Search results for ""author harris michael"

“Incredible, inspiring, infinitely readable” — Craig Thompson, author of Blankets “The story was tremendous, a real page-turner. And I loved Michael Kennedy’s artwork.” — Frank Quitely “[Tumult] reads like an art house thriller. An ode to cinema, it has shades of Jim Jamusch or a hipster Hitchcock, and some of the boldest, most original art I’ve seen in years” — Christian Ward “Unique, thrilling and illustrated with gusto” — Michael Allred "Tumult is the coolest indie movie on paper. Oblique, funny and beautiful work from two future comic stars!” — Sean Phillips Adam Whistler has it all, so why does he feel so empty? When he breaks his ankle on a Mediterranean holiday he impulsively ends his relationship, toppling himself into emotional free fall. At a house party he meets—and beds—the lovely Morgan. But when he encounters her a few days later she has no memory of him and introduces herself as Leila. Leila has dissociative identity disorder, or multiple personalities. People are being murdered and Leila fears that Morgan, the personality Adam first met, is the killer. He doesn’t believe that any part of her is capable of it, so he sets out to unravel the mystery of her past. Tumult is a stylish, contemporary psychological thriller in the vein of Alfred Hitchcock and Patricia Highsmith.

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Winner of the African American Literary Show Award for Best Non-Fiction In her first book, The Presidency in Black and White, journalist April Ryan examined race in America through her experience as a White House reporter. In this book, she shifts the conversation from the White House to every home in America. At Mama’s Knee looks at race and race relations through the lessons that mothers transmit to their children. As a single African American mother in Baltimore, Ryan has struggled with each gut wrenching, race related news story to find the words to convey the right lessons to her daughters. To better understand how mothers transfer to their children wisdom on race and race relations, she reached out to other mothers—prominent political leaders like Hillary Clinton and Valerie Jarrett, celebrities like Cindy Williams, and others like Sybrina Fulton, Trayvon Martin’s mother, whose lives have been impacted by prominent race related events. At a time when Americans still struggle to address racial division and prejudice, their stories remind us that attitudes change from one generation to the next and one child at a time. Features interviews with: Sybrina Fulton, mother of Trayvon Martin; John Lewis, congressman; Hillary Clinton, former First Lady, Secretary of State, Presidential candidate; Cindy Williams, actress known for role of Shirley on Laverne & Shirley; Cory Booker, United States senator; Christopher Darden, OJ Simpson prosecutor; Michael Cole, actor best known for role of Pete on The Mod Squad; Valerie Jarrett, presidential advisor; Kerry Kennedy, daughter of Robert and Ethel Kennedy; Iyanla Vansant, author, life coach and television personality; Harry Belafonte, singer, songwriter, actor, and social activist; President Barack Obama; and President Jimmy Carter.

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Moving and inspired book ... An evocative and deeply affecting requiem for what might have been.' - Douglas Smith, author of Rasputin and Former PeopleA World on Edge reveals Europe in 1918, left in ruins by World War I. But with the end of hostilities, a radical new start seems not only possible, but essential, even unavoidable. Unorthodox ideas light up the age like the comets that have recently passed overhead: new politics, new societies, new art and culture, new thinking. The struggle to determine the future has begun.The sculptor Käthe Kollwitz, whose son died in the war, was translating sorrow and loss into art. Ho Chi Minh was working as a dishwasher in Paris and dreaming of liberating Vietnam, his homeland. Captain Harry S. Truman was running a men’s haberdashery in Kansas City, hardly expecting that he was about to go bankrupt – and later become president of the United States. Professor Moina Michael was about to invent the 'remembrance poppy', a symbol of sacrifice that will stand for generations to come. Meanwhile Virginia Woolf had just published her first book and was questioning whether that sacrifice was worth it, while the artist George Grosz was so revolted by the violence on the streets of Berlin that he decides everything is meaningless. For rulers and revolutionaries, a world of power and privilege was dying – while for others, a dream of overthrowing democracy was being born.With novelistic virtuosity, historian Daniel Schönpflug describes this watershed year as it was experienced on the ground – open ended, unfathomable, its outcome unclear. Told from the vantage points of people, famous and ordinary, good and evil, who lived through the turmoil and combining a multitude of acutely observed details, Schönpflug composes a brilliantly conceived panorama of a world suspended between enthusiasm and disappointment, and of a moment in which the window of opportunity was suddenly open, only to quickly close shut once again.

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A superb novel featuring both Mickey Haller and Harry Bosch from the No. 1 bestselling author of The Lincoln Lawyer and The Gods of Guilt. Defence lawyer Mickey Haller has had some problems, but now he's put all that behind him and is ready to resume his career. Then another lawyer, Vincent, dies, and Haller gets an unexpected windfall: he inherits all Vincent's clients, putting his stalled career back on track at a stroke. Not only that, but Vincent had taken on a high-profile and potentially lucrative murder case. It'll be a trial that promises big fees and an even bigger place in the media spotlight - and if Mickey can win against the odds, he'll really be back in the big leagues. The only problem is the detective handling the case - a certain Harry Bosch - is convinced the killer must be one of Vincent's clients. Suddenly Mickey is faced with the biggest challenge of his career: how to defend a client successfully who might just be planning to murder him.

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In this book, philosopher Harry Brighouse and Spencer Foundation president Michael McPherson bring together leading philosophers to think about some of the most fundamental questions that higher education faces. Looking beyond the din of arguments over how universities should be financed, how they should be run, and what their contributions to the economy are, the contributors to this volume set their sights on higher issues: ones of moral and political value. The result is an accessible clarification of the crucial concepts and goals we so often skip over-even as they underlie our educational policies and practices. The contributors tackle the biggest questions in higher education: What are the proper aims of the university? What role do the liberal arts play in fulfilling those aims? What is the justification for the humanities? How should we conceive of critical reflection, and how should we teach it to our students? How should professors approach their intellectual relationship with students, both in social interaction and through curriculum? What obligations do elite institutions have to correct for their historical role in racial and social inequality? And, perhaps most important of all: How can the university serve as a model of justice? The result is a refreshingly thoughtful approach to higher education and what it can, and should, be doing.

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'Death is my beat.' Those words, spoken by the narrator and hero of The Poet, Jack McEvoy, could also apply to Michael Connelly. Time and time again in these riveting true crime, non-fiction pieces, we make the connection between Connelly the crime reporter and Connelly the novelist: 'On the day I arrived in Los Angeles I sat in the newspaper editor's office being interviewed for a job on the crime beat. The day before there had been a bank heist in which the thieves had gone into the city's labyrinthine storm water tunnel system to get beneath the bank before tunnelling upward.' Years later that story would become The Black Echo. 'Moments. They kept coming. One morning an editor called me and told me to swing by a murder scene on my way to the office. Just like that, like I was picking up a coffee on the way to work. The murder was on Woodrow Wilson Drive in the Hollywood Hills. I went as instructed and got the story. I also got the place where I would put the home of the fictional detective [Harry Bosch] I had secretly begun writing about . . .' The cops, the killers, the cases - it's all here in a collection that is a MUST for Connelly fans.

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In this book, philosopher Harry Brighouse and Spencer Foundation president Michael McPherson bring together leading philosophers to think about some of the most fundamental questions that higher education faces. Looking beyond the din of arguments over how universities should be financed, how they should be run, and what their contributions to the economy are, the contributors to this volume set their sights on higher issues: ones of moral and political value. The result is an accessible clarification of the crucial concepts and goals we so often skip over - even as they underlie our educational policies and practices. The contributors tackle the biggest questions in higher education: What are the proper aims of the university? What role do the liberal arts play in fulfilling those aims? What is the justification for the humanities? How should we conceive of critical reflection, and how should we teach it to our students? How should professors approach their intellectual relationship with students, both in social interaction and through curriculum? What obligations do elite institutions have to correct for their historical role in racial and social inequality? And, perhaps most important of all: How can the university serve as a model of justice? The result is a refreshingly thoughtful approach to higher education and what it can, and should, be doing.

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In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.

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Essays on the post-modern reception and interpretation of the middle ages, with a particular focus on its relationship with business and finance. Academia has never been immune to corporate culture, and despite the persistent association of medievalism with escapism, perhaps never has that been more obvious than at the present moment. The six essays that open the volume explore precisely how financial institutions have promoted, distorted, appropriated, resisted, and repudiated post-medieval interpretations of the middle ages. In the second part of the book, contributors explore medievalism in a variety of areas, juxtaposing specific case studies with broader investigations of the discipline's motives and methods; they include Charles Kingsley's racial Anglo-Saxonism, Jessie L. Weston's Sir Gawain and the treatment of womenin medievalist film. The book also includes a spirited response to previous Studies in Medievalism volumes on the topic neomedievalism. Contributors: Harry Brown, Henrik Aubert, Helen Brookman, Pamela Clements, KellyAnnFitzpatrick, Jil Hanifan, Michael R. Kightley, Felice Lifshitz, Lauren S. Mayer, Brent Moberley, Kevin Moberley, E. L. Risden, Carol L. Robinson, M. J. Toswell, J. Rubén Valdés Miyares

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_________________Includes a foreword by STEPHEN FRY'A classic for our time...And all time.' - Michael Shermer'The words of Hitchens, Dawkins, Harris and Dennett are needed more than ever. These are the heirs to Voltaire.' - Matt RidleyKnown as the ‘four horsemen’ of New Atheism, these four big thinkers of the twenty-first century met only once. Their electrifying examination of ideas on this remarkable occasion was intense and wide-ranging. Everything that was said as they agreed and disagreed with one another, interrogated ideas and exchanged insights – about religion and atheism, science and sense – speaks with urgency to our present age. Questions they asked of each other included: ‘Is it ever possible to win a war of ideas? Is spirituality the preserve of the religious? Are there any truths you would rather not know? Would you want to see the end of faith?’ The dialogue was recorded, and is now transcribed and presented here with new introductions from the surviving three horsemen. With a sparkling introduction from Stephen Fry, it makes essential reading for all their admirers and for anyone interested in exploring the tensions between faith and reason.

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WATERSTONES' BEST BOOKS OF THE YEAR 2023: PUZZLES AND HUMOURWhether it was Harry talking about his todger in his controversial autobiography, or celebrities from Gary Lineker to Phillip Schofield and Huw Edwards dominating the news agenda, plus strikes, inflation, wildfires, the Wagner group performing the briefest mutiny of all time, an ill-fated trip to the Titanic, and - as usual - a stack of scandals leaking out of the Cabinet, 2023 has had just as many newsworthy things you'd like to forget as any other year. Before you can do that though, this book is going to quiz you on them.There's the missing words round, odd one outs, stolen formats from other quiz books, word searches, crosswords, mazes, and - as a word of warning - some close-up photographs of Michael Fabricant. With over 1,000 questions on everything from politics to pop culture, Have I Got News for You: The Quiz of 2023 promises hours of entertainment and is probably the only sardonic souvenir of 2023 going.

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Over the last decade, "New Atheists" such as Sam Harris, Richard Dawkins, and Christopher Hitchens have pushed the issue of atheism to the forefront of public discussion. Yet very few of the ensuing debates and discussions have managed to provide a full and objective treatment of the subject. Atheism: What Everyone Needs to Know provides a balanced look at the topic, considering atheism historically, philosophically, theologically, sociologically and psychologically. Written in an easily accessible style, the book uses a question and answer format to examine the history of atheism, arguments for and against atheism, the relationship between religion and science, and the issue of the meaning of life-and whether or not one can be a happy and satisfied atheist. Above all, the author stresses that the atheism controversy is not just a matter of the facts, but a matter of burning moral concern, both about the stand one should take on the issues and the consequences of one's commitment.

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Essays dealing with the controversial concept of the "work", and how far social and cultural practices are integral to it. The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the "work" within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historicalwritings can reveal period views on the "work" in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions. Creating an Opera Industry focuses on how genre and artistic autonomy were defined in operas from diverse eras and countries, explaining the role of literature and politics in this process. Finally, The Crisis of Modernity treats nineteenth-century music, offering new models for "work" and "context" to challenge reigning theories of the meaning of these terms. CONTRIBUTORS: AMNON SHILOAH, ANNA MARIA BUSSE BERGER, MARGARET BENT, EDWARD WICKHAM, BONNIE J. BLACKBURN, DAVID BRYANT, ELENA QUARANTA, OWEN REES, ALINA ZORAWSKA-WITKOWSKA, ELLEN T. HARRIS, CHRISTOPH WOLFF, NORBERT DUBOWY, MICHAEL TALBOT, MELANIA BUCCIARELLI, FRANCESCA MENCHELLI-BUTTINI, BERTA JONCUS, MICHEL NOIRAY, MICHAEL FEND, EMANUELE SENICI, FEDERICO CELESTINI, PAMELA POTTER, GIOVANNI MORELLI, JANET SMITH

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Go back to where it all began for LAPD detective Harry Bosch, star of Amazon Prime's Bosch, in his first case The Black Echo - a gripping, action-packed thriller.LAPD detective Harry Bosch is a loner and a nighthawk. One Sunday he gets a call-out on his pager. A body has been found in a drainage tunnel off Mulholland Drive, Hollywood. At first sight, it looks like a routine drugs overdose case, but the one new puncture wound amid the scars of old tracks leaves Bosch unconvinced.To make matters worse, Harry Bosch recognises the victim. Billy Meadows was a fellow 'tunnel rat' in Vietnam, running against the VC and the fear they all used to call the Black Echo. Bosch believes he let down Billy Meadows once before, so now he is determined to bring the killer to justice.

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Michael J. Devine provides a fresh, wide-ranging, and international perspective on the contested memory of the 1950–1953 conflict that left the Korean Peninsula divided along a heavily fortified demilitarized zone. His work examines “theaters of memory,” including literature, popular culture, public education efforts, monuments, and museums in the United States, China, and the two Koreas, to explain how contested memories have evolved over decades and how they continue to shape the domestic and foreign policies of the countries still involved in this unresolved struggle for dominance and legitimacy. The Korean War Remembered also engages with the revisionist school of historians who, influenced by America’s long nightmare in Vietnam, consider the Korean War an unwise U.S. interference in a civil war that should have been left to the Koreans to decide for themselves. As a former Peace Corps volunteer to Korea, a two-time senior Fulbright lecturer at Korean universities, and former director of the Harry S. Truman Presidential Library, Devine offers the unique perspective of a scholar with half a century of close ties to Korea and the Korean American community, as well as practical experience in the management of historical institutions.

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Antonio Gramsci's Prison Notebooks have offered concepts, categories, and political solutions that have been applied in a variety of social and political contexts, from postwar Italy to the insurgencies of the Arab Spring. The contributors to Gramsci in the World examine the diverse receptions and uses of Gramscian thought, highlighting its possibilities and limits for understanding and changing the world. Among other topics, they explore Gramsci's importance to Caribbean anticolonial thinkers like Stuart Hall, his presence in decolonial indigenous movements in the Andes, and his relevance to understanding the Chinese Left. The contributors consider why Gramsci has had relatively little impact in the United States while also showing how he was a major force in pushing Marxism beyond Europe—especially into the Arab world and other regions of the Global South. Rather than taking one interpretive position on Gramsci, the contributors demonstrate the ongoing relevance of his ideas to revolutionary theory and praxis. Contributors. Alberto Burgio, Cesare Casarino, Maria Elisa Cevasco, Kate Crehan, Roberto M. Dainotto, Michael Denning, Harry Harootunian, Fredric Jameson, R. A. Judy, Patrizia Manduchi, Andrea Scapolo, Peter D. Thomas, Catherine Walsh, Pu Wang, Cosimo Zene

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***Shortlisted For Historical Writers' Association's Debut Crown For Best First Historical Novel***Scotland, 1860. Reverend Alexander Ferguson, naïve and newly-ordained, takes up his new parish, a poor, isolated patch on the Hebridean island of Harris. His time on the island will irrevocably change the course of his life, but the white house on the edge of the dunes keeps its silence long after Alexander departs. It will be more than a century before the Sea House reluctantly gives up its secrets. Ruth and Michael buy the grand but dilapidated building and begin to turn it into a home for the family they hope to have. But their dreams are marred by a shocking discovery. The tiny bones of a baby are buried beneath the house; the child's fragile legs are fused together - a mermaid child. Who buried the bones? And why? Ruth needs to solve the mystery of her new home - but the answers to her questions may lie in her own past. Based on a real nineteenth-century letter to The Times in which a Scottish clergyman claimed to have seen a mermaid, Secrets of the Sea House is an epic, sweeping tale of loss and love, hope and redemption, and how we heal ourselves with the stories we tell.

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British popular culture would probably be very different had Larry Stephens not been born. We could now be living in a world without the Carry On films or Monty Python, and we may never have heard of Tony Hancock, Peter Sellers or Spike Milligan.Stephens’ promising career as a jazz pianist was interrupted by the war, and after serving as an officer with the commandos he moved to London and struck up a friendship with Tony Hancock, becoming the sole writer of his stage material. Hancock introduced him to Peter Sellers, Harry Secombe, Spike Milligan and Michael Bentine and together they created The Goon Show, arguably the world’s most influential comedy programme. As one of the main writers throughout its nine-year run, Stephens’ experiences and acquaintances became themes and characters within the show.For the first time, the life and work of this unsung hero of British comedy has been thoroughly explored. Using unrivalled access to Larry Stephens’ personal archive of letters, photographs and artwork, plus interviews with Stephens’ many notable friends, family members, comrades and colleagues, It’s All In The Mind tells the story of a boy from the Black Country whose short life had an enduring impact.

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Geoffrey Beevers, Louise Jameson and Dan Starkey perform these stories and features from the celebrated book of the same name.First published in 1976, The Amazing World of Doctor Who thrilled fans with short stories and strips featuring the Fourth Doctor, Sarah and Harry in brand new adventures. It also supplied the low-down on the Doctor's past history and some of the foes he'd encountered to date.This nostalgic audio edition includes 'The Sinister Sponge', 'The Vampires of Crellium', 'On The Slippery Trail' and 'The Mission', plus 'A New Life' and 'Avast There' from the 1976 Doctor Who Annual. 'The Psychic Jungle' and 'Neuronic Nightmare' are multi-voice tales with thrilling sound design, and there are also charming mini-features on the Daleks, the Cybermen, the TARDIS and more.Dan Starkey (Strax), Louise Jameson (Leela) and Geoffrey Beevers (the Master) lend their vocal talents to these weird and wacky stories from the pages of the famous vintage book.Readings produced by Neil GardnerSound design by David DarlingtonExecutive Producer for BBC Audio: Michael Stevens©2023 BBC Studios Distribution Ltd (P) 2023 BBC Studios Distribution Ltd

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What do pure mathematicians do, and why do they do it? Looking beyond the conventional answers--for the sake of truth, beauty, and practical applications--this book offers an eclectic panorama of the lives and values and hopes and fears of mathematicians in the twenty-first century, assembling material from a startlingly diverse assortment of scholarly, journalistic, and pop culture sources. Drawing on his personal experiences and obsessions as well as the thoughts and opinions of mathematicians from Archimedes and Omar Khayyam to such contemporary giants as Alexander Grothendieck and Robert Langlands, Michael Harris reveals the charisma and romance of mathematics as well as its darker side. In this portrait of mathematics as a community united around a set of common intellectual, ethical, and existential challenges, he touches on a wide variety of questions, such as: Are mathematicians to blame for the 2008 financial crisis? How can we talk about the ideas we were born too soon to understand? And how should you react if you are asked to explain number theory at a dinner party? Disarmingly candid, relentlessly intelligent, and richly entertaining, Mathematics without Apologies takes readers on an unapologetic guided tour of the mathematical life, from the philosophy and sociology of mathematics to its reflections in film and popular music, with detours through the mathematical and mystical traditions of Russia, India, medieval Islam, the Bronx, and beyond.

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Units, rules, codes, systems: this is how most linguists study language. Integrationalists such as Michael Toolan, however, focus instead on how language functions in seamless tandem with the rest of human activity. In Total Speech, Toolan provides a clear and comprehensive account of integrationalism, a major new theory of language that declines to accept that text and context, language and world, are distinct and stable categories. At the same time, Toolan extends the integrationalist argument and calls for a radical change in contemporary theorizing about language and communication. In every foundational area of linguistics—from literal meaning and metaphor to the nature of repetition to the status of linguistic rules—Toolan advances fascinating and provocative criticisms of received linguistic assumptions. Drawing inspiration from the writings of language theorist Roy Harris, Toolan brings the integrationalist perspective to bear on legal cases, the reception of Salman Rushdie, poetry, and the language of children. Toolan demonstrates that the embeddedness of language and the situation-sensitive mutability of meaning reveal language as a tool for re-fashioning and renewal.Total Speech breaks free of standard linguistics’ fascinated attraction with “cognitive blueprints” and quasi-algorithmic processing to characterize language anew. Toolan’s reflections on the essence of language, including his important discussion of intention, have strong implications for students and scholars of discourse analysis, literature, the law, anthropology, philosophy of language, communication theory, and cognitive science, as well as linguistics.

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A CRIME BURIED FOR YEARS.AND ONE THAT'S JUST BEGUN... 'An authentic, topical and terrifying thriller: one of Michael Connelly's very best' THE TIMES'Yet another superb thriller from a writer at the top of his game'SUNDAY EXPRESS'Consistently excellent'MAIL ON SUNDAY* * * * *A MURDER YEARS IN THE MAKINGA murder in the middle of a street party seems a senseless tragedy. But the victim had a dark past which came back to haunt him.THE DEEPER YOU LOOKDetective Renée Ballard connects the killing to an unsolved case last worked by ex-LAPD legend Harry Bosch. But then a new crime shatters the night shift...THE DARKER IT GETSThe Midnight Men are a deadly pair of predators who stalk the city during the dark hours and disappear without a trace. Ballard once believed her job was to bring the truth to light. In a police department shaken to the core by protests and pandemic, both cases have the power to save her - or end her...* * * * *CRIME DOESN'T COME BETTER THAN CONNELLY:'One of the very best writers working today' Sunday Telegraph'The pre-eminent detective novelist of his generation' Ian Rankin'The best mystery writer in the world' GQ'A superb natural storyteller' Lee Child'A master' Stephen King'Crime thriller writing of the highest order' Guardian'America's greatest living crime writer' Daily Express'A crime writing genius' Independent on Sunday

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From the Pultizer Prize-winning author of ‘The Hours’, comes the story of a marriage thrown off course by a moment of mistaken identity. Peter Harris is forty-four, prosperous, the owner of a big New York apartment and a player in the contemporary art scene. He has been married to Rebecca for close to twenty years. Their marriage is sound, in the way marriages are. Peter might even describe himself as happy. But then Rebecca’s much younger brother Mizzy shows up for a visit. Beautiful, twenty-three years old, with a history of drug problems, Mizzy is looking for direction. And in his presence, Peter finds himself questioning his marriage, his desires, his career – the entire world he has so carefully constructed for himself. Making us think deeply about the uses of beauty and the place of love in our lives, By Nightfall is heartbreaking look at the way we live now.

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'There is something special about literature . . . that addresses our innermost sexual and amatory selves. Gay stories offer us vindication, fellowship, validation and a sense of shared identity that we need now as much as ever,' writes Stephen Fry in the foreword to this anthology.In this exciting new collection of gay short stories, we hear from authors imagining, surmising, and revealing aspects of gay life from a multitude of perspectives, ages, eras, locations, cultures and political climates. Contributors range from those emerging into a life of writing to those who have enjoyed international mainstream success. Some, such as Felice Picano, were pioneers of not only gay writing but also gay liberation itself. Others are recipients of world-class awards, including Vestal McIntyre, whose Lake Overturn: A Novel was named Editor's Choice by the New York Times Book Review and Out magazine, and a Best Book of 2009 by the Washington Post. It also won the Grub Street National Book Prize and Lambda Literary Award for Gay Fiction. The premise for stories included in this anthology was very simple - other than the stipulation that a major component of the story be in some way concerned with gay life, there were no restrictions. The aim was to bring together fictional reflections of gay life from the minds of authors approaching 'gay' from very different angles.As a result, genres in this collection range from action to sci-fi, from thriller to fantasy. The stories are set in countries including Australia, Cuba, England, Greece, Italy, Kenya, Portugal, Russia, Somalia, South Africa, Spain, Sri Lanka, and the USA. The youngest contributor is in his twenties, the oldest in his eighties.Readers will find themselves immersed in an engaging set of stories remarkably different from one another, yet, as Stephen Fry notes, offering a surprising sense of shared identity.With stories by: Nick Alexander; Tim Ashley; James Robert Baker; Damian Barr; Neil Bartlett; Sebastian Beaumont; Scott Brown; Michael Carroll; Robert Cochrane; Alfred Corn; Neal Drinnan; Royston Ellis; Nigel Fairs; Hugh Fleetwood; Ronald Frame; Patrick Gale; Damon Galgut; John R. Gordon; Drew Gummerson; Matt Harris; Cliff James; Francis King; Joseph Lidster; David Llewellyn; Paul Magrs; Vestal McIntyre; Brent Meersman; Joseph Olshan; Diriye Osman; Tony Peake; Felice Picano; David Robilliard; Jerry Rosco; Jeffrey Round; Lawrence Schimel; Rupert Smith; Colin Spencer; Joshua Winning; Ian Young; and Richard Zimler.

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When The Hunger Games series began in 2008, many commentators lumped it in with other young adult genre fiction. But The Hunger Games was always more political. It’s since become the defining story for a generation that’s grown up with economic crisis and never ending war. An uber-rich ruling class gorge themselves in their gleaming high-tech Capitol, while working people are left behind to survive in exploited districts. Revolution is a forgotten hope kept at bay by brutal policing, aching poverty, and rigid class segregation. Suzanne Collins' dark vision has only become more relevant as The Hunger Games generation are thrown into an arena of increasingly brutal competition from which it seems like there is no escape, amid the climate crisis, global pandemics, rampant inequality, authoritarianism, media misinformation, and violence and cruelty as TV spectacle. It's no wonder the story continues to resonate. Stay Alive uses the story to shed light on our own age of extreme inequalities and climate collapse, in which elites use state power, compliant media, and violent spectacle to pacify their populations. The elite endgame is leading us towards our own version of Panem, an authoritarian state order we’ll call Capitolism. The world is catching fire. Elites have no intention of burning with us. And yet there is hope, which Michael Harris finds for his readers in revolution and radical solidarity, in the anti-authoritarian, empathetic, cooperative politics of a generation that has no choice but to rebel.

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A collection of poems exemplifying Romantic aesthetic ideals, whose unique beauty lies in their revolutionary exploration of the 'overflow of powerful emotions recollected in tranquility', Samuel Taylor Coleridge and William Wordsworth's Lyrical Ballads is edited with a note on the text by Michael Schmidt in Penguin Classics.Published in 1798, Lyrical Ballads is a dazzling collaboration containing twenty-three poems by close friends, William Wordsworth and Samuel Taylor Coleridge - two major figures of English Romanticism. The volume heralded a new approach to poetry and expresses the poets' reflections on mankind's relationship with the forces of the world. Coleridge's contribution includes the nightmarish vision of 'The Rime of the Ancyent Marinere', one of the works for which he became best known, as well as the fantastical conversational poem 'The Foster-Mother's Tale' and the melancholic 'The Nightingale'. Wordsworth's 'We are Seven' depicts a child's naïve optimism in the face of the cruel mortality, while 'Goody Blake and Harry Gill' and 'Simon Lee' celebrate the simplicity and strength he perceived in country people, and 'Tintern Abbey' explores the healing powers of nature.This Penguin Classics edition allows readers to recapture the full impact and power of Lyrical Ballads. It also includes a note on the history of the text by Michael Schmidt.Samuel Taylor Coleridge (1772-1834) has been criticized as a political turn-coat, drug addict and plagiarist whose wrecked career left only a handful of magical early poems. But the shaping influence of his highly imaginative criticism is now generally accepted, and his position, along with that of William Wordsworth (1770-1850), as one of the two great progenitors of the English Romantic spirit is assured. A great innovator, Wordsworth permanently enlarged the range of English poetry both in subject matter and treatment.If you enjoyed the Lyrical Ballads, you might like Wordsworth's Selected Poems, also available in Penguin Classics.

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The contributors to Colonial Racial Capitalism consider anti-Blackness, human commodification, and slave labor alongside the history of Indigenous dispossession and the uneven development of colonized lands across the globe. They demonstrate the co-constitution and entanglement of slavery and colonialism from the conquest of the New World through industrial capitalism to contemporary financial capitalism. Among other topics, the essays explore the historical suturing of Blackness and Black people to debt, the violence of uranium mining on Indigenous lands in Canada and the Belgian Congo, how municipal property assessment and waste management software encodes and produces racial difference, how Puerto Rican police crackdowns on protestors in 2010 and 2011 drew on decades of policing racially and economically marginalized people, and how historic sites in Los Angeles County narrate the Mexican-American War in ways that occlude the war’s imperialist groundings. The volume’s analytic of colonial racial capitalism opens new frameworks for understanding the persistence of violence, precarity, and inequality in modern society. Contributors. Joanne Barker, Jodi A. Byrd, Lisa Marie Cacho, Michael Dawson, Iyko Day, Ruth Wilson Gilmore, Alyosha Goldstein, Cheryl I. Harris, Kimberly Kay Hoang, Brian Jordan Jefferson, Susan Koshy, Marisol LeBrón, Jodi Melamed, Laura Pulido

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A superlative account of how theatre is made, in the words of the very people who make it. In Talking Theatre, Richard Eyre uses his unrivalled access to leading theatre people to allow us to eavesdrop on the stories behind many of the most important productions and performances in the theatre of recent times: John Gielgud • Peter Brook • Margaret 'Percy' Harris • Peter Hall • Ian McKellen • Judi Dench • Trevor Nunn • Vanessa Redgrave • Fiona Shaw • Liam Neeson • Stephen Rea • Stephen Sondheim • Arthur Laurents • Arthur Miller • August Wilson • Jason Robards • Kim Hunter • Tony Kushner • Luise Rainer • Alan Bennett • Harold Pinter • Tom Stoppard • David Hare • Jocelyn Herbert • William Gaskill • Arnold Wesker • Peter Gill • Christopher Hampton • Peter Shaffer • Frith Banbury • Alan Ayckbourn • John Bury • Victor Spinetti • John McGrath • Cameron Mackintosh • Patrick Marber • Steven Berkoff • Deborah Warner • Willem Dafoe • Simon McBurney • Robert Lepage • John Johnston (Britain's last Theatre Censor) 'A rich, stimulating treasure trove. Eyre's interviews exactly hit the spot: in revealing themselves, his subjects also give the reader a panoramic view of modern theatre' Michael Billington

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Christianity and Public Culture in Africa takes readers beyond familiar images of religious politicians and populations steeped in spirituality. It shows how critical reason and Christian convictions have combined in surprising ways as African Christians confront issues such as national constitutions, gender relations, and the continuing struggle with HIV/AIDS. The wide-ranging essays included here explore rural Africa and the continent’s major cities, colonial and missionary legacies, and mass media images in the twenty-first century. They also reveal the diversity of Pentecostalism in Africa and highlight the region’s remarkable denominational diversity. Scholars and students alike will find these essays timely and impressive. The contributors demonstrate how the public significance of Christianity varies across time and place. They explore rural Africa and the continent’s major cities, and colonial and missionary situations, as well as mass-mediated ideas and images in the twenty-first century. They also reveal the plurality of Pentecostalism in Africa and keep in view the continent’s continuing denominational diversity. Studentsand scholars will find these topical studies to be impressive in scope. Contributors: Barbara M. Cooper, Harri Englund, Marja Hinfelaar, Nicholas Kamau-Goro, Birgit Meyer, Michael Perry Kweku Okyerefo, Damaris Parsitau, Ruth Prince, James A. Pritchett, Ilana van Wyk

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MacCann features Mack Sennett, Charlie Chaplin, Buster Keaton, Harold Lloyd, and Harry Langdon in this guide to the lives and works of the most important silent comedy movie-makers in America—the fourth in his acclaimed series, American Movies: The First Thirty Years. In twenty-eight articles reprinted from various sources, twenty-five contributors show how these five artists struggled in early years to find themselves, rise above limited circumstances, and make their entries into production at a time when Hollywood was the new frontier of the twentieth century. For each artist, MacCann includes some kind of statement by the artist himself about comic goals and methods. Contributors include James Agee, Samuel Gill, Penelope Houston, Theodore Huff, Janet E. Lorenz, Donald McCaffrey, Charles J. Maland, Daniel Moews, Graham Petrie, David Robinson, Michael Roemer, Robert E. Sherwood, Anthony Slide, William Schelly, and others. MacCann's introduction eloquently discusses the value of comedy and laments the critical tendency to prefer tragedy: "...the jolly fat clowns of comedy must more than ever be critically stretched to conform with lanky and lugubrious Hamlets in order to be worthy of praise. The celebration of the sad clown is a triumph of philosophy over art."

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MacCann features Mack Sennett, Charlie Chaplin, Buster Keaton, Harold Lloyd, and Harry Langdon in this guide to the lives and works of the most important silent comedy movie-makers in America_the fourth in his acclaimed series, American Movies: The First Thirty Years. In twenty-eight articles reprinted from various sources, twenty-five contributors show how these five artists struggled in early years to find themselves, rise above limited circumstances, and make their entries into production at a time when Hollywood was the new frontier of the twentieth century. For each artist, MacCann includes some kind of statement by the artist himself about comic goals and methods. Contributors include James Agee, Samuel Gill, Penelope Houston, Theodore Huff, Janet E. Lorenz, Donald McCaffrey, Charles J. Maland, Daniel Moews, Graham Petrie, David Robinson, Michael Roemer, Robert E. Sherwood, Anthony Slide, William Schelly, and others. MacCann's introduction eloquently discusses the value of comedy and laments the critical tendency to prefer tragedy: '...the jolly fat clowns of comedy must more than ever be critically stretched to conform with lanky and lugubrious Hamlets in order to be worthy of praise. The celebration of the sad clown is a triumph of philosophy over art.'

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"For a Vast Future Also": Essays from The Journal of the Abraham Lincoln Association, brings together the most informative and thoughtful articles by fourteen accomplished scholars in the Lincoln field. The essays provide compact, detailed treatments concerning different facets of three general themes: Lincoln and the problems of emancipation; Lincoln and presidential politics; and the Lincoln legacy. Readers of the collection will understand why the Civil War profoundly changed the nation. These essays give insight into how Lincoln and his administration dealt with the profound issues of war and slavery and the continuing legacy of Lincoln and the war. No book or essay collection brings together the writings of such luminaries in the field as John Hope Franklin, James M. McPherson, Don E. Fehrenbacher, T. Harry Williams, Phillip S. Paludan, Harold Hyman, John Niven, William A. Gienapp, Norman B. Ferris, John T. Hubbell, Arthur Zilversmit, Eugene H. Berwanger, Christopher N. Breiseth, and Michael Vorenberg. Researchers now have these valuable essays available in one volume. It offers the general public the distillation of scholarship supported by the Abraham Lincoln Association over the past twenty-five years. And college and university introductory courses will find this book a valuable summary of, and introduction to, the major issues of the Civil War period.

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A silent epidemic of stolen lives. In the streets of Harlem, black men are going missing, queer minors are being trafficked, dreams are being broken, the mafia is running amuck, and brand culture and social media are killing people. When the dirtiest of vices are ripe in back alleys and street corners, the nastiest of humanity’s underbelly is put on display. With the police buried in cases and the community quickly losing faith, there is only one duo determined enough to bring light to injustice. This anthology, curated from the finest African American talents in the industry, takes the classic detective team created by Sir Arthur Conan Doyle and brings them into the modern age. In the 21st Century where people are in desperate need of answers, JON WATSON and SHERLOCK HOLMES return with five new incredible tales. Featuring stories from BRANDON EASTON (Transformers), N. STEVEN HARRIS (Michael Cray), HANNIBAL TABU (MPLS Sound), KARL BOLLERS (Marvel's Machine Man, Cable), GREG A. ELYSÉE (Is'Nana the Were Spider) as well as true Holmesian creators like LYNDSAY FAYE, STEVEN GRANT, ELI POWELL, and DENNIS CALERO. WATSON & HOLMES is part the NOIR IS THE NEW BLACK hit collection.

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Liz Truss’s journey from schoolgirl revolutionary to Britain’s shortest-serving Prime Minister The Sunday Times Politics Book of the Year A Guardian Politics Book of the Year 2023 ‘An insightful and at times riotously entertaining account of the lengthy rise and abrupt fall of Britain’s 56th Prime Minister. What was intended as a prologue to her premiership is now a riveting political obituary in which every page drips with the seeds of both triumph and disaster. Cole and Heale have produced a meticulously reported account of Truss’s drive, impulsiveness, eccentricity and ideological certainty which reads like a warning from history. It has elements of tragedy but is frequently very, very funny.’ Tim Shipman 'Make sure you put your seat belt on. Heale and Cole put you in the passenger seat of the fastest car crash in recent political history. It's an unmissable romp through Liz Truss's long journey to the top, fuelled by ambition and espresso. The clues that foretold the extraordinary catastrophe are all there, as the authors reveal in gory detail how Liz Truss nearly had the last laugh, before finally, as her government imploded, the joke was on her.' Laura Kuenssberg Despite being written off and mocked by even her closest colleagues, Liz Truss slowly but determinedly achieved her goal of taking over 10 Downing Street – only to instantly plunge her administration into chaos and announce her resignation after a record-breaking 44 days. How did she do it? And what exactly went so wrong? With unrivalled access and insight, award-winning political journalists Harry Cole and James Heale provide the answers, drawing on interviews with Truss’s friends and supporters, as well as her worst critics and rivals, from Kwasi Kwarteng to Michael Gove. Tracking Truss’s transformation from geeky teenage Lib Dem to Tory PM, with the inside scoop on her first – and only – month in office, Out of the Blue is the unmissable behind-the-scenes account of Britain’s shortest-serving Prime Minister.

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Survival, the IISS’s bimonthly journal, challenges conventional wisdom and brings fresh, often controversial, perspectives on strategic issues of the moment.In this issue: Robert Dalsjö, Michael Jonsson and Johan Norberg reconsider Russia’s military capability given its recent battlefield performance in Ukraine William Alberque and Benjamin Schreer argue that Finland and Sweden’s NATO membership would, if managed judiciously, bolster deterrence and European security Chuck Freilich contends that encouraging diplomacy is the best of Israel’s limited options for postponing Iran’s nuclear-weapons programme Nicolas Lippolis and Harry Verhoeven assess that if a wave of African defaults materialises in the near future, it will be catalysed more by private-sector manoeuvring and intransigence than by Chinese scheming Dana H. Allin and Erik Jones argue that Russia’s isolation is not a viable endgame for the West, but it may be unavoidable for a generation And seven more thought-provoking pieces, as well as our regular Book Reviews and Noteworthy column.Editor: Dr Dana AllinManaging Editor: Jonathan StevensonAssociate Editor: Carolyn WestAssistant Editor: Jessica WatsonEditorial Assistant: Charlie Zawadzki

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He's back . . . Private investigator Harry Bosch confronts a villain who's long been in hiding - a fiend known as The Poet. Former FBI agent Rachel Walling is working a dead-end stint in South Dakota when she gets the call she's been dreading for four years. The Poet is back. And he has not forgotten Rachel. He has a special present for her. Harry Bosch is adjusting to life in Las Vegas as a private investigator and a new father. He gets a call, too, from the widow of a friend who died recently. Previously in his FBI career, the friend worked on the famous case tracking the killer known as The Poet. This fact alone makes some of the elements of his death doubly suspicious. And Harry Bosch is heading straight into the path of the most ruthless and inventive murderer he has ever encountered. . .

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Between the title poem and other poems in the collection, Michael Gilkes sets up a dialogue about memory and experience through time. Joanstown celebrates, in the voice of both younger and older selves, the interweaving of a loved woman and a place. The elegant Georgetown of the 1940s, with its 'cross-stitching of avenues, bridges, canals' is transfigured by the presence of the beloved as she becomes the city's embodiment. The very concreteness of the recreation of a time when happiness came so easily, and of the genesis of a marriage whose seeming perfection leads to hubris, is made the more moving for the reader by the framing awareness of its evanescence.But there are other frames that transform the experience of loss into the consolations of art. In exploring the ancient hinterland of metamorphosis behind metaphor, Gilkes puts change at the heart of life. There is the transformation by love's fire of the lumpen boy, the class clown, 'a quasi-Quasimodo humped over a wooden desk', into the transfigured bridegroom whose 'body... floated towards the organ loft', or of the town's zinc roofs which 'curled like leaves' over the burning city, or of Joanstown's innocence inverted in the horror of Jonestown: 'carnage in paradise'. Another frame uses the base elements. In Guyana, fire and flood represent a constant cycle of destruction and renewal. This offers a rich source of visual metaphor but also brings to the poems a sense of time beyond the linearity of loss. The mud, rivers and rainforest of Guyana give birth, for instance, to the iridescent imagination of Wilson Harris, the 'steersman' whose example Gilkes so gracefully acknowledges.There are poems of lyric grace, intellectual playfulness and ironic wit; poems where Gilkes brings a painter's eye to his descriptions of both urban Guyana and its rainforests. Carefully sculpted sonnets, dramatic monologues, a pithy Creole letter and a calypso narrative show the range of Gilkes' voice, revealing him to be not only one of the Caribbean's most distinguished critics and dramatists, but a poet of major accomplishment. Joanstown won the 2002 Guyana Prize as the best collection of poetry.Michael Gilkes was born in Guyana in 1933 and left in 1961, but has never strayed far from Guyana and the Caribbean. He is one of the region's foremost literary critics and playwrights, as well as an actor, director, film-maker and university lecturer.

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Now in its fifth edition! An indispensable reference for anyone concerned with the future of American colleges and universities.Whether it is advances in information technology, organized social movements, or racial inequality and social class stratification, higher education serves as a lens for examining significant issues within American society. First published in 1998, American Higher Education in the Twenty-First Century offers a comprehensive introduction to the complex realities of American higher education, including its history, financing, governance, and relationship with the states and federal government. This thoroughly revised edition brings the classic volume completely up to date. Each chapter has been rewritten to address major recent issues in higher education, including the COVID-19 pandemic, the movement for racial justice, and turmoil in the for-profit sector. Three entirely new chapters cover broad-access colleges, race and racism, and organized social movements. Reflecting on the implications of ethnic and socioeconomic diversity within higher education, the book also grapples with growing concerns about the responsiveness and future of the academy.No other book covers such wide-ranging issues under the broader theme of higher education's relationship to society. Highly acclaimed and incorporating cutting-edge research, American Higher Education in the Twenty-First Century is now more useful and engaging than ever.Contributors: Michael N. Bastedo, Philip G. Altbach, Patricia J. Gumport, Peter Riley Bahr, Joy Blanchard, Julia Brickfield, Michael Brown, Katherine S. Cho, Daniela Conde, Charles H. F. Davis III, Hans de Wit, Peter D. Eckel, Martin Finkelstein, Denisa Gándara, Liliana M. Garces, Roger L. Geiger, Leslie D. Gonzales, Jillian Leigh Gross, Jessica Harris, Nicholas Hillman, Julia Rose Karpicz, Robert Kelchen, Adrianna Kezar, Lisa R. Lattuca, Demetri Morgan, Rebecca Natow, Anna Neumann, Audrey Peek, Laura W. Perna, Gary Rhoades, Tykeia N. Robinson, Roman Ruiz, Wonson Ryu, Lauren T. Schudde, Jeffrey C. Sun, David A. Tandberg

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Circles Disturbed brings together important thinkers in mathematics, history, and philosophy to explore the relationship between mathematics and narrative. The book's title recalls the last words of the great Greek mathematician Archimedes before he was slain by a Roman soldier--"Don't disturb my circles"--words that seem to refer to two radically different concerns: that of the practical person living in the concrete world of reality, and that of the theoretician lost in a world of abstraction. Stories and theorems are, in a sense, the natural languages of these two worlds--stories representing the way we act and interact, and theorems giving us pure thought, distilled from the hustle and bustle of reality. Yet, though the voices of stories and theorems seem totally different, they share profound connections and similarities. A book unlike any other, Circles Disturbed delves into topics such as the way in which historical and biographical narratives shape our understanding of mathematics and mathematicians, the development of "myths of origins" in mathematics, the structure and importance of mathematical dreams, the role of storytelling in the formation of mathematical intuitions, the ways mathematics helps us organize the way we think about narrative structure, and much more. In addition to the editors, the contributors are Amir Alexander, David Corfield, Peter Galison, Timothy Gowers, Michael Harris, David Herman, Federica La Nave, G.E.R. Lloyd, Uri Margolin, Colin McLarty, Jan Christoph Meister, Arkady Plotnitsky, and Bernard Teissier.

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"Sheppard and Smith provide a clear, accessible and friendly guide to studying to become a planner, with great tips, insight and advice – including what employers will be looking for and the importance of lifelong learning" - Michael Harris, Deputy Head of Policy and Research, Royal Town Planning Institute "If you are thinking of studying town and country planning at university, this book tells you what to expect and how to succeed" - Cliff Hague, Emeritus Professor of Heriot-Watt University and Past President of the Royal Town Planning Institute Study Skills for Town and Country Planning is a basic introduction to studying planning, a ′how to′ for students to develop a relevant skill set to succeed in their degree, and a guide to applying those skills in a very practical and diverse workplace. Clearly written and accessible, the book includes: Up-to-date case studies, providing real examples of applying the relevant tools and techniques covered in the book Practical activities, such as preparing and practising presentations and drafting short reports ′Tips for Success′ Suggestions for further reading a Glossary explaining new terms This student-focused guide provides an introduction to the study skills associated with town and country planning for anyone considering or already studying a planning related course. Adam Sheppard is a senior lecturer in the Department of Planning and Architecture at the University of the West of England. Nick Smith is a senior lecturer in the Department of Planning and Architecture at the University of the West of England.

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In 1984, John Thompson was convicted and sentenced to death for the murder of a white man in New Orleans, Louisiana. He was sent to Angola prison and confined to his cell twenty-three hours a day. However, Thompson adamantly proclaimed his innocence and just needed lawyers who believed that his trial had been mishandled and who would step up to the plate against the powerful DA's office. But who would fight for Thompson's innocence when he didn't have an alibi for the night of the murder and there were two key witnesses to confirm his guilt?Killing Time is about the eighteen-year quest for John Thompson's freedom from a wrongful murder conviction. After Philadelphia lawyers Michael Banks and Gordon Cooney take on his case, they struggle to find areas of misconduct in his previous trials while grappling with their questions about Thompson's innocence. John Hollway and Ronald M. Gauthier have interviewed Thompson and the lawyers regarding the case and paint a realistic and compelling portrait of life on death row and the corruption in the Louisiana police and DA's office. When it is found that evidence was mishandled in a previous trial that led to his death sentence in the murder case, Thompson is finally on his road to freedom—a journey that continues to this day. Complete with an updated afterword describing Thompson's 2011 civil suit against Harry Connick Sr. and the New Orleans DA's office and the Supreme Court's shocking verdict.

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Filigree typically refers to the finer elements of craftwork, the parts that are subtle; our 'Filigree' anthology contains work that plays with the possibilities that the word suggests, work that is delicate, that responds to the idea of edging, to a comment on the marginalisation of the darker voice. Filigree includes work from established Black British poets residing inside and outside the UK; new and younger emerging voices of Black Britain and Black poets who have made it their home as well as a selection of the Inscribe poets who we have nurtured and continue to support. They have all responded in compelling ways to the concept of 'Filigree'. Tolu Agbelusi – Sui Anukka – Raymond Antrobus – Lynne E Blackwood – Siddhartha Bose (Sid) – Victoria Bulley – Michael Campbell – Nana-Essi Casely-Hayford – Maya Chowdhry – Rishi Dastidar – Tishani Doshi – Zena Edwards – Samatar Elmi – Christina Fonthes – Patricia Foster – Kat François – Nandita Ghose – Nikheel Gorolay – Keith Jarrett – Maggie Harris – Joshua Idehen – Sumia Jamaa – Pete Kalu – Fawzia Kane – Rachel Long – Adam Lowe – Nick Makoha – Roy Mcfarlane – Ronnie McGrath – Momtaza Mehri – Sai Murray – Selina Nwulu – Louisa Adjoa Parker – Aisha Phoenix – Barsa Ray – Akila Richards – Maureen Roberts – Roger Robinson – Selina Rodrigues – Seni Seneviratne – Ioney Smallhorne – Degna Stone – Hugh Stultz – Ruth Sutoyé – Keisha Thompson – Gemma Weekes

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Curl up with the classic novel that inspired the BBC seriesLoved by generations around the world, Louisa May Alcott’s Little Women is a truly universal coming-of-age story, as relevant and engaging today as it was when originally published in 1868. Set against the backdrop of a country divided, the story follows the four March sisters, Meg, Jo, Beth and Amy, on their journey from childhood to adulthood. With the help of their mother, the girls navigate what it means to be a young woman - from gender roles to sibling rivalry, first love, loss and marriage.This three-part adaptation has been written by Call the Midwife and Cranford creator Heidi Thomas and directed by Vanessa Caswill (Thirteen, My Mad Fat Diary). It features a stellar cast including Academy award-winner Dame Angela Lansbury (Murder, She Wrote, The Manchurian Candidate) as the girls’ wealthy relative - the cantankerous Aunt March. Bafta-winner Michael Gambon (Harry Potter, Churchill’s Secret) takes the role of their benevolent neighbour Mr. Laurence, and Jonah Hauer-King (Howards End) will play Laurie, the charming boy next door.Newcomer Maya Hawke takes the role of wilful and adventurous Jo, Willa Fitzgerald will play the eldest daughter Meg, Annes Elwy will play Beth, and Kathryn Newton takes the role of the youngest sister Amy.This is a combined edition of the original text of Little Women and the second novel in the series, Good Wives.

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Much of what we know we cannot say. And much of what we do we cannot describe. For example, how do we know how to ride a bike when we can't explain how we do it? These abilities, which we are unable to articulate, were labeled "tacit knowledge" by chemist and philosopher Michael Polanyi, but here Harry Collins analyzes the term, and the behavior, in much greater detail, often departing from Polanyi's treatment. In "Tacit and Explicit Knowledge", Collins develops a common conceptual language to bridge the concept's disparate domains by explaining explicit knowledge and classifying tacit knowledge. Collins then teases apart the three very different meanings, which, until now, all fell under the umbrella of Polanyi's term: relational tacit knowledge (things we could describe in principle if we put in the effort), somatic tacit knowledge (things our bodies can do but we cannot describe, like balancing on a bike), and collective tacit knowledge (knowledge we draw on that is the property of society, such as the rules for language). Thus, bicycle riding consists of some somatic tacit knowledge and some collective tacit knowledge, such as the knowledge that allows us to navigate in traffic. The intermixing of the three kinds of tacit knowledge has led to confusion in the past; Collins' book unravels these complexities and thus enables us to make new and better use of the underlying concept.

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Whither China? presents an in-depth and wide-angled picture of Chinese intellectual life during the last decade of the millennium, as China struggled to move beyond the shadow of the Tiananmen tragedy. Because many cultural and intellectual paradigms of the previous decade were left in ruins by that event, Chinese intellectuals were forced in the early 1990s to search for new analytical and critical frameworks. Soon, however, they found themselves engulfed by tidal waves of globalization, surrounded by a new social landscape marked by unabashed commodification, and stunned by a drastically reconfigured socialist state infrastructure. The contributors to Whither China? describe how, instead of spearheading the popular-mandated and state-sanctioned project of modernization, intellectuals now find themselves caught amid rapidly changing structures of economic, social, political, and cultural relations that are both global in nature and local in an irreducibly political sense. Individual essays interrogate the space of Chinese intellectual production today, lay out the issues at stake, and cover major debates and discursive interventions from the 1990s. Those who write within the Chinese context are joined by Western observers of contemporary Chinese cultural and intellectual life. Together, these two groups undertake a truly international intellectual struggle not only to interpret but to change the world.Contributors. Rey Chow, Zhiyuan Cui, Michael Dutton, Gan Yang, Harry Harootunian, Peter Hitchcock, Rebecca Karl, Louisa Schein, Wang Hui, Wang Shaoguang, Xudong Zhang

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In this prize-winning book Thomas Holt is concerned not only with the identities of the black politicians who gained power in South Carolina during Reconstruction, but also with the question of how they functioned within the political system. Thus, as one reviewer has commented, "he penetrates the superficial preoccupations over whether black politicians were venal or gullible to see whether they wielded power and influence and, if they did, how and to what ends and against what obstacles." "Well crafted and well written, it not only broadens our knowledge of the period, but also deepens it, something that recent books on Reconstruction have too often failed to do." -- Michael Perman, American Historical Review. " . . . a valuable study of post-Civil War black leaders in a state where Negro control came closest to realization during Reconstruction. . . . Effectively merging the techniques of quantitative analysis with those of narrative history, Holt shatters a number of myths and misconceptions. . . . It should be on the reading list of all students of Reconstruction and nineteenth-century black history." -- William C. Harris, Journal of Southern History "Holt presents his work modestly as a state study of reconstruction politics. But this should not obscure a significant intellectual achievement and a contribution of fundamental importance, demonstrating the value of social-class analysis in understanding the politics of the black community." -- Jonathan M. Wiener, Journal of American History.

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Reagan In His Own Voice features Ronald Reagan's radio addresses from the late 1970s. Edited by Kiron K. Skinner, Annelise Anderson, and Martin Anderson, they are introduced by George Shultz and feature additional introductions by Nancy Reagan, Richard V. Allen, Judge William Clark, Michael Deaver, Peter Hannaford, Edwin Meese III and Harry O'Connor. From 1975 to 1979 Ronald Reagan gave more than 1,000 daily radio broadcasts, the great majority of which he wrote himself. This program represents the opening of a major archive of pre-presidential material from the Reagan Library and the Hoover Institution Archives. These addresses transform our image of Ronald Reagan, and enhance and revise our understanding of the late 1970s -- a time when Reagan held no political office, but was nonetheless mapping out a strategy to transform the economy, end the cold war, and create a vision of America that would propel him to the presidency. These radio programs demonstrate that Reagan had carefully considered nearly every issue he would face as president. Reagan's radio broadcasts will change his reputation even among his closest allies and friends. Here, in his own voice, Reagan the thinker is finally fully revealed.

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The contributors to Colonial Racial Capitalism consider anti-Blackness, human commodification, and slave labor alongside the history of Indigenous dispossession and the uneven development of colonized lands across the globe. They demonstrate the co-constitution and entanglement of slavery and colonialism from the conquest of the New World through industrial capitalism to contemporary financial capitalism. Among other topics, the essays explore the historical suturing of Blackness and Black people to debt, the violence of uranium mining on Indigenous lands in Canada and the Belgian Congo, how municipal property assessment and waste management software encodes and produces racial difference, how Puerto Rican police crackdowns on protestors in 2010 and 2011 drew on decades of policing racially and economically marginalized people, and how historic sites in Los Angeles County narrate the Mexican-American War in ways that occlude the war’s imperialist groundings. The volume’s analytic of colonial racial capitalism opens new frameworks for understanding the persistence of violence, precarity, and inequality in modern society. Contributors. Joanne Barker, Jodi A. Byrd, Lisa Marie Cacho, Michael Dawson, Iyko Day, Ruth Wilson Gilmore, Alyosha Goldstein, Cheryl I. Harris, Kimberly Kay Hoang, Brian Jordan Jefferson, Susan Koshy, Marisol LeBrón, Jodi Melamed, Laura Pulido

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