Search results for ""author gilbert"

Saturday People, Sunday People is a unique portrait of Israel as seen through the eyes of a Christian who came for a visit and has stayed on for more than six years. Long fascinated by a land that has become an abstraction centering on international conflicts of epic proportions, Lela Gilbert arrived in Israel on a personal pilgrimage in August 2006--in the midst of a raging war. What she found was a vibrant country, enlivened by warm-hearted, lively people of great intelligence and decency. Saturday People, Sunday People tells the story of the real Israel and of real Israelis--ordinary and extraordinary--and the energetic rhythm of their lives, even during times of tragedy and terror. The book interweaves a memoir of Gilbert's experiences with Israel's people and places, alongside a rich account of past and present events that continue to shape the lives of Israelis and the world beyond their borders. As she watched events unfold in the Middle East, Gilbert witnessed how the simplest facts turned into lies, from denial of the existence of a Jewish Temple in Jerusalem to the characterization of Israel's defensive border fence as "Apartheid." Then Gilbert learned of a story that had all but vanished into history: the persecution and pogroms that drove more than 850,000 Jews from Muslim lands between 1948 and 1970--the "Forgotten Refugees." Their experience is now repeating itself among Christian communities in those same Muslim countries. This cruel pattern embodies the Islamist slogan calling for the elimination of "First the Saturday people, then the Sunday people."

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Alloma Gilbert is twenty-two years old and is studying to be a veterinary nurse.

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From Gilbert and Sullivan to Andrew Lloyd Webber, from Julie Andrews to Hugh Jackman, from Half a Sixpence to Matilda, Pick a Pocket Or Two is the story of the British musical: where it began and how it developed. In Pick a Pocket Or Two, acclaimed author Ethan Mordden brings his wit and wisdom to bear in telling the full history of the British musical, from The Beggar's Opera (1728) to the present, with an interest in isolating the unique qualities of the form and its influence on the American model. To place a very broad generalization, the American musical is regarded as largely about ambition fulfilled, whereas the British musical is about social order. Oklahoma!'s Curly wins the heart of the farmer Laurey--or, in other words, the cowboy becomes a landowner, establishing a truce between the freelancers on horseback and the ruling class. Half a Sixpence, on the other hand, finds a working-class boy coming into a fortune and losing it to fancy Dans, whereupon he is reunited with his working-class sweetheart, his modest place in the social order affirmed. Anecdotal and evincing a strong point of view, the book covers not only the shows and their authors but the personalities as well--W. S. Gilbert trying out his stagings on a toy theatre, Ivor Novello going to jail for abusing wartime gas rationing during World War II, fabled producer C. B. Cochran coming to a most shocking demise for a man whose very name meant "classy, carefree entertainment." Unabashedly opinionated and an excellent stylist, author Ethan Mordden provokes as much as he pleases. Mordden is the preeminent historian of the form, and his book will be required reading for readers of all walks, from the most casual of musical theater goers to musical theater buffs to students and scholars of the form.

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The century that followed the fall of Granada at the end of 1491 and the subsequent consolidation of Christian power over the Iberian Peninsula was marked by the introduction of anti-Arabic legislation and the development of hostile cultural norms affecting Arabic speakers. Yet as Spanish institutions of power first restricted and then eliminated Arabic language use, marginalizing Arabic-speaking communities, officially sanctioned translation to and from Arabic played an increasingly crucial role in brokering the administration of the growing Spanish empire and its overseas territories. The move on the peninsula from a regime of legal pluralism to one of religious and legal orthodoxy created new needs and institutions for Arabic translation, which simultaneously reflected, subverted, and ultimately reaffirmed the normative anti-Arabic language politics. In Good Faith examines the administrative functions and practices of the individual translators who walked the knife's edge, as the task of the Arabic-Spanish translator became both more perilous and more coveted during a volatile historical period. Despite the myriad personal and political risks run by Arabic speakers, Claire M. Gilbert argues that Arabic translation was at the core of early modern Spanish culture and society and that translators played pivotal roles in the administrative, institutional, and ideological development of Spain and its relationships, both domestic and international. Using materials from state, local, and religious archives, Gilbert develops the notion of "fiduciary translation" and uses it to paint a vivid picture of the techniques by which translators attempted to demonstrate their expertise and trustworthiness—thereby to help protect themselves, their families, and even their communities from the Inquisition and other authorities. By emphasizing the practices and networks of the individual translators themselves, Gilbert's social history of Arabic translation deepens our understanding of religious minorities, international relations, and statecraft in early modern Spain.

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In August 1945 Great Britain, France, the USSR, and the United States established a tribunal at Nuremberg to try military and civilian leaders of the Nazi regime. G. M. Gilbert, the prison psychologist, had an unrivaled firsthand opportunity to watch and question the Nazi war criminals. With scientific dispassion he encouraged Göering, Speer, Hess, Ribbentrop, Frank, Jodl, Keitel, Streicher, and the others to reveal their innermost thoughts. In the process Gilbert exposed what motivated them to create the distorted Aryan utopia and the nightmarish worlds of Auschwitz, Dachau, and Buchenwald. Here are their day-to-day reactions to the trial proceedings their off-the-record opinions of Hitler, the Third Reich, and each other their views on slave labour, death camps, and the Jews their testimony, feuds, and desperate maneuverings to dissociate themselves from the Third Reich's defeat and Nazi guilt. Dr. Gilbert's thorough knowledge of German, deliberately informal approach, and complete freedom of access at all times to the defendants give his spellbinding, chilling study an intimacy and insight that remains unequaled.

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A stunning new volume which presents 120 pieces by 50 leading jewellery designers from the 1960s and '70s, including works by John Donald, Arthur King, Andrew Grima and Gilbert Albert. Simply Brilliant presents 120 pieces by 50 leading makers of jewellery in the 1960s and '70s, drawn from the Klosterman collection in Cincinnati. Most, if not all, of the individual makers of this era thought of themselves as artists first, jewellers second, and this magnificent new volume is full of stunning one of a kind pieces which reflect the inventive, ground-breaking attitudes of the era. The book explores the 1961 Goldsmiths Hall exhibition in London and its influence on contemporary jewellery designers such as John Donald, Arthur King, Andrew Grima and Gilbert Albert. The 1961 exhibition brought a new direction in jewellery design to the fore, influencing others - including the major jewellery houses such as Cartier, Bulgari, Chopard and Van Cleef and Arpels - paving the way for an international movement in fashion and design. These jewellery designers created unique pieces, often for individual clients, using non-traditional materials and unusual forms. AUTHOR: Cynthia Amneus is chief curator and curator of Fashion Arts and Textiles at Cincinnati Art Museum. 207 colour illustrations

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In this rapacious world, we eat or are eaten—so poet-critic Sandra M. Gilbert suggests throughout Judgment Day, her tenth collection of poems. Tracing this theme through the range of histories that make us who we are—private, public, religious, artistic, even culinary—Gilbert meditates on recent events as well as the sacred turnings of time, great works of graphic art, and the personal crises that continually reshape our lives.

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"...Maria Gilbert and Ken Evans have given us a beautifully written and richly illustrated account of psychotherapy supervision...Providing clear guidelines for effective clinical supervision, the book describes and vividly illustrates how the supervisor monitors, instructs, models, consults and supports the supervisee, all within the context of respect and empathy." - Marvin R. Goldfried, Ph.D. State University of New York at Stony Brook, Stony Brook , New York, USA"...Don't read this book if you have a well-worked-out, pre-determined model of supervision that you don't want to change...it will only disturb, distract and challenge you. If you would like to review your model of supervision, on the other hand, update it in the light of modern scholarship and insights, open it to 'manufactured uncertainty' so as to adapt it to the contemporary issues of the day, then it's a 'must' for you. It's a book of tomorrow in the light of the best of yesterday and indisputably for today." - Michael Carroll, Ph.D. Chartered Counselling Psychologist and BAC Fellow"...Gilbert and Evans' book is sure to become a key text in the area of psychotherapy supervision from an integrative perspective...the authors reveal an extensive knowledge of the work of other experts in the field and a deep understanding of how this knowledge may be translated into practice...Gilbert and Evans draw much needed attention to the often neglected aspect of the contexts within which supervision takes place. Their focus on the multi-cultural aspects of supervision and their advocacy for anti-oppressive practices is of note...very accessible and highly recommended to beginning supervisees and seasoned supervisors alike. This book will make a substantial contribution to the field for a long time to come." - Gillian Straker, Professor of Psychology at the University of Sydney* What are the primary goals of clinical supervision ?* What is the basis for ethical decision making in supervision ?* How can anti-oppressive practice be embedded in the training of supervisors ?This book presents an integrative relational model for psychotherapy supervision. The focus is on the primacy of the relationship both in psychotherapy and in supervision. This is one of the few books in the field of supervision to focus exclusively and in-depth on issues in clinical supervision. It provides an integrative relational model of supervision drawing on developmental theory that is applicable to the fields of psychotherapy, counselling, and clinical and counselling psychology. The authors believe that this integrative framework for supervision will be of use to supervisors of 'pure-form' approaches as well as to those supervisors involved in cross-orientation supervision since its main focus is on the quality of the supervisory alliance. Psychotherapy Supervision contains a balance of theoretical material, examples of in vivo supervision and a discussion of techniques. The book presents some interesting and innovative material on ethical decision making and on anti-oppressive practice in training organisations. The authors illustrate their material with frequent examples of supervision from their own practice to show the reader the model in action. The book is aimed at supervisors of counsellors, psychotherapists and psychologists at all levels.

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In this hilarious follow-up to Unicorns Are the Worst! and Dragons Are the Worst!, Gilbert the Goblin’s next adventure takes him to the frozen tundra where he’s determined to find the legendary yeti.Gilbert the Goblin is the first to admit that he was, ahem, mistaken—unicorns actually throw the best tea parties, and dragons make delicious ice cream soup. This time, though, he can absolutely confirm that YETIS ARE THE WORST! Sure, they may seem cool and mysterious, but once you meet one, he’s CERTAIN they’re not all they’re cracked up to be! And that’s what Gilbert plans to do: meet a yeti. That is, if he can find one…but how hard can that be?

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Adunni and Ms Tia are back, now forced to confront their pasts and find the courage to roar for themselves''A novelist of great power, wit, and invention''ELIZABETH GILBERT, author of City of Girls''Daré has proved, once again, that she is a masterful storyteller to be reckoned with''TARA M. STRINGFELLOW, author of Memphis''A touching tale of connection and love''ANNE GRIFFIN, author of The Island of Longing''An edge-of-your-seat return to the world of The Girl with the Louding Voice''CHARMAINE WILKERSON, author of Black Cake''An enduring story of hope, love and the power we hold''ORE AGBAJE-WILLIAMS, author of The Three of UsPlucky fourteen-year-old Adunni is in Lagos, excited to finally enrol in school. Having escaped her rural village in a desperate bid to seek a better future, she''s found refuge with Tia, a kind and

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Why, it's a whale of a book! Here comes Moby Jane - again! Originally published in 1987 and long out of print, Moby Jane contains ten years' worth of Gilbert, poem by poem, that literally spill out over its edges - the book begins on the front cover and ends on the back! Eli Mandel calls Gilbert 'an extraordinary, intelligent experimentalist,' and Coach House has just gotten wind that this classic tome has been chosen for National Poetry Month 2004 as one of the ten all-time must-read books of Canadian poetry.

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As each power vies for its national interests on the world stage, how do its own citizens' democratic interests fare at home? Alan Gilbert speaks to an issue at the heart of current international-relations debate. He contends that, in spite of neo-realists' assumptions, a vocal citizen democracy can and must have a role in global politics. Further, he shows that all the major versions of realism and neo-realism, if properly stated with a view of the national interest as a common good, surprisingly lead to democracy. His most striking example focuses on realist criticisms of the Vietnam War. Democratic internationalism, as Gilbert terms it, is really the linking of citizens' interests across national boundaries to overcome the antidemocratic actions of their own governments. Realist misinterpretations have overlooked Thucydides' theme about how a democracy corrupts itself through imperial expansion as well as Karl Marx's observations about the positive effects of democratic movements in one country on events in others. Gilbert also explodes the democratic peace myth that democratic states do not wage war on one another. He suggests instead policies to accord with the interests of ordinary citizens whose shared bond is a desire for peace. Gilbert shows, through such successes as recent treaties on land mines and policies to slow global warming that citizen movements can have salutary effects. His theory of "deliberative democracy" proposes institutional changes that would give the voice of ordinary citizens a greater influence on the international actions of their own government.

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Jaclyn Gilbert’s piercing and lyrically compelling debut novel about marriage, loss, and finding the path home again. Murray has always known how to suppress his pain. In the shadows of a predawn run, a man tries to escape what he can’t control: His failed marriage. Grief. Even his own weakness. Murray is a college running coach insistent on his relentless training regimen and obsessed with his star athlete—until he finds her crumpled and unresponsive during a routine practice one morning. Unable to avoid or outrun reality, Murray is forced to face the consequences of a terrible accident from the past…and his own increasingly tenuous grip on life. In her debut novel, author Jaclyn Gilbert weaves together the strands of two lives that form a union as finely nuanced and delicate as a spider’s web―and just as vulnerable. Following the relationship of Murray and his ex-wife, Nancy, in alternating narratives, we experience their early moments of hope and desire as well as their fears and failings. With poignancy and grace, Late Air traces the collapse of a marriage, exhausted by time and trauma, and one couple’s journey to regain their footing.

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The abbreviated Psalms commentary by Honorius Augustodunensis (ca. 1070 – ca. 1140)—a redaction of his own, much larger commentary on the entire Psalter—participates in a long tradition of Christian interpretation of the Book of Psalms. A prolific author closely associated with Anselm of Canterbury, Rupert of Deutz, and Gilbert of Poitiers, Honorius wrote a massive commentary on the Psalms when the so-called “school of Laon” was at work on the Glossa ordinaria. Honorius’s work shares the academic interest of that school, while simultaneously serving the devotion of the Benedictine Reform. His Exposition of Selected Psalms highlights a tripartite division of the Psalter, even as it discovers in the psalms an apocalypticism fitting to the Church in its last age.

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William Gilbert, médico de la reina Isabel I de Inglaterra, fue el científico más destacado de su reinado. Gilbert acuñó el término electricidad y fue el padre del estudio de la energía eléctrica, además de haber fundado los estudios magnéticos modernos y de ser el descubridor del magnetismo terrestre. Y sin embargo, es un gran desconocido. Gracias a su amistad con los principales navegantes de la época, Gilbert conocía el curioso comportamiento de las agujas magnéticas de las brújulas y compases, y la inclinación magnética. A1 formular su teoría de que la Tierra era un enorme imán, un cuerpo enorme dotado de alma magnética, Gilbert desafió la ortodoxia científica de su época e inició una batalla que culminaría en la actual concepción sobre el magnetismo terrestre.

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Forty years after their first ground breaking work of feminist literary theory, The Madwoman in the Attic, award-winning collaborators Sandra M. Gilbert and Susan Gubar map the literary history of feminism’s second wave. From its stirrings in the midcentury—when Sylvia Plath, Betty Friedan and Joan Didion found their voices and Diane di Prima, Lorraine Hansberry and Audre Lorde discovered community in rebellion—to a resurgence in the new millennium in the writings of Alison Bechdel, Claudia Rankine and N. K. Jemisin, Gilbert and Gubar trace the evolution of feminist literature. They offer lucid, compassionate and piercing readings of major works by these writers and others, including Adrienne Rich, Ursula K. Le Guin, Maxine Hong Kingston, Susan Sontag, Gloria Anzaldúa and Toni Morrison. Activists and theorists like Nina Simone, Gloria Steinem, Andrea Dworkin, Eve Kosofsky Sedgwick and Judith Butler also populate these pages as Gilbert and Gubar examine the overlapping terrain of literature and politics in a comprehensive portrait of an expanding movement. As Gilbert and Gubar chart feminist gains—including creative new forms of protests and changing attitudes toward gender and sexuality—they show how the legacies of second wave feminists and the misogynistic culture they fought, extend to the present. In doing so, they celebrate the diversity and urgency of women who have turned passionate rage into powerful writing.

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A hilarious, confrontational and moving story of one woman's attempts to navigate her way through the challenges of mid-life, for lovers of HOW TO BE A WOMAN and I'M NOT WITH THE BAND. 'Claire Dederer is not only a brilliant author, but an honest and brave one' Elizabeth Gilbert, author of EAT, PRAY, LOVEClaire Dederer's youth was wild, an endless cascade of beer and rock and acid and sex that left her benumbed and adrift. But then, after two decades of disciplined transformation, she'd become a successful writer, a faithful wife, and a mother - a real adult. That is, until one morning at 44, she found herself overcome by the same sexual cravings and ineffable sadness of her younger years. The hedonistic girl, 'that crazy bitch', was back - or had she never left?Frank and disarming, seductive and hilarious, Love and Trouble: A Mid-life Reckoning is Dederer's attempt to reckon with those urges, and to reconcile the girl she'd been with the woman she's become.

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Dark, gripping and romantic - read the books that inspired the phenomenal Netflix vampire series.Book 6 in the Vampire Diaries series by bestselling author L J Smith.Elena Gilbert is once again at the centre of magic and danger beyond her imagining. And once more, Stefan isn't there to help! Elena is forced to trust her life to Damon, the handsome but deadly vampire who wants Elena, body and soul. They must journey to the slums of the Dark Dimension, a world where vampires and demons roam free, but humans must live as slaves of their supernatural masters. Damon's brother, the brooding vampire Stefan whom Elena loves, is imprisoned here, and Elena can only free him by finding the two hidden halves of the key to his cell. Meanwhile, the tension between Elena and Damon mounts until Elena is faced with a terrible decision: which brother does she really want to be with?The drama, danger and star-crossed love that fills each Vampire Diaries book is in full effect here, with Elena Gilbert once again filled with supernatural powers.

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The Sorcerer is a two-act comic opera, with a libretto by W. S. Gilbert and music by Arthur Sullivan. It opened on November 17, 1877 at the Opera Comique in the Strand in London, where it ran for 178 performances. For the 1884 revival, Gilbert and Sullivan abridged the ending to Act I, and provided a new opening to Act II, and it is in this form that the work is usually presented today.The first American production was at the Broadway Theatre in New York on February 21, 1879, for a run of just 20 performances. There were later professional revivals in New York, none of them under D'Oyly Carte auspices, in 1879, 1882, and 1883.

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Gilbert & Sullivan’s second most successful comic opera of its day, and now the most performed Savoy opera by amateur societies.

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In International Intervention and the Problem of Legitimacy Andrew C. Gilbert argues for an ethnographic analysis of international intervention as a series of encounters, focusing on the relations of difference and inequality, and the question of legitimacy that permeate such encounters. He discusses the transformations that happen in everyday engagements between intervention agents and their target populations, and also identifies key instabilities that emerge out of such engagements. Gilbert highlights the struggles, entanglements and inter-dependencies between and among foreign agents, and the people of Bosnia-Herzegovina that channel and shape intervention and how it unfolds. Drawing upon nearly two years of fieldwork studying in postwar Bosnia and Herzegovina, Gilbert's probing analysis identifies previously overlooked sites, processes, and effects of international intervention, and suggests new comparative opportunities for the study of transnational action that seeks to save and secure human lives and improve the human condition. Above all, International Intervention and the Problem of Legitimacy foregrounds and analyzes the open-ended, innovative, and unpredictable nature of international intervention that is usually omitted from the ordered representations of the technocratic vision and the confident assertions of many critiques.

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In Victorian Skin, Pamela K. Gilbert uses literary, philosophical, medical, and scientific discourses about skin to trace the development of a broader discussion of what it meant to be human in the nineteenth century. Where is subjectivity located? How do we communicate with and understand each other's feelings? How does our surface, which contains us and presents us to others, function and what does it signify? As Gilbert shows, for Victorians, the skin was a text to be read. Nineteenth-century scientific and philosophical perspectives had reconfigured the purpose and meaning of this organ as more than a wrapping and instead a membrane integral to the generation of the self. Victorian writers embraced this complex perspective on skin even as sanitary writings focused on the surface of the body as a dangerous point of contact between self and others. Drawing on novels and stories by Dickens, Collins, Hardy, and Wilde, among others, along with their French contemporaries and precursors among the eighteenth-century Scottish thinkers and German idealists, Gilbert examines the understandings and representations of skin in four categories: as a surface for the sensing and expressive self; as a permeable boundary; as an alienable substance; and as the site of inherent and inscribed properties. At the same time, Gilbert connects the ways in which Victorians "read" skin to the way in which Victorian readers (and subsequent literary critics) read works of literature and historical events (especially the French Revolution.) From blushing and flaying to scarring and tattooing, Victorian Skin tracks the fraught relationship between ourselves and our skin.

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Gilbert the Goblin infiltrates Santa’s workshop to prove that goblins are better workers than elves in the side-splitting latest installment in The Worst! picture book series, where even the strangest of creatures can become the best of friends.Everyone knows that elves have a reputation of being the hardest workers around—especially when it comes to the holiday season—but as far as Gilbert the Goblin is concerned that’s nothing but ho-ho-hogwash. A goblin’s to-do list is just as long as any elf’s; they just don’t feel the need to sing songs about it. To prove he can outperform any reindeer-watching, wrapper-paper-wielding, toy-tinkering elf, Gilbert puts on his merriest disguise to infiltrate Santa’s workshop. But can one lone goblin do the work of a whole team of elves?

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Miss Temperance Flowerdew is on her way to work when a stranger suddenly grabs her off the street and sends her on a Chicago-bound train before she can figure out what happened. When Mr. Gilbert Cavendish is called upon to rescue a missing woman, he follows the trail to Chicago only to discover that the woman is his good friend Temperance. Before they can discover who was behind the abduction, they're seen alone together by a New York society matron, putting their reputations at risk. Gilbert is willing to propose marriage--except Temperance will have none of it. She's finally stepped out of the shadow of her relations and won't give up her independence. But when it becomes clear the misunderstanding in Chicago has escalated into a threat on her life and followed her to New York, accepting Gilbert's help in solving the mystery may lead to more than she ever could have dreamed.

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Looking for quick, easy one-pan desserts? Look no further! Molly Gilbert shares 80+ recipes for delicious and innovative sheet pan desserts in this first-ever cookbook for desserts that require just one main piece of kitchen equipment: a baking sheet pan. Molly Gilbert, author of the runaway hit Sheet Pan Suppers, has turned her eye to desserts. Her easy recipes are all made with super-accessible ingredients, and pretty much all you’ll need to bake them are a hot oven and your trusty sheet pan. This is the perfect cake cookbook, and you’ll also find comforting cookies and bars; impressive-looking pies, galettes, and tarts; and even some simple breads and breakfasts. Molly offers recipes that are both nostalgic, like her Kitchen Sink Cookies and her son Jack’s Chocolate Chip Cake with Fudge Frosting, and innovative, like her Dozen Donut Cake and Pumpkin Tiramisu Roll. Whether you’re baking for a celebration or for something to snack on throughout the day, if you have a sheet pan, this baking book has just the thing. Molly’s dessert recipes are sure to please any sort of sweet tooth! Paperback with rounded corners; 240 pages; 7 x 9 inches.

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The U. S. hockey teams victory at the 1980 Olympics was a Miracle on Ice--a miracle largely brought about by Herb Brooks, the legendary coach who forged that invincible team. Famously antagonistic toward the press at Lake Placid, Brooks nonetheless turned to sportswriter John Gilbert after each game, giving his longtime friend and confidant what became the most comprehensive coverage of the 80 team. This book is Gilberts memoir of Brooks. Neither strictly biography or tell-all expose, Herb Brooks: The Inside Story of a Hockey Mastermind is the story of an extraordinary man as it emerged in the course of a remarkable friendship.

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A powerful account of Jews living in Muslim lands and the surprising truths about their shared history The relationship between Jews and Muslims has been a flashpoint that affects stability in the Middle East and has consequences around the globe. In this absorbing and eloquent book Martin Gilbert challenges the standard media portrayal and presents a fascinating account of hope, opportunity, fear, and terror that have characterized these two peoples through the 1,400 years of their intertwined history.Harking back to the Biblical story of Ishmael and Isaac, Gilbert takes the reader from the origins of the fraught relationship—the refusal of Medina’s Jews to accept Mohammed as a prophet—through the ages of the Crusader reconquest of the Holy Land and the great Muslim sultanates to the present day. He explores the impact of Zionism in the first half of the twentieth century, the clash of nationalisms during the Second World War, the mass expulsions and exodus of 800,000 Jews from Muslim lands following the birth of Israel, the Six-Day War and its aftermath, and the political sensitivities of the current Middle East.In Ishmael’s House sheds light on a time of prosperity and opportunity for Jews in Muslim lands stretching from Morocco to Afghanistan, with many instances of Muslim openness, support, and courage. Drawing on Jewish, Christian, and Muslim sources, Gilbert uses archived material, poems, letters, memoirs, and personal testimony to uncover the human voice of this centuries-old conflict. Ultimately Gilbert’s moving account of mutual tolerance between Muslims and Jews provides a perspective on current events and a template for the future.

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Creative Dance for All Ages, Second Edition, has had a long history of providing a dance curriculum to teachers and students preparing to teach creative dance. Author Anne Gilbert demystifies expectations when teaching creative dance and provides the theory, methods, and lesson ideas for success in a variety of settings and with students of all ages. This one-stop resource offers dance teachers everything they need, including a sequential curriculum, lesson plans, instructional strategies, assessment, and other forms. It’s like having a seasoned dance teacher at your side offering inspiration and guidance all year long. Internationally recognized master teacher and author Anne Gilbert Green presents creative dance for everyone and tips on meeting the challenges of teaching it. She offers a complete package for teaching creative dance that includes the theory, methodology, and lesson plans for various age groups that can be used in a variety of settings. Gilbert also offers an entire dance curriculum for sequential teaching and learning. The second edition of her classic text has been revised, reorganized, and updated to meet all the needs of dance teachers. The second edition of Creative Dance for All Ages includes these new features: • An easy-to-navigate format helps you quickly access the material and find lesson planning and assessment tools. • Content reflects changes in the field of dance education to put you on the cutting edge. • Forty age-appropriate and brain-compatible lesson plans are accessible through the web resource, which save prep time and help ensure compliance with the latest standards. • Five downloadable video clips demonstrate the lesson plans and teaching strategies and how to put them to work in the classroom. • Suggestions for modifying lessons help you include students of all abilities. • Eight assessment forms and curriculum planning templates are adaptable to your needs. If you’re a novice teacher, the book also contains these features to ensure effective instruction: • The same conceptual approach to teaching dance was used in the first edition. • A sequential dance curriculum helps you systematically cover a 10-week quarter or 16-week semester. • Class management tips put you in control from the first day. Creative Dance for All Ages, Second Edition, is an unparalleled resource for dance educators who are looking for a conceptual creative dance curriculum that will support teaching to learners of all ages. Whether in a studio, company, recreational, or educational setting, you will discover a comprehensive and well-rounded approach to teaching dance, emphasizing the how as much as the why.

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Through clear exposition and application questions, Gilbert helps us rightly understand the book of James, which was written to fortify the connection between genuine faith and heartfelt obedience.

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The abbreviated Psalms commentary by Honorius Augustodunensis (ca. 1070 - ca. 1140)-a redaction of his own, much larger commentary on the entire Psalter-participates in a long tradition of Christian interpretation of the Book of Psalms. A prolific author closely associated with Anselm of Canterbury, Rupert of Deutz, and Gilbert of Poitiers, Honorius wrote a massive commentary on the Psalms when the so-called "school of Laon" was at work on the Glossa ordinaria. Honorius's work shares the academic interest of that school, while simultaneously serving the devotion of the Benedictine Reform. His Exposition of Selected Psalms highlights a tripartite division of the Psalter, even as it discovers in the psalms an apocalypticism fitting to the Church in its last age.

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Having avoided a terrible fate for one of the love interests, time marches on for Pride. But now it is of the essence for one of the secret targets from the game, Prime Minister Gilbert. His actions become increasingly desperate as his beloved fiancée Marianne slowly deteriorates with a terminal illness. Pride knows exactly when Marianne’s death should occur, and how far Gilbert will go to save her. Will she be in time to stop the worst?

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"Love and Rockets author Gilbert Hernandez returns with Bumperhead, a companion book to Marble Season. Whereas Marble Season explored the exuberant and occasionally troubled existence of the wide-eyed pre-teen Huey, Bumperhead zeroes in on disaf--fected teenhood with its protagonist Bobby, a young slacker who narrates his life as it happens but offers very little reflection on the events that transpire. Bobby lives in the moment exclusively, and is incapable of seeing the world outside of his experiences. He comes of age in the 1970s, making a rapid progression through that era's different subcultures - in a short period of time he segues from a stoner glam-rocker to a drunk rocker to a speed-freak punk. He drifts in and out of relationships with friends, both male and female. Life zooms past him.

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Get ready for a rollicking and irresistible new mystery from award-winning artist and author Paul Madonna.Amsterdam, 2019—following the conclusion of Come to Light. Former rock star-turned-artist Emit Hopper’s life has taken yet another strange turn. His old friend, the legendary San Francisco private detective Ronnie Gilbert, is dead, and his killer has just been acquitted. But when a disheveled acquaintance from Ronnie’s past walks into Emit’s shop, a puzzling mystery resurfaces, twenty years cold.We’re transported back to San Francisco, 1999, when Emit and Ronnie first met. Emit has returned to taking commissions drawing people’s houses, only to be strong-armed by a shady police lieutenant into acting as her off-the-books spy. On top of that, a strange young woman claiming to be his daughter refuses to leave him alone. From there unfolds an intricate tale of corruption and murder that leads to an explosive scandal, with consequences that, two decades hence, are finally revealed.From the world of the Emit Hopper Mystery series, The Commissions kicks off the origin story of what promises to be an unforgettable new eccentric detective, Ronnie Gilbert. In a mystery filled with suspense and surprises around every corner, Paul Madonna brings to life the last days of San Francisco before the turn of the millennium with dozens of his signature pen-and-ink drawings.

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"A book that should provide hours of entertainment and discovery for fans of mysteries and especially those with British roots and overtones." — Criminal Element Vintage Crime is a CWA anthology with a difference, celebrating members’ work over the years. The book will gather stories from the mid-1950s until the twenty-first century by great names of the past, great names of the present together with a few hidden treasures by less familiar writers. The first CWA anthology, Butcher’s Dozen, appeared in 1956, and was co-edited by Julian Symons, Michael Gilbert, and Josephine Bell. The anthology has been edited by Martin Edwards since 1996, and has yielded many award-winning and nominated stories in the UK and overseas. This new edition includes an array of incredible and award-winning authors: Robert Barnard, Simon Brett, Liza Cody, Mat Coward, John Dickson Carr, Marjorie Eccles, Martin Edwards, Kate Ellis, Anthea Fraser, Celia Fremlin, Frances Fyfield, Michael Gilbert, Paula Gosling, Lesley Grant-Adamson, HRF Keating, Bill Knox, Peter Lovesey, Mick Herron, Michael Z. Lewin, Susan Moody, Julian Symons and Andrew Taylor.

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Anne and Gilbert join in domestic harmony in this artfully packaged edition of the fourth book in the Anne of Green Gables series.Anne is marrying Gilbert Blythe! While she’s deliriously happy to finally be with her version of Prince Charming, she’s devastated when she learns that they will be making their new home miles away from her beloved Avonlea. But Anne is always up for an adventure, especially when she has Gilbert by her side. The newlyweds settle right in to their house of dreams. Anne couldn’t be more content—the house is darling and fits all of her lofty requirements: a bubbling brook running through the property, lots of lovely trees, and close proximity to a beautiful old lighthouse and the sea. In true Anne fashion she immediately makes new friends, including salty Captain Jim, beautiful but tragic Leslie Moore, and prim and proper Miss Cornelia Bryant. While Anne’s days are filled with triumphs and tragedies, h

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“Ahoy, my lad!” he bellowed back. “I didn’t expect you so early. Come for a dip! The water’s fine. Everything is—” Then it happened. Mystery and murder runs amok amidst ominous peaks and icy lakes. In hushed valleys, venom flows through villages harbouring grievances which span generations. The landscapes and locales of Wales (“Cymru”, in the Welsh language) have fired the imagination of some of the greatest writers in the field of crime and mystery fiction. Presenting fourteen stories from ranging from the 1909 through to the 1980s, this new anthology celebrates a selection of beloved Welsh authors such as Cardiff’s Roald Dahl and Abergavenny’s Ethel Lina White, as well as lesser-known yet highly skilled writers such as Cledwyn Hughes and Jack Griffith. Alongside these home-grown tales, this collection also includes a handful of gems inspired by, or set in, the cities and wilds of Wales by treasured authors with an affinity for the country, such as Christianna Brand, Ianthe Jerrold and Michael Gilbert.

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'A real triumph, beautifully written, with many wonderful stories of the Savoy.' Lady Anne Glenconner, author of Lady in Waiting'An elegantly crafted, yet spritely and sparkling book, perfectly befitting its subject.' - Ophelia Field, author of The FavouriteIn three generations, the D'Oyly Carte family pioneered the luxury hotel and the modern theatre, propelled Gilbert and Sullivan to lasting stardom, made Oscar Wilde a transatlantic celebrity, inspired a P. G. Wodehouse series, and popularised early jazz, electric lights and Art Deco. Following the history of the iconic Savoy Hotel through three generations of the D'Oyly Carte family, The Secret Life of the Savoy revives an extroardinary cultural legacy. "For The Gondoliers-themed birthday dinner, the hotel obligingly flooded the courtyard to conjure the Grand Canal of Venice. Dinner was served on a silk-lined floating gondola, real swans were swimming in the water, and as a final flourish, a baby elephant borrowed from London Zoo pulled a five-foot high birthday cake."

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Longlisted for The Women's Prize for Fiction 2019, The Republic of Consciousness Prize 2019 and The People's Book Prize 2018. 'Enjoyable to read' - Dolly Alderton, The High Low. When Alina's brother-in-law defects to the West, she and her husband become persons of interest to the secret services, causing both of their careers to come grinding to a halt. As the strain takes its toll on their marriage, Alina turns to her aunt for help - the wife of a communist leader and a secret practitioner of the old folk ways. Set in 1970s communist Romania, this novella-in-flash draws upon magic realism to weave a tale of everyday troubles that can't be put down. 'A story to savour, to smile at, to rage against and to weep over.' - Zoe Gilbert, author of 'Folk'

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The 1904 St. Louis World's Fair was a major event in early twentieth-century America. Attracting millions of tourists, it exemplified the Victorian predilection for public spectacle. The Fair has long served as a touchstone for historians interested in American culture prior to World War I and has endured in the memories of generations of St. Louis residents and visitors. In "Whose Fair?" James Gilbert asks: what can we learn about the lived experience of fairgoers when we compare historical accounts, individual and collective memories, and artifacts from the event? Exploring these differing, at times competing, versions of history and memory prompts Gilbert to dig through a rich trove of archival material. He examines the papers of David Francis, the Fair's president and subsequent chief archivist; guidebooks and other official publications; the 1944 film "Meet Me in St. Louis"; diaries, oral histories, and other personal accounts; and a collection of striking photographs. From this dazzling array of sources, Gilbert paints a lively picture of how fairgoers spent their time, while also probing the ways history and memory can complement each other.

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SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2019 AN INTERNATIONAL BESTSELLER When Gilbert wakes one day from a dream that his wife has cheated on him, he flees - immediately and inexplicably - for Tokyo, where he meets a fellow lost soul: Yosa, a young Japanese student clutching a copy of The Complete Manual of Suicide. Together, Gilbert and Yosa set off on a pilgrimage to see the pine islands of Matsushima, one looking for the perfect end to his life, the other for a fresh start. Playful and profound, The Pine Islands is a beautiful tale of friendship, transformation and acceptance in modern Japan.

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JUNIOR LIBRARY GUILD SELECTION • Celebrate Pride and it's iconic rainbow flag--a symbol of inclusion and acceptance around the world-- with the very first picture book to tell its remarkable and inspiring history! Pride is a beacon of (technicolor) light. --Entertainment Weekly In this deeply moving and empowering true story, young readers will trace the life of the Gay Pride Flag, from its beginnings in 1978 with social activist Harvey Milk and designer Gilbert Baker to its spanning of the globe and its role in today's world. Award-winning author Rob Sanders's stirring text, and acclaimed illustrator Steven Salerno's evocative images, combine to tell this remarkable - and undertold - story. A story of love, hope, equality, and pride.

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From ‘bikie’ gangs to skinheads, the Mongrel Mob to Black Power, gangs have had a massive impact on our society. Based on intensive research within gangs, Patched is the first major history of gang life in New Zealand. Jarrod Gilbert traces the story from the early bodgies and widgies, the rise of the Hell’s Angels and other bikie gangs, the growth of the Mongrel Mob and Black Power in the 1970s and shifts towards organised crime over the past ten years. Throughout, Gilbert brings us the gang members, police and politicians in their own gritty and gripping words. Violent and sometimes horrifying, this book explores a tough but revealing facet of New Zealand life.

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"A book that should provide hours of entertainment and discovery for fans of mysteries and especially those with British roots and overtones." — Criminal Element Vintage Crime is a CWA anthology with a difference, celebrating members’ work over the years. The book will gather stories from the mid-1950s until the twenty-first century by great names of the past, great names of the present together with a few hidden treasures by less familiar writers. The first CWA anthology, Butcher’s Dozen, appeared in 1956, and was co-edited by Julian Symons, Michael Gilbert, and Josephine Bell. The anthology has been edited by Martin Edwards since 1996, and has yielded many award-winning and nominated stories in the UK and overseas. This new edition includes an array of incredible and award-winning authors: Robert Barnard, Simon Brett, Liza Cody, Mat Coward, John Dickson Carr, Marjorie Eccles, Martin Edwards, Kate Ellis, Anthea Fraser, Celia Fremlin, Frances Fyfield, Michael Gilbert, Paula Gosling, Lesley Grant-Adamson, HRF Keating, Bill Knox, Peter Lovesey, Mick Herron, Michael Z. Lewin, Susan Moody, Julian Symons and Andrew Taylor.

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DeYoung and Gilbert help us think carefully about what the church is sent into the world to do. Looking at the Bible’s teaching, they explore the what, why, and how of the church’s mission.

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The vocal score with piano accompaniment to Gilbert and Sullivan's The Yeomen Of The Guard or The Merryman and his Maid. The eleventh operatic collaboration between the famous duo, it premiered at the Savoy Theatre on 3rd October, 1888.

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This accessible volume presents a straightforward statement of the gospel. Gilbert guides both Christians and non-Christians to the Bible as he offers a clear understanding of the central message of God's Word.

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Winston Churchill's life story as told through a collection of his own 100 finest writings, edited by renowned historian and official Churchill biographer Martin Gilbert

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'Zany ... Even reluctant readers will have a blast' IRISH TIMES In a small town on the banks of Lake Laloozee lives the world’s greatest flamingo detective. His name is Fabio. He’s not tall or strong, but slight and pink. And he’s very, very clever. When Fabio and his giraffe associate Gilbert (terrible at disguises) drop in to the Hotel Royale for a lemonade (pink, naturally), Fabio is persuaded to judge the hotel’s talent contest. But when the most promising contestant – Julia the jazz-singing hippopotamus – goes missing, Fabio must put his thinking cap back on and solve the mystery! This new mystery series from Laura James, author of Captain Pug, will have animal lovers and would-be detectives in stitches. Perfect for fans of Claude, Foxy Tales and The Pink Panther!

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