primitive pictures included in this volume.

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At the turn of the twentieth century Minnie Maddern Fiske, a New York actress, socialite, and animal rights activist, wrote to Mark Twain with an unusual request: for Twain to write about the evils of bullfighting equal to that of his anti-vivisectionist story A Dog’s Tale. Twain responded with A Horse’s Tale, a comic animal tale that doubled as a frontier adventure and political diatribe.A Horse’s Tale concerns Soldier Boy, Buffalo Bill Cody’s favorite horse, as the protagonist and sometime narrator at a fictional frontier outpost with the U.S. Seventh Cavalry. When the general’s orphaned niece arrives, Buffalo Bill takes her under his wing and ultimately lends her Soldier Boy so that they may seek adventure together. Twain uses the friendship between the girl and the horse as the basis for his eventual indictment of the barbarism of Spanish bullfighting. Twain’s novella is unusual for its complex tone—combining a comic children’s story and a dark portrait of animal cruelty. Including the themes of transatlantic relations and frontier culture, Twain offers a fresh look into the world of Buffalo Bill Cody from the perspective of one of America’s most beloved authors. First published in 1906 in Harper’s Monthly and as a single volume the following year, A Horse’s Tale never again appeared in print except in anthologies of Twain’s work. This edition includes the full text of Twain’s original story, an introduction that situates the work in historical and biographical context, thorough annotations, and the addition of significant archival material related to Twain, Cody, and Fiske.

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At the turn of the twentieth century Minnie Maddern Fiske, a New York actress, socialite, and animal rights activist, wrote to Mark Twain with an unusual request: for Twain to write about the evils of bullfighting equal to that of his anti-vivisectionist story A Dog’s Tale. Twain responded with A Horse’s Tale, a comic animal tale that doubled as a frontier adventure and political diatribe.A Horse’s Tale concerns Soldier Boy, Buffalo Bill Cody’s favorite horse, as the protagonist and sometime narrator at a fictional frontier outpost with the U.S. Seventh Cavalry. When the general’s orphaned niece arrives, Buffalo Bill takes her under his wing and ultimately lends her Soldier Boy so that they may seek adventure together. Twain uses the friendship between the girl and the horse as the basis for his eventual indictment of the barbarism of Spanish bullfighting. Twain’s novella is unusual for its complex tone—combining a comic children’s story and a dark portrait of animal cruelty. Including the themes of transatlantic relations and frontier culture, Twain offers a fresh look into the world of Buffalo Bill Cody from the perspective of one of America’s most beloved authors. First published in 1906 in Harper’s Monthly and as a single volume the following year, A Horse’s Tale never again appeared in print except in anthologies of Twain’s work. This edition includes the full text of Twain’s original story, an introduction that situates the work in historical and biographical context, thorough annotations, and the addition of significant archival material related to Twain, Cody, and Fiske.

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Mark Twain's letters for 1874 and 1875 encompass one of his most productive and rewarding periods as author, husband and father, and man of property. He completed the writing of The Adventures of Tom Sawyer, published the major collection Sketches, New and Old, became a leading contributor to the Atlantic Monthly, and turned The Gilded Age, the novel he had previously coauthored with Charles Dudley Warner, into one of the most popular comedies of the nineteenth-century American stage. His personal life also was gratifying, unmarred by the family tragedies that had darkened the earlier years of the decade. He and his wife welcomed a second healthy daughter and moved into the showplace home in Hartford, Connecticut, that they occupied happily for the next sixteen years. All of these accomplishments and events are vividly captured, in Mark Twain's inimitable language and with his unmatched humor, in letters to family and friends, among them some of the leading writers of the day. The comprehensive editorial annotation supplies the historical and social context that helps make these letters as fresh and immediate to a modern audience as they were to their original readers. This volume is the sixth in the only complete edition of Mark Twain's letters ever attempted. The 348 letters it contains, many of them never before published, have been meticulously transcribed, either from the original manuscripts (when extant) or from the most reliable sources now available. They have been thoroughly annotated and indexed and are supplemented by genealogical charts, contemporary notices of Mark Twain and his works, and photographs of him, his family, and his friends.

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This landmark anniversary edition contains a selection of Twain's hard-to-find letters and notes expressing his always-engaging opinions on the publication of "Tom Sawyer".

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Here is young Sam Clemens - in the world, getting famous, making love - in 155 magnificently edited letters that trace his remarkable self-transformation from a footloose, irreverent West Coast journalist to a popular lecturer and author of "The Jumping Frog", soon to be a national and international celebrity. And on the move he was - from San Francisco to New York, to St. Louis, and then to Paris, Naples, Rome, Athens, Constantinople, Yalta, and the Holy Land; back to New York and on to Washington; back to San Francisco and Virginia City; and, on to lecturing in Ohio, Michigan, Pennsylvania, and New York. Resplendent with wit, love of life, ambition, and literary craft, this new volume in the wonderful Bancroft Library edition of "Mark Twain's Letters" will delight and inform both scholars and general readers. This volume has been supported by the National Endowment for the Humanities, the Mark Twain Foundation, Jane Newhall, and The Friends of The Bancroft Library.

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Autobiography of Mark Twain READER'S EDITION Now Available! Half the Size, All the Twain! ISBN 978052027255 "I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away--to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion--to "talk only about the thing which interests you for the moment"--meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind." The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Editors: Harriet E. Smith, Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie Myrick

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With an Introduction and Notes by Stuart Hutchinson, University of Kent at Canterbury. Tom Sawyer, a shrewd and adventurous boy, is as much at home in the respectable world of his Aunt Polly as in the self-reliant and parentless world of his friend Huck Finn. The two enjoy a series of adventures, accidentally witnessing a murder, establishing the innocence of the man wrongly accused, as well as being hunted by Injun Joe, the true murderer, eventually escaping and finding the treasure that Joe had buried. Huckleberry Finn recounts the further adventures of Huck, who runs away from a drunken and brutal father, and meets up with the escaped slave Jim. They float down the Mississippi on a raft, participating in the lives of the characters they meet, witnessing corruption, moral decay and intellectual impoverishment. Sharing so much in background and character, these two stories, the best of Twain, indisputably belong together in one volume. Though originally written as adventure stories for young people, the vivid writing provides a profound commentary on provincial American life in the mid-nineteenth century and the institution of slavery.

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'Who could read the programme for the excursion without longing to make one of the party?' So Mark Twain acclaims his voyage from New York City to Europe and the Holy Land in June 1867. His adventures produced The Innocents Abroad, a book so funny and provocative it made him an international star for the rest of his life. He was making his first responses to the Old World - to Paris, Milan, Florence, Venice, Pompeii, Constantinople, Sebastopol, Balaklava, Damascus, Jerusalem, Nazareth, and Bethlehem. For the first time he was seeing the great paintings and sculptures of the 'Old Masters'. He responded with wonder and amazement, but also with exasperation, irritation, disbelief. Above all he displayed the great energy of his humour, more explosive for us now than for his beguiled contemporaries.

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A beautiful hardcover repackaging of this timeless classic from the publishers of the Autobiography of Mark Twain and in partnership with the Mark Twain Project. This definitive edition of Adventures of Huckleberry Finn was the only version of Mark Twain’s masterpiece based on his complete manuscript, including the 663 pages found in a Los Angeles attic in 1990. Prepared by the Mark Twain Papers, the official archive of Sam Clemens’s papers at the University of California, Berkeley, this volume features the gorgeous original illustrations that Twain commissioned from Edward Windsor Kemble and John Harley and also includes historical notes, a glossary, maps, selected manuscript pages, and even a gallery of letters, advertisements, and playbills from Twain’s first “book tour” to promote the original publication—everything the discerning reader needs to enjoy this classic of American literature again and again.

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Jumping frogs, high society, San Francisco’s Emperor Norton and the stray dogs that followed on his heels—nothing escaped Mark Twain’s scrutiny or his acerbic wit. Bernard Taper has gathered together a heady selection of newspaper articles, correspondence, poetry, and short stories that are humorous—sometimes exasperating and controversial—but always engaging. Edward Jump, a contemporary of Twain’s, offers through his lively illustrations a visual drum roll to Twain’s cantankerous prose. From earthquakes, scandals, and tantalizing bonanzas to elegant ladies blowing their noses in “exquisitely modulated tones,” Mark Twain has left us a vision of San Francisco that is at once fascinating and hilariously familiar.

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Sail down the Mississippi with Huck Finn and the runaway slave, Jim. Twain's beloved tale, with its folksy language, creates an indelible image of pre-Civil War America with its sleepy river towns, con men, family feuds and a variety of colourful characters. Abridged for easier reading and carefully rewritten, with Classic Starts[trademark], young readers can experience the wonder of timeless stories from an early age.

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Longtime admirers of Mark Twain are aware of how integral animals were to his work as a writer, from his first stories through his final years, including many pieces that were left unpublished at his death. This beautiful volume, illustrated with 30 new images by master engraver Barry Moser, gathers writings from the full span of Mark Twain's career and elucidates his special attachment to and regard for animals. What may surprise even longtime readers and fans is that Twain was an early and ardent animal welfare advocate, the most prominent American of his day to take up that cause. Edited and selected by Shelley Fisher Fishkin, who has also supplied an introduction and afterword, Mark Twain's Book of Animals includes stories that are familiar along with those that are appearing in print for the first time.

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The surprising final chapter of a great American life. When the first volume of Mark Twain's uncensored Autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist's life and times. This third and final volume crowns and completes his life's work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads. Created from March 1907 to December 1909, these dictations present Mark Twain at the end of his life: receiving an honorary degree from Oxford University; railing against Theodore Roosevelt, founding numerous clubs; incredulous at an exhibition of the Holy Grail; credulous about the authorship of Shakespeare's plays; relaxing in Bermuda; observing (and investing in) new technologies. The Autobiography's "Closing Words" movingly commemorate his daughter Jean, who died on Christmas Eve 1909. Also included in this volume is the previously unpublished "Ashcroft-Lyon Manuscript," Mark Twain's caustic indictment of his "putrescent pair" of secretaries and the havoc that erupted in his house during their residency. Fitfully published in fragments at intervals throughout the twentieth century, Autobiography of Mark Twain has now been critically reconstructed and made available as it was intended to be read. Fully annotated by the editors of the Mark Twain Project, the complete Autobiography emerges as a landmark publication in American literature. Editors: Benjamin Griffin and Harriet Elinor Smith Associate Editors: Victor Fischer, Michael B Frank, Amanda Gagel, Sharon K Goetz, Leslie Diane Myrick, Christopher M Ohge.

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